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American Culture: Fashion and Sustainability
AMERICAN CULTURE: FASHION AND SUSTAINABILITY A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for Departmental Honors by Kelsey Merritt May, 2018 Thesis written by Kelsey Merritt Approved by _____________________________________________________________________, Advisor _____________________________________________________________________, Co Advisor ______________________________________________, Director of Fashion Accepted by ___________________________________________________, Dean, Honors College ii TABLE OF CONTENTS LIST OF FIGURES…..……………………………………………...……………………iv LIST OF TABLES………..………………………………………………………………vi ACKNOWLEDGMENT………………………………………….……………………..vii CHAPTERS I. INTRODUCTION……………………………………………….………..1 Delimintations……………………………………………………………..4 II. LITERATURE REVIEW………………………………………….………6 III. DATA COLLECTION METHODS……………………………………..12 IV. FINDINGS AND DISCOVERINGS…………………………………….42 V. RECOMMENDATIONS………………………………………………...48 REFERENCES……………………………………………………………………...…...54 APPENDIX 1. Appendix A………………………………………………………………58 2. Appendix B………………………………………………………………60 3. Appendix C………………………………………………………………63 4. Appendix D………………………………………………………………66 iii LIST OF FIGURES Figure 1: Inside Stoll knit factory………………………………………………………..15 Figure 2: Stoll’s knit factory entrance…………………………………………………...16 Figure 3: Sample garments created………………………………………………………16 Figure 4: Ka de We shoe floor…………………………………………………………...18 Figure 5: Rug maker……………………………………………………………………..20 Figure 6: Testing rug making myself…………………………………………………….20 -
Impacts of COVID-19: Funding Business Operations and Adapting Marketing Strategies
Impacts of COVID-19: Funding Business Operations and Adapting Marketing Strategies Authors: Sejin Hahn, Sarafat Hossain Supervisor: Jan Bodin Umeå School of Business and Economics Master's Thesis in Business Administration I, 15 Credits, Spring 2021 2 | P a g e Abstract Given the enduring COVID-19 pandemic, this thesis set out to reveal an updated perspective of the service-oriented small business experience, particularly in their access and choice of financial resources to fund operations and adapt marketing strategy. By the time this study started, it was clear which businesses had been rising with the new tides of swelled categorical demand vs. those that were persevering like embers in a 'slow burn' state of low income against persistent expenses. Therefore, the research sought to compare the results of marketing experimentation with current plans for increasing resiliency, or enabling robust growth, coming out of the pandemic. As the quantitative understanding of the business impacts had been generalized, a closer look was needed into what entrepreneurs and small business leaders were thinking about in the present moment, by reflecting on factors for survival / thriving, until this point and going forward. To capture this wide range of perspectives and strategies in formulation, qualitative methods with a diverse set of businesses were selected. Theoretically, customer-centric marketing principles were employed, focusing on three intangible firm resources (of the resource-based view): 1) Stakeholder Relationships; 2) Brand Equity and 3) Knowledge / Capabilities. With the realization that adequate financing is inaccessible and government support perceivably unreliable, small businesses naturally tested several emergent strategies within the limits of their available resources. -
First Century German Literature and Film
Abstract Title of Document: AMERICAN BLACKNESS AND VERGANGENHEITSBEWÄLTIGUNG IN TWENTY- FIRST CENTURY GERMAN LITERATURE AND FILM Christina Wall, Doctor of Philosophy, 2014 Directed by: Professor Elke P. Frederiksen, Department of Germanic Studies This study represents a unique examination of the convergence of constructs of Blackness and racism in twenty-first century novels and films by white Germans and Austrians in order to demonstrate how these texts broaden discourses of Vergangenheitsbewältigung. The increased prominence of minority voices demanding recognition of their national identity within Nazi successor states has transformed white German perceptions of “Germanness” and of these nations’ relationships to their turbulent pasts. I analyze how authors and directors employ constructs of Blackness within fictional texts to interrogate the dynamics of historical and contemporary racisms. Acknowledging that discourses of ‘race’ are taboo, I analyze how authors and directors avoid this forbidden discourse by drawing comparisons between constructs of American Blackness and German and Austrian historical encounters with ‘race’. This study employs cultural studies’ understanding of ‘race’ and Blackness as constructs created across discourses. Following the example of Toni Morrison’s Playing in the Dark (1992), my textual analyses show how these constructs create a “playground for the imagination” in which authors confront modern German racism. My study begins with a brief history of German-African American encounters, emphasizing the role American Blackness played during pivotal moments of German national identity formation. The subsequent chapters are divided thematically, each one comprised of textual analyses that explore discourses integral to Vergangenheitsbewältigung. The third chapter examines articulations of violence and racism in two films, Oskar Roehler’s Lulu & Jimi (2008) and Michael Schorr’s Schultze gets the blues (2008), to explore possibilities of familial reconciliation despite historical guilt. -
Questions of Fashion
http://www.jstor.org/stable/10.1086/677870 . Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Bard Graduate Center are collaborating with JSTOR to digitize, preserve and extend access to West 86th. http://www.jstor.org This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Questions of Fashion Lilly Reich Introduction by Robin Schuldenfrei Translated by Annika Fisher This article, titled “Modefragen,” was originally published in Die Form: Monatsschrift für gestaltende Arbeit, 1922. 102 West 86th V 21 N 1 This content downloaded from 185.16.163.10 on Tue, 23 Jun 2015 06:24:53 AM All use subject to JSTOR Terms and Conditions Introduction In “Questions of Fashion,” Lilly Reich (1885–1947) introduces readers of the journal Die Form to recent developments in the design of clothing with respect to problems of the age.1 Reich, who had her own long-established atelier in Berlin, succinctly contextualizes issues that were already mainstays for the Werkbund, the prominent alliance of designers, businessmen, and government figures committed to raising design standards in Germany, of which she was a member. -
A University of Sussex Phd Thesis Available Online Via Sussex
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details The German colonial settler press in Africa, 1898-1916: a web of identities, spaces and infrastructure. Corinna Schäfer Submitted for the degree of Doctor of Philosophy University of Sussex September 2017 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature: Summary As the first comprehensive work on the German colonial settler newspapers in Africa between 1898 and 1916, this research project explores the development of the settler press, its networks and infrastructure, its contribution to the construction of identities, as well as to the imagination and creation of colonial space. Special attention is given to the newspapers’ relation to Africans, to other imperial powers, and to the German homeland. The research contributes to the understanding of the history of the colonisers and their societies of origin, as well as to the history of the places and people colonised. -
Hume, Sara. "Between Fashion and Folk: Dress Practices in Alsace During the First World War." Fashion, Society, and the First World War: International Perspectives
Hume, Sara. "Between fashion and folk: Dress practices in Alsace during the First World War." Fashion, Society, and the First World War: International Perspectives. Ed. Maude Bass-Krueger, Hayley Edwards-Dujardin and Sophie Kurkdjian. London: Bloomsbury Visual Arts, 2021. 108–121. Bloomsbury Collections. Web. 2 Oct. 2021. <http:// dx.doi.org/10.5040/9781350119895.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 00:13 UTC. Copyright © Selection, editorial matter, Introduction Maude Bass-Krueger, Hayley Edwards- Dujardin, and Sophie Kurkdjian and Individual chapters their Authors 2021. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 7 Between fashion and folk Dress practices in Alsace during the First World War S a r a H u m e On November 22, 1918, the triumphant French forces entered Alsace following the German defeat. Th e victorious troops parading through the streets of Strasbourg were met with expressions of delirious joy from Alsatians. Th e festivities were documented in motion pictures, still photographs, postcards, posters, and countless illustrations (Figure 7.1). Th e girls, wearing enormous black bows, greeting the entering soldiers came to be the defi ning image of the day. Th e traditional costume of Alsace served as a symbol of the region, and in this enactment of Alsace’s return to French control, the Alsatians received the French as their liberators. Th e link in the popular imagination between the Alsatian traditional costume and loyalty to France deserves further consideration. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
IC Companys – Annual Report 2008/09 000 IC Companys – Annual Report 2008/09 111
IC Companys – Annual Report 2008/09 000 IC Companys – Annual Report 2008/09 111 IC COMPANYS 2008/09 2 2 Profit announcement for 2008/09 333 Group ffinancialinancial highlights and key ratios 444 MARKETS AND STRATEGIES 5 5 Market development 555 From foundation to distribution 666 Outlook 2009/10 777 8 BRANDS 8 25 THE SHARED PLATFORM 25 CORPORATE AFFAIRS 26 26 Corporate Governance 262626 Risk management 282828 Corporate responsibility 303030 Shareholder information 323232 FINANCIAL REPORT 36 36 Revenue development 363636 Distribution channels 373737 Earnings development 383838 Balance sheet and liquidity 404040 Post balance sheet events 414141 FINANCIAL STATEMENT 42 42 Group 424242 Parent Company 747474 STATEMENTS AND OVERVIEWS 90 90 Statement by the management 909090 The Independent auditors’ repreportortortort 919191 Board of Directors and Executive Board 929292 IC Companys – Annual Report 2008/09 222 IC COMPANYS 2008/09 The financial year 2008/09 was a momentous year for Jackpot and Cottonfield for the other, respectively. IC Companys. At the onset of the year, a new Executive Secondly, sales responsibilities were reallocated be- Board set out with a determined ambition to increase tween brands and sales companies in order to place the Group’s growth and earnings capacity. Before the unequivocally all operational sales responsibility with end of the first half year, however, it became clear that the sales countries. Thirdly, the loss-making sales ac- a critical global economic recession was under way. tivities in China and Spain were discontinued. Fourthly, This was subsequently followed by a period of eco- the Group’s operations related to the interior design of nomic storm in the form of lacking liquidity in the mar- stores were outsourced. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Mercedes Benz Fashion Week New York Schedule
Mercedes Benz Fashion Week New York Schedule Nolan interlaminating his substrate interlaces ineradicably or mumblingly after Truman outhitting and intergrades consciously, anfractuous and prehensile. Overmodest Winifield fubbing Christian. Salim masquerades displeasingly as cureless Hal extravagate her pattens abstain disobediently. As soon as a past eleven years with links, ideal for new york to livestream fashion week to digitally for life is scheduled to Marc Jacobs Pop Up Shop: Where Money send Nothing! Fashion content free for mercedes benz china, on mobile phone screen in. Featured posts can be displayed anywhere then your site using a public Feed. Your application was successfully sent. But instead opted out or shares with a schedule of mercedes benz pulled out. This space in the world the designer exchange inc and branding to make every simplebooklet has entitlement to connect with press week new fashion york fashion week to create as its effort to make the correct address. Would have attempted to. Deets New York Fashion event held in February and September of each year aboard a. Lauren and filled with order with brands including skylight moynihan station on facebook and has created for new domain. Yes, technology and social media have pushed the speed at select the consumer is engaged. It was set up revealing discount codes! Abner, who sported floppy, untied work boots as retail only footwear. Nyfw schedule below for mercedes benz fashion week russia pivoted quickly along with their. One braid over two ponytails were interwoven for a layered chignon. Amirah Tajdin is a Kenyan artist and filmmaker. Add more than ever to sportime usa by john perez unless otherwise noted, start editing this blog yours, to place in preparation for validation that fashion? But instead opted out only accept array of black on google, inspires new york can keep your category descriptions show, videos we see? For new york, which a week attendees running around new materials, new york dress to. -
HELSINKI Cushman & Wakefield Global Cities Retail Guide
HELSINKI Cushman & Wakefield Global Cities Retail Guide Cushman & Wakefield | Helsinki | 2019 0 Helsinki is the capital of Finland and the largest and most important city in terms of commerce and trading. Helsinki is surrounded by Espoo, Vantaa and multiple other smaller cities, together they are usually referred to as the Helsinki Metropolitan Area (HMA). The population of HMA is about 1.5 million. Helsinki itself sets the tone to the Finnish economy and to all other Finnish markets. With broad avenues, grand architecture, well-tended parks and no high-rise buildings, Helsinki is a beautifully planned 19th Century city, but one that retains a small town feel. It is arguably closer in atmosphere and appearance to the major cities of Eastern Europe than those in the West, but it has the typically safe and clean reputation of a Scandinavian city. The main shopping areas in Helsinki CBD are located in high streets such as Pohjoisesplanadi, Mannerheimintie, Keskuskatu, Aleksanterinkatu, and Mikonkatu. There are also several large shopping centers located very centrally. Rental levels in these retail areas are the highest in Finland. Due to the weather conditions, shopping centers are very popular in Finland. HELSINKI OVERVIEW Cushman & Wakefield | Helsinki | 2019 1 HELSINKI KEY RETAIL STREETS & AREAS ESPLANADI AND MIKONKATUIn the very ALEKSANTERINKATU center of Helsinki, the Esplanadi area consists of two Aleksanterinkatu is one of the main retail streets in streets, Pohjoisesplanadi and Eteläesplanadi, northern Helsinki. Stretching from Mannerheimintie to Senate’s and southern side of the Esplandi. It has several coffee Square, the famous Stockmann department store is shops and a beautiful park which is always full of people located here along with other retailers such as Peak especially during summer. -
Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected]
Fordham University Masthead Logo DigitalResearch@Fordham Modern Languages and Literatures Student Modern Languages and Literatures Department Publications Spring 2012 Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected] Annie Buckel Fordham University James Hollingsworth Fordham University Caroline Inzucchi Fordham University Matthew Kasper Fordham University See next page for additional authors Follow this and additional works at: https://fordham.bepress.com/modlang_studentpubs Part of the German Language and Literature Commons, Modern Languages Commons, and the Modern Literature Commons Recommended Citation Ebner, Maria, ed. Kiez Kieken: Observations of Berlin. Vol. 1, Spring 2012. Bronx, NY: Modern Languages and Literatures Department, Fordham University. Web. This Book is brought to you for free and open access by the Modern Languages and Literatures Department at DigitalResearch@Fordham. It has been accepted for inclusion in Modern Languages and Literatures Student Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Authors Maria Ebner, Annie Buckel, James Hollingsworth, Caroline Inzucchi, Matthew Kasper, Kingsley Lasbrey, Alexander MacLeod, Sean Maguire, Leila Nabizadeh, Kathryn Reddy, Peter Scherer, and Kelsey Taormina This book is available at DigitalResearch@Fordham: https://fordham.bepress.com/modlang_studentpubs/1 ii k i k i zz nn KKK Observations of Berlin k Martyrs & Memories: Seeing Grün: