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Timeslive - Print Article
TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print Print this page (#) Rescue remedy Aug 3, 2014 | Sue de Groot Born in Texas and living in PE, legendary singer-songwriter Shawn Phillips is about to launch his 25th album. He tells Sue de Groot why, after 50 years in the business, he's not about to stop making music or saving stranded boats Shawn Phillips Photograph by: Waldo Swiegers 1 of 8 8/24/2014 4:25 PM TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print Second childhood: Left, Donovan, Arlo Hennings, Liam, Juliette, Shawn and Donovan's wife Linda at the Royal Albert Hall in 2011 for the 25th anniversary concert of 'Sunshine Superman', on which Phillips played sitar. Juliette says, "Liam kept singing, 'They call me Mellow Yellow, that's right', and Donovan was so taken with him, until Liam added another verse: 'If it's yellow, let it mellow, if it's brown, flush it down.' We were in the middle of a drought in PE." Photograph by: Sunday Times Good hair day: Album cover for 'Second Contribution' (1970) Photograph by: Sunday Times 2 of 8 8/24/2014 4:25 PM TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print Phillips in the '70s Photograph by: Sunday Times High tide: Phillips in Positano in 1976, hair growing back after his accident Photograph by: Sunday Times 3 of 8 8/24/2014 4:25 PM TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print " 'The music takes you to the edge, but the words make you jump' " The Sony Playstation Theatre in Parkhurst, Johannesburg, used to be a MOTH hall for World War 2 veterans. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
The Showstopper of the Festival Performed an 80-Minute Set, During Which Zal Yanovsky, Former Lovin’ Spoonful Guitarist, Made a Surprise Guest Appearance
1 iislesle ooff wwightight ffestivalestival 11970970 2 3 photo essay by michel arnaud p u b l i s h e r ssettingetting tthehe sscenecene In 1968, the Beatles closed their Apple Boutique at 94 Baker Street. Perhaps it was a sign of things to come. BY April 1970, the Fab Four had disbanded. Both Paul 4 and John were married. The ultimate “boy band” 5 had grown up. The Swinging Sixties had come to a end. pop music which had emerged and developed during the decade was in a state of transition. Influences of Hippie Culture, Folk Music, psychedelic drugs, and the anti-war movement in America had seeped into left: London was abuzz fashion, music, art and design. with activity giving a sign of things to come at the Isle of Wight Festival. This was the scene that welcomed above: The official festival poster. right: Michel Arnaud the 1970 Isle of Wight Pop Festival. in 1970 ready to go. 6 7 8 9 the line-up 10 wwese ddnenesdayday 226t6thh judas jump, Kathy smith, Rosalie soRRels, david BRomBeRg, RedBone, KRis KRistoffeRson, mighty BaBy tthursdayhursday 227th7th gR aR y faRR, supeRtRamp, andy RoBeRts eveyone, howl, BlacK widow, gRoundhogs, teRRy Reid, gilBeRo gil ffridayriday 228th8th fi a Rfield paRlouR, aRRival, lighthouse, taste, tony joe white, chicago, family pRocol haRum, the voices of east haRlem, cactus ss aatturdayurday 229th9th john seBastian, shawn phillips, lighthouse, joni mitchell, tiny tim, miles davis, ten yeaRs afteR, emeRson laKe and palmeR, the dooRs, the who, melanie, sly and the family stone, tiny tim with islandeRs ssundayunday 330th0th good news, KRis KRistoffeRson, Ralph mctell, heaven, fRee, donovan, pentangle, moody Blues, jethRo tull, jimi hendRix, joan Baez, leonaRd cohen, Richie havens, haw11 Kwind 12 13 14 15 john sebastian the showstopper of the festival performed an 80-minute set, during which Zal yanovsky, former lovin’ spoonful guitarist, made a surprise guest appearance. -
BOY S GOLD Mver’S Windsong M If for RCA Distribim
Lion, joe f AND REYNOLDS/ BOY S GOLD mver’s Windsong M if For RCA Distribim ARM Rack Jobbe Confab cercise In Commi i cation ista Celebrates 'st Year ith Convention, Concert tal’s Private Stc ijoys 1st Birthd , usexpo Makes I : TED NUGENFS HIGH WIRED ACT. Ted Nugent . Some claim he invented high energy. Audiences across the country agree he does it best. With his music, his songs and his very plugged-in guitar, Ted Nugent’s new album, en- titled “Ted Nugent,” raises the threshold of high energy rock and roll. Ted Nugent. High high volume, high quality. 0n Epic Records and Tapes. High Energy, Zapping Cross-Country On Tour September 18 St. Louis, Missouri; September 19 Chicago, Illinois; September 20 Columbus, Ohio; September 23 Pitts, Penn- sylvania; September 26 Charleston, West Virginia; September 27 Norfolk, Virginia; October 1 Johnson City, Tennessee; Octo- ber 2 Knoxville, Tennessee; October 4 Greensboro, North Carolina; October 5 Philadelphia, Pennsylvania; October 8 Louisville, x ‘ Kentucky; October 11 Providence, Rhode Island; October 14 Jonesboro, Arkansas; October 15 Joplin, Missouri; October 17 Lincoln, Nebraska; October 18 Kansas City, Missouri; October 21 Wichita, Kansas; October 24 Tulsa, Oklahoma -j 1 THE INTERNATIONAL MUSIC-RECORD WEEKLY C4SHBCX VOLUME XXXVII —NUMBER 20 — October 4. 1975 \ |GEORGE ALBERT President and Publisher MARTY OSTROW cashbox editorial Executive Vice President Editorial DAVID BUDGE Editor In Chief The Superbullets IAN DOVE East Coast Editorial Director Right now there are a lot of superbullets in the Cash Box Top 1 00 — sure evidence that the summer months are over and the record industry is gearing New York itself for the profitable dash towards the Christmas season. -
Shawn Phillips: Ignored Talent? by Albert Salerno out the ‘70S and ‘80S, and He Never Acoustic Trio, and Occasionally with a Collins
JANUARY 2000 discoveries 39 Shawn Phillips: Ignored Talent? by Albert Salerno out the ‘70s and ‘80s, and he never acoustic trio, and occasionally with a Collins. Like Phillips, Collins had been Since the mid–1960s, when he began scored the hit single which might have 7–piece band. When he’s not on the consciously moving away from folk as veering away from folk music, Shawn helped him expand his audience. But road, Phillips lives with his wife in she began using rock and neo–classical Phillips’ music has been nearly impos- certain of Shawn’s albums were popu- Austin, Texas, where he serves as a orchestral arrangements. Her record- sible to categorize. Is he a progressive lar in the midwestern and southern part–time volunteer firefighter and cer- ing of Joni Mitchell’s “Both Sides Now” folk–rocker, a protest singer, or a United States, on the West Coast, Cana- tified emergency technician. was given a straight–ahead pop treat- singer of orchestrated pop? da, and South Africa. During the 1970s, he tended to be ment, became a Top 10 single, and Perhaps “singer of art songs” is Phillips’ voice has always been his overshadowed by fellow ex–folkies like introduced her to a mass audience in more accurate. Yet each of these trademark – hear him once, and you’ll James Taylor, Paul Simon, Neil Young, 1968. Had Shawn’s “progressive pop” descriptions could be justified by lis- usually recognize him again. His 35 Jackson Browne, and Joni Mitchell. songs reached those listeners who were tening to a scattering of tunes on any year career has been fraught with bad Some of these performers lacked embracing Collins, he might have of his Best Of compilations, and every management, lack of promotion, tax Shawn’s vocal gifts, but due to other enjoyed a similar crossover success. -
SHAWN PHILLIPS BIOGRAPHY Co-Written by Bruce Eder, All Music Guide and Arlo Hennings, Manager, 2011
SHAWN PHILLIPS BIOGRAPHY co-written by Bruce Eder, All Music Guide and Arlo Hennings, Manager, 2011 Shawn Phillips is one of most fascinating and enigmatic musicians to come out of the early-'70s singer/songwriter boom. The mere fact that he was a musician as much as a singer and songwriter made him stand out, and helped him attract a dedicated following. His refusal to shape his music — which crosses between folk-rock, jazz, progressive, pop, and classical — to anyone else's expectations allows him to hold onto a large and dedicated cult following, without ever achieving the stardom that his talent seemed to merit. Phillips was born on Feb. 3rd 1943 in Fort Worth, TX, the son of best-selling spy novelist James Atlee Phillips, (Pseudonym Philip Atlee), who moved the family around the world at various times. The family tree also contained the controversial Uncle, David Atlee Phillips, author of 5 books and Operations Director for the CIA, Western Hemisphere during the 1960s (see Kennedy assassination plot). After hearing his Mother play "Malaguena" at the piano, he took up the guitar at age six, and by the time he was 8, he was playing the chords to Carl Perkins songs. Phillips' musical experience transcended rock & roll, however. In the course of his family's travels, he got to live in almost every corner of the globe, including Tahiti, and absorbed the music that surrounded him wherever he was living. He returned to Texas in his teens, with no training in classical music other than hearing his Grandmother play Tchaikovsky on the record player, while his Grandfather listened to Hank Williams on the radio, but also with a love for performers like Jimmy Reed and Ike & Tina Turner, and many other blues and R&B performers. -
Chansons Anglaises
CHANSONS ANGLAISES T i t r e s I n t e r p r é t é p a r A bad day Daniel Powter A A good woman Eric Bibb A hard day's night Beatles A long December Counting Crows A message Cold Play About a girl Nirvana Accidentals babies Damien Rice Accidentaly in love Counting Crowes Acoustic medley Bob Marley Addicted Simple Plan Aerials System of a down Ahead by a century Tragically hip Alberta Eric Clapton Against the wind Lenny Kravitz Against the wind Bob Seger Alice restaurant Alien Pennywise All along the watchtower Bob Dylan All around the world Oasis All by myself Éric Carmen Alles wie immer Die toten Hosen All for love Brian Adams All for You Sister Hazel All in mymind Love & Rockets All I have to do is dream Rétro All I want Green Day All I want is you U2 All i wanna do (is have some fun) Sheryl Crow All summer long Kid Rock All the small thinfs Blink 182 All my loving Beatles All you need is Love Beatles Almost paradise film Footloose Always look on the bright side Always on my mind Willie Nelson Am I the only one ? Barenaked Ladies Amber 311 American dreaming Dead can dance American girl Tom Petty American music Violent Femmes American pie Don McLean Anchorage Michelle Schocked And I love her Beatles Angel Sarah Mc Laughlin Angel child Oasis Angel child Robbie William Angeles Eliott Smith Angel of Harlem U2 Angie Rolling stones Annie James Blunt Another brick in the wall Pink floyd Another lonely day Ben Harper Apologize One Republic Aqualung Jethro Tull Are you lonesome tonight? Elvis Presley Ayo Technology version Milow Titres interprété -
Hal Blaine Remembered the Pros Weigh in on the Original Studio King
COLLECTOR’S EDITION WIN A $12,000+ DW PACKAGE THE WORLD’S #1 DRUM MAGAZINE THE SHOCK 1969: OF THE NEW SANTANA’S MICHAEL SHRIEVE • MOUNTAIN’S CORKY LAING TONY WILLIAMS • BONZO ON LED ZEPPELIN II • RINGO’S MAPLE KIT CREEDENCE’S DOUG CLIFFORD • JOE COCKER’S BRUCE ROWLAND HAL BLAINE REMEMBERED THE PROS WEIGH IN ON THE ORIGINAL STUDIO KING OCTOBER 2019 GO LONG. Our popular XF extended footboard is now available on 5000 series pedals. Same unmistakable feel, road-worthy performance and adjustability with extra length for increased power. The longest running pedal in the industry just went long. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 TRUST THE MICROPHONES THE LEGENDS TRUST Legendary soul supergroup Tower of Power relies on drummer David Garibaldi to lay down their infectious groove, night after night. And David relies on Audix microphones. DAVID GARIBALDI Tower of Power Drummer AUDIX D6, D4, i5, SCX1, MicroD, and SCX25A “I’ve used Auuddix for yeaars. Thee sound is connssisttennttly faat and our scchheddulle is the ultimmate test of duurraabiilitty. We do 150 to 2000 shows a year – all over thhe worlld – andd notthing breeakks. Audix is the best.” Check out their latest release “Soul Side of Town” on Mack Avenue Records. AudixUSA.com | 800.966.8261 CONTENTS Volume 43 • Number 10 CONTENTS Cover photo of Michael Shrieve/Santana by Baron Wolman Hal Blaine photo courtesy Hal Blaine Collection 46 HAL BLAINE REMEMBERED He helped pave the way for every great studio musician who came out of L.A., and his infl uence extends to this very day. -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit N~. 2419 K.C., Mo. INSIDE: Sun Ra, Armatrading, UnkelBob, Cut-Outs, Metal and more. the record company needs to keep to main save money. tain a large enough catalog to satisfy the There are basically two types of cheap more discerning customer who isn't looking records other than used ones. First there for those new releases. In the last year are cut-outs which seem to 'be the more almost all the major record companies have confusing of the two. Get one thing instigated a mid-line priced catalog to straight at first, they are not used re some degree. Because of a reduction in cords. There are three major ways for re production expenses as records get older, cords to become cut-outs. One way is the record companies are able to pass on the records sales have slowed to a point the reduced costs to the consumer. Since pro record company cannot justify the ware moting these mid-line records the compa house space so they sell them off cheap, nies found that sales were boosted signif next is when the company presses too many icantly as exemplified by Billy Joel's copies while the record is hot so they Piano Man, which went platinum this year once again sell it off cheaply till as a $5.98 list priced record. they've made warehouse space and finally Because most of you are probably famil when an artist leaves their company to go iar with most of the mid-line records Well folks Christmas is here and gone and to another, the old company will flood the (that is, the music on the records) I will I, for one, am glad to see it go. -
Monarch Database: Known Release Information for Monarch-Pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat
Monarch Database: Known Release Information for Monarch-pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat. # Number Year Month Day Info Chet Baker Sings and Plays with Bud Shank… Pacific Jazz PJ-1202 △ 3268/9-12 1955 c. March Chet Baker The Trumpet Artistry Pacific Jazz PJ-1206 △ 31 1955 November 26 Gerry Mulligan Quartet Paris Concert Pacific Jazz PJ-1210 △ 37/8 1956 LP released 3/3/1956 Gerry Mulligan Quartet Gerry Mulligan Quartet Pacific Jazz PJ-1207 △ 32/41 1956 LP released 12/3/1955 Chico Hamilton Quintet Chico Hamilton Quintet Pacific Jazz PJ-1209 △ 49 1956 LP released January, 1956 Pinky Winters Lonely One Creative/Argo ALP-604 △ 119/147 1956 LP released 8/1956 The Five Keys Best of the Five Keys Aladdin LP-806 △ 189/90 1957 June LP released 12/8/1956 The Five Keys On the Town Score SLP-4003 △ 189/90 1957 June 3 Ahmad Jamal Count 'Em 88 Argo LP-610 △ 221/2 1957 May 20 LP released May 20, 1957 Johnny Cash With his Hot and Blue Guitar Sun SLP-1220 △ 248/9 1957 November 11 Carl Perkins Dance Album Sun SLP-1225 △ 250/1 1957 November Kermit Schaefer Pardon My Blooper, Vol. 2 Jubilee PMB-2 △ 282/3 1957 November Kermit Schaefer Pardon My Blooper, Vol. 4 Jubilee PMB-4 △ 294/-- 1957 November Kermit Schaefer Pardon My Blooper, Vol. 3 Jubilee PMB-3 △ 295/6 1957 November Kermit Schaefer Comedy of Errors Jubilee JGM-2001 △ 300/1 1957 November reissue of LP-2 Chuck Berry After School Session Chess LP-1426 △ 316/7 1957 October LP released May 20, 1957 Ella Fitzgerald and Louis Armstrong Ella and Louis Again Verve MGV-4006-2 △ 363/4 1957 October 11 First mention: 10/14/57 Kermit Schaefer Pardon My Blooper, Vol. -
May 23-29, 2013
MAY 23-29, 2013 -----------------------------Cover Story • Loretta Lynn --------------------------- The Belle of the Ballad By Evan Gillespie honesty, but it was also ruffles and span- Lynn, and she and Doo hit the road, playing gles. It was the beginning of a revolution in at radio stations to promote her record “I’m Quick. Name an actress you think should country music that has its conclusion more a Honky Tonk Girl.” play Loretta Lynn in a Broadway musical directly in Miranda Lambert than it does in When they got to Nashville, Lynn cap- version of the country singer’s life story. Deschanel or White. tured some more important attention, this Who comes immediately time from producer Owen to mind? Bet it isn’t Zooey Bradley, who was working Deschanel. The wide-eyed with Kitty Wells and Patsy cutie who likes to sing stan- Cline, among other hot acts dards and show tunes doesn’t of the day. Bradley took seem like a convincing fac- Lynn into the studio and be- simile of the hard-scrabble gan crafting her style; one of girl from Butcher Holler, but the results, 1962’s “Success,” Friday, June 14 • 8:00pm if all goes according to plan, was her first Top 10 single. Deschanel will portray Lynn Lynn’s stardom was when the musical biography built on down-home delivery, DAVID WILCOX of the world’s most famous but her style was anything $20 Adv., $25 D.O.S. coal miner’s daughter opens but modest. She was pugna- in NYC. cious, and she was eager to According to Deschanel, stand up for herself. -
Jason Montero Cover Song List
Jason Montero singer, guitarist, songwriter, performer Jason Montero has been a professional musician for more than 25 years. He has stunning versatility and his performance always matches the mood and spirit of each occasion. Jason has played thousands of shows at premiere venues from coast to coast. He has recorded dozens of original songs and appeared on the works of dozens of other artists. He knows and regularly performs 100s of popular cover songs in styles ranging from rock to pop, folk, and blues. Montero grew up in Central New Jersey on the sounds of '70s & '80s radio. He then migrated to the Finger Lakes region of New York where he taught himself guitar. Jason re-located to Phoenix, AZ in 1992 where he gradually worked his way into the club scene and eventually began performing nationally. He now lives in South Florida. Visit jasonmontero.com to learn more or youtube.com/jamoja1 for live performance videos. CONTACT: (772) 233-7623 [email protected] VENUE HIGHLIGHTS: House of Blues Los Angeles CA Winston’s San Diego CA Desert Sky Pavilion (HORDE Tour) Phoenix AZ Idaho Performing Arts Center (HORDE Tour) Nampa ID Hayden Square Amphitheater Tempe AZ Peoria Sports Complex Peoria AZ Alice Cooperstown Phoenix, AZ Scottsdale Center for the Arts Scottsdale AZ Patriot Square Amphitheater Phoenix AZ Legends Las Vegas NV Vail FAC Amphitheater Vail CO House of Blues Chicago IL The Lion’s Den New York NY Philadelphia Music Conference Philadelphia PA The Neighborhood Theater Charlotte NC Ziggy’s Winston-Salem NC The Handlebar Greenville SC Smiths Olde Bar Atlanta GA Atlantis Music Conference Atlanta GA Sunfest (Coors Light Stage) West Palm Beach FL OPENER/SIDE STAGE PERFORMANCES: Bare Naked Ladies, Dave Mathews Band, Ben Harper, Sister Hazel, Fast Ball, Galactic, Gipsy Kings, Twinemen, Shawn Phillips, Chris Baron (Spin Doctors), Alana Davis, Driving & Crying, Rebirth Brass Band.