Chansons Anglaises
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Timeslive - Print Article
TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print Print this page (#) Rescue remedy Aug 3, 2014 | Sue de Groot Born in Texas and living in PE, legendary singer-songwriter Shawn Phillips is about to launch his 25th album. He tells Sue de Groot why, after 50 years in the business, he's not about to stop making music or saving stranded boats Shawn Phillips Photograph by: Waldo Swiegers 1 of 8 8/24/2014 4:25 PM TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print Second childhood: Left, Donovan, Arlo Hennings, Liam, Juliette, Shawn and Donovan's wife Linda at the Royal Albert Hall in 2011 for the 25th anniversary concert of 'Sunshine Superman', on which Phillips played sitar. Juliette says, "Liam kept singing, 'They call me Mellow Yellow, that's right', and Donovan was so taken with him, until Liam added another verse: 'If it's yellow, let it mellow, if it's brown, flush it down.' We were in the middle of a drought in PE." Photograph by: Sunday Times Good hair day: Album cover for 'Second Contribution' (1970) Photograph by: Sunday Times 2 of 8 8/24/2014 4:25 PM TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print Phillips in the '70s Photograph by: Sunday Times High tide: Phillips in Positano in 1976, hair growing back after his accident Photograph by: Sunday Times 3 of 8 8/24/2014 4:25 PM TimesLIVE - Print Article http://www.timeslive.co.za/lifestyle/2014/08/03/rescue-remedy?service=print " 'The music takes you to the edge, but the words make you jump' " The Sony Playstation Theatre in Parkhurst, Johannesburg, used to be a MOTH hall for World War 2 veterans. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
The Showstopper of the Festival Performed an 80-Minute Set, During Which Zal Yanovsky, Former Lovin’ Spoonful Guitarist, Made a Surprise Guest Appearance
1 iislesle ooff wwightight ffestivalestival 11970970 2 3 photo essay by michel arnaud p u b l i s h e r ssettingetting tthehe sscenecene In 1968, the Beatles closed their Apple Boutique at 94 Baker Street. Perhaps it was a sign of things to come. BY April 1970, the Fab Four had disbanded. Both Paul 4 and John were married. The ultimate “boy band” 5 had grown up. The Swinging Sixties had come to a end. pop music which had emerged and developed during the decade was in a state of transition. Influences of Hippie Culture, Folk Music, psychedelic drugs, and the anti-war movement in America had seeped into left: London was abuzz fashion, music, art and design. with activity giving a sign of things to come at the Isle of Wight Festival. This was the scene that welcomed above: The official festival poster. right: Michel Arnaud the 1970 Isle of Wight Pop Festival. in 1970 ready to go. 6 7 8 9 the line-up 10 wwese ddnenesdayday 226t6thh judas jump, Kathy smith, Rosalie soRRels, david BRomBeRg, RedBone, KRis KRistoffeRson, mighty BaBy tthursdayhursday 227th7th gR aR y faRR, supeRtRamp, andy RoBeRts eveyone, howl, BlacK widow, gRoundhogs, teRRy Reid, gilBeRo gil ffridayriday 228th8th fi a Rfield paRlouR, aRRival, lighthouse, taste, tony joe white, chicago, family pRocol haRum, the voices of east haRlem, cactus ss aatturdayurday 229th9th john seBastian, shawn phillips, lighthouse, joni mitchell, tiny tim, miles davis, ten yeaRs afteR, emeRson laKe and palmeR, the dooRs, the who, melanie, sly and the family stone, tiny tim with islandeRs ssundayunday 330th0th good news, KRis KRistoffeRson, Ralph mctell, heaven, fRee, donovan, pentangle, moody Blues, jethRo tull, jimi hendRix, joan Baez, leonaRd cohen, Richie havens, haw11 Kwind 12 13 14 15 john sebastian the showstopper of the festival performed an 80-minute set, during which Zal yanovsky, former lovin’ spoonful guitarist, made a surprise guest appearance. -
BOY S GOLD Mver’S Windsong M If for RCA Distribim
Lion, joe f AND REYNOLDS/ BOY S GOLD mver’s Windsong M if For RCA Distribim ARM Rack Jobbe Confab cercise In Commi i cation ista Celebrates 'st Year ith Convention, Concert tal’s Private Stc ijoys 1st Birthd , usexpo Makes I : TED NUGENFS HIGH WIRED ACT. Ted Nugent . Some claim he invented high energy. Audiences across the country agree he does it best. With his music, his songs and his very plugged-in guitar, Ted Nugent’s new album, en- titled “Ted Nugent,” raises the threshold of high energy rock and roll. Ted Nugent. High high volume, high quality. 0n Epic Records and Tapes. High Energy, Zapping Cross-Country On Tour September 18 St. Louis, Missouri; September 19 Chicago, Illinois; September 20 Columbus, Ohio; September 23 Pitts, Penn- sylvania; September 26 Charleston, West Virginia; September 27 Norfolk, Virginia; October 1 Johnson City, Tennessee; Octo- ber 2 Knoxville, Tennessee; October 4 Greensboro, North Carolina; October 5 Philadelphia, Pennsylvania; October 8 Louisville, x ‘ Kentucky; October 11 Providence, Rhode Island; October 14 Jonesboro, Arkansas; October 15 Joplin, Missouri; October 17 Lincoln, Nebraska; October 18 Kansas City, Missouri; October 21 Wichita, Kansas; October 24 Tulsa, Oklahoma -j 1 THE INTERNATIONAL MUSIC-RECORD WEEKLY C4SHBCX VOLUME XXXVII —NUMBER 20 — October 4. 1975 \ |GEORGE ALBERT President and Publisher MARTY OSTROW cashbox editorial Executive Vice President Editorial DAVID BUDGE Editor In Chief The Superbullets IAN DOVE East Coast Editorial Director Right now there are a lot of superbullets in the Cash Box Top 1 00 — sure evidence that the summer months are over and the record industry is gearing New York itself for the profitable dash towards the Christmas season. -
Alums Try to Revive SAE Daycare Blues Extreme Pizza Doesn't Deliver
Opinion: No drinking allowed—Page 6 Scene: Country rock old style—Page 8 i^^^f;"- San Francisco FOGHORN THE UNIVERSITY OF SAN FRANCISCO SEPTEMBER 23, 1999 http://toghorn.ustca.cdu VOLUME 96, ISSUE 3 Alums Try to Revive SAE Daycare Blues Haley A. Bogosian Joelle Clark mother of an infant, who asked FOGHORN STAFF WRITER FOGHORN STAFF WRITER to remain anonymous. "I want Since last March's big "Patty Before some faculty and stu to be able to go to school know Murphy" event, an annual party dents head for class each morn ing that my baby is happy and hosted by the SAE fraternity, ing, they drop off their children in good hands. Childcare is ex some students are wondering, at various daycare centers around pensive in the city. Right now, "What happened to SAE?" the Bay Area, since USF does not my husband and I iuggle our Since the party, Sigma Alpha offer daycare services on its cam schedules around each other so Epsilon, a social fraternity at the pus. that'we can both finish school. University of San Francisco, has Currently, He goes to been on three years suspension no proposals class, while I from USF. for on-site watch the The Foghorn has learned that daycare are on baby, then we complaints such as loud noise, the table. Over switch. littering,and other disturbances the past 10 There's no date back twenty years. SAE will years, various time for be allowed to apply as a frater proposals have homework. nity again and be recognized by been made for We need a USF if they pass this probation. -
Shawn Phillips: Ignored Talent? by Albert Salerno out the ‘70S and ‘80S, and He Never Acoustic Trio, and Occasionally with a Collins
JANUARY 2000 discoveries 39 Shawn Phillips: Ignored Talent? by Albert Salerno out the ‘70s and ‘80s, and he never acoustic trio, and occasionally with a Collins. Like Phillips, Collins had been Since the mid–1960s, when he began scored the hit single which might have 7–piece band. When he’s not on the consciously moving away from folk as veering away from folk music, Shawn helped him expand his audience. But road, Phillips lives with his wife in she began using rock and neo–classical Phillips’ music has been nearly impos- certain of Shawn’s albums were popu- Austin, Texas, where he serves as a orchestral arrangements. Her record- sible to categorize. Is he a progressive lar in the midwestern and southern part–time volunteer firefighter and cer- ing of Joni Mitchell’s “Both Sides Now” folk–rocker, a protest singer, or a United States, on the West Coast, Cana- tified emergency technician. was given a straight–ahead pop treat- singer of orchestrated pop? da, and South Africa. During the 1970s, he tended to be ment, became a Top 10 single, and Perhaps “singer of art songs” is Phillips’ voice has always been his overshadowed by fellow ex–folkies like introduced her to a mass audience in more accurate. Yet each of these trademark – hear him once, and you’ll James Taylor, Paul Simon, Neil Young, 1968. Had Shawn’s “progressive pop” descriptions could be justified by lis- usually recognize him again. His 35 Jackson Browne, and Joni Mitchell. songs reached those listeners who were tening to a scattering of tunes on any year career has been fraught with bad Some of these performers lacked embracing Collins, he might have of his Best Of compilations, and every management, lack of promotion, tax Shawn’s vocal gifts, but due to other enjoyed a similar crossover success. -
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