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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Execulive Turnlable Insidetrack
66 Lote General News MERCER ELLINGTON BOOKED $25,000 Grant To Ensure InsideTrack George Wein still hopes to open an innovative jazz then went on sale. The entertainers appeared before an Duke's Music At Newport showcase in New York similar to his successful Boston estimated 62,000 persons -most of them getting their Storyville jazz club of the 1950s, but the planned Feb. 28 first taste of country music. NEW YORK -Audiences at this George Wein has been able to sal- bow may be delayed. As a place where musicians could AI Bramy, San Francisco distribution pioneer, is con- year's Newport Jazz Festival will be vage at least some of the concerts for meet, jam and try out new ideas, it was to be housed in valescing at his home from a minor heart attack. He will treated to a series of concerts cov- Newport with relative ease. the basement of Frank's Place on East 48th St. in Man- return to Eric Mainland as general manager in about ering the early works of the late The first of the four concerts will hattan. four weeks. Duke Ellington, thanks to a $25,000 cover Ellington's music during the At midpoint of Bette Midler's four -month national W.F. "Jim" Myers, SESAC vice president and di- grant from the National Endowment 1920s, and the second and third will tour, gross is reported as topping $1.2 million, including rector of international relations, returns to the U.S. the for the Arts. follow his growth and style through a record $403,000 for six days at Los Angeles' Chandler end of the month following visits to Paris, Helsinki, The concerts were originally the 1930s and 1940s. -
Download Press Release As PDF File
JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
70'S Music 522 Songs, 1:10:46:20 Total Time, 2.02 GB
70's Music 522 songs, 1:10:46:20 total time, 2.02 GB Name Time Album Artist Dancing Queen 3:52 ABBA - Gold - Greatest Hits ABBA Waterloo (English Version) 2:43 ABBA - Gold - Greatest Hits ABBA Fernando 4:12 Abba Knowing Me Knowing You 4:01 Abba S.O.S. 3:21 Abba Take A Chance On Me 4:04 Abba Dream On 4:28 Aerosmith Sweet Emotion 3:15 Aerosmith Walk This Way 3:33 Aerosmith Let's Stay Together (2002 Digital Re… 3:18 The Definitive Greatest Hits Al Green Year of the Cat 6:43 Al Stewart: Greatest Hits Al Stewart Time Passages 6:43 Time Passages Al Stewart Undercover Angel 3:38 Alan O'Day Damned If I Do 4:50 Eve Alan Parsons Project Breakdown 3:53 I Robot Alan Parsons Project (The System Of) Doctor Tarr And Pro… 4:21 Tales Of Mystery & Imagination Alan Parsons Project - Tales Of Myst… Ramblin' Man 4:50 The Allman Brothers Band: A Decade… The Allman Brothers Band Biggest Part of Me 5:25 Ambrosia: Anthology Ambrosia You're the Only Woman 4:23 Ambrosia: Anthology Ambrosia How Much I Feel 4:44 Ambrosia: Anthology Ambrosia A Horse With No Name (Remastered … 4:12 America: The Complete Greatest Hits America Ventura Highway 3:33 America: The Complete Greatest Hits America Tin Man 3:27 America: The Complete Greatest Hits America Lonely People 2:29 History: America's Greatest Hits America Sister Golden Hair 3:20 History: America's Greatest Hits America Thank You for Being a Friend 4:40 Rhino Hi-Five: Andrew Gold - EP Andrew Gold Lonely Boy 4:02 Andrew Gold I Just Want to Be Your Everything 3:47 20th Century Masters - The Millenni… Andy Gibb Rock Me Gently 3:28 Andy Kim Danny's Song 3:06 Anne Murray: Love Songs - EP Anne Murray Hold Your Head Up 6:15 The Argent Anthology: A Collection … Argent Spooky 4:59 20th Century Masters - The Millenni… Atlanta Rhythm Section Imaginary Lover 5:06 Atlanta Rhythm Section So Into You 4:23 Atlanta Rhythm Section Pick Up the Pieces 4:02 Pickin' Up the Pieces: The Best of Av… Average White Band My Maria 2:33 Radio Hits of the '70s B.W. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
BUSINESS 1964 Review 1965 Preview
DECEMBER 31, 1964 -JANUARY 9, 1965-ON SALE TWO WEEKS PRICE THIS ISSUE: 50 CENTS DOUBLE VALUE HOLIDAY ISSUE BUSINESS 1964 Review 1965 Preview The Yearend Awards1964 taw?. OP4PZ VIN1t)81A 1S3m Atlyfi N0130N18d A3xViv*V 1301N 3 413 S- 111111111t.t. "FANCY PANTS,"AL HIRT'S SWINGING NEW SINGLE SERVED UP IN HIS HONEY HORN STYLE Vw "STAR DUST." -8487 -0iiiCk VICIORCO- @The most trusted name in sound .110116_ grftil Illemene 3" 91101 Ammer, I1166 REVIEWOF THEWEEK Epic's GreatYear Victor Gets "Sound" cert dates in Spain,Italy, Ger- V.ctor Records landeda hotmany and Sweden. The taken and dosome more ix _ne last week, the sound ist wound up his pian-cording with them. Soif any of the upcoming track tour last Sat- film versionurday (19) witha concert inone knows where toreach th of Rodgers and Brussels. James Gang, callUnited Art Hammerstein's ists Records. Phone -The Sound OfMusic." The Garner is planninganother No. is Ci film stars JulieAndrews andtour of Europein late 1965 5-6000. (No gagsplease.) Christopher Plummer.The pic-or early 1966. Hemay tour Screen GemsStreak ture will be premieredin NewSouth Americaand Australia Screen Gems -ColumbiaMu York on March2,1965, andthe first half of1965. While insic is heading intothe home. later that monthwill open inEurope he recordedan albumstretch of 1964 intenton lead. cities throughoutthe land. live in Amsterdamwhich willing the parade ofBMI song As a Broadwaymusical "Thebe issued inEurope by Phil-award winners forthe year. Sound Of Music"sold over aips. American The firm, headedup by Don million copies, rights are not one of the rareyet sewed up.(Line formson Kirshner, has alreadyscored albums ever toreach this fig-the left, and the with a half dozentop ten songs ure. -
V Nocus Calks
VOLUME 92 NUMBER 49 AMi[T, CAMBRIDGE, MASSACHUSETTS TUESDAY,, NOVEMBER 21, 1972 FIVE CENTS __ .M r~~~~~~ eme By Walter ']. Middlebrook When asked about the sup- last Monday be observed as a Approximately 200 people port for the students from the day of moratorium, and that gathered at Kresge Auditorium black community, she replied, next Monday be used as the first last night to discuss the slayings "From the community our sup- day of a nation wide student of two black students as port has been over-whelming, strike. Southern University. parents, workers, students from Long before any ot the news The rally at Kresge was the other campuses in the city, and media in the city began to cover climax in the Boston area of a residents of the state are doing the events at Southern in detail, nationwide day-long protest and all that can be done in our WTBS began a grueling campaign moratorium concerning the struggle." She was rather upset, for support and facts regarding deaths of Denver A. Smith of however, at the lack of response the incident by way of one of its New Roads, Louisiana and that had been received from the programs, the Ghetto. Since Leonard Brown of Gilbert, black faculties on the campuses. twelve midnight on Thursday, Louisiana. The other memorial She did point out that some the Ghetto has been carrying services imathe Boston area were faculty members had shown constant coverage of the events held at Boston College, Boston some sense of concern and as of that went on in Baton Rouge University, Harvard University, this date, six of those professors with recorded telephone reports and Brandeis University. -
Muscle Shoals Sound Records
WHO'S WHO AT MUSCLE SHOALS SOUND RECORDS 1000 Alabama Avenue, P.O. Box 915, Sheffield, Ala. 35660 (205) 381-9200 Muscle Shoals Sound Records was more or less the natural extension of what had become one of the most successful production organizations in the business. The four principals of the production company, Jimmy Johnson, Barry Beckett, David Hood and Roger Hawkins made up what became the legendary "Muscle Shoals Rhythm Section". Jimmy and Roger met while playing in local bands at school dances and clubs along the state line. They were later members of an early 60's group called the Delrays. At the same time David Hood was playing in a group called the Mystics. Johnson was the first to move into studio work when he began working with producer Rick Hall as an engineer and their session guitarist. By 1964 Jimmy and Roger were working regularly at Fame Studios with the occasional assistance of David Hood, when Hood could get away from his father's tire store a block and a half away from the studio. In 1966 Hawkins and Johnson played on their first million seller, "When A Man Loves A Woman" by Percy Sledge. In 1967 Barry Beckett came to Muscle Shoals to cut "I'm Your Puppet" by James and Bobby Purify. It was about that time that Spooner Oldham, the Muscle Shoals keyboard player, decided to move to Mem- phis. Shortly thereafter, Barry Becket and his family came to Muscle Shoals and the Rhythm Section was formed. By the late 1960's there were 3 studios in Muscle Shoals and the Rhythm Section was working at all of them. -
Plant Project's Price Tag Spikes
Find out who is performing in Largo Performing Arts Center announces lineup. … Page 2B. Smithereens ready to take the stage The rock band, which has been performing for nearly 40 years, visits the Central Park Performing Arts Center on Friday. … Page 4B. Volume 40, No. 36 www.TBNweekly.com August 8, 2019 LARGO CONNECT WITH US ONLINE Plant project’s price tag spikes Increasing construction costs mean new facility could cost as much as $8.35 million Visit us at www.TBNweekly.com By CHRIS GEORGE and reinforce the approximately 40-year- to move forward with construction after $5.25 million.The remainder of the spike, Follow us on Facebook Tampa Bay Newspapers old operations building and laboratory so approving the Belleair-based Biltmore he said, is a result of escalating construc- www.facebook.com/ that the structure, which city staff said is Construction fi rm’s guaranteed maximum tion costs. TBNweekly LARGO — A project at the wastewater essential to treatment plant operations, price of $8.35 million. “One of the things we’ve heard through- Follow us on Twitter treatment plant that once was estimated could survive a Category 5 hurricane. Facilities Manager Mark Meyers said out this process is that, since the reces- @TBNwebmaster to cost $4 million could now cost more The facility will consist of a three-story, $1.25 million of the price increase was a sion, construction prices in the country than double that, city commissioners 13,187-square-foot hardened building that result of hardening the building to survive have just skyrocketed,” he said. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
MARCH 20, 2006 ARTIST NAT KING COLE TITLE Stardust The
SHIPPING DATE: MARCH 20, 2006 ARTIST NAT KING COLE TITLE Stardust The Complete Capitol Recordings 1955-1959 LABEL Bear Family Records CATALOG # BCD 16342 PRICE-CODE KL EAN-CODE 4000127 163424 ISBN-CODE 3-89916-152-1 FORMAT 11-CD Box-Set (LP-size) with 208-page hardcover book GENRE Pop TRACKS 298 PLAYING TIME 809:24 SALES NOTES Nat King Cole (1919-1965) was the most popular male singer of his generation, and, along with Bing Crosby, Frank Sinatra and Elvis Presley, one of the four best known male vocalists of all time. Making Cole's story all the more remarkable, he began his career not as a pop singer but as one of the greatest of all jazz pianists. Yet by the time he had made the transition from jazz to pop, he had sold more records and racked up more hit singles than anyone in the immediate post-war era, even Frank Sinatra. He was also the first Afro-American pop music superstar - and still the greatest. Cole's baritone voice was sweet and pretty, and most of his greatest successes were with love songs. Still, he had the greatest time of any singer ever, and was equally well-versed in swinging rhythm numbers and blues. In his combination of tenderness and bluesy energy, Cole was a founding father of rhythm and blues and a major influence on the soul movement – as cited by Charles Brown, Ray Charles and many other later stars. Like Frank Sinatra, he collaborated closely with the greatest pop orchestrators of all time, particularly Gordon Jenkins, Billy May and in particular, Nelson Riddle.