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Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
Billboard 1967-11-04
EijilNOVEMBER 4, 1967 SEVENTY -THIRD YEAR 75 CENTS The International Music -Record Newsweekly Labels Hold Boston Capitol to Back Labels Int'l Pop Fest Koppelman & Rubin Talent) Parties in Of By ELIOT TIEGEL Planned for N.Y. NEW YORK - Capitol Rec- Koppelman, co -owner of the ords will finance and distribute two -year -old independent disk All -Out Artist Hunt a series of pop labels formed producing firm /music publish- By HANK FOX by Charles Koppelman and Don ing combine, said Capitol's in- To Help Charity BOSTON - "Stand up straight -talent scouts Rubin. The affiliation marks vestment in the first of his new are watching you" is the advice circulating the record manufacturer's sec- labels, The Hot Biscuit Disc By CLAUDE HALL through this town and Cambridge. Record com- ond such deal with an out- Co., was over $1 million. Hot moving side interest. The Beach Boys' Biscuit's debut single, sched- NEW YORK -An International Pop Music panies and independent producers are 40 of the world's into the region, furiously signing local talent for Brother Records was launched uled for release in two weeks, Festival, featuring more than top artists and groups, is being planned for late a major onslaught of releases by Boston -based several months ago from the introduces a new New York Coast. (Continued on page 10) June next year in Central Park here. Sid Bern- groups due to hit the market in January. organizing Boston and Cambridge groups are stein, the promoter- manager who is At least six it more than scheduled for release in January, and the Festival, believes will draw already for a three -day event. -
The 35Mm Album Master Fad
The 35mm Album Master Fad 135th AES Convention, 2013-10-19 © 2013 by Thomas Fine A Brief History of 35mm Magnetic Film • Post WWII – Magnetic tape recording migrated to the U.S. from Germany. • 1947 – DuPont produced 35mm magnetic film, RCA produced a conversion kit for the PR-23 optical recorder. • By 1951 – RCA produced 35mm recorders for 1, 2 and 3 tracks, and Westrex entered the business with magnetic recorders for 35mm and 17.5mm. • SMPTE Progress Report of 1952 stated that by the end of 1951, “approximately 75% of the original production recording, music scoring and dubbing in Hollywood was being done on magnetic recording equipment.” © 2013 by Thomas Fine RCA PR-23 Optical/Magnetic Film Recorder © 2013 by Thomas Fine Westrex RA-1231 Optical/Mag Recorder Westrex RA-1231 optical recorder with the magnetic conversion. It could be used for either optical or mag recording as long as the reel adapters were changed. Record head is on sound drum and play head is to the right. © 2013 by Thomas Fine Westrex RA-1231 Optical/Mag Recorder © 2013 by Thomas Fine Westrex Series 1000 Magnetic Recorder [ Note: Magnetic film in the U.S. was actually coated with iron oxide particles, not impregnated with them. ] © 2013 by Thomas Fine 35mm: 1950’s High-Resolution Medium • Film moves at 18 in/s, vs 15 in/s for tape. • Film stock’s base is 5 mil (acetate) or 3 mil (polyester), vs. 1.5 mil for 2500’ NAB reels of tape. Result: lower print-through for film. Some film types also had thicker magnetic layer. -
'Blues in the Night'
Freda 5L & * 1 Payne* to appear in 'Blues in the »ne oeautiful and very talent¬ Freda has starred in a TV hreda Night' ed recording artist and spe¬ made her acting debut Avco Embassy film, "The Book of Yoga does her trick." She actress, cial called "Freda Payne and the on the She under¬ really Freda Payne, will star in the North The Broadway stage. Numbers". Freda played in a seg¬ confesses "I love going to the Stylistics", Legendary Ladies studied Leslie Uggams in the hit ment from the Carc$pi Black Repertory Compa¬ of Rock" for HBO and Police Story series movies, cooking, playing a little Cinemax, Tony Award-winning musical . Lou ny's production of the Broadway and "Soul No. 2 America's Music". starring Gossett, Howard tennis, and fishing is a favorite musical, "Blues in the "Hallelujah BabyM. Freda got to Duff and James McKiuchen. She of mine" she Night" at For two years, she hosted her own the lead role sport says. "There the 1991 National Black Theatre TV perform five times. had a starring role in the musical was a time I I talk show, a nationally And on the first she thought might Festival. night went of "Daddy Goodness", "Ain't Misbe- become a professional dancer, but syndicated and network affiliated for Leslie, she received a "Blues in the will standing havin", and has starred in HDuke singing won out." "You see, at the Night" open series called "Today's Black ovation. She played the role of on August 5th at 8:30 PM in the Woman". -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
9 Page Discography
Artists, Producers and Songwriters I Have Worked With Barry Rudolph E-Mail: [email protected] PAGE 1 VOX: (818)985-1855 (Office) FAX: (818)766-5989 as of 6/11/01 Engineered and Worked with: Hall & Oates, Lynyrd Skynyrd, Rod Stewart, Waylon Jennings, Al Wilson, Johnny Mathis, Jimmy Jam and Terry Lewis, Juice Newton, El Chicano, Shalamar, Dynasty, Gutherie Thomas, O'Bryan, Don Cornelius, Keith Moon, Robin Smith, Ringo, Rosie Gaines, James Last, John Prine, Roy Buchanan, Stanley Clarke, Tony Williams, Levon Helm, Steve Cropper, Cate Bros., Duck Dunn, The Beach Boys, Michael Bishop, Sonny and Cher, Andy Prieboy, Wall of Voodoo, Jamie Glaser, Steve Smith, Jeff Lorber, Evan Rogers and Karl Sturken, Karyn White, Dazz Band, Randy California, Maurice White, Philip Bailey, Jermaine Jackson, Robbie Nevil, David Kahne, Parthenon Huxley, Richard Scher, Jeff Pescetto, The O'Jay's, PHD, Steven Dubin, Christopher Bond, Yves Chovard, Gary Stockdale, Tommy Faragher, Lotti Golden, Paul Young, Najee, Caron Wheeler, Wendy Moten, Craig Safan, David Blue, Jack Wagner, Cleto Escobedo, Pride N' Politix, Billy Cioffi, Wayne Watson, Chris Farren, David Pack, Teena Clark, Jermaine Jackson, Curtis Stigers, Glen Ballard, Cliff Magness, James Ingram, Dr. Jam, The Silos, John Densmore The Butts Band, Wayne Perkins and The Crimsom Tide, Richard Wolf, Wilson Philips, Lucero, Rocio Banquells, Rafael Perez- Botija, Enrique Iglesias, Mick Jagger, Patti Austin, Tracie Spencer, Madness 4 Real, Solid Productions, Boy Howdy, David Frank, Tim Heintz, Siedah Garrett, Simon -
By Ashleykahn Revealingly, Walter Becker, Steely Dan's Cofounder
By Ashley Kahn hapsodically , and revealingly, Walter PBecker, Steely Dan’s cofounder, recently perPormers described paradise: “It’s the club where all THE STEELY DAN ADVANCED PLACEMENT EXAM • the jazz greats who are Explain the importance of each of the following in the far-reaching and fractured worldview of Steely Dan: l dead still play. Ellington (ANSWERS APPEAR AT END OF ESSAY.) l and Monk and Coltrane 1. Beat w riter W illiam S. Burroughs. 2. A root-beer float. ; and Parker, and it’s the 3. Annandale, New York. ; original music and the 4. Sixties LSD wizard Owsley. 5. Precious-metal dentures. l old arrangements and 6. Early jazz trumpeter Bubber Miley. 7. The University of Alabama football team. l the original styles, and 8. Nineteenth-century French novelist Joris-Karl Huysmans. l there are beautiful wait- 9. Legendary saxophonist W ayne Shorter. l resses and cheap beer.” 10. October 25,1929. I Virtual as Becker’s venue l of choice may be, it l houses the stuff that l Steely Dan are made of. Steely Dan: Donald Fagen (lePt) and Walter Becker i uRiNG t h e s e v e n t i e s , Building office of Jay and the Americans an era while searching for songwriting work. They given to outrageous gestures and were hired, first to compose songs (Barbra Streisand’s “I Mean to Shine” was a rare ear 4/4 thunder, Steely Dan taught rock ly sale) and then to perform with Jay and his to swing. With pointed wit, intelli oldies group. -
Music Lessons and Worksheets
Music Lessons and Worksheets Teacher: Megan Lipian Email: [email protected] Cell: 404.218.1804 Pre-K through 1st Warm Up: Welcome to Music https://www.youtube.com/watch?v=ReatYz6zVHY Wash Your Hands Song https://www.youtube.com/watch?v=dDHJW4r3elE&vl=en Song for Easter: Make Room by Jonathan McReynolds https://www.youtube.com/watch?v=EqOecBSj82s Week 1 Etta James At Last Listen to At Last by Etta James and complete the worksheet based on what is heard in the song. https://www.youtube.com/watch?v=1qJU8G7gR_g Etta James (born Jamesetta Hawkins; January 25, 1938 – January 20, 2012) was an American singer who performed in various genres, including blues, R&B, soul, rock and roll, jazz and gospel. Starting her career in 1954, she gained fame with hits such as "The Wallflower", "At Last", "Tell Mama", "Something's Got a Hold on Me", and "I'd Rather Go Blind".She faced a number of personal problems, including heroin addiction, severe physical abuse, and incarceration, before making a musical comeback in the late 1980s with the album Seven Year Itch. James's powerful, deep, earthy voice bridged the gap between rhythm and blues and rock and roll. She won six Grammy Awards and 17 Blues Music Awards. She was inducted into the Rock and Roll Hall of Fame in 1993, the Blues Hall of Fame in 2001, and the Grammy Hall of Fame in 1999.Rolling Stone magazine ranked James number 22 on its list of the 100 Greatest Singers of All Time; she was also ranked number 62 on its list of the 100 Greatest Artists of All Time. -
Riverside Label Discography
Discography of the Riverside Label The Riverside label was established in 1953 by traditional jazz enthusiasts Bill Grauer and Orrin Keepnews in New York City. Originally Grauer and Keepnews intended to reissue classic jazz that they purchased from long defunct labels. Later the label recorded jazz, folk, comedy, spoken word, sound effects, children’s and gospel. Shortly after starting the Riverside label, Grauer went to Richmond Indiana, to see Harry Gennett Jr. to try to purchase the recordings of the Gennett label. The Gennett Record label was formed in 1918 as a division of the Starr Piano Company in Richmond Indiana. In the early 20’s, the label started recording the early jazz bands that were performing in Chicago. Gennett made the first recordings of Ferd “Jellyroll” Morton, King Oliver’s Creole Jazz Band with Louis Armstrong and the Wolverines with Bix Beiderecke. The first recording of “Stardust” was made by its author Hoagy Carmichael in the Gennett Richmond studio The Gennett label had ceased operation in 1932, but many of the historic metal recording plates were still stored in Richmond. Grauer was able to purchase all of the remaining plates for $2000. Grauer began a massive reissue campaign, releasing much of the Gennett material on long playing albums for the first time. Later, Grauer obtained masters from other early jazz and blues labels, including Paramount, Circle, and QRS, and reissued that material. Although the early catalog of Riverside releases contained mostly purchased material, Riverside started recording jazz sessions on its own, including Thelonious Monk, Randy Weston, Wes Montgomery and Cannonball Adderley. -
UE Inv210616 Lps (Pdf)
Uncle Ed's LPs Artist Title Catalog# Label Released Release ID Folder ID no. Our Price Media Cond Sleeve Cond Format Notes "Big" Tiny Little Christmas With "Big" Tiny Little CRL 57391 Coral 1961 1899956Uncategorized Good Plus (G+) Good Plus (G+) LP, Album, Mono light scratches needs cleaned "Weird Al" YankovicIn 3-D BFZ 39221 Rock 'N' Roll Records 1984 584107Rock Good Plus (G+) Good (G) LP, Album Used, 2/14, BR Pawn, 10cc Bloody Tourists PD-1-6161, 2480 477 Polydor, Man Ken Records, Polydor1978 11689186 A In stock USED 200163 $8.00 Good (G) Good (G) LP, Album A little beat up in it's previous life, some scars on label. 10cc Bloody Tourists PD-1-6161, 2480 477 Polydor, Polydor 1978 7337716A In stock USED 200166 $10.00Very Good (VG) Very Good (VG) LP, Album, Mon generic inner sleeve 10cc How Dare You! SRM-1-1061 Mercury 1976 9097327B OUT OF STOCK Good Plus (G+) Good Plus (G+) LP, Album, Pit 2Pac Me Against The World B0031433-01 Interscope Records, UMe, Amaru2020 Entertainment 14922780 A In stock NEW 200005 $55.00 Mint (M) Mint (M) 2xLP, Album, RE, 180 new in cello wrap 2 lps never opened 180 gram. 25 ann. 38 Special (2) Special Forces SP-4888 A&M Records 1982 3490725Rock 200003 $6.00Very Good (VG) Very Good (VG) LP, Album, Club this album has original inner sleeves.has scratches on side 1 playes with no skips, still in cello wrap 38 Special (2) Tour De Force SP-4971 A&M Records 1983 9780549 Rock 200004 $10.00 Near Mint (NM or NearM-) Mint (NM or M-)LP, Album this album has original inner sleeve 38 Special (2) Wild-Eyed Southern Boys SP-4835 A&M Records 1980 4801045Rock 200001 $4.00Good Plus (G+) Good Plus (G+) LP, Album, y - this copy has original inner sleeve .has writing on cover nice copy 38 Special (2) Wild-Eyed Southern Boys AMLH 64835, SP 4835 A&M Records, A&M Records 1981 1909296 Rock 200002 $6.00 Very Good (VG) Very Good (VG) LP, Album OG inner sleeve, Sticker on outer Cover, Nice copy, new inner sleeve. -
Rock'n'roll/Funk'n'soul
Rock'N'Roll/Blues'N'Soul Various The Rock'N'Roll SRNR-01 Time Life VG/ 2 Disc Info Era: 1957 Music VG+ Box Set Booklet Various The Rock'N'Roll SRNR-05 Time Life VG/ 2 Disc Info Era: 1958 Music VG+ Box Set Booklet Various The Rock'N'Roll SRNR-04 Time Life VG/ 2 Disc Info Era: 1961 Music VG+ Box Set Booklet Various The Rock'N'Roll SRNR-02 Time Life VG 2 Disc Info Era: 1962 Music Box Set Booklet Various At The Hop! 34967-9 Brookville VG 3 Disc Records Set Various Doo-Wop Gold 8003/ 8025 Rare Bird G/G+ 2 Disc vol.1 Records Set Lou Rawls, Ramsey Central Park Music ST-2933 Music Images VG/ Lewis Trio, Maxine Festival VG+ Brown Lou Rawls and Les Stormy Monday ST-1714 Capitol VG/ McCann Ltd. VG+ Lou Rawls Black And Blue ST-1824 Capitol VG Lou Rawls Feelin' Good ST-2864 Capitol VG/ VG+ Lou Rawls Soulin' ST-2566 Capitol VG/ VG+ Lou Rawls Carryin' On ST-2632 Capitol VG/ VG+ Lou Rawls Too Much! ST-2713 Capitol VG/ VG+ Lou Rawls and Strings ST-2401 Capitol VG/ VG+ Ramsey Lewis Up Pops Ramsey UR45- Cadet VG/ Lewis 3864 VG+ Ramsey Lewis Sun Goddess PC 33194 Columbia VG Dionne Warwick Make Way For SLP-523 Scepter VG Records Dionne Warwick Here, Where There T-91010 Scepter VG/ Is Love Records VG+ Dionne Warwick Valley Of The Dolls ST-91436 Scepter VG/ Records VG+ 1 Rock'N'Roll/Blues'N'Soul The Supremes I Hear A Symphony H-1390 Motown G Diana Ross & The Let The Sunshine In S-689 Motown VG/ Supremes VG+ Ray Charles Modern Sounds In ABCS-410 ABC VG/ Country And VG+ Western Music Ray Charles The Greatest! AKS-194 International VG Award Series The 5th Dimension Portrait BELL- Bell VG/ Gatefold 6045 (Columbia) VG+ The 5th Dimension Up, Up And Away SCS 92000 Soul City VG/ (Liberty) VG+ The Ink Spots At Las Vegas MK 3075 Spin-O-Rama G+/ VG- Four Tops Live! M 634 Motown G Jimmy McGriff The Worm SMAS- Solid State VG/ 91650 VG+ O.C. -
Light Music in the Practice of Australian Composers in the Postwar Period, C.1945-1980
Pragmatism and In-betweenery: Light music in the practice of Australian composers in the postwar period, c.1945-1980 James Philip Koehne Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts University of Adelaide May 2015 i Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used in a submission in my name for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University’s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. _________________________________ James Koehne _________________________________ Date ii Abstract More than a style, light music was a significant category of musical production in the twentieth century, meeting a demand from various generators of production, prominently radio, recording, film, television and production music libraries.