sign in sign up
<<
Home , All Together Now, Only a Northern Song, Shawn Phillips

1

Playlist Sept. 18th 2016

9AM

The Beatles - - Yellow Submarine (Lennon-McCartney) 2

Lead vocal: Paul In May 1967, with the “Sgt. Pepper” album in the can and awaiting release, went to work on two projects at the same time. They began recording the title track for “” and also starting to record the new they had promised for the “Yellow Submarine” film. The first specifically recorded for the “Yellow Submarine” film was “Baby, You’re A Rich Man” (on May 11, 1967), but that song was pulled several months later to fill the B-side of the “All You Need Is ” single. ’s “Sgt. Pepper” reject “” was added to the stack of film songs. Paul’s sing-along “All Together Now” was started and finished on May 12, 1967. Nine takes were recorded. Instruments included two acoustic guitars (probably Paul and George), bass guitar (Paul), bass drum (Ringo), harmonica and banjo (John).

The Beatles - Got To Get You Into My Life - Revolver (Lennon-McCartney) Lead vocal: Paul Another Paul McCartney solo composition, Paul called this stand out track “an ode to pot, like someone else might write an ode to chocolate or a good claret (wine).” Work began on the song on April 7, 1966, and this early alternate version can be heard on the “” album. It was the second song recorded for the “Revolver” album. The Beatles returned to the song the next day with an improved arrangement that included John and George on fuzz guitars. On May 18 they revisited the song again, devoting a full 12-hour session to rework and complete the song. To give the song its Motown feel, five outside musicians were brought in to add brass and saxophones. An additional dual guitar overdub was added on June 17. “Got To Get You Into My Life” was the opening song performed on the final Wings tour in 1979. On U.S. album: Revolver - Capitol LP 3

The Beatles - Any Time At All - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Recorded June 2, 1964, the last day of recording for the “A Hard Day’s Night” album. : “An effort at writing ‘It Won't Be Long’ - same ilk. C to A minor, C to A minor with me shouting.” The song was in an unfinished state when Lennon brought it to the band to record on June 2. The group worked out the arrangement throughout the day and night. Up against the wall on a deadline to submit the album, the piano section in the middle eight was left without lyrics. They had run out of time. On April 8, 1988, Lennon's handwritten lyrics for “Any Time At All” were sold for £6,000 at an auction held at Sotheby's in London. On U.S. album: Something New - Capitol LP

The Beatles - - (Lennon-McCartney) Lead vocal: John Recorded primarily on October 6, 1964. It is the first instance of the Beatles taking an unfinished idea into the studio and experimenting with different approaches to a song. “Eight Days A Week” is the first pop song with a fade-in introduction. Written mostly by Paul, the title was taken from a line spoken by a limo driver. McCartney: “I was being 4

driven over to visit John. The chauffeur was talking away to me, saying how hard his boss worked the staff, so hard that they seem to do eight days a week. We’ve altered the plot a bit for the song, of course. The bloke loves the girl eight days a week.” In later years John Lennon incorrectly referred to this title in interviews as the original working title for the film “Help!” The actual working title of “Help!” was “Eight Arms To Hold You.” On September 20, 1964 as the band and their entourage flew to their final North American Tour concert destination, the press corps on board the Beatles private plane witnessed from a distance, careful not to interrupt, the four Beatles huddled together working on a new song. John, Paul, and George on guitars and Ringo tapping his knees, and all humming the tune of what would become “Eight Days A Week.” Released as a single b/w “I Don’t Want To Spoil The Party” in the U.S. on February 15, 1965. On U.S. album: Beatles VI - Capitol LP

The Beatles - Don’t Let Me Down - Non-LP B-Side (Lennon-McCartney) Lead vocal: John with Paul The Beatles’ nineteenth single release for EMI, and second on the label. The “” sessions, as the January 1969 recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969. Producer/Engineer Glyn Johns attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes would be left dormant in the vault for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). John Lennon’s “Don’t Let Me Down” was a love song for Yoko Ono and was the first song given a full run-through by the group when sessions for the new album began at Twickenham Studios on January 2, 1969. But proper multi-track recording takes were not done until the band changed location to the basement at their Apple headquarters. The master take was recorded on January 28, 1969. Like Paul McCartney’s “Get Back,” the song features Billy Preston on keyboards. Rush-released as a single with the hope of being in stores in the UK on April 11, 1969, the single showed up a week later. Although the single did not list a producer credit, it did, for the first 5 time on a Beatles single, list an artist in addition to the Beatles: “THE BEATLES with Billy Preston” graced both sides of the single. “A great honor,” said Preston. The single debuted at number one on the Record Retailer singles chart. In America, the single was issued on May 5, 1969, and it topped the Billboard sales chart for five weeks. It is the first Beatles single released in stereo, but the stereo mixes were for the American market, not the UK. The UK would have to wait until the next single release (“The Ballad Of John And Yoko”) to get its first stereo Beatles 45. Prior to this all previous Beatles singles had been issued in mono. Although the song appears in the “Let It Be” film, it is not included on the soundtrack album. On U.S. album: - Capitol LP (1970)

BREAK

The Beatles - Hello Goodbye - Non-LP track (Lennon-McCartney) Lead vocal: Paul The Beatles’ sixteenth single release for EMI’s label. Originally titled “Hello Hello,” Paul’s “Hello, Goodbye” was recorded during the sessions for the “Magical Mystery Tour” TV movie, but was intended for release as a stand-alone single to be issued two weeks before the “Magical Mystery Tour” EP, and would not be 6

included in the film. Work began on October 2, 1967 with 14 takes of the rhythm track. Over the next month, the Beatles added overdubs to create the finished recording. Specifically, Paul’s lead vocal and John and George’s backing vocals on Oct. 19, outside musicians playing two violas on Oct. 20, Paul’s bass guitar on Oct. 25, and a second bass guitar line from Paul on Nov. 2. From the very first take the song included its unique reprise ending, which the group nicknamed, somewhat strangely, the “Maori finale.” Issued November 24, 1967 in the UK and November 27, 1967 in the U.S. On U.S. album: Magical Mystery Tour - Capitol LP

The Beatles - Strawberry Fields Forever - Non-LP track (Lennon-McCartney) Lead vocal: John The Beatles’ fourteenth single release for EMI’s Parlophone label. Recording began on November 24, 1966. Written in Spain by John several months earlier while he was filming the Richard Lester-directed film “How I Won The War.” The beautiful “Take 1” of this Lennon classic can be heard on the “Anthology 2” album. It is entirely different than the finished version. Strawberry Fields was actually a Salvation Army home in the neighborhood where Lennon grew up. John used to go to parties there and it always brought back happy memories to him. One of the only two “honest” songs that John says he wrote for the Beatles. The other? “Help!”

In September 1966, informed EMI and Capitol that there would be no new album and maybe not even a single ready in time for the 1966 Christmas season. EMI quickly assembled a 16-track greatest hits album (“A Collection Of Beatles Oldies”). In the U.S., Capitol did not release a hits compilation and instead waited impatiently for a new single.

7

The Beatles - – LOVE/ (Harrison) Lead vocal: George The second of two CLASSIC songs George Harrison delivered for the “Abbey Road” album. “Here Comes The Sun” and “Something” was a phenomenal one-two punch that had to have Lennon and McCartney wondering what else Harrison had up his sleeve. George wrote the song while walking around the sunny back garden of ’s home, strumming o0ne of Eric’s acoustic guitars. Harrison had skipped out of one of the many Apple business meetings that day. Recording in 13 takes on July 7, 1969, Ringo’s 29th birthday, with George on his Gibson J-200 acoustic guitar, Paul on his Rickenbacker bass guitar and Ringo on drums. John was sidelined for the week due to be hospitalized following a car accident in Scotland. The next day George overdubbed his lead vocal, and Paul and George recorded their backing vocals twice, rather than simply double- tracking. Additions continued on July 16 (handclaps and harmonium), and August 6 and 11 (George’s acoustic guitar). ’s orchestral score was recorded on August 15.

QUIZ #1 Attached/ OK Where was John Lennon and what was he doing 50 years ago today Sept. 18th 1966…

Begin yer research…good luck!

9.27 BREAK

WINNER HERE Spain filming How I Won The War a soldier…..Musketeer Gripweed wife Cythia was also there…I wonder if John was a Solder of Love…

8

The Beatles - Solder of Love - "Pop Go The Beatles" - 16th July 1963…

The Beatles - It’s Only Love- Help! (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: - Capitol LP

The Beatles - Can’t Buy Me Love - A Hard Day’s Night (Lennon-McCartney) Lead vocal: Paul The Beatles’ sixth single release for EMI’s Parlophone label. During their 19-day engagement at Paris’s Olympia Theatre The Beatles took time out to record German-language versions for two of their biggest hits. “” and “” were chosen to get new vocals to increase sales in the German market. This was at the insistence of EMI’s German branch, Odeon, which felt they couldn’t sell large quantities of records unless they were sung in German. With less than an hour left on their booked recording time, The Beatles recorded four takes of a 9

new song by Paul, “Can’t Buy Me Love.” Issued in the U.S. on March 16, 1964, it sold 940,225 copies in the U.S. the day it was released, earning a gold record award that day and shattering all previous sales records. Within two weeks sales had totaled 2 million copies. The single went on to sell over 3 million by the end of the year. The UK single was released four days later, on March 20, 1964. Recorded Jan. 29, 1964 at Pathe’ Marconi Studio in Paris. It’s inclusion in “A Hard Day’s Night” was a decision by director Richard Lester, who opted for Paul’s fast paced million seller over John’s slower new song “I’ll Cry Instead.” On U.S. album: A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970)

George Harrison – I Dig Love - All Things Must Pass ‘70 Some have considered this the most “throwaway track” of the album. But for this master class in songwriting, this track is far from a throwaway.

BREAK

We played a bit of a Jeff Lynne set last week…here’s another one… since we haven’t heard from Ringo yet today…this next song Produced by Jeff Lynne 10

He also plays Guitar, bass, piano, keyboards, backing vocals Ringo plays the drums and sings!

Ringo – Don’t Go Where The Road Don’t Go – Time Takes Time `92

Prod Jeff…plays almost everything…J

Traveling Wilburys – Handle With Care While all five members contributed lyrics, musically, this was a George and Jeff composition. The track was written, recorded and mixed in a single day. It was a big radio hit, playing constantly during the fall of 1988, but that didn’t necessarily translate into a hit (never cracking the top 50), though the video also played non-stop on MTV and VH1.

11

Prod by Nelson W (George) and Otis W (Jeff)

Paul McCartney – The World Tonight – Flaming Pie ‘97 Written on acoustic guitar during a vacation to the US in August 1995, the original title was “I Saw You Sitting,” or “Centre of a Circle.” This was also produced by Jeff Lynne, who shared instruments with Paul.

Just Paul & Jeff Lynne on that one from Flaming Pie… Prod by Jeff & Paul…unlike other songs Prod. by Paul & Jeff!

9.58 BREAK

Coming this hour Jackie DeShannon who opened for the Beatles in 1964….will give ya yer weekly Beatles news but before that how about 17 mins. of straight Beatles music….yes?

12

The Beatles - Back In The U.S.S.R. - The Beatles (Lennon-McCartney) Lead vocal: Paul Written while in India, Paul’s “Back In The U.S.S.R.” is based on Chuck Berry’s 1959 hit “Back In The U.S.A.,” but was written to mimic the classic sound of the Beach Boys. Beach Boys lead singer Mike Love was on the Transcendental Meditation sojourn in India in the spring of 1968 and as McCartney was working on his new song, Love suggested the lyrics about Ukraine and Moscow girls, similar to his lyrics in “California Girls.” Recording began on August 22, 1968, and it was during this session that officially quit the band. His departure was blamed on a disagreement with Paul over his drumming. Ringo flew to the Mediterranean to spend time on actor Peter Sellers’ yacht. It was there that he wrote “Octopus’s Garden.” On September 3, Ringo returned to the studio to find his drum kit smothered in flowers. Ringo: “I felt tired and discouraged … took a week’s holiday, and when I came back to work everything was all right again.” But Ringo added, “Paul is the greatest bass guitar player in the world. But he is also very determined; he goes on and on to see if he can get his own way. While that may be a virtue, it did mean that musical disagreements inevitably arose from time to time.” / The Beatles - Dear Prudence - The Beatles (Lennon-McCartney) 13

Lead vocal: John Recorded at Trident Studios’ eight-track recording facilities on August 28, 29, and 30, 1968. Ringo Starr had quit the band temporarily and the three remaining Beatles moved forward with sessions for the new album. John Lennon’s “Dear Prudence” features Paul McCartney on drums. The guitar picking which opens and runs through the song is supplied by John on his Epiphone Casino. The finger-picking style was taught to him by folk singer earlier in the year while they were in India. George Harrison plays his Gibson Les Paul guitar and overdubbed a distorted Fender Telecaster lead guitar part. In addition to his drumming, Paul plays his Rickenbacker bass guitar, provides the piano track and a very short burst of flugelhorn. John wrote the song in Rishikesh, India, for Prudence Farrow, sister of the actress Mia Farrow, who had cordoned herself off in a hut to meditate for hours on end. Lennon’s song was a plea for her to take a break from her excessive meditation and join the others on the trip.

The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul Written entirely by Paul in March 1966 while on vacation with then-girlfriend Jane Asher at the Swiss ski resort of Klosters. The backing track was recorded in 10 takes on May 9, 1966 with only Paul (piano) and Ringo (drums) present. John and George do not perform on this song. Overdubs included Paul on clavichord, and Ringo on cymbals and maracas. Paul’s lead vocal was recorded on May 16. The baroque-style French horn solo was credited to Alan Civil and recorded on May 19. Ringo’s original drum part was removed from the track in the reduction mixdown. The song was originally called “Why Did It Die?” Paul: “I was in Switzerland on my first skiing holiday. I'd done a bit of skiing in ‘Help!’ and quite liked it, so I went back and ended up in a little bathroom in a Swiss chalet writing ‘For No One.’ I remember the descending bass line trick that it's based on, and I remember the character in the song - the girl putting on her make-up.”

The Beatles - Girl - Rubber Soul (Lennon-McCartney) Lead vocal: John 14

Written primarily by John, the song was completed in two takes on November 11, 1965. The song is notable for the naughty backing vocal (Paul and George repeating the word “tit”) and John’s heavy breathing during his vocal. John called this one of his best. On U.S. album: Rubber Soul - Capitol LP

The Beatles - - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass. Aside from the dominant bass part, McCartney also provides the lead guitar, with George Harrison working the tambourine. The second and third verse backing vocal is the French nursery rhyme “Frere Jacques.” Released in America on May 23 and in the UK on June 10. “Paperback Writer” made the second largest ever jump to No. 1 on Billboard's chart. It debuted at number 28 on June 11, 1966, moved to 15 and then to number 1 on June 25. The only single to make a bigger jump was another Beatles song, “Can't Buy Me Love.” On U.S. album: Hey Jude - Capitol LP (1970)

The Beatles - Rain - Non-LP B-side (Lennon-McCartney) 15

Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970)

BREAK FOR NEWS HERE

10.27 BREAK

The Beatles - - Yellow Submarine (Lennon-McCartney) Lead vocal: John In early February 1968, the Beatles were on a tight schedule. They had two weeks to audition and record possible songs for their next single, which would be released while 16

they were away on an extended trip to India where the group would meditate with Maharishi Mahesh Yogi. In addition to picking the single sides they would need to spend a day with a film crew making a short promotional film for the song. The Paul McCartney-penned “” was chosen as the A-side and would be the subject of the promo film. On the last weekend of recording, the Beatles were informed they were one song short of the four new songs needed for “Yellow Submarine,” and a new song had to be recorded before they left for India. The song shortage was due to “Baby, You’re A Rich Man,” which had been earmarked for the film soundtrack, being used as the B-side of the “” single.

The Beatles - - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul Paul heard that in America “traffic wardens” were called “meter maids,” which he thought was humorous and decided to see what he could rhyme with it. Written entirely by Paul McCartney and recorded on February 23, 1967. The basic rhythm track was completed in eight takes. Take 8 was deemed the best and it was mixed down to a single track and the Beatles added overdubs to create the finished recording. Specifically, Paul’s bass on Feb. 23, Paul’s lead vocal on Feb. 24, John, Paul and George’s backing vocals on March 7, and George Martin was elected to fill the song’s middle eight with a piano solo, recorded on March 21.

BREAK FOR QUIZ HERE

QUIZ #2 (Attached) We just heard Lovely Rita…from Sgt Pepper…OK..tough one here…Name the American folk singer born in Texas who sang backing vocals on that song? Lovely Rita? He played on Donovan Lp’s Taught George Gave Joni guitar lessons when waitress 1962 guy…really long hair… cue-àspeaking of the folk rock….

800-955-KLOS 17

A/Shawn Phillips

The Beatles - Rocky Raccoon - The Beatles (Lennon-McCartney) Lead vocal: Paul Another of Paul McCartney story songs, this one is a country song in which McCartney tackles an American southern accent. The song was recorded in a single session held on August 15, 1968, in which lyrics were being written and rejected between takes. The rhythm track was perfected in nine takes and features Paul on vocal and acoustic guitar, John on harmonica and Fender Bass VI (a six-string bass guitar) and Ringo on drums. George Martin plays the piano solos in the middle and end instrumental breaks, which were recorded on the Challen “jangle box” piano with the tape running at half-speed. When played back at the proper speed, the piano had a rollicking honky-tonk sound. Paul overdubbed an additional bass line. As was the case with “Hey Jude,” Paul did not want George Harrison playing guitar fills on the song, so George was sent to the control 18

room. On the session tape it is George Harrison’s voice that announces “take one” instead of engineer Ken Scott.

Ringo – $15 Draw – Beacoups Of Blues `70

The Beatles - Run For Your Life - Rubber Soul (Lennon-McCartney) Lead vocal: John The first song completed when sessions for “Rubber Soul” began on October 12, 1965. John Lennon lifted the opening line (“I’d rather see you dead little girl than to be with another man”) from “Baby Let’s Play House,” popularized by Elvis Presley. On U.S. album: Rubber Soul - Capitol LP

Winner here______

Song here?

Back w/ a John Lennon solo song…cuz I don’t think we’ve heard one yet this morning….

10.57 BREAK

19

John Lennon w/ Cheap Trick – I’m Losing You - Anthology ‘98

Wings – Letting Go – Venus and Mars ‘75 This is one of the three tracks with Geoff Britton on drums.

Solo L&M

The Beatles - I’ve Got A Feeling - Let It Be (Lennon-McCartney) Lead vocal: Paul and John In compiling the soundtrack to the “Let It Be” film, producer Phil Spector had no time to sift through the hours of music the Beatles had recorded at the end of January 1969. Instead, he relied on two versions mixed by Glyn Johns. He also screened a print of the movie. Spector had four different Glyn Johns mixes of “I’ve Got A Feeling” to consider: an incomplete January 22 run-through, a more polished take recorded on January 27, and two performances of the song from the rooftop concert on January 30, 1969. On March 23, 1970, Spector remixed the January 27 take and the first of the rooftop performances, but when banding the final album, he chose the first rooftop performance for inclusion. 20

The Beatles - Wait - Rubber Soul (Lennon-McCartney) Lead vocals: John and Paul Recorded June 17, 1965 during the “Help!” sessions, the song was left unfinished when The Beatles had hit the deadline to submit the album. Five months later, as the deadline to submit “Rubber Soul” was upon them, they grabbed the unfinished song, threw on some overdubs and decreed it finished. Specifically, they added a tone pedal guitar, tambourine, maracas, and more vocals on November 11, 1965, the final day of recording for “Rubber Soul.” On U.S. album: Rubber Soul - Capitol LP

The Beatles - Baby, You’re A Rich Man - Non-LP track (Lennon-McCartney) Lead vocal: John The Beatles’ fifteenth single release for EMI’s Parlophone label. The Beatles were contractually obligated to deliver four new songs for inclusion in the “Yellow Submarine” animated film project. “Baby, You’re A Rich Man” was the first song recorded especially for that project. Earlier in the year, George Harrison’s initial offering for the “Sgt. Pepper” album, “Only A Northern Song,” had been rejected for that album and was now being earmarked for use in the “Yellow Submarine” animated film. But 21

with the rush-release of “All You Need Is Love” as a single following the “Our World” world television transmission on June 25, 1967, a B-side was needed. George Martin chose “Baby, You’re A Rich Man,” effectively removing it from consideration for the “Yellow Submarine” feature film. “Baby, You’re A Rich Man” was, in fact, two separate songs (John’s “One Of The Beautiful People” and Paul’s “Baby, You’re A Rich Man”) that the composers combined to make into one song. On U.S. album: Magical Mystery Tour - Capitol LP

11.27 BREAK LIVE!

The Beatles - Baby’s In Black – Hollywood Bowl (Bonus ) The Beatles – Everybody’s Trying To Be My Baby – Live AT The Hollywood Bowl John & Elton – – MSG 1974 Paul – I Wanna Be Yer Man – Live `93 Paul - Let It Be ska – 91 The Beatles – Honey Don’t - BBC Live (John singing!) Ringo – I’m The Greatest – Live