Technological University Dublin ARROW@TU Dublin Masters Applied Arts 2020-10 Composing Irishness: Remembrances of the Irish Past Through the Prism of the Present in Music by Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974) Timothy Diovanni Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appamas Part of the Music Education Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Diovanni, T. (2020) Composing Irishness: Remembrances of the Irish Past Through the Prism of the Present in Music by Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974), Masters Thesis, Technological University Dublin. doi:10.21427/j9f0-hh44 This Theses, Masters is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Masters by an authorized administrator of ARROW@TU Dublin. For more information, please contact
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[email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Composing Irishness: Remembrances of the Irish Past Through the Prism of the Present in Music by Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974) Timothy Diovanni, B.A. Thesis submitted for the award of M.Phil. to the Technological University Dublin College of Arts and Tourism Supervisor: Dr Mark Fitzgerald Technological University Dublin Conservatoire October 2020 ABSTRACT Although modern remembrances in the fields of literature, theatre, poetry, and the visual arts have received considerable scholarly attention in Ireland since the publication of History and Memory in Modern Ireland in 2001, similar activities in an Irish art music context remain unexplored.