Sebastian Barry
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Euro Report Gimme Shelter Session Pixies FREE
Issue #4 Summer 2012 Published Quarterly. FREE. Or if you really like us you can always log onto www.rabble.ie to donate. Ah g’wan... INSIDE. Disco Liberation rabble takes a time machine to a rather unusual parish hop... Betaville Is it a playground for the city’s hipper twenty somethings? Club Photography Are DSLR swinging douchebags wrecking our club nights? THE Single Parents OBSTACLES How cutbacks are making FACING it real tough out there.. FESTIVAL PROMOTERS A Euro Report Gimme Shelter Session Pixies A Bohemian boyo tells us how it A gay asylum seeker shares his Meet our new peddlers of holistic went down in Poznan... experience... lifestyle advice .... “The intern will gain practical Work Experience. experience performing physical activities such as balancing, walking, lifting and handling of 2 materials.” - I shit you not. Kildare, chinese restaurant. JobBridge.ie {THE RANT} Rick Astley and rain in Mosney. We’ve come a long way since homosexuality Blah was illegal and a gay nightclub was better in than out, as it were. Check out the interview with Tonie Walsh about the infamous Flikkers club on Fownes Blah St in ’79. Anarchaeologist takes a look at DCC’s Beta project and is relieved that the local authority seems to be learning from past mistakes. THE ALL-NIGHT While our new Mob Rules section EDITORIAL SESSION, demonstrates the power of modern FUELLED BY COFFEE communication is a far cry from the AND NICOTINE WITH xerox world of yesteryear. The rabble project is only as strong as those who CRACKLING VINYL IN THE get involved and with our growing BACKGROUND COULD online presence you’ve no excuse! Our BE FROM ANYTIME IN recent Boomtown competition shows {EYE} THE LAST 50 YEARS. -
Issue 6 April 2017 a Literary Pamphlet €4
issue 6 april 2017 a literary pamphlet €4 —1— Denaturation Jean Bleakney from selected poems (templar poetry, 2016) INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster camouflaging the house-number. Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date shade card known by heart. It’s all part of the same deferral that leaves hanging baskets vulnerable; although, according to a botanist, for most plants, short-term wilt is really a protective mechanism. But surely every biological system has its limits? There’s no going back for egg white once it’s hit the fat. Yet, some people seem determined to stretch, to redefine those limits. Why are they so inclined? —2— INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle by Thomas McCarthy (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster Tara Bergin This is Yarrow camouflaging the house-number. carcanet press, 2013 Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date Jane Clarke The River shade card known by heart. bloodaxe books, 2015 It’s all part of the same deferral that leaves hanging baskets vulnerable; Adam Crothers Several Deer although, according to a botanist, carcanet press, 2016 for most plants, short-term wilt is really a protective mechanism. -
SAMPLER a Line of Tiny Zeros in the Fabric
A Line of Tiny Zeros in the Fabric SAMPLER SAMPLER A Line of Tiny Zeros in the Fabric Essays on the Poetry of Maurice Scully SAMPLER edited by Kenneth Keating Shearsman Books First published in the United Kingdom in 2020 by Shearsman Books Ltd PO Box 4239 Swindon SN3 9FN Shearsman Books Ltd Registered Office 30–31 St. James Place, Mangotsfield, Bristol BS16 9JB (this address not for correspondence) ISBN 978-1-84861-729-2 Copyright © 2020 by the authors. The right of the persons listed on page 5 and 6 to be identified as the authors of this work has been asserted by them in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements ‘A Line of Tiny Zeros in the Fabric’ is from ‘Song’, in Humming, p. 93. An earlier version of the essay by Kit Fryatt was published as ‘“AW.DAH.”: an allegorical reading of Maurice Scully’s Things That Happen’ in POST: A Review of Poetry Studies 1 (2008). Many thanks to the editors of this journal for permitting theSAMPLER reproduction of this text here. Note Page numbers of poetic texts referenced parenthetically in the essays herein refer to editions of the texts as identified in the respective lists of Works Cited. On occasion however, the texts presented here may vary slightly from their earlier appearances. These revisions reflect minor changes made by Maurice Scully in the new complete edition of Things That Happen, which is published simultaneously with this collection of essays. The decision was made to reflect these corrections in the essays, but to retain the original citations and acknowledge the original publishers of the texts in question. -
Submission of Men's Voices Ireland to Commission on the Future of Media
Submission of Men’s Voices Ireland to Commission on the Future of Media Journalism in crisis in the West We shall confine our remarks on media to social and political issues, in particular those social issues which we have been engaged with in our work. Trends in the Irish media have broadly followed those in other Western countries but particularly in the Anglosphere. The media has become a major player in at least shaping news rather than in reporting news as exemplified in the dissemination of partisan views along with the censorship of opposing views and this is happening in many western countries. Certain issues have become defining: a particular ideology obsessed with victimhood and so-called victim classes; issues of race, gender, sexual orientation or “woke” in the jargon; hate speech is another touchstone. Two key issues in the past 10 years which exemplify the media’s attitude have been the Brexit referendum in the UK and the US Presidential election of 2016. It is fair to say that both results came as a huge shock to the media which staunchly campaigned for a Remain vote in the UK and for a Clinton victory in the US. In neither case did the media carry out a dispassionate, impartial analysis of the trends, the swings which were at work in both cases. It ignored trends which pointed to a possible upset. It was as if the media wished to be a player in the result. Other headlines have been set in the US. In August 2019 the New York Times initiated the 1619 project, a series of essays which claimed that the founding act of the United States was not the Declaration of Independence of 1776 but rather the landing of a slave ship in Virginia in 1619. -
The Tyranny of the Past?
The Tyranny of the Past? Revolution, Retrospection and Remembrance in the work of Irish writer, Eilis Dillon Volumes I & II Anne Marie Herron PhD in Humanities (English) 2011 St Patrick’s College, Drumcondra (DCU) Supervisors: Celia Keenan, Dr Mary Shine Thompson and Dr Julie Anne Stevens I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD in Humanities (English) is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: (\- . Anne Marie Herron ID No.: 58262954 Date: 4th October 2011 Thesis Abstract This thesis examines the extent to which Eilis Dillon's (1920-94) reliance on memory and her propensity to represent the past was, for her, a valuable motivating power and/or an inherited repressive influence in terms of her choices of genres, subject matter and style. Volume I of this dissertation consists of a comprehensive survey and critical analysis of Dillon's writing. It addresses the thesis question over six chapters, each of which relates to a specific aspect of the writer's background and work. In doing so, the study includes the full range of genres that Dillon employed - stories and novels in both Irish and English for children of various age-groups, teenage adventure stories, as well as crime fiction, literary and historical novels, short stories, poetry, autobiography and works of translation for an adult readership. The dissertation draws extensively on largely untapped archival material, including lecture notes, draft documents and critical reviews of Dillon's work. -
Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment”
Études irlandaises 42-2 | 2017 Varia Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment” Sylvie Mikowski Electronic version URL: http://journals.openedition.org/etudesirlandaises/5332 DOI: 10.4000/etudesirlandaises.5332 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 29 November 2017 Number of pages: 93-104 ISBN: 978-2-7535-7388-8 ISSN: 0183-973X Electronic reference Sylvie Mikowski, « Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment” », Études irlandaises [Online], 42-2 | 2017, Online since 29 November 2017, connection on 13 September 2019. URL : http://journals.openedition.org/etudesirlandaises/5332 ; DOI : 10.4000/ etudesirlandaises.5332 © Presses universitaires de Rennes Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment” Sylvie Mikowski Université de Reims Champagne-Ardenne Abstract This article argues that the trauma of sexual abuse, particularly child abuse, was repre- sented as early as 1965 in John McGahern’s The Dark, but was only recognized as a major theme in Irish fiction with the publication of Anne Enright’s The Gathering in 2007. Both works, together with Eimear McBride’s A Girl is a Half-Formed Thing, display the kind of avant-garde aesthetics that critics generally associate with the representation of trauma. However, other recent Irish novels have represented the trauma of sexual abuse and of insti- tutional containment through tropes and themes proper to two traditional genres, gothic and crime fiction. Such is the case for Patrick McCabe’s The Butcher Boy, Sebastian Barry’s The Secret Scripture, and John Banville’s Benjamin Black novels. -
Opening Speech at Christ Church Cathedral, Dublin on 10Th June 2009 by Sebastian Barry
Opening speech at Christ Church Cathedral, Dublin on 10th June 2009 by Sebastian Barry. Until last Monday, I don´t think I was ever in here. I came in to see Ludmila´s work, so I could respond to it, and talk about it here. This ´here´ that is fabled in Dublin, and everywhere. How well we know from the outside this great stone ship beached safely above the flood level of the Liffey. The old ship of perfecting Protestantism. Mysterious vessel. Of course, as a little child coming into Dublin with my grandfather to see the Disney films in Grafton Street, I was told the soles of my shoes would catch fire if I stepped in here, my very soul would shrink and cry out. Dark bastion of Protestantism. Mysterious vessel. Turning on its anchor in the ever-flooding river of Irish history. I had never been in here…. But family whisper has it that my great great grandmother, Lizzy Finn, a music hall dancer from England, married a Robert Gibson in here, dying later in childbirth, and the unwanted child given away, to become in due course my other grandfather´s mother a matter she kept as a great secret; and it was he himself my grandfather, who came here years ago, looking for a marriage license, which he attested to have found. I don´t know….. Maybe. So my DNA was here maybe, in the shape of a music hall dancer – and my own mother, an actress in the Abbey theatre, loved, oh loved, the possibility of this forebear, who had shown her legs to the Saturday crowd in Bexhill as may be, then had stood solemnly under this solemn roof – my own mother celebrated her forebear´s entry here – my mother, who died two years ago. -
Ecocriticism & Irish Poetry a Preliminary Outline
Estudios Irlandeses , Number 6, 2011, pp. 54-69 __________________________________________________________________________________________ AEDEI Ecocriticism & Irish Poetry A Preliminary Outline James Mc Elroy The University of California, Davis Copyright (c) 2011 by James Mc Elroy. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. This article offers a brief thumbnail sketch of how Irish poetry has situated “nature” inside its competing narrative forms. Beginning with Irish poetry’s earliest lyrics and concluding with some of Ireland’s most recent, and most experimental, writers, the goal of the piece is to introduce some rudimentary eco-critical theory as a means of better understanding how nature acts as a complex cultural and political semiotic, so often overlooked, in Irish literature. En route, the article examines and in part deconstructs those critical categories that have often divided Irish literature into two distinct ecological camps: the picturesque (read colonialist/tourist) and the oral (read native/indigenous). The article also considers the importance of ecofeminist theory and asks how critics might better read Ireland’s women poets as nature poets in their own right. In closing, the piece turns its attention to a number of recent poets, both men and women, who have exceeded the picturesque/oral divide and now require eco-alternative readings of nature as we enter the second decade of the 21st Century. Key Words. Nature, ecocriticism, picturesque, oral, ecofeminisim Resumen. El artículo ofrece una breve reseña de cómo la poesía irlandesa ha situado a la ‘naturaleza” en el centro de sus variadas formas narrativas. -
Sebastian Barry and the Religio Medici
“His veritable gospel”: Sebastian Barry and Religio Medici A Bloomsday Lecture by Bruce Stewart UFRN The Secret Scripture (2008) Barry has captured the Costa Book Award twice Browne’s Religio Medici — in 2008 & 2017 … (1643; 1736 Edn.) Days Without End (2016) —Epigraphs in The Secret Scripture (2008) Q: Roseanne McNulty, the central character in The Secret Scripture (2008), owns a copy of the Religio Medici (1643) by Sir Thomas Browne a sentence from whose works provides an epigraph for that novel. Why? Q: The second epigraph is from the Preface to Maria Edgeworth’s Castle Rackrent (1800). Why? Photos of Barry by David Meehan (Independent, UK) and Bruce Stewart (UFRN) Sir Thomas Browne (1605-1682) “I am of Ireland …” The Abbey Theatre, founded in 1904, has staged Trinity most of Barry’s new plays. College, Dublin Nelson’s Column at the centre of Dublin city was blown up in protest against such remnants of British Rule 50 years after the Easter Rising of 1916. “I love my country because I know my country. I’m not loving unconditionally St Brigid’s, Ballinasloe, Go or blindly. I’ve tried to look into the Galway, was Ireland’s whole matter, and I remain in love with biggest lunatic asylum – this strange land and its people.” (Barry, Ireland broke with the past and the model for Roscommon in interview, NPR, 27 Feb. 2017. voted in favour of Gay Marriage Mental Hospital in The on 22 May 2015 Secret Scripture (2008). In April 2017 a mass grave for 750 children—buried without ceremony— was discovered at a Catholic ‘care’ home. -
THE IRISH PUNDITOCRACY AS CONTRARIAN VOICE: Opinion
THE IRISH PUNDITOCRACY AS CONTRARIAN VOICE : Opinion Coverage of the Workplace Smoking Ban Declan Fahy THE JOURNALISM OF COMMENTATORS and columnists has remained a lacuna in media studies. Their work has received so little sustained critical attention that it has become something of a ‘black box’, even as as the space devoted to opinion coverage in newspapers has expanded significantly over the past three decades (Duff, : ; Bogart, ; Glover, ). The section of the newspaper devoted to opinion journalism has traditionally been the op-ed page, so-called because of its usual placement opposite the section containing editorials. Viewed as a forum for the articulation of diverse viewpoints about current social issues, the page aims to provide a space in the ‘marketplace of ideas’ for the expression of opinions not found in news and editorial sections of newspapers (Salisbury, cited in Day and Golan, : ). This page has been virtually ignored in mass communications research, however. (Day and Golan, ; Ciofalo and Traverso, ). The few topics addressed in studies of op-ed content have included the advertisements printed there (Brown et al., ), the public relations strategies used to argue stances on specific issues (Smith and Heath, ) and the political preferences between publishers and editorial page editors (Kapoor and Kang, ). A study that examined the op-ed pages of the Washington Post and the New York Times found limited diversity in the selection of sources and stances in discussions of gay marriages, affirmative action and the death penalty (Day and Golan, ). There has been little critical agreement on how to define more precisely the collective of opinion writers that contribute to the op-ed page. -
West Cork's War of Independence 2017 29Sep17 Final
THE FIRST WEST CORK HISTORY FESTIVAL AND WEST CORK’S WarOFIndependence SECTARIANISM PETER HART KILMICHAEL AMBUSH TOM BARRY A discussion in the Southern Star (Cork), Irish Times, Sunday Independent (Dublin), with TOM COOPER - GERRY GREGG - EOGHAN HARRIS - CAL HYLAND - BARRY KEANE SIMON KINGSTON - NIALL MEEHAN - EVE MORRISON - JOHN REGAN - DONALD WOOD plus MEDA RYAN and PAT MULDOWNEY Edited by Jack Lane THE AUBANE HISTORICAL SOCIETY 2017 2 WEST CORK’S WAR OF INDEPENDENCE WEST CORK’S WAR OF INDEPENDENCE Sectarianism, the Kilmichael Ambush, Tom Barry, and Peter Hart A Southern Star (Cork), Irish Times, Irish Independent (Dublin), Discussion with TOM COOPER - GERRY GREGG - EOGHAN HARRIS - CAL HYLAND - BARRY KEANE SIMON KINGSTON - NIALL MEEHAN - EVE MORRISON - JOHN REGAN - DONALD WOOD PLUS MEDA RYAN AND PAT MULDOWNEY Table of Contents Page The Outcome of the first West Cork History Festival by Jack Lane 3 Three Southern Star letters on West Cork History Festival 4 Four Southern Star letters on An Tost Fada (‘The Long Silence’) 5 History Festival to screen amended documentary (Southern Star report) 7 An Tost Fada – four Irish Times letters (plus two unpublished) 8 Fifteen Southern Star letters on Peter Hart & Kilmichael Ambush 10 Meda Ryan response to Eve Morrison, 2014 History Ireland letter 18 Jack Lane responds to Sunday Independent columnist and An Tost Fada scriptwriter/presenter Eoghan Harris 19 Pat Muldowney on exposure of Peter Hart’s bogus ethnic cleansing statistics by Dundee historian, Dr. John Regan 20 Barry Keane on Peter Hart’s -
Essays on the Poetry of Trevor Joyce
Essays on the Poetry of Trevor Joyce Essays on the Poetry of Trevor Joyce edited by Niamh O’Mahony Shearsman Books First published in the United Kingdom in 2015 by Shearsman Books 50 Westons Hill Drive Emersons Green BRISTOL BS16 7DF Shearsman Books Ltd Registered Office 30–31 St. James Place, Mangotsfield, Bristol BS16 9JB (this address not for correspondence) ISBN 978-1-84861-339-3 Copyright © the individual authors, 2015. The right of the individual authors to be identified as the authors of this work has been asserted by them in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements An earlier version of the essay by John Goodby was published in Études Irlandaises 35.2 (2010). An earlier version of Niamh O’Mahony’s “Bibliography” on Trevor Joyce was published in Jacket2 on February 3, 2014. Many thanks to the editors of both journals for permitting the reproduction of these texts here. All quotations from the poetry of Trevor Joyce are reproduced by kind permission of Trevor Joyce and his publishers. The editor would like to thank the Irish Research Council for helping to fund this project, as well as the authors of two doctoral dissertations which are quoted in the collection; thanks to Marcella Edward, author of “Poetry of the Politics of Publishing in Ireland: Authority in the Writings of Trevor Joyce, 1967-1995,” and Julia Panko, author of “Dead-tree Data: Print Novels, Information Storage, and Media Transition”. Thanks are also due to Fergal Gaynor and Ed Krčma for permission to quote from Joyce’s 2013 essay, “The Phantom Quarry,” which first appeared in Enclave Review 8, and to Mary Burger for permission to quote from her 2000 essay, “Why I Write Narrative” which appeared in Narrativity 1 in 2000 (The Poetry Centre, San Francisco State University).