New Writing from Ireland Ireland Literature Exchange – Promoting Irish Literature Abroad PREVIOUS GO to CONTENTSRETURN to CONTENTS NEXT

Total Page:16

File Type:pdf, Size:1020Kb

New Writing from Ireland Ireland Literature Exchange – Promoting Irish Literature Abroad PREVIOUS GO to CONTENTSRETURN to CONTENTS NEXT GO TO CONTENTS NEXT New Writing from Ireland Ireland Literature Exchange – Promoting Irish literature abroad PREVIOUS GO TO CONTENTSRETURN TO CONTENTS NEXT NEW IRISH WRITING 2011 In this, the centenary year of the birth of Flann O’Brien, Ireland’s writers have the Forward Prize in Britain last year. We look forward to seeing Heaney’s Selected had a remarkably fruitful year. Important books such as The Forgotten Waltz by Poems in Russian, following a visit to Ireland by the translator, Grigory Kruzhkov. Anne Enright, Mistaken by Neil Jordan and A Death in Summer by Benjamin Black have enthralled readers around the world. Sebastian Barry’s On Canaan’s With the support of Culture Ireland and the Arts Council, Ireland Literature Side is eagerly awaited by his discerning readership, while John Boyne’s The Exchange continues to promote Irish literature internationally. In co-operation Absolutist, Kevin Barry’s City of Bohane and John Butler’s The Tenderloin are with our publishing partners, Irish writing has appeared in Tamil and Spanish, receiving positive reaction from readers and critics alike. French and Chinese. In addition to participation at the Frankfurt and London fairs, we attended the Beijing and Moscow book fairs in 2010. Dublin’s designation as a UNESCO City of Literature has drawn further attention to our capital city as a centre of literary creativity. Murder in the City, It was with great sadness that, shortly after the Frankfurt book fair 2010, we learnt a celebration of crime writing, is one of the many events that has taken place of the death of the great independent Irish publisher Steve Mac Donogh, who since the city received the designation. There’s certainly a feast of quality crime published uncompromisingly, bravely and creatively throughout his career. Steve writing on offer from Ireland today. Our catalogue includes titles by Gene understood the international rights business to its core. As managing editor of Kerrigan, Declan Burke, Eoin Colfer, Alan Glynn and Gerard O’Donovan. Brandon Books, he sold rights from Japan to Germany, Italy to Russia. His absence will be sorely felt in Frankfurt by his many publishing friends and colleagues. In children’s and young adult fiction, there is a bumper crop too, with books by household favourites Siobhán Parkinson, Celine Kiernan and Elizabeth O’Hara, This year’s edition of New Writing from Ireland presents the best of Irish writing. and intriguing titles like An Coileach Codlatach/The Sleepy Rooster by Nuala Nic We hope that the publishers, translators and festival organisers amongst you find Con Iomaire and Spirit of the Titanic by Nicola Pierce. much to entice you. If you think your project might be eligible for support, please do not hesitate to contact us. Poetry titles this year include books by Derek Mahon, John Montague and Kerry Hardie, and selections of work by two major Irish language poets, Máire Mhac an tSaoi and Seán Ó Ríordáin. Seamus Heaney’s magnificent Human Chain received Sinéad Mac Aodha Director PREVIOUS RETURNGO TO CONTENTS TO CONTENTS NEXT Migration (detail) © Mark Francis Courtesy of the artist and the Kerlin Gallery, Dublin, Ireland. Editor: Rita McCann. Design, typesetting and layout by Language, Dublin. www.language.ie Printed in Dublin, Ireland, August 2011. ISSN: 1649-959X PREVIOUSPREVIOUS RETURN TO CONTENTS NEXT CONTENTS Ireland Literature Exchange 4 Fiction 6 Children’s Literature 35 Drama & Poetry 54 Non-fiction 67 Index of Authors 74 Index of Titles 75 Index of Publishers 76 PREVIOUS RETURN TO CONTENTS NEXT 4 | Ireland Literature Exchange IRELAND LITERATURE EXCHANGE Ireland Literature Exchange (ILE) is ILE’s activities include: Detailed information on Ireland Literature the national agency in Ireland for the Exchange and its programmes is available promotion of Irish literature abroad. • Administering a translation grant online at www.irelandliterature.com The organisation works to build an programme for international publishers international awareness and appreciation Contact details: • Awarding bursaries to literary translators of contemporary Irish literature, Ireland Literature Exchange primarily in translation. • Co-ordinating author and translator events 25 Denzille Lane • Participating at international book fairs Dublin 2 A not-for-profit organisation, Ireland • Publishing an annual rights catalogue, Ireland Literature Exchange is funded New Writing from Ireland by Culture Ireland and the Arts Council. t: +353 1 678 8961 • Participating in international t: +353 1 662 5807 Established in 1994, ILE has supported translation projects f: +353 1 662 5687 the translation of over 1,500 works of e: [email protected] • Providing information to publishers, Irish literature into 50 languages around w: www.irelandliterature.com translators, authors, journalists and other the world. interested parties. PREVIOUS RETURN TO CONTENTS NEXT 5 | Literature Translation Grant Programme LITERATURE TRANSLATION GRANT PROGRAMME Translation Grants Please see the translation grant application Translation Grant Application Checklist ILE’s translation grants are available to checklist on this page for a full list of Your application should include the following: international publishers who are seeking required materials. support for translations of Irish literature.* • Publisher’s contact details ILE offers a substantial contribution towards ILE has all translation samples assessed • A copy of the agreement with the the translator’s fees. by an independent expert. Successful translation rights holder and the contract applicants are sent a formal letter of award with the translator Publishers must apply at least three months and contracts are posted within ten days before the translation is due to be published. of the board meeting. Payment of the • Publication details: proposed date of ILE’s board of directors meets four times a translation grant is made to the publisher publication, the proposed print run and year to consider applications. once ILE has received proof of payment page extent of the translation to the translator and six copies of the • A copy of the translator’s CV and a The deadlines for application are available at published work, which must contain an breakdown of the fee to be paid to the www.irelandliterature.com/deadlines acknowledgement of ILE’s funding. translator * Eligible genres: literary fiction, children’s • 2 copies of the original work and 2 copies literature, poetry and drama and some literary of a translation sample consisting of 10-12 non-fiction. pages of prose or 6 poems. PREVIOUS RETURN TO CONTENTS NEXT 6 | Fiction Jonathan Cape / March 2011 KEVIN BARRY CITY OF BOHANE Kevin Barry was born in Limerick in 1969 and now lives in Sligo. His first collection of short stories, There Are Little Kingdoms, won the Rooney Prize for Irish Literature in 2007. Barry has written about travel and literature for the Guardian, the Irish Times, the Sydney Morning Herald and many other publications. Forty years in the future. The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are the posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin’ that the city really lives. This is the cool, comic, violent and lyrical debut novel from one of Ireland’s most talented new writers. Contact for rights negotiations Lucy Luck, Lucy Luck Associates, 20 Cowper Road, London W3 6PZ, UK www.lucyluck.com / [email protected] / +44 20 8992 6142 PREVIOUS RETURN TO CONTENTS NEXT Faber & Faber / August 2011 7 | Fiction SEBASTIAN BARRY ON CANAAN’S SIDE Sebastian Barry is a playwright, poet and novelist. His novels include A Long Long Way, shortlisted for both the Man Booker Prize in 2005 and for the 2007 International IMPAC Award, and The Secret Scripture (2008), which won the Costa Book of the Year Award for 2008 and was shortlisted for the Man Booker Prize. Narrated by Lilly Bere, On Canaan’s Side opens as she mourns the loss of her grandson, Bill. The story then goes back to the moment she was forced to flee Dublin, at the end of the First World War, and follows her life through into the new world of America. At once epic and intimate, Lilly’s narrative unfurls as she tries to make sense of the sorrows and troubles of her life and of the people whose lives she has touched. Spanning nearly seven decades, it is a novel of memory, war, family ties and love, which once again displays Sebastian Barry’s exquisite prose and gift for storytelling. Contact for rights negotiations Derek Johns, AP Watt Ltd, 20 John Street, London WC1N 2DR, UK www.apwatt.co.uk / [email protected] / +44 20 7405 6774 PREVIOUS RETURN TO CONTENTS NEXT 8 | Fiction Penguin Ireland / April 2012 GREG BAXTER THE APARTMENT Greg Baxter was born in Texas in 1974. He lives in Dublin. His memoir, A Preparation for Death, was published in 2011. The Apartment is his first novel. One snowy morning in a large old European capital, a man – 41, ex-US Navy, alone – wakes in a hotel room. A young local woman he has befriended calls to the hotel, and the two of them head out into the snow to find the man an apartment to rent. The Apartment tells the story of these two people on this day – and the old stories that brought them to where they are. Its magically subtle and intense narrative takes them across the frozen city and into the past that the man is hoping to escape, and leaves them at the doorstep of an uncertain future. Contact for rights negotiations Penguin, 80 Strand, London WC2R 0RL, UK www.penguin.co.uk / +44 20 7010 3000 PREVIOUS RETURN TO CONTENTS NEXT Mantle / July 2011 9 | Fiction BENJAMIN BLACK A DEATH IN SUMMER Benjamin Black is the pen name of acclaimed author John Banville, who was born in Wexford, Ireland, in 1945.
Recommended publications
  • Contemporary British Literary Culture, Higher Education, and the Diversity Scandal
    Contemporary British Literary Culture, Higher Education, and the Diversity Scandal by John Coleman A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Language and Literature Carleton University Ottawa, Ontario © 2019, John Coleman Abstract Sociologists have demonstrated that neoliberal British education policies reproduce cultural and racial homogeneity in creative industries workforces. These policies have made fine art and design programs key pathways to work in the creative economy. Yet escalating tuition and the reliance on unpaid internships to gain course credit have meant that students are increasingly drawn from the more affluent socio-economic communities – often predominantly white. The impact on contemporary British literature, particularly writing by minoritized authors, has been remarkable. Despite efforts to increase diversity in the literary book trades, the vast majority of publishing professionals are white, independently wealthy graduates of elite universities. Scholars have said little about how the literary field responds to, manifests, and perpetuates this escalating – and racialized – inequality, whose ramifications are evident in everything from Brexit to the emboldening of the anti-immigrant alt-right movement. My research takes up this task. I discuss how neoliberal education policy has privileged a relatively homogenous creative class, whose hegemony resonates across literary production and literature itself. I analyze responses to this class’ control over the literary sphere in chapters studying the reading charity BookTrust, the decibel program’s prizing of Hari Kunzru’s 2005 novel Transmission, and Spread the Word’s Complete Works Scheme for poets of colour. ii Acknowledgements The devotion of many family members, friends and loved ones has combined to form an invaluable support system throughout my time in university and while writing this dissertation.
    [Show full text]
  • 1 Dark Room Prologue Bleak. the Man Had Never Known It So Bleak
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bangor University: eBangor / Prifysgol Bangor Dark Room Prologue Bleak. The man had never known it so bleak. He shuddered and with hands raw from the wind he pulled the flimsy coat closer to his body, but it was no protection against the cold. The wind had gone, but an icy front from the North had replaced it. He had heard it said that it was the harshest winter in forty years. He certainly recalled no other like it. In the daytime he walked the city streets seeking warmth in shop doorways until the security guards began to look at him with suspicion. He was no thief. He would rather starve than steal, and he made it his business to move on before any false accusations could begin. The shops were quiet after the bustle of the New Year sales. The Christmas lights hung unlit across the streets. There was something sad about the end of another year, but maybe this one would be different. The man shivered, and turned down a side street where he might at least get shelter in a doorway. From a shop window light spilled into the narrow street. The man looked at the sign above the door - gold letters on peeling light blue paint that read Mrs Quinn’s Charity Shop. He looked through the window. On a tall stool, a bespectacled woman in her sixties was sitting at the counter reading a newspaper. She looked up as he pushed the door open and he felt a rush of warmth from the electrical heater by the counter.
    [Show full text]
  • The Dutch House Ann Patchett
    AUSTRALIA SEPTEMBER 2019 The Dutch House Ann Patchett A masterpiece from the Orange Prize-winning, New York Times number one bestselling author of Commonwealth and Bel Canto: a story of love, family, sacrifice, and the power of place Description Danny Conroy grows up in the Dutch House, a lavish folly in small-town Pennsylvania taken on by his property developer father. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her delicacy, her brilliance. Life is comfortable and coherent, played out under the watchful eyes of the house's former owners in the frames of their oil paintings, or under the cover of the draperies around the window seat in Maeve's room. Then one day their father brings Andrea home: Andrea, small and neat, a dark hat no bigger than a saucer pinned over a twist of her fair hair. Though they cannot know it, Andrea's advent to the Dutch House sows the seed of the defining loss of Danny and Maeve's lives. Her arrival will exact a banishment: a banishment whose reverberations will echo for the rest of their lives. For all that the world is open to him, for all that he can accumulate, for all that life is full, Danny and his sister are drawn back time and again to the place they can never enter, knocking in vain on the locked door of the past. For behind the mystery of their own enforced exile is that of their mother's self-imposed one: an absence more powerful than any presence they have known.
    [Show full text]
  • Zadie Smith and Monica Ali
    UDC 821.111.09 Ali M. 821.111.09 Smit Z. P P University of Nottingham ZADIE SMITH7 AND MONICA ALI: ARRIVAL AND SETTLEMENT IN RECENT BRITISH FICTION INTRODUCTION: THE IMMIGRANT EXPERIENCE AND NEW BRITISH WRITING !e thirteenth and "nal volume in the Oxford English Literary History covers the period 1948-2000 and is entitled !e Internationalization of English Literature . !is title refers not to the astonishing extent to which English Literature has become an international subject, studied in schools, colleges and universities all over the world, but to the way in which the very concept of what constitutes ‘English’ literature has been transformed. As Bruce King, the author of the volume puts it, during the post-war period ”the literature of England went through a major change, a change in subject matter and sensitivities as historically signi"cant as earlier shi#s in sensibility given such names as Romanticism, Victorianism and Modernism” (King 2004: 1). !is transformation has come about because of the arrival in Britain of successive waves of immigrants, largely from countries that were formerly part of the British Empire. Authors from these communities brought to English writing new contexts, new narratives, both personal and national, and a new sense of language and form. In the work of such writers as Monica Ali, Hanif Kureishi, Andrea Levey, Timothy Mo, Salman Rushdie and Zadie Smith, readers have been confronted with texts that challenge them in unfamiliar ways, requiring them not only to adapt to new literary modes, but also to consider the experiences of distant countries and to understand and assess the part played by Britain in those countries’ histories.
    [Show full text]
  • Frank O'connor
    The 10th Annual FRANK O’CONNOR INTERNATIONAL SHORT STORY FESTIVAL 2009 elcome. Cork is the place to come for the world’s oldest, annual, dedicated, short story festival now in its tenth year. In Cork we have a special love of the short story because of our city and county’s association with W so many masters of the form including Daniel Corkery, Sean O’Faolain, Frank O’Connor, Elizabeth Bowen and William Trevor. The Munster Literature Centre, with the crucial help of funding from Cork City Council is delighted to be able to raise our city’s profile in the world through this festival and also through the annual Cork City-Frank O’Connor Short Story Award, the richest literary prize for the form which is now in its fifth year. Since the festival began we have featured modern masters from at home and abroad including the likes of Segun Afolabi, Cónal Creedon, Nisha da Cunha, Anne Enright, Richard Ford, Alasdair Gray, Bret Anthony Johnston, Miranda July, Claire Keegan, Etgar Keret, Jhumpa Lahiri, James Lasdun, Mary Leland, Eugene Mc- Cabe, Mike McCormick, Bernard MacLaverty, David Marcus, David Means, Rebecca Miller, Rick Moody, Eilis Ní Dhuibhne, Julia O’Faolain, James Plunkett, Dan Rhodes, Ludmila Ulitskaya, Samrat Upadhyay, William Wall, Yiyun Li Wang Zhousheng and many others. This year, we have five continents represented in our international lineup. We welcome back writers who have appeared before, not only former O’Connor Award shortlistees such as Grimshaw and O Ceallaigh, but writers such as Titley and Doyle who participated in our very first festival in 2000.
    [Show full text]
  • Full Text of 'Joyce House' Letter and Signatories
    Full text of ‘Joyce house’ letter and signatories As writers, artists, and scholars of Irish literature and culture, we call upon Josepha Madigan, the Minister for Culture, Heritage and the Gaeltacht, and Owen Keegan, Dublin City Manager, to intervene to save, for the nation and the world, the house at 15 Usher's Island, known to all as Joyce's house of "The Dead", and prevent any deterioration of its fabric. In the decades since Joyce's death, too many of the places that are rendered immortal in his writing have been lost to the city. Let us not repeat this mistake today. 15 Usher's Island is not just another house connected with Joyce. Built in 1775, its upper floors were rented by Joyce's great-aunts in the 1890s and the writer himself often visited them there. Most importantly, it is the setting of "The Dead", widely considered Joyce's and indeed the world's greatest short story. The atmosphere in the house and the way the rooms are configured are mostly untouched since Joyce's time. Turning it into a 56-room hostel would destroy the uniquely valuable interior which still maintains the character of the house so splendidly described in the story. Usher's Island has the potential to become a worthwhile site of literary pilgrimage, a way to inform and inspire new generations of Joyce readers. As we approach the centenary of Ulysses in 2022, we believe that saving this unique piece of our national heritage is within the power of the Government and the national institutions and that it should be an urgent priority.
    [Show full text]
  • Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment”
    Études irlandaises 42-2 | 2017 Varia Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment” Sylvie Mikowski Electronic version URL: http://journals.openedition.org/etudesirlandaises/5332 DOI: 10.4000/etudesirlandaises.5332 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 29 November 2017 Number of pages: 93-104 ISBN: 978-2-7535-7388-8 ISSN: 0183-973X Electronic reference Sylvie Mikowski, « Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment” », Études irlandaises [Online], 42-2 | 2017, Online since 29 November 2017, connection on 13 September 2019. URL : http://journals.openedition.org/etudesirlandaises/5332 ; DOI : 10.4000/ etudesirlandaises.5332 © Presses universitaires de Rennes Gothic and Noir: the Genres of the Irish Contemporary Fiction of “Containment” Sylvie Mikowski Université de Reims Champagne-Ardenne Abstract This article argues that the trauma of sexual abuse, particularly child abuse, was repre- sented as early as 1965 in John McGahern’s The Dark, but was only recognized as a major theme in Irish fiction with the publication of Anne Enright’s The Gathering in 2007. Both works, together with Eimear McBride’s A Girl is a Half-Formed Thing, display the kind of avant-garde aesthetics that critics generally associate with the representation of trauma. However, other recent Irish novels have represented the trauma of sexual abuse and of insti- tutional containment through tropes and themes proper to two traditional genres, gothic and crime fiction. Such is the case for Patrick McCabe’s The Butcher Boy, Sebastian Barry’s The Secret Scripture, and John Banville’s Benjamin Black novels.
    [Show full text]
  • Opening Speech at Christ Church Cathedral, Dublin on 10Th June 2009 by Sebastian Barry
    Opening speech at Christ Church Cathedral, Dublin on 10th June 2009 by Sebastian Barry. Until last Monday, I don´t think I was ever in here. I came in to see Ludmila´s work, so I could respond to it, and talk about it here. This ´here´ that is fabled in Dublin, and everywhere. How well we know from the outside this great stone ship beached safely above the flood level of the Liffey. The old ship of perfecting Protestantism. Mysterious vessel. Of course, as a little child coming into Dublin with my grandfather to see the Disney films in Grafton Street, I was told the soles of my shoes would catch fire if I stepped in here, my very soul would shrink and cry out. Dark bastion of Protestantism. Mysterious vessel. Turning on its anchor in the ever-flooding river of Irish history. I had never been in here…. But family whisper has it that my great great grandmother, Lizzy Finn, a music hall dancer from England, married a Robert Gibson in here, dying later in childbirth, and the unwanted child given away, to become in due course my other grandfather´s mother a matter she kept as a great secret; and it was he himself my grandfather, who came here years ago, looking for a marriage license, which he attested to have found. I don´t know….. Maybe. So my DNA was here maybe, in the shape of a music hall dancer – and my own mother, an actress in the Abbey theatre, loved, oh loved, the possibility of this forebear, who had shown her legs to the Saturday crowd in Bexhill as may be, then had stood solemnly under this solemn roof – my own mother celebrated her forebear´s entry here – my mother, who died two years ago.
    [Show full text]
  • PW Remainder Ad
    PW ANNOUNCEMENT - May 20, 2019 LAST DAY OF RETURNS - November 30, 2019 October 2019 Full Remainder COVER FMT (13) ISBN TITLE AUTHOR PRICE Avery and Tarcher Perigree TR 9780143109617 WAVE MARTIN, SHANTELL $15.00 Division 17 HC 9781623366728 ICE CREAM ADVENTURES FERRARI, STEF $24.99 TR 9781623362065 FUTURECHEFS GANESHRAM, RAMIN $24.99 HC 9781623368609 SICK LIFE WATKINS, TIONNE $26.99 HC 9781623366629 OASIS IN TIME PAUL, MARILYN $25.99 HC 9781623368173 STIMULATI EXPERIENCE, THE CURTIS, JIM $25.99 HC 9780525573555 THIS IS ME, PERIOD. COWELL, PHILIP $15.99 HC 9780451497987 DIET RIGHT FOR YOUR PERSONALIT WIDERSTROM, JEN $26.00 HC 9780609609156 ART OF SHAVING ZAOUI, MYRIAM $17.50 HC 9781623364762 LOSE WEIGHT HERE TETA, JADE $25.99 HC 9781623366681 DNA RESTART MOALEM, SHARON $26.99 HC 9780307884978 FUTURE OF GOD, THE CHOPRA, DEEPAK MD $25.00 HC 9781623365714 TIGHTEN YOUR TUMMY IN 2 WEEKS DARDEN, ELLINGTON PHD $26.99 HC 9781594867446 INTELLECTUAL DEVOTION:AMERHIST KIDDER, DAVID S. $24.00 HC 9781623365158 MEN'S HEALTH:UNCOMMON KNOWLEDG EDITORS OF MEN'S HEALTH $24.99 HC 9781623367220 BODYWISE ABRAMS, RACHEL CARLTON MD$24.99 HC 9781623360450 SOUTH BEACH DIET GLUTEN SOLN AGATSTON, ARTHUR $25.99 HC 9781623362935 HD DIET GILBERT, KEREN $25.99 Random House HC 9780812998726 ADDLANDS BULLOUGH, TOM $27.00 HC 9781400069026 AMERICAN ULYSSES WHITE, RONALD C. $35.00 HC 9780812995152 BALLROOM, THE HOPE, ANNA $27.00 HC 9780399591655 BEAUTY IN THE BROKEN PLACES PATAKI, ALLISON $26.00 HC 9780399592270 CONFESSIONS OF THE FOX ROSENBERG, JORDY $27.00 HC 9780812998429 DINOSAURS ON OTHER PLANETS MCLAUGHLIN, DANIELLE $27.00 HC 9780525508748 DISTANCE HOME, THE SAUNDERS, PAULA $27.00 HC 9781400065561 HECKUVA JOB, A TRILLIN, CALVIN $12.95 HC 9780525508717 HIGH SEASON, THE BLUNDELL, JUDY $27.00 HC 9780812996081 MILLER'S VALLEY QUINDLEN, ANNA $28.00 HC 9780812998023 PILGRIMAGE SHRIVER, MARK K.
    [Show full text]
  • Irish Copyright Licensing Agency CLG Mandated Author Rightholders
    Irish Copyright Licensing Agency CLG Mandated Author Rightholders Author Rightholder Name Ann Sheppard Adrian White Anna Donovan Adrienne Neiland Anna Heffernan Aidan Dundon Anna McPartlin The Estate of Aidan Higgins Anne Boyle Aidan O'Sullivan Anne Chambers Aidan P. Moran Anne Deegan Aidan Seery Anne Enright Aileen Pierce Anne Fogarty Áine Dillon Anne Gormley Áine Francis- Stack Anne Haverty Áine Ní Charthaigh Anne Holland Áine Uí Eadhra Anne Jones Aiveen McCarthy Anne Marie Herron Alan Dillon Anne Potts Alan Kramer Anne Purcell Alan Monaghan The Estate of Anne Schulman Alan O'Day Annetta Stack Alannah Hopkin Annie West Alexandra O'Dwyer Annmarie McCarthy Alice Coghlan Anthea Sullivan Alice Taylor Anthony Cronin Alison Mac Mahon Anthony J Leddin Alison Ospina Anthony Summers Allen Foster Antoinette Walker Allyson Prizeman Aodán Mac Suibhne Amanda Clarke Arlene Douglas Amanda Hearty Arnaud Bongrand Andrew B. Lyall Art Cosgrove Andrew Breeze Art J Hughes Andrew Carpenter Art Ó Súilleabháin Andrew Loxley Arthur McKeown Andrew Purcell Arthur Mitchell Andy Bielenberg Astrid Longhurst Angela Bourke Aubrey Dillon Malone Angela Doyle Aubrey Flegg Angela Griffin The Estate of Augustine Martin Angela Marie Burt Austin Currie Angela Rickard Avril O'Reilly Angela Wright Barry Brunt The Estate of Angus McBride Barry McGettigan The Estate of Anita Notaro Bart D. Daly Ann Harrow The Estate of Basil Chubb Ann O Riordan Ber O'Sullivan 1 Irish Copyright Licensing Agency CLG Mandated Author Rightholders Bernadette Andresso Brian Lennon Bernadette Bohan Brian Leonard Bernadette Cosgrove Brian McGilloway Bernadette Cunningham The Estate of Brian O'Nolan Bernadette Matthews Brian Priestley Bernadette McDonald Brianóg Brady Dawson Bernard Horgan Bríd Nic an Fhailigh Bernard MacLaverty Bried Bonner Bernard Mulchrone The Estate of Brigid Brophy Bernie McDonald Brigid Laffan Bernie Murray-Ryan Brigid Mayes Bernie Ruane Brigitte Le Juez Betty Stoutt Bronwen Braun Bill Rolston Bryan M.E.
    [Show full text]
  • Westminsterresearch
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by WestminsterResearch WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch The migrant in contemporary Irish literature and film: representations and perspectives Aisling McKeown School of Social Sciences, Humanities and Languages This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2013. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE MIGRANT IN CONTEMPORARY IRISH LITERATURE AND FILM: REPRESENTATIONS AND PERSPECTIVES AISLING MCKEOWN A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2013 2 Abstract The transition from the twentieth to the twenty-first century saw Ireland transformed from a homogeneous emigrant nation into a multi-cultural society. A growing body of contemporary Irish literature and film is engaging with the reality of multi-cultural Ireland and representing the challenges of migrant life from a variety of perspectives.
    [Show full text]
  • Autori / Contributors
    Studi irlandesi. A Journal of Irish Studies, n. 5 (2015), pp. 273-277 DOI: http://dx.doi.org/10.13128/SIJIS-2239-16358 Autori / Contributors Katarzyna Bartoszyńska (<[email protected]>) spent several years working at the Program of Cultures, Civilizations and Ideas at Bilkent University, Ankara (Turkey). This fall she will join the English De- partment at Monmouth College, Illinois. Her research has appeared in New Hibernia Review and 19th Century Contexts. She is currently at work on a book that uses a comparative reading of literary history in Poland and Ireland as an entry point into an examination of comparative studies and ways of under- standing the rise of the novel in different parts of the world. An article related to this research, on Jonathan Swift’s Gulliver’s Travels and Ignacy Krasicki’s Adventures of Mr Nicholas Wisdom, appeared in Comparative Literature Studies. Tomasz Bilczewski (<[email protected]>) is an Assistant Professor and the director of the Centre for Advanced Studies in the Humanities at the Jagiel- lonian University, Krakow. He is the author of Komparatystyka i interpretacja. Nowoczesne badania porównawcze wobec translatologii (Comparative Literature and Interpretation: Modern CompLit and Translation Studies, 2010), the editor of Niewspółmierność. Perspektywy nowoczesnej komparatystyki, (Incommensurabil- ity. Perspectives on Modern Comparative Literature, 2010), and co-editor (with Luigi Marinelli and Monika Woźniak) of Rodzinny świat Czesława Miłosza (The Family World of Czesław Miłosz, 2014). He has received the Prime Minister’s Award for best doctoral dissertations in Poland (2009), and is a recipient of the Polityka and Ministry of Science scholarships for outstanding young scholars (2010 and 2014 respectively).
    [Show full text]