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DIPINTI E DISEGNI ANTICHI 25 Maggio 2021, Roma Lotto 100 in Copertina Lotto 186 DIPINTI E DISEGNI ANTICHI Martedì 25 Maggio 2021

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DIPINTI E DISEGNI ANTICHI 25 Maggio 2021, Roma Lotto 100 in Copertina Lotto 186 DIPINTI E DISEGNI ANTICHI Martedì 25 Maggio 2021 DIPINTI E DISEGNI ANTICHI 25 maggio 2021, Roma Lotto 100 in copertina lotto 186 DIPINTI E DISEGNI ANTICHI martedì 25 maggio 2021 Palazzo Odescalchi, Piazza SS. Apostoli, 80 - Roma TORNATA UNICA ore 15.00 lotti 1 - 187 ESPOSIZIONE Roma P.zza SS. Apostoli, 80 Su appuntamento da venerdì 21a lunedì 24 ore 10.00-18.00 martedì 25 ore 10.00-13.00 per appuntamento: tel. +39 06 6791107 [email protected] CONDIZIONI DI VENDITA Questa vendita è soggetta ad importanti avvertenze, condizioni di vendita e riserve I lotti con stima pari o inferiore a € 500 non sono passibili di restituzione da parte degli acquirenti. COMPRARE DA FINARTE Per informazioni consultare la sezione Informazioni importanti per gli acquirenti PER OFFERTE PRE/ASTA PER PARTECIPARE A QUESTA ASTA ONLINE www.finarte.it INFORMAZIONI OFFERTE TELEFONICHE AMMINISTRAZIONE SU QUESTA VENDITA E SCRITTE COMPRATORI E VENDITORI [email protected] Viola Marzoli Tel. +39 0667911047 Tel. +39 06 87763682 [email protected] Le offerte dovranno pervenire entro le 24 ore prima dell’inizio SPEDIZIONI dell’asta ED ESPORTAZIONI Antonio Menzera OFFERTE ON-LINE Tel. +39 06 87763672 [email protected] [email protected] È necessario registrarsi seguendo CONDITION REPORT le indicazioni presenti sul sito www.finarte.it Dipinti e Disegni Antichi Adele Coggiola Tel. +39 06 87765638 [email protected] FINARTE AUCTIONS S.r.l. Codice Fiscale e P. IVA: 09479031008 Registro Imprese Milano REA- 2570656 Sede Legale: Via Paolo Sarpi n. 6 20154 - Milano (IT) Sede Operativa: Milano, Via Paolo Sarpi n. 6 – 20154 Milano T. +39 02.3363801 Catalogo Sede Operativa: Roma, Progetto grafico Piazza SS. Apostoli n. 80 00187 Roma | T. + 39 06.6791107 Samuele Menin www.finarte.it Fotografie Untitled Group, Roma. PEC: [email protected] DIPARTIMENTO DIPINTI E DISEGNI ANTICHI Valentina Ciancio Adele Coggiola Capo Dipartimento Specialist Tel. +39 06 87765646 Tel. +39 06 87765638 [email protected] [email protected] Lotto 185 DIPINTI E DISEGNI ANTICHI lotti 1 - 187 DALLA COLLEZIONE DELLO STORICO DELL’ARTE GIANCARLO SESTIERI (DAL LOTTO 1 AL LOTTO 85) Ringraziamo il professor Giancarlo Sestieri per averci affidato un nucleo di oltre novanta disegni, che ha raccolto e studiato negli anni. I disegni e gli acquarelli appartengono perlopiù alla scuola romana e napoletana del Sei e del Settecento e riflettono i suoi interessi di storico dell’arte e di conoscitore degli Old Masters. Prevalgono nella selezione di disegni in asta studi di figura e di composizioni preparatori per dipinti – tra queste ul- time la Vestizione di San Ranieri di Benedetto Luti per il Duomo di Pisa (lotto 6) e lo Studio per il soffitto di Palazzo Borghese a Roma di Filippo Lauri (lotto 59) - nudi d’Accademia (lotti 13-16) e opere di grande impatto visivo come le vedute di Roma di Giovanni Battista Busiri (lotto 2), i due acquerelli di Bartolomeo Pinelli (lotto 82) e la cartella di Antonio Senape con vedute di Capri, Ischia ed altri luoghi del Regno di Napoli, prediletti dai viaggiatori del Grand Tour (lotto 83). Tra i fogli, accompagnati da brevi ma accurate didascalie di mano di Sestieri, figurano anche un Ritratto di Paganini di Giuseppe Bignami (lotto 50), una grafica giapponese raffigurante un Gatto (lotto 391) ed il Capriccio del falsario noto come il Maestro del Ricciolo acquistato sul mercato antiquario dallo studioso per “curiosità” (lotto 73). 1 1 PITTORE FIAMMINGO ATTIVO IN ROMA, ULTIMO QUARTO DEL SECOLO XVII - INIZI DEL SECOLO XVIII Tempio della Sibilla a Tivoli penna, inchiostro bruno e acquerello su carta mm 190 x 270 difetti e restauri PROVENIENZA Christie’s Londra, 14 dicembre 1982, lotto 297. € 300 - 500 FINARTE 9 2 10 FINARTE 2a 2 GIOVANNI BATTISTA BUSIRI (Roma 1698-1757) Due vedute di Roma: Campo Vaccino e Ponte Rotto tempera su carta applicata su tela mm 225 x 343 BIBLIOGRAFIA A. Busiri Vici, Giovanni Battista Busiri: vedutista romano del ‘700, Roma 1966, p. 77, n°24, pag. 88, n°62, tav. X PROVENIENZA Andrea Busiri, Roma fino al 1980 ca. € 7.000 - 10.000 FINARTE 11 3 3 ABRAHAM-LOUIS-RODOLPHE DUCROS (Yverdon 1748-Losanna 1810) Veduta dell’Arco di Costantino a Roma penna delineata, inchiostro e acquerello su carta mm 375 x 526 reca iscrizione in basso al centro sul passepartout l’Arc de Constantine e a sinistra Ducros et Volpato. € 400 - 600 4 ATTRIBUITO A CARLO CANELLA (Verona 1800 - Milano 1879) Veduta del Pantheon ripreso di lato penna, inchiostro e acquerello su carta mm 252 x 177 iscrizione sul passepartout in basso Cote du Pantheon 4 € 300 - 600 12 FINARTE 5 5a 5 SIMONE POMARDI (Monteporzio 1757-Roma 1830) Due vedute di Roma: la Colonna Traiana; e la Colonna Antonina acquerello su cartoncino mm 295 x 215; e mm 295 x 220 iscrizioni sul passepartout Simon Pomardi VUE DE LA COLONNE TRAJANE A’ ROME (sul primo); e Simon Pomardi VUE DE LA COLONNE ANTONINE A’ ROME (sul secondo) ESPOSIZIONI Roma e Tivoli nelle vedute dell’Ottocento, Quinto salone nazionale dell’antiquariato, Roma, 27 settembre - 12 ottobre 1980, cat. n. 49 e 50. € 1.500 - 2.500 FINARTE 13 6 6 BENEDETTO LUTI (Firenze 1666-Roma 1724) Vestizione di San Ranieri penna e inchiostro bruno su carta, tracce di sanguigna mm 285 x 397 Studio preparatorio per il dipinto di omonimo soggetto realizzato intorno al 1712 da Benedetto Luti nel Duomo di Pisa. PROVENIENZA J. Richardson Sen. (Lugt 2124), come da timbro di collezione parzialmente tagliato. BIBLIOGRAFIA R. Roli-G. Sestieri, I disegni italiani del Settecento: scuole piemontese, lombarda, genovese, bolognese, toscana, romana e napoletana, Treviso 1981, p. 85, tav. 135. € 800 - 1.000 7 GIACINTO CALANDRUCCI (Palermo 1646-1707) Studio per Salvator Mundi penna e inchiostro bruno su carta mm 133 x 99 7 € 300 - 500 14 FINARTE 8 FORTUNATO DURANTI (Montefortino 1787-1863) Madonna con Angelo penna, inchiostro bruno e acquerello su carta mm 151 x 183 PROVENIENZA Galleria Zabert, Torino, fino al 1990. € 800 - 1.000 8 9 SCUOLA EMILIANA, PRIMA METÀ DEL SECOLO XVIII Estasi di un Santo sorretto da un Angelo matita nera e acquerello grigio su carta controfondata mm 196 x 132 € 400 - 800 9 FINARTE 15 10 11 10 11 ATTRIBUITO A ANDREA CASALI SCUOLA ROMANA, SECOLO XVIII (Roma 1705 – 1784) Episodio dalla Gerusalemme Liberata Scena biblica con figure in armatura matita e biacca su carta preparata azzurrina matita nera e biacca su carta grigio-azzurra mm 198 x 300 mm 243 x 420 antica iscrizione Casali in basso a sinistra € 200 - 300 € 200 - 400 16 FINARTE 12 12 SCUOLA NAPOLETANA, FINE DEL SECOLO XVII Scena di martirio di un Re matita nera, penna e inchiostro bruno su carta mm 410 x 520 PROVENIENZA Giuseppe Vallardi (Lugt 1223). Gustave Soulier (Lugt 1215a). € 500 - 800 FINARTE 17 13 SCUOLA ROMANA, FINE SECOLO XVIII Studio di nudo virile matita nera e biacca su carta grigio-azzurra mm 558 x 384 iscrizione sul retro Aless. Maggiori comprò/ in Roma l’anno/ 1804 lacune e margini irregolari PROVENIENZA Alessandro Maggiori (L. 3005b). € 200 - 300 13 14 SCUOLA ROMANA, SECOLO XVIII Studio per nudo virile matita rossa a e matita nera su carta marroncina controfondata mm 555 x 412 antica iscrizione in basso sulla controfondatura 8/ Carlo Maratta PROVENIENZA Michelagelo Pacetti (Lugt 2057) Probabilmente acquistato [nel 1844 tramite Gustav Friedrich Waagen] dal Kupferstichkabinett, Berlino, e in seguito venduto come da timbro del museo tedesco apposto sul retro entro cui è indicato “frei gegeben” (libera circolazione) € 500 - 700 14 18 FINARTE 15 SCUOLA TOSCANA, SECONDA METÀ DEL SECOLO XVII Studio di nudo virile seduto di gusto michelangiolesco matita rossa e grigia e biacca su carta mm 332 x 240 € 500 - 700 15 16 SCUOLA BOLOGNESE, SECOLO XVIII Nudo virile di spalle matita nera, biacca e acquerello rosa su carta bruna mm 443 x 320 piccoli danni e lacune € 500 - 1.000 16 FINARTE 19 17 19 17 SCUOLA DELL’ITALIA SETTENTRIONALE, SECOLO XVIII Studio per figura femminile di spalle con angioletto matita nera e biacca su carta grigia mm 317 x 233 Per il presente disegno è stata proposta un’attribuzione a Claudio Francesco Beaumont (Torino 1694 – 1766) su basi stilistiche. € 300 - 500 19 SEGUACE DI GUIDO RENI 18 Carità Romana 18 matita nera e biacca su carta marroncina mm 280 x 210 PIETRO PAOLO BALDINI iscrizione Guido Reni sul passepartout in basso a destra (? 1614 - 1684) Per il presente disegno è stata proposta un’attribuzione a Giovanni Immacolata Concezione Andrea Sirani (Bologna 1610-1670) su basi stilistiche. matita nera su carta controfondata mm 204 x 129 € 200 - 300 iscrizione sul retro Baldini € 200 - 400 20 FINARTE 20 20 ATTRIBUITO A STEFANO POZZI (Roma 1699-1768) Madonna con Bambino e Santi penna e matita nera su carta mm 287 x 203 € 400 - 600 FINARTE 21 21 FRANCESCO MANNO (Palermo 1752-Roma 1831) Gloria celeste con la Trinità e Santi (recto); e studi architettonici (verso) penna e inchiostro bruno su carta mm 256 x 168 marchio di collezione con foglia non identificato (Lugt 3539) € 500 - 1.000 21 22 ATTRIBUITO A MARCO BENEFIAL (Roma 1684 – 1764) Madonna con Bambino e Santi matita rossa su carta mm 221 x 152 iscrizione in basso a destra Parmegiano iscrizione sul retro 1723/ Marco Benefial € 300 - 500 22 22 FINARTE 23 24 23 24 ATTRIBUITO A DOMENICO ANTONIO VACCARO LUCA GIORDANO (Napoli 1678 - 1745) (Napoli 1634 – 1705) Ritrovamento di Mosè Gloria celeste penna e inchiostro bruno e matita rossa su carta controfondata penna, inchiostro bruno e acquerello grigio mm 276 x 402 mm 415 x 560 reca numero di inventario dis: 168 in basso a destra lacune e difetti € 500 - 1.000 PROVENIENZA Collezione Condorelli, Roma, fino al 1980 ca.
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