MARC ADAM WORK AS DIRECTOR Includes

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MARC ADAM WORK AS DIRECTOR includes amongst others: L´ AMOUR DES TROIS ORANGES by Serguei Prokofiev, Theater Bern RASPOUTINE by Rautawaara, Theater Lübeck WOZZECK by Alban Berg, Theater Lübeck, Theater Bern LE NOZZE DI FIGARO by Mozart, Theater Lübeck, Irisch Opera Dublin ADRIANA LECOUVREUR by Francesco Cilea, Theater Lübeck ARIADNE AUF NAXOS by Richard Strauss, Theater Lübeck VERSTÄNDIGUNGSPROBE MIT ORCHESTER by J.-F. Sivadier, Theater Lübeck LA BELLE ET LA BETE by E. M. Gretry , Theater Lübeck WOZZECK by Manfred Gurlitt am Teatro Regio Turino. LE NOZZE DI FIGARO by W.A. Mozart, Stadttheater Gießen FIDELIO by L. v. Beethoven, Stadttheater Biel LA SONNAMBULA by Bellini Opéra Comique, Paris, ARIADNE AUF NAXOS by R. Strauss, Staatstheater Wiesbaden CENDRILLON by Massenet, Royal College of Music, London DON CARLOS by Verdi, Staatstheater Saarbrücken DON PASQUALE by Donizetti, Théâtre des Arts Rouen & Opéra de Nantes IL BARBIERE DI SIVIGLIA by Rossini, Théâtre des Arts Rouen & Wuppertaler Bühnen IL BARBIERE DI SIVIGLIA by Paisiello, Kammeroper Konstanz Germany IL TURCO IN ITALIA by Rossini, Théâtre des Arts Rouen JOCASTE by Charles Chaynes - World Premiere - Théâtre des Arts Rouen LA CENERENTOLA by Rossini, Théâtre des Arts Rouen LA VIEILLE MAISON by Marcel Landowski, Théâtre des Arts Rouen LES PECHEURS DE PERLES by Bizet, Théâtre des Arts Rouen NIGGER VS DOGS Play by B.M. Koltès, Australian Nouveau Theatre, Melbourne NOW MISTER BRECHT, WHAT'S YOUR OCCUPATION by Marc Adam and Isabelle Pousseur, Creation, Botanic Garden Theatre, Brussels PAGLIACCI by Leoncavallo CAVALLERIA RUSTICANA by Mascagni Opéra du Rhin, Strasbourg & Opéra de Marseille PELLEAS ET MELISANDE by Debussy, Theater & Philarmonie Essen RUINS by Michel Deutsch, English language Premiere, Anthill Theatre, Melbourne, Australia TANNHAUSER by Wagner, Théâtre des Arts Rouen TERESA by Marius Constant - World Premiere Théâtre Musical Demain, Théâtre des Arts Rouen, Château de Lacoste en Luberon THE CONTRABASS by Patrick Süskind, French Premiere - Centre Dramatique de Rennes THE SINKING OF THE TITANIC opera by W.D. Siebert, Maison de la Culture de Rennes THE TRIBUNE by Mauricio Kagel. Music theatre with Richard Bohringer in the title rôle Festival of Contemporary Music, Strabourg WOZZECK by Manfred Gurlitt, French Premiere - Théâtre des Arts Rouen .

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This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Precision and Soul The Relationship between Science and Religion in the Operas Wozzeck and Arabella Brooks, Marc Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: Precision and Soul: The Relationship between Science and Religion in the Operas Wozzeck and Arabella Author: Marc Simon Brooks The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement.
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