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Ilia Papandreou Soprano lirico spinto | Repertoire | www.iliapapandreou.com Komponist Werk Partie Ludwig van Beethoven Fidelio Leonore Georges Bizet Carmen Micaëla Alexander Borodin Fürst Igor Jaroslawna Luigi Cherubini Médée Médée Albert Dietrich Robin Hood Lady Marian Antonín Dvořák Rusalka Rusalka Ernst II. Coburg–Gotha Santa Chiara Santa Chiara Charles Gounod Faust Marguerite Manfred Gurlitt Nana Nana Georg Friedrich Händel Der Messias Sopran (Fassung Mozart) Richard Heuberger Der Opernball Angèle Emmerich Kálmán Die Csárdásfürstin Sylva Varescu Emmerich Kálmán Gräfin Mariza Gräfin Mariza Franz Lehár Das Land des Lächelns Lisa Ruggero Leoncavallo La Reginetta delle Rose Lilian Ruggero Leoncavallo I Medici Simonetta Terrence McNally Meisterklasse Maria (Schauspiel) Giacomo Meyerbeer Robert le Diable Alice Wolfgang Amadeus Mozart Die Zauberflöte Erste Dame Wolfgang Amadeus Mozart Le nozze di Figaro Contessa Wolfgang Amadeus Mozart Idomeneo Elettra Wolfgang Amadeus Mozart La clemenza di Tito Vitellia Jacques Offenbach Les Contes d’Hoffmann Stella Antonia Ildebrando Pizzetti Fedra La Schiava Tebana Giacomo Puccini La Bohème Mimì Giacomo Puccini Turandot Liù Giacomo Puccini Manon Lescaut Manon (Premiere: Mai 2021) Giacomo Puccini Madama Butterfly Cio-Cio-San Stand: März 2020 1 von 2 Ilia Papandreou Soprano lirico spinto | Repertoire | www.iliapapandreou.com Komponist Werk Partie Carl Reinthaler Das Käthchen von Heilbronn Kunigunde Ernest Reyer Sigurd (DE) Brunehilde Richard Strauss Der Rosenkavalier Marschallin Richard Strauss Ariadne auf Naxos Ariadne Richard Strauss Die Frau ohne Schatten Kaiserin (Premiere: Oktober 2020) Johann Strauß Eine Nacht in Venedig Annina Johann Strauß Der Zigeunerbaron Saffi Johann Strauß Die Fledermaus Rosalinde Flavio Testi Mariana Pineda (UA) Mariana Pineda Peter I. Tschaikowsky Jeanne d’Arc Agnès Sorelle Peter I. Tschaikowsky Die Zauberin (Čarodejka) Nastasia Peter I. Tschaikowsky Eugen Onegin Tatjana Peter I. Tschaikowsky Iolanta Iolanta Giuseppe Verdi Simon Boccanegra Amelia Giuseppe Verdi Don Carlo Elisabetta Giuseppe Verdi Otello Desdemona Richard Wagner Die Meistersinger von Nürnberg Eva Richard Wagner Die MeistersingerInnen (UA) Stolzing (Bearbeitung von Samuel Bächli) Carl Maria von Weber Der Freischütz Agathe Mieczysław Weinberg Die Passagierin Marta Jaromír Weinberger Schwanda der Dudelsackpfeifer Dorota Stand: März 2020 2 von 2.

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This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Precision and Soul The Relationship between Science and Religion in the Operas Wozzeck and Arabella Brooks, Marc Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: Precision and Soul: The Relationship between Science and Religion in the Operas Wozzeck and Arabella Author: Marc Simon Brooks The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement.
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