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THE Music, June 3, 2011 at Waterfire Providence
THE MUSIC, JUNE 3, 2011 at WaterFire Providence Part 1 8:20 “Margrete” composed by Arve Moen Bergset 7:43 “Being in Rhythm” performed by Bukkene Bruse composed by Layne Redmond from The Stone Chair performed by Layne Redmond & Tommy Brunjes 8:23 “O Pastor” from Being in Rhythm composed by Pedro Ayres Magelhaes & Madredeus 7:50 “Finney Makes a Point” performed by Madredeus composed by Mike Figgis from O Espírito Da Paz performed by Mike Figgis Stormy Monday from soundtrack Part 3 7:55 “Halleluyah” composed by David Hykes 8:27 “Concerto in B Minor” (RV 424) performed by David Hykes, composed by Antonio Vivaldi Michelle Hykes, Timothy Hill performed by Toronto Chamber voices and drum Orchestra and Ofra Harnoy, cello from Harmonic Meetings from Vivaldi Cello Concertos 8:30 “Orovela” Part 2 traditional Georgian folksong 8:02 “Ay Papacito” performed by Hamlet Gonashvili, composed by Carlos Méndez soloist performed by Eliades Ochoa from Voices from Sublime Illusion 8:35 “Nocturne No. 1 in B flat minor” 8:06 “Gnossienne No. 1” composed by Frédéric Chopin composed by Erik Satie (arr. Shirim) performed by Daniel Barenboim, performed by Shirim piano from Klezmer Nutcracker from Chopin: Nocturnes 8:09 “Gnossienne No. 1” 8:41 “Radio Bagdad” composed by Erik Satie composed by Jenifer Smith performed by Pascal Rogé performed by Jenifer Smith from Satie: 3 Gymnopédies from Code Mesa 8:13 “If I Knew” excerpt 8:46 “The End of Words” composed by Edgar Meyer composed by Dead Can Dance performed by Joshua Bell performed by Dead Can Dance & Edgar Meyer from Aion from Short Trip Home 8:48 “A Prayer (Improv. -
2Cellos Take Fans to the Movies with New Album Score Accompanied by the London Symphony Orchestra
2CELLOS TAKE FANS TO THE MOVIES WITH NEW ALBUM SCORE ACCOMPANIED BY THE LONDON SYMPHONY ORCHESTRA ALBUM AVAILABLE MARCH 17, 2017 BAND KICKS OFF WORLD TOUR IN SUMMER 2017 2CELLOS, music’s most electric and dynamic instrumental duo, go to the movies for their new Portrait/Sony Music Masterworks album Score, available on March 17, 2017. Bringing 2CELLOS’ game-changing sound and style to the most popular melodies ever written for classic and contemporary movies and television, Score will be supported by a world tour, kicking off with its U.S. leg in July 2017. An international sensation since their unique video version of Michael Jackson’s “Smooth Criminal” rocked YouTube with millions of hits in 2011, the Croatian cellists Luka Šulić and Stjepan Hauser have created three high-energy albums for Sony Music Masterworks. Score finds them exploring a more traditional sound-world. Joining them here – to provide the ideal aural backdrop to their virtuosity – is the London Symphony Orchestra, with conductor/arranger Robin Smith at the helm. Šulić and Hauser also co-produced Score with Nick Patrick (Elvis Presley/Royal Philharmonic Orchestra, Russell Watson, Il Divo, Plácido Domingo). “We love movie music! This album represents some of our favorite pieces of music by our favorite film composers. Having the opportunity to arrange them for cello whilst working with the world class London Symphony Orchestra has been a dream come true,” says Stjepan. The album opens with an arrangement of Ramin Djawadi’s melodies that score Game of Thrones, culminating in the bold Main Title theme, in which the stirring sound of cellos announces each of what may be the most eagerly awaited episodes in contemporary television. -
Compositori Da Oscar
COMPOSITORI DA OSCAR Proposte di ascolto di compositori che con la loro musica hanno fatto la storia del cinema e consigli di visone di film premi Oscar per la colonna sonora CD AUDIO Anne Dudley, The full monty. Music from the motion picture soundtrack (1997), RCA Victor: FOX searchlight [CD] MUSICA COLONNE-SONORE FUL Max Goberman, West side story (1998), nell'interpretazione di New York Philarmonic, Leonard Bernstein, Sony Classical: Columbia: Legacy [CD] MUSICA COLONNE-SONORE WES Ennio Morricone, Per un pugno di dollari. Colonna sonora originale (1964), BMG [CD] MUSICA COLONNE-SONORE PER Ennio Morricone, Il buono, il brutto, il cattivo. Original motion picture soundtrack (1966), GMD [CD] MUSICHE COLONNE-SONORE BUO Nicola Piovani, Musiche per i film di Nanni Moretti. Caro diario, Palombella rossa, La messa è finita (1999), Emergency Music Italy: Virgin [CD] MUSICA COLONNE-SONORE MUS Steven Price, Gravity. Original motion picture soundtrack (2013), Silva Screen Records [CD] MUSICA COLONNE-SONORE GRA Nino Rota, La strada, Le notti di Cabiria. Original soundtracks (1992), Intermezzo, Biem, Siae, [CD] MUSICA COLONNE-SONORE STR Rota, Nino (et al), The Godfather. Trilogy 1- 2- 3 (1990), Silva Screen Records [CD] MUSICA COLONNE-SONORE GOD Ryuichi Sakamoto, The sheltering sky. Music from the original motion picture soundtrack (1990), Virgin [DVD] MUSICA COLONNE-SONORE SHE Ryuichi Sakamoto, The Last Emperor (1987), Virgin Records [CD] MUSICA COLONNE-SONORE LAS Vangelis, Blade runner (1982), WEA [CD] MUSICA COLONNE-SONORE BLA John Williams, The -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Samsara Persmap
SAMSARA van Ron Fricke & Mark Magidson Release: 19 december 2013 2011 | 100 minuten | Super 70 mm Panavision | Dolby Digital Samsara, een film van Ron Fricke (Koyaanisqatsi) en Mark Magidson die eerder samen de bekroonde films Baraka (1992) en Chronos (1985) maakten, is een ongekend zintuigelijke ervaring. Samsara is Sanskriet voor ‘het eeuwig draaiende rad van het leven’ en is het vertrekpunt van de filmmakers. Gefilmd over een periode van bijna 5 jaar en in 25 landen toont Samsara ons heilige plaatsen, rampgebieden, industriële landschappen en natuurwonderen. Samsara is een film zonder dialoog en beschrijvende teksten en is daardoor niet een traditionele documentaire maar een werk dat de toeschouwer inspireert, geholpen door de sublieme beelden en zinnelijke muziek die het oude en het moderne vermengt. Hierdoor nodigt Samsara ons uit om onze eigen interpretatie te geven aan deze prikkelende reis over de wereld. De film is geheel op 70 mm formaat gefilmd: extra scherpe details en intense kleuren. Samsara is vanaf 19 december te zien in de bioscoop en in een aantal zalen in een 70 mm projectie. SAMSARA wordt in Nederland gedistribueerd door ABC/Cinemien. Beeldmateriaal kan gedownload worden vanaf: www.cinemien.nl/pers of vanaf www.filmdepot.nl Voor meer informatie: ABC/ Cinemien | Anne Kervers | [email protected] | 0616274537 | 020-5776010 (Cinemien) Directed and photographed by Ron Fricke ( links ) Produced by Mark Magidson ( rechts ) Edited by Ron Fricke, Mark Magidson Original Music composed by Michael Stearns Original Music composed by Lisa Gerrard, Marcello De Francisi Concept and treatment written by Ron Fricke, Mark Magidson Musical Direction by Michael Stearns, Mark Magidson Production Coordinator Michelle Peele Ron Fricke Ron Fricke is a meticulous filmmaker who has mastered a wide range of skills. -
EDEN (Australan Band) BIO
__________________________ EDEN (Australan Band) BIO FOR IMMEDIATE RELEASE CONTACT: Saskia Reus-Smit February 2017 Media Relations [email protected] 61 435 743 576 EDEN is a Darkwave band that formed in Melbourne,Australia in 1988 by singer-songwriter Sean Bowley and multi-instrumentalist Pieter Bourke. EDEN’s debut performance was at the Baden Powell Hotel, Prahran. The band quickly established a local following that saw them perform regularly as a fixture in Melbourne's burgeoning alternative music scene. EDEN’s initial 12 inch EP ‘The Light Between Worlds’ was released in 1990 on Nightshift Records, Scotland. The EP caught the attention of BBC Radio's John Peel who featured tracks on his show, resulting in rapid support of EDEN by The Alternative Press Magazine in the USA. A 7” single version of ‘Searching for Angel’s Hands’ was released by Ultimate Records Australia the same year, broadening EDEN’s growing supporter base through a live appearance on Australia’s national pop music TV series Countdown Revolution. In 1991 EDEN moved to London based label Third Mind Records who continued to grow the band’s profile in Europe and the USA through the 1992 release of their first full length CD ‘Gateway to the Mysteries’ (released in Australia under Elysium/Shock Records). The album was described by the music press as sounding akin to 'the Cocteau Twins had they existed in the 1890s'. In 1993 EDEN joined the roster of Projekt Records, USA releasing the ‘Healingbow’ EP. In 1993, EDEN established a new lineup, Bourke leaving the band as drummer Peter Barrett, keyboardist Paul Machlis, guitarist Tracy Ellerton and bassist Ewan McArthur joined Bowley to form the next iteration of EDEN. -
Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N
Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N. Vassilakis Ph.D. http://lms.colum.edu Course # / Section 43-2410 / 01 Credits 3 hours Class time / place Thursday 12:30 – 3:20 p.m. 33 E. Congress Ave., Room LL18 (Lower Level – Control Room C) Course Site On MOODLE http://lms.colum.edu Instructor Pantelis N. Vassilakis, Ph.D. Phone Office: 312-369-8821 – Cell: 773-750-4874 e-mail / web [email protected] / http://www.acousticslab.org Office hours By appointment; Preferred mode of Communication: email Pre-requisites 52-1152 “Writing and Rhetoric II” (C or better) AND 43-2420 “Audio for Visual Media I” OR 24-2101 “Post Production Audio I” OR 43-2310 “Psychoacoustics” INTRODUCTION During the filming of Lifeboat, composer David Raksin was told that Hitchcock had decided against using any music. Since the action took place in a boat on the open sea, where would the music come from? Raksin reportedly responded by asking Hitchcock where the cameras came from. This course examines film sound practices, focusing on cross-modal perception and cognition: on ways in which sounds influence what we “see” and images influence what we “hear.” Classes are conducted in a lecture format and involve multimedia demonstrations. We will be tackling the following questions: • How and why does music and sound effects work in films? • How did they come to be paired with the motion picture? • How did film sound conventions develop and what are their theoretical, socio-cultural, and cognitive bases? • How does non-speech sound contribute to a film’s narrative and how can such contribution be creatively explored? Aesthetics of the Motion Picture Soundtrack – Spring 2014 – Section 01 Page 1 of 12 COURSE DESCRIPTION & OBJECTIVES Course examines Classical Hollywood as well as more recent film soundtrack practices, focusing on the interpretation of film sound relative to ‘expectancy’ theories of meaning and emotion. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Elmer Bernstein Elmer Bernstein
v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards. -
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CI:1 T1 Diario Del Altoaragón Viernes, 5 De Junio De 199;1]
(,. CI:1 t1 Diario del AltoAragón Viernes, 5 de junio de 199;1] LOS DISCOS DE LA SEMANA;0];1] OTRAS SUGERENCIAS;0] • Bad Religion: “No Substance” )Dragnet-Epic). Llevan die cisiete anos esparciendo la tilosofia punk por ci mundo. Este es su décimo álbum, y en él insisten cii su conocida com binación de power pop y hard core melódico, con unas briz nas de concienciación socio- política, que tan buenos resul tados les ha dado. • Amarok: “Gibraara” (Benn gia-Sonifolk): Este es el ter cer disco del proyecto de Robert Santamaría, a medio camino entre el folk, la vieja lanu Chao: “Clandestino” Saint Etienne: “Good Humor” Varios: “Jackie Brown” (Ma Lisa Gerrard & Pieter Bourke: onda layetana y las nuevas (Chewaka-Virgin). Está claro (Creation-Sony). Anticipándo verick-WEA).- Sólo por escuchar “Duality” (4AD-Lyricon). Lo músicas. Algo así como unos que a Manu Chao es difícil se al verano, el trío británico Saint ese brillante y esplendoroso que en principio iba a ser el nues o Dead Can Dance españoles. más mediterráneos y menos seguirle la marcha. Y ésa fue, Etienne publica su nuevo disco, “Across 1 loth Street” del gran disco en solitario de Lisa Gerrard percusivos. ITILI probablemente. la razón de luminoso y soleado, ideal para Bobby Womack que abre el disco, (cantante de Dead Can l)ance), la disolución de Mano Negra. un guateques vacacionales y fiestas ya merecería la pena hacerse con tras “The M irror Pool ‘. ha termi • Yungchen khamo: “Coming grupo que hiio del mestizaje su playeras. La voz de Sarah Crack este magnífico tesoro, la banda nado por cons ertirse en un disco Home” (Real World-Vm bandera, que aposto por la vida neli aparece más dúctil que nunca, sonora de la última película de de colaboración entre la propia gin). -
Culture and Customs of Australia
Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Culture and Customs of Australia Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Clancy, Laurie, 1942– Culture and customs of Australia / Laurie Clancy. p. cm. Includes bibliographical references and index. ISBN 0–313–32169–8 (alk. paper) 1. Australia—Social life and customs. I. Title. DU107.C545 2004 306'.0994 —dc22 2003027515 British Library Cataloguing in Publication Data is available. Copyright © 2004 by Laurie Clancy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003027515 ISBN: 0–313–32169–8 First published in 2004 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Neelam Contents Preface ix Acknowledgments xiii Chronology xv 1 The Land, People, and History 1 2 Thought and Religion 31 3 Marriage, Gender, and Children 51 4 Holidays and Leisure Activities 65 5 Cuisine and Fashion 85 6 Literature 95 7 The Media and Cinema 121 8 The Performing Arts 137 9 Painting 151 10 Architecture 171 Bibliography 185 Index 189 Preface most americans have heard of Australia, but very few could say much about it.