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THE Music, June 3, 2011 at Waterfire Providence
THE MUSIC, JUNE 3, 2011 at WaterFire Providence Part 1 8:20 “Margrete” composed by Arve Moen Bergset 7:43 “Being in Rhythm” performed by Bukkene Bruse composed by Layne Redmond from The Stone Chair performed by Layne Redmond & Tommy Brunjes 8:23 “O Pastor” from Being in Rhythm composed by Pedro Ayres Magelhaes & Madredeus 7:50 “Finney Makes a Point” performed by Madredeus composed by Mike Figgis from O Espírito Da Paz performed by Mike Figgis Stormy Monday from soundtrack Part 3 7:55 “Halleluyah” composed by David Hykes 8:27 “Concerto in B Minor” (RV 424) performed by David Hykes, composed by Antonio Vivaldi Michelle Hykes, Timothy Hill performed by Toronto Chamber voices and drum Orchestra and Ofra Harnoy, cello from Harmonic Meetings from Vivaldi Cello Concertos 8:30 “Orovela” Part 2 traditional Georgian folksong 8:02 “Ay Papacito” performed by Hamlet Gonashvili, composed by Carlos Méndez soloist performed by Eliades Ochoa from Voices from Sublime Illusion 8:35 “Nocturne No. 1 in B flat minor” 8:06 “Gnossienne No. 1” composed by Frédéric Chopin composed by Erik Satie (arr. Shirim) performed by Daniel Barenboim, performed by Shirim piano from Klezmer Nutcracker from Chopin: Nocturnes 8:09 “Gnossienne No. 1” 8:41 “Radio Bagdad” composed by Erik Satie composed by Jenifer Smith performed by Pascal Rogé performed by Jenifer Smith from Satie: 3 Gymnopédies from Code Mesa 8:13 “If I Knew” excerpt 8:46 “The End of Words” composed by Edgar Meyer composed by Dead Can Dance performed by Joshua Bell performed by Dead Can Dance & Edgar Meyer from Aion from Short Trip Home 8:48 “A Prayer (Improv. -
EDEN (Australan Band) BIO
__________________________ EDEN (Australan Band) BIO FOR IMMEDIATE RELEASE CONTACT: Saskia Reus-Smit February 2017 Media Relations [email protected] 61 435 743 576 EDEN is a Darkwave band that formed in Melbourne,Australia in 1988 by singer-songwriter Sean Bowley and multi-instrumentalist Pieter Bourke. EDEN’s debut performance was at the Baden Powell Hotel, Prahran. The band quickly established a local following that saw them perform regularly as a fixture in Melbourne's burgeoning alternative music scene. EDEN’s initial 12 inch EP ‘The Light Between Worlds’ was released in 1990 on Nightshift Records, Scotland. The EP caught the attention of BBC Radio's John Peel who featured tracks on his show, resulting in rapid support of EDEN by The Alternative Press Magazine in the USA. A 7” single version of ‘Searching for Angel’s Hands’ was released by Ultimate Records Australia the same year, broadening EDEN’s growing supporter base through a live appearance on Australia’s national pop music TV series Countdown Revolution. In 1991 EDEN moved to London based label Third Mind Records who continued to grow the band’s profile in Europe and the USA through the 1992 release of their first full length CD ‘Gateway to the Mysteries’ (released in Australia under Elysium/Shock Records). The album was described by the music press as sounding akin to 'the Cocteau Twins had they existed in the 1890s'. In 1993 EDEN joined the roster of Projekt Records, USA releasing the ‘Healingbow’ EP. In 1993, EDEN established a new lineup, Bourke leaving the band as drummer Peter Barrett, keyboardist Paul Machlis, guitarist Tracy Ellerton and bassist Ewan McArthur joined Bowley to form the next iteration of EDEN. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Elmer Bernstein Elmer Bernstein
v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards. -
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CI:1 T1 Diario Del Altoaragón Viernes, 5 De Junio De 199;1]
(,. CI:1 t1 Diario del AltoAragón Viernes, 5 de junio de 199;1] LOS DISCOS DE LA SEMANA;0];1] OTRAS SUGERENCIAS;0] • Bad Religion: “No Substance” )Dragnet-Epic). Llevan die cisiete anos esparciendo la tilosofia punk por ci mundo. Este es su décimo álbum, y en él insisten cii su conocida com binación de power pop y hard core melódico, con unas briz nas de concienciación socio- política, que tan buenos resul tados les ha dado. • Amarok: “Gibraara” (Benn gia-Sonifolk): Este es el ter cer disco del proyecto de Robert Santamaría, a medio camino entre el folk, la vieja lanu Chao: “Clandestino” Saint Etienne: “Good Humor” Varios: “Jackie Brown” (Ma Lisa Gerrard & Pieter Bourke: onda layetana y las nuevas (Chewaka-Virgin). Está claro (Creation-Sony). Anticipándo verick-WEA).- Sólo por escuchar “Duality” (4AD-Lyricon). Lo músicas. Algo así como unos que a Manu Chao es difícil se al verano, el trío británico Saint ese brillante y esplendoroso que en principio iba a ser el nues o Dead Can Dance españoles. más mediterráneos y menos seguirle la marcha. Y ésa fue, Etienne publica su nuevo disco, “Across 1 loth Street” del gran disco en solitario de Lisa Gerrard percusivos. ITILI probablemente. la razón de luminoso y soleado, ideal para Bobby Womack que abre el disco, (cantante de Dead Can l)ance), la disolución de Mano Negra. un guateques vacacionales y fiestas ya merecería la pena hacerse con tras “The M irror Pool ‘. ha termi • Yungchen khamo: “Coming grupo que hiio del mestizaje su playeras. La voz de Sarah Crack este magnífico tesoro, la banda nado por cons ertirse en un disco Home” (Real World-Vm bandera, que aposto por la vida neli aparece más dúctil que nunca, sonora de la última película de de colaboración entre la propia gin). -
Culture and Customs of Australia
Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Culture and Customs of Australia Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Clancy, Laurie, 1942– Culture and customs of Australia / Laurie Clancy. p. cm. Includes bibliographical references and index. ISBN 0–313–32169–8 (alk. paper) 1. Australia—Social life and customs. I. Title. DU107.C545 2004 306'.0994 —dc22 2003027515 British Library Cataloguing in Publication Data is available. Copyright © 2004 by Laurie Clancy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003027515 ISBN: 0–313–32169–8 First published in 2004 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Neelam Contents Preface ix Acknowledgments xiii Chronology xv 1 The Land, People, and History 1 2 Thought and Religion 31 3 Marriage, Gender, and Children 51 4 Holidays and Leisure Activities 65 5 Cuisine and Fashion 85 6 Literature 95 7 The Media and Cinema 121 8 The Performing Arts 137 9 Painting 151 10 Architecture 171 Bibliography 185 Index 189 Preface most americans have heard of Australia, but very few could say much about it. -
Press Release
__________________________________________________________________________________ PRESS RELEASE FOR IMMEDIATE RELEASE CONTACT: Saskia Reus-Smit 1 February 2017 Media Relations [email protected] 61 435 743 576 SEAN BOWLEY (EDEN Australian Band) BIO Sean Bowley is a singer-songwriter and guitarist based in Melbourne, Australia. In 1988 he formed the darkwave band EDEN (Australian Band) with multi-instrumentalist Pieter Bourke. EDEN released six albums including Eps internationally between 1990 and 1997. The band re- formed in 2015 and have a new album due for release in June 2017. History – The Early Days and All Things Unseen Sean Bowley was born in Bairnsdale, Victoria and raised in the eastern suburbs of Melbourne, Australia. Heavily influenced by underground music of the 1960s as a child, Bowley started writing music at age fifteen. He became deeply immersed in Melbourne’s alternative culture as a teenager citing Joy Division, The Birthday Party, and specifically Rowland S Howard as key influences in defining his musical direction. Bowley formed his first ethereal guitar band ‘All Things Unseen’ in 1981. The band performed at alternative venues such as The Seaview Ballroom, The Tote, The Stockade Hotel and the Central Club supporting notable Melbourne alternative bands such as The Corpse Grinders, Safehouse and Red Blue Yellow before parting in 1987. All Things Unseen comprised Sean Bowley – Vocals, 6 & 12 string guitars, Carl Carter – Bass guitar, William Carter – Keyboards and Ingo Wieben – Drums. EDEN EDEN was formed in 1988 with multi-instrumentalist Pieter Bourke and bassist Ross Healy. EDEN’s debut performance was at the Baden Powell Hotel, Prahran. The band quickly established a local following that saw them perform regularly as a fixture in Melbourne's burgeoning alternative music scene. -
Crinew Music Re 1Ort
CRINew Music Re 1 ort MARCH 27, 2000 ISSUE 659 VOL. 62 NO.1 WWW.CMJ.COM MUST HEAR Sony, Time Warner Terminate CDnow Deal Sony and Time Warner have canceled their the sale of music downloads. CDnow currently planned acquisition of online music retailer offers a limited number of single song down- CDnow.com only eight months after signing loads ranging in price from .99 cents to $4. the deal. According to the original deal, A source at Time Warner told Reuters that, announced in July 1999, CDnow was to merge "despite the parties' best efforts, the environment 7 with mail-order record club Columbia House, changed and it became too difficult to consum- which is owned by both Sony and Time Warner mate the deal in the time it had been decided." and boasts a membership base of 16 million Representatives of CDnow expressed their customers; CDnow has roughly 2.3 million cus- disappointment with the announcement, and said tomers. With the deal, Columbia House hoped that they would immediately begin seeking other to enter into the e-commerce arena, through strategic opportunities. (Continued on page 10) AIMEE MANN Artists Rally Behind /14 Universal Music, TRNIS Low-Power Radio Prisa To Form 1F-IE MAN \NHO During the month of March, more than 80 artists in 39 cities have been playing shows to raise awareness about the New Latin Label necessity for low power radio, which allows community The Universal Music Group groups and educational organizations access to the FM air- (UMG) and Spain's largest media waves using asignal of 10 or 100 watts. -
Press Release
__________________________________________________________________________________ PRESS RELEASE FOR IMMEDIATE RELEASE CONTACT: Saskia Reus-Smit December 2019 Media Relations [email protected] 61 435 743 576 SEAN BOWLEY (EDEN) BIO Sean Bowley is a singer-songwriter and guitarist based in Melbourne, Australia. In 1988 he formed the Darkwave band EDEN with multi-instrumentalist Pieter Bourke. EDEN released six albums including EPs internationally between 1990 and 1997. The band re-formed in 2015 and launch ‘The Edge of Winter’ LP in June 2017. EDEN’s new LP ‘East of the Stars’ is slated for release in May 2020. History – The Early Days and All Things Unseen Sean Bowley was born in Bairnsdale, Victoria and raised in the eastern suburbs of Melbourne, Australia. Heavily influenced by underground music of the 1960s as a child, Bowley started writing music at age fifteen. He became deeply immersed in Melbourne’s alternative music culture as a teenager, citing Joy Division, The Birthday Party, and specifically Rowland S Howard as key influences in defining his musical direction. Bowley formed his first ethereal guitar band ‘All Things Unseen’ in 1981. The band performed at alternative venues such as The Seaview Ballroom, The Tote, The Stockade Hotel and the Central Club supporting notable Melbourne bands such as The Corpse Grinders, Safehouse and Red Blue Yellow before parting in 1987. All Things Unseen comprised Sean Bowley – Vocals, 6 & 12 string guitars, Carl Carter – Bass guitar, William Carter – Keyboards and Ingo Wieben – Drums. EDEN EDEN was formed in 1988 with multi-instrumentalist Pieter Bourke and bassist Ross Healy. EDEN’s debut performance was at the Baden Powell Hotel, Prahran. -
Music by Women TABLE of CONTENTS
Music by Women TABLE OF CONTENTS Ordering Information 2 Folk/Singer-Songwriter 58 Ladyslipper On-Line! * Ladyslipper Listen Line 4 Country 64 New & Recent Additions 5 Jazz 65 Cassette Madness Sale 17 Gospel 66 Cards * Posters * Grabbags 17 Blues 67 Classical 18 R&B 67 Global 21 Cabaret 68 Celtic * British Isles 21 Soundtracks 68 European 27 Acappella 69 Latin American 28 Choral 70 Asian/Pacific 30 Dance 72 Arabic/Middle Eastern 31 "Mehn's Music" 73 Jewish 31 Comedy 76 African 32 Spoken 77 African Heritage 34 Babyslipper Catalog 77 Native American 35 Videos 79 Drumming/Percussion 37 Songbooks * T-Shirts 83 Women's Spirituality * New Age 39 Books 84 Women's Music * Feminist * Lesbian 46 Free Gifts * Credits * Mailing List * E-Mail List 85 Alternative 54 Order Blank 86 Rock/Pop 56 Artist Index 87 MAIL: Ladyslipper, 3205 Hillsborough Road. Durham NC 27705 USA PHONE ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat 10-6 Eastern Time) ORDERING INFO FAX ORDERS: 800-577-7892 INFORMATION: 919-383-8773 E-MAIL: [email protected] WEB SITE: www.ladyslipper.org PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available: CD = compact disc, CS = cassette. Some schools). Make check or money order payable to cally back-order it unless you include alternatives recordings are available only on CD or only on cassette, Ladyslipper, Inc. -
Recording the Insider Issue 10
hen I hear stories like Pieter Bourke’s it restores my faith in the world a little. Pieter’s music is sparse, dark, painstakingly well produced, and obviously filmic in its quality, but it’s still Wa brave Hollywood director that hands over the reins of a soundtrack to a relatively unknown composer from Melbourne. But it happened. Pieter Bourke is well known in the ambient fraternity for his project, Soma. His pairing with ex Dead Can Dance vocalist, Lisa Gerrard, led to the moody, and critically acclaimed, Duality album. Then Hollywood heavyweight, Michael Mann, got on the phone asking them to work on his film, The Insider. A Golden Globe nomination followed. Not bad work for a man who only now is deciding that he better trade in his Atari for something that can run Cubase VST. Christopher Holder: So how did the gig for The Insider eventuate? Pieter Bourke: It mainly came about through the Duality album which Lisa and I recorded in 1997. Also, Lisa had worked with Michael Mann when she contributed to the soundtrack for the film, Heat. So there was already a connection there. He approached us to license two pieces off Duality, because at that stage he had Graeme Revell working on the soundscore. Lisa and I had a meeting with Michael in Los Angeles where he gave us a detailed presenta- tion on the film and a copy of the script. When Score a major Hollywood feature film in a studio we returned to Australia we began writing, and based around a Mackie 8-bus, an Akai sampler and initially sent Michael a DAT tape with seven or eight cues which were not synced to any image an Atari running Cubase – and garner a Golden at that stage. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Psychedelic Underground and Dream-pop (These are excerpts from my book "A History of Rock and Dance Music") Paisley Underground 1982-87 The "American Graffiti" phenomenon of the early Seventies, and the subsequent appropriation of the Sixties by the new wave, caused a revival of many of the styles of that happy decade. By far the most pervasive and long-lived was the revival of psychedelia, that kept recurring throughout the Eighties and the Nineties. Los Angeles had its own movement, the "Paisley Underground". Psychedelia became merely a pretext to concoct baroque, oneiric and hypnotic sounds, often with the help of keyboards and strings. Byrds-ian jangling guitars and naive melodies a` la Hollies dominate Emergency Third Rail Power Trip (feb/mar - oct 1983) by Rain Parade (1), with Matt Piucci on vocals and Dave Roback on guitar, as well as the EP Baroque Hoedown (fall 1982 - dec 1982) and the album Sixteen Tambourines (? 1983 - oct 1983) by Mike Quercio's Three O'Clock (1). Needless to say, the Paisley Underground was only the tip of the iceberg. The Dream Syndicate (12), formed by guitarists Steve Wynn and Karl Precoda and bassist Kendra Smith, acted as the natural liaison between Television (and the new wave in general) and the new generation of psychedelic rockers.