THE Music, June 3, 2011 at Waterfire Providence

Total Page:16

File Type:pdf, Size:1020Kb

THE Music, June 3, 2011 at Waterfire Providence THE MUSIC, JUNE 3, 2011 at WaterFire Providence Part 1 8:20 “Margrete” composed by Arve Moen Bergset 7:43 “Being in Rhythm” performed by Bukkene Bruse composed by Layne Redmond from The Stone Chair performed by Layne Redmond & Tommy Brunjes 8:23 “O Pastor” from Being in Rhythm composed by Pedro Ayres Magelhaes & Madredeus 7:50 “Finney Makes a Point” performed by Madredeus composed by Mike Figgis from O Espírito Da Paz performed by Mike Figgis Stormy Monday from soundtrack Part 3 7:55 “Halleluyah” composed by David Hykes 8:27 “Concerto in B Minor” (RV 424) performed by David Hykes, composed by Antonio Vivaldi Michelle Hykes, Timothy Hill performed by Toronto Chamber voices and drum Orchestra and Ofra Harnoy, cello from Harmonic Meetings from Vivaldi Cello Concertos 8:30 “Orovela” Part 2 traditional Georgian folksong 8:02 “Ay Papacito” performed by Hamlet Gonashvili, composed by Carlos Méndez soloist performed by Eliades Ochoa from Voices from Sublime Illusion 8:35 “Nocturne No. 1 in B flat minor” 8:06 “Gnossienne No. 1” composed by Frédéric Chopin composed by Erik Satie (arr. Shirim) performed by Daniel Barenboim, performed by Shirim piano from Klezmer Nutcracker from Chopin: Nocturnes 8:09 “Gnossienne No. 1” 8:41 “Radio Bagdad” composed by Erik Satie composed by Jenifer Smith performed by Pascal Rogé performed by Jenifer Smith from Satie: 3 Gymnopédies from Code Mesa 8:13 “If I Knew” excerpt 8:46 “The End of Words” composed by Edgar Meyer composed by Dead Can Dance performed by Joshua Bell performed by Dead Can Dance & Edgar Meyer from Aion from Short Trip Home 8:48 “A Prayer (Improv. no.11)” 8:14 “Know” composed by Ora Bat Chaim composed by Nick Drake performed by Giora Feidman, clarinet performed by Nick Drake from Silence and Beyond from Pink Moon 8:52 “Cantares de mi Tierra” 8:17 “Synchrony No. 2” traditional Mexican folksong composed by Louis Hardin performed by Mary Lea and friends (Moondog) from Cascade of Tears performed by Kronos Quartet from Early Music 16 8:56 “El Carretero” 9:26 “Passacaglia in G Minor” traditional Cuban folksong composed by Heinrich Ignaz Franz performed by Compay Segundo, Biber Ruben Gonzales, Eliades Ochoa, performed my Michelle Makarski, Ry Cooder violin from Buena Vista Social Club from Caoine 9:00 “Di Terkishe Khasene” 9:36 “Virðulegu Forsetar” [excerpt] traditional composed by Jóhann Jóhannsson performed by Davka performed by the Caput Ensemble from Lavy’s Dream from Virðulegu Forsetar Part 4 Part 7 9:06 “Petit Quatour” 9:44 “Metamorphosis One” composed by Jean Francaix composed by Philip Glass performed by Berliner Saxophone performed by Philip Glass, piano Quartet from Solo Piano from Berliner Saxophone Quartet 9:50 “Heiemo Og Nykkjen” 9:08 “Bla Tonar Fra Lom” traditional Norwegian Song traditional Norwegian Song performed by Kirsten Braten Berg, performed by Pernille Anker, voice; voice; Ale Moller, synthesizer Hans Brimi, fiddle from Nordisk Sang from Nordisk Sang Part 8 Part 5 9:55 “Kun Fe Ko” 9:11 “Amazing Grace” composed by Oumou Sangare Traditional performed by Oumou Sangare et al Performed by the Canadian Brass from Worotan soloist 9:59 “Yizkor for Rabin” composed by Davka Part 6 performed by Davka 9:13 “Adagio for Strings” Op.11 from Lavy’s Dream Samuel Barber – composer 10:03 “Concerto in C Minor” (RV 402) from String Quartet, Op. 11 — Adagio performed by the Atlanta Symphony composed by Antonio Vivaldi Orchestra, Yoel Levi – conductor performed by Toronto Chamber from Music of Samuel Barber Orchestra; Ofra Harnoy, cello 9:21 “Cantus in memory of Benjamin from Vivaldi Cello Concertos Britten” 10:08 “Algunas Bestias” middle section composed by Arvo Pärt from “Canto General” performed by Staatsorchester Stuttgart composed by Mikis Theodorakis from Tabula Rasa text by Pablo Neruda performed by Alexandra Papadjiakou, alto from Canto General 16 17 THE MUSIC, MAY 28, 2011 at WaterFire Providence 10:12 “Suite no.5 in C minor” 10:44 “Tre pezzi” (second piece) 1956 BWV 1011 composed by Giacinto Scelsi — Sarabande performed by Claude Delangle, composed by Johann Sebastian Bach, soprano saxophone performed by Pieter Wispelwey, from The Solitary Saxophone baroque cello 10:48 “Azul” Bach Cello Suites from composed by Jesse Cook 10:16 “Dearest All Faire” performed by Jesse Cook composed by William Lawes, arr. from Gravity William Ayton 10:52 “Muzinge” performed by Diane Nahigian, composed by Samite Mulongo contalto & Amici Musicae (Uganda) Amici Musicae from performed by Samite Mulongo (Uganda) Part 9 from Pearl of Africa Reborn 10:19 “Concerto in F” 10:56 “My Lover’s Gone” composed by Antonio Vivaldi composed by D. Armstrong performed by Ofra Harnoy, cello & J Catto and the Toronto Chamber Orchestra performed by Dido from Vivaldi Cello Concertos from No Angel 10:23 “Sudden Waves” composed by June Tabor, Part 10 words by Les Barker 10:59 “Ocotillo” performed by June Tabor composed by Steve Smith from Angel Tiger performed by The Nashville Mandolin 10:29 “Reprise” Trio composed by Zbigniew Preisner from American Portraits from Blue soundtrack 11:03 “¿Y Tú Qué Has Hecho?” 10:30 “Ndere” composed by Compay Segundo composed by Samite Mulondo performed by Compay Segundo performed by Samite Mulondo & Ry Cooder from African Voices from Buena Vista Social Club 10:32 “Diaraby” soundtrack composed by Ali Farka Toure 11:06 “Sevani Tsgnorsner” (Fishermen with Ry Cooder of Lake Sevan) performed by Ali Farka Toure, composed by V. Kotoyan Ry Cooder and Groupe Asco performed by George Mgrdichian from Talking Timbuktu on the Oud George Mgrdichian on the Oud 10:39 “Lamento di Frederico” from from L’Arlesiana 11:09 “Iris” (excerpt) composed by Francesco Cilea composed by Wim Mertens performed by Andrea Bocelli performed by Wim Mertens from Viaggio Italiano from The Best of Wim Mertens 18 11:15 “Jeito Faceiro” 11:48 “Adagio in E Flat Minor” composed by Joupery & Pierre Onasis composed by Ludwig van Beethoven performed by Virginia Rodrigues performed by Marilynn Mair from Nós from The Mandolin in the 18th Century 11:19 “As Far As I Can See” composed by Charlie Provenza 11:54 “Loucura” performed by The Nashville Mandolin composed by Julio Campos Sousa Trio & Joaquim Frederico de Brito from American Portraits performed by Mariza from Fado em Mim 11:23 “Maria Lando” composed by Chabuca Granda, 11:57 “Baba Drame” words by Cesar Calvo composed by Kar Kar, Boubcar Traore performed by Susana Baca & Habib Koite from The Soul of Black Peru performed by Kar Kar, Boubcar Traore & Habib Koite 11:29 “One More Goodbye” from Macire composed by Jenifer Smith performed by Jenifer Smith from Code Mesa Part 11 11:34 “This New Day …” 12:02 “Gomni” — a morning song composed by Ali Farka Toure based on traditional forms performed by Ali Farka Toure made by Verdell Primeaux with Ry Cooder & Johnny Mike from Talking Timbuktu from Walk in Beauty: Healing Songs 12:09 “Looking for Sleep” of the Native American Church composed by Jenifer Smith 11:36 “Gnossienne No. 3” performed by Jenifer Smith composed by Erik Satie from Code Mesa performed by Pascal Roge 12:15 “Nocturne No. 8 in D flat major” from Satie: 3 Gymnopédies composed by Frédéric Chopin 11:39 “Waltz for Bill Monroe” performed by Daniel Barenboim, composed by Butch Baldassari piano performed by The Nashville Mandolin from Nocturnes Trio 12:20 “Sacrifice” from American Portraits composed by Lisa Gerrard 11:42 “Mar Azul” & Pieter Bourke composed by B. Leza performed by Lisa Gerrard performed by Cesaria Evora & Pieter Bourke from Mar Azul from The Insider 11:44 “Gaucho” 12:28 “The Little People” composed by Gustavo Santaolalla composed by Hawk Henries performed by Gustavo Santaolalla performed by Hawk Henries, native from Ron Roco American flute from Keeping the Fire 18 19 .
Recommended publications
  • EDEN (Australan Band) BIO
    __________________________ EDEN (Australan Band) BIO FOR IMMEDIATE RELEASE CONTACT: Saskia Reus-Smit February 2017 Media Relations [email protected] 61 435 743 576 EDEN is a Darkwave band that formed in Melbourne,Australia in 1988 by singer-songwriter Sean Bowley and multi-instrumentalist Pieter Bourke. EDEN’s debut performance was at the Baden Powell Hotel, Prahran. The band quickly established a local following that saw them perform regularly as a fixture in Melbourne's burgeoning alternative music scene. EDEN’s initial 12 inch EP ‘The Light Between Worlds’ was released in 1990 on Nightshift Records, Scotland. The EP caught the attention of BBC Radio's John Peel who featured tracks on his show, resulting in rapid support of EDEN by The Alternative Press Magazine in the USA. A 7” single version of ‘Searching for Angel’s Hands’ was released by Ultimate Records Australia the same year, broadening EDEN’s growing supporter base through a live appearance on Australia’s national pop music TV series Countdown Revolution. In 1991 EDEN moved to London based label Third Mind Records who continued to grow the band’s profile in Europe and the USA through the 1992 release of their first full length CD ‘Gateway to the Mysteries’ (released in Australia under Elysium/Shock Records). The album was described by the music press as sounding akin to 'the Cocteau Twins had they existed in the 1890s'. In 1993 EDEN joined the roster of Projekt Records, USA releasing the ‘Healingbow’ EP. In 1993, EDEN established a new lineup, Bourke leaving the band as drummer Peter Barrett, keyboardist Paul Machlis, guitarist Tracy Ellerton and bassist Ewan McArthur joined Bowley to form the next iteration of EDEN.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Elmer Bernstein Elmer Bernstein
    v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards.
    [Show full text]
  • CI:1 T1 Diario Del Altoaragón Viernes, 5 De Junio De 199;1]
    (,. CI:1 t1 Diario del AltoAragón Viernes, 5 de junio de 199;1] LOS DISCOS DE LA SEMANA;0];1] OTRAS SUGERENCIAS;0] • Bad Religion: “No Substance” )Dragnet-Epic). Llevan die cisiete anos esparciendo la tilosofia punk por ci mundo. Este es su décimo álbum, y en él insisten cii su conocida com binación de power pop y hard core melódico, con unas briz nas de concienciación socio- política, que tan buenos resul tados les ha dado. • Amarok: “Gibraara” (Benn gia-Sonifolk): Este es el ter cer disco del proyecto de Robert Santamaría, a medio camino entre el folk, la vieja lanu Chao: “Clandestino” Saint Etienne: “Good Humor” Varios: “Jackie Brown” (Ma Lisa Gerrard & Pieter Bourke: onda layetana y las nuevas (Chewaka-Virgin). Está claro (Creation-Sony). Anticipándo verick-WEA).- Sólo por escuchar “Duality” (4AD-Lyricon). Lo músicas. Algo así como unos que a Manu Chao es difícil se al verano, el trío británico Saint ese brillante y esplendoroso que en principio iba a ser el nues o Dead Can Dance españoles. más mediterráneos y menos seguirle la marcha. Y ésa fue, Etienne publica su nuevo disco, “Across 1 loth Street” del gran disco en solitario de Lisa Gerrard percusivos. ITILI probablemente. la razón de luminoso y soleado, ideal para Bobby Womack que abre el disco, (cantante de Dead Can l)ance), la disolución de Mano Negra. un guateques vacacionales y fiestas ya merecería la pena hacerse con tras “The M irror Pool ‘. ha termi • Yungchen khamo: “Coming grupo que hiio del mestizaje su playeras. La voz de Sarah Crack este magnífico tesoro, la banda nado por cons ertirse en un disco Home” (Real World-Vm bandera, que aposto por la vida neli aparece más dúctil que nunca, sonora de la última película de de colaboración entre la propia gin).
    [Show full text]
  • Culture and Customs of Australia
    Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Culture and Customs of Australia Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Clancy, Laurie, 1942– Culture and customs of Australia / Laurie Clancy. p. cm. Includes bibliographical references and index. ISBN 0–313–32169–8 (alk. paper) 1. Australia—Social life and customs. I. Title. DU107.C545 2004 306'.0994 —dc22 2003027515 British Library Cataloguing in Publication Data is available. Copyright © 2004 by Laurie Clancy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003027515 ISBN: 0–313–32169–8 First published in 2004 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Neelam Contents Preface ix Acknowledgments xiii Chronology xv 1 The Land, People, and History 1 2 Thought and Religion 31 3 Marriage, Gender, and Children 51 4 Holidays and Leisure Activities 65 5 Cuisine and Fashion 85 6 Literature 95 7 The Media and Cinema 121 8 The Performing Arts 137 9 Painting 151 10 Architecture 171 Bibliography 185 Index 189 Preface most americans have heard of Australia, but very few could say much about it.
    [Show full text]
  • Press Release
    __________________________________________________________________________________ PRESS RELEASE FOR IMMEDIATE RELEASE CONTACT: Saskia Reus-Smit 1 February 2017 Media Relations [email protected] 61 435 743 576 SEAN BOWLEY (EDEN Australian Band) BIO Sean Bowley is a singer-songwriter and guitarist based in Melbourne, Australia. In 1988 he formed the darkwave band EDEN (Australian Band) with multi-instrumentalist Pieter Bourke. EDEN released six albums including Eps internationally between 1990 and 1997. The band re- formed in 2015 and have a new album due for release in June 2017. History – The Early Days and All Things Unseen Sean Bowley was born in Bairnsdale, Victoria and raised in the eastern suburbs of Melbourne, Australia. Heavily influenced by underground music of the 1960s as a child, Bowley started writing music at age fifteen. He became deeply immersed in Melbourne’s alternative culture as a teenager citing Joy Division, The Birthday Party, and specifically Rowland S Howard as key influences in defining his musical direction. Bowley formed his first ethereal guitar band ‘All Things Unseen’ in 1981. The band performed at alternative venues such as The Seaview Ballroom, The Tote, The Stockade Hotel and the Central Club supporting notable Melbourne alternative bands such as The Corpse Grinders, Safehouse and Red Blue Yellow before parting in 1987. All Things Unseen comprised Sean Bowley – Vocals, 6 & 12 string guitars, Carl Carter – Bass guitar, William Carter – Keyboards and Ingo Wieben – Drums. EDEN EDEN was formed in 1988 with multi-instrumentalist Pieter Bourke and bassist Ross Healy. EDEN’s debut performance was at the Baden Powell Hotel, Prahran. The band quickly established a local following that saw them perform regularly as a fixture in Melbourne's burgeoning alternative music scene.
    [Show full text]
  • Lisa Gerrard
    LISA GERRARD SELECTED CREDITS SECRET BRIDESMAIDS’ BUSINESS (2019) 2:22 (2017) BURNING MAN(2011) ORANGES AND SUNSHINE(2010) WHALE RIDER (2002) (Lisa won ‘Best Original Music’ in the New Zealand Film and TV Awards, nominated for OFTA Award and COFCA Award) GLADIATOR (2000) (Co-Composed with Hans Zimmer) (Lisa & Hans won Golden Globe, ASCAP Award, Golden Satellite Award & Sierra Award, nominated for BAFTA, Grammy, Saturn Award, ARIA Music Award, CFCA Award, OFTA Film Award & OFCS Award) BIOGRAPHY With a vision and vocal style that is as unique as it is precise and all-embracing, Lisa Gerrard has established herself as one of the world’s most highly acclaimed film composers, winning a Golden Globe for her work on the score for ‘Gladiator’ with Hans Zimmer. Lisa also received an Oscar nomination for ‘Gladiator’ along with two further Golden Globe Award nominations for her scores to ‘Ali’ and ‘The Insider’. Lisa’s film work also includes ‘Whale Rider’, a feature which received an Academy Award nomination and garnered Lisa an international award for the score. Her musical journey began in the early 1980s when she and fellow Australian Brendan Perry formed duo ‘Dead Can Dance’. In 2012 the band reunited for a sell-out world tour. With nine albums released between 1984 and 1995, the duo's musical canvas expanded with each release to take in a timeless mix of world-music influences, medieval chants, folk ballads, baroque stylings, Celtic flavours, electronics, samples and anything else that took their fancy. Several solo and collaborative albums were well received and Lisa made a natural progression to composing for films.
    [Show full text]
  • Press Release
    __________________________________________________________________________________ PRESS RELEASE FOR IMMEDIATE RELEASE CONTACT: Saskia Reus-Smit December 2019 Media Relations [email protected] 61 435 743 576 SEAN BOWLEY (EDEN) BIO Sean Bowley is a singer-songwriter and guitarist based in Melbourne, Australia. In 1988 he formed the Darkwave band EDEN with multi-instrumentalist Pieter Bourke. EDEN released six albums including EPs internationally between 1990 and 1997. The band re-formed in 2015 and launch ‘The Edge of Winter’ LP in June 2017. EDEN’s new LP ‘East of the Stars’ is slated for release in May 2020. History – The Early Days and All Things Unseen Sean Bowley was born in Bairnsdale, Victoria and raised in the eastern suburbs of Melbourne, Australia. Heavily influenced by underground music of the 1960s as a child, Bowley started writing music at age fifteen. He became deeply immersed in Melbourne’s alternative music culture as a teenager, citing Joy Division, The Birthday Party, and specifically Rowland S Howard as key influences in defining his musical direction. Bowley formed his first ethereal guitar band ‘All Things Unseen’ in 1981. The band performed at alternative venues such as The Seaview Ballroom, The Tote, The Stockade Hotel and the Central Club supporting notable Melbourne bands such as The Corpse Grinders, Safehouse and Red Blue Yellow before parting in 1987. All Things Unseen comprised Sean Bowley – Vocals, 6 & 12 string guitars, Carl Carter – Bass guitar, William Carter – Keyboards and Ingo Wieben – Drums. EDEN EDEN was formed in 1988 with multi-instrumentalist Pieter Bourke and bassist Ross Healy. EDEN’s debut performance was at the Baden Powell Hotel, Prahran.
    [Show full text]
  • Recording the Insider Issue 10
    hen I hear stories like Pieter Bourke’s it restores my faith in the world a little. Pieter’s music is sparse, dark, painstakingly well produced, and obviously filmic in its quality, but it’s still Wa brave Hollywood director that hands over the reins of a soundtrack to a relatively unknown composer from Melbourne. But it happened. Pieter Bourke is well known in the ambient fraternity for his project, Soma. His pairing with ex Dead Can Dance vocalist, Lisa Gerrard, led to the moody, and critically acclaimed, Duality album. Then Hollywood heavyweight, Michael Mann, got on the phone asking them to work on his film, The Insider. A Golden Globe nomination followed. Not bad work for a man who only now is deciding that he better trade in his Atari for something that can run Cubase VST. Christopher Holder: So how did the gig for The Insider eventuate? Pieter Bourke: It mainly came about through the Duality album which Lisa and I recorded in 1997. Also, Lisa had worked with Michael Mann when she contributed to the soundtrack for the film, Heat. So there was already a connection there. He approached us to license two pieces off Duality, because at that stage he had Graeme Revell working on the soundscore. Lisa and I had a meeting with Michael in Los Angeles where he gave us a detailed presenta- tion on the film and a copy of the script. When Score a major Hollywood feature film in a studio we returned to Australia we began writing, and based around a Mackie 8-bus, an Akai sampler and initially sent Michael a DAT tape with seven or eight cues which were not synced to any image an Atari running Cubase – and garner a Golden at that stage.
    [Show full text]
  • Lisa Gerrard the Human Game Mp3, Flac, Wma
    Lisa Gerrard The Human Game mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Human Game Country: US Released: 1998 Style: Modern Classical MP3 version RAR size: 1473 mb FLAC version RAR size: 1637 mb WMA version RAR size: 1710 mb Rating: 4.2 Votes: 402 Other Formats: DTS VQF ASF TTA AU AIFF ADX Tracklist 1 The Human Game (Radio Edit) 3:58 Notes From the 4AD album 'Duality' (2-46854). Featuring Lisa Gerrard of Dead Can Dance. Promotional Only. Not for sale. Other versions Category Artist Title (Format) Label Category Country Year Lisa Gerrard Lisa Gerrard & Pieter RTD 4AD, Rough RTD & Pieter Bourke - The Human Germany 1998 120.2152.3 Trade 120.2152.3 Bourke Game (CD, Maxi) Lisa Gerrard Lisa Gerrard & Pieter 4AD, Labels, CORX049CD & Pieter Bourke - The Human CORX049CD Australia 1998 Shock Bourke Game (CD, Maxi) Lisa Gerrard Lisa Gerrard & Pieter 4AD, PIAS CAD9000CD & Pieter Bourke - The Human CAD9000CD Belgium 1998 Benelux Bourke Game (CD, Maxi) Lisa Gerrard & Pieter Lisa Gerrard Warner Bourke - The Human none & Pieter Bros. none US 1998 Game (Radio Edit) Bourke Records (CDr, Promo) The Human Game Warner none Lisa Gerrard (With Children) (CDr, Bros. none US 1998 Promo) Records Related Music albums to The Human Game by Lisa Gerrard Lisa Gerrard - Sanctuary Lisa Gerrard - The Mirror Pool Toby Bourke With George Michael - Waltz Away Dreaming Toby Bourke And George Michael - Waltz Away Dreaming Lisa Lisa & Cult Jam With Full Force - Can You Feel The Beat Danny Gerrard & Earl Raff - Addiction Lisa Lisa - Hans Zimmer And Lisa Gerrard - Gladiator: Music From The Motion Picture Lisa Gerrard & Pieter Bourke - Duality Klaus Schulze Feat.
    [Show full text]
  • Peter Thomas
    Music Soundtracks for Motion Pictures and Television V OLUME 4, NUMBER 9 Williams’s Award Page 48 GoldenGolden AgeAge GreatsGreats HollywoodHollywood composerscomposers onon postagepostage stampsstamps! PPAPILLONAPILLON REVISITEDREVISITED GoldsmithGoldsmith doesdoes Devil’sDevil’s IslandIsland PETERTHOMASPETERTHOMAS MeetMeet thethe kingking ofof GermanGerman schwingschwing CDREVIEWSCDREVIEWS TheThe latestlatest releasesreleases Ht: 0.816", Wd: 1.4872", Mag: 80% BWR: 1 $4.95 U.S. • $5.95 Canada FSM Presents Silver Age Classics • Limited Edition CDs Now available: FSMCD Volume 2, Number 8 The Complete Unreleased Original Soundtrack Jerry Goldsmith came into his own as a creator of thrilling western scores with 1964’s Rio Conchos,a hard-bitten action story that starred Richard Boone, Stuart Whitman and Tony Franciosa. Rio Conchos was in many ways a reworking of 1961’s The Comancheros (FSMCD Vol. 2, No. 6, music by Elmer Bernstein), but it lacked the buoyant presence of John Wayne and told a far darker and more nihilistic tale of social outcasts thrown together on a mission to find a hidden community of Apache gun-runners. It was the dawn of a new breed of grittier, more psychologically hon- est westerns, and Jerry Goldsmith was the perfect composer to provide these arid and violent tales with a new musical voice. Goldsmith had already scored several westerns before Rio Conchos, including the acclaimed contemporary west- ern Lonely Are the Brave. But Rio Conchos saw Goldsmith marshal- ing his skills at writing complex yet melodically vibrant action music, with several early highlights of his musical output contained by Jerry Goldsmith within. The composer’s title music is characteristically spare and One-Time Pressing of 3,000 Copies folksy, belying the savage intensity of what is to follow, yet his main theme effortlessly forms the backbone for the score’s violent set- pieces and provides often soothing commentary on the decency and nobility buried beneath the flinty surfaces of the film’s reluc- tant heroes.
    [Show full text]
  • Download Reviews Editor 16 FELIX LABAND Services Like Itunes,The New Napster and Others Less Appealing
    ROGUE RCRDS ...GO TELL YR MAMA! #### “A place where grainy chanson romanticism meets folk sing-along and lovelorn elegy follows satirical barb. The album weaves a web of consistent magical charm... Bjork by way of Joanna Newsom. That said, CocoRosie sound, blissfully, like no one else” — MOJO Chandeliers in the Savannah and Johnny Whitney Blood Brothers. Neon Blonde is of Mark Gajadhar Rogue edition includes 3 Featuring guest performances from Devendra Banhart bonus tracks! and Antony (Antony & The Johnsons). Rogue edition includes bonus track! THOSE NOW, THESE IN OCTOBER: DIMMER AIRBORN AUDIO ‘It All Looks The Same At Night’ ‘Good Fortune’ 13 track compilation of ex-Straitjacket Fits Anti-Pop Consortium’s High Priest and leader Shayne Carter’s new vehicle. M.Sayyid unleash their debut album. Rogue edition includes 7 track bonus DVD! Rogue edition includes 16 track bonus disc! Available in all good stores and at www.inertia-music.com S T 2 N 1 CD E ITORIAL We are three years old. Despite the thousands of words that stand before you, this issue E T is notable for what is missing. There’s been so much great music come across our desks U in the last few months that we’re barely scratching the surface with this issue. Although N there are some 50 or so reviews in this issue and more on the website some of our We welcome your contributions and contact: S O favourite albums, tracks and songs of late are missing, still submerged in an enormous PO Box a2073 S ‘to be reviewed’ pile.
    [Show full text]