Whale Rider Press
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
MOANA MAORI VERSION Press Release -FINAL
! CASTING BEGINS ON TE REO MAORI LANGUAGE VERSION OF WALT DISNEY ANIMATION STUDIOS’ MOANA Writer Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople) and Moana Actress Rachel House (“Gramma Tala”) Made the Announcement on behalf of the Matewa Media Trust, in Collaboration with The Walt Disney Studios Actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) will Reprise their Roles BURBANK, Calif., June 8, 2017 – Casting has begun on the Te Reo Maori language version of Walt Disney Animations Studios Academy Award®-nominated animated feature Moana. The Maori language version is being created by Taika Waititi’s Matewa Media Trust, in collaboration with The Walt Disney Studios. A Casting announcement was posted by Rachel House and Taika Waititi today on www.adrenalingroup.com/ casting. The recording process will take place over the next few months with actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) reprising their roles. Rob Ruha, multi- award-winning composer and solo artist, has joined the team as both Musical Director and as an integral part of the translation/adaptation team. Release details are to be announced, with the goal to have the film shared both in festivals and on DVD for educational purposes in Aotearoa (New Zealand) and beyond. "It's been a big dream of mine to see mainstream movies translated into te reo Maori,” says Waititi. “For indigenous audiences to hear films in their own language is a huge deal, helping to normalize the native voice and give a sense of identification. -
Australian Films
AUSTRALIAN FILMS: The Rage in Placid Lake Just out of prep school -- where he was the target of tyrannical bullies -- misfit teen Placid Lake (Ben Lee) yearns to be a regular Joe. When a mishap lands Placid in a body cast for months, he formulates a plan to reinvent himself by donning a suit and taking a job as a drone at an insurance agency. But he soon discovers that conformity isn't what it's cracked up to be in this offbeat Aussie comedy from rookie director Tony McNamara. Strictly Ballroom This quirky, tenderly hilarious romantic comedy is sure to leave you tapping your toes. Directed by Baz Luhrmann, Strictly Ballroom is the off-beat story of a championship ballroom dancer (Paul Mercurio) who breaks all the rules by choosing an ugly duckling dancing partner (Tara Morice). Sweet, funny and original, this is one you won't forget quickly. The Castle When plans for an airport expansion threaten the home of Darryl Kerrigan (Michael Caton) and his family, the patriarch refuses to move from his "castle" -- in actuality, a shabby suburban tract house. Darryl rallies the troops and takes his battle to the highest court in Australia. This irreverent, warm-hearted comedy is frequently compared to The Full Monty. The Dish July 1969. Neil Armstrong is about to walk on the moon, and everyone's eyes are riveted to their TV screens. In Parkes, Australia, a radio dish antenna is slated to receive Apollo 11's video feed and send that historic sight out to the world … that is, if the Australian staff (including pipe-smoking, absent-minded scientist Sam Neill) and their NASA supervisor (the tense, by-the-book Patrick Warburton) don't make any mistakes! Rabbit Proof Fence Australia's aboriginal integration program of the 1930s broke countless hearts -- among them, those of young Molly (Evelyn Sampi), Gracie (Laura Monaghan) and Daisy (Tiana Sansbury), who were torn from their families and placed in an abusive orphanage. -
THE Music, June 3, 2011 at Waterfire Providence
THE MUSIC, JUNE 3, 2011 at WaterFire Providence Part 1 8:20 “Margrete” composed by Arve Moen Bergset 7:43 “Being in Rhythm” performed by Bukkene Bruse composed by Layne Redmond from The Stone Chair performed by Layne Redmond & Tommy Brunjes 8:23 “O Pastor” from Being in Rhythm composed by Pedro Ayres Magelhaes & Madredeus 7:50 “Finney Makes a Point” performed by Madredeus composed by Mike Figgis from O Espírito Da Paz performed by Mike Figgis Stormy Monday from soundtrack Part 3 7:55 “Halleluyah” composed by David Hykes 8:27 “Concerto in B Minor” (RV 424) performed by David Hykes, composed by Antonio Vivaldi Michelle Hykes, Timothy Hill performed by Toronto Chamber voices and drum Orchestra and Ofra Harnoy, cello from Harmonic Meetings from Vivaldi Cello Concertos 8:30 “Orovela” Part 2 traditional Georgian folksong 8:02 “Ay Papacito” performed by Hamlet Gonashvili, composed by Carlos Méndez soloist performed by Eliades Ochoa from Voices from Sublime Illusion 8:35 “Nocturne No. 1 in B flat minor” 8:06 “Gnossienne No. 1” composed by Frédéric Chopin composed by Erik Satie (arr. Shirim) performed by Daniel Barenboim, performed by Shirim piano from Klezmer Nutcracker from Chopin: Nocturnes 8:09 “Gnossienne No. 1” 8:41 “Radio Bagdad” composed by Erik Satie composed by Jenifer Smith performed by Pascal Rogé performed by Jenifer Smith from Satie: 3 Gymnopédies from Code Mesa 8:13 “If I Knew” excerpt 8:46 “The End of Words” composed by Edgar Meyer composed by Dead Can Dance performed by Joshua Bell performed by Dead Can Dance & Edgar Meyer from Aion from Short Trip Home 8:48 “A Prayer (Improv. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
Visionsplendidfilmfest.Com
Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland. -
Annual Report 2019/20
Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas. -
Nz Film Productions, 1990-2016
NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature -
E Office of the City Engineer Los Angeles
ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk- PAUL MAZURSKY RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square northerly of and between numbered locations 12H and 12h as shown on Sheet # 16 of Plan D-13788 for the Hollywood Walk of Fame for the installation of the name of Paul Mazursky at 6667 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on December 13,2013. FISCAL IMPACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated November 5, 2013, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council - 2- C. D. No. 13 DISCUSSION: The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of Paul Mazursky. The ceremony is scheduled for Friday, December 13,2013 at 11:30 a.m. The communicant's request is in accordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N. -
Pencapaian Filem Cereka Tempatan Di Peringkat Antarabangsa (1950-2017)] Finas Malaysia
[INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017)] FINAS MALAYSIA INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017) 1 KAJIAN & PENGUMPULAN DATA OLEH : Ahmad Syazli Muhd Khiar ([email protected]) Pengarah Dasar & Penyelidikan FINAS TARIKH KEMASKINI : 31 Disember 2017 (Tertakluk kepada kemaskini data dan maklumat dari masa ke semasa) Bil Judul Filem [INISIATIFPengarah PEMBANGUNANama N DATA INDUSTRINama Festival FILE M: PENCAPAIANTahun Tempat FILEM CEREKAPenerima TEMPATAN Status Pencapaian Produksi/Tahun DI PERINGKATPenyertaan ANTARABANGSA (1950-2017)] FINAS MALAYSIA Tayangan 1 Nasib B.S Rajhans Malay Film BFI Festival of 1950 London, UK Malay Film Tayangan Official Selection Productions/1949 Commonwealth Films Productions 2 Iman K.R.S Sastry Malay Film 1st Asia Pacific Film 1954 Tokyo, Malay Film Penyertaan Official Submission Productions/1954 Festival Jepun Productions 3 Hang Tuah Phani Majumdar Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions Tan Sri P. Ramlee Menang Penggubah Muzik Terbaik 7th Berlin International 1956 Berlin, Malay Film Pencalonan Filem Terbaik (Golden Bear) Film Festival Germany Production (In Competition) 4 Semerah Padi Tan Sri P. Ramlee Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions 5 Anakku Sazali Phani Majumdar Malay Film 4th Asia -
Academy's Newtheater Named for Linwood Dunn
PRESIDENT A Lotta That In December we opened the new Linwood Dunn Theater at the Pickford Center, fmally achieving a long To program coordinator l{amly needed mid-sized screening room for Academy business HahlTkamp. thl" hl"st thing ahout thl" and public programs. scrl"l"ning of "Chicago." thl" final film Also in December the Academy's Science and in thl" Facets of thl" Diamond slTlTning Technology Council became a reality with the hire of sl"ries. \\'as that it ml"ant thl" series its new director, Andrew Maltz. was O\'l"r, We've long hoped for a medium-sized theater. At "I han'n't had a lifl" sincl" \Iay 286 seats, the Dunn Theater should nicely fill the bill. of 2002." Randy said. "Still. it was an For the fIrst months of the year it will be heavily used amazing l"xpl"ril"ncl", I wouldn't want to for Awards screenings, then for Academy Film Archive do it again. hut I wouldn't gin' up thl" business, but at some point we'll begin to notice some l"xpl"ril"ncl" of haYing donl" it I()!- any new kinds of public programming - perhaps programs thing, It was thl" most work and thl" with more narrowly defined subjects, perhaps more most fun of anything I\'l" l"nT donl"," technically oriented subjects. Thl" audil"ncl". which gan' Ram" a Which brings us back to the Science and Technology standing ()\'ation. calkd l"ach otiler on Council. Andy isn't waiting until he actually has an till"ir cdl phonl"s as thl" program hl"gan, office at the Pickford Center to get moving on Council For -" \\'l"l"ks Ram'" had drl"aml"d up a functions.