Boston Symphony Orchestra Concert Programs, Summer, 1990
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON • s, •<».^: SYMPHONY ORCHESTRA v SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A Classic Composition '****? \*&T~~ Fidelity Just as a Beethoven score is at its JdfeJ^-best when performed by a world- ** Pergonal \* class symphony — so, too, should your trust assets be managed by Tru<tt *g£ a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a managed trust or personalized >»^~~i»vestment management account 5*foryour portfolio of $400,000 or more. For more "information, visit , a Fidelity Investor Center or call Fidelity Pergonal Triut Service** at ' 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. -
TOCC 0285 Dayas Organ Booklet Copy
WILLIAM HUMPHREYS DAYAS, ONE OF LISZT’S LAST PUPILS by Jan Lehtola William Humphreys Dayas (1863–1903) was one of the last stars of the Franz Liszt piano school. In music for the organ, he is a forgotten member of the circle which included Liszt and Reubke. His two organ sonatas, especially the Second, take their place in a series beginning with Liszt’s Fantasy and Fugue on the chorale ‘Ad nos, ad salutarem undam’ (1850) and Reubke’s Sonata Der 94ste Psalm (1857). Dayas lef published copies of his organ sonatas to Richard Faltin (1835–1918), organist of what was then St Nicholas’s Church (now Helsinki Cathedral), which is how they came to be in the Sibelius Academy Library, where I discovered them in 1997. Written in ink in the score are some minor amendments probably made by Dayas himself. I came across Dayas’ transcription of the Tème varié (originally for piano), by Arthur H. Bird – another long-forgotten composer – entirely accidentally in the British Library in London in 2013. Very few people are familiar with Dayas’ organ sonatas. In the early years of the twentieth century they featured in the repertoire of such Finnish organists as Faltin and Karl Sjöblom (1861–1939), but as far as I know, I am the only organist to have performed these peices since his own day. Wherever I have done so – at the Gewandhaus in Leipzig, St Tomas in Dresden and the Riga Dom, for example – they have met with astonishment and excitement, frstly because they are totally unfamiliar and secondly because they are so good. -
Boston Symphony Orchestra Concert Programs, Season 127, 2007
hr»"«r^"9 m \ ^HONY gq H 2007-2008 SEASON WEEK 20 fames Levine SeijiOzawa Music | Director Laure 1 INSURANCE INVESTMENTS RETIREMEN' ate. ^ T/^ arh. if4 fimply parf &(j wfo we At John Hancock we celebrate the talented performers and artists who bring for the performing the arts to life. And proudly continue our legacy of support arts and cultural institutions that enrich our community. Wi wIZi the future is yours Table of Contents Week 20 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 30 FAREWELL, THANKS, AND ALL BEST: THIS YEAR'S BSO RETIREES 37 THIS WEEK'S PROGRAM Notes on the Program 39 Robert Schumann 47 Dmitri Shostakovich 59 To Read and Hear More. Guest Artists 63 Daniele Gatti 65 Garrick Ohlsson 73 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY MICHAEL STEINBERG, FORMER ANNOTATOR FOR THE BSO, SAN FRANCISCO SYMPHONY, AND NEW YORK PHILHARMONIC. program copyright ©2008 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Peter Vanderwarker EMC where information lives- When information comes together, it's always # a memorable performance. MiHim wwiwm organization, the BSO understands the critical role that information plays in keeping its operations running fluidly— and as the world leader in information infrastructure solutions, we help enterprises of all sizes manage, use, protect, and share their information more efficiently and cost effectively. Learn more atwww.EMC.com. 2 EMC , EMC, and where information lives are registered trademarks of EMC Corporation. -
Boston Symphony Orchestra Concert Programs, Season 123, 2003
20032004 SEASON ' 1 . BOSTON SYM PHONY ORCHESTRA *, m** JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUEST C UCTOR SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plansfrom 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,500,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR a/ Lf/sAer Jrill BROOKLINE Landry&Arcari ORIENTAL RUGS & CARPETING Your Source for Knowledge, Inspiration & Value Since 1938 Salem 333 Stuart St. www.landryandarcari.com Route 1A 617-399-6500 Open 7 Days 800-649-5909 3*S mBSHHh^ James Levine, Music Director Designate ^>,^ Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 123rd Season, 2003-2004 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Ed Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman George D. Behrakis ex-officio George Krupp Hannah H. Schneider Gabriella Beranek William R. Elfers R. Willis Leith, Jr. Thomas G. Sternberg Jan Brett Nancy J. Fitzpatrick Nathan R. -
Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription
Boston Symphony Orchestra SEIJI OZAWA, Music Director f BOSTON \ (SYMPHONY | I ORCHESTRA | v SEIJI OZAWA A N ,jfj Mum Director _fT - 103rd Season lit, ^iVv A . 1983-84 Savor the sense of Remy. RtMY N &&mtf^m i Imported by Remy Martin Amerique, Inc., N.Y. VS.O.P COGNAC. SINCE Sole U.S.A. Distributor, Premiere Wine Merchants Inc., N.Y. 80 Proof. REMY MARTINI Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. David B. Arnold, Jr. Mrs. John H. Fitzpatrick William J. Poorvu J.R Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley E. James Morton Mrs. George R. Rowland Mrs. Norman L. Cahners David G. Mugar Mrs. George Lee Sargent George H.A. Clowes, Jr. Albert L. Nickerson William A. Selke Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon Richard P Chapman Edward G. Murray John L. Thorndike John T. Noonan Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris - General Manager William Bernell - Artistic Administrator Daniel R. Gustin - Assistant Manager B.J. -
Boston Symphony Orchestra Concert Programs, Season 101, 1981
BOSTON SOYMPHONY OORCHESTRA Hundredth-L iUNDREDTH BirthdayOIRTHDAY OEASONSi s -°g™A LORCHESTRAj SHJIOZAWA 1881 -OCTOBER 22 -1981 w?w» V.S.O.P. % '' v£ CHAM*!** HEMY M a*^ m^ 1 COGNAC HOB FRANCE NE CHAMPAGNE CO^' THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE COGNAC: FROM IMF tWO 'PREMIERS CRUS' OF THE COCNAC REGION Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J. P. Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H. A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Joseph M. Hobbs Walter D. Hill Richard Ortner Director of Director of Administrator, Development Business Affairs Berkshire Music Center Joyce M. Snyder Theodore A. -
Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription
OSTON SYMPHONY SEIJI OZAWA, Music Director " ' BOSTON % { SYMPHONY \ I ORCHESTRA/ \ SEIJI OZAWA / V 103rd Season 1983-84 Savor the sense of Remy remy nm s^imwJM^ Imported by Remy Martin Amerique, Inc., N.Y. 17 Sole U.S.A. Distributor, Premiere Wine Merchants Inc., N.Y 80 Proof. REMY MARTIN 1 VS.O.P COGNAC. SINCE. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. David B. Arnold, Jr. Mrs. John H. Fitzpatrick William J. Poorvu J.P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley E. James Morton Mrs. George R. Rowland Mrs. Norman L. Cahners David G. Mugar Mrs. George Lee Sargent George H.A. Clowes, Jr. Albert L. Nickerson William A. Selke Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon Richard P. Chapman Edward G. Murray John L. Thorndike John T. Noonan Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris - General Manager William Bernell - Artistic Administrator Daniel R. Gustin - Assistant Manager B.J. Krintzman - Director ofPlanning Anne H. Parsons - Orchestra Manager Caroline Smedvig - Director ofPromotion Josiah Stevenson - Director ofDevelopment Theodore A. -
Fred Moyer Jazz Trio Torrent Download Fred Moyer Jazz Trio Torrent Download
fred moyer jazz trio torrent download Fred moyer jazz trio torrent download. The American pianist, Fredrick Moyer, was born into an artistic family. His grandparents were all accomplished artists. On his mother's side, his grandmother was a poet; his grandfather Paul Green a Pulitzer-prize-winning playwright. On his father's side his grandmother was a singer and his grandfather David Earl Moyer (1895-1987), a professor of piano at Oberlin College and student of Ferruccio Busoni and Ernst von Dohnanyi. Moyer's father, a trombonist, was a member of the Boston Symphony Orchestra for 35 years, and his mother an accomplished pianist, harpsichordist and singer. Moyer began playing the piano with his mother at the age of 7. Musically eclectic from the start, his youthful obsessions moved from the Tijuana Brass to Oscar Peterson to Sergei Rachmaninov. In junior high and high school, he studied jazz intensively and was for a time determined to become a jazz pianist. While still in high school, Moyer received a full scholarship to attend the Curtis Institute in Philadelphia while in high school. He later attended and garduated from the Indiana University. His major teachers were his mother, Theodore Lettvin, Eleanor Sokoloff and Menahem Pressler. Fredrick Moyer first appeared with the Boston Symphony Orchestra at age 14, performed with Boston Pops Orchestra as a teenager. Shortly after graduation, a highly acclaimed New York debut at Carnegie Recital Hall in 1982 launched him on a career that has flourished ever since, bringing him to 41 countries, and to such venues as Suntory Hall in Tokyo, the Ambassador Auditorium in Pasadena, Sydney Opera House, Windsor Castle and the Kennedy Center. -
Boston Symphony Orchestra Concert Programs, Season 100, 1980
HR'oBls^^V-SfcSU^ tawmimm* 4 * Hundredth Season . MIST SOFTENS EVERYTHING rr touches. What a pleasant way to feel the soft touch of Irish Mist. in "Liquid Sunshine" Start with a tall glass of ice. add 1 part Irish Mist and 3 parts orange juice. Irish Mist, the centuries old liqueur sweetened with a hint of heather honey, will blend with almost anything. Pour the soft touch of Irish Mist anytime. anywhere. You'll like the way it feels. IRISH MIST THE LEGENDARY SPIRIT Imported Irish Mist® Liqueur. 70 Proof. ©1980 Heublein, Inc., Hartford, Conn. U.S.A. ^^^^^-#f#^ i^OSTON\ I SYMPHONY IokchestraI| \SEIJI OZAWA / uL Jk-i Music DirectorffW gP^^U^ Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundredth Season, 1980-81 The Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Mrs. Harris Fahnestock, Vice-President Leo L. Beranek, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Mrs. Norman L. Cahners » George H. Kidder David Rockefeller, Jr. George H.A. Clowes, Jr. David G. Mugar Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson William A. Selke Mrs. John L. Grandin Thomas D. Perry, Jr. John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board E meritus Allen G. Barry Edward G. Murray Mrs. James H. -
Sullivan-Journal Nr. 10 (Dezember 2013)
Sullivan-Journal Nr. 10 (Dezember 2013) Diese Ausgabe des Sullivan-Journals greift Themen auf, die im Mai nächsten Jahres mit dem Folgeband von SullivanPerspektiven weiter vertieft werden. Sullivans Erfahrungen in Leipzig spielen auch in dem erneut von Albert Gier, Meinhard Saremba und Benedict Taylor herausge- gebenen Buch SullivanPerspektiven II – Arthur Sullivans Bühnenwerke, Oratorien, Schau- spielmusik und Lieder eine Rolle, und zwar in einem Beitrag über die Einflüsse der deutschen Oper auf Sullivans Wirken in Großbritannien. Die Hintergrundinformationen zu der Kantate The Martyr of Antioch in diesem Journal bieten eine wesentliche Grundlage für die musikali- schen und literarischen Analysen dieses Werks in dem geplanten Buch. Und mit dem Beitrag von Klaus Aringer und Martin Haselböck ergänzen wir Roger Norringtons Essay aus dem ers- ten Band von SullivanPerspektiven über Sullivans Klangwelt. Die Hinweise zum Orchester in Weimar – das nicht allzu weit von Sullivans Studienort Leipzig entfernt liegt – und zur Instru- mentalentwicklung im 19. Jahrhundert tragen zu einem weiter reichenden Verständnis von Sul- livans musikalischen Erfahrungen bei. Darüber hinaus berichten wir über einen sensationellen Fund von Sullivan-Texten, die Jahr- zehnte lang der Aufmerksamkeit entgangen waren. Unser besonderer Dank für die Unterstützung bei der Recherche geht vor allem an die Kurato- rin Frances Barulich der Morgan Library in New York (Mary Flagler Cary Curator of Music Manuscripts and Printed Music, The Morgan Library & Museum), sowie an die