FALL 2014 Volume 21, No. 2
Historians of
Nineteenth-Century Art
Newsletter
Founded in 1993
Crisis? What Crisis?: Crisis Management for the Crisis in Art History
By Karen J. Leader and Amy K. Hamlin downright awful: the job market and labor conditions in academia, the startling STEM-surgence and concomitant When Patricia Mainardi began to organize the board- constriction of the arts and humanities.³ Higher education sponsored session titled “The Crisis in Art History” for CAA is being pummeled from without through misguided austerity, 2011, she posed the following, two-part question to her student loan profiteering and ideological target practice, chosen participants: “Is there a crisis in art history, and, if and from within through genuine attempts at fiscal so, how does it affect what you do?”¹ We would like you to responsibility, disingenuous careerism and padding, stop reading now, and take a few moments to ask yourself reactionary management in a constant “crisis” mode, and that question, both parts. Think about yourself personally, paralyzing apathy and “I got mine-ism.”4 Museums have but also your institution, your colleagues, your students. Jot “blockbuster” syndrome and de-accessionitis, and libraries down a few notes. We’ll wait. (the Warburg) and collections (The Detroit Institute of Arts) are imperiled.5 The public discourse around such topics is Welcome back! Well, what do you think? Is there a crisis? If devastating at worst, unimaginative at best, and constitutes your answer is no, read on anyway. We hope to engage you a front line in our offense: change the conversation. either way. If your answer is yes, you do think there is some kind of crisis, you are not alone. So do we. Mainardi surveyed We admit to being idealistic and aspirational. Otherwise, her panelists’ myriad responses, constituting both diagnoses cynicism takes hold and then, why bother continuing? We and analyses, along with some remedies, when the proceeds firmly believe that art history is a discipline with a set of were published in Visual Resources, and she described the principles upon which to chart a path out of the morass. To contents as a “’rough draft’ of our comprehension of the situation.² That draft has acted upon us as a guidebook, and from its pages we launched a listening tour, but not in search of deeper diagnosis. Rather, our takeaway from the “rough draft” was to pick up the gauntlet, (and many of the ideas presented there), accept the provisional conclusions, and begin to gather and promote concrete actions. And we have taken some actions of our own.
“How does it affect what you do?” Personally, professionally, institutionally, politically, there are ramifications, and slippery slopes, and domino effects to actions taken in response to a “crisis” situation. The state of affairs in certain areas is position art history as the paradigmatic humanities discipline, 4) Advocacy. as (former AHNCA President) Cassie Mansfield described it Movement beyond this moment of crisis requires active voices for us, opens it out to the many unique qualities our field countering the relentless din of naysayers and prophets of possesses, offering fruitful ground for model initiatives that doom, in popular media and the halls of power. Organizations are relevant to the broader issues at stake, both those directly like the one that affiliates us, the College Art Association, are impacting our discipline, and the crucial societal concerns the only as effective as the actions and support of their members. humanities are designed to address. We believe that art history, A glance at the CAA website, in particular the Advocacy tab, with its objects, its audiences, and its innate interdisciplinarity; reveals a history of communications and concrete actions, but with its potential in the digital age alongside its commitment only insofar as the membership sanctions that voice. to old-fashioned discernment, criticality and precise and careful Broadcasting our value requires all hands on deck, megaphone research and writing, offers the ground from which to proclaim in hand. a full-throated defense of humanistic learning, the liberal arts, and especially, the arts. But we must first be able to broadcast 5) Crowd-sourcing. art history’s many strengths. Articulating with verve and Not simply a buzzword, nor merely a way of subverting the precision the values of art history is basic triage for confronting authoritative voice, collective production brings to bear varied the crisis. And so we offer: viewpoints with different resources. Our promotion of this mode does not replace solid empirical research, but asserts KEYWORDS that the contributions of multiple stakeholders can magnify the message far more than the scribe in the study, speaking 1) Audience. only to the select few. We can make enormous progress by simply thinking differently about who needs, wants and/or benefits from, art history. Academic ACTION ITEMS art historians teach art history to a majority of students who will never “do” art history, yet will be enriched and empowered by 1) Let the next thing you do that is defined as “art history” its materials and methods. Museum professionals cater to an imagine a different audience. Then, take it to that audience. enormous audience who think they are just “looking at art” when they are actually experiencing art history in action. Rethinking 2) Find an example of an individual or group doing something the “user” for what art history produces, even if only a thought you believe would make art history stronger, more sustainable experiment, cracks open the value of what is often perceived as a in the 21st century. Send it to us to feature on our website. hermetic field. [email protected]
2) Initiative. 3) Imagine a project you have been working on, or just Pat Mainardi asked, “How does it affect what you do?” We ask, pondering, as a collaboration rather than an individual pursuit. “What are you going to do about it?” There is enormous creativity Can you use it to get promoted? Why or why not? and innovation in our field, which can be supported, expanded and promoted in initiatives that make art history better. AHNCA claims a perfect example in Nineteenth-Century Art Worldwide that, In this issue: with its “Mellon Digital Humanities and Art History Series,” is boldly leading the way into 21st-century scholarship and publishing. p.04 / Greetings from the President p.05 / In Memoriam 3) Collaboration. p.06 / Symposia, Lectures, and Conferences While many practices of art history require collaboration, the most rewarded outcomes, especially in the academy, are single- p.11 / Grants and Fellowships authored books, articles, and catalogue essays. Individual voices p.19 / Prizes and Awards can produce great work, but collaboration creates community, p.21 / U.S. Exhibitions collegiality and change. There is an urgent need to re-engineer p.24 / International Exhibitions moribund incentive parameters, but only those individuals within p.28 /New Books such regimes who have power (the tenured, for example) can begin to legitimize the value of shared knowledge production, and validate it in promotion structures.
2 Fall 2014 / AHNCA Newsletter 4) Write and send a letter to a media outlet or political representative about an aspect of art history or related topic AHNCA wants YOU! that you believe needs attention.
The Editor is actively seeking volunteers to help with 5) Add to our Claes Oldenburg-inspired, crowd-sourced the creation of content for the AHNCA Newsletter. manifesto by completing the sentence “I am for an art history Currently we are seeking a new editor for the “Symposia, that…” Contributions can be sent to iamforanarthistorythat@ Lectures and Conferences,” section, and we are looking gmail.com or Tweeted using the hashtag #iamforanarthistorythat for contributors for cover articles. We would also like to add editors and volunteers for other possible content, Pace Charles Baudelaire’s embrace of “l’impeccable naïveté,” such as advertising, images, and other features. we are not so naïve as to believe that anything we do will alone change a thing. We will, however, insist that to do If you are motivated and want to get more involved with nothing is to accept the unsustainable status quo in art AHNCA, we want YOU to join us! Involvement with history, and betray future generations. What have YOU done AHNCA is a great service to our field and would look for art history lately? great on any application you might be preparing. You will also work with excellent and friendly staff.
Note: The authors are co-chairing an Open Forms Session If you are interested and could donate a few hours of (https://sites.google.com/site/arthistorythat/abstract), titled “What your time twice per year when the issues are in press, Have You Done for Art History Lately?: Initiatives for the Future of a please contact Caterina Y. Pierre at caterina.pierre@ Discipline,” at the 103rd Annual College Art Association Conference kbcc.cuny.edu for more information. You can also look in New York (February 2015). The session’s respondent will be Patricia for her at the AHNCA Business Meeting at the College Art Association Annual Conference in 2015 to learn Mainardi. more.
1Patricia Mainardi, “Introduction” to “The Crisis in Art History” Visual 2Resources 27:4 (December, 2011): 303. 3Ibid, 304. 4See, for example, Elizabeth Segran, “What Can You Do With a Humanities Ph.D., Anyway?” The Atlantic (31 March 2014), http://www.theatlantic.com/business/archive/2014/03/what-can-you-do-with-a-humanities-phd- anyway/359927/ and Charlie Tyson, “Humanities vs. STEM, Redux,” Inside Higher Ed (18 August 2014), https://www. insidehighered.com/news/2014/08/18/new-study-assesses-humanities-impact-credits-earned-not-majors-declared. 4The authors recommend a new documentary that addresses many of these issues, especially the economic factors: Andrew Rossi’s Ivory Tower, 2014. http://www.takepart.com/ivorytower 5See Maev Kennedy, “Academics fear for Warburg Institute’s London library, saved from the Nazis,” The Guardian (10 August 2014), http://www.theguardian.com/education/2014/aug/10/academics-warburg-institute-university- london-court-saved-nazis, and Tina Rivers Ryan and Sarah Schaefer, “The Detroit Institute of Arts,” State of the Arts Blog, Art History Today (2 August 2014), http://www.arthistory.today/state-of-the-arts-blog/ the-detroit-institute-of-arts.
ABOUT THIS ISSUE
The Newsletter of the Association of DEPARTMENT EDITORS: U.S. Exhibitions: Historians of Nineteenth-Century Symposia Lectures and Conferences: Brian E. Hack Art is published twice a year, in April Brian E. Hack [email protected] and October. The submission deadline [email protected] for the Spring 2015 issue is March 1, New Books: 2015. Submissions may be sent to: Grants and Fellowships: Karen Leader Prizes and Awards: [email protected] Caterina Y. Pierre Leanne Zalewski AHNCA Newsletter Editor [email protected] Advertising rates: [email protected] full page: $300; half-page: $150 Museum News and International (horizontal); quarter page: $100. Exhibitions: Reduced rates are available for Alison Hokanson Strauber insertions in two issues: [email protected] full page: $400; half-page: $225; and quarter page: $150.
Fall 2014 / AHNCA Newsletter 3 GREETINGS FROM THE President
Dear Fellow AHNCA Members, I am similarly saddened by the passing of Lee Edwards, whose scholarship in Victorian art inspired many people, including me, I hope autumn is treating you well, and I look forward to to pursue that specialization, and whose generous donations seeing many of you again at the College Art Association’s annual to AHNCA—year after year—made a real difference in its conference in New York this coming February. ability to launch Nineteenth-Century Art Worldwide. Both of these colleagues will be missed enormously, and their passing Speaking of that gathering, you will find on page 12 a summary reminds me, at least, of how literally collegial this association of the stimulating sessions that have been lined up by our has been, and will surely remain. Programs Committee, chaired by Patricia Mainardi. Well in advance, I want to thank Pat, and of course the session chairs On a brighter note, please look forward to a lively spring term Cassie Mansfield and Bridget Alsdorf, for their hard work. I of activities for members all around the country. I’m afraid am just now finalizing the optional “off-site” activity for AHNCA that the autumn term of such programs got sidetracked due to members to occur during CAA; we will email that invitation to serious illness in my own family, so now I am already envisioning all current members as soon as its details are set, but please rest a jolly springtime of small gatherings that bring us together assured that the location will be convenient to the Hilton Hotel. to focus on 19th-century exhibitions and collections we will Looking forward to CAA 2016, I am delighted to report that surely enjoy even more while conversing with our colleagues. Marilyn Kushner (New-York Historical Society) will be chairing Invitations will reach you via e-blast beginning in January. AHNCA’s 2.5-hour session; please be on the lookout for her call for papers, via CAA’s usual mechanisms. Finally, in anticipation of our annual business meeting on February 12, I hereby request nominations and self-nominations Speaking of conferences, there are more on the way. Please for the post of Treasurer. Yvonne Weisberg has been our mark your calendar for Sunday, March 22, when the Dahesh outstanding Treasurer for a very long time, and now has decided Museum of Art will again host our annual all-day Graduate to step aside for a well-deserved rest. If this post interests you, Student Symposium. We deeply appreciate the Dahesh please email me at [email protected] and we will take it Museum’s in-kind support of this event, and also its recent, from there. Importantly, I can promise that Yvonne will have and very generous, grant (via the Mervat Zahid Cultural left our books and documents in outstanding shape, such that Foundation) specifically in support of AHNCA’s online journal, even someone not interested in numbers can handle this post’s Nineteenth-Century Art Worldwide. Now being guided by Pat duties with confidence! While we’re on board matters, I also Mainardi’s steady hand, full details about the March 22 event want to acknowledge the ongoing contributions of Membership will be emailed to all AHNCA members early in the New Year. Coordinator Karen Pope, and of Newsletter Editor Caterina Finally, the AHNCA board will soon be reviewing an exciting Pierre and her entire team of section editors. Bravo! proposal for an additional, and quite differently formatted, symposium not held in New York. We will report back to the Thank you, as ever, for your membership in AHNCA, and all entire membership as soon as that project is ready to launch. good wishes for the holiday season just ahead.
Though it is not yet over, this year has been sobering for AHNCA Best, members who knew two of our late colleagues, Cynthia Mills and Lee MacCormick Edwards. Information about their remarkable Peter Trippi careers appears on page 5, but I personally want to note how President significant both women were in my own life. Cindy Mills was an extremely active board member when I first became involved in AHNCA in 1999, and I recall fondly how encouraging she was of Petra Chu, Gabe Weisberg, and myself as we worked to launch Nineteenth-Century Art Worldwide. (As Editor of American Art, Cindy knew better than anyone what challenges lay ahead, and how we should cope with them.)
4 Fall 2014 / AHNCA Newsletter GREETINGS FROM THE President IN MEMORIAM
Dear Fellow Members of the Association of Historians of Lee MacCormick Edwards Nineteenth-Century Art: Lee Edwards recently passed I am saddened to report the loss of two colleagues of great away in Edgecliff, an eastern significance to our field, both of whom were active members suburb of Sydney, Australia, as of AHNCA. Our deepest condolences go out to the members she looked out to Point Piper, of their families and their close friends. where she was born. Lee was an accomplished art historian Cynthia Mills and artist with a M.A. (1978), M. Phil. (1981), and Ph.D. (1984) Cindy Mills was a longtime from Columbia University. A member of the AHNCA board longstanding and generous and served with distinction as the member of AHNCA, she lectured and taught widely in the U.S., association’s Newsletter Editor. Europe, and Australia. She served on the art history faculty of She was known to even more her alma mater, Sarah Lawrence College, from 2000 to 2008. colleagues as Executive Editor Lee’s book, Herkomer: A Victorian Artist (Ashgate, 1999), was of the journal, American Art, and as awarded the Henry-Russell Hitchcock prize by the Victorian Academic Programs Coordinator Society of America for the best book of the year. She served for the Smithsonian American Art on the boards of many charitable organizations including the Museum, mentoring its Fellows International Foundation for Art Research, American Friends of for more than a decade (2000-2011). She advised the museum the National Gallery of Australia, International Festival Society, as Historian Emeritus after her retirement in 2011. and American Australia Foundation. A keen photographer, Lee exhibited her work annually; she considered it an extension Cindy earned her Ph.D. in art history from the University of her interest in the arts of the 19th century. Her last show of Maryland with a dissertation on the Adams Memorial and in the U.S., "My World," photographs of her native Australia, cemetery sculpture of the late 19th century, and went on to was held at Sarah Lawrence in November 2012. All proceeds write and lecture widely on these topics. She was the recipient from her final exhibition, "Capturing the Moment" in Sydney of fellowships from the Smithsonian Institution, University of last October, were donated to support ovarian cancer research. Maryland, Clark, and ACLS. She was co-editor of Monuments to the Lost Cause: Women, Art, and Landscapes of Southern Memory Lee’s husband, the artist Michael Crane, held a memorial (University of Tennessee Press, 2003) and East-West Interchanges service at the Colony Club in New York City on Wednesday, in American Art (Smithsonian Institution Scholarly Press, 2012). May 28. Donations in Lee's memory can be made to the Dr. Lee Cindy contributed an essay to a catalogue celebrating the 150th MacCormick Edwards Charitable Foundation, c/o Tina Albright, anniversary of the Woodlawn Cemetery that will be published Secretary, Curtis Mallet, 101 Park Ave., New York, NY 10178. this autumn in conjunction with an exhibition at Columbia’s Wallach Art Gallery. Her book Beyond Grief: Sculpture and Wonder I am sorry to relay this sad news about two esteemed colleagues, in the Gilded Age Cemetery, which she completed during her both of whom will be missed greatly. illness, will be published by Smithsonian Institution Scholarly Press in September. Kind regards,
Cindy’s husband, Sean McCormally ([email protected]), Peter Trippi has indicated that a commemorative service was held on Friday, President May 16, beginning at 11:00 am at All Souls Unitarian Church in Washington, D.C., with a reception and reminiscences.
Fall 2014 / AHNCA Newsletter 5 Symposia, Lectures, and Conferences
CALLS FOR PAPERS (SYMPOSIA), TO APPLY: professional networks and the extent to which he collaborated with figures in the museum and wider art world. As custodian Photography in Print, June 22-23, 2015, Photographic History of the national portraits, Scharf oversaw the acquisition, display, Research Centre, De Montfort University, Leicester (UK ) interpretation and conservation of the early collection. He was The 2015 PHRC Annual International Conference will address also responsible for the establishment of a research library of the complex and wide range question of 'photography in print.' engraved portraits, periodicals, books and documents. This, The conference aims to explore the functions, affects and coupled with his diligent research into works in numerous dynamics of photographs on the printed page. Photography private collections, served as a vital resource for authenticating in Print continues the theme of previous PHRC conferences, potential portrait acquisitions for the Gallery. In recording what which have explored photographic business practices and he saw by means of densely annotated sketches and detailed flows of photographic knowledge. The conference organizers tracings, Scharf developed a procedure for the documentation, invite abstracts for papers on these important themes of identification and authentication of portraiture, which continues photography in print, and welcome papers not only on the to inform the research practice of the institution. Short papers printed media itself but also on its contextualizing processes (e.g. are invited from scholars on nineteenth-century practitioners techniques, reception, work practices, design and social impacts). centrally engaged in research, conservation, management or Interdisciplinary studies from, for example science, history, curatorship, within national or regional public galleries and anthropology, and mass-media are also welcome. Abstracts of museums. Participants should consider one or both of the no more than 200-300 words should be sent to: phrc@dmu. following: 1) Evidence of the development of professional ac.uk by December 1st 2014. standards within individual careers; and/or 2) Evidence of a collective contribution to the professionalization of museum Friend or foe: Art and the Market in the Nineteenth Century, practice during a period which saw the development of a range May 22-23, 2015, European Society for Nineteenth-Century of clearly defined, independent, professions. Whilst the careers Art, the Netherlands Institute for Art History (RKD) and The of figures, including Sir Henry Cole, Sir Charles Eastlake Mesdag Collection. The Hague (Netherlands) and Sir Augustus Wollaston Franks, have been examined in In conjunction with the exhibition on the artist, collector and relation to wider institutional histories and studies of the public gentleman-dealer Hendrik Willem Mesdag and the Dutch art museum in the Victorian era, little scholarly attention has Watercolour Society, at The Mesdag Collection in The Hague, been directed towards the identity of such individuals as a the publication on this illustrious artist and his different roles discrete group of professionals or the manner in which they within the art world, and the digital reconstruction of the art interacted. To this end, presentations will be followed by a collection owned by Mesdag, carried out by the Netherlands round-table discussion with reference to both the potential Institute for Art History. Please send proposals (max. 300 for collaboration between employees of different institutions, words) for a 20-minute paper (in English) for this conference and the consolidation of museum roles throughout the 1800s. to [email protected] by December 13, 2014 at the Participants might also consider the following questions: Did latest. Selected speakers will be contacted in the course of potential networks extend beyond national boundaries to January 2015. See for full CFP: http://esnaonline.wordpress. include contemporaries working in European museums and com/cfp/friend-or-foe-esna-conference-2015/. Contact for more galleries, and what influence did this bring to bear upon British information: [email protected]. museum practice? What were the differing needs of individuals working in various arts institutions, and how were these met George Scharf and the emergence of the museum professional within a circle of professional contacts? How did the role of the in nineteenth-century Britain, April 21, 2015, National Portrait curator develop in the nineteenth-century and how did this Gallery, London (UK) job specification vary between institutions? Considering the A one-day participatory workshop concerning the emergence of backgrounds, or 'skill-sets' of these individuals, can we pinpoint the museum professional in the nineteenth-century, to be held a shift from connoisseurship towards an emerging curatorship? at the National Portrait Gallery, London, on Tuesday the 21st Please direct abstracts for a 20-minute paper (approx. 250 April 2015. Current research focusing on the career of Sir George words) and a biographical statement (100 words) to Elizabeth Scharf, the Gallery's first Secretary and Director (1857-95), aims Heath at [email protected], no later than Monday 15th to establish his approach museum practice, the nature of his December 2014. Speakers will be notified in early January 2015.
6 Fall 2014 / AHNCA Newsletter The Arts and Feeling in Nineteenth-Century, July 16-18, interpretative sciences. How does art and architecture inform, Birkbeck College, University of London represent or embody these questions of truth-making, as the Organized by the Centre for Nineteenth-Century Studies at products of particular moments and cultures? How does our Birkbeck, University of London, this conference will explore engagement with and interpretations of objects and sites change the ways in which nineteenth-century authors, artists, sculptors, according to our shifting understanding and analysis of truth musicians and composers imagined and represented emotion claims? The organizers invite paper proposals from all disciplines and how writers and critics conceptualized the emotional aspects that address issues of truth claims or contestations through of aesthetic response. How did Victorian artists represent feeling visual materials, including two-dimensional arts, new media, and how were these feelings aestheticised? What rhetorical performance, and architecture. The conference poses a series strategies did Victorian writers use to figure aesthetic response? of questions about how and why objects, spaces, and images What expressive codes and conventions were familiar to the make claims to truth: What kinds of truths are explored through Victorians? Which nineteenth-century scientific developments visual materials? What role does media play in the claims made affected artistic production and what impact did these have on by a work? What are the implications of the context in which an affective reactions? The conference will consider the historically object is viewed or displayed? To what is truth made relative? specific ways in which feeling is discussed in aesthetic discourse. Topics may include, but are not limited to: issues of authenticity, It will also, however, encourage reflection about the limits of authorship, originality or objectivity; individual, communal an historicist approach for understanding the emotions at play and social relativity of truths; the gendered, racial and cultural in nineteenth-century aesthetic response and the possibility of implications of truth; political and moral authority in art and alternative methodologies for understanding the relation between architecture; knowledge production and communication; feeling and the arts. Possible topics might include: Languages sensory, spiritual and miraculous truths; simulacrum, imitation of emotion (affect; feeling; sympathy; empathy; sentimentality); and likeness; deception and illusion; and the evidentiary status theories of feeling (psychologists; art critics; philosophers; of art and architecture. Please submit abstracts of no more than authors); the arousal of specific emotions (pain; joy; anger; 250 words for 20-minute presentations along with a one-page grief; tenderness; anxiety; disgust) and the aestheticisation of the CV to [email protected] or [email protected]. emotions; the physiology and psychology of aesthetic perception edu by December 31, 2014. Conference organizers will contact (physiological aesthetics; empathy; the nervous system; head v. all submitters by February 1, 2015. Final papers, including heart);the arts and religious feeling (biblical painting; sacred images must be submitted to conference organizers at least music); artists, museum visitors and concert-goers in fiction; one week in advance of the symposium. the gendering of aesthetic response; the codification of artistic expression; museum feelings (boredom; fatigue; the museum SYMPOSIA, LECTURES AND CONFERENCES, TO ATTEND: as a site of affect; the regulation of feeling); curating feeling; the "art of feeling" (how to feel the right thing in response to Rethinking the Decorative Woman in Central Europe, 1850– music, art, sculpture);feeling and touch; and the role of emotion 1950, February 11-14, 2015, College Art Association, New York in ekphrasis; translating feeling. Proposals of up to 400 words This panel examines how women artists used the concept of should be sent to Dr. Vicky Mills at [email protected] the decorative to shape visual culture in Central Europe. The by 9 January 2015. Please also attach a brief biographical note. nineteenth century witnessed a revival in Central European Proposals for panels of three papers are also welcome, and should decorative arts manufacturing, a development that allowed be accompanied by a brief (one-page) panel justification. For for greater contributions by female artists. Yet, “decorative” more information: http://www.aah.org.uk/post/1504#sthash. became a means to further marginalize female production and cNkLJ7N3.dpuf patronage. Too often this dichotomy has led scholars to disregard the subversive potential of the decorative. In what ways did Truth Claims, April 24, 2015, The Art History Graduate women artists and patrons mine the formulas surrounding the Student Association 40th Annual Symposium, University of decorative? How did female artists define “decorative” within California, Santa Barbara their work, and how did they respond to critical interpretations Historically, images and objects have been used to make claims of their output? To what degree did female portraiture and of authority and authenticity on behalf of the artist, patron, and self-portraiture critique discourses of “decorative women”? even the viewer, a practice that continues to this day. Addressing How did decorative women subvert emerging indexes of the the wide range of shifting experiences and explanations of decorative within modernism to engage questions of abstraction? truth, this conference draws on a long tradition of critiques of authenticity and objectivity in the arts, humanities and
Fall 2014 / AHNCA Newsletter 7 The Art of the Deal: Dealers and the Global Art Market from Companions; Kokoschka’s Alma Mahler as a life-size doll; 1860 to 1940, February 11-14, 2015, College Art Association, Siqueiros’s Echo of a Scream; Albright’s Dorian Gray; Warhol’s New York Double Elvis; Boetti’s Shaman-Showman). This session offers In 1896, when trying to sell a “Verrocchio” to Quincy Adams iconographical analyses of novel pairings of people (or things) Shaw, the Florentine dealer Stefano Bardini explained that in art created between 1800 and 2000. What inspired the although it was of museum quality he could only sell it images and how do they inform us about their creator and privately—a tactic to enhance Shaw’s perception of the quality his or her era? and authenticity of the object in question. The importance of dealers in the formation of collections cannot be underestimated, Crowds in the American Imagination, Association of Historians yet this topic is infrequently addressed in studies on collectors of American Art, February 11-14, 2015, College Art Association, and collections. This session will explore the methods and New York means of transactions of fine and decorative art in the global During the nineteenth century the United States shifted from art market from 1860 to 1940 from the perspective of the an agrarian to an urban nation. Its population boomed as the supplier as well as that of other functionaries who participate influx of immigrants altered its demographics, pressing more in this network, among them agents, scouts, intermediaries, people against one another in tighter spaces. In a nation that restorers, fakers, decorators, and advisers. had been defined by its frontier and free spaces, the contingent social phenomena of the crowd loomed large in the nineteenth- Rethinking American Art and the Italian Experience, and twentieth-century American visual imaginary and for social 1760–1918, February 11-14, 2015, College Art Association, psychologists and reformers. If sometimes threatening and New York dangerous, crowds were also a sign of the massive population and This session will focus on Italy as a key destination for Americans economic productivity of the country. In representing crowds, between the years 1760 and 1918. Examining the ways in artists tackled the problems of social cohesion and division in a which artists engaged the social, political, and aesthetic life nation of individuals that nonetheless sought to forge a stable of the Italian peninsula, papers should expand the ground national identity. This panel will explore how artists confront upon which visual imagery has been understood by situating the problem of groups, group identity, and crowds, whether it within the dynamic process of transatlantic exchange. This in or outside of urban contexts. panel seeks papers that offer new avenues of study by locating and analyzing the hybrid aesthetic practices that developed New York 1880: Art, Architecture, and the Establishment from encounters with Italian cultural traditions. How did of a Cultural Capital, February 11-14, 2015, College Art American artists adopt, transform, and even translate modern Association, New York Italian beliefs and aesthetic practices in their own artwork? From the 1870s to the early 1890s the Empire City became How did the categories of gender, race, and religion inform the prevailing center of American finance and culture. Fueled artistic production across national boundaries? How were these by a flourishing capitalist economy and patronized by a artists and artworks received by Italian and American critics? burgeoning elite citizenry, New York’s built environment would be dramatically transformed. Yet, as recent scholarship has begun Two for One: Doppelgängers, Alter Egos, Reflected Images, to consider the concept of “culture” more broadly, New York’s and Other Duples in Western Art, 1800–2000, February 11-14, status as a cultural capital needs to be reevaluated not only in 2015, College Art Association, New York terms of its buildings and landscape but in its social composition The theme of the double recurs often in nineteenth- and and in the institutions and organizations that played a pivotal twentieth-century Western art. Examples of duples include role in the metropolis’s projection of itself. This session will doppelgängers (Schiele’s Self-Seers II), alter egos (Man Ray’s focus on New York’s cultural and material production in the Duchamp as Rrose Sélavy), reflected images in a pool (Burne- 1880s, including art and architectural projects of all media, Jones’s Mirror of Venus; Dalí’s Narcissus) or in a looking as well as a consideration of the dynamics underlying their glass (Clementina Hawarden’s Victorian photographs of her creation and patronage. mirrored children; Picasso’s Girl Before a Mirror), double portraits of the same subject (Guibert’s photomontages of Association of Historians of Nineteenth-Century Art, What Is Lautrec painting himself; Rauschenberg’s bilaterally symmetrical Realism? February 11-14, 2015, College Art Association, New York assemblage of two bicycles), double self-portraits (Kahlo’s Two Few movements have engaged historians of nineteenth-century Fridas; Lundeberg’s Double-Portrait of the Artist in Time), and art as persistently as Realism. The fact that the designations those whose category is unique (Augustus Egg’s Travelling “Realist” and “Realism” were widely used in the nineteenth
8 Fall 2014 / AHNCA Newsletter century would seem to provide sufficient historical testimony with major exhibitions at both the Museum and the Free to settle questions about the meaning of the concept. Yet the Library. The Philadelphia Museum will be exhibiting fraktur significance of Realism remains uncertain. A review of the from the collection of Joan andVictor Johnson, featuring considerable scholarly literature devoted to this concept in the many extraordinary manuscript and printed examples from past half-century suggests that Realism is best understood in southeastern Pennsylvania along with other objects, and will also relation to modernism, especially Parisian avant-garde practices. be publishing a comprehensive scholarly catalogue of the Johnson This session aims to revisit an old question: What is Realism? collection. The Free Library will feature historically significant, Is Realism a response to modernism? Or was it animated by rare and unique examples of Fraktur, manuscripts, broadsides, cultural, social, or philosophical impulses distinct from or and printed books from the Henry Stauffer Borneman adjacent to those prompted by the conditions of modernity? Is Pennsylvania German Collection. For more information, see Realism even a distinct movement? Can Realism be bracketed http://www.mceas.org/fraktur.html. historically, as a project peculiar to post-Enlightenment Western culture? Outside the Gallery: Public Sculpture in New England, 19th century-Present, March 14, 2015, Grace Slack McNeil Program Science Is Measurement? Nineteenth-Century Science, Art, and for Studies in American Art at Wellesley College and the Office Visual Culture, February 11-14, 2015, College Art Association, of Academic Programs at Historic Deerfield, MA New York This day-long symposium will explore the art and function of This session, named for the title of an 1878 painting by the public sculpture in New England from the 19th century to the Victorian artist Henry Stacy Marks, considers issues in the present. As objects of art and material culture, commissioned representation of emergent scientific theories of the nineteenth works of public art reflect aesthetic, civic, and institutional century in Britain, the US, and Europe—how visual culture ideals as well as choices made by both artists and clients working and art drew on, illustrated, augmented, or resisted various at a particular moment in history. Such sculptures also offer scientific strands of thought, and, alternatively, how visual special opportunities to explore the ways in which communities materials were deployed in scientific contexts. and individuals have chosen to commemorate, memorialize, mourn and/or celebrate people and events in a public setting. At the Expositions: An Art History of National Displays of For more information contact Barbara Matthews bmathews@ Culture, Technology, Design, February 11-14, 2015, College historic-deerfield.org and Martha McNamara mmcnamar@ Art Association, New York wellesley.edu. From the late nineteenth to the early twentieth centuries, expositions and World’s Fairs were presented throughout Why Sculpture Is Not Boring: New Approaches to Modern Europe, North America, and elsewhere. These multimedia events Sculpture, 1846-1966, April 9-11, 2015, Association of Art incorporated architecture, fine art, performance, design, fashion, Historians Annual Conference, Norwich (UK) and a variety of mass media. They were key instruments for the In a few brief – and now infamous – passages of his Salon of 1846, projection of national identities. As extraordinarily prominent published under the heading ‘Why Sculpture is a Bore’, Charles visual expressions, the fairs provide material for a wide range of Baudelaire tolled the death-knell for the medium of sculpture. art-historical analysis. What were the artistic impacts, intended Elaborating upon the centuries-old paragone, Baudelaire and unintended, of these governmental celebrations? How did not only cited sculpture’s inferiority in the face of painting’s these events use the arts to depict national identities? How did more expansive formal resources, but also concluded that the their presentation of the non-Western “Other” shape public medium was ill-equipped to capture modernity’s particular opinion, and how did the arts of these colonized cultures figure forms of beauty. While sculptural production both before and in their presentation? How did artists respond to the displays of after 1846 was anything but boring, Baudelaire’s eulogy cast technological and industrial advances at the expositions? And a pall over the study of sculpture. The publication of Robert what was left out of these celebrations of national achievement? Morris’s ‘Notes on Sculpture’ in 1966 arguably resuscitated the medium in the realm of practice – yet art-historical enquiry on Fraktur and the Everyday Lives of Germans in Pennsylvania and sculpture remained stuck in the methodological past. Scholars the Atlantic World, 1683–1850, March 5-7, 2015, Philadelphia, PA of sculpture have only recently taken fuller advantage of new Jointly sponsored by the McNeil Center for Early American interpretive and theoretical models – from psychoanalysis to Studies, the Free Library of Philadelphia, and the Philadelphia post-colonialism and the anti-hermeneutic turn – that allow for Museum of Art, “Fraktur and the Everyday Lives of Germans in innovative interpretations of sculpture’s distinctive contributions Pennsylvania and the Atlantic World,1683–1850” will coincide to modernism. This session presents the case against Baudelaire’s
Fall 2014 / AHNCA Newsletter 9 commentary, and will attempt to resituate sculpture’s place in more information, see http://www.aah.org.uk/annualconference/ modernity and in modernism. sessions2015/session25#sthash.qu1WYwEe.3TqMvDip.dpf
Shades of Grey: Painting without Colour, April 9-11, 2015, Victorian Sense and the Senses, May 1-3, 2015, Midwest Association of Art Historians Conference, Sainsbury Institute Victorian Studies Association, Iowa City, Iowa for Art, UEA, Norwich (UK) The Midwest Victorian Studies Association will hold its 2015 Stillness, solitude, mysticism, equilibrium, urbanity, ennui, annual conference at the University of Iowa, Iowa City, May emptiness, anonymity, urbanization, industrialization, smog, 1-3, 2015. MVSA’s 2015 Jane Stedman Plenary Speaker will fog, shadows, dust, dusk, nocturnes, concrete, steel and stone be Linda Shires, David and Ruth Gottesman Professor of are some of the many connotations that artists and art-historians English, Yeshiva University. Her talk is entitled "Coming to our have long associated with grey paintings, the subject of this AAH Senses: Colors in the 19th Century." The conference will have panel. Over a period of roughly 100 years, bracketed by the seminars on topics related to the conference theme. For more invention of synthetic dyes in the 1850s and the advent of color information, please visit www.midwestvictorian.org. television in the 1960s, Western material culture (high and low) became increasingly saturated with color. Corresponding with Lost Museums, May 7-8, 2015, Brown University, Providence, RI this era, which saw architecture go polychrome and art go Pop, In conjunction with the year-long exhibition project examining a number of modern artists eschewed color, opting instead to Brown University’s lost Jenks Museum, the John Nicholas pare down their palettes and make pictures executed largely in Brown Center for Public Humanities and Cultural Heritage, shades of grey. Some, like Whistler and Giacometti, painted in the Haffenreffer Museum of Anthropology, and the John grey for significant parts of their careers while others, like Van Carter Brown Library will hold a colloquium on lost artifacts, Gogh and Picasso, did so for brief but concentrated spells. For collections and museums.
AHNCA at CAA AHNCA’s annual business meeting will be held on Thursday, February 12, from 5:30-7:30 pm in the Sutton Parlor South, Second Floor
What Is Realism? (Part I) What Is Realism? (Part II) Future Directions in Chaired by Elizabeth C. Mansfield, Chaired by Elizabeth C. Mansfield, 19th-Century Art History National Humanities Center (and National Humanities Center Chaired by Bridget Alsdorf, Princeton former AHNCA President) Saturday, February 14 University Thursday, February 12 2:30 - 5:00 pm, Nassau Suite, 2nd Floor Friday, February 13 2:30 - 5:00 pm, Beekman Parlor, 2nd 12:30 - 2:00 pm, Rendezvous Trianon, Floor • Maura Coughlin (Bryant University), 3rd Floor “Bedeviling Realism: Materiality, • Anne Leonard (University of Chicago), Courbet and Taxidermy” • Eduardo Ralickas (Université du “An Absent Presence: The Place of Truth • Caterina Pierre (City University of New Québec à Montréal), “Sighting at the Realist Banquet” York at Kingsborough). “Stone Breakers (Romantic) Politics: Caspar David • Bridget Alsdorf (Princeton University), and Bronze Makers: Sculpture in the Friedrich’s 'View from the Artist’s “Realism and Anti-Realism in History of Realism” Studio'” Hammershøi’s Interiors” • Niharika Dinkar (Boise State • Erin Duncan-O'Neill (Princeton • Kevin Chua (Texas Tech University), University), “Realism in the Colony: University), “'Fraternal Exchange': “Courbet after Sudjojono” Painting and Theatre in Colonial India” Polychromy, Pompeii, and Daumier's • Anne Helmreich (Getty Foundation), • Ruth Iskin (Ben Gurion University Multimedia Art” “Realism, Naturalism, and NeoRealism” of the Negev), “Adapting Realism to • Katherine Brion (Kalamazoo College), • Samuel Shaw (Yale Center for British Early Mass Media: The Iconography of “Pierre-Cécile Puvis de Chavannes, Jules Art), "Imaginative Reality": Realism in Modern Life in Advertising Posters and Chéret, and the Search for a Decorative, British Art after Wilde” 1890s Discourses” Democratic Harmony” • Gabriel Weisberg (University of Minnesota), “Illusions or Delusions: AHNCA’s Optional Off-Site Visit will be confirmed and The Eternal Questions of Realism” announced (via email) shortly.
10 Fall 2014 / AHNCA Newsletter grants and FELLOWSHIPS
FELLOWSHIPS For Pre- and Post-Doctoral The Center for Advanced Study in the Visual Arts (CASVA) Candidates: offers an extensive program of fellowships at all levels and disciplines. Application for a pre-doctoral fellowship may be American Antiquarian Society announces Short-Term Visiting made only through nomination by the chair of a graduate Academic Research Fellowships, available for scholars holding department of art history or other appropriate department. To the Ph.D. and for doctoral candidates engaged in dissertation be eligible, the nominee must have completed all departmental research. Fellowships comprise 1-3 months, stipends = $1,000/ requirements, including course work, residency, and general and month. The following are offered annually: Kate B. and Hall preliminary examinations, before November 15. Certification in J. Peterson Fellowships (research on a topic supported by the two languages other than English is required. Candidates must AAS collections); The Legacy Fellowship (research on a topic be either United States citizens or enrolled in a university in supported by the AAS collections); Stephen Botein Fellowships the United States. The stipend for all pre-doctoral fellowships (research in the history of the book in American culture); is $20,000 per year. http://www.nga.gov/casva/casvapre.htm. The Joyce Tracy Fellowship (research on newspapers and magazines); AAS-American Society for Eighteenth-Century Center for Place, Culture and Politics Post-Doctoral Fellowship Studies Fellowships (research on the American 18th Century); at the Graduate Center of the City University of New York American Historical Print Collectors Society Fellowship (CUNY) announces a post-doctoral position for the academic (research on American prints of the 18th and 19th centuries or year 2015-2016 (pending budgetary approval). For more for projects using prints as primary documentation); The Reese information and application, see http://pcp.gc.cuny.edu/ Fellowship (research in American bibliography and the history of fellowships/post-doc-application/. Online applications due the book in America); The "Drawn to Art" Fellowship (research March 1 (not yet updated). on American art, visual culture or other projects using graphic materials as primary sources); Deadline for all fellowships Columbia University Council for European Studies offers applications except the Ebeling Fellowship January 15, 2015; summer pre-dissertation fellowships for graduate students Contact: American Antiquarian Society, 185 Salisbury Street, working on Europe. There are usually fifteen to seventeen Worcester, MA 01609-1634, (508) 755-5221, fax: (508) 753-3311, recipients and the stipend is $4,000.00. Deadline January 12, or visit: http://www.americanantiquarian.org/acafellowship. 2015. Contact: CES, Columbia University, 1203A, International htm. The Christoph Daniel Ebeling Fellowship (for a scholar Bldg., MC3310, 420 w. 118th St., New York, 10027. Phone: (212) in American studies at the dissertation or habilitation research 854-4172. Web: http://councilforeuropeanstudies.org/grants- level at a university in Germany, jointly funded by the German and-awards/pre-dissertation-research; email: [email protected]. Association for American Studies and AAS). Deadline for The Harriman Institute Post-doctoral Fellows Program enables Christoph Daniel Ebeling Fellowship: February 2015-not yet junior scholars who have recently received their Ph.D. to spend posted. See http://dgfa.de/christoph-daniel-ebeling-fellowship- a specified term in residence focusing on the revision of their of-the-gaas-und-the-aas/. dissertation for publication in book form. Deadline: January 15 for fellowships to being the following September, decisions in The French Government offers the Chateaubriand Scholarship May. Contact: Barbara Singleton, Harriman Institute, Columbia for Humanities Research for doctoral research for which University, 420 West 118th Street, 12th floor, New York, New involvement in French research institutions or archives would be York 10027, (212) 854-6219, [email protected] , http://www. beneficial. Fellowships are given for research in topics in French harrimaninstitute.org/courses/fellows_visiting_scholars.html culture and history. Applicants must be of U.S. citizenship. (Not yet updated) Tenure (9 mo.) carries a stipend of 1500 euros per month plus health coverage and travel. Deadline: January 14th for the The Gilder Lehrman Institute of American History offers following year. Contact: Chateaubriand Fellowships, French fellowships in American Civilization for pre- and post-doctoral Embassy, Bourse Chateaubriand/SCULE, 4101 Reservoir Rd., research. The fellowships support work in one of the five Washington, DC 20007. E-mail: Meghan.merwin@diplomatie. archives in New York City including the Gilder Lehrman gouv.fr. Call: (202) 944-6294. Web: http://france-science.org/ Collection at the New York Historical Society, the Columbia chateaubriand2/chateaubriand_/ . University Rare Book and Manuscript Collection, the Library of the New York Historical Society, New York Public Library, and
Fall 2014 / AHNCA Newsletter 11 the Schomburg Center. Ten $3,000 fellowships are awarded twice These and other fellowships can be found on the Kress website a year. Deadline: May 1, 2015. Contact The Gilder Lehrman www.kressfoundation.org. Or contact: Wyman Meers, Program Institute of American History, 19 W. 44th St., Ste. 500, New Administrator, Samuel H. Kress Foundation, 174 E. 80th Street, York, NY 10036-5902; (646) 366-9666; email: fellows@gliah. New York, NY 10021, or (212) 861-4993. org, web: http://www.gilderlehrman.org/historians/scholar4.html. The Philadelphia Museum of Art is offering American Art The Alexander von Humboldt Foundation supports scholarly Fellowship Opportunities. Center For American Art Summer research and study in Germany. It offers as many as 600 Fellowships (2) Two summer fellows will be chosen to assist Humboldt Research Fellowships annually to post-doctoral in the Museum’s Department of American Art, contributing scholars to support research for six- to twenty-four-month to ongoing collection research and exhibition preparation. periods in Germany. Scholars may be in any academic field and Graduate students in art history or related fields with an interest come from any country except Germany. Applications may be in curatorial studies and American painting and sculpture before submitted at any time. Contact: The U.S. Liaison Office of the 1945 are encouraged to apply. Fellows will be expected to work 10 Alexander von Humboldt Foundation, 1055 Thomas Jefferson weeks between June 3 and August 30, 2015. Fellowship stipend: St. N.W., Suite 2030, Washington, D.C., (202) 296-2990. Web: $4,000. Deadline: February 15, 2015. Barra American Art http://www.humboldt-foundation.de/web/771.html . Fellowship Fellow will work half-time assisting with department research and exhibitions, while conduction personal research. The Institute of European History awards ten fellowships Applicants should have completed their M.A. degree in art for 6-12 month research stays at the Institute in Mainz. The history or a related field and propose a thesis or area of research application is open to all young historians in Germany and interest that takes advantage of the Philadelphia Museum of abroad, who apply with a research project in German and Art’s resources. Priority will be given to those with projects European history since the sixteenth century. The department's relating to the Museum’s collection or exhibition program, and fellowship selection commission meets three times a year, in to students from the Philadelphia region. At the conclusion of March, July and November. Deadlines are continuous. Contact: the term, the Barra Fellow will be expected to give a lecture The American Institute for Contemporary German Studies, and submit a paper reflecting work done during the residency. 1400 16th Street, NW Suite 420, Washington, DC. 20036. Fellowship stipend: $18,000 with additional research and travel Phone: (202) 332-9312, fax:. (202) 265-9531. Contact: info@ funds. Deadline: February 15, 2015. Apply Online: http://www. aicgs.org, or web: http://www.ieg-mainz.de/likecms/likecms. philamuseum.org/jobs/ php?site=site.htm&nav=64&siteid=300. Ronald de Leeuw Research Grant worth 5,000 euros each year The Samuel H. Kress Foundation offers several grants and for a talented researcher. This research grant shall be used to fellowships at the pre-doctoral and professional levels. The conduct research into a subject pertaining to the Van Gogh Kress Fellowship in Art History at Foreign Institutions grants Museum's field of collecting. This grant will offer the researcher six pre-doctoral candidates two-year research appointments the opportunity to adapt for publication their dissertation at one of six participating European Institutions (Florence, on a subject in the field of West European art history 1830- Leiden, London, Munich, Paris, Rome). The fellowship award 1914, to write a PhD research proposal or to undertake a field is $30,000 per year. Deadline: November 30. Conservation trip. Deadline not yet posted. Contact via e-mail: haanen@ Fellowships: Nine $32,000 Fellowships are expected to be vangoghmuseum.nl. Information: http://www.vangoghmuseum. awarded each year for one-year post-graduate internships in nl/en/about-the-museum/research-projects/ronald-de-leeuw- advanced conservation at a museum or conservation facility. research-grant. Typically, $27,000 is allocated as a fellowship stipend, and $5,000 toward host institution administrative costs. Runs 9 to Crystal Bridges Museum of American Art offers the Tyson 12 months. Deadline: January 22. Interpretive Fellowships Scholars of American Art Program. Deadline: January 15, at Art Museums: A minimum of four Fellowships are awarded 2015. The residential program supports full-time scholarship each year to American art museums for 9-12 month professional in the history of American art, visual and material culture from development opportunities. Typically beginning in late summer the colonial period to the present. To support their research, or early fall. The Fellowship award is $30,000, with a minimum Tyson Scholars have access to the art and library collections of $25,000 reserved for the Fellow’s stipend and up to $5,000 of Crystal Bridges as well as the library at the University of available to support health, travel and other benefits for the Arkansas in nearby Fayetteville. The program is open to scholars Fellow and/or to defray the direct costs of hosting the Fellow. holding a Ph.D. (or equivalent) as well as to Ph.D. candidates.
12 Fall 2014 / AHNCA Newsletter Projects with a synthetic, interdisciplinary focus and that seek Website: http://artsandsciences.virginia.edu/woodson/fellowship/ to expand boundaries of research or traditional categories of index.html investigation are particularly encouraged. Up to three Scholars may be in residence at a time, with terms ranging from six The Yale Center for British Art Visiting Scholar Program weeks to nine months. Stipends range from $30,000-$60,000 offers several month-long resident fellowships to scholars in for a nine month term. Additional funds for research travel post-doctoral or equivalent research related to British art and to during the residency period are available upon application. museum professionals whose research interests include British Housing and office space are provided during residency. Website: art. Deadline: January 6, 2015. Website: http://britishart.yale. http://crystalbridges.org/art/tyson-scholars/;apply via e-mail: edu/research/visiting-scholars. [email protected]. The Yale Center for British Art (YCBA) is offering a Postdoctoral The Ronald de Leeuw Research Grant at the Van Gogh Museum Research Associateship (PRA) in the Department of Paintings offers a grant of $5,000. Deadline: March 01, 2015. This and Sculpture. The position is intended for a recent recipient of research grant shall be used to conduct research into a subject the PhD (degree granted within the last three years) in a field pertaining to the museum's field of collecting. This grant will related to British art. The PRA may be held for up to three offer the researcher the opportunity to adapt for publication years. It is expected that the post-holder will pursue long-term their dissertation on a subject in the field of West European professional employment during the period of hire. The PRA art history 1830-1914, to write a PhD research proposal or to will receive an annual salary of $45,000, plus standard Yale undertake a field trip. Website: http://www.vangoghmuseum. benefits. Deadline: March 4 (Not yet posted). Apply Online: nl/vgm/index.jsp?page=195257&lang=en§ion=sectie_ http://britishart.yale.edu/about-us/opportunities. Applicants onderzoek. E-mail: [email protected]. should refer to the job description on the website, then complete the application form and upload a cover letter, CV, and a writing Wesleyan University is inviting scholars who have received sample. Three letters of recommendation should be forwarded their Ph. D. within the last four years in any humanistic field directly by referees to [email protected]. to apply for the Andrew W. Mellon Post-doctoral Fellowship in Cultural Studies. One Fellow will be appointed for the Fellowships & Grants – All Career Stages academic year with a stipend of $40,000. He or she will be in residence to teach a one-semester undergraduate course. The American Antiquarian Society (AAS) invites applications Deadline: January 10th (Not yet posted.) Website: http://www. for its 2015-2016 visiting academic fellowships. A minimum of wesleyan.edu/humanities/fellowships/mellon.html. three AAS-National Endowment for the Humanities Fellowships will be awarded for periods extending from four to twelve Wesleyan University Center for the Humanities will also grant months. Stipend for long-term fellowship is $4200/month. a small number of non-stipendiary Research Fellowships for Over thirty short-term fellowships will be awarded for one to a semester or a year to scholars working in the humanities or two months. The short-term grants are available for scholars the social sciences. Arrangements for Research Fellowships are holding the Ph.D. and for doctoral candidates engaged in informal and individual (consult site for details). Deadline: dissertation research. Stipend: $1850/month. Accommodations March 30 (Not yet posted.) Contact Ethan Kleinberg, Director, are available for visiting fellows in housing owned by AAS. Center of the Humanities, Professor of History and Letters Short-term fellowships support scholars working in the history Email: [email protected]. Website: http://www.wesleyan. of the book in American culture, in the American eighteenth edu/humanities/fellowships/research.html. century, and in American literary studies, as well as in studies that draw upon the Society's preeminent collections of graphic The Carter G. Woodson Institute for Afro-American and African arts, newspapers, and periodicals. Accommodations are available Studies at the University of Virginia offers pre-doc and post-doc for visiting fellows in housing owned by AAS. Deadine for long residential fellowships to scholars whose work focuses on race, and short-term fellowships: January 15, 2015. Apply online. ethnicity and society in Africa and the Atlantic world (broadly Website: http://www.americanantiquarian.org. defined as the African Diaspora). Post-doctoral fellows receive one-year fellowships with a stipend of $45,000 plus full time The American Association of Netherlandic Studies annual benefits. Pre-doctoral fellowships cover two years with an annual $2,000.00 scholarship is offered in support of graduate research stipend of $20,000, plus health insurance). The fellowship is in the field of Netherlandic studies, to be conducted in the not restricted by citizenship. Deadline: December 1, 2014. Netherlands or Belgium. The grant is intended for citizens
Fall 2014 / AHNCA Newsletter 13 or residents of the United States who study at an American ACLS Fellowship Program welcomes applications from scholars university. Preference is given to those scholars who do not in all disciplines of the humanities and humanities-related social receive research support from their home institutions. Applicants sciences. ACLS Fellowships include ACLS/Andrew W. Mellon must submit a proposal of at least two pages, a timetable, a Fellowships for Junior Faculty, ACLS/SSRC/NEH International budget, two letters of recommendation, a curriculum vitae, and and Area Studies Fellowships and ACLS/New York Public Library a set of transcripts. The proposal should establish the scholarly Residential Fellowships. Tenure ranges from six to twelve contribution and significance of the project, its relevance to consecutive months devoted to full-time research. Awards: the applicant’s professional goals, and progress already made. $30,000 - $60,000, depending upon applicant’s rank. Deadline: Deadline: February 15 (Not yet posted.) Please send completed September 27, 2014. The Southeast European Studies Program (hardcopy only — provide 4 copies) applications to: Dr. C.P. offers post-doctoral research fellowships (stipends up to $25,000) Sellin, Assist. Prof of Art History, California Lutheran University, and dissertation fellowships (stipends up to $17,000) in any Art Department, 60 West Olsen Road, mail code 3800, Thousand discipline(s) of the humanities and the social sciences. Proposals Oaks, CA. 91360. Contact: Dr. Jenneke Oosterhoff, Univ. of dealing with Albania, Bulgaria, Romania, and the successor Minnesota, Dept. of German, Scandanavia and Dutch, 205 states of the former Yugoslavia are particularly encouraged. Folwell Hall, Minneapolis, MN 55455, email: ooste003@umn. Deadline: December 1, 2014. The Charles A. Ryskamp Research edu. Web: http://netherlandicstudies.com/news/?page_id=24. Program supports advanced assistant professors, seeking to provide time and resources to enable these faculty members The American Association of University Women (AAUW) to conduct their research under optimal conditions. Fellows invites applications from outstanding women scholars for a are permitted and encouraged to spend substantial periods of one-year research fellowship or short-term publication grant their leaves in residential interdisciplinary centers, research (must be U.S. citizens or permanent residents). The American libraries, etc., in the U.S. or abroad. Stipend: $64,000 plus Fellowships include Post-doctoral Fellowships ($30,000), $2,500.00 for research and travel. Deadline: September 26, Dissertation Fellowships ($20,000 to women in the final year of a 2014. Contact: American Council of Learned Societies, 663 doctoral degree) and a Summer/Short-Term Research Publication Third Avenue, New York, NY 10017-3398; 212-697-1505, Grant ($6,000), available to women college/university faculty ext. 136 or 138; email
14 Fall 2014 / AHNCA Newsletter received the doctorate. Graduate students working on their The Caroline and Erwin Swann Foundation for Caricature theses/dissertations may apply. Awards not to exceed $3,500. and Cartoon awards one fellowship per year, with a stipend Deadline: March 3, 2015. The APS Library accepts applications of $15,000 to assist ongoing scholarly research and writing for short-term residential fellowships (four consecutive weeks) projects in the field of caricature and cartoon. Applicants may for conducting research in its collections, from scholars who be candidates for an M.A. or Ph.D. degree in a university in reside beyond a 75-mile radius of Philadelphia. Stipend: $2,500 the United States, Canada or Mexico and working toward the per month (1-3 months). Deadline (receipt): March 1. Contact completion of a dissertation or thesis for that degree, or be all individual programs through Linda Musumeci, Committee engaged in postgraduate research within three years of receiving on Research, American Philosophical Society, Independence an M.A. or Ph.D. Application deadline: February 14, 2015. Mall East, 104 South 5th Street, Philadelphia, PA 19106. (215) Contact: Martha Kennedy, 202-707-9117. Web: www.loc.gov/ 440-3429; e-mail: [email protected]; web: http://www. rr/print/swann. Email: [email protected]. amphilsoc.org/grants. The Center for Advanced Study in the Visual Arts (CASVA) The Amon Carter Museum's Davidson Family Fellowship offers an extensive program of fellowships at all levels and Program is for scholars working at the pre- or post doctoral disciplines. This includes the Visiting Senior Fellowship level. Fellows will initiate new research or continue work on Program: Deadlines: September 21, March 21; The J. Paul an existing topic in American art that draws on the Museum's Getty Trust Paired Research Fellowships in Conservation collections. Stipend: $12,500 for a minimum of four months and the History of Art and Archaeology; the Pre-doctoral of full-time research at the Amon Carter Museum. Deadline: Fellowship Program: Deadline: November 15; and the Pre- March 1, 2015. Contact: Davidson Family Fellowship Program, doctoral Fellowship Program for Summer Travel Abroad for Amon Carter Museum, Attn: Samuel Duncan, Library Director, Historians of American Art: Deadline: February 15. Visit: 3501 Camp Bowie Boulevard, Fort Worth, Texas 76107-2695, http://www.nga.gov/casva/index.shtm. Contact: Center for ph. (817) 989-5073; email: [email protected]. Advanced Study in the Visual Arts, National Gallery of Art, Web: http://www.cartermuseum.org/library/davidson-family- 2000B South Club Drive, Landover, Maryland 20785. Phone: fellowship. (Not yet updated) (202) 842-6482; fax: (202) 789-3026; e-mail: advstudy@nga. gov. (Not yet updated). The Beinecke Rare Book & Manuscript Library offers short- term fellowships to visiting scholars pursuing post-doctoral or The Center for Cultural Analysis at Rutgers University awards equivalent research in its collections. The one-month fellowships two external fellowships (stipend: $45,000) to scholars and (stipend = $4000/month), are designed to provide access to the practitioners, including graduate students, "interested in issues library for scholars who reside outside the greater New Haven and problems arising from the complicated interrelations area. Recipients are expected to be in residence during the among the Americas during the past century- their history, period of their award. There is no application form (see website politics, economics and culture." Deadline January 6, 2015. for application process/details). Deadline: received December Contact: Center for the Critical Analysis of Contemporary 6, 2014. Web: http://www.library.yale.edu/beinecke/brbleduc/ Culture, Rutgers University, 8 Bishop Place, New Brunswick, brblfellow.html; email: [email protected]. NJ 08903, 732- 932-8426, email: [email protected]. Web: http://cca.rutgers.edu/fellows/12-13-fellowships. The Camargo Foundation awards one-semester residential fellowships to scholars, visual artists, composers, and writers The Council of American Overseas Research Centers (CAORC) working on humanistic topics related to French and Francophone announces a fellowship program that supports advanced regional countries. Fellows pursue projects while in residence at the research. The program is open to U.S. doctoral candidates (ABD) Foundations' estate in Cassis, France. Applications are welcome and scholars who have already earned their Ph.D. in fields in the from college professors, independent scholars, secondary humanities, social sciences, or allied natural sciences and wish school teachers (private and public), graduate students, to conduct research of regional or trans-regional significance. writers, composers and visual artists. Stipend amount: $2,500. Fellows must conduct research in more than one country, at least Application deadline: postmarked January 12. Contact: The one of which hosts a participating American overseas research Camargo Foundation, 1, Avenue Jermini, 13260 Cassis, France. center (see website for a complete list of participants). Awards: up Web: www.camargofoundation.org. (not yet updated) to $9,000 each. Individuals or those working in teams may apply. Preference will be given to candidates examining comparative and/or cross-regional questions requiring research in two or more
Fall 2014 / AHNCA Newsletter 15 countries. Applicants must be U.S. citizens. Deadline January 21, Avenue, New York, NY 10016; (212) 687-4470; Fax: (212) 697- 2015. Contact: Council of American Overseas Research Centers 3248. E-mail: [email protected]. Web: http://www.gf.org/ (Latin (CAORC), Multi-Country Research Fellowship Program, P.O. America and the Caribbean not yet updated) Box 37012, NHB Room CE-123, MRC 178, Washington, D.C. 20013-7012, Ph. (202) 633-1599. Email: [email protected]; The Hagley Museum and Library offers several fellowships and web: http://caorc.org/programs/multi.htm. grants. Hagley/Winterthur Fellowships in Arts and Industries represent a cooperative, residential program of short- to The Filson Fellowship offers full-time university history faculty medium-term research fellowships for scholars interested in and doctoral students an opportunity to pursue scholarly the historical and cultural relationships between economic life research at the Filson Historical Society, Louisville, KY, by and the arts, including design architecture, crafts, and the fine providing funds for travel and lodging. The society’s collections arts. Henry Belin du Pont Fellowships support serious scholarly focus on the frontier, antebellum and Civil War eras of Kentucky. work. Applicants must be from out of state. Application is not Out-of-state fellows receive a $500.00 award for a one-week restricted to those with advanced degrees. Stipends (for periods period. State residents may receive partial support. Application ranging from 1 to 6 mo.) may offer up to $1,600 per month. deadlines: annually, October 15 and February 15. Contact: 502 Deadline: November 15. The Hagley Museum and Library 635-5083, e-mail [email protected], web http://www. Grants-in-Aid support short-term visits for scholarly research. filsonhistorical.org/programs-and-publications/fellowships-and- Stipends (from two weeks to two months) may offer up to $1,600 internships.aspx or write Mark Wetherington, The Committee per month. Deadlines: March 31, June 30, October 31. Contact: on Fellowship/Internships, The Filson Historical Society, 1310 Dr. Philip Scranton, Center for History of Business, Technology, S. Third Street, Louisville, KY 40208. Phone: (502) 635-5083. and Society, P.O. Box 3630, Wilmington, DE 19807-0630, or call (302) 658-2400 or e-mail [email protected]. Web: www.hagley. The Center for the History of Collecting in America; the Center org and www.hagley.lib.de.us/grants.html. offers short-term Junior fellowships (8–10 weeks) for graduate and pre-doctoral students and Senior fellowships (8–10 weeks) The Harvard University Houghton Library Fellowship provides for post-doctoral and senior scholars. In addition the Center short-term fellowships for travel to work within the Library's offers long-term (4–5 months) Leon Levy Fellowships for collections. Fellows have access to the Widener library, the post-doctoral and senior scholars. In all cases preference will be world's largest university library and receive a stipend ($3000). given to researchers whose projects are particularly appropriate Other fellowships are awarded to those whose research is based to the resources available at the Frick Art Reference Library. primarily in the Houghton Library Collections (especially those Each short-term fellowship for a junior scholar is $5,000. collections which are rare and unique). Fellows must be in Each short-term fellowship for a senior scholar is $10,000. residence at Harvard for at least one month out of the fellowship Each long-term Leon Levy Fellowship is $25,000 per semester year (July-June). Deadline: January 17, 2015. Contact: The (with a maximum of two semesters) and is supplemented with Fellowship Selection Committee, Houghton Library, Harvard travel funds up to $1,250 (per semester) for brief research trips University, Cambridge, MA 02138. Web: http://hcl.harvard.edu/ during the fellowship period. Applications must be e-mailed or libraries/houghton/public_programs/visiting_fellowships.cfm. postmarked not later than February 15, 2015. Center for the History of Collecting Frick Art Reference Library, 10 East 71st The Institute of Turkish Studies sponsors an annual grant Street, New York, New York 10021, Attn.: Fellowship Program program that offers a variety of awards to individual scholars, or sent by e-mail with attachments to [email protected]. http:// colleges and universities in the United States. The Institute will www.frick.org/center/fellowships.htm. offer grants and fellowships in the field of Ottoman and Modern Turkish Studies to graduate students, post-doctoral scholars, The John Simon Guggenheim Memorial Foundation provides universities, and other educational institutions. Deadline fellowships for advanced professionals in the natural sciences, (receipt): March 2015 (not yet posted). For detailed application social sciences, humanities, and non-performing creative arts. guidelines and downloadable application forms, visit http:// Fellowships are awarded through two annual competitions: one turkishstudies.org/grants/index.shtml Phone: (202) 687-0295, open to citizens and permanent residents of the United States Fax (202) 687-3780, or write: Institute of Turkish Studies, and Canada (Deadline: September 19), and the other open Intercultural Center, Georgetown University, Washington, to citizens and permanent residents of Latin America and the DC 20057-1033. Caribbean (Deadline: December 1). Contact: Edward Hirsch, Pres., John Simon Guggenheim Memorial Foundation, 90 Park
16 Fall 2014 / AHNCA Newsletter The Library Company of Philadelphia and Historical Society Application post-mark deadline: January 15, 2015. Contact: of Pennsylvania Program in Early American Economy and Long term/short term Fellowships, Massachusetts Historical Society offers several types of fellowship awards to be granted Society, 1154 Boylston St., Boston, MA 02215, (617) 646-0513; for research and scholarship. One-month fellowships (stipend Web: www.masshist.org/fellowships. (Not yet updated) = $2,000) are available to scholars at all levels of research. Two Barra Foundation International Fellowships (stipend: $2,500 CAA offers two publishing grant opportunities this fall in plus travel expenses) are reserved for foreign national scholars support of new books in art history, visual studies, and related whose residence is outside the United States. subjects through the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant. To be The Program in Early American Economy and Society (PEAES) eligible for either grant, the manuscript must already have been Fellowships consist of: one dissertation-level fellowship, tenable accepted by a publisher on its merits but requires a subsidy for nine consecutive months (stipend: $20,000); one advanced to be produced in its most desirable form. The Wyeth grant research fellowship, also tenable for nine consecutive (stipend: applies to books on the history of American art, here defined $40,000). Deadline for post-doctoral long-term fellowships is as art created in the United States, Canada, and Mexico prior November 1, 2014. The fellowships promote scholarship in to 1970. There are no geographic or chronological limitations early American economy and society, broadly defined, through for books eligible for Meiss awards. The publisher, rather than the 1850s. All applicants may submit proposals based on any the author, must submit the application to one or both funds, printed and manuscript materials of the Library Company though only one award can be given per title. Deadline for and other institutions nearby. Deadline: March 1. Contact: spring: March 15. Deadline for fall: September 15. http:// Program in Early American Economy and Society, The Library www.collegeart.org/meiss/guidelines Company of Philadelphia, 1314 Locust Street, Philadelphia, PA 19107. (215) 546-3181 or write James Green, email: jgreen@ The Henry Moore Institute offers fellowships to artists, librarycompany.com. Web: http://www.librarycompany.org/ academics, curators and/or educators interested in pursuing fellowships/american.htm. work at the institute on historical and contemporary sculpture. Fellows have access to collections including sculpture, a library, The Liguria Study Center for the Arts and Humanities grants slide library, an archive of works on paper, models and original Bogliasco Fellowships to qualified persons doing advanced documents. The sculpture and archive collections are devoted creative work or scholarly research. Bogliasco Fellowships are to British sculpture, principally after c. 1850, and are especially scheduled during the two semesters of the traditional academic strong for the period c. 1900-1975. The library is an excellent year: mid-September to the third week of December, and mid- resource for research on both historical and contemporary February to the third week of May. Fellowships are residential, sculpture. Tenure is up to four months with travel expenses and a carry no stipend, and typically last either one month or a per diem provided. Fellows will also have opportunities to either half-semester (47 days). In special circumstances, residencies publish or present research. Application deadline: January 13, of other lengths may be approved. Applications are reviewed 2015. Contact Kirstie Gregory – Research Programme Assistant, twice a year: January 15 for fall-winter semester and April Henry Moore Institute, The Headrow, Leeds LS1 3AH. 15 for the winter-spring semester. Contact: The Boliasco T: + 44 (0) 113 246 7467, E: [email protected] Foundation, 10 Rockefeller Plaza (16th floor), New York, New 'Research Fellowships.' Web: http://www.henry-moore.org/hmi/ York 10020-1903, email: [email protected]; web http://www.bfny. research/hmi-research-fellowships1. org/english/fellowships.cfm. The Mount Vernon Hotel Museum, funded by the William The Massachusetts Historical Society offers short term Randolph Hearst Foundation, offers two summer fellowships fellowships for researchers who need to use the collections to for undergraduate or graduate students interested in U.S. complete a major project relevant to the MHS collections. Each history, material culture, historic preservation, museum studies, of the fellowships includes a stipend of $1,500 for four weeks or museum education. Appointments are full-time for a nine- of research. Candidates who live 50 or more miles from Boston week period during June and July, and each carry a $2,750 receive preference. Post-mark deadline: March 1, 2015. With stipend. Deadline: mid-March, 2015 (date TBA). Contact support from the National Endowment for the Humanities the the Museum at 212-838-6878. Visit website or write: Hearst MHS also awards either one long-term grant of six to twelve Fellowship Program, Mount Vernon Hote l Museum, 421 East months or two grants of a maximum of five months. Stipend: 61st Street, New York, NY 10065. Web: http://www.mvhm.org/ no more than $40,000 for a term of six to twelve months and pages/fellowships/fellowships.htm. (Not yet updated) smaller amounts for shorter terms. Tenure must be continuous.
Fall 2014 / AHNCA Newsletter 17 National Endowment for the Humanities fellowships in the secondary sources relating to the history of New York and the Division of Research Programs. Deadline May 1, 2015 for United States, the fellowships are open to scholars at various Projects Beginning January 2016. Fellowships support individuals times during their academic careers. Deadline: January 5, pursuing advanced research that is of value to humanities 2015. See http://nyhistory.org/library/fellowships. scholars, general audiences, or both. Recipients usually produce articles, monographs, books, digital materials, archaeological The New York Public Library offers short-term fellowships site reports, translations, editions, or other scholarly resources available at six locations within NYPL. Deadline: March 2015 in the humanities. Projects may be at any stage of development. (not yet posted). Awards vary. See http://www.nypl.org/help/ Information on the number of applications and awards in about-nypl/fellowships-institutes/short-term-research-fellowships individual competitions is available from [email protected]. (not yet updated). Contact NEH’s Division of Research Programs at 202-606-8200 or [email protected]. Hearing-impaired applicants can The Newberry Library supports a wide range of long and contact NEH via TDD at 1-866-372-2930. http://www.neh.gov/ short-term fellowships. Long-term fellowships are available grants/research/fellowships. to post-doctoral scholars (holding the Ph.D. at the time of application) for periods of six to eleven months; they carry The National Sporting Library & Museum seeks applications stipends up to $40,000 unless specified otherwise. Deadlines: for the John H. Daniels Fellowship which supports scholars long-term fellowships December 1, 2014; short-term January doing research in the area of equestrian, angling and field sports. 15, 2015. For more information, contact: Committee on Awards, Applicants must submit a formal application demonstrating The Newberry Library, 60 West Walton Street, Chicago, IL how they will utilize the NSLM collections of books, periodicals, 60610, 312 255-3666. Web: www.newberry.org/research/felshp/ manuscripts, archival materials and fine art for research in the fellowshome.html. E-mail: [email protected]. area of equestrian, angling and field sports. Duration: periods of two weeks to one year. Selected Fellows receive complimentary Harry Ransom Humanities Research Center announces its housing in Middleburg and a stipend to cover living and travel Research Fellowships to support scholarly research projects costs. University faculty and graduate students, museum in all areas of the humanities. Priority, however, will be given curators, librarians, writers and journalists are encouraged to those proposals that concentrate on the Center's collections to apply. Deadline: March 1, 2015. Web: http://www.nsl.org/ and that require substantial on-site use of them. This year's fellowship. special topic will be announced on the website in October. Applications are encouraged from scholars investigating the The New England Regional Research Fellowship Consortium transatlantic cultural exchange of ideas, in particular, but not offers a number of awards. The Consortium grants ($5,000 exclusively those affected by times of war. It is the goals of / eight weeks of research at a participating institution) are the fellowship to foster inquiry into the nature of the cultural meant to encourage work drawing from multiple agencies and and in Phonelectual dialog between Europe and the United are awarded to anyone who demonstrates a serious need for States. The fellowships range from one to three months, with the use of collections and facilities of associated organizations. stipends of $3,000 per month. Also available are $1,200 to Participating Institutions include the Boston Athenaeum, $1,700 travel stipends and dissertation fellowships with a $1,500 Connecticut Historical Society, John Nicholas Brown Center stipend. Deadline: January 31, 2015. For detailed information, for the Study of American Civilization, Maine Historical Society, including eligibility requirements, go to http://www.hrc.utexas. Massachusetts Historical Society, Mystic Seaport Museum, edu/research/fellowships/application/ or call The Harry Ransom New England historical Genealogical Society, New Hampshire Center, The University of Texas at Austin (512) 471-8944. Historical Society, Rhode Island Historical Society, Vermont Historical Society, and Historic Deerfield. Application deadline: The Smithsonian American Art Museum invite applications February 1. For more information contact: Regional Fellowships, for research fellowships in art and visual culture of the United MHS, 1154 Boylston Street, Boston, MA 02215, 617-646-0513. States. Fellowships are residential and support independent and Web: http://www.masshist.org/fellowships/nerfc/index.php; dissertation research. The stipend for a one-year fellowship is email: [email protected] (not yet updated). $32,500 for predoctoral fellows or $47,500 for postdoctoral and senior fellows, plus research and travel allowances. The standard The New-York Historical Society offers up to ten fellowships term of residency is twelve months, but shorter terms will be for the 2015-2016 academic year. Designed to encourage and considered; stipends are prorated for periods of less than twelve promote the use of its extraordinary collections of primary and months. December 1, 2014 is the online application deadline for
18 Fall 2014 / AHNCA Newsletter fellowships that begin on or after June 1, 2015. For applications, winterthur.org or e-mail Rosemary Krill at rkrill@winterthur. research consultation, and general information visit AmericanArt. org. For more details and to apply, visit www.winterthur.org/ si.edu/fellowships or email [email protected]. fellowship. Contact: Amelia Goerlitz, Fellowship Program Coordinator, SAAM Fellowship Office, Smithsonian American Art Museum; The Wolfsonian-Florida International University Research (202) 633-8353. Fellowship promotes the examination of modern material culture. The focus of the Wolfsonian collection is on North The United States Holocaust Memorial Museum's Center American and European decorative, propaganda, and fine for Advanced Holocaust Studies awards fellowships to arts of the period 1885-1945. The United States, Great Britain, support research and writing on the Holocaust and genocide Germany, Italy, and the Netherlands are the countries most studies. Awards are granted to Ph.D. candidates, post-doctoral comprehensively represented. There are also smaller but researchers, senior scholars, and professionals holding degrees significant collections of materials from a number of other from accredited academic and research institutions worldwide. countries, including Austria, France, Japan, the former Soviet All humanistic disciplines welcomed. The specific fellowship Union and Hungary. The Wolfsonian library has approximately awarded and the length of the award are made at the discretion 50,000 rare books, periodicals, and ephemeral items, as well of the Center (tenure normally consists of a semester, summer, as standard reference materials. Eligibility is limited to those or academic year. Deadline: November 30, 2014. Contact: with a master’s degree or higher; doctoral candidates are Traci Rucker, Prog. Asst., Visiting Scholars Program, Center eligible to apply. Awards: 3-5 weeks, with stipend, airfare, for Advanced Holocaust Studies, U.S. Holocaust Memorial and accommodations. Deadline: December 31 for residency Museum, 100 Raoul Wallenberg Place, SW, Washington, DC after July 1st. Web: http://www.wolfsonian.org/research-library/ 20024-2126, Phone. (202) 314-7829. Email: visiting_scholars@ fellowships or contact: Fellowship Coordinator, The Wolfsonian- ushmm.org Web: www.ushmm.org/research/center. FIU, 1001 Washington Ave., Miami Beach, FL 33139 Phone. 305-535-2613; e-mail [email protected]. Washington University announces a five-year Andrew W. Mellon Foundation Post-doctoral Fellowship Program. The Fellowship The Woodrow Wilson Fellowship Foundation, in conjunction Program brings together new and recent Ph.D.s to participate with the Andrew W, Mellon Foundation, announces Career in the university's ongoing interdisciplinary programs and Enhancement Fellowships for Junior Faculty. The 12-month seminars. Fellows receive a two-year appointment with stipends fellowship seeks to increase the presence of minority junior beginning at $50,000/year and will teach three undergraduate faculty members, and other faculty members committed to courses in their home discipline and collaborate each spring eradicating racial disparities in the arts and sciences. Awards: semester in leading a seminar in the theory and methods of $30,000 stipend and a small grant for research/travel. Deadline: interdisciplinary research. No application form; deadline: January 31, 2015. E-mail: [email protected]. Web: December 3, 2014. Submit materials by email, post, or online http://woodrow.org/. document handler to Joseph Loewenstein at [email protected]. edu; web: http://mii.wustl.edu/.
The Winterthur Museum offers three categories of fellowships: NEH Fellowships, McNeil Dissertation Fellowships, Winterthur Research Fellowships. The NEH Fellowship supports scholars PRIZES and AWARDS pursuing advanced research. Tenure = four to twelve months/ stipend up to $40,000 (generally $3300/month). Scholars make use of the museum's extensive library and collections related to The Smithsonian American Art Museum invites nominations for the study of American artistic, cultural, social and intellectual the Charles C. Eldredge Prize, an annual award for outstanding history. The McNeil Dissertation Fellowship awards one or scholarship in American art history. Single-author books devoted two semesters of McNeil funding yearly, at $7,000 per semester. to any aspect of the visual arts of the United States and published Applicants may apply for one or two semesters. Short-term in the three previous calendar years are eligible. To nominate Winterthur Research Fellowships carry a stipend of $1,500 per a book, send a letter explaining the work's significance to the month. Fellowships are open to all candidates who demonstrate field of American art history and discussing the quality of the a specific need for research in the collections. Deadline (all author's scholarship and methodology. Self-nominations and fellowships): January 15, 2015. E-mail: academicprograms@ nominations by publishers are not permitted. The deadline
Fall 2014 / AHNCA Newsletter 19 for nominations is December 1, 2014. Please send them to: The Terra Foundation for American Art International Essay The Charles C. Eldredge Prize, Research and Scholars Center, Prize recognizes excellent scholarship by a non-U.S. scholar Smithsonian American Art Museum, P.O. Box 37012, MRC in the field of historical American art (circa 1500-1980). The 970, Washington, D.C. 20013-7012. Nominations will also be winning manuscript submission should advance understanding accepted by email: [email protected] or fax: (202) 633-8373. of American art and demonstrate new findings and original Further information about the prize may be found at www. perspectives. It will be translated and published in American AmericanArt.si.edu/research/awards/eldredge/. Art, the Smithsonian American Art Museum’s scholarly journal, which will also cover the cost of image rights and reproductions, The Historians of British Art Publication Grant. The society and the winner will receive a $500 award. Essays should be will award up to $600 to offset publication costs in the field of submitted via e-mail by January 15, 2015, to TerraEssayPrize@ British art or visual culture that has been accepted by a publisher. si.edu. For more information regarding the essay length and Applicants must be current members of HBA. To apply, send a the format for submission, please visit www.americanart.si.edu/ 500-word project description, publication information (name research/awards/terra. of journal or press and projected publication date), budget, and CV to Renate Dohmen, Prize Committee Chair, HBA, Please check websites to verify deadlines and application [email protected]. Deadline: January 15, 2015. See procedures as the information may have changed. http://www.historiansofbritishart.org/Prizes.asp.
What’s New in Nineteenth-Century Art Worldwide Volume 13, No. 2/ Fall 2014 Table of Contents
Digital Humanities and Art History, Reviews Françoise Reynaud, and Joke de Reviewed by Janet Whitmore sponsored by The A.W. Mellon Wolf Foundation “Mapping the 'White, The opening of the Mackintosh Reviewed by Gabriel P. Weisberg Exhibition Reviews Marmorean Flock': Anne Whitney Architecture website and exhibition Abroad, 1867–1868” this summer came on the heels Playing with Pictures: The Art of by Jacqueline Marie Musacchio, of the devastating fire at The Victorian Photocollage by Elizabeth Goddess, Heroine, Beast: Anna Hyatt with Jenifer Bartle and David Glasgow School of Art on May 23, Siegel Huntington’s New York Sculpture, McClure, assisted by Kalyani Bhatt 2014. We are pleased to spotlight Reviewed by Kathryn Trittipo 1902–1936 Mackintosh’s work in the Reviews Reviewed by Petra Chu Articles Section of this issue. Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth- Il était une fois l’Orient Express “Sibelius, Gallen-Kallela, and the The Battle for ‘the Mack’ Century French Painting by Bridget Reviewed by Kylynn Jasinski Symposium: Painting Music in Fin- by Sabine Wieber Alsdorf de-Siècle Finland” Reviewed by Janalee Emmer Clémenceau, le Tigre et l'Asie by William L. Coleman Interview with Dr Robyne E. Calvert, Reviewed by Etienne Tornier Researcher, History of Architecture Symbolist Art in Context by Michelle “Merriment, Medical Humor, and and Design at the Mackintosh School Facos Joseph Vitta: Passion de collection Masculinity at the Bal de l'Internat, of Architecture, The Glasgow School Reviewed by Andrea Truitt Reviewed by Jane Van Nimmen 1897–1911” of Art by Lela Kerley By Sabine Wieber Rodin by Antoinette Le Normand- Gustave Doré (1832–1883): Master of Romain Imagination “Parsing Edgar Degas’s Le Pédicure” Mackintosh Architecture: Context, Reviewed by Andrew Eschelbacher Reviewed by Gabriel P. Weisberg by Marni Reva Kessler Making, and Meaning Website reviewed by Sarah Sik The Arts and Crafts Movement Face to Face: The Neo-Impressionist in Scotland: A History by Annette Portrait, 1886–1904 New Discoveries Exhibition Reviews Carruthers Reviewed by Keri Yousif Carleton Watkins: The Complete Reviewed by Paul A. Ranogajec Max Liebermann und die Schweiz “A Self-Portrait by Francesco Mezzara Mammoth Photographs by Weston Reviewed by Jon Whiteley (1774–1845), the Italian Painter Naef and Christine Hult-Lewis Forging Authenticity, Bastianini and Who Changed New York State the Neo-Renaissance in Nineteenth- Constitutional Law with a Pair of Charles Marville, Photographer of century Florence, Arte e Archeologia Ass’s Ears” Paris by Sarah Kennell, with Anne Studi e Documenti 32 by Anita Fiderer de Mondenard, Peter Barberie, Moskowitz
20 Fall 2014 / AHNCA Newsletter u.s. exhibitions
Daumier on Art and the Theatre Through March 16, 2015 Shop, Gallery, Studio: The Art World in the 17th and 18th Centuries Through March 16, 2015
CONNECTICUT Fairfield.The Bellarmine Museum of Art Gari Melchers: An American Impressionist at Home and Abroad March 5 - May 22, 2015
New Haven. Yale Center for British Art Sculpture Victorious: Art in an Age of Invention, 1837–1901 Through November 30, 2014 Picture Talking: James Northcote and the Fables Through December 14, 2014 Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain Through December 14, 2014
DELAWARE Delaware Art Museum Oscar Wilde’s Salomé: Illustrating Death and
Jean-Antoine Houdon. Diana the Huntress. 1776-95. The Frick Collection, New York. Photo: Michael Bodycomb. Desire February 7, 2015 - May 10, 2015 Currently on view at the Frick Collection in the exhibition Enlightenment and Beauty: Sculptures by Houdon and Clodion, April 1, 2014 to April 5, 2015. FLORIDA ALABAMA Samuel F.B. Morse’s Gallery of the Louvre and Gainesville. Samuel P. Harn Museum of the Art of Invention Jan. 24-May 4, 2015 Montgomery Museum of Fine Art Art, University of Florida The Grand Tour: Prints from Rome, Florence, Monet and American Impressionism Palm Springs Art Museum in Palm Venice, Paris, and London Through February 03, 2015 - May 24, 2015 November 23, 2014 Desert A Grand Adventure: American Art of the West Orlando. Charles Hosmer Morse Through January 4, 2015. Into the Light: American Works on Paper of Museum of American Art the Nineteenth and Twentieth Centuries from Lullaby and Goodnight—Children’s Pasadena. Norton Simon Museum the Montgomery Museum of Fine Arts Literature from the Morse Collection Manet's The Railway on Loan from the Through January 04, 2015 Through January 11, 2015 National Gallery of Art, Washington Lifelines—Forms and Themes of Art CALIFORNIA December 05, 2014 - March 02, 2015 Nouveau Ongoing Los Angeles. The Getty Center
J. M. W. Turner: Painting Set Free Sacramento. Crocker Art Museum GEORGIA February 24–May 24, 2015 Toulouse-Lautrec and La Vie Moderne: Paris Athens. Georgia Museum of Art 1880–1910 February 1 – April 26, 2015 The Nightmare Transported into Art: Odilon Los Angeles. The Huntington Library, Redon’s “St. Anthony” November 01, Art Collections and Botanical Gardens Santa Barbara Museum of Art 2014 - January 25, 2015 Henry Fuseli’s The Three Witches Through Daumier Reveals All: Inside the Artist’s March 30, 2015 Studio Opens September 14, 2014 Atlanta. High Museum of Art Highlights of American Drawings and Stanford. Cantor Arts Center, Stanford American Encounters: Anglo-American Watercolors from The Huntington’s Art University Portraiture in an Era of Revolution Collections Through Jan. 5, 2015 Fall 2014 / AHNCA Newsletter 21 Through January 18, 2015 Brunswick. Bowdoin College Museum NEW YORK Cézanne and the Modern: Masterpieces of of Art Albany Institute of History and Art European Art from the Pearlman Collection Collaborations and Collusions: Artists’ Networks Nineteenth-Century American Sculpture: Through January 11, 2015 from the Nineteenth Century to the Present Erastus Dow Palmer and His Protégés Launt November 6, 2014 - February 8, 2015 Thompson, Charles Calverley, and Richard Savannah. Telfair Academy & Owens Park. Ongoing. Thomas House MARYLAND The Hudson River School and the Romantic Spirits: Nineteenth-Century Baltimore Museum of Art Nineteenth-Century Landscape. Ongoing: Paintings from the Johnson Collection Lessons Learned: American Schoolgirl Robert Hewson Pruyn: An Albanian in Through February 15, 2015 Embroideries November 23, 2014–May Japan, 1862–1865. Ongoing. 2015 HAWAII Ithaca. The Johnson Museum of Art, MASSACHUSETTS Honolulu Museum of Art Cornell University Andover. Addison Gallery of American Encounters with Hawai‘i: Art in an Age Cast and Present: Replicating Antiquity in Art, Phillips Academy of Exploration, 1778–1820 Through the Museum and the Academy January 24, Dwight Tryon and American Tonalism February 08, 2015 2015 – July 20, 2015 Through January 4, 2015
ILLINOIS New York City. The Drawing Center Museum of Fine Arts, Boston Art Institute of Chicago Portraits from the École des Beaux-Arts Paris Truth and Beauty: Pictorialist Photography Temptation: The Demons of James Ensor April 10, 2015 - June 28, 2015 November 23, 2014– January 25, 2015 Through February 22, 2015 Goya; Order and Disorder Through New York City, The Frick Collection INDIANA January 19, 2015 Enlightenment and Beauty: Sculptures by Notre Dame. Snite Museum of Art Houdon and Clodion Through April 5, 2015 Rock-Paper . . . Lithographs from the MICHIGAN Permanent Collection, Part I Through Flint Institute of Arts New York City, The Grolier Club November 16, 2014 Beauty, Passion, and Bliss: 19th-Century Evermore: The Persistence of Poe Masterworks from the Dahesh Museum of Art Through November 22, 2014 IOWA May 16, 2015 - August 16, 2015 Ames. Brunnier Art Museum, Iowa Metropolitan Museum of Art State University MISSOURI Early American Guitars: The Instruments of Beauty Through Experiment: The Ceramics Nelson-Atkins Museum of Art C.F. Martin Through December 7, 2014 of Wedgwood Through July 31, 2015 Across the Indian Country: Photographs by Making Pottery Art: The Robert A. Ellison Jr. Sophisticated Simplicity of the Victorian Alexander Gardner, 1867–68 Through Collection of French Ceramics (ca. 1880–1910) Era: Selections from the Iowa Quester Glass January 11, 2015 Through March 15, 2015 Collection Through July 31, 2015 NEW JERSEY Death Becomes Her: A Century of Mourning Jane Voorhees Zimmerli Art Museum Attire Through February 1, 2015 Cedar Rapids Museum of Art at Rutgers University Madame Cézanne November 19, 2014– Shadows of History: Photographs of the Civil Sports and Recreation in France, 1840- March 15, 2015 War from the Collection of Julia J. Norrell 1900 Through January 11, 2015 Through January 18, 2015 Meiji Photographs: A Historic Friendship Morgan Library and Museum The Untamed Landscape: Théodore MAINE between Japan and Rutgers Through Rousseau and the Path to Barbizon Waterville. Colby Museum of Art, Colby December 31, 2014 Through January 18, 2015 College Sky Studies: Oil Sketches from the Thaw Whistler in the World: The Lunder Collection NEW MEXICO Collection Through December 28, 2014. of James McNeill Whistler at the Colby College Albuquerque Museum New-York Historical Society Museum of Art September 15, 2015 - Gods and Heroes: Masterpieces from the The Works: Salon Style at the New-York January 10, 2016 École des Beaux-Arts, Paris Through January 4, 2015 Historical Society Through February 08, 2015
22 Fall 2014 / AHNCA Newsletter OHIO Memphis Brooks Museum of Art Voyage of Life Through January 15, 2015. Cincinnati. Taft Museum of Art Wood Engravings by Thomas Bewick (1753- Paris Night & Day: Masterworks of 1828) Through November 1, 2014. Williamsburg. DeWitt Wallace Photography from Atget to Man Ray Decorative Arts Museum Through January 11, 2015 TEXAS Birds, Bugs, and Plants: Observing tvvhe Wild West to Gilded Age: American Treasures Dallas. Meadows Museum of Art Natural World in the 18th Century from the Santa Barbara Museum of Art Goya: A Lifetime of Graphic Invention February 21, 2015 through 2016. February 6, 2015–May 24, 2015 Through March 1, 2015 Enduring Spirit: Edward Curtis and the Treasures from the House of Alba: 500 WASHINGTON North American Indians Years of Art and Collecting April 18, 2015– Bellingham. Whatcom Museum June 12–September 20, 2015 August 16, 2015 Mingled Visions: Images from The North American Indian by Edward Curtis PENNSYLVANIA Houston. Menil Collection February 27, 2015 - May 10, 2015 Harrisburg, State Museum of Becoming Modern: Nineteenth-Century Pennsylvania French Drawings from The Morgan Library Seattle. Frye Art Museum A Fondness for Birds: Pennsylvania's & Museum and the Menil Collection Pan: A Graphic Arts Capsule of Europe 1895- Alexander Wilson. No end date provided. February 27, 2015- June 14, 2015 1900 February 21, 2015–May 10, 2015
Philadelphia Museum of Art Museum of Fine Arts, Houston WASHINGTON, D.C. Discovering the Impressionists: Paul Durand- Silver: An American Art—Selections from National Gallery of Art Ruel and the New Painting June 24, 2015 the Museum of Fine Arts, Houston From Neoclassicism to Futurism: Italian - September 13, 2015 Through February 15, 2015 Prints and Drawings, 1800–1925 Represent: 200 Years of African-American Art Shadows on the Wall: Cameraless Through February 1, 2015 January 10, 2015 - April 5, 2015 Photography from 1851 to Today Captain Linnaeus Tripe: Photographer of Through November 30, 2015 India and Burma, 1852–1860 Philadelphia, Pennsylvania Academy of Monet and the Seine: Impressions of a River Through January 4, 2015 Fine Arts Through February 1, 2015 A Subtle Beauty: Platinum Photographs from The Artist's Garden: American Impressionism the Collection Through January 4, 2015 and the Garden Movement, 1887-1920 San Antonio. McNay Art Museum Degas’ Little Dancer Through January 11, 2015 February 13 - May 24, 2015 Intimate Impressionism: French Painting Gustave Caillebotte: The Painter’s Eye from the National Gallery of Art June 28, 2015-October 4, 2015 Pittsburgh. Frick Art & Historical Through January 4, 2015 Center Charles Courtney Curran: Seeking Manet to Gauguin Through January 4, 2015 Phillips Collection the Ideal Through February 1, 2015 Neo-Impressionism and the Dream of Photo-Secession: Painterly Masterworks of UTAH Realities: Painting, Poetry, Music Turn-of-the-Century Photography Salt Lake City. Utah Museum of Fine Arts Through January 11, 2015 February 21–April 19, 2015 The British Passion for Landscape: Masterpieces from National Museum Wales Smithsonian, Freer and Sackler University Park. Palmer Museum, August 29, 2015 - December 13, 2015 Galleries Pennsylvania State University Fine Impressions: Whistler, Freer, and VERMONT Hidden Mother January 6–April 26, 2015 Venice Opening October 18, 2014 Shelburne Museum of Art Francisco Goya: Los Caprichos The Peacock Room Comes to America Homefront & Battlefield: Quilts and Context in February 3–May 10, 2015 Through December 2015 the Civil War Through January 4, 2015. TENNESSEE Smithsonian, National Portrait Gallery VIRGINIA Knoxville. McClung Museum One Life: Grant and Lee: “It is well that war William King Museum of Natural History and Culture, Abingdon. is so terrible. . .” Through May 31, 2015. An American Turning Point: The Civil War University of Tennessee Mr. Lincoln’s Washington: A Civil War in Virginia Through February 1, 2015 The Flora and Fauna of Catesby, Mason, Portfolio Through January 25, 2015 and Audubon August 29, 2014–ongoing Mathew Brady’s Photographs of Union Norfolk. Chrysler Museum of Art Generals Through May 31, 2015 America’s Eden: Thomas Cole and The Fall 2014 / AHNCA Newsletter 23 international exhibitions
Austria public, on view along with works from Through Feb. 8, 2015. Continues at Graz. Neue Galerie. Georg Paul Schad- the museum. Through Nov. 11, 2014 The Queen's Gallery, Buckingham Rossa and the Dawn of Modernity in Graz Palace, London around 1900. An overview of work by a CANADA noteworthy but almost-forgotten artist. Edmonton. Art Gallery of Alberta. Cambridge. The Fitzwilliam Museum. Nov. 7, 2014–Feb. 22, 2015 Toulouse-Lautrec and La Vie Moderne: Paris Caroline Watson and Female Printmaking in 1880–1910. Through Nov. 16, 2014 Late Georgian England. Watson (1760/61– Vienna. Albertina. Archive of Dreams. 1814) was one of the most skillful Drawings from the Musée d’Orsay. Jan. Hamilton. Art Gallery of Hamilton. The engravers of her day. Through Jan. 4, 30–May 3, 2015. The Cabinet Painters World is An Apple: The Still Lifes of Paul 2015. Silent Partners: Artist & Mannequin, of Archduke Johann. Masterpieces by Cézanne. Nov. 1, 2014–Feb. 8, 2015 from Function to Fetish. Over 180 Austrian watercolorists. Feb. 27–May 31, paintings, drawings, books, and 2015 Montreal. Musée des Beaux-Arts. From photographs from artists including Van Gogh and Gauguin to Kirchner and Cézanne, Millais, Degas, Hans Bellmer, Vienna. Österreichische Galerie Kandinsky: German Expressionism and and Dali, as well as fashion dolls and Belvedere. Orangerie. In the Light of France. Through Nov. 30, 2014 trade catalogues. Oct. 14, 2014–Jan. 25, Monet. Explores the artist’s influence 2015. Continues at the Musée Bourdelle, CZECH REPUBLIC on Austrian art, assembling works Paris. Fatal Consequences: The Chapman Prague. Národní galerie. Salm Palace. by Monet that were either on view Brothers and Goya’s “Disasters of War.” Oct. Joseph Führich (1800–1876): from in Vienna around 1900 or served 14, 2014 –Feb. 8, 2015 Chrastava to Vienna. Retrospective of as models, along with paintings and works by the religious painter. Oct. 17, photographs by Austrian artists. Oct. 24, Compton. Watts Gallery. Ellen Terry: The 2014–Jan. 25, 2015 2014–Feb. 8, 2015. Europe in Vienna: The Painter's Actress. The first exhibition to Congress of Vienna 1814/15. Feb. 20–June explore the influence of Britain’s most Prague. Národní galerie. Veletržní 21, 2015 famous Victorian actress on visual Palace. Vivat Musica! The world of artists. Through Nov. 9, 2014. A Russian music in fine art from the Renaissance Vienna. Österreichisches Museum für Fairytale: The Art and Craft of Elena to the present. Through Nov. 2, 2014. angewandte Kunst. Ways to Modernism: Polenova. The first major retrospective Gustav Klimt’s “Lady with a Muff.” A Josef Hoffmann, Adolf Loos, and Their outside Russia dedicated to the major painting on loan from a private Impact. Dec. 17, 2014–April 19, 2015 19th-century Russian painter and collection. Through Dec. 31, 2014 designer (1850–1898). Nov. 18, 2014– BELGIUM Feb. 8, 2015 Denmark Brussels. Musées Royaux des Beaux- Charlottenlund. Ordrupgaard. Carl Arts de Belgique. Constantin Meunier London. Leighton House Museum. A Larsson. The Good Life. Highlights his (1831–1905): Retrospective. Through Victorian Obsession: The Pérez Simón work and influence on Scandinavian Nov. 30, 2014. Kokoschka & Gauguin Collection. 50 exceptional paintings by interior design. Through Jan. 11, 2015 Decrypted. Multispectral image analysis many of the leading artists of the of Kokoschka’s Trance Player and Victorian period. Nov. 14, 2014–March Copenhagen. Statens Museum for Gauguin’s Portrait of Suzanne Bambridge. 29, 2015 Kunst. Manet’s Goya. Explores the Through Jan. 25, 2015 relationship between the two artists’ London. National Portrait Gallery. graphic works. Through Jan. 18, 2015 Leuven. Museum Leuven. Meunier in Anarchy & Beauty: William Morris and His Leuven. Through Jan. 11, 2015 Legacy, 1860–1960. Oct. 16, 2014–Jan. England 11, 2015 Bath. The Holburne Museum. High Liege. Musée des Beaux-Arts. A Century Spirits. The Comic Art of Thomas of Belgian Painting, 1860–1890. The Rowlandson from the Royal Collection. Belfius collection, generally closed to the
24 Fall 2014 / AHNCA Newsletter London. The Queen's Gallery, exhibition exploring his contacts with Paris. Musée Rodin. Rodin: the Buckingham Palace. Cairo to the art world of his day. Oct. 17, 2014– Laboratory of Creation. 150 plaster and Constantinople: Early Photographs of the March 22, 2015 terracotta works, many of them never Middle East. Nov. 7, 2014–Feb. 22, 2015 previously shown, offer insight into the FRANCE artist’s studio. Nov. 13, 2014–Sept. 27, London. Tate Britain. Late Turner: Albi. Musée Toulouse-Lautrec. Toulouse- 2015 Painting Set Free. Sept. 10, 14–Jan. 25, Lautrec / Maurice Joyant. The Friend, The 2015. Sculpture Victorious. The first major Collector. In collaboration with the Paris. Musée de la vie Romantique. The exhibition devoted to the innovative Mitsubishi Ichigokan Museum, Tokyo. Fabric of Romanticism. Charles Nodier and and compelling sculpture produced Oct. 12, 2014–Jan. 4, 2015 the “Voyages pittoresques.” Oct. 11, 2014– during Queen Victoria’s reign. Jan. 18, 2015 Organized in collaboration with Yale Giverny. Musée des impressionnismes. Center for British Art, New Haven. Feb. Brussels: Impressionist Capital. In Paris. Palais Galliera. Jeanne Lanvin 24–May 24, 2015. Salt and Silver: Early collaboration with the Musée d'Ixelles, (1867–1946). The first retrospective Photography 1840–1860. The first Brussels. Through Nov. 2, 2014 dedicated to Lanvin, founder of the exhibition in Britain devoted to salted Paris. Grand Palais. Hokusai. Oct. 1, oldest fashion house still in existence. paper prints, one of the earliest forms 2014–Jan. 18, 2015 March 7–August 23, 2015 of photography. Feb. 24–June 7, 2015 Paris, Musée du Luxembourg. Paul Paris. Petit Palais. Carmen and Mélisande. London. Victoria and Albert Museum. Durand-Ruel (1831–1922). Defender Dramas from the Opéra Comique. In honor Constable: The Making of a Master. This of Impressionism. Oct. 9, 2014–Feb. 18, of the tercentenary of the institution, major exhibition reveals how Constable 2015. Continues at the National Gallery, an exhibition exploring the art and set combined a reverence for the old London, March 4–May 31, 2015 and design of its most glittering days, from masters with a revolutionary approach the Philadelphia Museum of Art, June 1870 to 1914. March 18–June 28, 2015 to capturing light and atmosphere. 18–Sept. 13, 2015 Uniting paintings, preparatory oil Quimper. Musée des Beaux-Arts. From sketches, works from the artist’s Paris. Musée Marmottan Monet. Gainsborough to Turner. The Golden Age of personal collection, and engravings of Impression, Sunrise. The history of Monet’s English Landscape and Portraiture from the his designs. Through Jan. 1, 2015 masterpiece. Through Jan. 18, 2015 Collections of the Louvre. In collaboration with the Musée du Louvre, Paris and London. William Morris Gallery. Paris. Musée de Montmartre. The Spirit the Musée des Beaux-arts de Valence. Rossetti’s Obsession: Images of Jane Morris. of Montmartre and Modern Art, 1875– Oct. 23, 2014–Jan. 26, 2015 In partnership with the Bradford 1910. October 17, 2014–Sept. 25, 2015 Museums and Galleries. Oct. 4, 2014– Saint-Germain-en-Laye. Musée Jan. 4, 2015 Paris. Musée de l’Orangerie. Émile départemental Maurice Denis. Celestial Bernard (1868–1941). Through Jan. Beauty. Religious Decorations by Maurice Norwich. Sainsbury Centre for Visual 5, 2015. Continues at the Kunsthalle Denis at Vésinet. Through Jan. 4, 2015 Arts. Sense and Sensuality: Art Nouveau Bremen, Feb. 7–May 31, 2015 1890–1914. Until Dec. 14, 2014. Henri Toulouse. Musée des Augustins. Matisse Sculpture: The Backs. From March Paris. Musée d'Orsay. De Sade. Attacking Benjamin-Constant (1845–1902) and 29, 2015 the Sun. Explores the revolution sparked Orientalism. Oct 4, 2014–Jan. 4, 2015 by the writings of Alphonse Donatien Oxford. Ashmolean. William Blake: de Sade (1740–1814), through works by Germany Apprentice and Master. Dec. 4, 2014– Goya, Gericault, Ingres, Rops, Rodin, Berlin. Kupferstichkabinett. The March 1, 2015 and Picasso. Oct. 14, 2014–Jan. 25, Art of Bathing. 100 works from the 2015. Seven Years of Reflection.Recent Renaissance to the present. Through Finland Acquisitions. Nov. 18, 2014–Feb. 22, Oct. 26, 2014 Helsinki. Ateneum. Sibelius and the 2015. Pierre Bonnard. Painting Arcadia. World of Art. In honor of the 150th March 17–July 19, 2015 anniversary of the composer’s birth, an
Fall 2014 / AHNCA Newsletter 25 Bonn. Kunst- und Ausstellungshalle honors this patron of the arts. Through Haarlem. Teylers Museum. The der Bundesrepublik Deutschland. Oct. 26, 2014 Dutch Watercolor in the 19th Century. Michelangelo as Inspiration. Explores the In collaboration with the Mesdag artist’s influence on European art Wuppertal. Von der Heydt-Museum. Collection, The Hague. Feb. 21–June from the Renaissance to the present, Camille Pissarro - Father of Impressionism. 7, 2015. Classical Inspiration: Artists including works by Fuseli, Delacroix, Oct. 14, 2014–Feb. 22, 2015 and the Antique. Paintings, drawings, Rodin, and Cézanne. Feb. 6–May 25, and prints from the 15th to the 19th 2015 Hungary century, mainly drawn from the private Budapest. Szépművészeti Múzeum. The collection of Katrin Bellinger, London. Bremen. Kunsthalle. A Question of World of Toulouse-Lautrec. Prints and March 11–May 31, 2015. Continues at Origins: Three Bremen Collectors and the drawings from the collection, in honor the Sir John Soane’s Museum, London Journey of Their Collections during National of the 150th anniversary of the artist’s Socialism. Focuses on Arnold Blome, birth. April 25–Aug. 25 The Hague. Mauritshuis. The Frick Heinrich Glosemeyer and Hugo Oelze. Collection: Art Treasures from New York. 36 Oct. 22, 2014–Jan. 4, 2015 ISRAEL masterpieces from the 13th through Jerusalem. Israel Museum. Making an 19th centuries, including paintings, Cologne. Wallraf-Richartz Museum. Entrance: Jewish Artists in 19th-Century drawings, sculptures and decorative arts. The Cathedral: Romanticism— Europe. Through Sept. 13 Feb. 5–May 10, 2015 Impressionism—Modernism. Sept. 26, Italy 2014–Jan. 18, 2015 Rotterdam. Kunsthal. Rudolf Steiner: Venice. Palazzo Fortuny. Marchesa Luisa Alchemy of the Everyday. Through Jan. 11, Casati Stampa. Highlights the life of this Essen. Museum Folkwang. Monet, 2015 doyenne of fin-de-siècle Venetian Gauguin, Van Gogh … Japanese society. Oct. 3, 2014–March 8, 2015 Inspirations. Through Jan. 18, 2015 SCOTLAND Glasgow. Burrell Collection. Bellini Vicenza. Basilica Palladiana. Karlsruhe. Staatliche Kunsthalle. to Boudin: Five Centuries of Painting in Tutankhamen – Caravaggio – Van Gogh. Degas: Classicism and Experimentation. the Burrell Collection. Includes works by Evening Scenes and Nocturnes from the Nov. 8. 2014–Feb. 1, 2015 Degas, Whistler, and Cézanne. Through Ancient Egyptians to the 20th Century. March 21, 2015 Organized by Linea d’ombra. Dec. 24, Leipzig. Museum der bildenden 2014–June 2, 2015 Künste. Max Klinger: The Print Series. Glasgow. Hunterian Art Gallery. Opus IX: Dramas. Through Dec. 7, Mackintosh Architecture. The first The Netherlands 2014 substantial exhibition devoted to the Amsterdam. Hermitage. Dining with the subject. Through Jan. 4, 2015 Tsars. Fragile Beauty from the Hermitage. Mannheim. Kunsthalle. Manet, Renoir, Eight magnificent porcelain and Cézanne. Visitors from All over the World. Spain creamware services, shown in a setting Works from the collection in dialogue Barcelona. CaixaForum. Captive Beauty: that evokes the balls and banquets of with international loans. Through Jan. Small Gems from the Museo del Prado. 135 the Tsar’s court. Through March 1, 18, 2015 cabinet paintings, preparatory 2015 drawings, small portraits, reliefs, and
Munich. Neue Pinakothek. Flowing sculptures. Through Jan. 5, 2015 Amsterdam. Stedelijk Museum. Matisse. Transition. Old Master paintings from The first survey of the artist’s work in the Alte Pinakothek in dialogue with Barcelona. Museu Nacional d’Art de the Netherlands in over sixty years, 19th-century art from the collection. Catalunya. Carles Casagemas. The Artist including the iconic paper cut-out The Through March 1, 2015 behind the Myth. Focused exhibition. Oct. Parakeet and the Mermaid (1952–53), 30, 2014–Feb. 22, 2015 along with other cut-outs and rarely- Stuttgart. Staatsgalerie. A Royal Passion exhibited works in fabric and stained for Collecting. On the occasion of the Madrid. Fundación Mapfre. Sorolla and glass inspired by them. Through April 150th anniversary of the death of America. Through Jan. 31, 2015 4, 2015 Wilhelm I of Württemberg, the Museum
26 Fall 2014 / AHNCA Newsletter Madrid. Museo del Prado. The Spanish Winterthur. Kunstmuseum. Édouard Gesture: Drawings from Murillo to Goya Vuillard. Through Nov. 23, 2014. En from the Hamburger Kunsthalle. Oct. 30, Suite: Lithographic Suites by Eugène 2014–Feb. 8, 2015. Goya’s Tapestry Delacroix, Odilon Redon, Paul Gauguin, Cartoons in the Context of Court Painting. Édouard Vuillard. Through Jan. 4, November 2014–May 2015 2015
Madrid. Museo Thyssen-Bornemisza. Winterthur. Museum Oskar Reinhart. American Impressionism. Organized by Johann and Friedrich Aberli. Two Winterthur the Musée des Impressionnismes, Medalists. Two of the most important Giverny and the Terra Foundation for Swiss artists designing and engraving American Art. Nov. 4, 2014–Feb. 1, 2015 medals in the 19th century. Through Nov. 30, 2014 SWITZERLAND Basel. Fondation Beyeler. Gustave Winterthur. Sammlung Oskar Reinhart Courbet. Through Jan. 18, 2015 «Am Römerholz». Victor Chocquet: Friend and Collector of the Impressionists. Feb. 21– Geneva. Musée Rath. Gustave Courbet: June 7, 2015 The Swiss Years. Through Jan. 4, 2015 Zürich. Kunsthaus. Ferdinand Hodler Lausanne. Fondation de l’Hermitage. / Jean-Frédéric Schnyder. Drawings From Raphael to Gauguin: Masterpieces of and paintings by Hodler from the the Jean Bonna Collection. Feb. 6–May 25, collection, shown simultaneously with 2015 contemporary image cycles. Through April 26, 2015 Martigny. Fondation Pierre Gianadda. Renoir. Through Nov. 30, 2014. Anker, Hodler, Vallotton … Masterpieces from the Fondation pour l'art, la culture, l'histoire. In collaboration with the Kunstmuseum Bern. Dec. 5, 2014–June 14, 2015
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Fall 2014 / AHNCA Newsletter 27 New Books
Ahmed, Haroon and Philip Denbigh. Balducci, Temma and Heather Belknap Bednarski, Andrew ed. trans. The Lost Cambridge Depicted: Engravings, Jensen eds. Women, Femininity, and Public Manuscript of Frédéric Cailliaud: Arts and History and People. Third Millennium Space in European Visual Culture, 1789– Crafts of the Ancient Egyptians, Nubians, Publishing, 2014. 160 pp. Hardcover 1914. Ashgate, November 2014. 318 pp. and Ethiopians. Oxford Univ. Press, 2014. $50.00. Hardcover $119.95. 288 pp. Hardcover $49.50.
Anderson, Jaynie. The Restoration of Bann, Stephen and Stephane Paccoud. Beghain, Patrice and Gerard Bruyere. Renaissance Painting in mid Nineteenth- L'invention du passé. Tome II: Histoires de Fleury Richard (1777-1852): Les pinceaux Century Milan: Giuseppe Molteni in coeur et d'épée en Europe 1802-1850. Hazan, de la mélancolie. EMCC, 2014. 384 pp. Correspondence wuith Giovanni Morelli. 2014. 170 pp. Paperback $82.50. Paperback $75.00. Edifir, 2014. 104 pp. Paperback $38.50. Barolsky, Paul. Ovid and the Bentley, G.E. Jr. William Blake in the Antoine, Jean-Philippe et al. Samuel F. B. Metamorphoses of Modern Art from Botticelli Desolate Market. McGill-Queen's Univ. Morse's "Gallery of the Louvre" and the Art of to Picasso. Yale Univ. Press, October Press, 2014. 244 pp. Hardcover $49.95. Invention. Yale Univ. Press, for the Terra 2014. 192 pp. Hardcover $45.00. Foundation for American Art, November Berce, Francoise. Viollet-le-Duc. Editions 2014. 224 pp. Hardcover $45.00. Barrett, Ross. Rendering Violence: Riots, du Patrimoine Centre des monuments Strikes, and Upheaval in Nineteenth-Century nationaux, 2013. 256 pp. Hardcover Amory, Dita. Madame Cézanne. American Art. Univ. of California Press, $87.50. Metropolitan Museum of Art, Yale 2014. 230 pp. Hardcover $60.00. Univ. Press, December 2014. 250 pp. Berger, Christian. Wiederholung und Hardcover $45.00. Barrios Rozua, Juan Manuel. Granada Experiment bei Edgar Degas. Reimer, napoleónica: ciudad, arquitectura y October 2014. 220 pp. Paperback $78.50. Aron, Paul and Cécile Vanderpelen- patrimonio. Editorial Universidad, 2013. Diagre. Edmond Picard (1836-1924): Un 446 pp. Paperback $58.50. Berman, Patricia B. and Thor J. bourgeois socialiste belge à la fin du dix- Mednick. Danish Paintings from the Golden neuvième siècle. Essai d'histoire. Musées Bartetzky, Arnold and Rudolf Jaworski. Age to the Modern Breakthrough: Selections royaux des Beaux-Arts de Belgique, 2013. Geschichte im Rundumblick: Panoramabilder from the Collection of Ambassador John L. 340 pp. Paperback $54.50. im östlichen Europa. Böhlau, 2013. 213 Loeb Jr. Scandinavia House, The Nordic pp. Hardcover $77.50. Center in America, 2013. 136 pp. Aspinwall, Jane L. Alexander Gardner: Hardcover $40.00. The Western Photographs, 1867-1868. Bassignana, Lucia. Cristiano Banti (1824- Yale Univ. Press, for the Nelson-Atkins 1904): arte, inquietudini e affetti di un Museum of Art, 2014. 200 pp. Hardcover pittore dalla campagna toscana all'Europa. Ashgate Offer for $60.00. Gramma Edizioni, 2014. 130 pp. AHNCA Members Paperback $38.95. AHNCA members wishing to take Aviman, Galit. Zen Paintings in Edo Japan advantage of Ashgate’s offer of a (1600-1868): Playfulness and Freedom in Bastek, Alexander and Markus Bertsch. 20% discount off all their books the Artwork of Hakuin Ekaku and Sengai Carl Wilhelm Götzloff (1799–1866). Ein should use promotion code Gibon. Ashgate, December 2014. 186 pp. Dresdner Landschaftsmaler am Golf von AHNCA20. Members can begin Hardcover $109.95. Neapel. Imhof, 2014. 240 pp. Hardcover browsing for books at www.ash- gate.com/AHNCA, where titles $77.50. likely to be of particular interest to Bailey, Martin. The Sunflowers Are Mine: scholars of nineteenth-century art The Story of Van Gogh’s Masterpiece. Frances Bellini, Amedeo. Il fondo di carte e libri are featured. The discount may be Lincoln, 2014. 240 pp. Hardcover $40.00. di Tito Vespasiano Paravicini presso la taken on all Ashgate titles. biblioteca Ambrosiana di Milano. Bulzoni, 2013. 272pp. Paperback $48.50.
28 Fall 2014 / AHNCA Newsletter Bertholet, Ferdinand and Lambert Braun, Patrick and Axel Christoph. Callen, Anthea. The Work of Art: Plein Air van der Aalsvoort. Among the Celestials: Emilie Linder 1797-1867: Malerin, Painting and Artistic Identity in Nineteenth- China in Early Photographs. Yale Univ. Mäzenin, Kunstsammlerin. Christoph Century France. Reaktion Books, October Press, for Mercatorfonds, 2014. 240 pp. Merian Verlag, 2013. 304 pp. Paperback 2014. 256 pp. Hardcover $50.00. Hardcover $65.00. $49.50. Canal, Jordi and Alejandro Castellote. Bietoletti, Silvetra et al. Lorenzo Bartolini: Breme, Dominique and Ariane James- España a través de la fotografía (1839- Atti delle giornate di studio, Firenze, 17-19 Sarazin. De Rubens a Delacroix: 100 dessins 2010). Taurus, 2013. 398 pp. Hardcover febbraio 2013, Galleria dell’Accademia, du musée des Beaux-Arts d’Angers. Snoeck, $59.50. Gabinetto G.P. Vieusseux. Gli Ori, 2014. 2014. 240 pp. Paperback $48.95. 320 pp. Paperback $38.95. Cantalupo, Barbara. Poe and the Visual Bressani, Martin. Architecture and the Arts. Pennsylvania State Univ. Press, Bischoff, Teresa. Kunst und Caritas: Leben Historical Imagination: Eugène-Emmanuel 2014. 184 pp. Hardcover $39.95. und Werk der Kunstsammlerin, Mäzenin Viollet-Le-Duc, 1814–1879. Ashgate, und Malerin Emilie Linder. Imhof, 2014. 2014. 624 pp. Hardcover $109.95. Carlhian, Jean Paul and Margot M. 352 pp. Hardcover $92.50. Ellis. Americans in Paris: Foundations Brevik-Zender, Heidi. Fashioning Spaces: of America’s Architectural Gilded Age: Blakesley, Rosalind P. and Margaret Mode and Modernity in Late-Nineteenth- Architecture Students at the Ecole des Beaux- Samu. From Realism to the Silver Age: Century Paris. Univ. of Toronto Press, Arts 1846-1946. Rizzoli, 2014. 240 pp. New Studies in Russian Artistic Culture. November 2014. 352 pp. Hardcover Hardcover $85.00. Northern Illinois Univ. Press, 2014. 230 $75.00. pp. Paperback $40.00. Carlotti, Mariella. Dipingere il Lavoro: Briat-Philippe, Magali. L'invention du Painting the World of Labour: Un'Antologia Bonnin, Gerard, Francois Lespinasse passé. Gothique mon amour 1802-1830 di Dipinti di Jean-François Millet: An and Pierre Sanchez. Salons et expositions: Tome I. Hazan, 2014. 230 pp. Paperback Anthology. Concreo, 2013. 88 pp. Rouen (1833-1947): Répertoire des $56.50. Paperback $32.50. exposants et liste de leurs œuvres. L'Echelle de Jacob, 2014. 3 vols. 2010pp. Brooks, Carolina and Valter Curzi. Carpenter, Andrew et al eds. Art and Hardcover $495.00. Hogarth, Reynolds, Turner: English Architecture of Ireland [Boxed Set] (also Painting towards Modernity. Skira, available in individual volumes). Yale Univ. Bordeleau, Anne. Charles Robert September 2014. 288 pp. Paperback Press, for the Paul Mellon Centre for Cockerell, Architect in Time. Ashgate, 2014. $55.00. Studies in British Art in association with 226 pp. Hardcover $109.95. the Royal Irish Academy, 2014. 5 vols. Brown, David Blayney. J. M. W. Turner: 3000 pp. Hardcover $500.00. Borras Gualis, Gonzalo M. and Juan Painting Set Free. Getty Publications, Carlos Lozano Lopez eds. Goya y su November 2014. 224 pp. Hardcover Carter, Warren et al eds. Re/New Marxist contexto: Actas del seminario internacional $49.95. Art History. Art/Books, 2013. 520 pp. celebrado en la Institución 'Fernando el Hardcover $65.00. Católico' los días 27, 28 y 29 de octubre de Bruce, Tobi et al. Into the Light: The 2011. Institucion Fernando el Catolico, Paintings of William Blair Bruce (1859 Childs, Adrienne L. and Susan H. Libby 2013. 454 pp. Paperback $100.00. – 1906). Giles, in association with the eds. Blacks and Blackness in European Art Art Gallery of Hamilton, 2014. 288 pp. of the Long Nineteenth Century. Ashgate, Bouvier, Raphael et al. Odilon Redon. Hardcover $45.00. December 2014. 254 pp. Hardcover Hatje Cantz, 2014. 168 pp. Hardcover $119.95. $75.00. Burnham, Helen et al. Looking East: Western Artists and the Allure of Japan. Connors, Joseph and Louis A. Brauer, Fae. Rivals and Conspirators: MFA Publications, Museum of Fine Arts, Waldman. Bernard Berenson: Formation The Paris Salons and the Modern Art 2014. 128 pp. Hardcover $29.95. and Heritage. Harvard Univ. Press, 2014. Centre. Cambridge Scholars Publishing, 440 pp. Paperback $40.00. 2013. 431 pp. Paperback $92.95.
Fall 2014 / AHNCA Newsletter 29 Cordileone, Diana. Alois Riegl in Vienna Di Raddo, Elena. Mario de Maria: Pictor Ford, Ford Madox. Memories of a Pre- 1875-1905: An Institutional Biography. di storie misteriose nella pittura simbolista Raphaelite Youth. Pallas Athene, 2013. 88 Ashgate, 2014. 314 pp. Hardcover europea. Franco Angeli, 2014. 160 pp. pp. Paperback $16.95. $119.95. Paperback $38.95. Foutel, Virginie. Sérusier: un prophète, de Cretella, Stefania. Arti decorative a Torino Drahos, Alexis. Orages et tempêtes, volcans Paris à Châteauneuf-du-Faou. Locus solus. nel 1884: Per uno 'stile nazionale'. ZeL, et glaciers. Les peintres et les sciences de la 192 pp. Hardcover $75.00. 2014. 292 pp. Paperback $58.50. Terre aux XVIII et XIXe. Hazan, 2014. 160 pp. Hardcover $78.50. Frelin-Cartigny, Virginia, Stephanie Cros, Philippe ed. Pissarro: L’anima Quantin and Cyril Dermineur. Constant dell’impressionismo. Rubbettino, 2014. 102 Draper, James David and Edouard Moyaux (1835-1911): du Compas au pp. Paperback $42.50. Papet. The Passions of Jean-Baptiste Pinceau - L'architecture revelee. Musee des Carpeaux. Metropolitan Museum of Beaux-Arts de Valenciennes, 2014. 200 Cusack, Tricia ed. Framing the Ocean, Art, Yale Univ. Press, 2014. 361 pp. pp. Paperback $75.00. 1700 to the Present: Envisaging the Sea Hardcover $65.00. as Social Space. Ashgate, 2014. 302 pp. Freund, Amy. Portraiture and Politics in Hardcover $119.95. Droth, Martina et al. Sculpture Victorious: Revolutionary France. Penn State Univ. Art in an Age of Invention, 1837–1901. Press, 2014. 312 pp. Hardcover $84.95. Dabakis, Melissa. A Sisterhood of Sculptors: Yale Univ. Press, in association with the American Artists in Nineteenth-Century Yale Center for British Art, October Fried, Michael. Another Light: Jacques- Rome. Penn State Univ. Press, 2014. 304 2014. 432 pp. Hardcover $80.00. Louis David to Thomas Demand. Yale pp. Hardcover $59.95. Univ. Press, October 2014. 256 pp. Durand-Ruel, Flavie and Paul-Louis Hardcover $60.00. D'Amia, Giovanna and Alessandro Durand-Ruel. Paul Durand-Ruel: Memoir Oldani. La Villa Belgiojoso-Bonaparte. Una of an Impressionist Art Dealer (1831-1922). Friedewald , Boris. Women Photographers: residenza neoclassica tra ancien régime e età Flammarion, 2014. 320 pp. Hardcover From Julia Margaret Cameron to Cindy napoleonica. BetaGamma, 2013. 160 pp. $75.00. Sherman. Prestel, 2014. 240 pp. Paperback $38.50. Hardcover $39.95. Eiling, Alexander. Degas Klassik und de Beaulieu, Norbert. Portraits de l'époque Experiment. Hirmer, November 2014. Fromont, Cécile. The Art of Conversion: romantique, une passion de collectionneur. 300 pp. Hardcover $87.50. Christian Visual Culture in the Kingdom of Silvana, 2014. 176 pp. Paperback Kongo. Univ. of North Carolina Press, $54.50. Evans, Mark. John Constable: The Making for the the Omohundro Institute of of a Master. Victoria & Albert Publishing, Early American History and Culture, DeLue, Rachael Z. Cézanne and the 2014. 192 pp. Hardcover $50.00. Williamsburg, November 2014. 352 pp. Modern: Masterpieces of European Art from Hardcover $45.00. the Pearlman Collection. Yale Univ. Press, Fagan, Brian M. The Great Archaeologists. for the Princeton Univ. Art Museum, Thames and Hudson, 2014. 304 pp. Fry, Laura F. et al. Art of the American 2014. 304 pp. Hardcover $65.00. Hardcover $50.00. West: The Haub Family Collection at Tacoma Art Museum. Yale Univ. Press, De Rycke, Jean-Pierre. Le Dessin 'fin de Fehlmann, Marc ed. Max Liebermann in association with the Tacoma Art siècle' (1870-1900). D'Ensor à Van Gogh: und die Schweiz: Meisterwerke aus Schweizer Museum, December 2014. 312 pp. Trésors graphiques de la collection Henri Van Sammlungen. Hirmer, 2014. 220 pp. Hardcover $65.00. Cutsem. Editions Marot, 2014. 160 pp. Hardocver $78.50. Paperback $48.95. Gamboni, Dario. Paul Gauguin: The Flood, Catherine and Sarah Grant. Style Mysterious Centre of Thought. Reaktion Dillon, Brian. Ruin Lust: Artists' and Satire: Fashion in Print 1777-1927. Books, 2014. 304 pp. Hardocver $57.00. Fascination with Ruins, from Turner to the Victoria & Albert Publications, 2014. 80 Present Day. Tate Publishing, 2014. 64 pp. Paperback $19.95. pp. Hardcover $21.95.
30 Fall 2014 / AHNCA Newsletter Gerard-Powell, Veronique et al. Désirs Guilding, Ruth. Owning the Past: Why the Horbez, Dominique. Corot et les peintres et volupté à l'époque victorienne: Collection English Collected Antique Sculpture, 1640– du Nord. Amateur, 2014. 288 pp. Pérez Simon. Fonds Mercator, 2013. 224 1840. Yale Univ. Press, for the Paul Hardcover $88.50. pp. Hardcover $87.50. Mellon Centre for Studies in British Art, November 2014. 320 pp. Hardcover Houze, Rebecca. Textiles, Fashion, and Gil-Díez Usandizaga, Ignacio ed. Cartes $85.00. Design Reform in Austria-Hungary Before de visite, retratos del siglo XIX en colecciones the First World War. Ashgate, 2014. riojanas. Instituto de Estudios Riojanos, Hall, Michael. George Frederick Bodley 454pp. Hardcover $149.95. 2013. 324 pp. Paperback $52.50. and the Later Gothic Revival in Britain and America. Yale Univ. Press, for the Paul Iarocci, Louisa. The Urban Department Gilmore, Dehn. The Victorian Novel and Mellon Centre for Studies in British Store in America, 1850–1930. Ashgate, the Space of Art: Fictional Form on Display. Art, October 2014. 352 pp. Hardcover 2014. 258 pp. Hardcover $109.95. Cambridge Univ. Press, 2014. 242 pp. $85.00. Hardcover $99.00. Jagot, Helene. Du haut de ces pyramides... Hannah, Daniel. Henry James, L'expédition d'Egypte et la naissance de Ginsburg, Michal Peled. Portrait Stories. Impressionism, and the Public. Ashgate, l'égyptologie (1798-1850). Fage, 2014. 348 Oxford Univ. Press, 2014. 240 pp. 2013. 215 pp. Hardcover $104.95. pp. Paperback $48.50. Hardcover $45.00. Hart, Andrea. Women Artists: Images of Jones, Claire. Sculptors and Design Giorcelli, Cristina and Paula Rabinowitz, Nature. Natural History Museum, 2014. Reform in France, 1848 to 1895: Sculpture eds. Fashioning the Nineteenth Century: 112 pp. Paperback $19.95. ` and the Decorative Arts. Ashgate, 2014. Habits of Being 3. Univ. of Minnesota 248 pp. Hardcover $109.95. Discount Press, 2014. 320 pp. Hardcover $75.00, Hatch, Peter J. "A Rich Spot of Earth": to AHNCA members with code paperback $25.00. Thomas Jefferson's Revolutionary Garden C14IVU20. at Monticello. Yale Univ. Press, October Gonda, Zsuzsa and Kata Bodor. The 2014. 280 pp. Paperback $27.50. King, Julia. George Hadfield: Architect of World of Toulouse-Lautrec. Budapest the Federal City. Ashgate, 2014. 282 pp. Museum of Fine Arts, 2014. 219 pp. Helland, Janice et al. Craft, Community Hardcover $119.95. Paperback $95.00. and the Material Culture of Place and Politics, 19th-20th Century. Ashgate, 2014. Koppelkamm, Stefan. The Imaginary Graciano, Andrew. Exhibiting Outside the 246 pp. Hardcover $104.95. Orient: Exotic Buildings of the 18th and Academy, Salon and Biennial, 1775–1999. 19th Centuries in Europe. Axel Menges, Ashgate, 2014. 308 pp. Hardcover Henderson, Harry and Albert 2014. 192 pp. Hardcover $78.00. $119.95. Henderson. The Indomitable Spirit of Edmonia Lewis, A Narrative Biography. Küster, Ulf ed. Gustave Courbet. Hatje Gray, Beryl. The Dog in the Dickensian Esquiline Hill Press, 2013. 567 pp. Cantz, 2014. 192 pp. Hardcover $75.00. Imagination. Ashgate, November 2014. E-book $9.99. 272 pp. Hardcover $119.95. Lazaj, Jehanne. Le Bivouac de Napoleon: Hibberd, Sarah and Richard Wrigley Luxe impérial en champagne. Silvana, Griener, Pascal and Paul-Andre Jaccard eds. Art, Theatre, and Opera in Paris, 2014. 128 pp. Paperback $29.50. eds. Paris! Paris! La formation des artistes 1750-1850: Exchanges and Tensions. suisses à l'Ecole des Beaux-Arts, 1793-1863. Ashgate, 2014. 265 pp. Hardcover Ledbury, Mark. James Northcote, Slatkine, 2014. 365 pp. Hardcover $109.95. History Painting, and the "Fables". Yale $145.00. Univ. Press, for the Yale Center for Homburg, Cornelia. Neo-Impressionism British Art, November 2014. 256 pp. Guderzo, Mario. Le Grazie di Antonio and the Dream of Realities: Painting, Poetry, Hardcover $65.00. Canova. Terra Ferma/Antiga Edizioni, Music. Yale Univ. Press, in association 2013. 224 pp. Paperback $72.50. with the Phillips Collection, November Lefébure, Amaury. Joséphine. Musees 2014. 208 pp. Hardcover $60.00. nationaux, 2014. 176 pp. Hardcover $76.95.
Fall 2014 / AHNCA Newsletter 31 Longwell, Alicia G. William Merritt Chase: XXI secolo. Antichità Maurizio Nobile, Morton, Mary. Intimate Impressionism A Life in Art. Giles, in association with 2013. 192 pp. Paperback $38.50. from the National Gallery of Art. National the Parrish Art Museum, October 2014. Gallery of Art, 2014. 180 pp. Hardcover 96 pp. Hardcover $39.95. Mathieu, Marianne et al. Les $45.00. Impressionnistes en privé. Cent chefs-d'oeuvre Luarca-Shoaf, Nenette et al. Navigating de collections particulières: Impressionist Möseneder, Karl ed. Nürnberg the West: George Caleb Bingham and the Works from Private Collections, 100 als romantische Stadt: Beiträge zur River. Yale Univ. Press, for the Amon Masterpieces. Hazan, 2014. 216 pp. Kunstgeschichte des 19. Jahrhunderts. Carter Museum of American Art and Paperback $56.50. Imhof, 2013. 144 pp. Hardcover the Saint Louis Art Museum, November $58.50. 2014. 200 pp. Hardcover $45.00. May, Cheryll L. and Marian Wardle eds. A Seamless Web: Transatlantic Art in the Moskowitz, Anita. Forging Authenticity: Luckhardt, Ulrich. Von Liebermann bis Nineteenth Century. Cambridge Scholars Bastianini and the Neo-Renaissance Nolde: Impressionismus in Deutschland Publishing, 2014. 215 pp. Hardcover in Nineteenth-Century Florence. Casa auf Papier. Hatje Cantz, 2014. 240 pp. $79.95. Editrice Leo S. Olschki, 2013. 174 pp. Hardcover $68.95. Hardcover $139.50. McCue, Maureen. British Romanticism MacCarthy, Fiona. Anarchy and Beauty: and the Reception of Italian Old Master Art, Muscheler, Ursula. Möbel, Kunst und feine William Morris and His Legacy, 1860– 1793–1840. Ashgate, November 2014. Nerven: Henry Van de Velde und der Kultus 1960. Yale Univ. Press, in association 192 pp. Hardcover $109.95. der Schönheit 1895–1914. Berenberg with the National Portrait Gallery, Verlag, 2012. 200 pp. Hardcover London, November 2014. 192 pp. Meiner, Jorg and Jan Werquet eds. $65.00. Hardcover $50.00. Friedrich Wilhelm IV. von Preußen: Politik - Kunst – Ideal. Lukas, 2014.166 pp. Muzzarelli, Federica. L'invenzione del MacDonald, Heather and Mitchell Paperback $48.50. fotografico: Storia e idee della fotografia Merling. Working Among Flowers: Floral dell'Ottocento. Einaudi, 2014. 260 pp. Still-Life Painting in 19th-Century France. Meyer, Andrea and Benedicte Savoy Paperback $48.50. Yale Univ. Press, for the Virginia eds. The Museum Is Open: Towards a Museum of Fine Arts, November 2014. Transnational History of Museums 1750- Myntti, Cynthia. Paris along the Nile: 192 pp. Hardcover $45.00. 1940. De Gruyter, 2014. 272 pp. Architecture in Cairo from the Belle Epoque. Hardcover $112.00. American Univ. in Cairo Press, 2014. Machotka, Pavel. Cézanne: Landscape 112 pp. Paperback $39.95. into Art. Arbor Vitae, 2014. 224 pp. McLean Sailor, Rachel. Meaningful Hardcover $50.00. Places: Landscape Photographers in the Neunzert, Hartfrid. Herkomer. Imhof, Nineteenth-Century American West. Univ. 2014. 96 pp. Hardcover $59.50. Maldonado Polo, J. Luis. Ciencia en of New Mexico Press, 2014. 240 pp. penumbra: el Jardín Botánico de Madrid Hardcover $45.00. Ongania, Ferdinando. Calli e Canali in en los orígenes del liberalismo, 1808- Venezia: A Portrait of 19th Century Venice. 1834. CSIC - Consejo Superior de Miller, Richard et al. A Shared Legacy: Lineadacqua, 2013. 185 pp. Hardcover Investigaciones Científicas, 2013. 864 Folk Art in America. Skira Rizzoli, 2014. $68.50. pp. Paperback $175.00. 272 pp. Hardcover $65.00. Ormond, Richard and Elaine Mansfield, Nick. Buildings of the Labour Mills, Cynthia. Beyond Grief: Sculpture Kilmurray. John Singer Sargent: Figures Movement. English Heritage, 2013. 164 and Wonder in the Gilded Age Cemetery. and Landscapes 1908–1913: Complete pp. Paperback $60.00. Smithsonian Institution Scholarly Press, Paintings, Vol. VIII. Yale Univ. Press, October 2014. 288 pp. Hardcover for the Paul Mellon Centre for Studies Marchesini, Laura. Fidélité-Trahison. $39.95. in British Art, October 2014. 424 pp. Récits d'Infidélités Et De Dévouements. Mojenok-Ninin, Tatiana. Vassili Polenov, Hardcover $80.00. Oeuvre du XVIIe au XXIe Siècle. Racconti chevalier de la beauté. Editions point de d'infedeltà e devozione. Opere dal XVII al vues, 2013. 200 pp. Hardcover $54.50.
32 Fall 2014 / AHNCA Newsletter Ossanna Cavadini, Nicoletta. Luigi Popescu, Andrei and Mechtild Widrich. Sauerländer, Willibald, and David Rossini. (1790-1857): Il viaggio segreto. Ugliness: The Non-Beautiful in Art and Dollenmayer trans. Manet Paints Silvana, 2014. 240 pp. Paperback Theory. I.B. Tauris, 2014. 310 pp. Monet: A Summer in Argenteuil. Getty $62.50. Hardcover $95.00. Publications, 2014. 80 pp. Hardcover $19.95. Ott, John. Manufacturing the Modern Pückler-Muskau, Hermann von, Patron in Victorian California: Cultural Linda Parshall and John Hargraves Savoia, Enzo and Stefano Bosi eds. Philanthropy, Industrial Capital and (trans.) Hints on Landscape Gardening: Pompeo Mariano Impressionista italiano. Social Authority. Ashgate, 2014. 330 pp. English Edition of Andeutungen über Bottegantica, 2014. 208 pp. Paperback Hardcover $119.95. Landschaftsgärtnerei with the Hand- $58.50. colored Illustrations of the Atlas of 1834. Papet, Edouard. Gustave Doré (1832- Birkhäuser, De Gruyter, 2014. 176 pp. Schäfer, Dagmar. Moritz von Schwind: 1883): master of imagination. Flammarion, Hardcover $70.00. Eine Spurensuche in Sachsen. Verlag der 2014. 420 pp. Hardcover $60.00. Kunst, 2014. 96 pp. Paperback $30.00. Reist, Inge ed. British Models of Art Peterson, Larry Len. Charles M. Collecting and the American Response. Scott, Heidi C. M. Chaos and Cosmos: Russell: Photographing the Legend. Univ. Ashgate, October 2014. 282 pp. Literary Roots of Modern Ecology in the of Oklahoma Press, 2014. 328 pp. Hardcover $109.95. British Nineteenth Century. Penn State Hardcover $60.00. Univ. Press, 2014. 224 pp. Hardcover Restellini, Marc. Edvard Munch. 24 Ore $64.95. Pfeiffer, Ingrid and Max Hollein. Esprit Cultura, 2013. 176 pp. Paper $64.50. Montmartre: Bohemian Life in Paris around Sebag-Montefiore, Charles and Joe 1900. Hirmer, 2014. 320 pp. Hardcover Rieger, Rudolf. Adam von Bartsch Mordaunt Crook eds. Brooks's 1764– $65.00. (1757-1821): Leben und Werk des Wiener 2014: The Story of a Whig Club. Holberton, Kunsthistorikers und Kupferstechers unter 2013. 200 pp. Hardcover $60.00. Philipp, Klaus Jan. Karl Friedrich besonderer Berücksichtigung seiner Graphik Schinkel: Späte Projekte: Late Projects. nach Handzeichnungen. Imhof, 2013. 2 Serrano, Veronique. Les peintres graveurs Axel Menges, 2014. 236 pp. Hardcover vols. 1264 pp. Hardcover $325.00. Bonnard, Vuillard & Les Nabis. L'oeil d'un $78.00. collectionneur - 2ème volet. Silvana, 2014. Romanelli, Giandomenico. L'Ossessione 192 pp. Paperback $52.50. Phillips, Edward G. Capturing Canada: Nordica. Böcklin, Klimt, Munch e la Historical Prints from the Collection of pittura italiana. Marsilio, 2014. 253 pp. Shackelford, George T.M. et al. Faces EY. The Robert McLaughlin Gallery, Paperback $65.00. of Impressionism: Portraits from the Musée 2014. 68 pp. Paperback $24.00. d'Orsay. Yale Univ. Press, for the Kimbell Rosenthal, Michael et al. Turner and Art Museum, November 2014. 250 pp. Picard, Gerard and Jean Foisselon. En Constable: Sketching from Nature. Tate Paperback $30.00. tous points parfaits: Oeuvres brodées pour la Publishing, 2014. 120 pp. Paperback Visitation aux XIXe et XXe siècles. Somogy, $24.95. Shields, Conal et al. John Ruskin: Artist Musée de la Visitation, Moulins, 2014. and Observer. Holberton, 2014. 376 pp. 200 pp. Paperback $64.50. Rubin, James H. with Olivia Mattis. Paperback $80.00. Rival Sisters, Art and Music at the Birth of Poisson, Georges and Olivier Poisson. Modernism, 1815–1915. Ashgate, 2014. Skelly, Julia ed. The Uses of Excess in Eugène Viollet-le-Duc (1814-1879). Picard, 390 pp. Hardcover $129.95. Visual and Material Culture, 1600–2010. 2014. 352 pp. Paperback $68.50. Ashgate, 2014. 286 pp. Hardcover Salmon, Xavier. François Gerard: $119.95. Pons-Sorolla, Blanca and Mark A. peintre des rois, rois des peintres. Musées Roglan. Sorolla and America. El Viso, nationaux, 2014. 248 pp. Paperback Small, Lisa. Killer Heels: The Art of the 2013. 340 pp. Hardcover $75.00. $75.00. High-Heeled Shoe. Prestel, 2014. 224 pp. Hardcover $55.00.
Fall 2014 / AHNCA Newsletter 33 Smentek, Kristel. Mariette and Science Taylor, Roger and Crispin Branfoot. Walczak, Gerrit. Bürgerkünstler: Künstler, of the Connoisseur in Eighteenth-Century Captain Linnaeus Tripe: Photographer of Staat und Öffentlichkeit im Paris der Europe. Ashgate, December 2014. 316 India and Burma, 1852-1860. Prestel, Aufklärung und Revolution. Deutscher pp. Hardcover $119.95. 2014. 224 pp. Hardcover $65.00. Kunstverlag, December 2014. 528 pp. Paperback $138.50. Smith, Beatrice et al. Preraffaelliti. Thomas-Maurin, Frederique. Hector L'Utopia delle Bellezza. 24 ore cultura, Hanoteau (1823-1890). Un paysagiste Walter, Marc and Sabine Arque. An 2014. 240 pp. Paperback $79.95. ami de Courbet. Silvana, 2013. 88 pp. American Odyssey: Photos from the Detroit Paperback $34.50. Photographic Community 1888-1924. Solana, Guillermo. Cézanne: site/non-site. Taschen, 2014. 612 pp. Hardcover Museo Thyssen-Bornemisza, 2014.198 Tollebeek, Jo and Eline Van Assche $200.00. pp. Hardcover $55.00. eds. Ravaged: Art and Culture in Times of Conflict.Mercatorfonds, 2014. 352 pp. Weeks, Emily M. Cultures Crossed: John Spies, Werner. Les archives du rêve, dessins Hardcover €29,50. Frederick Lewis and the Art of Orientalism. du musée d'Orsay: carte blanche à Werner Yale Univ. Press, for the Paul Mellon Spies. Hazan, 2014. 432 pp. Hardcover Tonini, L. I Demidov fra Russia e Italia. Centre for Studies in British Art, $94.50. Gusto e prestigio di una grande famiglia December 2014. 256 pp. Hardcover in Europa fra Otto e Novecento. Olschki, $75.00. Steiner, Henriette. The Emergence of 2013. 320 pp. Paperback $72.50. a Modern City: Golden Age Copenhagen Weisberg, Gabriel P. and Yvonne M.L. 1800-1850. Ashgate, 2014. 192 pp. Trowbridge, Serena and Amelia Weisberg. Toward an Art Nouveau: The Hardcover $109.95. Yeates eds. Pre-Raphaelite Masculinities: Drawings & Ceramic Innovations of Habert- Constructions of Masculinity in Art and Dys. Armstrong Fine Art, 2013. 32 pp. Stepanek, Stephanie Loeb et al. Goya: Literature. Ashgate, 2014. 240 pp. Paperback $15.00. Order and Disorder. MFA Publications, Hardcover $109.95. October 2014. 400 pp. Hardcover Wolf, Connie. Carleton Watkins: The $65.00. Vandepitte, Francisca ed. Constantin Stanford Albums. Stanford Univ. Press, Meunier (1831-1905). Uitgeverij Lannoo, 2014. 304 pp. Hardcover $40.00. Sullivan, Edward J. From San Juan 2014. 320 pp. Hardcover 39,99. to Paris and Back: Francisco Oller and Yi, Song-mi. Searching for Modernity: Caribbean Art in the Era of Impressionism. van Heugten, Sjaar. Van Gogh: Colours of Western Influence and True-View Landscape Yale Univ. Press, October 2014. 208 pp. the North, Colours of the South. Actes Sud, in Korean Painting of the Late Choson Hardcover $60.00. 2014. 128 pp. Paperback $40.00. Period. Univ. of Washington Press, 2014. 232 pp. Hardcover $70.00. Swenson, Astrid and Peter Mandler Verlaine, Julie. Femmes collectionneuses eds. From Plunder to Preservation: Britain d'art et mécè`nes, de 1880 à nos jours. and the Heritage of Empire, c.1800-1940. Hazan, 2014. 288 pp. Paperback $68.50. Oxford Univ. Press, 2013. 400 pp. Hardcover $150.00. Vleckova, Lucie et al. Vital Art Nouveau Robert Alvin ADLER 1900: From the Collection of the Museum Copyeditor Swoboda, Gudrun ed. Die kaiserliche of Decorative Arts in Prague. Arbor Vitae/ (articles copyeditor for Gemäldegalerie in Wien und die Anfänge Museum of Decorative Arts, 2014. 304 Nineteenth-Century Art Worldwide) des öffentlichen Kunstmuseums. Band 1: pp. Paperback $65.00. freelance work accepted. Die kaiserliche Galerie im Wiener Belvedere For information and rates, (1776-1837). Band 2: Europäische Vogtherr, Christoph, Monica Preti please contact: Museumskulturen um 1800. Böhlau, 2014. and Guillaume Faroult eds. Delicious [email protected] 567 pp. Hardcover $160.00. Decadence – The Rediscovery of French Eighteenth-Century Painting in the Nineteenth Century. Ashgate, November 2014. 221 pp. Hardcover $119.95.
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