VISITOR FIGURES 2015 the Grand Totals: Exhibition and Museum Attendance Numbers Worldwide

Total Page:16

File Type:pdf, Size:1020Kb

VISITOR FIGURES 2015 the Grand Totals: Exhibition and Museum Attendance Numbers Worldwide SPECIAL REPORT VISITOR FIGURES2015 The grand totals: exhibition and museum attendance numbers worldwide VISITOR FIGURES 2015 The grand totals: exhibition and museum attendance numbers worldwide THE DIRECTORS THE ARTISTS They tell us about their unlikely Six artists on the exhibitions blockbusters and surprise flops that made their careers U. ALLEMANDI & CO. PUBLISHING LTD. EVENTS, POLITICS AND ECONOMICS MONTHLY. EST. 1983, VOL. XXV, NO. 278, APRIL 2016 II THE ART NEWSPAPER SPECIAL REPORT Number 278, April 2016 SPECIAL REPORT VISITOR FIGURES 2015 Exhibition & museum attendance survey JEFF KOONS is the toast of Paris and Bilbao But Taipei tops our annual attendance survey, with a show of works by the 20th-century artist Chen Cheng-po atisse cut-outs in New attracted more than 9,500 visitors a day to Rio de York, Monet land- Janeiro’s Centro Cultural Banco do Brasil. Despite scapes in Tokyo and Brazil’s economic crisis, the deep-pocketed bank’s Picasso paintings in foundation continued to organise high-profile, free Rio de Janeiro were exhibitions. Works by Kandinsky from the State overshadowed in 2015 Russian Museum in St Petersburg also packed the by attendance at nine punters in Brasilia, Rio, São Paulo and Belo Hori- shows organised by the zonte; more than one million people saw the show National Palace Museum in Taipei. The eclectic on its Brazilian tour. Mgroup of exhibitions topped our annual survey Bernard Arnault’s new Fondation Louis Vuitton despite the fact that the Taiwanese national muse- used its ample resources to organise a loan show um’s total attendance fell slightly during its 90th that any public museum would envy. Keys to a anniversary year. Passion included works by Modern masters from More than 12,000 people a day—locals and coa- New York’s Museum of Modern Art (MoMA) and chloads of visitors from mainland China—visited Guggenheim, London’s Tate, the Centre Pompidou the Taipei museum last year. They saw exhibitions in Paris, the Munch Museum, Oslo, and the Hermit- on subjects as diverse as the work of female Chinese age, Pushkin and State Russian Museum in Russia. artists of the 16th and 17th centuries, paintings of The high-wattage works attracted 4,100 visitors a fish and Chinese book binding. day to the Frank Gehry-designed building in Paris’s Local pride helped make a survey of paintings by Bois de Boulogne. a Taiwanese artist the most-attended show of 2015. Chen Cheng-po was one of thousands killed in a Puppy love 1947 massacre that remained taboo for decades. The artist, whose work combines modern Western and Jeff Koons continued his quest for world domina- traditional Chinese influences, was shot by Chinese tion with a touring retrospective, organised by New Nationalist troops during an anti-government upris- York’s Whitney Museum of American Art in 2014. ing known as the February 28 Incident. It was the year’s most-visited exhibition in Paris, drawing nearly 5,000 visitors a day to the Centre The universal lure of loans Pompidou. Koons proved even more popular at Jeff Koons was all smiles at his Guggenheim the Guggenheim Bilbao, the home of his giant Paintings by brand-name artists on loan from Eu- Bilbao retrospective, which attracted 5,182 Jeff Koons continued floral Puppy, where the retrospective attracted ropean museums continue to draw crowds. Late visitors a day; his Centre Pompidou show was 5,182 visitors a day. The combination of two crowd paintings by Monet from the Musée Marmottan the year’s most visited in Paris. Above, Chen his quest for world (and market) favourites—Koons and Jean-Michel Monet in Paris attracted more than 10,000 visitors Cheng-po’s final painting, Accumulated Snow domination with a Basquiat—helped the Bilbao museum’s attendance a day to the Tokyo Metropolitan Art Museum, on Jade Mountain (1947), was included in overtake that of New York’s Guggenheim by more the closest rival to the Taiwanese blockbusters. his survey at the National Palace Museum in touring retrospective than 200,000 visitors. Paintings of everyday life from the Louvre in Par- Taipei, the most-attended show of 2015. The is, including works by Vermeer, Rembrandt and Taiwanese artist was among thousands killed that was visited by Whitney rising in New York Titian, were slightly less popular at the National by Chinese Nationalist troops in 1947 Art Center, Tokyo (7,640 visitors a day). more than 5,100 MoMA continues to dominate the New York scene. A loan show from Madrid’s Reina Sofía of It organised 14 of the city’s top 20 most-visited Spanish artists including Picasso, Dalí and Miró people a day in Bilbao shows. Its Robert Gober exhibition (5,380 visitors a IMAGES GILLENEA/AFP/GETTY ANDER KOONS: THE ART NEWSPAPER SPECIAL REPORT Number 278, April 2016 III Modern masters make a splash at the new Fondation Louis Vuitton (left), while Alexander McQueen: Savage Beauty broke box-office records at London’s Victoria and Albert Museum TOP 100 ART MUSEUM ATTENDANCE THE TOP 10 Louvre 1 PARIS 8,600,000 British Museum 2 LONDON 6,820,686 Metropolitan Museum of Art +1 3 NEW YORK 6,533,106 ▲ Vatican Museums 4 VATICAN CITY 6,002,251 ▲+1 National Gallery -2 5 LONDON 5,908,254 ▼ Museum, which is free to visit, remained in second National Palace Museum place, with 6.8 million visitors (up from 6.7 million in 6 TAIPEI 5,291,797 ▲+1 2014). The National Gallery in London fell from third to fifth place after a series of strikes led to temporary Tate Modern -1 room closures. It was overtaken by the Metropolitan 7 LONDON 4,712,581 ▼ Museum of Art, whose 6.5 million visitors included National Gallery of Art those also who went to the Cloisters. 8 WASHINGTON, DC 4,104,331 London’s Tate Modern sees attendance fluctuate State Hermitage Museum more than its peers. It drew 4.7 million visitors in +4 2015, one million fewer than in 2014. The museum’s 9 ST PETERSBURG 3,668,031 ▲ extension, which is due to open in June, should give Musée d’Orsay it a significant boost this year. 10 PARIS 3,440,000 The power of private money CONTINUED ON PAGE XV 5 Three private museums make their debut in our 2015 survey. The Broad in Los Angeles, which METHODOLOGY opened at the end of September, attracted more than 200,000 visitors in the final months of 2015. The daily figures are calculated automatically by The Fondation Louis Vuitton in Paris is a force to our database, which computes the number of days be reckoned with, attracting around one million for which an exhibition was open using the follow- visitors in its inaugural year. Meanwhile, Dasha ing formula: total number of days between start Zhukova’s Garage Museum of Contemporary Art date and end date, divided by seven, multiplied by reopened in a building converted by Rem Koolhaas the number of days a week the institution is open, in June. The Moscow institution attracted more minus exceptional closures. All of the data used than 538,000 visitors. But Mexican billionaire Carlos were supplied by the institutions concerned. Some Slim is still top of the pile; his Museo Soumaya in institutions offer a number of exhibitions for a Mexico City attracted more than 1.6 million visitors single ticket: these are shown as one entry. day) eclipsed the controversial Björk show (5,221 a Honourable mentions over multiple venues. Exhibitions that were free to visit—ie neither the day), although the latter had timed tickets. MoMA Javier Pes, José da Silva and Emily Sharpe, with museum nor the show had an entry fee—are saw fresh competition this year from the Whitney, The British artist David Shrigley deserves a special additional research by Maddalena Alvi, Gabriella indicated with an asterisk (*). which opened its new Renzo Piano-designed build- mention. His offbeat humour went down well in Angeleti, Aimee Dawson and Jessie Sentivan ing in May. The inaugural show of the permanent Australia; his show, which included a micturating collection, America Is Hard to See, was the most life model, attracted more than 5,600 visitors a day popular exhibition in the museum’s history. It drew to Melbourne’s National Gallery of Victoria Interna- MOST POPULAR EXHIBITIONS THE TOP 20 5,352 visitors a day, nearly 30% more than last year’s tional. Meanwhile, the Los Angeles County Museum Daily Total Exhibition Venue City Dates Koons show. The Costume Institute at the Metro- of Art (Lacma) proved, if proof were needed, that politan Museum of Art organised the city’s most there is a receptive audience for art and music collab- x An asterisk indicates that entrance to the exhibition and the museum was free crowded exhibition, China: Through the Looking orations with celebrity cachet. Steve McQueen and 13,860 1,607,736 Hidden Talent: Chen Cheng-po National Palace Museum Taipei 5 DEC 14-30 MAR 15 Glass (6,581 visitors a day). Kanye West’s video All Day/I Feel Like That attracted 13,770 1,170,443 Tusu Wine National Palace Museum Taipei 31 DEC 14-25 MAR 15 more than 3,400 people a day during its four-day 13,731 1,153,399 Angling for Years of Plenty: Paintings with Fish National Palace Museum Taipei 1 JAN-25 MAR Ai leads in London screening. Christian Marclay’s The Clock was an inti- 13,245 2,437,113 The Dao of Book Protection National Palace Museum Taipei 27 DEC 14-28 JUN 15 mate experience by comparison; it was viewed by 13,243 5,376,824 The Enchanting Splendour of Vases & Planters National Palace Museum Taipei 12 NOV 14-22 DEC 15 Ai Weiwei proved unstoppable at London’s Royal around 500 visitors a day during its two-month run.
Recommended publications
  • Press Release 13 October 2019
    Under embargo until 13 October 2019, 10am GMT Press Release 13 October 2019 Five shortlisted artists announced for the 8th edition of the Max Mara Art Prize for Women 2019 – 2021 The Whitechapel Gallery, Collezione Maramotti and Max Mara are delighted to announce the five shortlisted artists for the 8th edition of the Max Mara Art Prize for Women: Allison Katz, Katie Schwab, Tai Shani, Emma Talbot and Hanna Tuulikki. This weekend the artists travelled to Collezione Maramotti in Reggio Emilia, Italy, for the announcement, and to celebrate the opening of the major art work Che si può fare, by the seventh winner of the prize, Helen Cammock. Che si può fare tours from the Whitechapel Gallery where it was unveiled this summer. The artists shortlisted for the 2019 - 2021 iteration of the prize were selected by a judging panel chaired by Iwona Blazwick OBE, Director of the Whitechapel Gallery, joined by gallerist Florence Ingleby, artist Chantal Joffe, collector Fatima Maleki and art critic Hettie Judah. The Max Mara Art Prize for Women was established by Whitechapel Gallery in collaboration with the Max Mara Fashion Group in 2005. Its aim is to promote emerging female artists based in the UK, enabling them to develop their potential; and to inspire new artistic perspectives on 21st century Italy. The winning artist, announced in early 2020, is awarded a bespoke six-month artist residency in locations around Italy after presenting the judges with a proposal for a new body of work. The resulting work is premiered at the Whitechapel Gallery and travels to the Collezione Maramotti in Reggio Emilia, Italy, in 2021.
    [Show full text]
  • Lvmh 2015 — Annual Report
    LVMH 2015 — ANNUAL REPORT GROUP WHO WE ARE A creative universe of men and women passionate about their profession and driven by the desire to innovate and achieve. A globally unrivalled group of powerfully evocative brands 03 CHAIRMAN’S MESSAGE and great names that are synonymous with 06 FONDATION LOUIS VUITTON the history of luxury. A natural alliance between art and craftsmanship, dominated by creativity, 10 INTERVIEW WITH THE GROUP virtuosity and quality. A remarkable economic MANAGING DIRECTOR success story with more than 125,000 employees 12 COMMITMENTS worldwide and global leadership in the manufacture and distribution of luxury goods. 14 GOVERNANCE AND ORGANIZATION A global vision dedicated to serving the needs 16 BUSINESS GROUPS of every customer. The successful marriage of cultures grounded in tradition and elegance 18 FINANCIAL HIGHLIGHTS with the most advanced product presentation, 22 TALENTS industrial organization and management techniques. A singular mix of talent, daring 30 SOCIAL RESPONSIBILITY and thoroughness in the quest for excellence. 34 RESPONSIBLE PARTNERSHIPS A unique enterprise that stands out in its sector. Our philosophy: 36 ENVIRONMENT PASSIONATE ABOUT CREATIVITY. 44 CORPORATE SPONSORSHIP 46 SHAREHOLDERS 48 FINANCE THE VALUES OF LVMH Innovation and creativity Because our future success will come from the desire that our new products elicit while respecting the roots of our Maisons. Excellence of products and service Because we embody what is most noble and quality-endowed in the artisan world. Entrepreneurship Because this is the key to our ability to react and our motivation to manage our businesses as startups. 02 / 50 LVMH 2015 — Chairman’s message AFFIRMING OUR VALUES AND OUR VISION FOR THE GROUP — LVMH THRIVES ON CREATION, ON TALENTED MEN AND WOMEN AND ON THEIR DESIRE FOR EXCELLENCE.
    [Show full text]
  • Press Kit Con Link De Descarga Fotos Ron Mueck
    PRESS KIT Departamento de Prensa [+54-11] 4104 1044/43/29 [email protected] www.proa.org - Fundación PROA Av. Pedro de Mendoza 1929 [C1169AAD] Buenos Aires Del 16 de noviembre de 2013 al 23 de febrero de 2014 Woman with Sticks (Mujer con ramas), 2009. Procedimientos y materiales varios 170 x 183 x 120 cm. Colección Fondation Cartier pour l’art contemporain, París Concebida por Fondation Cartier pour l’art contemporain, París Con la colaboración de la Embajada de Francia en Argentina Con el auspicio de Tenaris – Organización Techint RON MUECK Créditos de la exhibición Exposición concebida por Fondation Cartier pour l’art contemporain, París — Curadores Con la colaboración de la Hervé Chandès Embajada de Francia en Argentina Grazia Quaroni — Con el auspicio de Tenaris – Organización Techint Colaboración Embajada de Francia en Argentina — Organización y producción Fondation Cartier pour l´art contemporain, París Ron Mueck Studio, Londres ArteMarca, Sao Paulo Inauguración: sábado 16 de noviembre de 2013 Fundación Proa, Buenos Aires Cierre: domingo 23 de febrero de 2014 — Diseño expositivo Ron Mueck Studio, Londres Fundación Proa, Buenos Aires Departamento de Prensa — Lucía Ledesma Montaje, conservación y registro de obras Ignacio Navarro Ron Mueck Studio, Londres Fundación Proa, Buenos Aires Alejandro Grimoldi Juan Pablo Correa — Prestadores Colección Caldic, Holanda Hauser & Wirth, Suiza Anthony d’Offay Ltd., Inglaterra T [+54 11] 4104 1044/43/29 Fondation Cartier pour l’art contemporain, Francia E [email protected] Ron Mueck, Inglaterra — Itinerancia Fondation Cartier pour l’art contemporain, París, Francia: del 16 de abril hasta el 27 de octubre de 2013. PROA www.fondation.cartier.com Fundación Proa, Buenos Aires, Argentina: Fundación PROA del 16 de noviembre 2013 hasta el 23 de febrero 2014 Av.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Grayson Perry
    GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art
    [Show full text]
  • Descriptive Catalogue of the Bowdoin College Art Collections
    Bowdoin College Bowdoin Digital Commons Museum of Art Collection Catalogues Museum of Art 1895 Descriptive Catalogue of the Bowdoin College Art Collections Bowdoin College. Museum of Art Henry Johnson Follow this and additional works at: https://digitalcommons.bowdoin.edu/art-museum-collection- catalogs Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bowdoin College. Museum of Art and Johnson, Henry, "Descriptive Catalogue of the Bowdoin College Art Collections" (1895). Museum of Art Collection Catalogues. 11. https://digitalcommons.bowdoin.edu/art-museum-collection-catalogs/11 This Book is brought to you for free and open access by the Museum of Art at Bowdoin Digital Commons. It has been accepted for inclusion in Museum of Art Collection Catalogues by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. BOWDOIN COLLEGE Desgriptive Catalogue OF THE Art Collections DESCRIPTIVE CATALOGUE OF THE BOWDOIN COLLEGE ART COLLECTIONS BY HENRY JOHNSON, Curator BRUNSWICK, ME. 1895 PUBLISHED BY THE COLLEGE. PRINTED AT JOURNAL OFFICE, LEWISTON, ME. Historical Introduction. The Honorable James Bowdoin, only son of the emi- nent statesman and patriot, Governor James Bowdoin of Massachusetts, returned to this country in 1809 from Europe, where he had been engaged in important diplomatic missions for the United States government. His death occurred in 1811. He bequeathed to the College, besides his library and other valuable property, his collection of paintings, seventy in number, brought together chiefly in Europe, and two portfolios of drawings. The drawings were received by Mr. John Abbot, the agent of the College, December 3, 1811, along with the library, of which they were reckoned a part.
    [Show full text]
  • BERNARD ARNAULT Hennessy 2 2020 ANNUAL GENERAL MEETING 3 EXCELLENT PERFORMANCE for LVMH in 2019
    ANNUAL2020 GENERAL MEETING JUNE 30, 2020 Louis Vuitton Louis 1 BERNARD ARNAULT Hennessy 2 2020 ANNUAL GENERAL MEETING 3 EXCELLENT PERFORMANCE FOR LVMH IN 2019 |Buoyant market despite uncertain geopolitical context |Good progress in all geographic regions |Another record year with double-digit increases in revenue and profit from recurring operations • Revenue: €53.7 bn, + 15% (+ 10% organic) • Profit from recurring operations: €11.5 bn, + 15% |Healthy financial position • Operating free cash flow: €6.2 bn • Adjusted net debt to equity ratio of 16.2% | Agreement with Tiffany, and integration of Belmond 3 JEAN-JACQUES GUIONY Christian Dior Dior Couture Christian 4 2020 ANNUAL GENERAL MEETING 5 2019 REVENUE EVOLUTION In millions of euros Organic Structure Currency impact effect 53 670 46 826 +10% + 1% +3% + 15% 2018 2019 The principles used to determine the net impact of exchange rate fluctuations on the revenue of entities reporting in foreign currencies and the net impact of changes in the scope of consolidation are described on page 39 of the 2019 Universal Registration Document. As table totals are calculated based on unrounded figures, there may be slight discrepancies between these totals and the sum of their component figures. 5 2020 ANNUAL GENERAL MEETING 6 2019 REVENUE BY BUSINESS GROUP Reported Organic In millions of euros 2018 2019 growth growth* WINES & SPIRITS 5 143 5 576 + 8% + 6% Champagne & Wines 2 369 2 507 + 6% + 4% Cognac & Spirits 2 774 3 069 + 11% + 7% FASHION & LEATHER GOODS 18 455 22 237 + 20% + 17% PERFUMES & COSMETICS 6 092 6 835 + 12% + 9% WATCHES & JEWELRY 4 123 4 405 + 7% + 3% SELECTIVE RETAILING 13 646 14 791 + 8% + 5% OTHERS & ELIMINATIONS (633) (174) -- TOTAL LVMH 46 826 53 670 + 15% + 10% * With comparable structure and exchange rates.
    [Show full text]
  • NUVEEN INVESTMENT TRUST II Form N-PX Filed 2021-08-23
    SECURITIES AND EXCHANGE COMMISSION FORM N-PX Annual report of proxy voting record of registered management investment companies filed on Form N-PX Filing Date: 2021-08-23 | Period of Report: 2021-06-30 SEC Accession No. 0001193125-21-253308 (HTML Version on secdatabase.com) FILER NUVEEN INVESTMENT TRUST II Mailing Address Business Address C/O NUVEEN INVESTMENTS C/O NUVEEN INVESTMENTS CIK:1041673| IRS No.: 000000000 | Fiscal Year End: 0731 333 W WACKER DR 32ND FL 333 W WACKER DR 32ND FL Type: N-PX | Act: 40 | File No.: 811-08333 | Film No.: 211195314 CHICAGO IL 60606 CHICAGO IL 60606 312-917-8146 Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document FORM N-PX ANNUAL REPORT OF PROXY VOTING RECORD OF REGISTERED MANAGEMENT INVESTMENT COMPANY Investment Company Act file number 811-08333 Nuveen Investment Trust II (Exact name of registrant as specified in charter) 333 West Wacker Drive, Chicago, Illinois 60606 (Address of principal executive offices) (Zip Code) Christopher E. Stickrod Chief Administrative Officer (Name and address of agent for service) Registrants telephone number, including area code: 312-917-7700 Date of fiscal year-end: July 31 Date of reporting period: June 30, 2021 Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Item 1. Proxy Voting Record Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document FORM N-PX ICA File Number: 811-08333 Registrant Name: Nuveen Investment Trust II Reporting Period: 07/01/2020 - 06/30/2021 Nuveen Emerging Markets Equity Fund AAC TECHNOLOGIES HOLDINGS, INC.
    [Show full text]
  • Introduction and Will Be Subject to Additions and Corrections the Early History of El Museo Del Barrio Is Complex
    This timeline and exhibition chronology is in process INTRODUCTION and will be subject to additions and corrections The early history of El Museo del Barrio is complex. as more information comes to light. All artists’ It is intertwined with popular struggles in New York names have been input directly from brochures, City over access to, and control of, educational and catalogues, or other existing archival documentation. cultural resources. Part and parcel of the national We apologize for any oversights, misspellings, or Civil Rights movement, public demonstrations, inconsistencies. A careful reader will note names strikes, boycotts, and sit-ins were held in New York that shift between the Spanish and the Anglicized City between 1966 and 1969. African American and versions. Names have been kept, for the most part, Puerto Rican parents, teachers and community as they are in the original documents. However, these activists in Central and East Harlem demanded variations, in themselves, reveal much about identity that their children— who, by 1967, composed the and cultural awareness during these decades. majority of the public school population—receive an education that acknowledged and addressed their We are grateful for any documentation that can diverse cultural heritages. In 1969, these community- be brought to our attention by the public at large. based groups attained their goal of decentralizing This timeline focuses on the defining institutional the Board of Education. They began to participate landmarks, as well as the major visual arts in structuring school curricula, and directed financial exhibitions. There are numerous events that still resources towards ethnic-specific didactic programs need to be documented and included, such as public that enriched their children’s education.
    [Show full text]
  • FOR IMMEDIATE RELEASE Wednesday, October 14, 2020
    FOR IMMEDIATE RELEASE Wednesday, October 14, 2020 MOCA FORMS ENVIRONMENTAL COUNCIL A FIRST FOR A MAJOR U.S. ART MUSEUM The Aileen Getty Plaza at The Geffen Contemporary at MOCA. LOS ANGELES—The Museum of Contemporary Art (MOCA) announces the creation of an Environmental Council, the first for a major art museum in the United States. The Council is focused on climate, conservation, and environmental justice in furtherance of the museum’s mission. In development since Klaus Biesenbach became the Director of MOCA in 2018, the museum will unfold important initiatives made possible by the Council within the first year, including financial commitments and expertise to work toward institution-wide carbon negativity, carbon- free energy, environmentally-focused museum quality exhibitions, educational programming, related artist support, and reductions in emissions and consumption. MOCA plans to publicly share the Council’s efforts and progress as a platform for public dialogue and engagement on this urgent topic. MOCA Environmental Council Founders and Co-Chairs are David Johnson and Haley Mellin. Founding Council members are Njideka Akunyili Crosby, Aileen Getty, Agnes Gund, Sheikha Al Mayassa Bint Hamad bin Khalifa Al Thani and Brian Sheth. Expert advisors to the Council include Illina Frankiv, Dan Hammer, Lisa P. Jackson, Lucas Joppa, Jen Morris, Calla Rose Ostrander and Enrique Ortiz. MOCA Executive Director, Klaus Biesenbach, and MOCA Deputy Director, Advancement, Samuel Vasquez will be ex-officio members of the Council and assure continuity and communication between the Council’s priorities and the museum’s activities and operations. The Council will support artists working on critical environmental issues by financially supporting meaningful exhibition and educational programming.
    [Show full text]
  • Cita, Apropiación Y Montaje En La Obra De Grete Stern Paula Bertúa
    Paula Bertúa. Poética de la reinvención. (Auto) cita, apropiación y montaje en la obra de Grete Stern. Papeles de Trabajo, Año 4, N° 7, abril 2011, pp. 74-92. Poética de la reinvención. (Auto) cita, apropiación y montaje en la obra de Grete Stern Paula Bertúa (UBA – CONICET) Resumen En este trabajo se analiza una serie de fotomontajes elaborados por la fotógrafa Grete Stern para ilustrar una columna psicológico-sentimental de la revista femenina Idilio. En ellos, Stern retomó, mediante la cita y la apropiación, fotografías ya concebidas, propias y ajenas, para intervenirlas en nuevas composiciones que resignifican sus efectos estéticos, redefiniendo, a su vez, el rol de la práctica artística en un medio de masas. Palabras clave: Fotografía – Cita – Apropiación – Montaje – Grete Stern. Keywords: Photography – Quote – Appropiation – Montage – Grete Stern. Grete Stern en Idilio En agosto de 1948 la fotógrafa Grete Stern comenzaba un trabajo en colaboración de largo aliento que significaría una intervención cultural singular y original en el campo de las publicaciones populares argentinas de mediados de siglo. Convocada por el sociólogo Gino Germani participaría en una columna de consultorio psicológico- sentimental llamada “El psicoanálisis le ayudará” en la revista femenina Idilio, de la Editorial Abril.46 La sección fue el producto de una intervención interdisciplinaria, que 46 Idilio se comenzó a publicar el 26 de octubre de 1948, por la editorial Abril, fundada por Césare Civita. En sus páginas convivían una serie de géneros discursivos habituales en las revistas dirigidas a la mujer: cartas de lectoras, columna de consultorio sentimental, artículos referidos a problemáticas hogareñas, moda y belleza, publicidades e historias de amor, y novelas por entregas.
    [Show full text]
  • THE STÄDEL MUSEUM 700 Years of Art History
    PRESS RELEASE THE STÄDEL MUSEUM 700 Years of Art History Established in 1815 as a civic foundation by the banker and merchant Johann Städelsches Kunstinstitut und Städtische Galerie Friedrich Städel, the Städel Museum is regarded as the oldest and most renowned Dürerstraße 2 museum foundation in Germany. The diversity of the collection provides an almost 60596 Frankfurt am Main Telefon +49(0)69-605098-170 complete overview of 700 years of European art history, from the early fourteenth Fax +49(0)69-605098-111 century across the Renaissance, the Baroque and Modernism right up to the [email protected] www.staedelmuseum.de immediate present. Altogether the Städel collection comprises some 3,000 paintings, PRESS DOWNLOADS 600 sculptures, more than 4,000 photographs and more than 100,000 drawings and www.staedelmuseum.de graphic works. Its highlights include works by such artists as Lucas Cranach, Albrecht PRESS AND PUBLIC RELATIONS Dürer, Sandro Botticelli, Rembrandt van Rijn, Jan Vermeer, Claude Monet, Pablo Axel Braun, Head Tel. +49(0)69-605098-170 Picasso, Ernst Ludwig Kirchner, Max Beckmann, Alberto Giacometti, Francis Bacon, Fax +49(0)69-605098-188 [email protected] Gerhard Richter, Wolfgang Tillmans and Corinne Wasmuht. The focus of the Städel Silke Janßen Museum’s work, alongside collecting and conserving, consists in scholarly research Telefon +49(0)69-605098-234 Fax +49(0)69-605098-188 into the museum’s holdings, as well as in the organization of exhibitions based on the [email protected] works in its care. A further central concern is to put the art across to specific target Karoline Leibfried groups; this aspect addresses both the contents of the collection but also general Telefon +49(0)69-605098-212 Fax +49(0)69-605098-188 questions of art, and is aimed at a diversified public.
    [Show full text]