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Patricia Kopatchinskaja SÉMELE octubre de 2015 – boletín de novedades discográficas de música clásica Accent Aeon Alpha Alto Arcana Arte Verum BIS Carus Chandos Christophorus CPO Cypres Dynamic Enchiriadis Evil Penguin Fra Bernardo Glossa MDG Melodiya Musica Ficta Musique en Wallonie Musiépoca Ondine Orpheus Pan Classics Pentatone Phi Patricia Kopatchinskaja Ramée Raumklang RCO Live ‘Take Two’ Ricercar Vanitas Duetos, en Alpha SÉMELE octubre de 2015 – boletín de novedades discográficas de música clásica semelemusic.com | laquintademahler.com Sémele Proyectos Musicales es un innovador servicio de distribución discográfica, marketing y promoción de música clásica con sede en San Lorenzo de El Escorial, al noroeste de Madrid. Los sellos distribuidos en exclusiva por Sémele en España, y muchos de ellos también en Portugal, son actualmente los siguientes (por orden alfabético): 6x8, Accent, Aeon, Almaviva, Alpha, Alto, Alqhai & Alqhai, Anemos, Anima e Corpo, Arcana, Arsis, Arte Verum, Audite, Berli Music, BIS, Bongiovanni, Bridge, Cantus, Carpe Diem, Carus, CDM Capella de Ministrers, Chandos, Christophorus, CMY Baroque, Columna Música, Contrastes, CPO, Cypres, Dynamic, Ediciones Singulares, Enchiriadis, Eurydice, Evil Penguin, Fra Bernardo, Fuga Libera, Glossa, Glyndebourne, Hänssler Classic, IBS Classical, Intergroove, Kairos, Lauda, Lawo, Lindoro, MDG Dabringhaus und Grimm, Melodiya, Música Antigua Aranjuez, Musica Ficta, Musiépoca, Musique en Wallonie, Muso, Neos, Neu Records, Non Profit Music, OBS Prometeo, Obsidian, Ondine, Opera d’Oro, Opera Rara, Orfeo, Orquesta y Coro Nacionales de España, Pan Classics, Passacaille, Pentatone, Phi, Ramée, Raumklang, Rewind, Ricercar, Satirino, Soli Deo Gloria, Stradivarius, Supraphon, Tempus, Timpani, Transopera, Tudor, Vanitas, Verso, Vivat, Weitblick, Zig-Zag Territoires. Sémele Proyectos Musicales está además asociada a La Quinta de Mahler , espacio físico (y online) de venta de discos y libros y lugar de encuentro para todos los aficionados a la música clásica, ubicado en el centro de la ciudad de Madrid (c/ Amnistía, 5), a pocos pasos de destinos emblemáticos como la Puerta del Sol, el Teatro Real y la Plaza Mayor. Bajo el sello Ediciones Singulares , Sémele Proyectos Musicales publica sus propias colecciones de refinados libro-discos que sitúan a la música en su contexto histórico, cultural y social. © 2015 Sémele Proyectos Musicales s.l. Dirección: Carlos Céster | Redacción: David Rodríguez | Foto de cubierta © Marco Borggreve oficina & almacén: Sémele Proyectos Musicales s.l. | Timoteo Padrós, 31 | 28200 San Lorenzo de El Escorial | España información: tel. (+34) 91 896 1480 | [email protected] | www.semelemusic.com pedidos de tiendas: [email protected] pedidos de particulares: tel. (+34) 91 805 3899 (La Quinta de Mahler) LO MÁS DESTACADO DEL MES | octubre de 2015 | SÉMELE | 3 Take Two | Patricia Kopatchinskaja | Alpha partir una experiencia musical única en la que se mezclan compositores antiguos y barrocos con auto - res vivos, un clarinetista tocando la ocarina con las improvisaciones de un clavecinista, música electró - nica con pianos de juguete... En Take Two Patricia Kopatchinskaja se permite la libertad más absoluta a la hora de crear un pro - grama tan heterodoxo como fascinante donde esta - blece no sólo unos diálogos musicales de alto voltaje creativo con sus amigos músicos, sino también con su propia hija Alice, a quien relata en el extenso libreto salpicado de fotografías de Marco Borggreve la loca historia de la grabación. ¡Bienvenidos a una fantasía musical sin reglas ni restricciones! PORTADA onsidéralo todo un experimento. No hay “C que adentrarse en el bosque para buscar algo, sino para descubrir lo que hay. Da igual donde nos encontremos, casi siempre oímos ruido. Cuando lo ignoramos, nos perturba. Cuando lo escuchamos, lo encontramos fascinante.” Abrazando las tesis del Patricia Kopatchinskaja compositor y filósofo musical John Cage, Patricia Take Two Kopatchinskaja ha dinamitado las normas del violín Duetos para jóvenes de 0 a 100 años. clásico. Sus personalísimas –extremas, incluso – lec - Patricia Kopatchinskaja, violín. turas de los grandes clásicos del repertorio nunca Jorge Sánchez-Chiong, electrónica y platos. dejan indiferente y fascinan repetidamente a un Anthony Romaniuk, clave y piano de juguete. público embelesado por su generosidad y compro - Reto Bieri, clarinete, ocarina y violín. Laurence miso sobre el escenario o su predilección por nuevos Dreyfus, viola tiple. Matthias Würsch, darbuka. repertorios y músicas que se alejan de la senda mar - Pablo Márquez, guitarra. Ernesto Estrella, voz. cada. Ahora, la violinista descalza nos invita a com - ALPHA 211. 1 CD. 3760014192111. Tarifa AF2 Cœur | Vincent Dumestre | Alpha zaron con especial intensidad en una poesía nueva de mayor lirismo inspirada en modelos italianos antiguos y contemporáneos y cuyo homólogo en música sería el aire cortesano, un nuevo género musical perfectamente adaptado a los ideales huma - nistas que defendían la sobriedad e inteligibilidad del texto. Este programa se vale de esta música, por des - gracia todavía insuficientemente conocida, para des - cubrirnos un universo musical y poético de alta sofisticación –la obra de Pierre Cléreau, Guillaume Costeley, Adrian Le Roy y Didier Le Blancque – que es reflejo del Renacimiento francés en su máximo apogeo. Como es habitual, Vincent Dumestre, maes - tro incontestable de estos repertorios, se ha rodeado destacado en esta grabación de la flor y nata de la interpretación historicista vocal e instrumental con el fin de exhu - mar y compartir con nosotros tan exquisitos e infre - incent Dumestre y Le Poème Harmonique nos cuentes tesoros musicales. V trasladan en su última grabación a la Francia de la segunda mitad del siglo XVI, época en la que proliferan en Europa nuevos centros de actividad artística. Tales centros, que no eran sino sociedades burguesas auspiciadas por príncipes-patronos inte - resados en aumentar su prestigio sirviéndose tanto Coeur de las armas como de las artes y las letras, se vieron Airs de cour también fortalecidos por la implicación de ciertos Airs de cour franceses de fines del siglo XVI. círculos refinados de mujeres cultas que permitieron Claire Lefilliâtre, soprano. Bruno Le Levreur, a estos patronos estrechar lazos con los poetas más contratenor. Serge Goubioud, tenor. insignes de su tiempo y con músicos afines a las Marc Mauillon, barítono. doctrinas e investigaciones humanistas. Estas siner - Le Poème Harmonique. gias culturales, que revirtieron en la creación de Vincent Dumestre, dirección. nuevas formas y prácticas artísticas, se materiali - ALPHA 213. 1 CD. 3760014192135. Tarifa AF2 LO MÁS DESTACADO DEL MES | octubre de 2015 | SÉMELE | 4 Blues everywhere I go | Barbara Hendricks | Arte Verum ponible en dos lujosas ediciones, al camino del blues para descubrir las fuentes del jazz. A principios del siglo XX, el blues de las comu - nidades negras del sur de Estados Unidos, tomó for - ma a partir de los espirituales, esas dolientes canciones de trabajo nacidas del sudor y la sangre de los esclavos en las plantaciones de algodón. El fin de la esclavitud y la independencia de estos hombres se tradujo en el desarrollo de una tradición que tam - bién hundía sus pies en las parroquias y en las tra - diciones orales importadas de África occidental. Grabado en Estocolomo durante un directo de la cantante, Blues Everywhere I Go nos propone un viaje por los campos de algodón del delta del Mississippi mostrándonos la diversidad de temas que forman parte de este cancionero excepcional: desde la conmovedora expresión del sufrimiento con temas como Dinks Blues o Cross Road Blues de destacado Robert Johnson a los aspectos políticos del blues – y su importante vínculo con el movimiento en pos de los derechos civiles emprendido por Martin Luther nspirada por Claude Nobs, fundador del Festival King– con Strange Fruit , Down In Mississippi o I Wish I Montreux de jazz, Barbara Hendricks decidió I Knew How It Would Feel To Be Free de Nina Simone. hace más de veinte años incorporar el jazz a su vasto repertorio clásico. Una elección que no sólo da fe de la inquietud estética de la mezzo americana, sino también de la búsqueda de sus raíces. Para una Barbara Hendricks cantante que descubriría su pasión por la música Blues Everywhere I Go interpretando espirituales negros en la iglesia de Barbara Hendricks, voz. Max Schultz, guitarra. su padre, nada podría ser más coherente. Tras explo - Mathias Algotsson, piano y Hammond. Clas rar en 2008 el repertorio de Duke Ellington y Billie Lassbo, bajo. Chris Montgomery, batería. Holiday en el álbum Barbara Sings the Blues , ARV 013. 1 CD. 5425019971137. Tarifa AF2 Hendricks vuelve en este Blues Everywhere I go , dis - ARV 013 LP. 1 LP + CD. 5425019971922. Tarifa 2AF6 Canciones de cuna, edición especial | Varios artistas | Carus Desde Guten Abend, gute Nacht y Hush-a-bye a Duérmete niño , Wiegenlieder propone una colección definitiva de nanas que es a la vez la crónica de una tradición transcultural e inmemorial. Nada menos que ochenta cantantes de las más distintas proce - dencias –entre otros, súperestrellas de la ópera y el canto lírico como Jonas Kaufmann, Angelika Kirchschlager, Christoph Prégardien o Andreas Scholl – o agrupaciones vocales de la altura del Calmus Ensemble o el Coro de Cámara de Stuttgart, rinden aquí su arte al arrullo más tierno y delicado en un gesto de incomparable musicalidad. destacado ntre 2009 y 2013 Carus apadrinó el Lieder- E Projekt con el fin de compilar el cancionero tradicional
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