2016 Programme Bergen International Festival
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Fredrikshalds Teater – Teaterhistorisk Museum Prosjekt for Et Norsk Teaterhistorisk Kulturarvsenter FORORD
Fredrikshalds Teater – Teaterhistorisk Museum Prosjekt for et norsk teaterhistorisk kulturarvsenter FORORD Sammendrag English Summary Helt siden førstekonservator Vidar Parmer gjenåpnet et Teateret er også av en slik art at det bør være tilgjengelig som I 2019 søker Østfoldmuseene – Halden historiske Samlinger In 2019, the Museums of Østfold (Østfoldmuseene – Halden nyrenovert Fredrikshalds Teater i 1982, har tanken om et forskningsarena for universiteter og høyskoler, og en arena Kulturdepartementet om midler til å utvikle Fredrikshalds historiske Samlinger) are applying to the Ministry of Culture teaterhistorisk museum knyttet til teateret vært høyst levende. for formidling av teaterhistorien i et bredt perspektiv. Aktiv Teater i Halden til et kulturarvsenter for norsk teaterhistorie; for funding to develop Halden’s Fredrikshald Theatre into a Takket være Parmers kunnskap og fremsynthet kan Halden og delaktighet fra fagmiljøer vil kunne gi prosjektet spennende og Fredrikshalds Teater – Teaterhistorisk Museum. heritage centre for Norwegian theatre history; the Fredrik- Østfoldmuseene i dag smykke seg med en unik perle i nasjonal nyskapende vinklinger og innhold. Prosjektet har blitt shalds Teater – Teaterhistorisk Museum. kulturhistorisk sammenheng. Museet ønsker gjennom prosjek- presentert for teaterhistoriske institusjoner og fagmiljøer både Fredrikshalds Teater, som først åpnet i 1838, er Norges tet Fredrikshalds Teater – Teaterhistorisk museum å realisere regionalt og nasjonalt, og den utelukkende positive responsen eldste teaterbygning -
University of Copenhagen
Staged, yet unstaged Sociological inquiries into space and micro-interaction Liebst, Lasse Suonperä Publication date: 2014 Document version Other version Document license: Other Citation for published version (APA): Liebst, L. S. (2014). Staged, yet unstaged: Sociological inquiries into space and micro-interaction. Department of Sociology,University of Copenhagen. Download date: 03. okt.. 2021 LASSE SUONPERÄ LIEBST DEPARTMENT OF SOCIOLOGY faculty of social sciences UNIVERISTY OF COPENHAGEN · DENMARK university of copenhagen PHD THESIS 2014 · ISBN 978-87-7611-771-9 LAssE SUONPERÄ LIEbsT Staged, yet Unstaged Sociological Inquiries into Space and Micro-Interaction Staged, yet Unstaged · Sociological Inquiries into Space and Micro-Interaction Unstaged · Sociological Inquiries Space yet into Staged, Staged, yet Unstaged Sociological Inquiries into Space and Micro-Interaction LASSE SUONPERÄ LIEBST · PHD THESIS · 2014 Staged, yet Unstaged Staged, yet Unstaged Sociological Inquiries into Space and Micro-Interaction Lasse Suonperä Liebst PHD THESIS DEPARTMENT OF SOCIOLOGY UNIVERSITY OF COPENHAGEN Staged, yet Unstaged. Sociological Inquiries into Space and Micro-Interaction © Lasse Suonperä Liebst Ph.d.-afhandling Sociologisk Institut Det samfundsvidenskabelige fakultet Københavns Universitet Opsætning: Lasse Suonperä Liebst Sats: Garamond Omslag: SL Grafik Forside: Flyfoto af Roskilde Festival 2011 Tryk: SL Grafik, Frederiksberg C., Danmark (www.slgrafik.dk) ISBN: 978-87-7611-771-9 Indleveret til bedømmelse: 11. april 2014 Offentligt forsvar: -
Bergen Big Band Som Den Gyldne Sol Frembryter Mp3, Flac, Wma
Bergen Big Band Som Den Gyldne Sol Frembryter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Som Den Gyldne Sol Frembryter Country: Norway Released: 2008 Style: Contemporary Jazz, Big Band MP3 version RAR size: 1621 mb FLAC version RAR size: 1424 mb WMA version RAR size: 1547 mb Rating: 4.7 Votes: 871 Other Formats: MP3 APE MP4 DMF AIFF MP1 ADX Tracklist Hide Credits Folkevise 1 Arranged By – Jan Magne FørdeComposed By – Trad*Soloist, Alto Saxophone – Jan Kåre 4:42 HystadSoloist, Flugelhorn – Jan Magne Førde Som Den Gyldne Sol Frembryter 2 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Alto Saxophone – Olav 7:09 DaleSoloist, Guitar – Ole ThomsenVocals – Berit Opheim Herre Gud Ditt Dyre Namn Og Ære 3 Arranged By – Svein Henrik GiskeComposed By – Trad*Soloist, Tenor Saxophone – Ole 5:50 Jakob Hystad*Vocals – Kari Malmanger Syng I Stille Morgonstunder 4 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Piano – 'Erik Håkon 5:16 Halvorsen*Soloist, Trumpet – Are OvesenVocals – Eirik Lohne Rongved Jeg Ser Deg O Guds Lam Å Stå 5 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Bass Clarinet – Michael Barnes 6:42 Soloist, Trombone – Sindre DalhaugVocals – Berit Opheim Troll 6 6:17 Composed By – Jan Magne FørdeSoloist, Trumpet – Jan Magne Førde Langt Inn Paa Ville Hei 7 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Alto Saxophone – Olav 8:31 DaleSoloist, Tenor Saxophone – Zoltan Vincze*Vocals – Eirik Lohne Rongved Fryd Dig Du Kristi Brud 8 Arranged By – Olav DaleComposed By – Trad*Soloist, Synth – Erik Håkon Halvorsen*Vocals 6:29 – Berit Opheim Å Hvor Salig Det Skal Blive 9 Arranged By – Reid GiljeComposed By – Trad*Soloist, Flute – Jan Kåre HystadVocals – Kari 5:08 Malmanger Lite Bane 10 4:59 Arranged By – Jan Magne FørdeComposed By – Trad*Soloist, Flugelhorn – Martin Winter Companies, etc. -
Anette Storli Andersen
THE YOUNG IBSEN’S THEATRE AESTHETICS – A THEATRE OF THE OLD, FREE AND MOUNTAINOUS NORTH Anette Storli Andersen Ibsen’s dramas are today world dramas – not primarily as literature or printed books, but as theatre – on stage. The main point of this article is to show two historical examples for how theatre has functioned as a community building institution and to underline the fact that before Ibsen, drama as theatre had played an important part in the making of a common world among Norwegian citizens. I will also suggest how the young Ibsen profited from these established theatre traditions during his practical theatre career – before he dissociated himself from Norwegian theatre and the Norwegian national character in 1864. This means that I disagree with Benedict Anderson (1991, 44) when he argues that the development of printed national languages laid the basis for national consciousness and accordingly also for the modern nation state. When Ibsen and his contemporaries were fighting for a Norwegian theatre and theatre aesthetics in the 1850s and early 1860s, a written Norwegian language, which was distinctly different from written Danish, did not exist. The literary market was marginal compared to the market for theatre performances. Thus, theatre was the most important institution for strengthening the national consciousness. This position is underlined by Ibsen’s artistic career: Until the early 1860s, Ibsen got most of his income from the theatre and his dramas were first performed on stage and then printed later on – if printed at all. When the Norwegian constitution was made in 1814, the written language was Danish. -
Accesrailqr1.Pdf
Acknowledgement: This document was developed by Galileo International, Training and Development. Customer feedback is important to us. Please take a few minutes to send any questions or comments to us at [email protected] ©2005 Galileo International. All Rights Reserved. Apollo, Galileo, the Globe device, Galileo 360o Learning, Best Buy Quote, Claim PNR, Custom Check, Focalpoint, Front Page News, Galileo 360 o Fares, GlobalWare, Inside Availability, Inside Link, Preview Plus, TravelScreen, Private Fares, PRO-files, Queue Manager, Scriptwriter Plus, Travel Directory, and Viewpoint are either registered trademarks or service marks of Galileo International in the United States and/or other countries. 8/05 GB AccesRail Quick Reference, August 2005 1 Contents AccesRail Products ....................................................................................................................3 AccesRail Facts ..........................................................................................................................4 AccesRail Rail Passes/Rules .....................................................................................................4 BritRail Pass ............................................................................................................................. 4 Eurail Pass (Available U.S./Canada only) ................................................................................. 5 Norway in a Nutshell Pass (Available U.S./Canada only) ........................................................ -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
Rebuilding Efforts to Take Years News Officials Estimate All Schools in Oslo Were Evacu- Ated Oct
(Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY News In Your Neighborhood A Midwest Celebrating 25 welcome Se opp for dem som bare vil years of Leif leve sitt liv i fred. to the U.S. De skyr intet middel. Erikson Hall Read more on page 3 – Claes Andersson Read more on page 13 Norwegian American Weekly Vol. 122 No. 38 October 21, 2011 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $1.50 per copy Norway.com News Find more at www.norway.com Rebuilding efforts to take years News Officials estimate All schools in Oslo were evacu- ated Oct. 12 closed due to it could take five danger of explosion in school years and NOK 6 fire extinguishers. “There has been a manufacturing defect billion to rebuild discovered in a series of fire extinguishers used in schools government in Oslo. As far as I know there buildings have not been any accidents be- cause of this,” says Ron Skaug at the Fire and Rescue Service KELSEY LARSON in Oslo. Schools in Oslo were Copy Editor either closed or had revised schedules the following day. (blog.norway.com/category/ Government officials estimate news) that it may take five years and cost NOK 6 billion (approximately Culture USD 1 billion) to rebuild the gov- American rapper Snoop Dogg ernment buildings destroyed in the was held at the Norwegian bor- aftermath of the July 22 terrorist der for having “too much cash.” attacks in Oslo. He was headed to an autograph Rigmor Aasrud, a member of signing at an Adidas store on the Labor Party and Minister of Oct. -
Iconographisk Post • Nordisk Tidskrift För Bildtolkning Nordic Review of Iconography Nr 1, 2021
Iconographisk Post • Nordisk tidskrift för bildtolkning Nordic Review of Iconography Nr 1, 2021. issn 2323-5586 pp. 41–66. Elisabeth Andersen Iconographisk Post Elisabeth Andersen, art historian at the Norwegian Institute for Cultural Heritage Nordisk tidskrift för bildtolkning Research (NIKU), Oslo, Norway. Nordic Review of Iconography Email: [email protected] Svevende dåpsengler Nr 1, 2021 Flying Baptismal Angels innehåll / contents Abstract: Flying, or descending baptismal angels served as mobile sculptures and hung from the ceilings of churches, in the areas between altars and pulpits. The angels “came to life” during the Baptism service: by means of a special mechanism located in the at- Förord / Editorial 3 tic, they were made to descend before the eyes of the congregation, holding the font in Sebastian Selvén 7 one or both hands. The angels were carved in wood, often in human size, painted and “Går jag till sängs med tolv Guds änglar ...”: den judisk-kristna konsten gilded. Their hair and clothes were sculpted as fluttering in the wind while the wings att somna och avsomna i bild och bön were poised to flap. They started to appear in the middle of the 17th century in north Germany, and peaked in popularity in the 18th century, mainly around Saxony, Po- Elisabeth Andersen 41 merania and Prussia, Denmark, Sweden and Norway. Despite the marvel and fascina- Svevende dåpsengler tion of these animated angels, they also elicited feelings of discomfort, and sometimes even horror. Peter Gillgren 67 They could also be troublesome for the clergy and were therefore removed from Wendelius teckningar föreställande Esters historia. -
March–May 2019
The magazine of the Anglican Chaplaincy in Norway MARCH–MAY 2019 Illustrations of Bergen landmarks by Evan Huang, Taiwan. See article inside (page 8). Top: St Mary’s Church (Mariakirken) Bottom: The Wharf (Bryggen) Who’s Who SENIOR CHAPLAIN The Revd Darren McCallig 22 69 22 14 c/o The British Embassy [email protected] ASSISTANT CHAPLAINS The Revd Peter Hogarth 51 55 54 88 [email protected] 48 60 40 61 The Revd Jan Jensen (locum chaplain, until 28 April) 94 86 26 04 Kongsgårdsgata 2, 7013 Trondheim [email protected] The Revd Kirk Weisz (locum chaplain) 41 43 13 21 Breistølen 40, 5034 Bergen [email protected] CHAPLAINCY SAFEGUARDING Sharon John [email protected] OFFICER (assistant safeguarding officers shown with this symbol) READERS IN TRONDHEIM Priscilla Beck 73 93 81 50 Susan J Boyd 72 58 52 69 READER IN BERGEN Iris Evans-Bjørnø 55 18 67 34 ARCHDEACONRY SYNOD Ingeborg Wörheide (Oslo) 66 80 81 36 REPRESENTATIVES Linda White (Trondheim) 48 20 01 95 Susan Gjerde (Bergen) 55 32 18 47 Rumi Achije (Stavanger) 96 83 71 93 CHAPLAINCY CHURCHWARDENS Gregory Norton, John Glazebrook [email protected] ASSISTANT CHURCHWARDENS Eirik Duerr (Bergen), Sarah Warner Vik (Trondheim) FORSTANDER Ingeborg Wörheide 66 80 81 36 OTHER COUNCIL MEMBERS Jill Almvang, Terry Bevan, Pamela Brooks, Hilde Chapman, Andrew Lane (Hon Sec), Mamae Wikiriwhi Sigrid Kvaal (Hon Treasurer) 22 46 07 53 YOUTH GROUP OSLO Anne-Grete Larsen YOUTH & CHILDREN STAVANGER Denise Johnson-Joakimsen [email protected] 95 28 23 88 -
MAGNE F + UFR CATALOG A5 SIZE.Indd
M A G N E F U R U H O L M E N CURATED BY CATHRINE EDWARDS M A G N E F U R U H O L M E N CURATED BY CATHRINE EDWARDS MAGNE FURUHOLMEN Furuholmen’s work is represented in “The goal was to create a park that can institutions and collections in his native be experienced in diferent ways at Norway and worldwide including London, diferent times of the year, with water in New York and Miami . the summer and dampness in winter as an atmospheric elements adding to changing Among his permanent public commissions lighting conditions.” says Furuholmen of the is ‘Resonance’ for The city of Bergen. Henie commission. Onstad Kunstsenter, Kunstgalleriet, Gallery Trafo, Norwegian Graphics Union and The The ‘imprints’ sculptural works form the Nobel Peace Center have all exhibited his basis for this limited edition collaboration work in Norway. with Urban Fabric Rugs curated by Cathrine Edwards. Three scultpures from the Furuholmen’s work with glass, paint, collection have been translated into four etching and woodcuts have been color compositions for this limited edition exhibited internationally at the Museum series of ten rugs each. Of Contemporary Glass Art and Gallery Christian Dam in Copenhagen; The London Art Fair and Paul Stolper Gallery in London along with Dovecot Studios in Edinburgh. Recently, Furuholmen has completed his largest commission to date for the Fornebuporten Ceramic Sculpture Park entitled “Imprints” consisting of 40 individual works, all executed in fired feldspath earthenware. URBAN FABRIC RUGS Urban Fabric Rugs are based on scale Urban Fabric place its bets on diference, maps extruded and meticulously cut out of clinging to the notion of uniqueness of place hand-tufted or hand-knotted New Zealand in the vein of Camillo Sitte’s City Planning virgin wool. -
Asen (Aasen) Family Norway Get Together
Asen (Aasen) Family Norway Get Together August 18- 28, 2014 INCLUDED IN YOUR TOUR: 4-Seasons Vacations Tour Director, Sue Barber Tour of Oslo, Cider Tour, Norwegian Glacier Roundtrip Iceland Air flights, Minneapolis to Oslo Museum, Maihaugen Open Air Museum 9 Nights Hotel Accommodations Norway in a Nutshell tour 17 Meals: 9 breakfasts, 8 dinners Ferry Crossings Deluxe motor coach in Norway Visit family farms near Hurdal, Numedal and Baggage handling at hotels (1 bag per person) Hol-Hallingdal Roundtrip motor coach from Albert Lea to the Norwegian Tour Manager, Oslo to end of tour Airport All taxes and gratuities for Norwegian Guide and coach driver after Oslo DAY 1 MONDAY Depart via Iceland Air for Oslo, Norway via a brief stop in Iceland. DAY 2 TUESDAY (D) Welcome to Oslo, Norway! This Northern European capital city is located on a 60 mile fjord on the country’s southeastern coast. Be prepared for its beauty as the city is surrounded by pine covered islands and high hills on three of its sides. After you land in the international airport, you will be greeted by your airport assistant and motor coach. Transfer to your hotel and enjoy a welcome dinner as you conclude your first day in Norway. RADISSON BLU SCANDINAVIA HOTEL OSLO (2 nights) DAY 3 WEDNESDAY (B) Enjoy breakfast at the hotel then meet with a coach and local guide as you embark on a 3 hour sightseeing tour of the city. You will visit the National Viking Museum. It contains authentic Viking Longships which date back to 800AD! Next, check out the Vigeland Sculpture Arrangements as you tour the Frogner Park. -
Kammertoner Nr. 3, 2012
MUSIKKMUSEUM - LYSTGÅRD - BOTANISK HAGE Daglig åpent 1. mai - 16. september kl 11 - 16 Tordenskiold Kro og den botaniske hagen har åpent hver dag - hele året! Ringve museum Lade Allé 60 73 87 02 80 www.ringve.no Festivalpass 2012 MEDLEMSTILBUD Trondheim kammermusikkfestival tilbyr alle medlemmer i Kammerselskapet festivalpass til følgende priser: ordinær 1000 (1100 fullpris) honnør 800 (900 fullpris) student 525 (600 fullpris) Prisene er eks. billettavgift. Passet gjelder for alle konserter unntatt Stemningsstund i Stiftsgården 20/9, Lørdag på Lade Gaard 22/9, Anne-Sophie Mutter og TrondheimSolistene 23/9 VELKOMMEN! Festivalpass med medlemsrabatt kjøpes på Dokkhuset, Nedre Elvehavn. Inngang 2. etg., åpent 10-16 www.kamfest.no Styreleder har ordet En ny Kammermusikkfestival står for døren. Vi håper mange vil ta turen til Byscenen og få Programmet er om mulig enda mer imponer- oppleve hvilken rikdom av musikk og skaper- ende, storslagent og variert enn før. kraft våre aller nyeste landsmenn kan by på. Programmet favner bredt. Fra verdensnavn Vi trøndere er virkelig heldige som har en slik som Anne Sophie Mutter i Olavshallen til unik Kammermusikkfestival. En festival med lokal sigøynermusikk på Ferstad gård. På høye krav til kvalitet, som stadig utfordrer seg denne måten er festivalen med på å åpne selv på å være nyskapende og overraskende, dørene mellom kammermusikalske sjangere, som er aktivt inkluderende, og som samtidig og fjerne merkelappen “smal” om kammer- er en viktig tradisjonsbærer. musikk som musikalsk kommunikasjonsform. Den inviterer alle aldersgrupper uten å lage God festival! God kammermusikkhøst! unaturlige skiller mellom dem. Styreleder I år har Kammermusikkfestivalen også åpnet seg mot en ny gruppe.