Musikk/ Festival H.K.H
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Brahms Clarinet Quintet & Trio 6 Songs
martin fröst brahms clarinet quintet & trio 6 songs janine jansen boris brovtsyn maxim rysanov torleif thedéen boris brovtsyn | martin fröst | janine jansen | maxim rysanov | torleif thedéen roland pöntinen BIS-2063 BIS-2063_f-b.indd 1 2014-02-24 14.39 BRAHMS, Johannes (1833–97) Clarinet Quintet in B minor, Op. 115 37'46 1 I. Allegro 12'37 2 II. Adagio – Più lento 11'08 3 III. Andantino – Presto non assai, ma con sentimento 4'34 4 IV. Con moto 9'05 Janine Jansen & Boris Brovtsyn violins Maxim Rysanov viola · Torleif Thedéen cello Six Songs, transcribed by Martin Fröst for clarinet and piano 5 Die Mainacht, Op. 43 No. 2 3'32 6 Mädchenlied, Op. 107 No. 5 1'31 7 Immer leiser wird mein Schlummer, Op. 105 No. 2 3'12 8 Wie Melodien zieht es mir, Op. 105 No. 1 2'09 9 Vergebliches Ständchen, Op. 84 No. 4 1'31 10 Feldeinsamkeit, Op. 86 No. 2 3'22 Roland Pöntinen piano 2 Trio in A minor for Clarinet, Piano and Cello 24'33 Op. 114 11 I. Allegro 7'48 12 II. Adagio 7'39 13 III. Andantino grazioso 4'24 14 IV. Allegro 4'25 Roland Pöntinen piano · Torleif Thedéen cello TT: 78'55 Martin Fröst clarinet 3 n the same way that the world owes Mozart’s Clarinet Concerto, Trio and Quintet to the virtuosity of Anton Stadler, and Weber’s clarinet works to IHeinrich Baermann, so the creation of Brahms’s last four chamber works was sparked by the artistry of Richard Mühlfeld (1856–1907), the principal clarinettist of the Meiningen Orchestra. -
Nordic Voices Bio 2018
Nordic Voices Tone Elisabeth Braaten, soprano * Ingrid Hanken, soprano * Ebba Ryd, mezzo-soprano Per Kristian Amundrød, tenor * Frank Havrøy, baritone * Rolf Magne Asser, bass Nordic Voices is the acclaimed six-voice a cappella ensemble based in Oslo, Norway. Hailed internationally for its performances on stage and on award-winning CDs, Nordic Voices’ vast repertoire ranges from the medieval era to the present, featuring works of composers from Orlando di Lasso and Monteverdi to Ligeti, Messiaen, Thoresen and Kverndokk. Their performance style is smart and stylish, employing a playful yet sophisticated approach that enhances their already remarkable singing. Nordic Voices has appeared in major series and concert halls from Kyoto to New York, from Munich to Toronto to South Africa and Taiwan. On regular U.S. tours, the group has enjoyed multiple return invitations to sing on distinguished series including the Lane Series in Burlington, VT and Dumbarton Concerts in Washington, DC, enjoying strong critical acclaim: "Such mesmerizing talent is rare.... Whatever language, it was the group's astonishing range of sonic vocabulary... that thrilled the senses and sent an emotional message no listener could miss" (Washington Post) Formed in 1996, Nordic Voices comprises six graduates from the Norwegian Academy of Music and the Norwegian Academy of Opera, who, in addition to their singing backgrounds, have a broad range of experience from choral conducting to teacher training and composition. It is perhaps this range of interests that leads them to explore a wider than usual spectrum of musical expression, from plainchant to new works commissioned from leading Norwegian composers; from the most sacred of religious texts to the strongly secular. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Johann Sebastian Bach · Svante Henryson · Black Run Für Violon- Cello Solo · Peacock Tales Für Trio · Martin Fröst · Am 02.05.2007 Sergej Rachmaninow · Charles F
JOHANN SEBASTIAN BACH · SVANTE HENRYSON · BLACK RUN FÜR VIOLON- CELLO SOLO · PEACOCK TALES FÜR TRIO · MARTIN FRÖST · Am 02.05.2007 SERGEJ RACHMANINOW · CHARLES F. GOUNOD · INVISIBLE DUET FÜR KLARINETTE + CD-SPIELER · FREDRIK HÖGBERG · SINFONIA NR. 11 G-MOLL BWV 797 · SO KLINGT NUR DORTMUND. 2,50 E KONZERTHAUS DORTMUND · MITTWOCH, 02.05.2007 · 19.00 Dauer: ca. 1 Stunde 20 Minuten ohne Pause MARTIN FRÖST KLARINETTE SVANTE HENRYSON VIOLONCELLO, ELECTRONIC SOUND DESIGN ROLAND PÖNTINEN KLAVIER Abo: »Junge Wilde« Wir bitten um Verständnis, dass Bild- und Tonaufnahmen während der Vorstellung nicht gestattet sind. Martin Fröst 4I5 BEYOND ALL CLARINET HISTORY SVANTE HENRYSON »Black Run« für Violoncello solo JOHANN SEBASTIAN BACH (1685–1750) (aus der »North American Suite«) »Metamorphosis I«: Sinfonia Nr. 11 g-moll BWV 797 (arrangiert von Roland Pöntinen, Svante Henryson und Martin Fröst) JOHANN SEBASTIAN BACH »Metamorphosis IV«: Sinfonia No. 15 h-moll BWV 801 Invention Nr. 4 d-moll BWV 775 (arrangiert von Roland Pöntinen) »Metamorphosis II«: SVANTE HENRYSON Presto aus der Sonate für Violine solo Nr. 1 g-moll BWV 1001 Allegro Moderato (arrangiert von Roland Pöntinen, Svante Henryson und Martin Fröst) ANDERS HILLBORG FREDRIK HÖGBERG (1972–) »Peacock Tales« für Trio »Invisible Duet« für Klarinette und CD-Player (2002/03) SERGEJ RAChmANINOW (1873–1943) SVANTE HENRYSON (1963–) Suite nach der Partita für Violine solo Nr. 3 E-Dur BWV 1006 »Off Pist« von Johann Sebastian Bach Prelude JOHANN SEBASTIAN BACH Gavotte Adagio G-Dur BWV 968 Gigue (nach dem Adagio aus der Sonate für Violine solo Nr. 3 C-Dur BWV 1005) ChARLES FRANÇOIS GOUNOD (1818 –1893) ANDERS HILLBORG (1954–) ›Ave Maria‹ nach dem Präludium Nr. -
The Story Is Memory: Antonio Bibalos Glassmenagerie
The story is memory: Antonio Bibalos Glassmenagerie. En studie i tradisjon og sjanger i nyere norsk musikkdramatikk. Eli Engstad Risa Hovedoppgave i musikkvitenskap Våren 2005 Universitetet i Oslo Innhold Forord ………………………………………………………………………………....3 Innledning …………………………………………………………………………….4 Kapittel 1: Nyere norsk musikkdramatikk …………………………………...11 1.1. Norsk musikkdramatikk etter 1945 ……………………………...12 1.1.1. Profesjonelle scener for samtidsopera i Norge …………...16 1.1.2. Den nye musikkdramatikken ved Den Norske Opera ……20 1.2. Begrepet om det nye ……………………………………...............22 1.3. Operadiskurs i Norge ……………………………………………...25 Kapittel 2: Forholdet til tradisjonen …………………………………………..29 2.1. Opera og tradisjonsbegrep ……………………………………….30 2.1.1. Tradisjonsbegrep …………………………………………….32 2.1.2. Forholdet til tradisjonen ……………………………………..34 2.1.3. Brudd med tradisjonen ………………………………………36 2.2. Tradisjonalismen i norsk opera ………………………………….39 2.2.1. Tradisjonsbrudd i norsk musikkdramatikk …………………43 Kapittel 3: Sjangerproblemet …………………………………………………..45 3.1. Tilnærming til sjangerstudier …………………………………….49 3.1.1. Hybriden ………………………………………………………53 3.1.2. Det operatiske ………………………………………………..54 3.2. Postludium …………………………………………………………..58 Kapittel 4: The Glassmenagerie ……………………………………………….61 4.1. Litteraturoperabegrepet …………………………………………..61 4.1.1. Presentasjon av problemstillinger for analysen …………..65 4.2. Operaens handling …………………………………………………68 4.3. Memory play……………………………………………….………...72 4.3.1. Besetning og instrumentasjon ……………………………...73 4.4. Tidsproblemet ……………………………………………………....77 -
Download Booklet
a song more silent new works for remembrance Sally Beamish | Cecilia McDowall Tarik O’Regan | Lynne Plowman Portsmouth Grammar School Chamber Choir London Mozart Players Nicolae Moldoveanu It was J. B. Priestley who first drew attention Hundreds of young people are given the to the apparent contradiction on British war opportunity to participate as writers, readers, memorials: the stony assertion that ‘Their Name singers and instrumentalists, working in Liveth for Evermore’ qualified by the caution collaboration with some of our leading ‘Lest We Forget’. composers to create works that are both thoughtful and challenging in response to ideas It is a tension which reminds us of the need for of peace and war. each generation to remember the past and to express its own commitment to a vision of peace. E. E. Cummings’ poem these children singing in stone, set so evocatively by Lynne Plowman, The pupils of Portsmouth Grammar School are offers a vision of “children forever singing” as uniquely placed to experience this. The school images of stone and blossom intertwine. These is located in 19th-century barracks at the heart new works for Remembrance are an expression of a Garrison City, once the location of Richard of hope from a younger generation moved and the Lionheart’s palace. Soldiers have been sent inspired by “a song more silent”. around the world from this site for centuries. It has been suggested that more pupils lost their James Priory Headmaster 2008 lives in the two World Wars than at any other school of comparable size. Today, as an inscription on the school archway celebrates, it is a place where girls and boys come to learn and play. -
Årsberetning 2017–2018
Norsk forening for komponister og tekstforfattere Årsberetning 2017–2018 www.nopa.no Norsk forening for komponister og tekstforfattere Årsberetning 2017–2018 Innhold Årsberetning 1. Styret og generalforsamling side 12 2. Administrasjonen side 12 3. Medlemmer side 13 2017–2018 4. Tillitsvalgte side 15 5. Musikkpolitisk arbeid side 23 6. Samarbeidspartnere side 35 7. Tilskudd til skapende virksomhet side 38 8. Arrangement side 49 9. Priser side 58 10. For medlemmer side 62 11. Forvaltningsselskaper og andre virksomheter side 65 12. Regnskap side 69 Vedlegg I NOPAs regnskap 2017–18 side 72 II Revisjonsberetning side 79 III Desisorrapport side 81 Bildene på forsiden er tatt av: Lasse Fløde, Janne Rugland, Stian Andersen, Mette Randem, Bjørn Molstad, Andreas Ulvo, Marius Viken, Ruben Rygh og Johannes Selvaag 2 3 Norsk forening for komponister og tekstforfattere Årsberetning 2017–2018 Årsberetning 2017–2018 For perioden 26. april 2017–24. april 2018 Ny musikk og nye sangtekster er med på å gi landet vårt felleskap, identitet og solidaritet lokalt, nasjonalt og internasjonalt. Komponisten, tekstforfatteren og verket utgjør det første leddet i den musikalske nærings kjeden. En av NOPAs viktigste oppgaver er å løfte frem det norske repertoaret. MARI OG MODDI: Mari Boine og Pål Moddi Knutsen skapte et uforglemmelig øyeblikk 5 gjennom deres samtale på NOPA-seminaret på Havna. Foto: Marthe Vee Norsk forening for komponister og tekstforfattere Årsberetning 2017–2018 Kjære NOPA-medlemmer Siden forrige årsmøte har vår forening fylt 80 år. Vi har hatt Sammen med GramArt laget NOPA kampanjen #utenmusikk særlig fokus på å løfte frem repertoaret medlemmene har for å rette oppmerksomheten mot innholdet i loven. -
4992975-119B27-5060189560608.Pdf
A brand new suite of music and words based on Alice in Wonderland by Lewis Carroll with text by Louis de Bernières 1 All in the Golden Afternoon 2.12 17 The Queen’s Croquet Ground 2 All in the Golden Afternoon (Sally Beamish b.1956)* 3.46 (Richard Dubugnon b.1968) 8.55 3 Down the Rabbit Hole 1.30 18 The Mock-Turtle Soup (Ilya Gringolts b.1982) 5.12 4 Down the Rabbit Hole (Roxanna Panufnik b.1968) 1.54 19 The Lobster Quadrille 1.25 5 The Pool of Tears 0.45 20 The Lobster Quadrille (Colin Matthews b.1946) 1.45 6 The Pool of Tears (Mark-Anthony Turnage b.1960) 4.10 21 Who Stole the Tarts? 0.46 7 A Caucus Race 0.49 22 Who Stole the Tarts? (Gwilym Simcock b.1981) 3.43 8 A Caucus Race (Stuart MacRae b.1976) 2.17 23 Alice’s Evidence 1.11 9 The Rabbit sends in a Little Bill (Poul Ruders b.1949) 2.22 24 Alice’s Evidence (Augusta Read Thomas b.1964) 2.33 10 Advice from a Caterpillar 2.21 Total time 61.07 11 Advice from a Caterpillar (Howard Blake b.1938) 4.52 12 Pig and Pepper 1.18 Maureen Lipman narrator 13 Pig and Pepper (Carl Davis b.1936) 2.07 Matthew Trusler violin 14 A Mad Tea-Party 1.21 Ashley Wass piano 15 A Mad Tea-Party (Stephen Hough b.1961) 2.25 *Elise Smith triangle 16 The Queen’s Croquet Ground 1.25 2 WONDERLAND AND THE LENNY TRUSLER CHILDREN’S FOUNDATION From the original idea through to the release of this album, Wonderland has constantly grown and developed to become the most exciting and ambitious project with which we’ve ever been involved. -
23 August 2019 Page 1 of 28
Radio 3 Listings for 17 – 23 August 2019 Page 1 of 28 SATURDAY 17 AUGUST 2019 01:51 AM Wolfgang Jehn (1937 - 2017) SAT 00:30 Music Planet World Mix (m0007l8f) Sieh, der Regenvogel fliegt Global beats and roots music from every corner of the world. Hamburg Girls' Choir, Gesa Werhahn (director) 01:54 AM SAT 01:00 Through the Night (m0007l8h) Jakob Deiml Contemporary vocal music from Sweden Herr Eichendorf Jakob Deiml (piano) Choirs Arctic Light and Hamburg Girls' Choir combine for a programme of contemporary vocal music. Presented by 02:05 AM Catriona Young. Traditional South African, Nkosi siph' amandla okunqoba 01:01 AM Hamburg Girls' Choir German Traditional, O du stille Zeit 02:09 AM Arctic Light, Hamburg Girls' Choir, Susanna Lindmark (director) Jim Papoulis (1960-) Panta Rhei 01:04 AM Hamburg Girls' Choir Anna Cederberg-Orreteg (1958-) Elements/Fragments 02:14 AM Arctic Light, Mattias Sandlund (cello), Johan Englund Soila Sariola (1975-) (percussion), Susanna Lindmark (director) Pakkanen Hamburg Girls' Choir 01:09 AM Susanna Lindmark (1967-) 02:18 AM Icetind and Nevertind Coldplay, Jens Johansen (arranger) Arctic Light, Sigurd Lof (saxophone), Johan Englund Viva La Vida (percussion), Mattias Sandlund (cello) Hamburg Girls' Choir, Jakob Deiml (piano), Gesa Werhahn (director) 01:13 AM Ulrika Emanuelsson (b.1965) 02:23 AM Arctic Elements Svante Henryson (b.1963) Arctic Light, Johan Englund (percussion), Susanna Lindmark Mu ruoktu lea mu váimmus (director) Arctic Light, Hamburg Girls' Choir, Susanna Lindmark (director) 01:19 AM 02:25 -
2001-2002 Season Schedule
Press Release FOR IMMEDIATE RELEASE: March 6, 2012 The John F. Kennedy Center for the Performing Arts announces Nordic Cool 2013 International Festival of Theater, Dance, Music, Visual Arts, Literature, Design, and Film To Highlight Culture of Denmark, Finland, Iceland, Norway, and Sweden As Well as Territories of Greenland, the Faroe and Åland Islands In Ticketed and Free Events Throughout the Kennedy Center February 19 – March 17, 2013 (WASHINGTON, D.C.)—From February 19 to March 17, 2013, the John F. Kennedy Center for the Performing Arts presents an unprecedented festival highlighting the culture of the Nordic countries— Denmark, Finland, Iceland, Norway, Sweden—and the territories of Greenland, the Faroe, and Åland Islands. Continuing the Center’s tradition of producing renowned international celebrations by curating traditional and contemporary expressions of theater, dance, music, visual arts, literature, design, and film, this Festival will also explore the interplay of themes central to Nordic life, such as nature, technological innovation, environmental sustainability, entrepreneurial spirit, and youth culture. Seeking to answer the question of what is “Nordic,” this Festival aspires to offer clarity on a region of the world whose dynamic culture and creative economy have seemed elusive to many, particularly in America. By exploring the region’s cultural diversity, the Kennedy Center aims to foster an appreciation of the Nordic heritage, and an understanding of the region’s emerging global influence. In addition to the performing arts, New Nordic Cuisine will be highlighted in the Kennedy Center’s restaurants and demonstrations by the region’s renowned chefs will be featured on the Millennium Stage. -
AS DREAMS Are Made On
we are such stuff AS DREAMS are made on NØRGÅRD · JANSON · SAARIAHO LACHENMANN · XENAKIS THE NORWEGIAN SOLOISTS’ CHOIR OSLO SINFONIETTA GRETE PEDERSEN BIS-2139 BIS-2139 booklet cover.indd 1 2016-05-16 12:39 NØRGÅRD, Per (b.1932) 1 Drømmesange (Dream Songs) 13'13 for mixed choir, percussion ad lib. (1981) (Edition Wilhelm Hansen) Text: Finn Methling LACHENMANN, Helmut (b.1935) 2 Consolation II (Wessobrunner Gebet) 6'19 for 16 voices (mixed choir) (1968) (Breitkopf & Härtel) Text: from the Prayer of Wessobrunn, c.790 JANSON, Alfred (b.1937) 3 Nocturne 9'02 for double choir, 2 cellos, harp and 2 percussionists (1967) (Edition Wilhelm Hansen) Text: Friedrich Nietszche SAARIAHO, Kaija (b.1952) 4 Überzeugung 1'44 for three female voices, crotale, violin and cello (2001) (Chester Music) Text: Friedrich Hölderlin NØRGÅRD, Per 5 Singe die Gärten, mein Herz, die du nicht kennst 10'58 for eight-part choir and 8 instruments (1974) (Edition Wilhelm Hansen) Text: Rainer Maria Rilke 2 XENAKIS, Iannis (1922–2001) 6 Nuits 8'38 for 12 mixed voices or mixed choir (1967–68) (Éditions Salabert) Text: Sumerian, Assyrian, Achaean and other phonemes SAARIAHO, Kaija 7 Nuits, adieux 9'45 for mixed choir and four soloists (1991/96) (Chester Music) Text: Jacques Roubaud, Honoré de Balzac TT: 61'08 Det Norske Solistkor (The Norwegian Soloists’ Choir) Oslo Sinfonietta Grete Pedersen conductor 3 The Sound of Dreaming For the Franco-Swiss philosopher and forerunner of Romanticism Jean-Jacques Rous - seau, song was the original first language, and it should therefore be the aim of future composers and singers to guide men back to their true nature and origin. -
The Seafarer Trio Apaches Sir Willard White
The Seafarer Trio apacheS Sir Willard WhiTe claude deBuSSy (1862-1918) arr. Sally BeamiSh (b.1956) The Seafarer Project La Mer it was during ashley’s festival in the beautiful city of lincoln that we played our first 1 de l’aube a midi sur la mer. Tres lent 8:26 concert together as an official trio, with a programme that included The Seafarer . 2 Jeux de Vagues. allegro 7:19 3 dialogue du vent et de la mer. anime et tumultueux 8:17 That week, while we worked on the piece and formed ideas for our new ensemble, we became increasingly excited by the idea of challenging what we thought of as Sally BeamiSh (b.1956) conventional trio programming; seeking collaborations which would bring something 4 The Seafarer – for voice and piano trio 28:45 fresh to the genre, and – perhaps most importantly – commissioning new works would be important elements of our future as a group. Total time 52:49 one thing was clear from the very beginning: The Seafarer should be the focal point for our first album. We’d fallen in love with the piece (and the poem) and it represented TRIO APACHES exactly the kind of collaborative repertoire we wanted to explore. a long and fruitless matthew Trusler (violin) search for a suitable sea-related companion piece led us to the conclusion that this Thomas carroll (cello) was the moment for our first commission. asking Sally Beamish to transcribe La Mer ashley Wass (piano) quickly became our favourite idea. Sir Willard White (voice) our proposal was initially met with polite laughter from Sally, but we kept nagging away and soon persuaded her it was something that absolutely had to be done.