DOCSLIB.ORG

Saryn Art and Science Journal 2 (27) 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ISSN 2310-3337 ҚҰРМАНҒАЗЫ АТЫНДАҒЫ ҚАЗАҚ ҰЛТТЫҚ КОНСЕРВАТОРИЯСЫ КАЗАХСКАЯ НАЦИОНАЛЬНАЯ КОНСЕРВАТОРИЯ ИМ. КУРМАНГАЗЫ SARYN Art and Science Journal 2017 жылға дейін – «Құрманғазы атындағы Қазақ ұлттық консерваториясының хабаршысы – Вестник Казахской национальной консерватории им. Курмангазы» 2013 ЖЫЛДАН БАСТАП ШЫҒА БАСТАДЫ ИЗДАЕТСЯ С 2013 ГОДА PUBLISHED SINCE 2013 АЛМАТЫ МАУСЫМ АЛМАТЫ 2020 ИЮНЬ ALMATY JUNE 2 | Saryn art and science journal 2 (27) 2020 Құрылтайшы: Құрманғазы атындағы Қазақ ұлттық консерваториясы Редакция алқасы: Жүдебаев Арман Әділханұлы бас редактор, Қазақстан Республикасының еңбек сіңірген қайраткері, Халықаралық және Республикалық байқаулардың лауреаты, Құрманғазы атындағы ҚҰК ректоры Ғ. З. Бегембетова бас редактордың орынбасары, Құрманғазы Saryn art and атындағы ҚҰК Ғылыми жұмыс және халықаралық science journal ынтымақтастық жөніндегі проректоры, өнертану кандидаты Р. К. Джуманиязова өнертану кандидаты, Құрманғазы атындағы ҚҰК 2 (27) 2020 доценті Б. М. Аташ философия ғылымдарының докторы, Абай Шығарылуы: атындағы ҚазҰПУ (Қазақстан) жылына 4 рет М. Х. Әбеусейітова шығыстану докторы, профессор (Қазақстан) Н. Н. Гилярова өнертану докторы, профессор, Чайковский Журнал Қазақстан атындағы Мәскеу мемлекеттік консерваториясы Республикасының (Ресей) мәдениет және ақпарат К. В. Зенкин өнертану докторы, профессор, Чайковский министрлігінде атындағы Мәскеу мемлекеттік тіркелген консерваториясының ғылыми істер жөніндегі проректоры (Ресей) Тіркеу туралы куәлік Ә. Ғ. Қайырбекова философия ғылымдарының докторы, профессор, Құрманғазы атындағы ҚҰК әлеуметтік- №13880-Ж 2013 гуманитарлық кафедрасының меңгерушісі жылдың 19 (Қазақстан) қыркүйегінде берілген Д. К. Кирнарская өнертану докторы, профессор, Гнесин атындағы Ресей музыка академиясы, инновация және Жауапты редактор: шығармашылық істері жөніндегі проректоры В. Е. Недлина (Ресей) А.А.Сомов С. Ә. Күзембай өнертану докторы, Қазақстанның еңбек сіңірген қайраткері, профессор (Қазақстан) Қазақ тілі редактор: И. В. Мациевский өнертану докторы, профессор, Ресейдің өнер М.А. Әбенова тарихы институты (Ресей) А. Б. Наурызбаева философия ғылымдарының докторы, профессор, Құрманғазы атындағы ҚҰК (Қазақстан) Беттеген: С. Е. Нұрмұратов философия ғылымдарының докторы, профессор, А.А.Сомов ҚР БҒМ ҒК Философия, саясаттану және дінтану институты директорының орынбасары (Қазақстан) Мұқаба дизайны: А. Р. Райымқұлова Қазақстанның еңбек сіңірген қайраткері, DBA, В. Е. Недлина профессор И. А. Рау философия ғылымдарының докторы, профессор Редакцияның мекен- (Алмания) жайы: М. Сәбит философия ғылымдарының докторы, профессор, 050000, Қазақстан АЭБУ (Қазақстан) Б. М. Сатершинов философия ғылымдарының докторы, доцент, ҚР Алматы, Абылайхан д- БҒМ ҒК Философия, саясаттану және дінтану лы, 86 институты, Дінтану бөлімінің меңгерушісі Тел.: +7 (727) 261-63-64 М. Сато Философия докторы, Нихон Университетінің профессоры (Жапония) © Құрманғазы Я. Сипош PhD, Ғылым Академиясының Музыкатану атындағы Қазақ институтының ғылыми аға қызметкері (Венгрия) ұлттық Г. С. Сүлеева филология ғылымдарының кандидаты, Құрманғазы консерваториясы атындағы ҚҰК доцентi С. Ы. Өтеғалиева өнертану кандидаты, профессор, Құрманғазы атындағы ҚҰК (Қазақстан) В. Н. Юнусова өнертану докторы, профессор, Чайковский атындағы Мәскеу мемлекеттік консерваториясы Saryn art and science journal 2 (27) 2020 | 3 Учредитель: Казахская национальная консерватория им. Курмангазы Редакционная коллегия: Жудебаев Арман Адильханович – главный редактор, Заслуженный деятель Республики Казахстан, Лауреат Международных и Республиканских конкурсов, ректор КНК им. Курмангазы Г. З. Бегембетова заместитель главного редактора, Saryn art and science проректор по научной работе и международному journal сотрудничеству КНК им. Курмангазы, кандидат искусствоведения Р. К. Джуманиязова кандидат искусствоведения, доцент КНК им. Курмангазы 2 (27) 2020 Б. М. Аташ доктор философских наук, профессор КазНПУ им. Абая (Казахстан) Выходит 4 раза в год М. Х. Абеусеитова доктор востоковедения, профессор (Казахстан) Н. Н. Гилярова доктор искусствоведения, профессор Московской государственной консерватории им. П. И. Чайковского Журнал (Россия) зарегистрирован в К. В. Зенкин доктор искусствоведения, профессор, проректор по Министерстве культуры научной работе Московской государственной и информации РК консерватории им. П. И. Чайковского (Россия) А. Г. Каирбекова доктор философских наук, профессор, КНК им. Курмангазы, заведующая кафедрой Социально- Свидетельство о гуманитарных наук (Казахстан) постановке на учёт Д. К. Кирнарская доктор искусствоведения, профессор, проректор по №13880-Ж от 19 инновациям и творческой работе Российской академии сентября 2013 года музыки им. Гнесиных (Россия) С. А. Кузембай доктор искусствоведения, Заслуженный деятель РК, Ответственные профессор (Казахстан) редакторы: И. В. Мациевский доктор искусствоведения, профессор, Российский В. Е. Недлина институт истории искусств (Россия) А.А.Сомов А. Б. Наурызбаева доктор философских наук, профессор КНК им. Курмангазы (Казахстан) С. Е. Нурмуратов доктор философских наук, профессор, Редактор казахского заместитель директора Института философии, языка: политологии и религиоведения Комитета науки МОН М.А Абенова РК(Казахстан) А. Р. Раимкулова Заслуженный деятель РК, DBA, профессор, Вёрстка: И. А. Рау доктор философских наук, профессор, Научный форум А.А.Сомов по международной безопасности при Академии ведущих кадров Бундесвера (Германия) Дизайн обложки: М. Сабит доктор философских наук, профессор, В. Е. Недлина АУЭС (Казахстан) Б. М. Сатершинов доктор философских наук, доцент, заведующий отделом религиоведения Института философии, политологии и Адрес редакции: религиоведения Комитета науки МОН РК(Казахстан) 050000, Казахстан М. Сато доктор философии, профессор Университета Нихон Алматы, пр. Абылай- (Япония) хана, 86 Я. Сипош PhD, старший научный сотрудник института Тел.: +7 (727) 261-63-64 музыковедения Академии наук Венгрии Г. С. Сулеева кандидат филологических наук, доцент КНК © Казахская им.Курмангазы национальная С. И. Утегалиева кандидат искусствоведения, доцент КНК консерватория им. Курмангазы (Казахстан) им. Курмангазы В. Н. Юнусова доктор искусствоведения, профессор Московской государственной консерватории им. Чайковского 4 | Saryn art and science journal 2 (27) 2020 Founder: Kurmangazy Kazakh National Conservatoire Editorial board: Arman Zhudebayev– Chief Editor, Honored worker of the Republic of Kazakhstan, the Laureate of International and Republic competitions, Rector of Kurmangazy KNC G. Begembetova Deputy Editor, Vice-rector for research and international Saryn art and science relations of Kurmangazy KNC, PhD in Arts journal R. Jumanyazova PhD in Arts, docent of Kurmangazy KNC B. Atash Doctor of Philosophy, Professor of Abay KazNPU (Kazakhstan) 2 (27) 2020 M. Abuseyitova Doctor of Oriental Studies, Professor (Kazakhstan) N. Gilyarova Doctor of Arts, Professor of the Tchaikovsky Moscow State Published 4 times a year Conservatoire (Russia) K. Zenkin Doctor of Arts, Professor, Vice-Rector on scientific work of Magazine registered with the Tchaikovsky Moscow State Conservatoire (Russia) the Ministry of Culture A. Kairbekova Doctor of Philosophy, Professor of Kurmangazy KNC and Information (Kazakhstan) D. Kirnarskaya Doctor of Arts, Professor, Vice-Rector for Innovation and Certificate of registration creative work of the Gnesins Russian Academy of # 13880-Ж Music(Russia) from September 19, 2013 S. Kuzembay Doctor of Arts, Honored worker of Kazakhstan, Professor (Kazakhstan) Managing editors: I. Matzievsky Doctor of Arts, Professor, Russian Institute of Art History V. Nedlina (Russia) A. Somov A. Nauryzbayeva Doctor of Philosophy, Professor of Kurmangazy KNC (Kazakhstan) Kazakh editor: S. Nurmuratov Doctor of Philosophy, Professor, M. Abenova Deputy Director of the Institute of Philosophy, Political Science and Religion Studies of Science Committee of MES of Kazakhstan (Kazakhstan) Page Makeup: A. Raimkulova Honored worker of Kazakhstan, A. Somov DBA, professor J. Rau Doctor of Philosophy, Professor, Scientific Forum on Cover design: International Security at the Academy of the leading V. Nedlina personnel of Bundeswehr (Germany) M. Sabit Doctor of Philosophy, Professor, AUPET (Kazakhstan) Editorial address: B. Satershinov Doctor of Philosophy, Associate Professor, Head of the 050000, Kazakhstan, Department of Religious Studies of the Institute of Almaty Ablay Khan ave, Philosophy, Political Science and Religion Studies of 86 Science Committee of MES of Kazakhstan Tel.: +7 (727) 261-63-64 M. Sato Doctor of Philosophy, Professor, Nihon University (Japan) J. Šipoš PhD, Senior Fellow of the Institute of Musicology at © Kurmangazy Kazakh Hungarian Academy of Sciences National Conservatoire G. Suleeva PhD in Philology, docent S. Utegaliyeva PhD, Associate Professor оf Kurmangazy KNC (Kazakhstan) V. Yunussova Doctor of Arts, Professor of the Tchaikovsky Moscow State Conservatoire (Russia) Saryn art and science journal. № 2 (27) 2020 | 5 МРНТИ 18.41.91 Марина Дубровская1 1Новосибирская государственная консерватория имени М.И. Глинки Новосибирск, Россия ПЕСЕННЫЙ МУЗЫКАЛЬНЫЙ ФОЛЬКЛОР КРЫМСКИХ КАРАИМОВ НА СОВРЕМЕННОМ ЭТАПЕ: АКТУАЛЬНЫЕ ПРОБЛЕМЫ СОБИРАНИЯ, ИЗУЧЕНИЯ И ПОПУЛЯРИЗАЦИИ Аннотация Фундаментальная научная проблема, которой посвящена статья - исследование ключевых феноменов традиционного музыкального творчества крымских караимов, внесших весомый вклад в историю музыкальной культуры России. Новизна и актуальность исследования определяется малой изученностью музыкального наследия крымских караимов, неотложными
Recommended publications
  • Tigran Hamasayan and Members of the Yerevan Chamber Choir Bring 'Luys I Luso' to Royce Hall Saturday April 30

    Tigran Hamasayan and Members of the Yerevan Chamber Choir Bring 'Luys I Luso' to Royce Hall Saturday April 30

    Media Alert Tuesday, March 01, 2016 Contact: Ashley Eckenweiler [email protected] Tigran Hamasayan and Members of the Yerevan Chamber Choir bring ‘Luys i Luso’ to Royce Hall Saturday April 30 Center for the Art of Performance at UCLA (CAP UCLA) is proud to present the only United States tour stop for Tigran Hamasayan with “Luys i Luso,” a spellbinding exploration of Armenian sacred music, featuring the prodigiously gifted pianist with members of Yerevan Chamber Choir performing in Royce Hall Saturday April 30 at 8 p.m. Tickets ($19-$59) are available now via cap.ucla.edu, Ticketmaster and the UCLA Central Ticket office at 310.825.2101. “Luys i Luso” – “Light from Light” – is Tigran Hamasyan’s first ECM album. Repertoire includes Armenian hymns, sharakans and cantos from the 5th to the 20th century, all newly arranged for voices and improvising pianist by Hamasyan himself. The album was recorded in Yerevan last October, and produced by Manfred Eicher. Tigran Hamasayan has long been deeply interested in Armenian sacred music, increasingly drawn to its “incredibly beautiful melodies… Over the years the idea to do an entire album with Armenian sacred music had been building and growing in my mind. About two and a half years ago I began to work on the first arrangements.” Ideas about repertoire have evolved along the way. “At one point I thought about doing an album devoted to Mesrop Mashtots, the 5th century saint, composer and linguist. But the working process led me to think more broadly about it, and I decided that the album should be of mixed repertoire.
  • 22Nd Istanbul Jazz Festival Programme

    22Nd Istanbul Jazz Festival Programme

    22nd Istanbul Jazz Festival Programme The Festival Hosts Young Jazz Prodigy Tigran Hamasyan in Two Projects Tuesday, 30 June, 21:00, Hagia Eirene Museum Wednesday, 1 July, 19:00, Cemal Reşit Rey Concert Hall Young musical prodigy Tigran Hamasyan, born in Armenia in 1987, will be at the festival with two special concerts. Hamasyan started the piano when he was three and won the piano competitions of both the Montreux Jazz Festival and the Thelonious Monk Institiute when he was 18, the same age when he released his debut album World Passion. Then in 2011, he won the Victoires de la Musique, which is considered to be the French Grammy’s, with his album A Fable. The Guardian describes him as, “a multi-stylistic jazz virtuoso and a groove-powered hitmaker simultaneously.” Herbie Hancock has already told him, “You are my teacher now!” and Hancock is not alone in his admiration of the young musician, but rather joined by others like Brad Mehldau and Chick Corea. On Tuesday, 30 June, Tigran Hamasyan will render traditional Armenian music at the Hagia Eirene Museum, where he will be joined by the Yerevan State Chamber Music Choir, directed by Harutyun Topikyan, for his chamber choir project Luys i Luso. This project will be performed at a hundred different churches around the world and its album will be released under the title of ECM in September. Hamasyan will meet jazz-lovers a second time the next evening and this time it will be for a lilting and melodic concert with his trio at the Cemal Reşit Rey Concert Hall.
  • Pashinyan Meets with Community Members in New York PASHINYAN, from Page 1 Ferent Mood, but the Atmosphere

    Pashinyan Meets with Community Members in New York PASHINYAN, from Page 1 Ferent Mood, but the Atmosphere

    SEPTEMBER 29, 2018 Mirror-SpeTHE ARMENIAN ctator Volume LXXXIX, NO. 11, Issue 4555 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Trump Hails ‘New Era’ Pashinyan In Armenia WASHINGTON (RFE/RL) — US President Meets with Donald Trump has praised mass protests that led to regime change in Armenia in May and said his administration stands ready to help the new Community Armenian government implement sweeping reforms promised by it. “Armenia has much to celebrate this year,” Trump wrote to Prime Minister Nikol Pashinyan Members in in a congratulatory message on the 27th anniver- sary of Armenia’s independence on September 21. New York “A peaceful, popular movement ushered in a new era in Armenia, and we look forward to working with you to help you execute the will of NEW YORK (Combined Sources) your people to combat corruption and to estab- — Prime Minister Nikol Pashinyan, in New lish representative, accountable governance, rule York for the opening session of the United of law buttressed by an independent judiciary, Nations, met on Sunday, September 23, and political and economic competition,” read with members of the Armenian community. the message publicized by Pashinyan’s office. During the reception, he spoke at length “I look forward to further strengthening the about the country’s political situation partnership that began between our countries Prime Minister Pashinyan speaks with the assembled guests listening. domestically as well as international ties. one hundred years ago,” it said. He addressed the results of the mayoral US Secretary of State Mike Pompeo similarly election in Yerevan, which netted his sup- saluted “remarkable changes” in Armenia.
  • Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan

    Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan

    Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan Sco C. Schumann NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.2/mto.21.27.2.schumann.php KEYWORDS: Tigran Hamasyan, meter, rhythm, cycles, ostinati, popular music, jazz ABSTRACT: Tigran Hamasyan (b. 1987) is an Armenian jazz pianist and composer whose music has been described as “grounded in serious reinterpretations of Armenian culture via his take on Bach, French romantics, jazz, dubstep, metal, and modern electronic music” (2018, 637). Hamasyan has recorded thirteen studio albums between the years of 2006–2020, and analyzing these recordings suggests that asymmetrical meter, ostinati, and cycles are not a random occurrence in Hamasyan’s music but rather a crucial component of his compositional language. This article defines three types of cycles—phrasal, structural, and developmental—each of which has a unique compositional function. Another important distinction made in this article is the difference between “complete” and “incomplete” cycles. Complete cycles are those that repeat two metrical layers without disruption until they return to a shared point of alignment, while incomplete cycles are those in which the meter used in one or more of the layers is disrupted before returning to a shared point of alignment. Several of my own transcriptions of Hamasyan’s music are analyzed to discuss how asymmetrical meter, ostinati, and cycles are used to create various formal processes in Hamasyan’s compositions. DOI: 10.30535/mto.27.2.5 Received December 2020 Volume 27, Number 2, June 2021 Copyright © 2021 Society for Music Theory Introduction [1.1] Born on July 17, 1987 in Gyumri, Armenia, Tigran Hamasyan has gained international renown primarily as a jazz pianist and composer.
  • Tigran Hamasyan

    Tigran Hamasyan

    Tigran Hamasyan 18 nov 2019 18 NOVEMBRO SEGUNDA Oriente 20:00 — Grande Auditório — Ocidente Tigran Hamasyan Piano / Direção convidados especiais Norayr Kartashyan Duduk Coro Gulbenkian sopranos Filipa Passos (solista), Maria José Conceição, Mariana Moldão, Marisa Figueira, Rosa Caldeira, Susana Duarte contraltos Inês Martins, Liliana Silva, Marta Ribeiro, Patrícia Mendes, Tânia Valente tenores António Gonçalves, Francisco Cortes, Jaime Bacharel, Pedro Miguel, Pedro Rodrigues tigran hamasyan© vahan stepanyan baixos Fernando Gomes, Filipe Leal, Hugo Wever, Nascido em Gyumri, na Arménia, em 1987, um conceito de “observações musicais acerca do Mário Almeida, Nuno Gonçalo Fonseca Tigran Hamasyan emigrou aos 16 anos para mundo em que vivemos e do peso da História Jorge Matta Maestro do Coro Gulbenkian os Estados Unidos da América. Em Los Angeles que carregamos connosco” e que Hamasyan desenvolveu o seu prodigioso talento pianístico transpõe, de forma magnífica, para as suas e lançou as bases para a sua carreira. Mas o composições e para as revisitações de temas apelo da sua Arménia natal não deixaria de dos reportórios populares e eruditos arménios. imagem de capa: chamar por si e foi para lá que voltou, passados Exemplar desse largo escopo temporal em que tigran hamasyan © maeve stam Tigran Hamasyan Seleção de temas dos discos alguns anos, instalando-se em Yerevan. O olhar habita a mente criativa de Tigran Hamasyan For Gyumri, An Ancient Observer que Hamasyan dedica a esse lugar resume, em é o reportório por si abordado em Luys i Luso, e Luys i Luso grande parte, a música que vem desenvolvendo projeto dedicado à música sacra do seu país, desde que alcançou reconhecimento global partilhado com o Yerevan State Chamber Choir, com A Fable (2010): a sua casa tem vista para o e que atravessa quinze séculos de história.
  • Tigran Hamasyan

    Tigran Hamasyan

    Phil Stöckli - CD reviews for Jazz'n more Tigran Hamasyan 3 / 2018 Tigran Hamasyan "For Gyumri" Tigran Hamasyan (p, voc) Nonesuch / Warner 5 stars Hamasyan hat ein neues, kleines Meisterwerk geschaffen: "For Gyumri" ist ein Epilog zum 2017 erschienen Vorgängeralbum "An Ancient Observer". Beim fünf Songs und nur 29 Minuten umfassenden Album handelt es sich nicht um ein Jazzalbum im engeren Sinn. Aber wer Hamasyan kennt, weiss bereits, dass sich der Armenische Pianist je länger je mehr der (Armenischen) Volksmusik verschrieben fühlt, und diese mit Elementen aus Jazz, Elektronika, Minimal Music, Zwölfton-Musik oder Rock ergänzt. Die neueste CD ist seinem Geburtsort, der Armenischen Stadt Gyumri, gewidmet. Dort wurde er 1987 geboren, bevor er 2003 nach Kalifornien auswanderte. "Aragatz" ist der höchste Berg in Armenien und der Name des lokalen Fussballclubs - ein sanfter Moll-Waltzer mit vokalisierter Melodie im Hintergrund. Wie er die Intensität des Songs steigert, leicht atonale Motive einstreut und dann auf dem Höhepunkt die aufsteigenden Glissando in fallende und schnell verklingende Glitzereffekte verwandelt, ist phänomenal. Hamasyan atmet durch die Musik und diese atmet durch ihn. Selten hört man einen Musiker, der eine solchen Tiefgang erzeugen und eine derart natürliche Verbindung zur Musik herstellen kann. Da hilft ihm auch sein nuancierter Anschlag, der in Jazzgefilden nach Vergleichbarem sucht. Auf der Ballade "Ray of Light" bringt er das Piano mithilfe elektronischer Effekte zum Flimmern, und vermittelt dadurch denselben Eindruck, wie wenn man einen alten, verstaubten Film aus der Kiste holt und in eine vergessen geglaubte Welt eintaucht. "The American" beginnt als unschuldige Ballade, die sich in eine wirbelnde Melodie im 6/4 verwandelt.
  • 10 November ’19 ’S-Hertogenbosch

    10 November ’19 ’S-Hertogenbosch

    vpro gids bijlage bij #40 van 5 oktober t/m 11 oktober 2019 1 - 10 NOVEMBER ’19 ’S-HERTOGENBOSCH NovemberMusic2019.indd 1 18-09-19 12:35 DO 7 NOV / 20.15 UUR György Ligeti – Pianoconcert Enno Poppe – Scherben Iris ter Schiphorst - wereldpremière met sopraan Sarah Maria Sun Zeynep Gedizlioglu – wereldpremière Ligeti en Ter Schiphorst Ensemble Modern Bestel nú kaarten op muziekgebouw.nl/schiphorst NovemberMusic2019.indd 2 18-09-19 12:35 De 27ste editie van November Music, het belangrijkste internationale festival voor actuele muziek in Nederland, vindt plaats van 1 t/m 10 november 2019 in ’s-Hertogenbosch. In de bijlage blikt de VPRO Gids vast vooruit, Vrije Geluiden besteedt tijdens het festival 8 aandacht aan een aantal hoogtepunten (vpro.nl/vrije-geluiden). novembermusic.net 4 7 vpro gids bijlage bij #40 van 5 oktober t/m 11 oktober 2019 1 - 10 NOVEMBER ’19 ’S-HERTOGENBOSCH Colofon REDACTIONELE LEIDING Arne Leff ring SAMENSTELLING EN EINDREDACTIE 12 15 Dieter van den Bergh TEKST Nicoline Baartman, Angela van der Elst, Stan van Herpen, Ruud Meijer, René van Peer, Ilse van der Velden, Inhoud Mark van de Voort 4 Calliope Tsoupaki ART DIRECTION Beate Wegloop 7 Tigran Hamasyan & Mathias Eick VORMGEVING Anna Meredith Juliette Verberne 8 BEELDREDACTIE 9 Daan Manneke Sanne Zurné LITHOGRAFIE 11 Koren Centraal Rob van Blokland 12 Mayke Nas & Teun Hocks UITGEVER Hugo Blom, 15 Cathy van Eck Gabriëlle Hagedorn (ass.) 16 Aart Strootman ACQUISITIE AdNovus BV 19 Estafest & Andreas Schaerer DRUKWERK Senefelder Misset, 21 Kris Oelbrandt Doetinchem 22 Natuurverklanking COVER Mireille Schaap 23 Ibeyi & Metropole Orkest 3 NovemberMusic2019.indd 3 18-09-19 12:35 MICHIEL VAN NIEUWKERK VAN MICHIEL Sterflied voor twee zangers, zonder poespas 4 NovemberMusic2019.indd 4 18-09-19 12:35 Componist des Vaderlands Calliope Tsoupaki tastte in het duister bij het componeren van het Bosch Requiem 2019.
  • TCA Celebrates 70 Years with Evening of Music

    TCA Celebrates 70 Years with Evening of Music

    DECEMBER 16, 2017 Mirror-SpeTHE ARMENIAN ctator Volume LXXXVIII, NO. 22, Issue 4516 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Paylan Says Erdogan Armenians Hold Aurora Dialogues in Berlin Recognized Jerusalem As Israeli Capital By Muriel Mirak-Weissbach ISTANBUL (news.am) — Garo Paylan, a member Special to the Mirror-Spectator of the Turkish Parliament representing Istanbul as a member of the opposition pro-Kurdish People’s Democratic Party (HDP), reflected on the Turkish BERLIN — It was a refreshing change to response to President Donald Trump’s recognizing see such an initiative in the German capital. Jerusalem as the capital of Israel. As Aurora Humanitarian Initiative co- “The AKP [the ruling Justice and Development founder Ruben Vardanyan remarked, par- Party of Turkey] has signed under the agreement ticipants “were happy to see the represen- that recognizes Jerusalem as the capital [city of tatives of a developing country thinking Israel before Trump]!” he wrote on his Twitter about universal humanitarian values and account. “They are attempting to change the cor- expressing concern about dangerous ruption agenda with cheap valor.” processes unfolding today around the Paylan pointed to the agreement between the world.” The developing country in question AKP and the Israeli authorities regarding the Mavi is the Republic of Armenia. Marmara operation, and where it is noted that this What most Germans know about document is signed between Ankara and Armenians has to do with the 1915 Jerusalem. Genocide and the ongoing campaign to In June 2016, this agreement was signed in order have Turkey recognize it.
  • Mercredi 9 Décembre / 20H30 / Pannonica / Concert À 21H Tarifs : Plein : 14€ / Réduit : 12€ / Abonné : 10€ / Très Réduit : 5€

    Mercredi 9 Décembre / 20H30 / Pannonica / Concert À 21H Tarifs : Plein : 14€ / Réduit : 12€ / Abonné : 10€ / Très Réduit : 5€

    Scéne jazz et musiques improvisées Pannonica Oct.15/janv.16 Tigran Hamasyan “mockrooT” Stereolux – Salle Maxi Jeudi 19 noveMbre 2015 9 RUE BASSE-PORTE 44000 NANTES-TALENSAC / WWW.PANNONICA.COM EN COUVERTURE: TIGRAN HAMASAYAN © MAEVE STAM édiTo après avoir fêté ses 20 ans comme il se doit, nantes jazz action/Pannonica entame cette nouvelle saison dans une configuration particulière. En effet, des travaux (changement du toit) sur le site nous amènent à organiser les concerts prévus salle Paul Fort dans d’autres lieux bien connus de la ville. nous nous retrouvons donc au lieu unique avec Hugh coltman et à Stereolux avec tigran Hamasyan, mais aussi à la Fabrique Bellevue-chantenay (ancien Olympic) pour une soirée autour de chlorine free et tribeqa. En passant, merci aux acteurs de nous recevoir. Les portes du Pannonica resteront ouvertes, afin de vous accueillir avec une programmation toujours aussi éclectique, alternant des rencontres au sommet (Sylvain cathala et Kamilya jubran, Soizic Lebrat, Isabelle Duthoit et les projets “the Bridge”) ; des découvertes (anne Quillier, le trio apache, Oxyd, le solo de Frantz Loriot.) ; des créations (anne Pacéo “circles”, the Sommes Ensemble, aquaserge Orchestra) ; un spécial “Groove” et des événements comme la venue du pianiste Fred Hersch ou ces deux soirées exceptionnelles pour débuter notre saison au club : la rencontre entre deux américains de classe mondiale, Uri caine et jeff Ballard avec deux musiciens français de premier plan qui creusent leur sillon, alain vankenhove et Sébastien Boisseau. Sans oublier, la venue d’un des grands poètes américains de la nébuleuse hip hop et du “Spoken word”, Mike Ladd, que nous pourrons croiser à deux reprises..
  • Tigran Hamasayan and Members of the Yerevan State Chamber Choir Bring ‘Luys I Luso’ to Royce Hall December 5

    Tigran Hamasayan and Members of the Yerevan State Chamber Choir Bring ‘Luys I Luso’ to Royce Hall December 5

    Media Alert Monday, October 12 2015 Contact: [email protected] Tigran Hamasayan and Members of the Yerevan State Chamber Choir bring ‘Luys i Luso’ to Royce Hall December 5 Center for the Art of Performance at UCLA (CAP UCLA) is proud to present the only United States tour stop for Tigran Hamasayan with “Luys i Luso,” a spellbinding exploration of Armenian sacred music, featuring the prodigiously gifted pianist with members of Yerevan State Chamber Choir performing in Royce Hall Saturday December 5 at 8 p.m. Tickets ($19-$59) are available now via cap.ucla.edu , Ticketmaster and the UCLA Central Ticket office at 310.825.2101. “Luys i Luso” – “Light from Light” – is Tigran Hamasyan’s first ECM album. Repertoire includes Armenian hymns, sharakans and cantos from the 5th to the 20th century, all newly arranged for voices and improvising pianist by Hamasyan himself. The album was recorded in Yerevan last October, and produced by Manfred Eicher. Tigran Hamasayan has long been deeply interested in Armenian sacred music, increasingly drawn to its “incredibly beautiful melodies… Over the years the idea to do an entire album with Armenian sacred music had been building and growing in my mind. About two and a half years ago I began to work on the first arrangements.” Ideas about repertoire have evolved along the way. “At one point I thought about doing an album devoted to Mesrop Mashtots, the 5th century saint, composer and linguist. But the working process led me to think more broadly about it, and I decided that the album should be of mixed repertoire.
  • Tigran Hamasyan ‘For Gyumri’ Solo Concert to Benefit Children of Armenia Fund

    Tigran Hamasyan ‘For Gyumri’ Solo Concert to Benefit Children of Armenia Fund

    FOR IMMEDIATE RELEASE CAP UCLA Presents Pianist and Composer Tigran Hamasyan ‘For Gyumri’ Solo Concert to Benefit Children of Armenia Fund October 14 at Royce Hall “With startling combinations of jazz, minimalist, electronic, folk and songwriterly elements … Hamasyan travels musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies. You’ll hear nothing else like this.” —NPR Music UCLA’s Center for the Art of Performance (CAP UCLA) announces the return of pianist and composer Tigran Hamasyan in a solo performance featuring works from his latest album, For Gyumri, to benefit the Children of Armenia Fund on Sunday, Oct. 14 at 5 p.m. at Royce Hall. Tickets for $29–$59 are available now at cap.ucla.edu, 310-825- 2101, Ticketmaster and the UCLA Central Ticket Office. Considered one of the most remarkable and distinctive jazz-meets-rock pianists of his generation, Hamasyan fuses potent jazz improvisation with the rich folkloric music of his native Armenia. A companion to last year’s An Ancient Observer, For Gyumri (February 2018, Nonesuch) is dedicated to his hometown of Gyumri, Armenia, where he was born in 1987 before relocating with his family to Los Angeles in 2003. He currently resides in Erevan, Armenia. Hamasyan describes the songs as “musical observations about the world we live in now, and the weight of history we carry with us.” All About Jazz hailed For Gyumri as “a loving tribute to his home city” and The Guardian raved, “he’s the hottest pianist in jazz, and he likes to mix things up, whether it’s bebop, thrash metal or dubstep.
  • Tigran Shadow Theater Album Download MQS Albums Download

    Tigran Shadow Theater Album Download MQS Albums Download

    tigran shadow theater album download MQS Albums Download. Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Tigran Hamasyan – The Call Within (2020) [FLAC 24bit/48kHz] Tigran Hamasyan – The Call Within (2020) FLAC (tracks) 24 bit/48 kHz | Time – 47:45 minutes | 566 MB | Genre: Jazz Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Nonesuch. Nonesuch Records releases its fourth recording from pianist and composer Tigran Hamasyan, The Call Within, on August 28, 2020. The album comprises ten original compositions and features Evan Marien on electric bass and Arthur Hnatek on drums, along with special guests Tosin Abasi on the Armenian prog tune “Vortէx” and Areni Agbabian and Artyom Manukyan on “Our Film.” Produced by Hamasyan, The Call Within is a journey into the artist’s dreamlike inner world, which is as realistic to him as his physical one. Hamasyan, who believes that the “moment of unconscious creation is the way to feel conscious,” says: “Unutterable seconds of longing, subliminal realization, and mostly joy fill the body as a work of art, a poem, or a melody is being born into this world for no apparent reason, but only for the humanity to discover what is invisible: the divine mystery.” The album takes inspiration from Hamasyan’s interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography—blurring lines between historic reality and the imaginary world. Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003.