Letter from the President
Dear Colleagues, Welcome to Seattle and the Seattle Sheraton Hotel for the 54th annual SCMS Conference. On behalf of the SCMS Board of Directors, the Home Office, the Sheraton Hotel, the Seattle Host Committee, and the consultants and volunteers who have helped to create this conference, let me say that we are delighted that you are here. We hope that the conference and city will lead to discoveries that are intellectually stimulating and socially rewarding and that will satisfy your inner urban explorer. The Host Committee, co-chaired by Jennifer Bean and Kaveh Askari, have worked hard to provide an imaginative and engaging experience for conference goers who are coming to Seattle for the first time as well as for those who might be seasoned veterans. Thank you Jennifer and Kaveh! In addition to the conference’s offerings of panels and workshops, there are a number of other events during the confer- ence that we hope you will be able to attend. The Awards Ceremony is one of the most significant means SCMS has of formally recognizing the accomplishments of our colleagues in research, teaching, and service in the field each year. This year, the ceremony will be held on Friday, March 21st from 4:15 – 5:30 pm. All members are welcome—please plan to be there to join in the celebration. While I cannot mention all of the award winners here, I am happy to announce that Richard Abel has won the Distinguished Career Achievement Award. Given his pioneering research and teaching in film history and on the early and silent cinemas of France and the US, it would be hard to overestimate the impact his impeccable work has had on the field. It is a privilege to present this prestigious award to him as a means of recognizing his career-long contribu- tion to the study of film history and historiography and to previously uncharted terrains of cinema’s earliest moments as an industry, an art, and a cultural phenomenon. It is also my pleasure to report that Timothy Corrigan will be honored with the Pedagogy Award for outstanding achievement in this area. This award recognizes the contributions he has made to pedagogy through his research, his status as an important teacher and mentor, and the books he has published that have influentially introduced students to multiple areas of film and media studies. In addition, in recognition of her extraordinary service to the field, nationally and internationally, I am delighted to announce that Patrice Petro has won this year’s Service Award. Among other achievements, she has demonstrated an unparalleled commitment to SCMS, serving as Treasurer, President-elect, President, and Past President from 2002–2013. During her tenure, she guided the organization in sig- nificant, innovative directions that remain in place as testimony to her legacy. Sincere congratulations to all eleven of our award winners this year. We look forward to celebrating your work at the ceremony. Thanks also to those who chaired and participated on the Awards committees—your professional acumen and the time you invested in making your determina- tions are greatly appreciated.
The Conference Reception will be held immediately after the Awards Ceremony, from 5:30 – 7:30 pm. All SCMS members are welcome. Here, as the festivities continue over food and drink, you can meet old friends and colleagues while making new acquaintances. This year the membership elected a Treasurer and two new members of the Executive Board who will begin their tenure on July 1, 2014. Although election results were not yet known at press time for the conference program, I want to extend the Board’s thanks to the candidates who ran. The Society would come to a standstill without the willingness of our members to run for office. You have our deep appreciation for your enthusiasm about becoming more involved. As each new election
2 heralds, there are also Board members whose terms are ending. Heartfelt thanks to outgoing Treasurer Jim Castonguay who has done a magnificent job of shedding new light on the organization’s finances and making strategic decisions about our enterprises going forward. The Board won’t be the same without you. I also wish to thank outgoing Board mem- bers Pam Wojcik and Angelo Restivo for their avid participation in the organization, including their work as Board liaisons to various SCMS groups. Among other accomplishments, Pam was instrumental in getting our now annual undergradu- ate conference off the ground at Notre Dame years ago (the 2014 SCMS Undergraduate Conference will be held at the University of Oklahoma). A special shout-out to Angelo for serving as Program Chair for the SCMS Conference this year, a major position of leadership that he has occupied with grace and commitment. We will miss Jim, Pam, and Angelo on the Board and wish them all the best. We look forward to seeing them at future SCMS conferences. After serving for two years as President-elect, this is my first year as President. My experience on the Executive Board has shown me how extensively SCMS relies on the expertise and good will of a collective of hard-working people, from members who volunteer to be on standing and other committees to the Board and the staff. My gratitude goes to everyone who has actively served SCMS and its membership these past few years. On the current SCMS Board, special thanks goes to, along with colleagues mentioned above, Will Brooker (Cinema Journal editor), Steve Cohan (President-elect), Corey Creekmur (Secretary), Lindsay Giggey (Graduate Student Representative), Chris Holmlund (Past President), Sean Griffin, Kara Keeling, Neepa Majumdar, Vicki Sturtevant, and Haidee Wasson. I must add that there would be an SCMS apocalypse without the staff that serves on the Board and/or in the Home Office. Administrative Coordinator Jane Dye is a model of consummate professionalism, dedication, and collegiality. She is joined by others who likewise contribute enormously to SCMS’s well-being: Debbie Rush, Account and Budget Representative; Leslie LeMond, Conference Manager; Aviva Dove- Viebahn, Web Content Manager; Ron Evans, Program Assistant; and Bruce Brasell, Conference Program Coordinator. It’s my privilege to collaborate with these individuals. I invite all interested members to become more involved in the Society. Being involved provides a new perspective on our national organization, allowing a level of engagement that is professionally and personally enriching, while fostering opportunities for community building. Please contact us about volunteering for annual and standing committees. Also, please feel free to get in touch if you simply have questions about SCMS. We are happy to talk with you. In closing, I want to extend personal thanks to Chris Holmlund, now Past President, for her many accomplishments as President. She has left SCMS in such good working order that I have been able to assume the Presidency seamlessly. It’s great to be able to continue to work with you, Chris, over the next two years. To all attendees, enjoy the conference and the many panels, workshops, and events coming your way here in Seattle! Sincerely, Barbara Klinger President, SCMS
3 Letter from the Program Chair
Dear Colleagues, On behalf of the Conference Program Committee, I would like to welcome you all to Seattle! Once again this year, we received record numbers of proposals in all categories (preconstituted panels, workshops, and open call papers), fully reflecting the vibrancy and breadth of scholarship in cinema and media studies today. Needless to say, the task of read- ing and evaluating this record number of proposals was daunting, and I want to thank all the members of the Program Committee—Steven Cohan, Kara Keeling, Sean Griffin, Haidee Wasson, Pamela Wojcik, Mark Shiel, Neepa Majumdar, Celestino Deleyto, Anu Koivunen, Nitin Govil, James Tweedie, Nick Davis, Victoria Sturtevant, John David Rhodes, Agustin Zarzosa, Cynthia Lucia, Eric Freedman, Gary Needham, Elana Levine, Tamar Jeffers McDonald, Michela Ardizzoni, and Yannis Tzioumakis—for the many hours of work they devoted helping to produce the exciting program this year. Among the most striking trends discernable in this year’s program is the increasing internationalization of our membership; scholars from nearly every region of the world are represented in the program. Another trend of note is—if I may borrow a phrase from last year’s Program Chair Barbara Klinger—more papers focused on the “M” in SCMS. Sound studies seems a particularly active subfield this year, but we see increased activity in scholarship on videogames, new media, and digital culture as well. When organizing open call papers into panels, the Program Committee sought when possible to bring together related work on different media, in order to spark conversations that cut across the sometimes artificial bound- aries erected around medium specificity. Similarly, when programming open call papers dealing with issues in national cinemas/medias, we tried to strike a balance between panels which explore similar issues across different national/regional contexts and panels which stay within a single national context. The Host Committee, working with various Scholarly Interest Groups, has put together two screenings with strong ties to the Pacific Northwest. On Thursday, on the University of Washington campus, the Burke Museum will host a screening and discussion of Edward Curtis’s silent feature film, In the Land of the Headhunters. On Saturday, the Northwest Film Forum will host a screening of the work of experimental filmmaker Harry Smith (supported by the CinemArts, Experimental Film and Media, and Animated Media SIGs). In addition, the Host Committee has secured free admission (with conference badge) to the Henry Art Gallery and the Living Computer Museum for the duration of the conference. Finally, on Thursday at 12:30 pm, the doors to the historic Paramount Theatre will open exclusively for SCMS attendees. This festive mid-day book release party and tour of a grand 1920s movie palace, with its “historic theatre library” and original Mighty Wurlitzer organ, is co-sponsored by Indiana University Press and the Silent Cinema Cultures SIG. Many thanks to the hard-working Host Committee chairs Jennifer Bean and Kaveh Askari, as well as to Alla Gadassik, Rani Singh, Brad Evans, and the sup- porting SIGs. This is the second year in which Caucuses and Scholarly Interest Groups (SIGs) have organized official conference special events for Wednesday afternoon and evening. The African/African-American Caucus will present a roundtable discussion and workshop, with special guest participant Mark Anthony Neal, on media responses to the Trayvon Martin incident. The Documentary Studies SIG and the Media Literacy and Pedagogical Outreach SIG are co-sponsoring the Archival Activism event, commemorating the fifteenth anniversary of the “Battle of Seattle” at the WTO protests. (Note that Caucuses and SIGs also sponsor a number of regular panels and workshops, which are indicated throughout the program.)
4 Finally, I encourage all of you to attend the Awards Ceremony on Friday evening, where we celebrate the extraordinary work that our members have done in the past year and throughout their careers. An event of the scope of the SCMS Conference requires a prodigious amount of organizational work, and fortunately for our organization, we have an extraordinarily dedicated and knowledgeable home-office staff. I want to thank Jane Dye, Leslie LeMond, and Bruce Brasell for all the work they put into the conference organization. Kudos also to our web content manager Aviva Dove-Viebahn for her terrific work orchestrating the web interfaces for the conference. Finally, thanks to Barb Klinger and Chris Holmlund, who were always available whenever a question or problem came up. I hope you all have an intellectually stimulating conference, and an enjoyable time in Seattle. Best, Angelo Restivo SCMS 2014 Program Committee Chair
5 Society for Cinema and Media Studies
Founded in 1959, SCMS is a professional organization of college and university educators, filmmakers, historians, critics, scholars, and others devoted to the study of the moving image. Activities of the Society include an annual conference, Cinema Journal, the SCMS website, awards for excellence in film and media studies, and various other initiatives related to media research, education, and policy. OFFICERS Barbara Klinger INDIANA UNIVERSITY President Corey Creekmur UNIVERSITY OF IOWA Secretary Steven Cohan SYRACUSE UNIVERSITY President-elect Jim Castonguay SACRED HEART UNIVERSITY Treasurer Chris Holmlund UNIVERSITY OF TENNESSEE ex officio, Past President BOARD OF DIRECTORS Sean Griffin SOUTHERN METHODIST UNIVERSITY Will Brooker KINGSTON UNIVERSITY ex officio, Editor, Kara Keeling UNIVERSITY OF SOUTHERN CALIFORNIA Cinema Journal Neepa Majumdar UNIVERSITY OF PITTSBURGH Aviva Dove-Viebahn ARIZONA STATE UNIVERSITY Angelo Restivo GEORGIA STATE UNIVERSITY ex officio, Web Content Manager Haidee Wasson CONCORDIA UNIVERSITY Jane Dye UNIVERSITY OF OKLAHOMA ex officio, Pamela Wojcik UNIVERSITY OF NOTRE DAME Administrative Coordinator Lindsay Giggey UNIVERSITY OF CALIFORNIA, Victoria Sturtevant UNIVERSITY OF OKLAHOMA LOS ANGELES Graduate Student Representative ex officio, Director of Film and Media Studies Conference Organization
2014 CONFERENCE PROGRAM COMMITTEE Angelo Restivo GEORGIA STATE UNIVERSITY Chair Cynthia Lucia RIDER UNIVERSITY Michela Ardizzoni UNIVERSITY OF COLORADO Neepa Majumdar UNIVERSITY OF PITTSBURGH Steven Cohan SYRACUSE UNIVERSITY Gary Needham NOTTINGHAM TRENT UNIVERSITY Celestino Deleyto UNIVERSITY OF ZARAGOZA John David Rhodes UNIVERSITY OF SUSSEX Nicholas Davis NORTHWESTERN UNIVERSITY Mark Shiel KING’S COLLEGE LONDON Eric Freedman QUEENS UNIVERSITY OF CHARLOTTE Victoria Sturtevant UNIVERSITY OF OKLAHOMA Nitin Govil UNIVERSITY OF SOUTHERN CALIFORNIA James Tweedie UNIVERSITY OF WASHINGTON Sean Griffin SOUTHERN METHODIST UNIVERSITY Yannis Tzioumakis UNIVERSITY OF LIVERPOOL Tamar Jeffers-McDonald UNIVERSITY OF KENT Haidee Wasson CONCORDIA UNIVERSITY Kara Keeling UNIVERSITY OF SOUTHERN CALIFORNIA Pamela Wojcik UNIVERSITY OF NOTRE DAME Anu Koivunen STOCKHOLM UNIVERSITY Agustin Zarzosa SUNY, PURCHASE COLLEGE Elana Levine UNIVERSITY OF WISCONSIN-MILWAUKEE 2014 HOST COMMITTEE Jennifer Bean UNIVERSITY OF WASHINGTON Co-chair Kaveh Askari WESTERN WASHINGTON UNIVERSITY Co-chair Verena Kick UNIVERSITY OF WASHINGTON Jasmin Krakenberg UNIVERSITY OF WASHINGON Katherine Morrow UNIVERSITY OF WASHINGTON 6 2014 CONFERENCE ORGANIZERS Conference Manager: Leslie LeMond Program Schedule Coordinator: Bruce Brasell Copy Editor: Mark Hain Program Designer and Typesetter: Del LeMond Administration, Registration, and Accounting: Jane Dye, Ron E. Evans, and Debbie Rush Website Management and Coordination: Aviva Dove-Viebahn Multimedia Field Producer: Andrew Miller Please Note There will be boards for conference updates, special events, personal messages, and employment/networking adjacent to Registration. Replacement conference programs are available at Registration for $20 (subject to availability). Unless otherwise noted, all meetings, panels, workshops, and events will take place at the Sheraton Seattle Hotel. Lost and Found Lost and found items can be turned in at Registration during the conference. Any items not claimed by the end of the conference will be left with the Sheraton Seattle Hotel front desk. 2014 Audio Visual Policy The following equipment will be standard in all panel/workshop rooms at the 2014 conference: DVD player (Region 1—standard for US and Canada) LCD projector (with audio) Wireless Internet access (you will need to obtain the password at the conference registration desk)
We are NOT able to accommodate changes or requests for A/V equipment onsite. Thank you for your cooperation.
7 2014 Conference Sponsors
SCMS would like to extend special thanks for the generous support from our sponsors.
Silver Sponsorship University of Washington includes College of Arts and Sciences Department of Comparative Literature Cinema and Media Studies Program
Western Washington University includes Office of the Provost College of Humanities & Social Sciences Department of English
Specialized Conference Sponsorship Georgia State University includes DEPARTMENT OF College of Arts and Sciences COMMUNICATION Department of Communication
Accessibility at the Sheraton Seattle All sessions at the SCMS Conference are accessible to people with disabilities. The conference will span multiple floors of the hotel with ramps and ADA accessible elevators connecting all areas. More specifically, the Sheraton Seattle is wheelchair friendly. There are no restrictive steps that impede full hotel access. There is an accessible restroom in the hotel lobby, accessible hotel guestrooms and roll-in shower availability. There are well designed accessible bathrooms with extra counter space. Beds, sinks, and faucets are at a convenient height. The hotel has a full restaurant and bar, and the pool area is equipped with a lift. The hotel is spacious and events may be rather far apart for some with mobility issues. Please email Leslie McKenzie
8 2014 Conference Sponsors
In Kind Donors Please wear your conference badge to gain entrance to these locations. Thank you.
Northwest Film Forum The NWFF has collaborated with several groups within the Society to program a series of screenings linked to the conference. These include Archival Activism on Wednesday at 7:00 pm, Pacific Wonders on Thursday at 9:00 pm, The Land Beyond the Rainbow on Friday at 8:00 pm, and the Harry Smith event on Saturday at 8:00 pm. Please arrive early for complimentary tickets set aside for conference goers. SCMS members with badges can claim available free tickets to these events up until 30 minutes prior to the event start time. Henry Art Gallery The region’s preeminent contemporary art museum, the Henry, has graciously offered free admission to SCMS attendees for the duration of conference; come walk through the James Turrell skybridge, interact with the new media installation Sanctum, and see the Parallel Practices special exhibit. Open until 9:00 pm Thursday and Friday, and until 4:00 pm Wednesday, Saturday, and Sunday. Located on the UW campus, as is the Burke Museum. The Living Computer Museum We are extremely grateful that the Living Computer Museum has kindly offered free admission to all conference-goers for the duration of conference; open Wednesday—Sunday until 5:00 pm. The Burke Museum The Burke generously donated the venue for our Thursday night screening of In the Land of the Head Hunters. You might want to wander through the Henry Art Gallery on your way, as they are both located on the UW campus. Seattle Theatre Group/Paramount Theatre STG/Paramount Theatre magnanimously donated their space for a special tour/opening of the historic Paramount Theatre located only three blocks from the hotel. Experience the fantastic lobby, hear the Mighty Wurlitzer organ and have access to historic theatre materials on Thursday afternoon.
9 Schedule of Events at a Glance
Wed., March 19 10:00 – 11:45 am Session A Fri., March 21 9:00 – 10:45 am Session J 12:00 noon – 1:45 pm Session B 11:00 am – 12:00 noon Members’ Business Meeting 2:00 – 3:45 pm Session C 12:15 – 2:00 pm Session K 4:00 – 5:45 pm Session D 2:15 – 4:00 pm Session L 6:00 – 8:00 pm SPECIAL EVENT: 4:15 – 5:30 pm SCMS Awards Ceremony Teaching Race & Media in 5:30 – 7:30 pm Reception Post-racial/Post-Trayvon America 7:30 – 11:30 pm SPECIAL EVENT: Grrrls Night Out Dinner 7:00 – 9:00 pm SPECIAL EVENT: Archival Activism: 8:00 – 11:00 pm SPECIAL EVENT: Reclaiming and Remixing The Stuart Hall Project the Battle of Seattle 8:00 pm SPECIAL EVENT: The Land Beyond the Thu., March 20 9:00 – 10:45 am Session E Rainbow 11:00 am – 12:45 pm Orientation for New Members 8:00 pm SPECIAL EVENT: & Networking Session Screening & Browsing at 11:00 am – 12:45 pm Session F Scarecrow Video 12:30 – 2:30 pm SPECIAL EVENT: Sat., March 22 9:00 – 10:45 am Session M Paramount Theatre: Book 11:00 am – 12:45 pm Session N Release Party 1:00 – 2:45 pm Session O 1:00 – 2:45 pm Session G 3:00 – 4:45 pm Session P 3:00 – 4:45 pm Session H 5:00 – 6:45 pm Session Q 5:00 – 6:45 pm Session I 8:00 – 10:00 pm SPECIAL EVENT: 7:00 – 9:15 pm SPECIAL EVENT: Harry Smith’s Return to the Land of the “Early Abstractions” Head Hunters and the Animation of 9:00 pm SPECIAL EVENT: Pacific Bodily Rhythms Wonders: Nontheatrical Sun., March 23 9:00 – 10:45 am Session R Films from the Northwest 11:00 am – 12:45 pm Session S various / open SPECIAL EVENT: “Taste of Seattle” 1:00 – 2:45 pm Session T
SCMS Social Media
Follow us on Twitter (@SCMStudies) and use #SCMS14 to post about your own experiences during the conference. Like us on Facebook: https://www.facebook.com/SCMStudies Also, check out cmstudies.org for rotating online content, including videos and blog posts, throughout the conference.
10 Exhibit Hours* Registration Hours
ROOM: Metropolitan Ballroom Third Floor ROOM: Greenwood Third Floor THURSDAY, MARCH 20 WEDNESDAY, MARCH 19 10:30 am – 5:30 pm 9:00 am – 5:00 pm FRIDAY, MARCH 21 THURSDAY, MARCH 20 9:30 am – 5:30 pm 8:00 am – 5:00 pm SATURDAY, MARCH 22 FRIDAY, MARCH 21 9:00 am – 6:00 pm 8:00 am – 5:00 pm SATURDAY, MARCH 22 *hours subject to change 8:00 am – 5:00 pm SUNDAY, MARCH 23 8:30 am – 12:00 pm
Exhibitor Receptions
Thu., Mar 20 12:30 pm Indiana University Press—Paramount Theatre; reception to celebrate the release Paramount Theatre, of Silent Cinema and the Politics of Space and the acquisition of Film History 911 Pine St. 2:00 pm Intellect—meet the editor, Journal of Italian Cinema & Media Studies table in the exhibit area 2:30 pm Routledge/Taylor & Francis—author appreciation reception with refreshments. table in the exhibit area Join Routledge in celebrating their newest titles. 4:30 pm Columbia University Press—reception to celebrate new publications table in the exhibit area 6:00 pm University of California Press—reception to introduce B. Ruby Rich as the new RN74, editor of Film Quarterly 1433 4th Ave. 7:00 pm University of Washington Press—a screening and roundtable discussion of In the Burke Museum, Land of the Head Hunters; reception follows corner of 17th Ave. NE and NE 45th St. Fri., Mar 21 2:00 pm W.W. Norton & Company—reception table in the exhibit area 2:00 pm Intellect—meet the author of Cindy Sherman’s Office Killer table in the exhibit area 7:30 pm Oxford University Press—cocktail reception Cirrus Pike Street Tower, 35th Floor 8:00 pm DEFA Film Library at UMass Amherst—special screening of The Land Beyond the Northwest Film Forum, Rainbow (Germany, 1991, dir. Herwig Kipping), followed by book signing and wine 1515 12th Ave. reception for Reinhild Steingröver’s Last Features.
11 SCMS Caucus & Scholarly Interest Group Meeting Schedule All SCMS members welcome to attend.
Wed., March 19 4:00 – 5:45 pm Video Game Studies Scholarly Interest Group Ballard Third Floor
Thu., March 20 9:00 – 10:45 am Contemporary Theory Studies Scholarly Interest Chelan First Floor, Lobby Level Group
11:00 am – 12:45 pm Film & Media Festivals Studies Scholarly Interest Group Chelan First Floor, Lobby Level
11:00 am – 12:45 pm French & Francophone Studies Scholarly Interest Ballard Third Floor Group
1:00 – 2:45 pm Scholarly Interest Group Coordinating Committee Chelan First Floor, Lobby Level
1:00 – 2:45 pm Queer Caucus Ballard Third Floor
3:00 – 4:45 pm Media Industries Studies Scholarly Interest Group Ballard Third Floor
3:45 – 4:45 pm Middle East Caucus Chelan First Floor, Lobby Level
5:00 – 6:00 pm Caucus on Class Fountain Wine Bar & Lounge Pike Street Tower, Lobby
5:00 – 6:45 pm Urban Studies Scholarly Interest Group Chelan First Floor, Lobby Level
5:00 – 6:45 pm Comedy & Humor Studies Scholarly Interest Group Ballard Third Floor
7:00 – 8:45 pm Oscar Micheaux Society Scholarly Interest Group Medina Third Floor
7:00 – 8:45 pm Asian/Pacific American Caucus Leschi Third Floor
7:00 – 8:45 pm Women in Screen History Scholarly Interest Group Kirkland Third Floor
Fri., March 21 9:00 – 10:45 am Media Literacy + Pedagogical Outreach Chelan First Floor, Lobby Level Scholarly Interest Group
9:00 – 10:45 am CinemArts: Film & Art History Scholarly Interest Group Ballard Third Floor
12:15 – 2:00 pm Latino/a Caucus Chelan First Floor, Lobby Level
12:15 – 2:00 pm Sound Studies Scholarly Interest Group Ballard Third Floor
2:15 – 4:00 pm Documentary Studies Scholarly Interest Group Chelan First Floor, Lobby Level
2:15 – 4:00 pm Scandinavian Studies Scholarly Interest Group Cirrus Pike Street Tower, 35th Floor (proposed)
2:15 – 4:00 pm Women’s Caucus Ballard Third Floor
Sat., March 22 9:00 – 10:45 am Radio Studies Scholarly Interest Group Ballard Third Floor
10:00 – 10:45 am Central/East/South European Scholarly Interest Group Chelan First Floor, Lobby Level
11:00 am – 12:45 pm Nontheatrical Film & Media Scholarly Interest Group Chelan First Floor, Lobby Level
11:00 am – 12:45 pm Experimental Film & Media Scholarly Interest Group Ballard Third Floor
1:00 – 2:45 pm Silent Cinema Cultures Scholarly Interest Group Chelan First Floor, Lobby Level
1:00 – 2:45 pm Animated Media Studies Scholarly Interest Group Ballard Third Floor
3:00 – 4:45 pm Cognitive/Analytical Scholarly Interest Group Chelan First Floor, Lobby Level
3:00 – 4:45 pm Television Studies Scholarly Interest Group Ballard Third Floor
5:00 – 6:45 pm Transnational Cinemas Scholarly Interest Group Chelan First Floor, Lobby Level
5:00 – 6:45 pm Media & the Environment Scholarly Interest Group Ballard Third Floor
7:00 – 8:45 pm African/African American Caucus Ballard Third Floor
7:30 – 8:45 pm Cinema Journal Editorial Board Meeting Boren Union Street Tower, Fourth Floor 12 Special Thanks We would like to thank the following for their support and assistance with the 2014 conference. John Akomfrah Bambi Haggins Katherine Morrow Kaveh Askari Maile Hetherington Karen Petruska Jaimie Baron Justin Horton Fatimah Tobing Rony Jennifer Bean Jennifer Johnson Alan & Joyce Rudolph Christine Becker Michael Kackman Catherine Russell Holly Bernard-Jones Verena Kick Aboubakar Sanogo Chris Cagle Amanda Ann Klein Leah Shafer Zachary Campbell Chuck Kleinhans Mike Shapiro Stephen Charbonneau Jasmin Krakenberg Courtney Sheehan Barbara Cranmer Virginia Kuhn Amanda Sialiano Kelly Damphousse Vicky Lee Rani Singh Aviva Dove‑Viebahn Kathryn Lindsay Cristina Stasia Brad Evans Tiffani Lynch Kristen Warner Anna Everett Alfred Martin PSAV ‑ Greg Banasek Rachel Faust Casey McCormick Triumph Expo & Events - Dave Bendt Whitney Ford-Terry Leslie McKenzie & Mark Sherman Alla Gadassik Andrew Miller Jenika Gustafson Taylor Cole Miller Thanks to Our Donors Many thanks to those who generously donated to the Award, General, and Travel Funds AWARD FUND Joe Barton James Leo Cahill Michael Renov GENERAL FUND Rebecca Bell-Metereau Priya Jaikumar Paul S. Moore Anthony Cooke Bill Kirkpatrick Denise Omalley Juli Hinds Livia Rodica Monnet Sue Scheibler TRAVEL FUND Scott Balcerzak Ken Feil Derek Kompare Sarah Barrow Martin Flanagan Kathleen McHugh Christine Becker Chris Holmlund Ara Osterweil Katrina Boyd Ted Hovet Constance Penley Will Brooker Dale Hudson Melvyn Stokes Jim Castonguay E. Ann Kaplan Victoria Sturtevant Scott Curtis Mary C. Kearney Charles Wolfe Jennifer Dare Nicole Keating Michael D. Dwyer Barbara Klinger
13 Thanks to Exhibitors & Advertisers We gratefully acknowledge the following exhibitors and advertisers for their support of this year’s conference. EXHIBITORS Bedford/St. Martin’s International Specialized Book Services SUNY Press Berghahn Books The Johns Hopkins University Press University of California Press Bloomsbury Academic Kanopy University of Chicago Press Canadian Filmmakers Distribution Michael Wiese Productions University of Hawaii Press Centre The MIT Press University of Illinois Press Cinema-N-Focus presented by NYU Press University of Minnesota Press NURAY Pictures Ohio State University Film Studies University of Texas Press Columbia University Press Program’s The Journal of Short Film University of Wisconsin Press The Criterion Collection Oxford University Press University Press of Kansas Dartmouth College Press Palgrave Macmillan University Press of Mississippi DEFA Film Library ProQuest W.W. Norton & Company Duke University Press Routledge Wayne State University Press Edinburgh University Press Rutgers University Press Wiley Indiana University Press Scarecrow Press/Rowman & Littlefield Wilfrid Laurier University Press Intellect The SCMS Latino/a Caucus ADVERTISERS Academy of Motion Picture Arts and Intellect University of Pittsburgh Film Studies Sciences Media, Cinema and Digital Studies, Program Bedford/St. Martin’s UW-Milwaukee University of Texas Press Berghahn Books NYU Press University of Washington, Cinema and Bloomsbury Academic NYU Steinhardt Educational Theatre Media Studies Program Canadian Journal of Film Studies Oxford University Press University of Washington Press Columbia University Press Routledge University of Wisconsin Press DePaul University - Media and Rutgers University Press University Press of Kansas Cinema Studies Program SERCIA W.W. Norton & Company Duke University Press University of Chicago Press Washington University Film & Media Duke University Press, Journals University of Chicago Press, Journals Studies Emory at Pinewood Studios University of Illinois Press Wayne State University Press Georgia State University, Department University of Minnesota Press Western Washington University of Communication University of Oklahoma, Film & Media Wiley Indiana University Press Studies Wilfrid Laurier University Press
Nominations for Distinguished Career Achievement & Pedagogy Awards All SCMS members—graduate students, part‑ and full‑time faculty, and independent scholars—are warmly encouraged to nominate scholars they consider to be deserving of the Distinguished Career Achievement and Pedagogy awards. A short nominating statement, submitted via an online form, is required by August 1 in each case. For further information, including additional criteria required for each award, please visit the Awards section of the SCMS website: http:cmstudies.org. 14 Thanks to Our 2013–2014 Institutional Members Bangor University, School of Creative Studies and Media University of Colorado Boulder, Film Studies Program Baylor University, Film and Digital Media University of East Anglia, School of Film, Television and Brown University, Department of Modern Culture and Media Media Studies Chapman University, Dodge College of Film and Media Arts University of Iowa, Department of Cinema and Emerson College, Department of Visual & Media Arts Comparative Literature Fairfield University, Film, Television and Media Arts University of Michigan, Department of Screen Arts and Georgia State University, Department of Communication Culture Indiana University, Department of Communication and University of Minnesota, Department of Cultural Studies Culture and Comparative Literature Liverpool John Moores University, Film Studies University of New Mexico, Department of Cinematic Arts New York University, Cinema Studies University of Oklahoma, Film and Media Studies Point Park University, Department of Cinema and Digital University of Oregon, Cinema Studies Arts University of Texas at Austin, Department of Radio- Southern Illinois University, Department of Cinema and Television-Film Photography University of Utah, Department of Film & Media Arts Syracuse University, English Department University of Wisconsin-Milwaukee, Film Studies Program University of Auckland, Department of Film, Television and Washington University, Film and Media Studies Program Media Studies Yale University, Film Study Center University of California, Los Angeles, Film, Television and York University, Department of Film Digital Media University of Chicago, Department of Cinema and Media Studies
Become an Institutional Member! Benefits of SCMS Institutional Membership (membership year runs from September 1 ‑ August 31) Institutional members receive Cinema Journal, access to the members’ area of the website, e‑newsletters and announcements, and a profile page. In addition, institutional members will be able to have unlimited access to our Career Center enabling departments and programs to post and view job applications and to identify cinema/media scholars looking for full and/or part‑time employment. Institutional members will also be featured in the Programs/Schools area of the SCMS website, listed in our annual conference program, and in future issues of Cinema Journal. In addition, institutional members are invited to provide us with logos and links to their homepage to showcase their programs and activities throughout the SCMS website. For more information, please visit http://www.cmstudies.org/?page=institut_membership
15 SCMS Graduate Student Lounge & Hospitality Area with Computer/Internet/Printer Access ROOM: Capitol Hill Third Floor Feel free to hang out in this area, hold informal meetings, chat with friends, work on your computer…. All registered attendees of SCMS 2014 may use these computers, free of charge, to access the Internet. You may also use them with flash drives to print out necessary documents. Please limit the time you spend so that everyone can have access and limit your printing to eight pages. Thank you. Terms and conditions: you agree to use these computers at your own risk. They are public terminals and SCMS cannot be held responsible for results of usage. Wireless Internet Access — Standard in all meeting space at SCMS 2014 — This includes the Exhibit Area (Metropolitan Ballroom, Third Floor) and the SCMS Graduate Student Lounge & Hospitality Area (Capitol Hill, Third Floor). You will need to obtain a password at conference registration. . . . And More Good News! If you booked your room at the Sheraton Seattle Hotel under the SCMS room block (online or by phone), your guest room rate includes in‑room, high-speed Internet access. Please ask at the front desk for details regarding how to log on and how this will be taken care of on your final bill. This applies only to those who booked through the hotel and under the SCMS room block. Thank you again for attending SCMS 2014!
16 Meeting Space at a Glance
THIRD FLOOR Ravenna C Ravenna B Ravenna A Medina Leschi Kirkland Metropolitan Ballroom Issaquah A Everett Exhibit Area Issaquah B Greenwood Capitol Registration Hill Ballard Fremont Graduate Student Meetings Lounge & Hospitality Area SECOND FLOOR
Redwood B Grand Ballroom AB C D Redwood A Awards Reception Ceremony Aspen Spruce Cedar B Willow A Cedar A Willow B Juniper
Madrona
FIRST FLOOR, LOBBY LEVEL
Diamond A Diamond B
Chelan Meetings Eagle Boardroom
17 Meeting Space at a Glance
PIKE STREET TOWER, 35TH FLOOR
Cirrus Orientation for New Members & Networking Session Members' Business Meeting
UNION STREET TOWER, FOURTH FLOOR
Virginia
University
Seneca
Je erson A
Je erson B
Boren Columbia
18 Seattle
Host Committee Recommendations Welcome to the “Emerald City,” a bustling urban port town acclaimed for its parks and sea life, jets and software, coffeehouses and activists (oh, and the Space Needle, too). To help you make the most of your time here, we have provided essential city information as well as a curated list of some of our favorite theaters, museums, restaurants, ferry rides, and neighborhood jaunts. Please also consult the event descriptions for more details about the evening events scheduled around the city for SCMS members. Getting Around Town
WALKING Downtown Seattle is very walkable. The area between Pike/Pine Streets, I – 5, and Cherry/James Streets is virtually flat. Getting to the Pike Place Market and to the waterfront requires a short downhill/uphill climb. Walking to Capitol Hill requires a roughly ten to fifteen-minute uphill climb, but is definitely worth the trip. At the end of March, the weather is usually still chilly and it can be rainy. Make sure to bring an umbrella, a warm waterproof coat, and comfortable waterproof shoes with you. The first sunrays might come out, though, which will also bring out the gorgeous cherry blossoms on the University of Washington campus. Google pictures—they’re worth seeing! It is safe around the Sheraton Hotel and the Pike/Pine Street area. It would not be advisable, however, to walk around 3rd Avenue/Pike or dark areas by oneself after midnight.
LIGHT RAIL / BUS SYSTEM Seattle has a reliable public transportation system that makes it easy to get from point A to point B. The light rail (Seattle’s train system) that runs both above and under ground connects the airport with downtown Seattle. The light rail trains are also a comfortable and quick option to get around downtown without getting wet (particularly between the Convention Center, Pioneer Square, and the International District). If you decide to travel north of downtown, bus lines 71, 72, and 73 all take you straight to the University District and the University of Washington, and bus lines 10, 11, 49, and 43 all take you quickly to Capitol Hill. The Metro Transit’s new website has more detailed information on bus schedules: metro.kingcounty.gov. A one-way ride is $2.25 and $2.50 during peak times. You must have exact cash ready to pay when you enter the bus. You receive one free transfer for a two-hour period. If you intend to use the light rail or the bus system more than three or four times, consider getting the ORCA card. You can put $5, $10, $20 or more on the card. Find out more about the ORCA card at www.orcacard.com.
MONORAIL Seattle Center Monorail provides a convenient link between downtown Seattle and Seattle Center. The monorail is an exciting part of the city skyline and the Seattle Center, home to the Space Needle, Pacific Science Center, Experience Music Project, KeyArena, and the Children’s Museum. The monorail departs approximately every ten minutes from Westlake Center Station. A one-way ticket is $2.25. 19 Host Committee Recommendations
FERRY Any visit to Seattle that doesn’t include at least a short ferry trip is one that leaves out a real experience. A fun short ride (35 minutes one way) is to Bainbridge Island. On Bainbridge Island, stop for coffee or lunch, see the galleries and shops on a nice walk through Winslow, and then return to Seattle. The ferry to Bremerton (60 minutes one way) cruises through narrow passages, and you can see galleries, navy ships, and more in Bremerton. Passenger fares are around $8. More information on ferry trips at www.wsdot.wa.gov/ferries/.
TAXIS Seattle has several major taxicab companies to get you to and from Sea-Tac International Airport ($40 flat rate to the downtown hotel district), as well as take care of your transportation needs around town. Seattle taxis do not have a uniform color, so you need to look for the light on top of the cab. The Seattle cab rates are $2.50 at meter drop, $2.70 per mile, and 50 cents per minute for waiting time. The cab should also have proof of registration and a photo ID posted for the passenger to see. Drivers are required to take credit cards. Orange Cab Company: (206) 522–8800 STITA Taxi: (206) 249–9999 Yellow Cab: (206) 622–6500 Life’s Necessities
Target FedEx Office Print and Ship Center 2nd Ave. between Pike and Union St. 6th Ave. between Pike and Union St. Mon. – Sat. 7:00 am – 10:00 pm, Sun. 8:00 am – 10:00 pm Mon. – Fri. 7:00 am – 6:00 pm, Sat. 9:00 am – 5:00 pm, Sun. A “CityTarget” with grocery on the bottom floor noon – 5:00 pm Copying and printing, as well as shipping Bartell Drugs 5th Ave. between Olive Way and Pine St. Kress IGA Supermarket Mon. – Fri. 6:00 am – 10:00 pm, Sat. 7:00 am – 9:00 pm, 3rd Ave. between Pike and Union St. Sun. 8:00 am – 9:00 pm 7:00 am – 10:00 pm daily Standard drugstore and pharmacy Seattle Visitor Center Walgreens Upper Pike St. Lobby of the Washington State Convention 3rd Ave. and Pike St. (four blocks from Sheraton) Center (7th Ave. and Pike St.) 7:00 am – 10:00 pm Mon. – Fri. 10:00 am – 6:00 pm Standard drugstore and pharmacy visitseattle.org Post Office Union St. between 3rd and 4th Ave. Mon. – Fri. 8:30 am – 5:30 pm, closed weekends
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Food
$= $10 $$= $11 – 30 $$$= $31 – 60 $$$$=$61 per person
IN THE HOTEL Fountain Wine Bar and Lounge $$ In Short Order $ Pike St./6th Ave. corner of the Sheraton Hotel Union St. side of the Sheraton lobby 4:00 pm – midnight 5:00 am – 4:00 pm Lounge and wine bar also serving food Counter service with grab-and-go sandwiches, salads, and coffee for those in a hurry Daily Grill $$ Pike St./7th Ave. corner of the Sheraton Hotel Loulay $$$ 6:00 am – 11:00 pm Union St. side of the Sheraton Hotel Happy hour 4:00 – 7:00 pm 11:00 am – 11:00 pm (slightly discounted drinks and $6 – 8 appetizers) Newly renovated two-floor space serving upscale, Steakhouse offering typical American fare in the pricey French-inspired food (entrees $20 – 30) range (entrees $18 – 30); both buffet and à la carte breakfasts are available mornings ($15 – 20)
LUNCH/DINNER NEARBY Pike Place Chowder $ Shucker’s Oyster Bar $$$ Two locations: Pine St. between 6th and 7th Ave., University St. between 4th and 5th Ave. top floor of the Pacific Place Mall (location nearer (in the Fairmont Olympic Hotel) Sheraton); Post Alley, adjacent to the Pike Place Market Mon. – Thur. 11:30 am – 10:00 pm, Fri. – Sat. 11:30 am – 11:00 pm 11:00 am – 8:00 pm (or later) Happy hour Mon. – Fri. 3:00 – 5:00 pm Various chowders and fried fish entrees Oysters and other seafood Blue C Sushi $$ Pike Street Fish Fry $ 7th Ave. between Pike and Pine St. (and other locations 925 E. Pike St. throughout Seattle) Mon. – Wed. 11:30 am – midnight, 11:00 am – 10:00 pm Thur. – Sat. 11:30 am – 2:30 am, Sun. 11:30 am – midnight Happy hour 4:00 – 7:00 pm daily Perfectly deep-fried cod and fries Conveyor belt sushi Lowell’s $$$ Café Yumm $ 1519 Pike Place (in Pike Place Market) (206) 622–2036 7th Ave. and Pine St. Mon. – Thur. 7:00 am – 6:00 pm, Fri. – Sat. 7:00 am – 7:00 pm, Mon. – Fri. 10:30 am – 8:00 pm, Sat. – Sun. 11:00 am – 7:00 pm Sun. 7:00 am – 6:00 pm Vegan and vegetarian friendly, with good lunch choices Sockeye Salmon, Dungeness crab, steamer clams, including rice bowls, soup, and sandwiches Alaskan halibut (entrees $15 – 30); breakfast also served Westlake Food Court $ Etta’s $$ Pine St. between 4th and 5th Ave. 2020 Western Ave. (206) 443–6000 Mon. – Sat. 10:00 am – 8:00 pm, Sun. 11:00 am – 6:00 pm Mon. – Thur. 11:30 am – 9:30 pm, Fri. 11:30 am – 10:00 pm, Lots of fast food options, including Thai, Indian, and Sat. 9:00 am – 10:00 pm, Sun. noodles 9:00 am – 9:00 pm, “Crabby Hour” from 3:00 – 5:00 pm A Tom Douglas restaurant in the Pike Place Market Area Mae Phim Thai $ Pike St. between 2nd and 3rd Ave. 11:00 am – 9:00 pm Yummy, cheap, and fast Thai food 21 Host Committee Recommendations
Matt’s in the Market $$ – $$$ Place Pigalle $$$ 94 Pike St. #32 (206) 467–7909 81 Pike St. (206) 624–1756 Mon. – Sat. 11:30 am – 2:30 pm, 5:30 – 10:00 pm On the water, hidden behind Pike Place Market’s Small, cozy, but elegant place with daily changing menu famous fish throwers,this intimate and elegant gem based on seasonal ingredients in Pike Place Market boasts an eclectic menu and a gifted chef (reservations (entrees $15 – 30) recommended). Wild Ginger $$ Alibi Room $$ 1401 3rd Ave. (206) 623–4450 85 Pike St. #410 (between Western Ave. Tasty pan-Asian fare in spacious restaurant and Post Alley) (206) 623–3180 with lively bar Good for late night dining, with casual ambiance, deliciously thin gourmet pizzas, fine salads—and spicy mac and cheese! Entrance faces the waterfront area’s famed bubblegum wall.
BREAKFAST NEARBY NYC Café $ Blue Water Taco Grill $ 7th Ave. between Pike and Pine St. (206) 682–7011 Union St. between 5th and 6th Ave. Bagel sandwiches at breakfast, deli sandwiches and Mon. – Fri. 7:00 am – 7:00 pm salad bar for lunch, with beer and wine available Very cheap breakfast burritos and scrambles served until 10:30 am, with burritos and the like the rest of the day Specialty’s Bakery Café $ 5th Ave. and Union St. Andaluca $$$ Mon. – Fri. 6:00 am – 7:00 pm, Sat. 7:00 am – 6:00 pm, Olive Way between 4th and 5th Ave. Sun. 7:00 am – 5:00 pm Mon. – Thur. 6:30 – 11:00 am, 5:00 – 9:00 pm; Baked goods, egg sandwiches, and oatmeal for Fri. 6:30 – 11:00 am, 5:00 – 10:00 pm; breakfast, as well as salads and sandwiches for lunch Sat. 7:00 – 12:00 am, 5:00 – 10:00 pm; Sun. 7:00 – 12:00 am, 5:00 – 9:00 pm For those wanting a more substantial, sit-down breakfast
GOOD PLACES IN THE NEIGHBORHOOD Melrose Market $ – $$ Taste in the Seattle Art Museum $$ 1501 – 35 Melrose Ave. (206) 568–2666 1300 1st Ave. (206) 903–5291 Exit on 6th Ave. and turn right. Turn right on Pike. Walk six Exit on 6th Ave. and turn left. Turn right on Union. Walk five blocks, turn left on Melrose. The market is on your right. blocks. Turn left. The museum and Taste are on your left. Wed. – Sun. 11:00 am – 7:00 pm (closed Mon. – Tue.) Lunch 11:00 am – 3:00 pm ($7 – 15), dinner 5:00 – 9:00 pm Suggested dining in the Market: ($15 – 20), and happy hour Homegrown breakfast and sandwiches ($4 – 12) Sitka and Spruce (lunch $9 – 17, dinner $15 – 30) Serious Pie $$ Lil’ Woody’s burgers 316 Virginia St. (206) 838–7388 Terra Plata (lunch $5 – 15, dinner $15 – 30) 11:00 am – 11:00 pm daily Happy hour Mon. – Fri. 3:00 – 5:00 pm Pie Bar $ – $$ Pizza ($15 – 20); mini pies ($6) during happy hour 1361 E. Olive Way (206) 257–1459 Exit on 6th Ave. and turn right. Turn right on Pike. Walk six blocks. Turn left on Melrose. Walk two blocks. Turn right on Olive Way. Pie Bar is on your right. Tue. – Sun. 5:00 pm – 2:00 am (closed Mon.) Sweet and savory pies and “pie-tinis” ($8 – 15); walk-up window ($5 – 8) 22 Host Committee Recommendations
Dahlia Lounge and Dahlia Bakery The Brooklyn $$ 2001 4th Ave. 1212 2nd Ave. (206) 224–7000 Exit on 6th Ave. and turn right. Turn left on Pike and Mon. – Fri. 11:00 am – 10:00 pm, Sat. 4:00 – 10:00 pm, continue to 4th Ave. Turn right and walk straight for Sun. 4:00 – 9:00 pm, Happy hour 4:00 – 6:00 pm three blocks. Serious Pie and Dahlia Lounge are both on Seafood, steak, and oyster house; lunch ($7 – 20) your left at the corner of 4th Ave. and Virginia St. dinner ($20 – 50) Mon. – Thur. 11:30 am – 2:30 pm, 5:00 – 10:00 pm; Fri. 11:30 am – 2:30 pm, 5:00 – 11:00 pm; Sat. 9:00 am – 2:00 pm, 5:00 – 11:00 pm; Sun. 9:00 am – 2:00 pm, 5:00 – 9:00 pm Grilled fish and meats; lunch ($9 – 15) dinner ($20 – 50)
PHO Filling, delicious, cheap, and found pretty much exclusively in Seattle’s many Vietnamese restaurants Ba Bar $$ Pho Than Brothers $ 550 12th Ave. (206) 328–2030 516 Broadway E. (206) 568–7218 Mon. – Thur. 7:00 am – 2:00 am, Fri. – Sat. 7:00 am – 4:00 am, (and other locations throughout Seattle) Sun. 7:00 am – 2:00 am 11:00 am – 9:00 pm daily Happy hour 3:00 – 6:00 pm Vietnamese street food ($8 – 15) Pho Cyclo Café $ 999 3rd Ave. #1 (206) 623–3958 Local Pho $ Mon. – Fri. 10:00 am – 5:00 pm (closed Sat. and Sun.) 2230 3rd Ave. (206) 441–5995 Mon. – Sat. 11:00 am – 9:00 pm (closed Sun.) Lunch and dinner ($7 – 9)
COFFEE “Seattle is to coffee as Alaska is to snow. New York to bagels. New Jersey to bad reality TV” (Seattle Pi). There’s no shortage of good coffee in Seattle. About 25 years ago, Seattle was the birthplace of the American espresso craze. But it is not just about Starbucks. This abridged list of the downtown and Capitol Hill areas reveals the diversity of Seattle’s thriving coffee shop scene. Caffé Vita Coffee Roasting Co. Dilettante Café 1005 E. Pike St. 5th Ave. and Union St. Cute local grunge-vibe café with friendly and helpful (bottom of the Rainier Square complex) baristas; coffee here is very smooth without a bitter Chocolate-focused coffee bar known for its mochas after taste Caffe Senso Unico Seattle Coffee Works Olive Way between 6th and 7th Ave. 107 Pike St. (two blocks from the Sheraton) Coffee bar near Pike Place Market with tasting room and Coffee-lover’s gem with reliably good espresso roastery offering a range of single-origin coffees. Check out the “slow bar” cupping lab, where they encourage Starbucks customers to play with their coffee. Locations nearest Sheraton: Union St. between 6th and 7th Ave. Victrola Coffee Roasters 7th Ave between Pike and Pine St. 310 E. Pike St. The “original,” first-ever Starbucks is located at 1912 Pike A Capitol Hill institution with a cozy, retro vibe, small Place in the Pike Place Market—a nice walk from the tables, and vegan donuts and pastries in addition to conference hotel delicious coffee 23 Host Committee Recommendations
BREWERIES Second perhaps only to coffee, beer is also a serious Seattle obsession. A few brewpubs are easy to get to from the hotel. Visiting the many others requires some prior planning and a bus ride or car. Pike Brewing Company Reuben’s Brews 1415 1st Ave. (206) 622–6044 1406 NW 53rd St. 11:00 am – midnight daily Thur. – Fri. 3:00 – 8:00 pm, Sat. noon – 8:00 pm, Brewpub offering typical fare, as well as beer samplers; Sun. noon – 5:00 pm (closed Mon. – Wed.) the location also is home to a beer museum (call for Nanobreweries, a newly emerged concept that has tour information) become one of the coolest parts of Seattle beer culture, feature casual atmosphere in a small scale, Elysian Brewery, Capitol Hill with beer you’re unlikely to find elsewhere. Reuben’s 1221 E. Pike St. garage-like tasting room is low-key but comfortable. Mon. – Sat. 11:30 am – 2:00 am, Sun. noon – 2:00 am Other nanobreweries are also located in the Ballard Restaurant with extensive list of Elysian’s own beers, neighborhood, also with limited hours. including some that are never bottled Northwest Peaks Brewery Georgetown Brewing Co. 4912 17th Ave. NW, Suite B 5200 Denver Ave. S. (206) 766–8055 Thur. – Fri. 4:00 – 8:00 pm, Sat. 2:00 – 8:00 pm, Mon. – Fri. 10:00 am – 6:00 pm, Sat. 10:00 am – 4:00 pm Sun. noon – 6:00 pm (closed Mon. – Wed.) (closed Sun.) Also in Ballard, with a taproom in which to try out their Located south of downtown in Seattle’s industrial “mountain beers” district, Georgetown makes some of the city’s most popular beers. This location is strictly a brewery with Red Hook no taproom or food service, but tours are available 14300 NE 145th St., Woodinville, WA Saturdays (call for a reservation). Mon. – Sat. 11:00 am – 11:00 pm, Sun. 11:00 am – 10:00 pm About a 30-minute drive outside of downtown Seattle, Two Beers Brewing Co. Red Hook offers tours twice a day on weekdays and six 4700 Ohio Ave. S. times on the weekends. A trip to Woodinville wouldn’t Tue. – Fri. 3:00 – 8:00 pm, Sat. – Sun. 1:00 – 6:00 pm be complete without also visiting some of the many (closed Mon.) wineries, including Red Hook’s neighbor Chateau St. Also located in the industrial district, although Two Michelle. Beers does have a taproom Nightlife
The Pink Door Elysian Brewing Company Vito’s 1919 Post Alley 1221 E. Pike St. 927 9th Ave. Bar/club Brewery Lounge Dimitriou’s Jazz Alley The Tasting Room Neighbours Nightclub 2033 6th Ave. 1924 Post Alley 1509 Broadway Ave. Jazz bar Wine bar Gay bar/dance club The Triple Door Showbox Century Ballroom 216 Union St. 1426 1st Ave. 915 E. Pine St., 2nd floor Bar/club Bar/club Dance club Oliver’s Lounge The Whisky Bar The Crocodile 405 Olive Way 2000 2nd Ave. 2200 2nd Ave. Bar Bar Music club 24 Host Committee Recommendations
The Unicorn Neumos Wild Rose 1118 E. Pike St. 925 E. Pike St. 1021 E. Pike St. Bar Live music club (206) 324–9210 Fun dive, lesbian bar in Capitol The Cha Cha Lounge Hill area 1013 E. Pike St. Bar Theaters
5th Avenue Theatre Seattle Opera The Market Theater/Unexpected 1308 5th Ave. (206) 625–1900 321 Mercer St. (206) 389–7600 Productions www.5thavenue.org www.seattleopera.org 1428 Post Alley, at the “A touch of Broadway in Seattle” Gum Wall in Pike Place Market Seattle Repertory Theatre (206) 587–2414 Benaroya Hall 155 Mercer St. (206) 443–2222 www.unexpectedproductions.org 200 University St. (206) 215–4747 www.seattlerep.org The heart of improv in Seattle for www.seattlesymphony.org over 30 years The new home of the Seattle Paramount Theatre 901 Pine St. Symphony The Moore Theatre www.stgpresents.org/paramount 1932 2nd Ave. (near the Sheraton) Pacific Northwest Ballet Beautiful historic theater www.stgpresents.org 301 Mercer St. (206) 441–2424 SCMS event site Thursday mid-day Built in 1907, the Moore is the www.pnb.org A.C.T. (A Contemporary Theatre) oldest operating theater in 700 Union St. (206) 292–7676 Seattle and as much a part of the www.acttheatre.org city’s history as salmon runs and Starbucks. Museums, Art, and Parks Central Public Library EMP Museum 1000 4th Ave. (206) 386–4636 325 5th Ave. N. (206) 770–2700 Mon. – Thur. 10:00 am – 8:00 pm, Fri. – Sat. 10:00 am – 6:00 pm, www.empmuseum.org Sun. noon – 6:00 pm A museum like no other in the US, the EMP Museum, www.spl.org/locations/central-library located next to the Space Needle, houses some of the Opened as of spring 2004, designed by architects Rem world’s most legendary pop culture artifacts. Koolhaas and Joshua Prince-Ramus, the downtown “Central Library” location deserves touting. The striking Frye Art Museum eleven-story glass and steel building offers a quiet place 704 Terry Ave. (206) 622–9250 for reflection only blocks from the conference hotel. fryemuseum.org Collection focuses on 19th and 20th-century American art. Chihuly Garden and Glass 305 Harrison St. Henry Art Gallery www.chihulygardenandglass.com 15th Ave. NE and 41st St. (206) 543–2280 Located in the heart of Seattle, Chihuly Garden and Glass www.henryart.org provides a look at the inspiration and influences that Founded in 1927, the Henry is the region’s only inform the career of artist Dale Chihuly. contemporary art museum. Free admission with SCMS conference badge
25 Host Committee Recommendations
Living Computer Museum Pacific Science Center 2245 1st Ave. S. (206) 342–2020 200 2nd Ave. N. (206) 443–2001 livingcomputermuseum.org www.pacificsciencecenter.org For the geeks among us, this unusual museum is a great This educational non-profit foundation features little visit. Plan to spend about an hour or two exploring a Volcano Watch exhibit, Starlab Planetarium, a most every computer development from the abacus to playground, and an IMAX theater. handhelds. Free admission with SCMS conference badge Seattle Art Museum 100 University St. (206) 654–3100 Olympic Sculpture Park www.seattleartmuseum.org 2901 Western Ave. (206) 654–3100 This postmodern structure houses an impressive and Opens daily 30 minutes prior to sunrise and closes 30 eclectic collection. minutes after sunset A brisk 15-minute walk from the Sheraton, this nine- acre park built in 2007 and affiliated with the Seattle Art Museum is situated between the cityscape and Puget Sound, a perfect exemplum of Seattle’s unique mix of urban and outdoor activities. Free admission Film Venues
Cinerama SIFF-Cinema 2100 4th Ave. (206) 448–6680 511 Queen Anne Ave. N. seattlecinerama.com www.siff.net A beautiful restored single-screen theater, with huge Bringing great film experiences to the Northwest for wide screen, great sound, comfortable seats—and 39 years, SIFF Cinema presents year-round film going chocolate popcorn! experiences including the best feature films and one- of-a-kind special events. Northwest Film Forum 1515 12th Ave. (206) 829–7863 www.nwfilmforum.org This is Seattle’s premiere film arts organization, screening over 200 independently made and classic films annually, offering a year-round schedule of filmmaking classes, and supporting filmmakers at all stages of their careers. See program for special SCMS events at NWFF on Wednesday and Saturday evenings.
26 Host Committee Recommendations
Truly Seattle
SELECTED DESTINATIONS BY NEIGHBORHOOD Ballard A thriving waterfront, the famed Hiram Chittendam Locks, and a happening restaurant and entertainment scene have made this Scandinavian enclave one of Seattle’s hottest neighborhoods. An evening getaway trip to Ballard offers a wide array of excellent restaurants, bars, and nightlife activities, all located in easy walking distance on the five or so blocks that form “Ballard Ave” with its great lineup of Italian, French, Mexican, barbecue, and American cuisine options. The affordable and authentic Mexican dishes at La Carta de Oaxca are highly recommended, although the restaurant does not take reservations and the ambiance is sparse. The newly built Ballard Hotel boasts The Stoneburner, an Italian-with- a-twist restaurant built entirely from salvaged materials. Across the street, you’ll find delicious lamb burgers, rabbit stew, and “moules frites” at the French-inclined restaurant Bastille. A bit of Ballard-style barbecue, with over eight types of macaroni and cheese dishes, is available at Bitterroot. Bartenders with unique skills toss up the drink of your choice at The Sexton (Southern Comfort, Bourbon-heavy), The Hazelwood (old-fashioned cocktails), or Barnacle, which also serves small bar bites (anchovies, herring, sardines). If you are craving fresh oysters, Ballard Annex Oyster House or Walrus and the Carpenter just may be the perfect place. For a quick and affordable meal, grab a slice of pizza and a soda or beer at Ethan Stowell’s downscale Ballard Pizza Company. The neighborhood is very safe, although we encourage you to avoid walking by yourself anywhere in the city at night. Directions: Hop the D-line Rapid Ride bus (three blocks from the Sheraton on Pike St. and 3rd Ave.). Enjoy free wi-fi during the 15 – 20 minute ride before getting off at Market Street. Turn left on Market: the cobblestone streets of Ballard Ave. are about a five-minute walk. Cab fare from conference hotel is in the $12 – $15 range. Belltown/Pike Place Market Located about ten minutes from the Convention Center on foot, the nine-acre Pike Place Market is a convenient neighborhood destination for a break between panels. The Public Market has been around since 1907 and houses vendors selling produce, crafts, and specialty foods as well as a number of great restaurants. Try the happy hour (4:30 – 6:00 pm) at Marché, fish and chips at Lowell’s ($15), kimchi at Britt’s Pickles, the pig at Radiator Whiskey, the heartfelt cooking at Steelhead Diner, and the romantic dining room at Pink Door. For something quick and cheap, there’s the Pasta Bar, the Falafel King, the Original Starbucks, “crabby hour” (Mon. – Fri. 3:00 – 5:00 pm) at Etta’s (Tom Douglas), chowder at Pike Place Chowder, ginger beer at Rachel’s Ginger Beer, croissants and macaroons at Le Panier, a grilled cheese sandwich at Beecher’s, antipasti at DeLaurenti, and cookies at Three Girls Bakery. Fremont With Joule, a French-Korean fusion restaurant (try the black cod with miso Swiss chard for $19) and The Whale Wins (family style plates $12 – 20) already firmly established there, Fremont continues to produce excellent restaurants like Le Petit Cochon (menu changes daily, $15 – 25). The influx of new destination-worthy eats (especially at dinnertime) clustered on Fremont Ave. between 41st and 45th St. includes Roux (French Creole, plates $15 – 30) and RockCreek (seafood and spirits, plates $10 – 30, happy hour 4:00 – 6:00 pm), joining local established favorites Paseo (Caribbean sandwiches—try the Cuban roast for $9), Uneeda Burger (casual, roadside-style burger shack with delicious burgers and shakes for $4 – 9), and Dot’s Delicatessen (neighborhood charcuterie). While there, check out Book Larder, Fremont’s community cookbook store, the Fremont Troll, the statue of Vladimir Lenin, Theo’s chocolate factory (the first organic and “fair trade fair for life” bean-to-bar chocolate factory in North America), and the Fremont Brewing Company. For local live music venues, 27 Host Committee Recommendations
check the Nectar Lounge (www.nectarlounge.com), White Rabbit (www.fremontwhiterabbit.com), and High Dive (www. highdiveseattle.com), all of which are on Fremont Avenue. International District What other cities might call Chinatown is known as the International District in Seattle, a phrase recognizing the diversity of the neighborhood’s Asian-American population. Just a few stops from downtown on the light link rail, this historic area is easily accessible from the conference hotel and filled with interesting and affordable restaurants. Close to the light link station is Uwajimaya Market, with attached bookstore and food court, which offers delicious cream puffs from the Japanese chain Beard Papa. If you feel the need for novelty erasers or other unique souvenirs, check out Daiso, which sells Japanese imports for $1.50. Consider a visit to the Wing Luke Museum of the Asian Pacific American Experience, or take a tour of the neighborhood through Chinatown Discovery Tours. If you’re hungry, try the authentic northern Chinese dumplings at Ping’s Dumpling House. If you prefer a bit more ambience, try the Chinese food at Red Lantern. Those willing to travel a few blocks up Jackson Street will be rewarded with delicious Vietnamese cuisine at the Tamarind Tree, hidden away in a parking lot, or authentic Sichuanese at Sichuanese Cuisine in the same shopping center. If you want something completely different, the International District is also home to World Pizza, a vegetarian pizza place. For dessert, try Yummy House Bakery or A Piece of Cake. While Seattle is quite safe overall, you may attract attention walking around the International District at night; it is advisable to travel in groups if possible. Pike/Pine Corridor The area of the Capitol Hill neighborhood surrounding the Northwest Film Forum (an SCMS event venue) is vibrant, eclectic, and known for its music venues and nightlife. Only a mile from the Sheraton, this area is worth a visit whether you’re attending a screening or not. Those looking for a nice dinner can try the modern Mexican cuisine at Barrio, refined yet not fussy American at Restaurant Zoë, organic vegan fare at Plum Bistro, or roasted bone marrow and other upscale pub-style dishes at Quinn’s. Momiji, just across from the theater, has great sushi happy hours, 4:00 – 6:00 pm and 10:00 pm – 12:30 am daily. Those looking for other causal eats might try a slice at Big Mario’s Pizza, diner food at the 24-hour Lost Lake Café, a treat at Cupcake Royale, or a scoop of balsamic strawberry at Molly Moon’s Ice Cream. In the afternoon or evening, have an americano at Caffe Vita, browse the shelves at The Elliott Bay Book Company, and watch a bike polo game at Cal Anderson Park while having drinks at the adjacent bar Cure. Check out who’s playing at Neumos and Chop Suey, if you have time for a show. Cap Hill is also a very gay-friendly neighborhood, and this section is home to Seattle’s one lesbian bar The Wild Rose, as well as gay bars Pony, Madison Pub, Lobby Bar, and Diesel, and dance clubs like Purr, R Place (drag shows Friday and Saturday), and The Cuff Complex. Other fun bars include carnival-themed Unicorn, Grim’s, and Auto Battery where skee ball and shuffleboard make up for the fratty atmosphere. Before heading back for the night, make sure to stop for a Seattle Dog, a hot dog served with cream cheese and onions (seriously, it’s delicious). The best stand is in front of Neumos at 10th and Pike. Pioneer Square Pioneer Square, Seattle’s original downtown dating back to 1852, is only a five-minute cab ride away from the hotel (or a twenty-minute walk). It is home to many art galleries, the Seattle Underground Tour and a museum and info center for the Klondike Gold Rush National Historical Park. This history-rich place, known for its Renaissance Revival architecture, was once an overpriced culinary mess for tourists, but newly opened restaurants are changing the fabric of this neighborhood. Salumi is Armando Batali’s cozy little sandwich shop, offering salamis and cured meats. If you go for lunch, you will wait (sandwiches $8 – 12). Altstadt, a German style beer hall, satisfies growling stomachs that can only be tamed by wurst, soft pretzels, and a dozen brews on tap. Also worth checking are London Plane and Bar Sajo, both under Matt Dillon (the restaurateur, not the actor); La Bodega (Domenican Food Shop, 11:00 am – 7:00 pm, plates $9 – 12); the back bar at E. 28 Host Committee Recommendations
Smith Mercantile (seasonal herb, fruit, and floral-infused cocktails and food, breakfast 10:00 am – 2:00 pm, bar Tue. – Sat. 4:00 – 11:00 pm); Rain Shadow Meats (Mon. – Fri. 11:00 am – 6:00 pm, Sat. – Sun. 11:00 am – 5:00 pm, plates $7 – 12); Tinello (Italian sandwich shop); and the newest incarnation of PK and Wiley Frank’s interpretation of Thai cuisine, Little Uncle (lunch Mon. – Fri. 11:00 am – 3:00 pm, plates around $10). University District The U district, about twenty minutes from the Convention Center by bus (lines 71, 72, and 73), feels like a college town in the middle of a big city. It is connected to Fremont and Ballard by surface streets and, for the car-free, by the Burke-Gilman Trail. College fare and shops can be found along the main commercial corridor, University Way NE. On the University of Washington campus, conference attendees should check out exhibits at the Henry Art Gallery (offering free admission with an SCMS badge) and the Burke Museum (an SCMS event venue). These museums are not far from the glorious cherry trees on the quad, which typically begin to bloom in late March. Just five blocks north of campus, you can find a wealth of rare and out-of-print material at Scarecrow Video (offering guided tours for SCMS members) and Cinema Books. Thank You for Attending!
29 Seattle Vicinity Map Ward St Lake Ward St Lake B E Ward St N rd a Union elm Aloha St W Aloha St Aloha St Union ve loha St e Aloha St ue ont A v A N v
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3 s r Grrrls Night Out Qwest Field a S information. l Screening &Event Browsing at Scarecrow Video: located at 5030 Roosevelt Way A Center Pacific Medical 4 The Stuart Hall Project y Center NE. Please99 visit
1. Please keep panel presentations to 20 minutes and workshop presentations to no more than 10 minutes. Panels with more than three presenters will need to reduce presentation times to fit the 105‑minute sessions. • When one panelist goes over time, other panelists or workshop participants are deprived of a fair opportunity to present their research/comments. • Audience members are rightfully upset when there is no time to ask questions. 2. Papers should be no longer than 8 double‑spaced pages for a 20‑minute talk, and fewer pages if there are clips. If your panelists have more than this, ask them to edit down in advance. 3. Technology problems cut into panel times. Please have panelists check their technology (DVDs, laptops, flash drives) in advance. 4. Please check that all visuals and audio are functional before your session begins. 5. Chairs should give their panelists signals for 5 minutes left, 2 minutes left, and “please wrap up” at the 20-minute mark. 6. Chairs who are presenting papers should designate one of the panelists to time their paper when they are presenting. 7. Please end your panel or workshop promptly at 15 minutes before the hour to allow participants and audience members enough time to get to the next panel or workshop.
31 TO ALL SCMS MEMBERS YOU’RE INVITED!
Orientation for New Members & Networking Session Thursday, March 20, 11:00 am – 12:45 pm ROOM: Cirrus Pike Street Tower, 35th Floor If you are new to SCMS, please plan to attend this orientation and networking session for new members. You will learn more about the Society, the conference, the journal, the website, and other benefits of membership. Members’ Business Meeting Friday, March 21, 11:00 am – 12:00 noon ROOM: Cirrus Pike Street Tower, 35th Floor All SCMS members are encouraged to attend the annual Members’ Business Meeting to learn more about SCMS and current strategic planning processes. Members will also meet the officers and Board members, and the leadership of the SCMS Caucuses and Scholarly Interest Groups. Awards Ceremony Friday, March 21, 4:15 – 5:30 pm ROOM: Grand Ballroom D Second Floor Please help us to acknowledge and honor this year’s awards recipients. Reception Friday, March 21, 5:30 – 7:30 pm ROOM: Grand Ballroom BC & BCD Foyer Second Floor Celebrate this year’s awards recipients, outgoing SCMS Board members, and others who have served the Society this past year while catching up with old friends and meeting new acquaintances.
32 WEDNESDAY MARCH 19, 2014 33
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2 ROOM: CHAIR: “Cinema and the Writing of History: Life on Britain’s on Britain’s Life History: of Writing and the “Cinema Trains” Ambulance War First World and the Distribution of Rebecca Originale: “Version 1945–1949” France, in Postwar Selznick Pictures the Los Division of Picture 1938–1946” Committee, Fulton Pittsburgh’s and Resistance: “Regulation in the 1940s” Theater FORT WAYNE FORT A Colleen Montgomery Colleen Carr Steven Fallica Kristen Harrison Rebecca SESSION SESSION “Defining
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10:00 – 11:45 11:45 – 10:00 UNIVERSITY OF NORTH CAROLINA CAROLINA NORTH OF UNIVERSITY First Fl
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UNIVERSITY OF NOTTINGHAM OF UNIVERSITY UNIVERSITY OF NORTH CAROLINA AT CHAPEL CHAPEL AT CAROLINA NORTH OF UNIVERSITY UNIVERSITY OF PITTSBURGH OF UNIVERSITY
“F AT CHAPEL HILL CHAPEL AT Cognition, Epistemology, and Style Epistemology, Cognition, Diamond A Rick Warner Philosophic Countershots: Kindsof our
1 ROOM: CHAIR:
HILL Variations in Hitchcock, Bresson, Godard, and Farocki” Godard, Bresson, in Hitchcock, Variations Externalist Theories of Mind: Revisiting the Modernity the Modernity Mind: Revisiting Theories of Externalist Thesis” a Rapid Form of Cinematic Suspense for the Twenty- the Cinematic Suspense for of a Rapid Form Film” Thriller Short first Century
A Rick Warner John Rhym John Keith Bound Keith
WEDNESDAY SESSION A | 10:00 – 11:45 am
A3 Reconsidering the Work A5 Cinemas of India of National Cinemas ROOM: Kirkland Third Floor MARCH 19, 2014 MARCH 19, CHAIR: Ajay Gehlawat SONOMA STATE UNIVERSITY WEDNESDAY ROOM: Issaquah B Third Floor CHAIR: Jorge Perez UNIVERSITY OF KANSAS Usha Iyer UNIVERSITY OF PITTSBURGH “The David Fresko STANFORD UNIVERSITY “Démontage, ‘Bhadramahila’ Dancer-actress: Sadhona Bose and My Fine Care: The Dziga Vertov Group’s Negative the Relationship between Screendance and Female Dialectic” Stardom in Hindi Cinema of the 1930s and 1940s” Stuart Davis UNIVERSITY OF TEXAS AT AUSTIN Veena Hariharan JAWAHARLAL NEHRU UNIVERSITY “Following the Trail of the Political Blockbuster: “The Shikar Film: Hunting in Colonial India” Analyzing the Impact Networks of City of God (2002) Anuja Jain NEW YORK UNIVERSITY “Stars of Bombay and Elite Squad: The Enemy Within (2010) in Rio de Cinema: Rajesh Khanna and Stardom” Janeiro” Ajay Gehlawat SONOMA STATE UNIVERSITY “When Mary Adekoya UNIVERSITY OF CHICAGO “Narrating Was Bollywood?: Coming to Terms with a Dubious Nollywood” History” Jorge Perez UNIVERSITY OF KANSAS “Confessional Cinema: Religion and Film in the Spanish Public Sphere (1957–1975)” A6 Ecocinema, Ecocriticism ROOM: Leschi Third Floor CHAIR: Joshua Lund UNIVERSITY OF PITTSBURGH 4 French Auteurs A Becker, Demy, Bresson, Buñuel Katrin Pesch UNIVERSITY OF CALIFORNIA, SAN DIEGO “Stealth Killers: Rethinking the Notion of Environment ROOM: Issaquah A Third Floor with Claire Denis’ I Can’t Sleep” CHAIR: Clément Puget BORDEAUX MONTAIGNE Graig Uhlin OKLAHOMA STATE UNIVERSITY “Monkey- UNIVERSITY, MICA/IRCAV wrenching as Modernist Device: Sabotage and Alastair Phillips UNIVERSITY OF WARWICK “Beyond Ecocinema” the Flâneur: Jacques Becker and the Parisian Paul Newland ABERYSTWYTH UNIVERSITY “The Everyday” Armpit of the World: Borders, Boundaries, and Post- Tracy Cox-Stanton SAVANNAH COLLEGE OF ART AND carnivalesque British Space in Last Resort (2000)” DESIGN “Film Sound, Footsteps, and Unvoiced Joshua Lund UNIVERSITY OF PITTSBURGH “The Scene Desire in Bresson’s Pickpocket (1959) and Buñuel’s of Fabrication: Werner Herzog and the Limits of Anti- Belle de jour (1967)” developmentalism” Alexander Greenhough STANFORD UNIVERSITY SPONSOR: Media & the Environment “The Lower Depths: Solitude in Robert Bresson’s Scholarly Interest Group Mouchette” Richard Neupert UNIVERSITY OF GEORGIA “Jacques Demy’s Bay of Angels: Genre, Gender, Empathy”
SPONSOR: French & Francophone Scholarly Interest Group
34 WEDNESDAY MARCH 19, 2014 SESSION A | 10:00 – 11:45 am
A7 Still Moving A9 TV Histories ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Allan Cameron UNIVERSITY OF AUCKLAND CHAIR: Hojin Song UNIVERSITY OF IOWA Colin Williamson AMERICAN ACADEMY OF ARTS AND Yves Picard CÉGEP ANDRÉ-LAURENDEAU/UNIVERSITY OF SCIENCES “Animating the Animate: The Artful MONTREAL “The Québec Connection also Makes Science of John Ott and Nature Films in the 1950s” Waves on the TV Screen; or, Television’s Third Golden Poulomi Saha DICKINSON COLLEGE “Inanimate Age, the Second-degree Style, and Québec Televisual Violence: The Ethics and Aesthetics of the Terrorist Fiction” Image” Amy Villarejo CORNELL UNIVERSITY “Of Hotels and André Kunigami CORNELL UNIVERSITY “Movement Museums: Alan Bennett at the BBC” and Stillness: Photographic Archive, Historical Hojin Song UNIVERSITY OF IOWA “How Pasta Imagination, and Alice Miceli’s 88 de 14.000” Became the Desired: The Genre of Gourmet Drama as Allan Cameron UNIVERSITY OF AUCKLAND “Time an Indirect Teacher of Cultural Globalization in South and the Digital Face in Contemporary Effects Cinema: Korea” Movement, Motion Capture, and the Micro-event”
SPONSOR: Animated Media Scholarly Interest Group
A10 Knowing the Score ROOM: Ravenna C Third Floor A8 Theorizing the Virtual CHAIR: Christine Sprengler UNIVERSITY OF WESTERN ONTARIO ROOM: Ravenna A Third Floor Kevin Donnelly UNIVERSITY OF SOUTHAMPTON CHAIR: Eric Freedman QUEENS UNIVERSITY OF CHARLOTTE “Phantom Power: Electrifying an Old Silent Film” Alexander Champlin UNIVERSITY OF CALIFORNIA, Ariane Lebot NEW YORK UNIVERSITY “Composing the SANTA BARBARA “Labor, Leaderboards, and the Narrative: Bernard Herrmann’s Contribution to Brian Bachelor Machine” De Palma’s Obsession (1976)” Beach Gray UNIVERSITY OF PITTSBURGH “The Virtual Megan Alvarado Saggese UNIVERSITY OF CALIFORNIA, Index” BERKELEY “From Sound to Cinema: Dissonance and Disruption between Adorno’s Theory of Film and Eric Freedman QUEENS UNIVERSITY OF CHARLOTTE Kagel’s Antithese” “Variations on a Theme Park: The Horrors of Game Engine Architecture” Christine Sprengler UNIVERSITY OF WESTERN ONTARIO “’The Broom that Sweeps the Cobwebs Away’: Andrew Culp OHIO STATE UNIVERSITY “It Is Raining: Vertigo’s Soundtrack as Sound Art” Aleatory Materialism and the Digital Stream in Four Movements”
35 SESSION A | 10:00 – 11:45 am
A11 Strategies of Performance A13 New Studies in Melodrama ROOM: Boren Union Street Tower, Fourth Floor ROOM: Jefferson B Union Street Tower, Fourth Floor MARCH 19, 2014 MARCH 19, CHAIR: Jesse Schlotterbeck DENISON UNIVERSITY CHAIR: Alison McKee SAN JOSÉ STATE UNIVERSITY WEDNESDAY Robert Ashmore UNIVERSITY OF SOUTHERN Shannon Davies Mancus THE GEORGE WASHINGTON CALIFORNIA “’You Need More than Luck in UNIVERSITY “Mother Earth Tied to the Train Tracks: Shanghai’: Rita Hayworth, Performance, and Melodrama and Global Warming” Spectatorship in The Lady from Shanghai” Paul Ramaeker UNIVERSITY OF OTAGO “Mad Niamh Rosario Thornton UNIVERSITY OF LIVERPOOL Love: Surrealism and the Supernatural Romantic “Movements, Gestures, and Looks: María Félix’s Star Melodrama” Performances” Kathleen Murray UNIVERSITY OF PITTSBURGH Peter Jameson QUEEN’S UNIVERSITY BELFAST “The “Television’s First Woman Detective: Decoy, Constructivist Hearts of Joseph Losey and Sergei Melodrama, and Realism” Eisenstein” Alison McKee SAN JOSÉ STATE UNIVERSITY “Toward Jesse Schlotterbeck DENISON UNIVERSITY “A an Androgynous Spectatorship: Reevaluating Classical Different Kind of Rock Doc: The Passionate and Semi- Hollywood Cinema via the 1940s Woman’s Film” successful Star Performers of Anvil: The Story of Anvil (2008) and Last Days Here (2011)”
A14 WORKSHOP The Televisual Archive A12 WORKSHOP New Directions of Research and Access Locating Transnational Cinema ROOM: Jefferson A Union Street Tower, Fourth Floor Studies CHAIR: Mark Cooper UNIVERSITY OF SOUTH CAROLINA
ROOM: Columbia Union Street Tower, Fourth Floor WORKSHOP PARTICIPANTS CHAIR: Austin Fisher UNIVERSITY OF BEDFORDSHIRE Mark Quigley UNIVERSITY OF CALIFORNIA, WORKSHOP PARTICIPANTS LOS ANGELES Tim Bergfelder UNIVERSITY OF SOUTHAMPTON Amelie Hastie AMHERST COLLEGE Lucia Nagib UNIVERSITY OF READING Karen Cariani WGBH EDUCATIONAL FOUNDATION Flavia Laviosa WELLESLEY COLLEGE Mark Cooper UNIVERSITY OF SOUTH CAROLINA Deborah Shaw UNIVERSITY OF PORTSMOUTH Mark J. Williams DARTMOUTH COLLEGE
SPONSOR: Transnational Cinemas Scholarly Interest Group SPONSOR: Television Studies Scholarly Interest Group
36 WEDNESDAY MARCH 19, 2014 SESSION A | 10:00 – 11:45 am
15 Dynamic Contexts 17 Visualizing Race A Case Studies in Production A ROOM: Virginia Union Street Tower, Fourth Floor ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Gilbert Rodman UNIVERSITY OF MINNESOTA CHAIR: Serra Tinic UNIVERSITY OF ALBERTA Mike Civille NEW YORK FILM ACADEMY “Our Interests Sebnem Baran UNIVERSITY OF SOUTHERN CALIFORNIA Are Identical: Race and Class in The Breaking Point “After a Decade, Relocating The O.C.: The Rise of (1950)” Turkey as a Regional Center within the Global TV Nova Smith UNIVERSITY OF CHICAGO “The Sugar Markets” Honey Iced Tea: Abjection, Black Aesthetics, and the Jeffrey Brassard UNIVERSITY OF ALBERTA “The (Postracial?) Cinema of Steve McQueen” Russian Sitcom: From Post-Soviet Copycats to Aspiring Artel Great NEW YORK UNIVERSITY “Toward a Better Global Player” Tomorrow: The Interracial Buddy Film from The Kimberly Owczarski TEXAS CHRISTIAN UNIVERSITY Defiant Ones to Django Unchained” “’Please Make Something Great’: Google, the YouTube Heather Ashley Hayes WHITMAN COLLEGE and Space L.A., and the Incubation of Creativity” Gilbert Rodman UNIVERSITY OF MINNESOTA Serra Tinic UNIVERSITY OF ALBERTA “Where in the “Thirteen Ways of Looking at a Black Film: Wrestling World Is Orphan Black?: Global Television Production with the Racial Politics of Django Unchained” and Distribution in the Post-network Era” SPONSOR: Oscar Micheaux Society Scholarly Interest Group
A16 Re-viewing Feminisms ROOM: University Union Street Tower, Fourth Floor A18 Government Interventions CHAIR: Alexander Russo CATHOLIC UNIVERSITY OF ROOM: Juniper Second Floor AMERICA CHAIR: James Schwoch NORTHWESTERN UNIVERSITY Leah Vonderheide UNIVERSITY OF IOWA “(Funny) Rachel Kapelke-Dale UNIVERSITY COLLEGE LONDON Feminist Films before Mulvey: The Surrealist Cinema of “‘Exploiting Our Own People’: 1937 House Debates on Věra Chytilová and Nelly Kaplan” Foreign Actors” Elizabeth Watkins UNIVERSITY OF LEEDS “Gesture Noah Zweig UNIVERSITY OF CALIFORNIA, SANTA BARBARA and the Female Voice” “Exporting the Revolution: Bolivarian State Alexander Russo CATHOLIC UNIVERSITY OF AMERICA Broadcasting as Nation Building” “Androids as the New ‘Other’: Janelle Monae’s Kia Afra INDEPENDENT SCHOLAR “Defining the Feminist Afrofuturism in The Metropolis Suite” Boundaries of Consolidation: The DOJ and FTC Confront Hollywood (1925–1928)” James Schwoch NORTHWESTERN UNIVERSITY “Native Americans, Telegraphy and Telephony, and the Conquest of the American West from the War with Mexico through the First World War”
37 SESSION A | 10:00 – 11:45 am
A19 Media and Embodiment A20 WORKSHOP Perception, Projection, and Prohibition Film, Media, and the Right to the City MARCH 19, 2014 MARCH 19, ROOM: Madrona Second Floor
WEDNESDAY ROOM: Aspen Second Floor CHAIR: Sheila Murphy UNIVERSITY OF MICHIGAN CHAIR: Erica Stein UNIVERSITY OF ARIZONA Katariina Kyrola UNIVERSITY OF TURKU “Feeling Bad, Precious (2009), and Body Image” WORKSHOP PARTICIPANTS Theresa Cronin MIDDLESEX UNIVERSITY “Censorship Mark Shiel KING’S COLLEGE LONDON Cultures: The Search for Authenticity—the Case of A Lawrence Webb UNIVERSITY OF GOTHENBURG Serbian Film” Laura Podalsky OHIO STATE UNIVERSITY Scott Selberg PORTLAND STATE UNIVERSITY Mona Damluji UNIVERSITY OF CALIFORNIA, BERKELEY “Emergent Fantasies: Bioethics of Fantasy Football” Jeffrey Hou UNIVERSITY OF WASHINGTON Sheila Murphy UNIVERSITY OF MICHIGAN “I Can SPONSOR: Urban Studies Scholarly Interest Group Has Cute: Why and How Online Cute Animal Videos Matter”
38 WEDNESDAY MARCH 19, 2014 39
“‘Every “‘Every
“War “War
“Moving “Moving Pictures
B NORTHEASTERN UNIVERSITY NORTHEASTERN
First Fl Level Lobby oor,
TEXAS TECH TEXAS TECH UNIVERSITY
NORTHEASTERN UNIVERSITY NORTHEASTERN pm UNIVERSITY OF CALIFORNIA, BERKELEY CALIFORNIA, OF UNIVERSITY
CONCORDIA UNIVERSITY CONCORDIA
Shooting Soldiers the US of The Cinematic Image and Experience Veteran Diamond B Nathan Blake
2 ROOM: CHAIR: Stories: Oral Histories of Military Film Culture” Film Military of Histories Oral Stories: One of Us Is in Some Way a Cripple’: Frank and Lillian Frank a Cripple’: Way Is in Some Us One of Veteran” I War World the Engineering of Gilbreths’ as Technologies Film Battle: Soothe the Man of to War” World in the Second Therapy Images Moving Reintegration: Uneasy of “Melodramas Homecomings” Veteran War Afghanistan and Iraq of B Kaia Scott Pastel Renee Allison Whitney Nathan Blake SESSION SESSION – 1:45 1:45 – noon
The Tree of The Tree March 19, 2014 19, March “Weak “Weak “Beyond “Beyond ‘the
12:00 12:00 SUNY, UNIVERSITY AT OSWEGO AT UNIVERSITY SUNY,
UNIVERSITY OF ILLINOIS AT AT ILLINOIS OF UNIVERSITY
“Grace-in-nature: “Grace-in-nature:
First Fl
Level Lobby oor, WILFRID LAURIER UNIVERSITY WILFRID LAURIER
INDIANA UNIVERSITY INDIANA
WESTMINSTER COLLEGE WESTMINSTER
A Post-secular Cinema? Post-secular A Politics Film, Faith, Diamond A Bennet Schaber
1 ROOM: CHAIR:
“Spectral Realism: The ‘Post-secular’ Cinema of of Cinema The ‘Post-secular’ Realism: “Spectral Apichatpong Weerasethakul” The Reluctant in The Reluctant Affect and Religion Fundamentals’: ” Fundamentalist Apocalypticism”
URBANA-CHAMPAIGN
Terrence Malick’s Faith-oriented Ontology” Faith-oriented Malick’s Terrence or Life, B Andrew Santana-Kaplan Andrew Claudia Breger Sean Desilets
WEDNESDAY Anders Bergstrom SESSION B | 12:00 noon – 1:45 pm
B3 WORKSHOP B5 Genre in Contemporary What’s Happening Now? East Asian Cinema MARCH 19, 2014 MARCH 19, Black Film and Genre in the Age of Obama
WEDNESDAY ROOM: Kirkland Third Floor ROOM: Issaquah B Third Floor CHAIR: Yun Mi Hwang UNIVERSITY OF ULSAN CHAIR: Monica Ndounou TUFTS UNIVERSITY Rayna Denison UNIVERSITY OF EAST ANGLIA “Ghibli WORKSHOP PARTICIPANTS Genre: Toshio Suzuki and the Creation of Studio Ghibli’s Anime Brand” Monica Ndounou TUFTS UNIVERSITY Stephanie Larrieux CLARK UNIVERSITY Yun Mi Hwang UNIVERSITY OF ULSAN “Contemporary Costume Drama in South Korea: Genre and Karen Bowdre ARCADIA UNIVERSITY Genrification” SPONSOR: African/African American Caucus and Christopher Howard CHONGQING UNIVERSITY Oscar Micheaux Society Scholarly Interest Group “Televisual Blockbusters in Japan: A New National Genre?” Aaron Magnan-Park UNIVERSITY OF HONG KONG “Americanization and the Aesthetic Annihilation of Asian Cinema: The Case of Wong Kar-wai’s The B4 Shifting Geographies in Grandmaster (2013)” Contemporary European Cinema SPONSOR: Asian/Pacific American Caucus
ROOM: Issaquah A Third Floor CHAIR: Thibaut Schilt COLLEGE OF THE HOLY CROSS Thibaut Schilt COLLEGE OF THE HOLY CROSS “Crossing Borders and Queering Identities in French Road Cinema” B6 Policy Giovanna Lerner FRANKLIN & MARSHALL COLLEGE The Law and Other Gatekeepers “Landscapes of Alienation in Contemporary Italian ROOM: Leschi Third Floor Cinema” CHAIR: Bob Sitton MARYLHURST UNIVERSITY Elena Past WAYNE STATE UNIVERSITY “Giov vs. the Danny Kimball UNIVERSITY OF WISCONSIN-MADISON Volcano: Itinerant Cinema, Gendered Ecologies, and “Net Neutrality and the Data-capped Internet” the Aeolian Islands” Birk Weiberg ZURICH UNIVERSITY OF THE ARTS “Roy J. RESPONDENT: Stefania Benini UNIVERSITY OF PENNSYLVANIA Pomeroy, Dunning Process Co., Inc., and Paramount
SPONSOR: Central/East/South European Cinemas Publix Corporation v. Warner Bros. Pictures, Inc., Scholarly Interest Group Vitaphone Corporation, and Frederick Jackman: How the Movie Industry Learned about Patents” Jennifer Petersen UNIVERSITY OF VIRGINIA “Visuality and the Law of Media; or, Why Justice Is Not Blind When it Comes to Media”
40 WEDNESDAY MARCH 19, 2014 SESSION B | 12:00 noon – 1:45 pm
B7 Photographic Events and B9 Reality TV Personalities Geopolitical Frames ROOM: Ravenna B Third Floor
ROOM: Medina Third Floor CHAIR: Tisha Dejmanee UNIVERSITY OF SOUTHERN CHAIR: Rijuta Mehta BROWN UNIVERSITY CALIFORNIA CO-CHAIR: Stephanie Harris INDEPENDENT SCHOLAR Justin Bergh UNIVERSITY OF MINNESOTA Rijuta Mehta BROWN UNIVERSITY “Photography’s “Authenticity and the Art of Distinction: The Cultural Anti-colonial Lexicon: Kashmir and Statelessness” Work of Anthony Bourdain” Stephanie Harris INDEPENDENT SCHOLAR “High Diane Cormany UNIVERSITY OF MINNESOTA “Suze Walls and High-value Targets: Architectural Orman: Cruel Optimism as Postfeminism” Representations of Osama bin Laden’s Compound” Andrea Ruehlicke UNIVERSITY OF ILLINOIS AT URBANA- Elizabeth Wolfson BROWN UNIVERSITY “Searching CHAMPAIGN “Necessary but Expendable: Reality for Civilization, Finding Empire: Archaeology, Show Contestants and Systems of Exploitation” Photography, and the Politics of Place” Tisha Dejmanee UNIVERSITY OF SOUTHERN CALIFORNIA “Branding Regional Femininity: The RESPONDENT: Aniruddha Maitra HAMPSHIRE COLLEGE Domestication of Postfeminist Personalities on the Food Network”
B8 Contemporary Screens and Innovation B10 The Channel Panel ROOM: Ravenna A Third Floor ROOM: Ravenna C Third Floor CHAIR: Annie Dell’Aria CITY UNIVERSITY OF NEW YORK CHAIR: Heidi Zimmerman UNIVERSITY OF MINNESOTA Michael Arnold UNIVERSITY OF MICHIGAN “The Evan Elkins UNIVERSITY OF WISCONSIN-MADISON Virtual Reach of the Screen: Japanese Pachinko and “Geoblocking the BBC iPlayer: National Public the Trap of Moving Image Entertainment” Broadcasting, Streaming Platforms, and Transnational Zach Melzer CONCORDIA UNIVERSITY “Outdoor Television” Digital Advertising and the Aesthetics of Transience” Shawna Kidman UNIVERSITY OF SOUTHERN CALIFORNIA Alicia Kozma UNIVERSITY OF ILLINOIS AT URBANA- “It’s Not (Just) TV: Quality Programming and Industrial CHAMPAIGN “Downloading Soon to a Theater Near Strategy at HBO in the 1990s” You: Digital Film, Local Exhibition, and the Death of Chris Haak HOBBS MUNICIPAL SCHOOL DISTRICT 35mm” “Movies on the Cheap: The Syfy Model” Annie Dell’Aria CITY UNIVERSITY OF NEW YORK Heidi Zimmerman UNIVERSITY OF MINNESOTA “Innovation, Olympics, and Community: The BBC Big “Branding Environmentalism for TV: The Rise and Fall Screens (2003–2013)” of Discovery’s Planet Green”
41 SESSION B | 12:00 noon – 1:45 pm
B11 Stardom, Celebrity, the Media B13 Film Theories in Context ROOM: Boren Union Street Tower, Fourth Floor ROOM: Jefferson B Union Street Tower, Fourth Floor MARCH 19, 2014 MARCH 19, CHAIR: Martin Roberts UNIVERSITY OF DERBY CHAIR: Katie Bird UNIVERSITY OF PITTSBURGH WEDNESDAY Nandana Bose UNIVERSITY OF NORTH CAROLINA AT James Rosenow UNIVERSITY OF CHICAGO “Forgotten WILMINGTON “The Stardom of Madhuri Dixit: Star First Encounters of Industry and Underground: The Vehicles and Collaborators in the Construction of a Janus-faced Legacy of Slavko Vorkapich” Dancing Star in 1990s Popular Hindi Cinema” Eric Morel UNIVERSITY OF WASHINGTON “Early Akiva Gottlieb UNIVERSITY OF MICHIGAN “Walking Cinema, Ecocinema Studies, and Environmental the Line: Performing the Reality Phenomenon in I’m Imaginations of the 1910s” Still Here: The Lost Year of Joaquin Phoenix” Rachel Fabian UNIVERSITY OF CALIFORNIA, Jonathan Cannon OKLAHOMA STATE UNIVERSITY SANTA BARBARA “Reconsidering the Work of Claire “Touristic Deathgazing: Dark Fan Tourism, Memorial Johnston” Culture, and Mobile Posthumous Celebrity Worship” Katie Bird UNIVERSITY OF PITTSBURGH Martin Roberts UNIVERSITY OF DERBY “The Rake’s “Beautiful—Hard—Dangerous!: Béla Balázs, Sports Progress: Steve Coogan and Celebrity Culture” Cinematography, and the Mountain Film Camera Operator»
12 Word-image B Ekphrasis, Dialogue, Criticism 14 Downshift B The Disenchantment of the Automobile (Industry) ROOM: Columbia Union Street Tower, Fourth Floor in American Media CHAIR: Elizabeth Alsop WESTERN KENTUCKY UNIVERSITY ROOM: Jefferson A Union Street Tower, Fourth Floor Pablo Gonçalo Martins FEDERAL UNIVERSITY OF RIO DE CHAIR: Mobina Hashmi BROOKLYN COLLEGE JANEIRO “The Film in Words: Ekphrasis and Script in Chris Robe FLORIDA ATLANTIC UNIVERSITY “Detroit Peter Handke and Wim Wenders” Rising: The League of Revolutionary Black Workers, Andrea Gyenge UNIVERSITY OF MINNESOTA “Writing Newsreel, and the Making of Finally Got the News” with Bloodshot Eyes: On Jean-Luc Nancy’s Ekphrasis Daniel Marcus GOUCHER COLLEGE “Three of Cinema” Scenes from the Car Culture: Documentary and the Samuel Burd CONCORDIA UNIVERSITY “The Life Economically Abject” of the Author: Autobiographical Trends in Film Mobina Hashmi BROOKLYN COLLEGE “From Scholarship” Automobiles to Novelties: Tracing the Economic and Elizabeth Alsop WESTERN KENTUCKY UNIVERSITY Cultural Displacement of American Workers in Gung “Emphasis Added: Theorizing Dialogue in European Ho and Outsourced” Art Cinema” RESPONDENT: Steve Macek NORTH CENTRAL COLLEGE
42 WEDNESDAY MARCH 19, 2014 SESSION B | 12:00 noon – 1:45 pm
B15 Promotional Culture B17 Histories of Sex and the Cinema, ROOM: Seneca Union Street Tower, Fourth Floor Queer and Otherwise
CHAIR: Heather McIntosh NOTRE DAME OF MARYLAND ROOM: Virginia Union Street Tower, Fourth Floor UNIVERSITY CHAIR: Ryan Powell KING’S COLLEGE LONDON Nicholas Benson OLD DOMINION UNIVERSITY Andrew Owens NORTHWESTERN UNIVERSITY “Promoting Tron’s Legacy: Generational Turf Marking “Speaking of Supernatural Sex: 1970s Pornography Strategies within Media Industry Discourse” and the Rise of Queer Underground and Euro Horror” William Gombash VALENCIA COLLEGE “The Matthew Prigge UNIVERSITY OF WISCONSIN-MILWAUKEE Evolution of Media Convergence and Popular “Tough Times and Bare Skin: The Postwar Movie Music: The Promotional Films for ‘Penny Lane’ and Marketplace and the Emergence of the Modern Sex ‘Strawberry Fields Forever’” Film” Ben Harris UNIVERSITY OF CALIFORNIA, LOS ANGELES Matthew Connolly UNIVERSITY OF WISCONSIN-MADISON “Cultures of Distribution: The International Presale and “’The First Gay Box Office Smash’: Examining the the American Film Market” Industrial and Cultural Contexts Surrounding the Heather McIntosh NOTRE DAME OF MARYLAND Success of La Cage aux folles” UNIVERSITY “The Programming Failure of Oprah’s Ryan Powell INDIANA UNIVERSITY “The Postwar Documentary Club” Queer Trance Film”
SPONSOR: Queer Caucus
B16 WORKSHOP Principles and Practices 18 Documentary Politics of Openness B ROOM: Juniper Second Floor ROOM: University Union Street Tower, Fourth Floor CHAIR: Giovanna de Luca COLLEGE OF CHARLESTON CHAIR: Leah Shafer HOBART AND WILLIAM SMITH Elizabeth Gleesing WESTERN WASHINGTON UNIVERSITY COLLEGES “Disrupted Identification: Islamicate Gaze Theory in WORKSHOP PARTICIPANTS Iranian Documentary” Christina Petersen ECKERD COLLEGE Belinda Smaill MONASH UNIVERSITY “Animals, Gina Giotta CALIFORNIA STATE UNIVERSITY, Politics, and Documentary Poetics” NORTHRIDGE Giovanna de Luca COLLEGE OF CHARLESTON Elizabeth Ellcessor INDIANA UNIVERSITY “Placido Rizzotto and Segreti di Stato: Italian Bryce Peake UNIVERSITY OF OREGON Investigative Cinema and Memory”
SPONSOR: Documentary Studies Scholarly Interest Group
43 SESSION B | 12:00 noon – 1:45 pm
B19 Avant-garde Aesthetic Strategies B20 Genders and Sexualities in ROOM: Madrona Second Floor Contemporary Cinema MARCH 19, 2014 MARCH 19, CHAIR: Kian Bergstrom ROOSEVELT UNIVERSITY/ WEDNESDAY ROOM: Aspen Second Floor COLUMBIA COLLEGE CHICAGO CHAIR: Allen Redmon TEXAS A&M UNIVERSITY- Ben Ogrodnik UNIVERSITY OF PITTSBURGH “The CENTRAL TEXAS Queer ‘Stilled’ Image as Avant-garde Intermedial Katarzyna Paszkiewicz UNIVERSITY OF BARCELONA Practice in Richard Oswald’s Anders als die Andern “G(r)aze Encounters: Negotiating Proximity and (1919)” Distance in Kelly Reichardt’s Meek’s Cutoff” Dustin Zemel LOUISIANA STATE UNIVERSITY Keeley Saunders UNIVERSITY OF KENT “Urinary “Polyphony and Documentary Presentness” Segregation and the Trans-cinema Plot Device” Kian Bergstrom ROOSEVELT UNIVERSITY/COLUMBIA Cristina Stasia UNIVERSITY OF ALBERTA “‘What Is This, COLLEGE CHICAGO “Surrealism and Its Opposite in Training Day?’: Gender, Race, and The Heat” Rose Hobart” Allen Redmon TEXAS A&M UNIVERSITY-CENTRAL TEXAS Eivind Rossaak NATIONAL LIBRARY OF NORWAY “Error: “Male Sexuality in the Coens’ Idiot Trilogy” The Role of ‘Mistakes’ in Avant-garde Cinema and New Media Art”
44 WEDNESDAY MARCH 19, 2014 45 “Hawaiian “Hawaiian
“Unstable “Unstable
“The Before/
C UNIVERSITY WASHINGTON OF UNIVERSITY
First Fl
Level Lobby oor,
NEW YORK YORK UNIVERSITY NEW
NEW YORK YORK UNIVERSITY NEW UNIVERSITY WASHINGTON OF UNIVERSITY HAWAII PACIFIC UNIVERSITY PACIFIC HAWAII
Palimpsestic Cities Palimpsestic Diamond B Braester Yomi pm
2 ROOM: CHAIR: After Shot: Solidére’s Corporate Films and the Work of of Work Films and the Corporate Shot: Solidére’s After Beirut” Images in Postwar Urban Ruination in Postwar Repurposing Structures: Cinema” York New Real in HGTV’s Hawai’i of Representations Dreams: Porn” Estate Visualizations of Cinematic Screen: Scroll, “Palimpsest, Gentrified Beijing” C Cortland Rankin Cortland Opitz Andrew Braester Yomi Hatim El Hibri SESSION SESSION
“Heidegger “Heidegger
March 19, 2014 19, March 2:00 – 3:45 3:45 – 2:00 “After “After the Age
ZURICH UNIVERSITY OF THE ARTS THE OF ZURICH UNIVERSITY
First Fl
Level Lobby oor, UNIVERSITY OF CALIFORNIA, CALIFORNIA, OF UNIVERSITY
FREE UNIVERSITY BERLIN FREE UNIVERSITY “Enfr RUTGERS UNIVERSITY RUTGERS
BERLIN INSTITUTE OF TECHNOLOGY BERLIN INSTITUTE OF amings andEmplacement:
Media after Heidegger? Media after Diamond A Mersch Dieter
ANGELES
1 CHAIR: ROOM:
“Heidegger, Physics, Media” Physics, “Heidegger, Analyzing Television with Heidegger” Television Analyzing Empires” Typing the on the Rise of of the World Picture” World the of LOS
C Anton Pluschke Anton Christina Vagt Michaela Wuensch
Dienst Richard
WEDNESDAY SESSION C | 2:00 – 3:45 pm
C3 Specters of the Dictatorship in C5 Twenty-first Century TV Contemporary Chilean Cinema Genders and Genres MARCH 19, 2014 MARCH 19, ROOM: Kirkland Third Floor
WEDNESDAY ROOM: Issaquah B Third Floor CHAIR: Kathleen McHugh UNIVERSITY OF CALIFORNIA, CHAIR: Luisela Alvaray DEPAUL UNIVERSITY LOS ANGELES CO-CHAIR: Gilberto Blasini UNIVERSITY OF WISCONSIN- MILWAUKEE John Alberti NORTHERN KENTUCKY UNIVERSITY Gilberto Blasini UNIVERSITY OF WISCONSIN-MILWAUKEE “The Killing as Feminist Noir” “No Promises” Liora Elias UNIVERSITY OF MINNESOTA “Different Luisela Alvaray DEPAUL UNIVERSITY “Missing Selves on Demand: An Examination of Gender, Links: Hidden Histories and Traumatic Memories in Sexuality, and Selfhood on Showtime’s United States Contemporary Chilean Documentaries” of Tara (2009–2012)” Elaine Basa UNIVERSITY OF WISCONSIN-MILWAUKEE Matthew Ferrari UNIVERSITY OF MASSACHUSETTS “ReCOUPerating and Encountering the Past in Chile: AMHERST “Born Survivors and Their Trickster Obstinate Memory” Cousins: Masculine Primitive Ideals on Reality Television” RESPONDENT: Laura Podalsky OHIO STATE UNIVERSITY Kathleen McHugh UNIVERSITY OF CALIFORNIA, SPONSOR: Latina/o Caucus LOS ANGELES “A Tale of Two Series: Generational and Aesthetic Feminisms in Top of the Lake and Orange Is the New Black”
4 Cold War Facticities C East Germany and Nonfiction Cinema ROOM: Issaquah A Third Floor C6 Narrative Forms of/and American CHAIR: Reinhild Steingrover UNIVERSITY OF Authorship ROCHESTER ROOM: Leschi Third Floor Sara Blaylock UNIVERSITY OF CALIFORNIA, SANTA CRUZ CHAIR: Paul Cote UNIVERSITY OF MARYLAND “The Body under Duress in Heynowski and Scheumann’s Mark Minett UNIVERSITY OF SOUTH CAROLINA “Early Piloten im Pyjama (1968)” Altman and the Elaborative Zoom: Rethinking Altman’s Victoria Rizo-Lenshyn UNIVERSITY OF MASSACHUSETTS Zoom Style from M*A*S*H to Nashville” AMHERST “Socialist Documentary Filmmaking: Shelley Cobb UNIVERSITY OF SOUTHAMPTON “Stories Representational Performance in Heynowski and They Tell: The Actress-director and Female Authorship Scheumann’s Experimental Vietnam Films” in Contemporary Cinema” Evan Torner GRINNELL COLLEGE “Space Capsule as Paul Cote UNIVERSITY OF MARYLAND “Encountering Time Capsule: Jim Finn’s Interkosmos (2006)” Sonic Memories: Sound, Childhood, and Escapism in John Lessard UNIVERSITY OF THE PACIFIC “Home Steven Spielberg’s Close Encounters of the Third Kind” Movies and the Transmission of East German Culture in Marten Persiel’s This Ain’t California (2012)”
SPONSORS: Central/East/South European Cinemas and Documentary Studies Scholarly Interest Groups
46 WEDNESDAY MARCH 19, 2014 SESSION C | 2:00 – 3:45 pm
C7 Cinema and the C9 Expanding Japanese Cinema Nineteenth-century Imaginary Local Practices and Global Perspectives
ROOM: Ravenna B Third Floor ROOM: Medina Third Floor CHAIR: Rea Amit YALE UNIVERSITY CHAIR: Andrew Yale UNIVERSITY OF CHICAGO CO-CHAIR: Ryan Cook HARVARD UNIVERSITY Syed Feroz Hassan UNIVERSITY OF MICHIGAN “Idealist Film History: The Case of Eric Rohmer’s Le Rea Amit YALE UNIVERSITY “Programming Success: Celluloïd et le marbre” Narrative and Style in the Heyday of the Japanese Postwar Studio System” Andrew Yale UNIVERSITY OF CHICAGO “Vachel Lindsay’s Museological Theory of Film Aesthetics” Naoki Yamamoto UNIVERSITY OF CALIFORNIA, SANTA BARBARA “Montage Theory in Postwar Japan” Anne-Gaelle Saliot DUKE UNIVERSITY “Godard and Nineteenth-century Aesthetics” Ryan Cook HARVARD UNIVERSITY “Play It Again, Yūjirō: International Influence and the ‘Remaking’ of Samantha Wilson CONCORDIA UNIVERSITY “The Casablanca in High-growth Japan” Aesthetics of Astonishment and Contemplation in the Early British Scenic Film” RESPONDENT: Philip Rosen BROWN UNIVERSITY
SPONSOR: French & Francophone Scholarly Interest Group
10 Listening to Films C Cinematic Sound and Media Culture in East Asia C8 The Spaces of Media Production and Consumption ROOM: Ravenna C Third Floor CHAIR: Nicole Huang UNIVERSITY OF WISCONSIN- ROOM: Ravenna A Third Floor MADISON CHAIR: Laura LaPlaca NORTHWESTERN UNIVERSITY Nicole Huang UNIVERSITY OF WISCONSIN-MADISON Meredith Ward NORTHWESTERN UNIVERSITY “Black “Listening to Films: Radio and Communal Film Culture Boxes and Rich, Repressed Sounds: Architecting in 1970s China” Listening in the Cinema House” Kerim Yasar UNIVERSITY OF NOTRE DAME “Otozukuri: Diana Dill UNIVERSITY OF CALIFORNIA, LOS ANGELES Affect, Ontology, and Techne in Early Japanese Radio “Fan vs. Industry: Conceptualization of Space in Drama and Talkie Sound Effects” M*A*S*H and the Korean Landscape” Giorgio Biancorosso THE UNIVERSITY OF HONG KONG Ian Peters GEORGIA STATE UNIVERSITY “Total Media “Double Agents and the Poor Man’s Orchestra: Music Consumption: Theme Cafés, Love Hotels, and Bodily and the Aesthetic of the Self in Chunking Express Immersive Experiences” (1994)” Laura LaPlaca NORTHWESTERN UNIVERSITY Ling Zhang UNIVERSITY OF CHICAGO “The Flowing “’Building’ Narratives: Fan Re-creations of the Network Ambiguity of Soundscape: Female Voice-over in Era Sitcom Mise-en-scène” Spring in a Small Town and Fei Mu’s Chinese Operatic Sound Aesthetic”
47 SESSION C | 2:00 – 3:45 pm
C11 Materialities of Fantastic Media C13 Horror, Documentary, and the Real ROOM: Boren Union Street Tower, Fourth Floor ROOM: Jefferson B Union Street Tower, Fourth Floor MARCH 19, 2014 MARCH 19, CHAIR: Bob Rehak SWARTHMORE COLLEGE CHAIR: Cecilia Sayad UNIVERSITY OF KENT WEDNESDAY Matt Hills ABERYSTWYTH UNIVERSITY “‘We Don’t Do Stefano Ciammaroni MANCHESTER METROPOLITAN General Doctor Who Topics and We Don’t Do Fiction’: UNIVERSITY “In Too Deep (Red): Political Reality and Dalek-building and the Craft of Mimetic Fandom” the Haunting Specter of National Cinema in Dario Matt Yockey UNIVERSITY OF TOLEDO “The Bright Argento’s Profondo rosso” Knight Returns: Contemporary Merchandising of the Adam Lowenstein UNIVERSITY OF PITTSBURGH Batman Television Series” “Beyond Las Hurdes: Horrific Eruptions of the Bob Rehak SWARTHMORE COLLEGE “Little Warriors: Documentary Impulse in Late Buñuel” Markers, Figurines, and Collectibles in Gaming Media” Anna Green NEW YORK UNIVERSITY “Fear and the Other: Modes of Representation in Documentary and RESPONDENT: Julie Russo THE EVERGREEN STATE COLLEGE Horror Films” Cecilia Sayad UNIVERSITY OF KENT “Framing the Found-footage Horror Film”
C12 WORKSHOP Studying Media Event Spaces ROOM: Columbia Union Street Tower, Fourth Floor 14 WORKSHOP CHAIR: C Avi Santo OLD DOMINION UNIVERSITY New Paths to Teaching Film History
WORKSHOP PARTICIPANTS ROOM: Jefferson A Union Street Tower, Fourth Floor Tamara Falicov UNIVERSITY OF KANSAS CHAIR: Robert Gerst MASSACHUSETTS COLLEGE OF Erin Hanna UNIVERSITY OF MICHIGAN ART AND DESIGN Tim Havens UNIVERSITY OF IOWA CO-CHAIR: George Larke-Walsh UNIVERSITY OF NORTH Aswin Punathambekar UNIVERSITY OF MICHIGAN TEXAS ARIZONA STATE UNIVERSITY Kevin Sandler WORKSHOP PARTICIPANTS SPONSOR: Media Industries Scholarly Interest Group Amy Borden PORTLAND STATE UNIVERSITY Robert Gerst MASSACHUSETTS COLLEGE OF ART AND DESIGN Maurizio Viano WELLESLEY COLLEGE
48 WEDNESDAY MARCH 19, 2014 SESSION C | 2:00 – 3:45 pm
15 Urban Traffic 17 Visible Lesbians? C Film, Motion, and the World City C ROOM: Virginia Union Street Tower, Fourth Floor ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Susan Potter UNIVERSITY OF NEW ENGLAND CHAIR: Stanley Corkin UNIVERSITY OF CINCINNATI Stephanie Yeung UNIVERSITY OF SOUTHERN CALIFORNIA Kirk Boyle UNIVERSITY OF NORTH CAROLINA AT ASHEVILLE “Which One’s the Girl?: Gender, Race, and TV Lesbians” “David Cronenberg’s Cosmopolis and the Metaphorical Katrin Horn FRIEDRICH-ALEXANDER UNIVERSITY Resonance of Traffic in the Great Recession” “’Where Else Would We Go?’: The Bar in Lesbian Jana Braziel UNIVERSITY OF CINCINNATI “Urban Traffic Romantic Comedies” in Ghosts of Cité Soleil (2006)” Susan Potter UNIVERSITY OF NEW ENGLAND Stanley Corkin UNIVERSITY OF CINCINNATI “Social “Troubling Sexual History: The Anachronistic Lesbian Mobility and Place in the ‘New’ Boston” of Pandora’s Box (1929)” Celestino Deleyto UNIVERSITY OF ZARAGOZA “Traffic in the Border City: Los Angeles in Crossing Over (2009)”
RESPONDENT: Mark Shiel KING’S COLLEGE LONDON 18 Orphans and Archives SPONSOR: Urban Studies Scholarly Interest Group C ROOM: Juniper Second Floor CHAIR: Brett Service UNIVERSITY OF SOUTHERN CALIFORNIA Joel Frykholm STOCKHOLM UNIVERSITY “’Cycles,’ C16 The Rise of the War Film in Silent ‘Libraries,’ and Archival Imaginaries in American Cinema Cinema in the 1910s: The Case of George Kleine’s Cycle of Film Classics (1916)” ROOM: University Union Street Tower, Fourth Floor Alex Kupfer NEW YORK UNIVERSITY “The University CHAIR: John Trafton UNIVERSITY OF ST ANDREWS Archive: Motion Picture Collecting in the US and John Trafton UNIVERSITY OF ST ANDREWS “For We Developing the National Film Negative Library, Shall Meet Again: Civil War Soldier Diaries and Early 1920–1941” War Cinema” Brett Service UNIVERSITY OF SOUTHERN CALIFORNIA Peters Mersereau UNIVERSITY OF TORONTO “From “A Home for Orphans: Copyright Activism and the Germany’s Glory Days: The Prussian Historical Epic as Preservation of Educational Film” Early War Film” SPONSOR: Nontheatrical Film & Media Kristin Harper NEW YORK UNIVERSITY “Fair Columbia Scholarly Interest Group Fights for All: The Question of Suffrage Iconography in Wartime American Cinema” Sue Collins MICHIGAN TECHNOLOGICAL UNIVERSITY “Star Testimonies: Speeches, Tours, and Trailers in War Mobilization”
SPONSOR: Silent Cinema Cultures Scholarly Interest Group
49 SESSION C | 2:00 – 3:45 pm
19 The Idea of Cinema 20 Personal Trademarks C Framing Conceptual Art C Bodies, Brands, and Genres in Contemporary
MARCH 19, 2014 MARCH 19, American Media ROOM: Madrona Second Floor WEDNESDAY CHAIR: Eli Horwatt YORK UNIVERSITY ROOM: Aspen Second Floor Lindsey Lodhie HARVARD UNIVERSITY “Contents CHAIR: Jennifer Lynn Jones INDIANA UNIVERSITY Unknown: Filming the Empty Set” Janani Subramanian INDIANA UNIVERSITY-PURDUE Joana Pimenta HARVARD UNIVERSITY “Walking, UNIVERSITY INDIANAPOLIS “Horror, Bodies, and Brand Crawling, Crashing, Falling: The Films and Videos of Implosion” Robert Morris” Jennifer Lynn Jones INDIANA UNIVERSITY “Fat Funny Eli Horwatt YORK UNIVERSITY “‘Inventories of People: Corpulence and the Apatow Brand” Limbo’: Institutional Critique and the Cinematic Jorie Lagerwey UNIVERSITY COLLEGE DUBLIN “Black Apparatus” and White and Bravo All Over: The Raced Bodies of Real Housewives of Atlanta” RESPONDENT: Jonathan Walley DENISON UNIVERSITY Mary Beltran UNIVERSITY OF TEXAS AT AUSTIN SPONSOR: CinemArts: Film & Art History “’Postracial’ Blackface?: Unreal Raced Bodies in Scholarly Interest Group Millennial TV Satire”
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50 WEDNESDAY MARCH 19, 2014 51
“Kittens “Kittens and “Going “Going Ape:
D UNIVERSITY OF MICHIGAN OF UNIVERSITY First Fl
Level Lobby oor,
UNIVERSITY OF SOUTHERN SOUTHERN OF UNIVERSITY
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EASTERN WASHINGTON UNIVERSITY EASTERN WASHINGTON UNIVERSITY OF MICHIGAN OF UNIVERSITY
Filming Non-human Subjects Filming Non-human Consideration An Ethical Diamond B Peplin Katy pm
2 ROOM: CHAIR: CALIFORNIA Stilettos: Crush Films, Freedom of Expression, and Expression, of Freedom Crush Films, Stilettos: Digital Media” The Posthuman Ethics of Animality, Affiliation, and Affiliation, Animality, of Ethics The Posthuman Apes (2011)” the the Planet of in Rise of Affect Animal Rescue for Cuteness of Discourse Ethical Online Publicity” the of Otherness: Species Ideology “Overcoming Narrative” Animal Rescue D Samantha Close Porter Pete Peplin Katy Thomas West SESSION SESSION “Society “Society of
March 19, 2014 19, March 4:00 – 5:45 5:45 – 4:00
“Some “Debord’s “Debord’s 4:3”
MACALESTER COLLEGE MACALESTER
CORNELL UNIVERSITY CORNELL
First Fl Level Lobby oor,
MACALESTER COLLEGE MACALESTER BINGHAMTON UNIVERSITY BINGHAMTON
THE NEW SCHOOL THE NEW
CORNELL UNIVERSITY CORNELL
Society of the of Back on Society Looking , the Film Spectacle Diamond A Adamson Morgan Jason Smith
1 ROOM: CHAIR:
the Spectacle: An Essay without End” An Essay the Spectacle: Corrections to the Society of the Spectacle” of the Society to Corrections Westerns” “Theoretical
CO-CHAIR: D Tom McDonough Tom Adamson Morgan Yoon Soyoung Jason Smith
WEDNESDAY SESSION D | 4:00 – 5:45 pm
3 Contemporary PRC and Hong Kong 5 Beyond Human Worlds D D East Asian Religion, Spirituality, and Ecology in ROOM: Issaquah B Third Floor MARCH 19, 2014 MARCH 19, Contemporary Film CHAIR: Deron Overpeck AUBURN UNIVERSITY WEDNESDAY ROOM: Kirkland Third Floor Wesley Jacks UNIVERSITY OF CALIFORNIA, SANTA BARBARA CHAIR: Kiu-wai Chu UNIVERSITY OF HONG KONG “Queues, Blackouts, and Clusters: Import Distribution Strategies in the People’s Republic of China from 2011 Anna Banks UNIVERSITY OF IDAHO “The Second to 2013” Nutriment: Slow Cinema as Dharma Art” Xiaoxi Zhu LONDON SCHOOL OF ECONOMICS AND Lina Verchery HARVARD UNIVERSITY “Paradigms POLITICAL SCIENCE “Features and Implications of the of Place: Religious Cosmologies and Environmental Conglomeration of the Chinese Film Industry in the Contexts in La Trappe (2008) and In Ordinary Life New Century” (2013)” Shu Ching Chan UNIVERSITY OF TEXAS AT AUSTIN Conor Mckeown UNIVERSITY OF GLASGOW “Hong Kong/China Co-production: From Root-seeking “Disrupting Eco-assumptions of Shinto in the Cinema to Gold-digging?” of Miyazaki Hayao”
Deron Overpeck AUBURN UNIVERSITY “Transnational RESPONDENT: Adrian Ivakhiv UNIVERSITY OF VERMONT Tensions: Developments in the Cinematic Relationship SPONSOR: Media & the Environment between China and the United States” Scholarly Interest Group
D4 The Globalization of 6 Objects Post-millennial Persian Media D The Medium Is the Material
ROOM: Issaquah A Third Floor ROOM: Leschi Third Floor CHAIR: James Udden GETTYSBURG COLLEGE CHAIR: Meredith McCarroll CLEMSON UNIVERSITY James Udden GETTYSBURG COLLEGE “Iran’s Steen Christiansen AALBORG UNIVERSITY “Things Janus-faced Screens: Cinema, Broadcasting, and Gone Wild: The Movie Camera in the Drone Age” Institutionalized Factionalism” Lee Knuttila YORK UNIVERSITY “Monitoring Things: Matt Sienkiewicz BOSTON COLLEGE “Uncle Sam’s CCTV as Metaphysical Site” Koran: American Broadcasting, Koranic Values, and Jacob Gaboury NEW YORK UNIVERSITY “What Is Hybrid ‘Radio Islam’ in Afghanistan” a Digital Thing?: On the Materiality of Simulated Objects”
RESPONDENT: Sarah Juliet Lauro CLEMSON UNIVERSITY
52 WEDNESDAY MARCH 19, 2014 SESSION D | 4:00 – 5:45 pm
D7 Production Histories D9 Television Comedy Aesthetics ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Ben Rogerson UNIVERSITY OF NORTH CHAIR: Alex Clayton UNIVERSITY OF BRISTOL CAROLINA AT CHAPEL HILL Alex Clayton UNIVERSITY OF BRISTOL “Sketch Lawrence Webb UNIVERSITY OF GOTHENBURG Comedy and the Surge of Vital Feeling” “American Baroque: Rollover (Pakula, 1981) and the Jason Jacobs UNIVERSITY OF QUEENSLAND “‘I Am Imagination of Financial Disaster” Going to Die!’: Corpses, Corpsing, and Ricky Gervais’ Michael Witte UNIVERSITY OF CALIFORNIA, LOS ANGELES Derek” “Brecht before Lenin: Hangmen Also Die! as an Brett Mills UNIVERSITY OF EAST ANGLIA “Ego Tripping: Allegory for Marxist Struggle” Rob Brydon, Comedy, the Self, and Age” Andrew Davis OKLAHOMA STATE UNIVERSITY Steven Peacock UNIVERSITY OF HERTFORDSHIRE “Analyzing Tarnation’s Promotion, Reception, and the “Alan Partridge: Welcome to the Places of My Life” Mainstreaming of Queer Documentary” SPONSOR: Comedy & Humor Studies Ben Rogerson UNIVERSITY OF NORTH CAROLINA AT Scholarly Interest Group CHAPEL HILL “Independent No More?: Onscreen Autonomy at United Artists after 1967”
D10 Physician, Heal Thy Selfie D8 Technology, Imagination, ROOM: Ravenna C Third Floor and New Media Histories CHAIR: Tim Seiber UNIVERSITY OF REDLANDS Stephanie Brown UNIVERSITY OF ILLINOIS AT URBANA- ROOM: Ravenna A Third Floor CHAMPAIGN “‘A Waiting Room that Doesn’t Suck’: CHAIR: Jeff Scheible CONCORDIA UNIVERSITY Negotiations of Agency, Authenticity, and Community Morgan Ames UNIVERSITY OF CALIFORNIA, IRVINE and in The Mental Illness Happy Hour Podcast” Daniela Rosner UNIVERSITY OF WASHINGTON Nicole Keating WOODBURY UNIVERSITY and “Imagining Childhood through Technology and Betsy Keating INDEPENDENT SCHOLAR Design” “The Unexamined ‘Selfie’ Is Not Worth Taking: The Nicole Starosielski NEW YORK UNIVERSITY “Fiber Explosion of Digital Image Technologies in the Early Futures and the Aesthetics of Lag” Twenty-first Century” Jeff Scheible CONCORDIA UNIVERSITY “‘My Name Is Linnea Hussein NEW YORK UNIVERSITY “Visualizing Number Sign’: Hash Logic and Digital Indexicality” Mental Health: Direct Cinema, New Media, and
RESPONDENT: Wendy Chun BROWN UNIVERSITY Museums of the Mind” Tim Seiber UNIVERSITY OF REDLANDS “Network Bodies: Blogging Medical Experience as Collective Anatomy Theater”
53 SESSION D | 4:00 – 5:45 pm
D11 Race, Class, and Gender in D13 New Histories of Animation Contemporary Media ROOM: Jefferson B Union Street Tower, Fourth Floor MARCH 19, 2014 MARCH 19, CHAIR: Nicholas Miller LOYOLA UNIVERSITY MARYLAND WEDNESDAY ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Courtney Brannon Donoghue OAKLAND Katherine Rochester BRYN MAWR COLLEGE UNIVERSITY “Animated, Emancipated: Stop-motion Animation as Mandy Elliott UNIVERSITY OF MANITOBA “Reflecting Socialist Object in Dziga Vertov’s The Man with the the Man: Gender (Re)Appropriation in Paul Haggis’s Movie Camera (1929)” Crash and Mira Nair’s Mississippi Masala” Lora Mjolsness UNIVERSITY OF CALIFORNIA, IRVINE Krin Gabbard SUNY, UNIVERSITY AT STONY BROOK “Sound, Synchronization, and Subversion: The Early “Everything but the Burden: Negrophilia in Spring Animation of the Brumberg Sisters” Breakers” Olga Blackledge UNIVERSITY OF PITTSBURGH “Two Jennifer McClearen UNIVERSITY OF WASHINGTON Decades of Publications: Iskusstvo Kino on Quality “Gladiator in a Suit?: Scandal’s Olivia Pope and the and Quantity of Soviet Animation from 1936 to 1956” Post-identity Regulation of Physical Agency” Nicholas Miller LOYOLA UNIVERSITY MARYLAND “Unsettling the Cinematic Imagination: Continuous SPONSOR: Oscar Micheaux Society Scholarly Interest Group Metamorphosis in Early Drawn Animation”
SPONSOR: Animated Media Scholarly Interest Group
D12 WORKSHOP Capturing the Beast D14 Contemporary Issues Transmedia, Digital Ephemera, and the Archive in Cinematic Remaking
ROOM: Columbia Union Street Tower, Fourth Floor ROOM: Jefferson A Union Street Tower, Fourth Floor CHAIR: Vicki Callahan UNIVERSITY OF SOUTHERN CHAIR: Sean O’Sullivan OHIO STATE UNIVERSITY CALIFORNIA Frank Kelleter FREE UNIVERSITY BERLIN “The Remake WORKSHOP PARTICIPANTS as Pop Art: Gus Van Sant’s Psycho and the Franchise that Knew Too Much” Yvonne Welbon BENNETT COLLEGE/DUKE UNIVERSITY Helen De Michiel UNIVERSITY OF OREGON Kathleen Loock FREE UNIVERSITY BERLIN Robert Pratten CONDUCTTR “Hollywood’s Franchise Era and the Logic of Remaking” Sarah Atkinson UNIVERSITY OF BRIGHTON Constantine Verevis MONASH UNIVERSITY “New Millennial Remakes”
RESPONDENT: Jennifer Forrest TEXAS STATE UNIVERSITY
54 WEDNESDAY MARCH 19, 2014 SESSION D | 4:00 – 5:45 pm
15 Distribution in the Digital Age 17 Optic Thanatos D D The Continuum of Blackness in Visual Media ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Derek Kompare SOUTHERN METHODIST ROOM: Virginia Union Street Tower, Fourth Floor UNIVERSITY CHAIR: Kara Hunt UNIVERSITY OF MARYLAND, Tim Anderson OLD DOMINION UNIVERSITY “Why BALTIMORE COUNTY Don’t We Give it Away?: Value and ‘Free’ for an Darol Kay UNIVERSITY OF CALIFORNIA, IRVINE “The Emerging Music Industry” Price of Admission: Civil War Films, the Black Soldier, Jeremy Morris UNIVERSITY OF WISCONSIN-MADISON and the Image of the Nation” “’App’etite for Digitization: App-based Albums and the Selamawit Terrefe UNIVERSITY OF CALIFORNIA, IRVINE Virtual Commodification of Music” “Technological Haunting: Blackness as Political Josh Jackson UNIVERSITY OF CALIFORNIA, BERKELEY Thaumaturgy” “Streaming the Small Screen: YouTube and the Jakeya Caruthers STANFORD UNIVERSITY “The Read: Experience of Television” Race, Sex, and the Social Discipline of New Media” Derek Kompare SOUTHERN METHODIST UNIVERSITY Kara Hunt UNIVERSITY OF MARYLAND, BALTIMORE “Streaming the Past: Online Media and Cultural COUNTY “‘Ain’t Nobody Got Time for That!’: Humor Canons” as a Matter of Humanity in the Black Neighbor Meme Phenomenon”
D16 The Production of Worry in Postfeminist Media Culture D18 New Documentary Studies ROOM: Juniper Second Floor ROOM: University Union Street Tower, Fourth Floor CHAIR: James Lyons UNIVERSITY OF EXETER CHAIR: Amanda Rossie THE OHIO STATE UNIVERSITY Allison P. Palumbo UNIVERSITY OF KENTUCKY “What Faye Woods UNIVERSITY OF READING “The Squaddies Doesn’t Kill Her Makes Her Stronger: The Fraught of BBC Three: Televising Conflict for a Youth Audience Fighting Female in Popular Culture” in Our War” Dayna Chatman UNIVERSITY OF SOUTHERN CALIFORNIA Pierre Floquet BORDEAUX UNIVERSITY “Filmed, “The Black Girl Curse: Matrimonial and Reproductive Filming, Watching Entities in the UP Documentary Film Panic in Think Like a Man and 35 and Ticking” Series (1964–2013)” Kate Harper ARIZONA STATE UNIVERSITY James Lyons UNIVERSITY OF EXETER “Gore Is the “Romanticizing Dysfunction: The Spectacle of Failed World: Embodying Risk in An Inconvenient Truth”
Romance in Postfeminist Media Culture” SPONSOR: Documentary Studies Scholarly Interest Group Amanda Rossie THE OHIO STATE UNIVERSITY “Maternal Technologies: Mommy Blogs, Subject- formation, and the ‘New Domesticity’”
55 SESSION D | 4:00 – 5:45 pm
D19 Contemporary Pedagogy D22 Current Topics in Film ROOM: Madrona Second Floor and Media Studies MARCH 19, 2014 MARCH 19, CHAIR: Holly Willis UNIVERSITY OF SOUTHERN WEDNESDAY ROOM: Everett Third Floor CALIFORNIA CHAIR: Marian Sciachitano WASHINGTON STATE Zoe Graham NEW YORK UNIVERSITY “A Model UNIVERSITY of Sustainable Documentary Film Training: The Sharon Sharp CALIFORNIA STATE UNIVERSITY, DOMINGUEZ Transnational Reach of the Ateliers Varan” HILLS “Film and Television Animal Trainers: Claire LaBar OLD DOMINION UNIVERSITY “America’s Considering Animal Training and Performance” New Media Classroom: How the Government’s Shift to Christian Gosvig Olesen UNIVERSITY OF AMSTERDAM STEM Curriculum Affects Education in the Age of the “From Film Historiography to Videography: Film ‘Participatory Culture’” Historical Video Essays as Scholarly Research Practice” Steve Anderson UNIVERSITY OF SOUTHERN CALIFORNIA Arzu Karaduman GEORGIA STATE UNIVERSITY “Multiplicity + Synchronicity: Media Scholarship “From Psychoanalysis to Film-philosophy: What Is beyond the Video Essay” Cryptonymy?” Holly Willis UNIVERSITY OF SOUTHERN CALIFORNIA “World Building: Emergent Narratives for a Generative Culture”
SPONSOR: Media Literacy + Pedagogical Outreach Scholarly Interest Group MEETING 4:00 – 5:45 pm
ROOM: Ballard Third Floor Video Game Studies D20 WORKSHOP Scholarly Interest Group Archive Archaeology Disrupting the TV Canon
ROOM: Aspen Second Floor CHAIR: Taylor Cole Miller UNIVERSITY OF WISCONSIN- MADISON
WORKSHOP PARTICIPANTS Jane Feuer University of Pittsburgh Lynne Joyrich BROWN UNIVERSITY Stephen Tropiano ITHACA COLLEGE Alfred Martin, Jr. UNIVERSITY OF TEXAS AT AUSTIN Taylor Cole Miller UNIVERSITY OF WISCONSIN- MILWAUKEE
SPONSOR: Television Studies Scholarly Interest Group
56 WEDNESDAY MARCH 19, 2014 57
a)—participate in ain a)—participate ’s Aca- ’s Cinema Journal Barbar
SPECIAL EVENT SPECIAL
UNIVERSITY ALABAMA OF UNIVERSITY
BARBARA
Krist en Warner pm
Pik 35thFloor Tower, e Street , the film about the last day in the life of Oscar Grant, Oscar of life in the day the last film about Station, the Fruitvale
UNIVERSITY OF CALIFORNIA, SANTA CALIFORNIA, OF UNIVERSITY 6:00 – 8:00 8:00 – 6:00
A roundtable discussion roundtable A Cirrus ARIZONA STATE UNIVERSITY STATE ARIZONA
LOCATION: LOCATION: Wednesday, March 19, 2014 19, March Wednesday,
Anna Everett Teaching Race & Media in & Media Race Teaching and Sponsored by African/African American Caucus and supported by SCMS. Caucus and supported by American African/African by Sponsored Post-racial/Post-Trayvon America Post-racial/Post-Trayvon Bambi Haggins COORDINATORS: COORDINATORS: roundtable discussion and grapple with the question of how to bring these narratives into our classrooms and lecture halls. and lecture classrooms our into narratives bring these to how with the question of discussion and grapple roundtable audience. will be opened to the conversation the roundtable, After and Kristen Warner (University of Alabama) as well as Anna Everett (University of California, Santa California, of (University Everett Anna as well as Alabama) of (University Warner Kristen and Media podcast on the Zimmerman verdict—Bambi Haggins (Arizona State University), Miriam Petty (Northwestern University) University) (Northwestern Miriam Petty University), State Haggins (Arizona verdict—Bambi on the Zimmerman Media podcast In the weeks of fallout after George Zimmerman was acquitted in the killing of Trayvon Martin, communities of color and color of Martin, communities Trayvon in the killing of acquitted was Zimmerman George after fallout of weeks In the the injustice. against rage and to mourn, to discuss, to Tumblr and Twitter, such as Facebook, media outlets social to allies ran of wide release the was dis-ease that sense of to Adding another young Black male who lost his life in a racially charged shooting. As scholars of color, we knew that it would not would that it knew we color, As scholars of shooting. charged in a racially his life who lost Black male young another we began semesters Fall when our that knew we and editorials; stories news and share retweet, reblog, just be enough to Zimmerman, Martin, to as it relates and racism representation, race, to issues related discuss the nexus of to be moved would This bear. to bringing these conversations who are be just us that it cannot also realize we But classrooms. in our and Grant era “Post-Trayvon” and definitive living in a supposed “Post-racial” around will these conversations begs the question: How as class, gender, well as be talking about race should and/or are we ways in the same narrative the teaching part of become in the classroom? and sexuality Culture Black Popular of Critic and Professor Cultural Neal, Anthony Mark speaker, with a keynote begins event This two-act in participated who scholars talk, as the media upon Neal’s act builds The second University. at Duke WEDNESDAY 58 MARCH 19, 2014 SPECIAL EVENT include theaesthetics andpractice of remix videos, urbanhistory, policinginSeattle, andthehistory of Indymedia. While we anticipate theconversation will be wide-ranging, mindfulof thethemesmentionedabove, additionaltopics will The audience will beinvited to participate inarousing discussionaboutissuesraised by themainthemesof theevening. as agenerative event for radical mediaproducers allover theglobe. actions suchastheOccupy movement and Arab Spring.Participants were alsoencouraged to consider the“Battle of Seattle” the lens of the“Battle of Seattle” and—intheprocess—contemplate thishistorical event’s uniquenessandlegacy inpolitical remix competition invited participantsto usearchival footage inorder to explore acontemporary political issuethrough Freidberg’s talk will provide context for theremix video competition andthescreening of select entriesthatfollows. The created from activist video collaborations thatresulted insizeable archives. show shortclipsfrom thetwo films,ThisisWhatDemocracy Looks Like and the archive engendered by thateffort, andher subsequent work with activistmediacollectives insouthernMexico. She will Freidberg will discussher work with theIndependentMediaCenter around the WTO protests, her experience coordinating the IMC’s alternative video coverage of the1999 WTO protests. years. A founding member of the Seattle IndependentMedia Center and global Indymedianetwork, shehelpedcoordinate Jill Freidberg media,andcommunity hasbeenproducing, radio for directing, andeditingdocumentary 18 films, activist competition. What Democracy Looks Like infamous “Battle of Seattle.” The event features atalkby Jill Freidberg, director of theaward-winning documentary This specialopeningnightevent commemorates the15thanniversary of the World Trade Organization protests, the COORDINATORS: A screening event of archival andfound footage onthe15thanniversary of theWTO demonstrations Virginia Kuhn Reclaiming andRemixing theBattle of Seattle
Sponsored by theDocumentary StudiesandtheMedia Literacy +Pedagogical Outreach Scholarly Jaimie Baron Interest Groups andsupportedby SCMS.
UNIVERSITY OF SOUTHERNCALIFORNIA , as well asascreening anddiscussionof selected entriesto the
UNIVERSITYOF ALBERTA Please refer to Seattle vicinity maponpage30for location. Wednesday, March 19, 2014 LOCATION: Archival Activism: Northwest FilmForum 7:00 – 9:00
and Leah Shafer
Stephen Charbonneau pm 12th Ave.
1515
Un poquito detanta ofverdadboth whichwere,
HOBART AND WILLIAM SMITHCOLLEGES
Archivalremix Activism video
FLORIDA ATLANTICUNIVERSITY This is This is
THURSDAY MARCH 20, 2014 59
“The
“’Dead Time Is
E BROWN UNIVERSITY BROWN
NORTHWESTERN UNIVERSITY NORTHWESTERN First Fl
Level Lobby oor,
BROWN UNIVERSITY BROWN BARUCH COLLEGE, CUNY COLLEGE, BARUCH
am Carceral Media Carceral the US Prison Regime Screening Diamond B Michael Litwack
2 ROOM: CHAIR: Carceral Aesthetic and ‘Border Thinking’: Prisons on Thinking’: Prisons and ‘Border Aesthetic Carceral 1910” before Screen in the Accumulation and Primitive Television Work’: at Era” Neoliberal-carceral Early Exposing Prison Abroad: and at Home “Prison ‘Reality’ Tourism” Televisual Discourse through SESSION SESSION E Michael Litwack Catherine Harrington Alison Griffiths
“The
March 20, 2014 March
“Gender “Gender and
9:00 – 10:45 10:45 – 9:00
UNIVERSITY OF NORTH NORTH OF UNIVERSITY
First Fl Level Lobby oor, UNIVERSITY OF NORTH TEXAS NORTH OF UNIVERSITY
FALMOUTH UNIVERSITY FALMOUTH NORTHWESTERN UNIVERSITY NORTHWESTERN
TEXAS Gender and Contemporary and Contemporary Gender Technologies Diamond A Vickery Jacqueline
1 ROOM: CHAIR:
“Mobile Phones, a Girl’s Best Friend?: How the Mobile the Mobile How Best Friend?: Phones, a Girl’s “Mobile Commodifies Surveillance, Legitimizes Phone Industry Technology” and Genders Talk, Power Glove, the U-Force, and the Gendering of Gendering of and the the U-Force, Glove, Power Gestural Gaming Technology” Online Viewing: Theorizing the Interactive Spectator” Interactive Theorizing the Viewing: Online
E Jacqueline Vickery Jacqueline Ian Hartman Sarah Arnold Sarah
THURSDAY SESSION E | 9:00 – 10:45 am
E3 WORKSHOP E5 Colonialism in Chinese Cinema Afterthoughts on the Centenary Reconfiguring the Past; Renegotiating of Bombay Cinema Its Global Future ROOM: Kirkland Third Floor ROOM: Issaquah B Third Floor CHAIR: Yanhong Zhu WASHINGTON AND LEE CHAIR: Anupama Kapse QUEENS COLLEGE, CUNY UNIVERSITY WORKSHOP PARTICIPANTS Victor Fan KING’S COLLEGE LONDON “Politics at Play: Tejaswini Ganti NEW YORK UNIVERSITY Jazz and Chinese Cinema, 1937–1949” Anupama Kapse QUEENS COLLEGE, CUNY Jing Jing Chang WILFRID LAURIER UNIVERSITY “The Neepa Majumdar UNIVERSITY OF PITTSBURGH Cold War Project of the Southern Film Corporation: Meheli Sen RUTGERS UNIVERSITY Film Distribution and Censorship in British Hong Kong” Wei Yang UNIVERSITY OF THE SOUTH “ My Blueberry SPONSOR: Asian/Pacific American Caucus MARCH 20, 2014 MARCH 20,
THURSDAY Nights Revisited: Wong Kar-wai and Transnational Auteurism” Frederik Green SAN FRANCISCO STATE UNIVERSITY “The Twelve Chinese Zodiacs: Jackie Chan, Ai Weiwei, A Homage to Bigas Luna and the Aesthetics (and Politics) of Revisiting a E4 National Wound” (1946–2013) RESPONDENT: Yanhong Zhu WASHINGTON AND LEE ROOM: Issaquah A Third Floor UNIVERSITY CHAIR: Santiago Fouz-Hernandez DURHAM UNIVERSITY Santiago Fouz-Hernandez DURHAM UNIVERSITY “Bigas Luna’s Early Erotic Passions: Bilbao (1978) and Caniche (1979)” 6 Midcentury Modern Alfredo Martinez Exposito UNIVERSITY OF E New Directions in Historical Media Industries MELBOURNE “After-images and Imagination: ROOM: Leschi Third Floor Image and Nation in Bigas Luna’s Anguish (1987) and CHAIR: Rebecca Prime HOOD COLLEGE Volaverunt (1999)” Ross Melnick UNIVERSITY OF CALIFORNIA, Carolina Sanabria UNIVERSITY OF COSTA RICA “Back SANTA BARBARA “Exodus and Genesis: Egyptian to the Origins: Bigas Luna’s Iberian Portraits Trilogy” Revolution, Postwar Zionism, and the Ramifications Marvin D’Lugo CLARK UNIVERSITY “Sexual and for Hollywood’s Middle Eastern Theater Circuits, Cinematic Commodities: Bigas Luna’s Chambermaid 1947–1957” ‘and’ the Titantic” Rebecca Prime HOOD COLLEGE “This Is Cinerama: SPONSOR: Latina/o Caucus Merian C. Cooper’s Widescreen Politics” Emily Carman CHAPMAN UNIVERSITY and Anne Helen Petersen WHITMAN COLLEGE “Twilight Stardom: Excavating the Postwar Careers of Constance Bennett and Gloria Swanson”
RESPONDENT: Eric Smoodin UNIVERSITY OF CALIFORNIA, DAVIS
60 SESSION E | 9:00 – 10:45 am
E7 Rethinking the Cliché E9 Television Industries and the Historical Perspectives on Hollywood Production of Film Culture Conventions Interventions in the UK Context
ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Elizabeth Rawitsch UNIVERSITY OF NORTH CHAIR: Paul McDonald UNIVERSITY OF NOTTINGHAM CAROLINA AT WILMINGTON MARCH Laura Mayne UNIVERSITY OF PORTSMOUTH “Channel THURSDAY James MacDowell UNIVERSITY OF WARWICK “The 4, Film4 and the Impact of Brand Identity on the UK Sense of a Happy Ending: Clichés and Conventions, Film Industry” Myths and Fictions”
Rachael Keene CREATIVE SKILLSET “Films for 20, 2014 Oliver Gruner UNIVERSITY OF PORTSMOUTH “A New Television: Channel Branding, the Production of Birth of Freedom?: The Gettysburg Address in Film” Cinephilia, and the Role of Program Planners in the Elizabeth Rawitsch UNIVERSITY OF NORTH CAROLINA AT Multichannel Economy” WILMINGTON “Charlie Chan’s Multicolored Passport: Ieuan Franklin BOURNEMOUTH UNIVERSITY “Building Hollywood’s Asian Detectives and Transnational a Television Audience for World Cinema in the (Late) Identity” Era of Media Scarcity” Peter Falconer UNIVERSITY OF BRISTOL “The Rhetoric Justin Smith UNIVERSITY OF PORTSMOUTH “We Need of Genre in the ‘Afterlife’ of the Western” to Talk About Subsidy: Television and the UK Film Industry — a Thirty-year Relationship”
SPONSOR: Media Industries Scholarly Interest Group
8 “New” Wars, “New” Media E The War on Terror in a Digital Age ROOM: Ravenna A Third Floor 10 Sound CHAIR: Lindsay Palmer UNIVERSITY OF CALIFORNIA, E Aesthetics and Ideology SANTA BARBARA ROOM: Ravenna C Third Floor Abigail Hinsman UNIVERSITY OF CALIFORNIA, CHAIR: Alejandra Bronfman UNIVERSITY OF BRITISH SANTA BARBARA “Time-lapse Analysis: COLUMBIA Counterintelligence, Media Annotation, and the Verona Project” Justin Morris UNIVERSITY OF TORONTO “Radio Ranch: Emergent Seriality in 1930s Film and Radio” Catherine Zimmer PACE UNIVERSITY “Satellite Surveillance, Desert Landscapes, and the Political Paula Musegades BRANDEIS UNIVERSITY “Silence Is Aesthetics of the ‘War on Terror’” Golden: Aaron Copland’s Film Score for The Heiress” Tung-Hui Hu UNIVERSITY OF MICHIGAN “Serious Yuki Takinami UNIVERSITY OF TOKYO “The Issue Games: On the Sovereignty of Data” of Sound-cinema Aesthetics in Early–1930s Japan: Theory and Practice” Lindsay Palmer UNIVERSITY OF CALIFORNIA, SANTA BARBARA “Reporting War (for the iPad): Alejandra Bronfman UNIVERSITY OF BRITISH COLUMBIA Condition One and the Tactile Consumption of “Screeches, Static, and Silence: The Fragmented Conflict” Terrain of Caribbean Radio” SPONSOR: Radio Studies Scholarly Interest Group
61 SESSION E | 9:00 – 10:45 am
11 Post-3.11 13 Deleuzian Aesthetics E Representing Disaster E ROOM: Jefferson B Union Street Tower, Fourth Floor ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Justin Horton GEORGIA STATE UNIVERSITY CHAIR: Mark Roberts UNIVERSITY OF TOKYO Andrea Brooks UNIVERSITY OF BRITISH COLUMBIA Minori Ishida NIIGATA UNIVERSITY “The Lack of “Theorizing Thinspiration and the (De)composed Media: The Invisible Domain after 3.11” Body” Akira Lippit UNIVERSITY OF SOUTHERN CALIFORNIA Edward Troy UNIVERSITY OF CALIFORNIA, RIVERSIDE “The Place of Disaster: Fukushima and 3.11” “Krzysztof Kieslowski and the Outsides of Cinema” Mitsuyo Wada-Marciano CARLETON UNIVERSITY Michael Eng JOHN CARROLL UNIVERSITY “History, “Post-3.11: Hitomi Kamanaka and Video Activism, Cinema, Affect: Deleuze and the Case of Fei Mu’s Ashes to Honey (2010)” Spring in a Small Town” Mark Roberts UNIVERSITY OF TOKYO “Social Justin Horton GEORGIA STATE UNIVERSITY “Vibration, MARCH 20, 2014 MARCH 20, THURSDAY Documentary after 3.11” Resonance, Deformation: Deleuze’s Soundful Aesthetics”
E12 WORKSHOP Online Teaching in Film E14 WORKSHOP and Media Studies Visualizing Media Studies The Expansion of Scholarly Publishing ROOM: Columbia Union Street Tower, Fourth Floor into Video Essays CHAIR: Murray Leeder UNIVERSITY OF MANITOBA ROOM: Jefferson A Union Street Tower, Fourth Floor WORKSHOP PARTICIPANTS CHAIR: Christine Becker UNIVERSITY OF NOTRE DAME George Larke-Walsh UNIVERSITY OF NORTH TEXAS WORKSHOP PARTICIPANTS Russell Meeuf UNIVERSITY OF IDAHO Catherine Grant UNIVERSITY OF SUSSEX Allison Whitney TEXAS TECH UNIVERSITY Christian Keathley MIDDLEBURY COLLEGE Murray Leeder UNIVERSITY OF MANITOBA Drew Morton TEXAS A&M UNIVERSITY-TEXARKANA SPONSOR: Media Literacy + Pedagogical Outreach Benjamin Sampson UNIVERSITY OF CALIFORNIA, Scholarly Interest Group LOS ANGELES Matthias Stork UNIVERSITY OF CALIFORNIA, LOS ANGELES
62 SESSION E | 9:00 – 10:45 am
E15 Videogaming’s Undefined, E16 Beyond the Game Defining Feature Screening Sports in the Twenty-first Century Exploring the Origins, Manifestations, and Limits ROOM: University Union Street Tower, Fourth Floor of Interactivity CHAIR: David Lerner LOYOLA MARYMOUNT UNIVERSITY ROOM: Seneca Union Street Tower, Fourth Floor Sudeep Sharma UNIVERSITY OF CALIFORNIA, LOS ANGELES CHAIR: Harrison Gish UNIVERSITY OF CALIFORNIA,
“HBO’s Hard Nocks and the NFL as Reality Cable MARCH THURSDAY LOS ANGELES Television Programming” CO-CHAIR: David O’Grady UNIVERSITY OF CALIFORNIA, Paul Reinsch TEXAS TECH UNIVERSITY “‘The Real LOS ANGELES
Rocky,’ the ‘Fake’ Chuck Wepner, and the Politics of 20, 2014 David O’Grady UNIVERSITY OF CALIFORNIA, LOS ANGELES Intertextuality” “Domesticating Interactivity: Examining Early Industry Robert Cavanagh NORTHWESTERN UNIVERSITY “Nine Efforts to Introduce Videogames to the Home” for IX: Sport and Gender” Harrison Gish UNIVERSITY OF CALIFORNIA, LOS ANGELES David Lerner LOYOLA MARYMOUNT UNIVERSITY “Sandboxes and Surrogates: Spatialized Avatar “Romantics and Analytics: Moneyball as Sabermetric Interactivity in Grand Theft Auto’s Expanding Open Melodrama” World” Jonathan Cohn UNIVERSITY OF ALBERTA “Following a Story to the Endtimes: Choice, Precarity, and Fatalism in Dystopian Gameplay” Jessica Aldred UNIVERSITY OF MONTREAL “To Survive 17 Queer Remix Video the Zombie Apocalypse, Point and Click: Transmedia E Hacking Telesexuality Character Interactivity and Player Agency in The Walking Dead Franchise” ROOM: Virginia Union Street Tower, Fourth Floor CHAIR: Hunter Hargraves BROWN UNIVERSITY SPONSOR: Video Game Studies Scholarly Interest Group Dayna McLeod CONCORDIA UNIVERSITY “Navigating the Heterosexual Matrix of Remix Culture” Julie Russo THE EVERGREEN STATE COLLEGE “Spirit of Chaos: My Little Pony Remix as Queer Fan Labor” Hunter Hargraves BROWN UNIVERSITY “‘Now Shut Up and Get Me High’: Affective Economies of Perversion in Remixed Television” Alexis Lothian INDIANA UNIVERSITY OF PENNSYLVANIA “Queer Cinema Remixed Straight?: Vidding, Aesthetics, and Born in Flames”
SPONSORS: Queer Caucus and Media Literacy + Pedagogical Outreach Scholarly Interest Group
63 SESSION E | 9:00 – 10:45 am
18 Art Documentaries 20 Cine-ethics E Aesthetics, History, Theory E The Role of Moral Intuition, Reason, and Expression in Ethical Responses to Film ROOM: Juniper Second Floor CHAIR: Steven Jacobs GHENT UNIVERSITY ROOM: Aspen Second Floor Angela Dalle-Vacche GEORGIA INSTITUTE OF CHAIR: Jinhee Choi KING’S COLLEGE LONDON TECHNOLOGY “André Bazin, Science, and the Art Carl Plantinga CALVIN COLLEGE “Film Affect and the Documentary” Genealogy of Morals” Steven Jacobs GHENT UNIVERSITY “ Magritte, ou la Malcolm Turvey SARAH LAWRENCE COLLEGE “Vertov leçon des choses (Luc De Heusch, 1960)” and the Expanding Circle” Susan Felleman UNIVERSITY OF SOUTH CAROLINA Jinhee Choi KING’S COLLEGE LONDON “The Ethics of “Mystical Mediation: Jay DeFeo’s The Rose Conjured, the Monad: Leibniz and Film Spectatorship” Captured, and Preserved by Bruce Conner and RESPONDENT: Richard Allen NEW YORK UNIVERSITY MARCH 20, 2014 MARCH 20,
THURSDAY Wallace Berman” SPONSOR: Cognitive/Analytic Studies Brigitte Peucker YALE UNIVERSITY “Enter Ekphrasis: Scholarly Interest Group Greenaway Reads Rembrandt”
SPONSOR: CinemArts: Film & Art History Scholarly Interest Group E22 Re-viewing TV ROOM: Everett Third Floor New/Media/Art/Objects CHAIR: Mark J.P. Wolf CONCORDIA UNIVERSITY E19 WISCONSIN ROOM: Madrona Second Floor Mark J.P. Wolf CONCORDIA UNIVERSITY WISCONSIN CHAIR: Michael Zryd YORK UNIVERSITY “’People Can Like You Just the Way You Are’: The Hava Aldouby HEBREW UNIVERSITY “Experimental Diverse Ontological Spectrum of Mister Rogers’ Cinema Enters the Worlds of Gaming: Considering Phil Neighborhood” Solomon’s Recent Works” Katharine Zakos GEORGIA STATE UNIVERSITY “The Claire K. Henry WHITNEY MUSEUM OF AMERICAN ART Wedding Industrial Complex; or, How I Learned to “(Un)commercial: Andy Warhol and the Television Ad, Stop Worrying and ‘Say Yes to the Dress’” 1964–68” Gina Giotta CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Michael Zryd YORK UNIVERSITY “Documentation “Dreamless Dream: Re-visiting Adorno on TV” in Hollis Frampton’s Magellan: Artists’ Notes as Conceptual Art”
SPONSOR: Experimental Film & Media Scholarly Interest Group
64 THURSDAY MARCH 20, 2014 65
pm
MEETING am – 12:45 12:45 – 10:45 10:45 •
First Fl Pik –
Level Lobby oor, 35thFloor Tower, e Street am
nous à Montréal. 9:00 25–29 Mars 2015 Bienvenue . . . Bienvenue Venez vous joindre à joindre vous Venez Cirrus March 20, 2014 March Chelan Scholarly Interest Group Interest Scholarly Fairmont Le Reine Elizabeth Reine Le Fairmont ROOM: ROOM: Contemporary Theory Theory Studies Contemporary 11:00 11:00
If you are new to SCMS, please plan to attend this orientation and networking session for new members. new session for this orientation and networking attend plan to SCMS, please to new are you If
You will learn more about the Society, the conference, the journal, the website, and other benefits of membership. of benefits and other website, the journal, the the conference, about the Society, more will learn You Orientation for New Members & Networking Session & Networking Members New Orientation for
THURSDAY THURSDAY 66 MARCH 20, 2014 THURSDAY Laura Stamm Hannah Zeavin Lana Lin RESPONDENT: F CO-CHAIR: Treatment:Documenting Analysis” Sinclair’s Mental” Radio My Own?: A Psychoanalytic Reading of Upton Re-imagining of Gender Acquisition” “Between the Acts: Kristeva’s Chora andaCinematic CHAIR: ROOM: 1
Marie Shurkus Lana Lin Hannah Zeavin Diamond A Towards aProductive Intersection and MediaStudies Reconsidering Psychoanalysis
NEWUNIVERSITY YORK
UNIVERSITY OF PITTSBURGH
NEWUNIVERSITY YORK
NEWUNIVERSITY YORK oor, Lobby Level
First Fl
POMONA COLLEGE NEWUNIVERSITY YORK
Are TheseThoughts 11:00 “
Te r of Art “The March 20,2014
am – 12:45 Harvey Cohen Mary Samuelson Patrick Keating F 1933” Parade: SupportingandUnderminingtheNew Deal, Narrative inFilms of theGreat Depression” and Coincidence: DisruptingClassical Hollywood Recovery Administration andHollywood’s ‘New Deal’” LOS SESSION CHAIR: ROOM: 2
ANGELES
Patrick Keating Diamond B Cinema andtheNew Deal
pm
al Moment: The National
KING’S COLLEGE LONDON “Radic TRINITY UNIVERSITY
UNIVERSITY OF CALIFORNIA,
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TRINITY UNIVERSITY
F
“Capitalism
“ Footlight SESSION F | 11:00 am – 12:45 pm
3 Argentine and Chilean Cinema 5 Margins of the New Wave F Historical Revisions, Political Shifts F Japanese Cinemas of the 1960s
ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Kathleen Newman UNIVERSITY OF IOWA CHAIR: Takuya Tsunoda YALE UNIVERSITY Kathleen Newman UNIVERSITY OF IOWA “Left Takuya Tsunoda YALE UNIVERSITY “The Cinema as
Unsaid: History and Memory in Recent Chilean Pedagogical Loop: Bad Boys and the Japanese New MARCH THURSDAY Cinema” Wave” Jessica Stites Mor UNIVERSITY OF BRITISH COLUMBIA Roland Domenig MEIJI GAKUIN UNIVERSITY
“Argentine Political Filmmakers in Solidarity: The Road “Reconsidering the ‘Shôchiku Nouvelle Vague’” 20, 2014 from Algiers to Cine Piquetero” Michael Raine WESTERN UNIVERSITY, CANADA “Music, Nilo Couret UNIVERSITY OF MICHIGAN “The Musicals, and the Margins of the Japanese New Wave” Accidental Time Capsule: Raul Ruiz’s Palomita blanca (1973) and the Humorous Dimensions of New Latin American Cinema”
RESPONDENT: Ana Lopez TULANE UNIVERSITY Video Cultures, Communities, and SPONSOR: Latina/o Caucus F6 Circulation in the Twenty-first Century
ROOM: Leschi Third Floor CHAIR: Juan Llamas Rodriguez UNIVERSITY OF F4 Television Networks and Brand CALIFORNIA, SANTA BARBARA Identity Matthias Mushinski COLUMBIA UNIVERSITY “Are You Guys Closing?: Video-clubs and the Third World of the ROOM: Issaquah A Third Floor Internet” CHAIR: Amanda Keeler MARQUETTE UNIVERSITY CO-CHAIR: Cory Barker INDIANA UNIVERSITY Michael O’Brien UNIVERSITY OF TEXAS AT AUSTIN Amanda Keeler MARQUETTE UNIVERSITY “AMC: “Limited Release: Online Cine-clubs and Digital American Male Channel?” Archives” Cory Barker INDIANA UNIVERSITY “What Is Drama?: Juan Llamas Rodriguez UNIVERSITY OF CALIFORNIA, The Evolution of TNT’s Genre-infused Brand Identity” SANTA BARBARA “What Is (In) a Diasporic Video Store?” Andrew Zolides UNIVERSITY OF WISCONSIN-MADISON “BBC America’s Dual Citizenship: Naturalizing the RESPONDENT: Daniel Herbert UNIVERSITY OF MICHIGAN Immigrant Network” Stefania Marghitu KING’S COLLEGE LONDON “FX’s The Bridge: Strategizing towards an Expanding Latino Demographic”
67 SESSION F | 11:00 am – 12:45 pm
F7 Architectures of F9 Self-portraiture and Autobiography Moving-image Display in Contemporary Film and Media
ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Alla Gadassik NORTHWESTERN UNIVERSITY CHAIR: Mary Ann Doane UNIVERSITY OF CALIFORNIA, Swagato Chakravorty YALE UNIVERSITY “An BERKELEY Architecture of Phantasms: Screen, Space, Play” CO-CHAIR: Damon R. Young UNIVERSITY OF MICHIGAN Brian Jacobson UNIVERSITY OF ST ANDREWS “Of Greg Youmans COLGATE UNIVERSITY “One-way Black Boxes and White Cubes; or, Film Architecture in Mirrors: Gay Auto/Ethnography in the 1970s” the Gallery” Damon R. Young UNIVERSITY OF MICHIGAN “The Alla Gadassik NORTHWESTERN UNIVERSITY Subject of Digital Media: On Tarnation (2003)” “Perceptual Cells: Modified Vision in the Work of Homay King BRYN MAWR COLLEGE “Virtual Memory: James Turrell” Agnès Varda’s Beaches” MARCH 20, 2014 MARCH 20, THURSDAY Ian Robinson MCGILL UNIVERSITY “ Space and Kristopher Fallon UNIVERSITY OF CALIFORNIA, DAVIS Spectatorship in Immersive-participatory Cinema” “Data’s Indexicality”
SPONSORS: CinemArts: Film & Art History and Experimental Film & Media Scholarly Interest Groups
F10 Time and the Cinema of Richard Linklater
8 Interfaces with the Unrepresentable ROOM: Ravenna C Third Floor F Networks and Affect CHAIR: Peter Lurie UNIVERSITY OF RICHMOND ROOM: Ravenna A Third Floor Ellen Grabiner SIMMONS COLLEGE “The Holy CHAIR: James Hodge NORTHWESTERN UNIVERSITY Moment: Waking Life and Linklater’s Dream Time” James Hodge NORTHWESTERN UNIVERSITY “Love Is Maria San Filippo INDIANA UNIVERSITY “Linklater’s All Around: Frances Stark’s My Best Thing” Before Trilogy and the Evolution of US Indie Cinema” Patrick Jagoda UNIVERSITY OF CHICAGO “Journey Katrina G. Boyd UNIVERSITY OF OKLAHOMA “Grief Stories: Digital Games, Emergent Narratives, and Tragically Becoming Comedy: Linklater’s Bernie and Affective Networks” Oral History” Scott Richmond WAYNE STATE UNIVERSITY Peter Lurie UNIVERSITY OF RICHMOND “Spatio- “Networked Boredom: On the Desire for Connection” temporality, Framed Emptiness, and Medial Integrity in
RESPONDENT: Lisa Nakamura UNIVERSITY OF ILLINOIS AT Linklater’s Before Trilogy” URBANA-CHAMPAIGN
68 SESSION F | 11:00 am – 12:45 pm
F11 WORKSHOP F13 Horrified, Horrifying, Horrifiable Judging WWII Hollywood Composition, Genre, Affect and the Jews ROOM: Jefferson B Union Street Tower, Fourth Floor Cinema Studies and Recent Debates over History CHAIR: Eugenie Brinkema MASSACHUSETTS INSTITUTE and Accountability OF TECHNOLOGY
ROOM:
Boren Union Street Tower, Fourth Floor Karla Oeler EMORY UNIVERSITY “Horror and ‘The MARCH THURSDAY CHAIR: Steven Carr INDIANA UNIVERSITY-PURDUE Cinema of Poetry’” UNIVERSITY FORT WAYNE Caetlin Benson-Allott GEORGETOWN UNIVERSITY
“Horror by Design: Affect and Visual Environments in 20, 2014 WORKSHOP PARTICIPANTS Art and Film” Jon Wilkman WILKMAN PRODUCTIONS Jason Middleton UNIVERSITY OF ROCHESTER Laura Rosenzweig SAN FRANCISCO STATE UNIVERSITY “Protraction, Disruption, Flux: Forms of Horror in The Steven Ross UNIVERSITY OF SOUTHERN CALIFORNIA Texas Chainsaw Massacre” Eugenie Brinkema MASSACHUSETTS INSTITUTE OF TECHNOLOGY “Order and the List: Final Destination and Death by Design” 12 Enacting “Oriental Femininity” F Three Crossover Performers in 1910s–30s American Cinema and Theater
ROOM: Columbia Union Street Tower, Fourth Floor 14 WORKSHOP CHAIR: Ramona Curry UNIVERSITY OF ILLINOIS AT F URBANA-CHAMPAIGN Teaching Video Game Studies CO-CHAIR: Yiman Wang UNIVERSITY OF CALIFORNIA, across Disciplines SANTA CRUZ ROOM: Jefferson A Union Street Tower, Fourth Floor Krystyn Moon UNIVERSITY OF MARY WASHINGTON CHAIR: Matthew Payne UNIVERSITY OF ALABAMA “Blending the Dreamy Mysticism of the East with the CO-CHAIR: Jennifer Malkowski MIAMI UNIVERSITY OF Prosaic Culture of the West: Alla Nazimova and The OHIO Red Lantern (1919)” WORKSHOP PARTICIPANTS Ramona Curry UNIVERSITY OF ILLINOIS AT URBANA- CHAMPAIGN “The First Chinese Film Star in America: Christopher Hanson SYRACUSE UNIVERSITY The Artful Racial Masquerade of Lady Tsen Mei/ Carly Kocurek ILLINOIS INSTITUTE OF TECHNOLOGY Josephine Moy” Jennifer Malkowski MIAMI UNIVERSITY OF OHIO Yiman Wang UNIVERSITY OF CALIFORNIA, SANTA CRUZ TreaAndrea Russworm UNIVERSITY OF “‘Ghosting’ the Oriental: Anna May Wong’s Racial MASSACHUSETTS AMHERST Reenactment” SPONSOR: Video Game Studies Scholarly Interest Group
RESPONDENT: Kent A. Ono UNIVERSITY OF UTAH
SPONSOR: Asian/Pacific American Caucus and Transnational Cinemas Scholarly Interest Group
69 SESSION F | 11:00 am – 12:45 pm
F15 The Screen Idea, Screenwriting, F17 Negotiating Race in Digital Spaces and Media Production Research ROOM: Virginia Union Street Tower, Fourth Floor
ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Sarah Florini UNIVERSITY OF WISCONSIN- CHAIR: Eva Redvall UNIVERSITY OF COPENHAGEN MADISON Ian Macdonald UNIVERSITY OF LEEDS “The Sarah Florini UNIVERSITY OF WISCONSIN-MADISON Screen Idea, the Work Group, and Screen Narrative “Networked Enclaves: Black Podcasters’ Responses to Production” the George Zimmerman Verdict” Raija Talvio AALTO UNIVERSITY “Subjective Dreams: Kishonna Gray EASTERN KENTUCKY UNIVERSITY The Idea of the Pre-existing Film” “The Avatar as Blackface: Using Color-blind Racism to Examine Stereotypical Representations and Eva Redvall UNIVERSITY OF COPENHAGEN Performances of Blackness in Xbox Live” “Screenwriting and the Screen Idea System: Writing and Producing Television Drama in Denmark” Meredith Clark UNIVERSITY OF NORTH CAROLINA AT MARCH 20, 2014 MARCH 20, THURSDAY CHAPEL HILL “#Kujichagulia: Naming Ourselves <140 Characters at a Time”
SPONSOR: African/African American Caucus F16 Feminist Approaches to War Media ROOM: University Union Street Tower, Fourth Floor CHAIR: Debra White-Stanley KEENE STATE COLLEGE 18 Documentary Sound Karen Randell SOUTHAMPTON SOLENT UNIVERSITY F “Duty over Love: WWI Nurses on Film” and the Global City Debra White-Stanley KEENE STATE COLLEGE ROOM: Juniper Second Floor “Combat Medicine, Gendered Trauma, and Audio- CHAIR: Jennifer Fleeger URSINUS COLLEGE vision” Rita Safariants VASSAR COLLEGE “The Gig Is in Andrew Myers UNIVERSITY OF SOUTHERN CALIFORNIA the Boiler Room: Filming Leningrad’s Rock-n-roll “The Tailhook Taboo: The US Military’s Influence Counterculture” over Representations of Military Women in Film and Josh Glick YALE UNIVERSITY “The Renegade in Television, 1986–1997” the Network: Joe Saltzman, CBS, and Soundtrack Stacy Takacs OKLAHOMA STATE UNIVERSITY “Embrace Innovations” the Suck!: Trauma on the Really Small Screen” Ashish Chadha UNIVERSITY OF RHODE ISLAND “Sound in the City: Experimental Documentaries of Films Division in India” Noelle Griffis INDIANA UNIVERSITY “Telling It Like It Is: The Camera as Voice in AFI Supported Minority Youth Films of the 1960s”
SPONSORS: Documentary Studies, Sound Studies, and Urban Studies Scholarly Interest Groups
70 SESSION F | 11:00 am – 12:45 pm
19 Other Spaces 22 Geopolitics and Media Aesthetics F Experimental Film, Sexuality, and Urban F Geographies ROOM: Everett Third Floor CHAIR: Colleen Jankovic UNIVERSITY OF PITTSBURGH ROOM: Madrona Second Floor Courtney Ritter UNIVERSITY OF MICHIGAN CHAIR: Amy Herzog QUEENS COLLEGE, CUNY “Programming Democracy: Italian Neorealism and Ara Osterweil MCGILL UNIVERSITY “City of Desire, MARCH
the Transnational Code of Everyman TV” THURSDAY City of Anger: Mapping Fireworks” Dong Hoon Kim UNIVERSITY OF OREGON Juan Suarez UNIVERSITY OF MURCIA “Queer Space “The Poetics of North Korean Juche Cinema” and Cultural Memory in Barbara Hammer” Colleen Jankovic UNIVERSITY OF PITTSBURGH 20, 2014 Amy Herzog QUEENS COLLEGE, CUNY “Architectures “Cinema’s Palestine: Exploring Location and B-roll in of Exchange: Feminism, Public Space, and Expanded Cinematic Constructions of Palestinian Space” Cinema” SPONSOR: Central/East/South European Cinemas RESPONDENT: Elena Gorfinkel UNIVERSITY OF WISCONSIN- Scholarly Interest Group MILWAUKEE
SPONSORS: Experimental Film & Media and Urban Studies Scholarly Interest Groups
MEETING 11:00 am – 12:45 pm F20 Defining Experimental and Art ROOM: Chelan First Floor, Lobby Level Films in Middle Eastern Cinemas Film & Media Festivals Studies
ROOM: Aspen Second Floor Scholarly Interest Group CHAIR: Samirah Alkassim PALESTINE CENTER AND JERUSALEM FUND Laura Marks SIMON FRASER UNIVERSITY “Experiments in the Archive” Anna Cavness UNIVERSITY OF CALIFORNIA, IRVINE MEETING “Experimental Cartographies in Tariq Teguia’s Gabbla 11:00 am – 12:45 pm (Inland)” ROOM: Ballard Third Floor Maryam Monalisa Gharavi HARVARD UNIVERSITY “Screen Interrupted: Contested Spaces and French & Francophone Studies Spectatorship in Shirin Neshat’s Turbulent Trilogy” Scholarly Interest Group Sara Saljoughi UNIVERSITY OF MINNESOTA “The Antagonistic Image: Experimental Cinema in Iran, 1962–1979”
SPONSOR: Middle East Caucus
71 THURSDAY 72 MARCH 20, 2014 Silent CinemaCultures will kickoff their first year asaSIG with aninformal meet-and-greet inthelobby, 1:30-2:15 SPECIAL EVENT of thetheatre andthe“historic theatre library” available to all. Wine andcheese will beserved, compliments of the sponsors. University Press celebrates therelease of boasting close to 3,000seatsandshowing silent-era filmsto thisday! Located three blocks from theSheraton. Indiana These are theonly two hoursduringtheconference thatattendees can access thehistoric Paramount Theatre, built in1928, Co-sponsored by IndianaUniversity Press inconjunction with Seattle Theatre Group andtheSilent CinemaCultures SIG. Paramount Theatre: BookRelease Party Please refer to Seattle vicinity maponpage30for location. Thursday, March 20,2014 Admission isfree with conference badge. Silent CinemaandthePoliticsof Space 12:30 – 2:30 LOCATION: 911 PineSt. pm andtoasts theacquisition of Film History. pm . Tours THURSDAY MARCH 20, 2014 73 “In-
“Reality “Reality without “Cinema “Cinema
G UNIVERSITY OF NORTH NORTH OF UNIVERSITY
First Fl Level Lobby oor,
“N UNIVERSITY OF NORTH CAROLINA CAROLINA NORTH OF UNIVERSITY The Now: nor Here either
LONE STAR COLLEGE STAR LONE COLGATE UNIVERSITY COLGATE UNIVERSITY OF MICHIGAN OF UNIVERSITY
CAROLINA AT CHARLOTTE AT CAROLINA Chorological Mapping Chorological Digital in Cinematic and Place Negotiating Geographies Diamond B Thomas Forget pm
2 ROOM: CHAIR: AT CHARLOTTE AT as Chorology: An Exposition of the Concept of of the Concept An Exposition of as Chorology: Cinematic Mediation” to and Its Relation Chorology Robert of Work in the ‘Place’ Filmmaking’s centricities: Altman” (1985)” Time of Mapping The Place Points: Reference Media Time in New and Space of Discernment Mapping” G Nathan Koob Stob Jennifer Thomas Forget Mark Thorsby SESSION SESSION March 20, 2014 March 1:00 – 2:45 2:45 – 1:00 “The Series that “Genre “Genre Trouble:
Twin Peaks and My Twin
UNIVERSITY OF TEXAS AT TEXAS AT OF UNIVERSITY
UNIVERSITY OF NORTHERN NORTHERN OF UNIVERSITY , Male Bisexuality, and the Bisexuality, , Male
First Fl , ‘Classic’ Television Television Peaks, ‘Classic’ Twin Level Lobby oor,
“ CARDIFF UNIVERSITY CARDIFF INDIANA UNIVERSITY INDIANA UNIVERSITY OF NORTHERN BRITISH BRITISH NORTHERN OF UNIVERSITY FilmsandContemporary Age of Coming
“ Failures: Queer ABC’s
BRITISH COLUMBIA Karin Beeler Cult Mediations Cult Fantasy Sexploitation, Television, Diamond A
1 ROOM: CHAIR: COLUMBIA ” Life So-Called AUSTIN
Boundaries of Sexploitation” Boundaries of in and Place Technology Framing Culture: Youth Film” Fantasy American Radley Metzger’s Score Metzger’s Radley Changed Television?: Changed Television?: Capital” and Temporal
G Karin Beeler Benjamin Kruger-Robbins Jamie Hook Ross Garner Ross
THURSDAY SESSION G | 1:00 – 2:45 pm
G3 The Authentic Body G5 The Cold War in East Asian Cinema ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Heather Warren-Crow TEXAS TECH CHAIR: Man Fung Yip UNIVERSITY OF OKLAHOMA UNIVERSITY Michael Baskett UNIVERSITY OF KANSAS “Terminally CO-CHAIR: Susan Kerns COLUMBIA COLLEGE CHICAGO Entertaining: Japanese Cold War Nuclear Holocaust Susan Kerns COLUMBIA COLLEGE CHICAGO “Seeing Films for Mainstream Audiences” Double: How Real Conjoined Twins Complicate the Han Sang Kim HARVARD UNIVERSITY “Projecting the Place of Narrative in Fiction” ‘Free World’ on the Colonial Screen” Defne Tüzün KADIR HAS UNIVERSITY “Confessions of Man Fung Yip UNIVERSITY OF OKLAHOMA “The Age a Porn Star: The Uses and Misuses of Stardom in The of Lost Ideals: The Cultural Revolution, Modernization, Girlfriend Experience” and the Demise of Hong Kong’s Leftist Cinema” Thomas Schur CLAREMONT MCKENNA COLLEGE SPONSOR: MARCH 20, 2014 MARCH 20, Asian/Pacific American Caucus THURSDAY “Body Parts: The Somatic Chain in Godard’s Sauve qui peut (la vie)” Heather Warren-Crow TEXAS TECH UNIVERSITY “Voice Work: 2 Girls 1 Cup and the Labor of Reaction” G6 Technics and the Image ROOM: Leschi Third Floor CHAIR: Wheeler Winston Dixon UNIVERSITY OF G4 The Migrant Image NEBRASKA in African Cinema Sam Ishii-Gonzales THE NEW SCHOOL “Tarkovsky and Technics” ROOM: Issaquah A Third Floor Jordan Schonig UNIVERSITY OF CHICAGO CHAIR: Aboubakar Sanogo CARLETON UNIVERSITY “Encountering the Monolith: Minimalism, Technics, Jude Akudinobi UNIVERSITY OF CALIFORNIA, and the Metaphysics of Origin in 2001: A Space SANTA BARBARA “Critical Spaces and Discourses of Odyssey” Migration in African Cinema” Wheeler Winston Dixon UNIVERSITY OF NEBRASKA N. Frank Ukadike TULANE UNIVERSITY “African “The Eternal Spectator: Movies, Myth, and Memory” Cinema: Migrations, Intersections, and Representations” Aboubakar Sanogo CARLETON UNIVERSITY “Three Modalities of the Migrant Image in African Cinema” Beatriz Leal-Riesco INDEPENDENT SCHOLAR “Narratives of Migration in Contemporary Spanish Cinema”
SPONSOR: African/African American Caucus and French & Francophone Scholarly Interest Group
74 SESSION G | 1:00 – 2:45 pm
G7 Real Estate as Crime G9 Producing Industry Studies ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Mario Trono MOUNT ROYAL UNIVERSITY CHAIR: Arthur Knight COLLEGE OF WILLIAM & MARY Jon Lewis OREGON STATE UNIVERSITY “ The Dahlia Annie Sullivan NORTHWESTERN UNIVERSITY “From and Transition-era Hollywood: An Epigram on Motown to Mediatown: Detroit 1–8–7 and the Politics MARCH
Transient Lives” of Urban Media Production” THURSDAY Mario Trono MOUNT ROYAL UNIVERSITY “The Martin Zeilinger YORK UNIVERSITY “Ghostwriting Cinematic Space of Corporate Personhood” the Hollywood Whip: Creative Authorship and Film
Linda Liu UNIVERSITY OF MASSACHUSETTS BOSTON Trailers” 20, 2014 “Haunted without History: McMansions in the Jillian Sandell SAN FRANCISCO STATE UNIVERSITY Paranormal Activity Franchise” “Short Circuits: Short Film Programs as Ephemeral Erica Stein UNIVERSITY OF ARIZONA “The Car Wash’s Collective Texts” Dirty Secret: The Dual Space of the Criminal Front” Arthur Knight COLLEGE OF WILLIAM & MARY “Crowdfunding Independence: Kickstarter, SPONSOR: Urban Studies Scholarly Interest Group IndieGoGo, and the Idea of ‘Independent Film’”
G8 The Social and Aesthetic Dimensions of New Media G10 To Tell the Truth Innovation ROOM: Ravenna C Third Floor CHAIR: Mimi White NORTHWESTERN UNIVERSITY ROOM: Ravenna A Third Floor Michela Ardizzoni UNIVERSITY OF COLORADO CHAIR: Aviva Dove-Viebahn ARIZONA STATE “Narratives of Change and Connected Production UNIVERSITY Practices in Italian Social Documentaries” Peter Labuza COLUMBIA UNIVERSITY “Kings and Christie Milliken BROCK UNIVERSITY “‘It’s Not a Pawns: Andrew Bujalski’s Computer Chess and Digital Political Issue. It’s a Moral Issue’: The Uses and Psychology” (Ab)uses of Melodrama in Contemporary Katherine Morrow UNIVERSITY OF WASHINGTON Environmental Documentary” “Youku’s Citizen Journalists: Chinese Video Sharing as Sabiha Khan UNIVERSITY OF TEXAS AT EL PASO “The Archive and Community” Modernist Spectacle of Nutrition Science in Edgar László Gárdonyi EÖTVÖS LORÁND UNIVERSITY Anstey’s Early Food Documentary Enough to Eat? “Towards a New Aesthetics: Fractalized and Iterated (1936)” Texts on Tumblr” Mimi White NORTHWESTERN UNIVERSITY “On Truth Aviva Dove-Viebahn ARIZONA STATE UNIVERSITY and Lies in an HGTV Sense: The Stakes of Fakery on “The Aesthetics of Portability: Advertising, Virtual Lifestyle TV” Communities, and the Promise of Mobile Technology”
75 SESSION G | 1:00 – 2:45 pm
G11 Memory and Nostalgia G13 European Horror Cinema and ROOM: Boren Union Street Tower, Fourth Floor Transcultural Exchange
CHAIR: Areum Jeong UNIVERSITY OF CALIFORNIA, ROOM: Jefferson B Union Street Tower, Fourth Floor LOS ANGELES CHAIR: Johnny Walker NORTHUMBRIA UNIVERSITY Areum Jeong UNIVERSITY OF CALIFORNIA, LOS ANGELES Austin Fisher UNIVERSITY OF BEDFORDSHIRE “Performing Colonial Imagi-‘nation’” “Translocal Violence in the Italian Hinterland: Politics, Adam Ochonicky UNIVERSITY OF WISCONSIN- Identity, and the Giallo” MILWAUKEE “The Aesthetics of Nostalgia: Dissolves Stefano Baschiera QUEEN’S UNIVERSITY BELFAST and Simultaneity in The Straight Story” “Contemporary Horror Cinema and European Andrea Schmidt UNIVERSITY OF WASHINGTON “‘It’s Locations” Going to Get Interesting’: German Media Reaction to Shaun Kimber BOURNEMOUTH UNIVERSITY the Production of Werner Herzog’s Fitzcarraldo” “Borderlands: ‘Big Bad Wolves’ and Transcultural MARCH 20, 2014 MARCH 20, THURSDAY Kirsten Moana Thompson VICTORIA UNIVERSITY Exchange within European Horror Films and Film “Nostalgic Myth: Aggie Grey, Tourism, and Nation; or, Cultures” The Americans Come to the South Pacific” Johnny Walker NORTHUMBRIA UNIVERSITY “Amateur British Horror and ‘Informal’ Distribution”
SPONSORS: Transnational Cinemas and Central/East/South European Cinemas Scholarly Interest Groups G12 Sexual Politics and Cinematic Intimacy in Vietnam and the Philippines Mediated Citizenship ROOM: Columbia Union Street Tower, Fourth Floor G14 CHAIR: Kent A. Ono UNIVERSITY OF UTAH and Practices of Resistance
Hoang Nguyen BRYN MAWR COLLEGE “Fooled by ROOM: Jefferson A Union Street Tower, Fourth Floor Love: Vièt Kièu Intimacy in Contemporary Vietnamese CHAIR: Laura Portwood-Stacer NEW YORK Cinema” UNIVERSITY Mariam Lam UNIVERSITY OF CALIFORNIA, RIVERSIDE Michele Rosenthal UNIVERSITY OF HAIFA and “Compromising Positions: The World within Reach for Rivka Ribak UNIVERSITY OF HAIFA (not attending) Vietnamese Film and Media” “Blissfully Ignorant: News Avoidance as an Expression Jose Capino UNIVERSITY OF ILLINOIS AT URBANA- of Civic Disengagement” CHAMPAIGN “Love and Death in Strange Lands: Nabil Echchaibi UNIVERSITY OF COLORADO BOULDER Migrant Laborers in Transnational Philippine Cinema” “The Muslim Home, Space, and Media Practices”
SPONSOR: Asian/Pacific American Caucus John Cheney-Lippold UNIVERSITY OF MICHIGAN “Jus Algoritmi: The NSA’s Algorithmic Citizenship and Foreignness” Avi Marciano UNIVERSITY OF HAIFA “Biometric Technologies in Israel: Surveillance, Citizenship, and Resistance”
76 SESSION G | 1:00 – 2:45 pm
G15 Cinema and the Military G17 WORKSHOP Case Studies in Exhibition Cinema/Media Intersections
ROOM: Seneca Union Street Tower, Fourth Floor ROOM: Virginia Union Street Tower, Fourth Floor CHAIR: Andrea Kelley INDIANA UNIVERSITY CHAIR: Genevieve Yue THE NEW SCHOOL Haidee Wasson CONCORDIA UNIVERSITY “Military CO-CHAIR: Tara McPherson UNIVERSITY OF SOUTHERN
Designs on the Visible Future: Portable Projectors in CALIFORNIA MARCH THURSDAY the American Armed Forces at Midcentury” WORKSHOP PARTICIPANTS Andrea Kelley INDIANA UNIVERSITY “’Capt. Jimmy’s Steve Anderson UNIVERSITY OF SOUTHERN
Jukes’: The Panoram Film Jukebox and WW II’s Small 20, 2014 Screen Exhibition Practices” CALIFORNIA Jeffrey Sconce NORTHWESTERN UNIVERSITY Nate Brennan NEW YORK UNIVERSITY “Gregory Tung-Hui Hu UNIVERSITY OF MICHIGAN Bateson’s Hitlerjunge Quex Experiment: The US Military, Cinematic Intelligence, and the Practical McKenzie Wark THE NEW SCHOOL Application of Film Theory during World War II” Alexander Thimons NORTHWESTERN UNIVERSITY “Blurred Visions: Atomic Testing, Television, and Technological Failure” 18 Between Speech, Music, and Noise SPONSOR: Nontheatrical Film & Media G The Voice in Recent Film and Television Scholarly Interest Group ROOM: Juniper Second Floor CHAIR: Claudia Gorbman UNIVERSITY OF WASHINGTON TACOMA John Richardson UNIVERSITY OF TURKU “Between 16 WORKSHOP Dialogue and Sound: The Voice, Audiovisual Flow, and G the Aestheticizing Impulse” Self-awareness and Identity Politics in Media Pedagogy Robynn Stilwell GEORGETOWN UNIVERSITY “Walking and Talking and Singing and Dancing: Axes and ROOM: University Union Street Tower, Fourth Floor Boundaries in the Television Soundscape” CHAIR: Melissa Lenos DONNELLY COLLEGE Claudia Gorbman UNIVERSITY OF WASHINGTON TACOMA WORKSHOP PARTICIPANTS “The Master’s Voice” Guillermo Avila-Saavedra SALEM STATE UNIVERSITY Mitchell Morris UNIVERSITY OF CALIFORNIA, Chelsea Bullock UNIVERSITY OF OREGON LOS ANGELES “Fictions of the Facture: Vocal Realities in Velvet Goldmine” Amanda Klein EAST CAROLINA UNIVERSITY Mel Stanfill UNIVERSITY OF ILLINOIS AT URBANA- SPONSOR: Sound Studies Scholarly Interest Group CHAMPAIGN
SPONSOR: Media Literacy + Pedagogical Outreach Scholarly Interest Group
77 SESSION G | 1:00 – 2:45 pm
G19 Video Art’s Exemplarity G22 Affective Economies of Cinema and (Approaches to Early Video Art) the Labors of Reparative Criticism
ROOM: Madrona Second Floor ROOM: Everett Third Floor CHAIR: Solveig Nelson UNIVERSITY OF CHICAGO CHAIR: Carrie Rentschler MCGILL UNIVERSITY CO-CHAIR: Kris Cohen REED COLLEGE Lisa Henderson UNIVERSITY OF MASSACHUSETTS Beth Capper BROWN UNIVERSITY “Video’s Intimate AMHERST “Getting to the Next Place: Visual Culture Spaces: Feminist Media Environments at the Women’s and the Question of Well-being” Interart Center” Li Cornfeld MCGILL UNIVERSITY “We Are Santa’s Solveig Nelson UNIVERSITY OF CHICAGO “The End of Elves: The Labor of Wish Fulfillment between Cinema Early Video?: Gretchen Bender and the 1980s” and Macy’s Santaland” Kris Cohen REED COLLEGE “Scrolling Seriality: A Carrie Rentschler MCGILL UNIVERSITY “Grief Work History” and Video Testimonials of Victimization” MARCH 20, 2014 MARCH 20, THURSDAY Adam Hart UNIVERSITY OF CHICAGO “Addressing the RESPONDENT: Jennifer Petersen UNIVERSITY OF VIRGINIA Distracted Viewer: Gary Hill’s Around & About (1980)”
25 Historiography Blues 20 Television Writing G Challenges in Writing Histories of Adult Film and G Creative Freedom and Constraint Video
ROOM: Aspen Second Floor ROOM: Willow A Second Floor CHAIR: Joanne Morreale NORTHEASTERN UNIVERSITY CHAIR: Eric Schaefer EMERSON COLLEGE Mary Beth Haralovich UNIVERSITY OF ARIZONA CO-CHAIR: Peter Alilunas UNIVERSITY OF MICHIGAN “Army Wives: Realism and Primetime Drama” Russell Sheaffer INDIANA UNIVERSITY “Smut, Caryn Murphy UNIVERSITY OF WISCONSIN-OSHKOSH Novelty, Indecency: Reworking a History of Early “White Writers, Black Characters: Racial Discourse in Twentieth Century ‘Stag Film’” 1960s Television” Peter Alilunas UNIVERSITY OF MICHIGAN “Conspiracy Joanne Morreale NORTHEASTERN UNIVERSITY or Regulation?: Floyd Bloss and the Complexities of “Negotiating Innovation and Convention on The Dick Adult Film Historiography” Van Dyke Show” Kevin Heffernan SOUTHERN METHODIST UNIVERSITY “The Trouble with Nanny States and Nymphettes: Researching the American Adaptation and Reception of Swedish Erotic Cinema” Eric Schaefer EMERSON COLLEGE “Pornography Is Geography: Porn, Place, and the Historiography of Early Theatrical Hardcore”
78 SESSION G | 1:00 – 2:45 pm
MEETING 26 Indie Reframed 1:00 – 2:45 pm G Women and the Contemporary American Independent Cinema ROOM: Ballard Third Floor
ROOM: Willow B Second Floor Queer Caucus CHAIR: Christine Holmlund UNIVERSITY OF TENNESSEE MARCH THURSDAY Michele Schreiber EMORY UNIVERSITY “Actress/ EXHIBITOR RECEPTION Writer/Director: The Hybrid Careers of Julie Delpy, pm Rashida Jones, and Jennifer Westfeldt” 2:00 20, 2014 ROOM: Metropolitan Ballroom Third Floor Linda Badley MIDDLE TENNESSEE STATE UNIVERSITY “Down to the Bone: Neo-neorealism and Genre in at their table Contemporary Women’s Indies” Intellect—meet the editor, Journal Claire Perkins MONASH UNIVERSITY “Not Just a of Italian Cinema & Media Studies Female Judd Apatow: Lynn Shelton and Mumblecore”
RESPONDENT: Yannis Tzioumakis UNIVERSITY OF LIVERPOOL
SPONSOR: Women’s Caucus EXHIBITOR RECEPTION 2:30 pm
ROOM: Metropolitan Ballroom Third Floor at their table MEETING Routledge/Taylor & Francis— 1:00 – 2:45 pm author appreciation reception with ROOM: Chelan First Floor, Lobby Level refreshments. Join Routledge in Scholarly Interest Group celebrating their newest titles. Coordinating Committee
Explore . . . the SCMS Exhibit Area Metropolitan Ballroom Third Floor
see page 11 for Exhibit Hours
79 THURSDAY 80 MARCH 20, 2014 THURSDAY Chris Tedjasukmana Lee Carruthers Inga Pollmann Eszter Polonyi H SPONSOR: CHAPEL HILL Hermeneutics” the RadiantImage: Vitality, Receptivity, andFilm Balázs’Film Theory” and theBergfilm” Experience” “Mechanical Vitalization: Bergson andFilm CHAIR: ROOM: 1
Scholarly Interest Group Central/East/South European Cinemas Chris Tedjasukmana Diamond A Aesthetics, Mood,Fantasy The Vitality of theCinematicImageI
COLUMBIA UNIVERSITY “Milieu andMood: UNIVERSITY OF NORTH CAROLINA AT UNIVERSITY OF CALGARY
oor, Lobby Level FREE UNIVERSITY BERLIN First Fl
FREE UNIVERSITY BERLIN The Long Shotin
3:00 – 4:45 Bl Balázs “Béla
March 20,2014 “Reading
SESSION Claudia Pummer Ofer Eliaz Kevin McDonald
H NORTHRIDGE Valley of Elah, War Trauma, andCrypticRemains” Recent Tsunami Disaster Films” “Trauma, theSublime,andGlobal Uncanny in the Grave of History” CHAIR: ROOM: 2
pm
Ofer Eliaz Diamond B Representationsof Trauma The CrypticSpace of Loss inCinematic Impossible Mournings
OHIO UNIVERSITY
ch of thePrimalScene:
“In Sear
CALIFORNIA STATE UNIVERSITY, UNIVERSITY OF HAWAII AT MANOA
oor, Lobby Level OHIO UNIVERSITY First Fl
H Georges Franju and “ In the
SESSION H | 3:00 – 4:45 pm
H3 Negotiating Identity, Belonging, H5 Moviegoing Cultures and and Citizenship in Transnational Film Exhibition in China
Latino Communities in the US ROOM: Kirkland Third Floor
ROOM: Issaquah B Third Floor CHAIR: Yi Lu UNIVERSITY OF TEXAS AT AUSTIN CHAIR: Carlos Jimenez UNIVERSITY OF CALIFORNIA, Yoshino Sugawara KANSAI UNIVERSITY “Birth MARCH SANTA BARBARA of Moviegoing: Separation, Succession, and THURSDAY CO-CHAIR: Zaira Zarza QUEEN’S UNIVERSITY Transformation from Traditional Theatergoing in Zaira Zarza QUEEN’S UNIVERSITY “From Exilic to Shanghai”
Diasporic: New Cuban Migrant Cinemas in the United Ti-Kai Chang COLUMBIA UNIVERSITY “The Open Air 20, 2014 States” Cinema Practices in Post-1949 Peoples’ Republic of Carlos Jimenez UNIVERSITY OF CALIFORNIA, China” SANTA BARBARA “The Social Media Campaigns for Zhiwei Xiao CALIFORNIA STATE UNIVERSITY SAN MARCOS Field Workers in California” “Official Propaganda and Audience Appropriation: Veronica Zavala UNIVERSITY OF CALIFORNIA, Moviegoing in China, 1949–1966” SANTA BARBARA “Alivianadas: Spanish-language Yi Lu UNIVERSITY OF TEXAS AT AUSTIN “Promoting Radio Incentives” Motion Picture Consumption: Chinese Multiplexes and Movie Theater Marketing in the New Millennium” SPONSOR: Latina/o Caucus
4 French Film Archives H6 The Aesthetics and H New Findings, New Forms Ideology of Cuteness
ROOM: Issaquah A Third Floor ROOM: Leschi Third Floor CHAIR: Kelley Conway UNIVERSITY OF WISCONSIN- CHAIR: Anthony P McIntyre UNIVERSITY COLLEGE MADISON DUBLIN Colin Burnett WASHINGTON UNIVERSITY “Unknown Anthony P McIntyre UNIVERSITY COLLEGE DUBLIN Unknowns: Roger Leenhardt after La petite école du “Cuteness as Subversion in the Star Text of Sarah spectateur (1936)” Silverman” Jenny Oyallon-Koloski UNIVERSITY OF WISCONSIN- Elizabeth Affuso PITZER COLLEGE “Adorkable?: MADISON “’Un demi, Jacques!’: Three Seats for the Zooey Deschanel and Mindy Kaling’s Aesthetic of 26th and the Undiscussed Demy” Thirtysomething Cuteness” Charlie Michael EMORY UNIVERSITY “The Lescure Dorothy Hendricks GEORGIA STATE UNIVERSITY Report and the Future of French Audiovisual Policy” “Collect Them All!: Disney’s New Token Minorities” Kelley Conway UNIVERSITY OF WISCONSIN-MADISON Kathryn Thompson INDIANA UNIVERSITY “No ‘Sad’ “When Archives Become Art” Content or Sob Stories: The Regulation of Cuteness, Affect, and Power(lessness) on Reddit.com’s r/aww” SPONSOR: French & Francophone Scholarly Interest Group
81 SESSION H | 3:00 – 4:45 pm
H7 First-person Singular H9 Regionalism, Accent, and Dialect Cinephilia and Writing with the “I” in Cinema and at the BBC, 1930–1955 Media Studies ROOM: Ravenna B Third Floor ROOM: Medina Third Floor CHAIR: Ian Whittington UNIVERSITY OF MISSISSIPPI CHAIR: Sam Roggen UNIVERSITY OF ANTWERP Debra Rae Cohen UNIVERSITY OF SOUTH CAROLINA David Johnson SALISBURY UNIVERSITY “‘There’s No Such Thing as Reet’: Reclaiming Region “Remembering Early Cinema: Cinephilia, Lumière in Burbleton” Views, and First-person Criticism” Ian Whittington UNIVERSITY OF MISSISSIPPI “Regional Sam Roggen UNIVERSITY OF ANTWERP “If Looks Voice, National Crisis: J.B. Priestley as Second World Could Kill: Fallen Angel and the Cinephiliac Moment” War Radio Celebrity” Christian Keathley MIDDLEBURY COLLEGE “Video Emily Bloom GEORGIA STATE UNIVERSITY “Speaking Essays and the First-person Singular” Oirish: The BBC Third Programme and Irish Drama” MARCH 20, 2014 MARCH 20, THURSDAY RESPONDENT: Girish Shambu CANISIUS COLLEGE Damien Keane SUNY, UNIVERSITY AT BUFFALO “A Back-window on Belfast: W.R. Rodgers’ The Return Room”
SPONSOR: Radio Studies Scholarly Interest Group 8 Star-spangled Banter H Hollywood, Fan Magazines, and Stardom
ROOM: Ravenna A Third Floor CHAIR: Tamar Jeffers McDonald UNIVERSITY OF KENT H10 Sexual Diversions on Prime Time Diana Anselmo-Sequeira UNIVERSITY OF CALIFORNIA, Displacing Economic Anxieties and the Post- IRVINE “Movie-mad Girls: Motion Picture recessionary “Multicultural” Subject in Popular Magazines, Girl Fandom, and Adolescent Agency in Television
the 1910s” ROOM: Ravenna C Third Floor Heather Addison WESTERN MICHIGAN UNIVERSITY CHAIR: Pamela Thoma WASHINGTON STATE “Holding Our Heartstrings in Their Rosy Hands: UNIVERSITY Children in Early Hollywood” Mary Jo Klinker WINONA STATE UNIVERSITY “It’s Gaylyn Studlar WASHINGTON UNIVERSITY “’The Day Showtime!: Portrayals of White Neoliberal Masculinity Baby Died’: Jean Harlow, Fan Magazines, and Star in Ray Donovan and Californication” Death” Pamela Thoma WASHINGTON STATE UNIVERSITY “The Tamar Jeffers McDonald UNIVERSITY OF KENT Not-so-new Normal or the Sexual Politics of Women’s “Dressing and Addressing the Audience: Movie Employment: The Postfeminist Workplace from HBO’s Magazines and Film Costume” Girls to Bravo’s Eat, Drink, Love” Sujata Moorti MIDDLEBURY COLLEGE “Out-sourcing Queerness: Narrating Racialized Femininities in Prime- time Television”
RESPONDENT: Suzanne Leonard SIMMONS COLLEGE
SPONSOR: Women’s Caucus
82 SESSION H | 3:00 – 4:45 pm
11 Animation and Video Games 13 Cinema and Wagner H Theoretical Intersections H ROOM: Jefferson B Union Street Tower, Fourth Floor ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Ken Eisenstein UNIVERSITY OF CHICAGO/ CHAIR: Mihaela Mihailova YALE UNIVERSITY BUCKNELL UNIVERSITY Tanine Allison EMORY UNIVERSITY “Beyond the Amy Stebbins UNIVERSITY OF CHICAGO “Being
Photoreal: Motion Capture, Performance, and MARCH
Richard: History, Myth, and the Biopic” THURSDAY Identification in Video Games” Rebekah Rutkoff CITY UNIVERSITY OF NEW YORK Timothy Jones UNIVERSITY OF EAST ANGLIA “Serious “Towards a Complete Order: Markopoulos and
Interactive Animations: Issues of Realism in Game- Wagner” 20, 2014 based Instructional Environments” Ken Eisenstein UNIVERSITY OF CHICAGO/BUCKNELL Mihaela Mihailova YALE UNIVERSITY “Click for UNIVERSITY “‘All Things Pass into the Night’: Music, Cartoons: The Video Game as Exhibition Space for Montage, and Wagner in Billy Wilder’s Love in the Animation” Afternoon (1957)”
RESPONDENT: Patrick Jagoda UNIVERSITY OF CHICAGO
SPONSORS: Animated Media and Video Game Studies Scholarly Interest Groups H14 WORKSHOP Queer Media Pedagogy Principles, Practices, Possibilities H12 The 1968 That Was ROOM: Jefferson A Union Street Tower, Fourth Floor Representing Revolt CHAIR: Nick Davis NORTHWESTERN UNIVERSITY
ROOM: Columbia Union Street Tower, Fourth Floor WORKSHOP PARTICIPANTS CHAIR: Ken Feil EMERSON COLLEGE Theresa L. Geller GRINNELL COLLEGE Ken Feil EMERSON COLLEGE “Of Myra and Monkees David Gerstner COLLEGE OF STATEN ISLAND, CUNY and Rowan and Martin: Countercultural Comedy on Lokeilani Kaimana UNIVERSITY OF TEXAS AT AUSTIN NBC, 1968–1969” Erica Rand BATES COLLEGE Andrew Lantz TEXAS A&M UNIVERSITY “No-spaces of Kathryn Bond Stockton UNIVERSITY OF UTAH Resistance and Pere Portabella´s Umbracle” SPONSOR: Queer Caucus and Media Literacy + Matthew Hubbell UNIVERSITY OF CHICAGO Pedagogical Outreach Scholarly Interest Group “Revolution in Black and White: The Zanzibar Films and the Style of ‘68”
RESPONDENT: Dan Humphrey TEXAS A&M UNIVERSITY
83 SESSION H | 3:00 – 4:45 pm
H15 Branded Entertainment of the Past H17 Reframing The Boys in the Band ROOM: Seneca Union Street Tower, Fourth Floor ROOM: Virginia Union Street Tower, Fourth Floor CHAIR: Cynthia Meyers COLLEGE OF MOUNT SAINT CHAIR: Joseph Wlodarz UNIVERSITY OF WESTERN VINCENT ONTARIO Kathryn Fuller-Seeley UNIVERSITY OF TEXAS AT AUSTIN Matt Bell BRIDGEWATER STATE UNIVERSITY “‘Perverse “‘The Dean of Radio Salesmen’ vs. ‘The Huckster’: Interest’: A Reception History of The Boys in the Band” Jack Benny’s Struggle with Sponsor Lucky Strike, Steven Cohan SYRACUSE UNIVERSITY “Let’s Hear it 1944–1948” for the Boys: The Camps in The Band” Cynthia Meyers COLLEGE OF MOUNT SAINT VINCENT Joseph Wlodarz UNIVERSITY OF WESTERN ONTARIO “The Problems of Branded Entertainment: BBDO, “‘Turning’: Alcohol and Queer Affect in The Boys in the Sponsors, and Blacklists on Radio and Early Television” Band” Lauren Bratslavsky UNIVERSITY OF OREGON “Soft RESPONDENT: MARCH 20, 2014 MARCH 20, Amy Villarejo CORNELL UNIVERSITY THURSDAY Hands and Soft Westerns: The True Stories of Death Valley Days, 1930–1972” Andrew deWaard UNIVERSITY OF CALIFORNIA, LOS ANGELES “Marty Weiser, Exploitation Agent: Product Placement, Publicity, and the Tie-up Business in Hollywood, 1940–1980” 18 Documentary Proxemics H Near and Far SPONSOR: Radio Studies Scholarly Interest Group ROOM: Juniper Second Floor CHAIR: Angelica Fenner UNIVERSITY OF TORONTO Katherine Steinbach UNIVERSITY OF IOWA “Aerial (Re)vision: Rhetorical Strategies of the Aerial View in Errol Morris’ The Fog of War” 16 Lost Girls and Victimized Heroines H Gender, Violence, and TV Crime Drama Kevin Sherman UNIVERSITY OF FLORIDA “The Literate Voice of Autobiographical Documentary” ROOM: University Union Street Tower, Fourth Floor Vinicius Navarro GEORGIA INSTITUTE OF TECHNOLOGY CHAIR: Tanya Horeck ANGLIA RUSKIN UNIVERSITY “Ethics, Nonfiction, and the Event” Sofia Bull UNIVERSITY OF GOTHENBURG “Bloodlines Michael Renov UNIVERSITY OF SOUTHERN CALIFORNIA to Kill For: Policing Sexual Reproduction in “Documentary and Psychoanalysis: Putting the Love Contemporary Crime Drama” Back in Epistephilia” Tanya Horeck ANGLIA RUSKIN UNIVERSITY “It’s Not Just Any Girls, It’s the Lost Ones: Reframing Violence in The Killing” Lisa Coulthard UNIVERSITY OF BRITISH COLUMBIA “Feminist Gothic: Forensic Femininity and the Uncanny Landscape of Sexual Difference in Top of the Lake”
84 SESSION H | 3:00 – 4:45 pm
19 Intermedial Modernisms 22 Specters, Bodies, Archives H Cinema’s Expanded Horizons in the 1920s H ROOM: Everett Third Floor ROOM: Madrona Second Floor CHAIR: Matilda Mroz UNIVERSITY OF GREENWICH CHAIR: Sarah Street UNIVERSITY OF BRISTOL Carlos Ezcurra UNIVERSITY OF CAMBRIDGE Joshua Yumibe MICHIGAN STATE UNIVERSITY “The “Cinematic Shamanism: Specters, Bodies, and
Glass Architecture: On Scheerbart and Cinematic MARCH
Performance in Three Argentine Films about THURSDAY Space” ‘Desaparecidos’” Michael Cowan MCGILL UNIVERSITY “Productive Diana Norton UNIVERSITY OF TEXAS AT AUSTIN
Animation: Electric Light Advertisements in the 1920s” “Justice or Money: Trauma and (Conspi)racism in the 20, 2014 Sarah Street UNIVERSITY OF BRISTOL “Synthetic Work of Enrique Urbizu” Dreams: Color-film-music in the 1920s” Matilda Mroz UNIVERSITY OF GREENWICH “Polish Gregory Zinman COLUMBIA UNIVERSITY “The Eternal Cinema Face-to-face with Levinas: Ethics and Jewish Return of the Cinematic Event: Oskar Fischinger’s Memory in Contemporary Holocaust Representation” Raumlichtkunst, Materiality, and the Museum”
SPONSORS: Animated Media, CinemArts: Film & Art History and Silent Cinema Cultures Scholarly Interest Groups 25 Once More with Feeling H Audiences, Origins, and Affect in the Hollywood Musical
ROOM: Willow A Second Floor H20 WORKSHOP CHAIR: Desiree Garcia ARIZONA STATE UNIVERSITY New Frontiers in Comedy Studies Desiree Garcia ARIZONA STATE UNIVERSITY “Life upon the Wicked Stage: The Origins of the Hollywood Show ROOM: Aspen Second Floor Musical” CHAIR: Philip Scepanski CONCORDIA UNIVERSITY CHICAGO Sean Griffin SOUTHERN METHODIST UNIVERSITY “Don’t Fence Me In: B Studio Musicals’ Appeal to WORKSHOP PARTICIPANTS Marginalized Audiences” Donald Crafton UNIVERSITY OF NOTRE DAME Caryl Flinn UNIVERSITY OF MICHIGAN “The Kitschy Jonathan Gray UNIVERSITY OF WISCONSIN-MADISON Feelings of Kitschy Musicals” Bambi Haggins ARIZONA STATE UNIVERSITY Kelly Kessler DEPAUL UNIVERSITY “I Dreamed a Matt Sienkiewicz BOSTON COLLEGE Dream of Close-ups Gone By: Les Misérables and the Visual Excess of Stage-to-screen Transfers in the FX SPONSOR: Comedy & Humor Studies Scholarly Interest Group Era”
85 SESSION H | 3:00 – 4:45 pm
MEETING H26 Redefining Cinema 3:45 – 4:45 pm in Digital Culture ROOM: Chelan First Floor, Lobby Level ROOM: Willow B Second Floor Middle East Caucus CHAIR: Rosanna Maule CONCORDIA UNIVERSITY Rosanna Maule CONCORDIA UNIVERSITY “Reconceptualizing Women’s Cinema in the Digital Age” Andre Gaudreault UNIVERSITY OF MONTREAL EXHIBITOR RECEPTION “Goodbye Cinema, Hello Moving Images!; or, Is Planet ‘Cinema’ Spinning out of Control?” 4:30 pm
Richard Begin UNIVERSITY OF MONTREAL “Cinema in ROOM: Metropolitan Ballroom the Age of Digital Mobility”
MARCH 20, 2014 MARCH 20, Third Floor THURSDAY RESPONDENT: Martin Lefebvre CONCORDIA UNIVERSITY at their table Columbia University Press—reception to celebrate new publications
MEETING 3:00 – 4:45 pm
ROOM: Ballard Third Floor Media Industries Studies Scholarly Interest Group
86 THURSDAY MARCH 20, 2014 87
I
EMORY UNIVERSITY EMORY First Fl UNIVERSITY OF PITTSBURGH OF UNIVERSITY
Level Lobby oor, KYOTO UNIVERSITY KYOTO
“The
The vs. Politician the Trickster:
UNIVERSITY OF CALIFORNIA, CALIFORNIA, OF UNIVERSITY
SESSION SESSION Reconsidering Realism Reconsidering the within and beyond Aesthetics Socialist Realist Union Soviet Diamond B Karla Oeler pm BARBARA
ROOM: CHAIR: 2 “The Discourse on Cinematic Realism in Postwar in Postwar on Cinematic Realism “The Discourse Japan (1945–1955)” Trilogy and the Eccentric Legacy” and the Eccentric Maxim Trilogy “Sergei Eisenstein’s Views on Modernism and Socialist Views Eisenstein’s “Sergei The Realism: 1930s” SANTA I Anastasia Fedorova Maria Corrigan Natalie Ryabchikova “A “Vital
March 20, 2014 March
5:00 – 6:45 6:45 – 5:00 UNIVERSITY OF NORTH NORTH OF UNIVERSITY
MCGILL UNIVERSITY MCGILL
First Fl Level Lobby oor,
UNIVERSITY OF NORTH CAROLINA AT AT CAROLINA NORTH OF UNIVERSITY
UNIVERSITY AMSTERDAM OF UNIVERSITY “The Inor
theCinema” of Life ganic
UNIVERSITY WASHINGTON OF UNIVERSITY
Alanna Thain Group Interest Media Scholarly Animated The Vitality of the of Vitality The Cinematic Image II the Cinema of Afterlife and The Life Diamond A Flaxman Gregory CAROLINA AT CHAPEL HILL CHAPEL AT CAROLINA
ROOM: CHAIR: 1 Metaphysical Star War?: Cosmic Outside and Celestial Outside and Celestial Cosmic War?: Star Metaphysical Cinema” in Contemporary Consciousness Technics: The Life and Soul of Animation” and Soul of The Life Technics:
CHAPEL HILL CHAPEL
SPONSOR: I RESPONDENT: Patricia Pisters Patricia
Adam Nocek Adam Flaxman Gregory
THURSDAY SESSION I | 5:00 – 6:45 pm
I3 The Superhero I4 Museum as Medium beyond the Blockbuster Technology, Spectatorship, Space
ROOM: Issaquah A Third Floor ROOM: Issaquah B Third Floor CHAIR: Beatriz Bartolomé Herrera CONCORDIA CHAIR: Dru Jeffries CONCORDIA UNIVERSITY UNIVERSITY Kevin Hatch UNIVERSITY OF BRITISH COLUMBIA CO-CHAIR: Philipp Dominik Keidl CONCORDIA “Earth’s Multimedia Heroes: The Avengers Cartoon as UNIVERSITY Textual Conglomerate” Adeena Mey UNIVERSITY OF LAUSANNE “Mobility Brian Keilen UNIVERSITY OF WISCONSIN-MILWAUKEE and Event: Fragments towards an Archaeology of the “Flying in the City: The Superhero Aesthetic and Video Ambulant Spectator” Games” Philipp Dominik Keidl CONCORDIA UNIVERSITY “One Matthias Stork UNIVERSITY OF CALIFORNIA, LOS ANGELES Screen Is Not Enough: Expanded Cinema and Museum “Hollywood’s Game-play: Superhero Marketing as Fan MARCH 20, 2014 MARCH 20, Pedagogy” THURSDAY Engagement and Labor” Beatriz Bartolomé Herrera CONCORDIA UNIVERSITY Dru Jeffries CONCORDIA UNIVERSITY “This Looks “Coming to a Museum near You: Blockbuster Movies in Like a (Blow)job for Superman: Servicing Fandom with the Science Museum” Superhero Porn Parodies” Karine Bouchard UNIVERSITY OF MONTREAL SPONSOR: Comics Studies Scholarly Interest Group “(Im)mobilized Sound: Towards Listening Experiences in the Museum Exhibition”
SPONSOR: CinemArts: Film & Art History Scholarly Interest Group
5 Delineating East Asian Animations I Industries and Aesthetics
ROOM: Kirkland Third Floor CHAIR: Daisy Yan Du HONG KONG UNIVERSITY OF Trending . . . SCIENCE AND TECHNOLOGY Like SCMS on Facebook CO-CHAIR: Thomas Lamarre MCGILL UNIVERSITY Sean Macdonald UNIVERSITY OF FLORIDA “Naming Media” Daisy Yan Du HONG KONG UNIVERSITY OF SCIENCE AND TECHNOLOGY “Aesthetics of Absence: Theorizing https://www.facebook.com/SCMStudies Chinese Ink-painting Animation” Sandra Annett WILFRID LAURIER UNIVERSITY “Weighing Imbalance: Haptic Visuality in Japanese and South Korean Cinematic Animation”
SPONSOR: Animated Media Scholarly Interest Group
88 SESSION I | 5:00 – 6:45 pm
6 Eco-aesthetics 8 Regional Film Festivals I I Adapting and Transforming Identities ROOM: Leschi Third Floor CHAIR: Thomas Pringle MCGILL UNIVERSITY ROOM: Ravenna A Third Floor Stephanie Lam HARVARD UNIVERSITY “Slow CHAIR: Diane Burgess UNIVERSITY OF BRITISH Cinema as Ecocinema: Temporal Estrangement in COLUMBIA
Diane Burgess UNIVERSITY OF BRITISH COLUMBIA “A MARCH
Experimental Nature Films” THURSDAY Brady Fletcher NEW YORK UNIVERSITY “’And Don’t Tale of Two Cities: Local Exhibition, Regional Alliances, You Listen to the Song of Life’: Werner Herzog and the and the Development of Major Film Festivals in the Pacific Northwest”
Nature of Documentary” 20, 2014 Thomas Pringle MCGILL UNIVERSITY “Atomic Przemyslaw Suwart BAUHAUS UNIVERSITY WEIMAR Cinematography: An Archaeology of Toxic Media” “The Art of Mediation: Klaus Wildenhahn’s Film for Bossak and Leacock and the Oberhausen International SPONSOR: Media & the Environment Short Film Festival” Scholarly Interest Group Enrico Vannucci OXFORD BROOKES UNIVERSITY “2.0 Could Be Cool, but Respectability Is Earned in the Real World: The ViaEmili@DocFest Case Study” Ilona Hongisto UNIVERSITY OF TURKU “Differentiating Nations, Imagining the People: Post- I7 Queer Silent Cinema Soviet North Eastern European Documentaries on the ROOM: Medina Third Floor Festival Circuit”
CHAIR: Laura Horak STOCKHOLM UNIVERSITY SPONSOR: Film & Media Festivals Scholarly Interest Group Mark Lynn Anderson UNIVERSITY OF PITTSBURGH “Say It Ain’t So!: The Queer Business of Falsifiable Film History” Ronald Gregg YALE UNIVERSITY “Close Up, Late Silent Film, and Queer Spectatorship” I9 Seeing Close from Afar Paul Flaig UNIVERSITY OF ABERDEEN “A German (or Afar from Up-close) (Jewish and Queer) Harold Lloyd: Curt Bois’s Weimar Enacting Distances, Violent Intimacies, and Career” Immediacy through Television
Laura Horak STOCKHOLM UNIVERSITY “Artist, ROOM: Ravenna B Third Floor Cosmopolitan, Homosexual, Jew: Mauritz Stiller and CHAIR: Claudia Salamanca PONTIFICAL XAVIERIAN Vingarne (1916)” UNIVERSITY
SPONSORS: Queer Caucus and Silent Cinema Cultures Katherine Chandler UNIVERSITY OF CALIFORNIA, Scholarly Interest Group BERKELEY “A Flying Torpedo with an Electric Eye: Targeting Enemies with Television” Claudia Salamanca PONTIFICAL XAVIERIAN UNIVERSITY “Global Counterinsurgency: Policies of Non-direct Involvement through Screen Mediated Presence in Colombia” Althea Wasow UNIVERSITY OF CALIFORNIA, BERKELEY “Quantification, Code, Conversion, and the Permutations of Bus 174” 89 SESSION I | 5:00 – 6:45 pm
I10 Sounds of Labor I12 (Dis)comforting Impacts Musicians’ Employment in Hollywood’s Transition and (Un)common Senses to Sound Embodied Affect in Cinema and Media
ROOM: Ravenna C Third Floor ROOM: Columbia Union Street Tower, Fourth Floor CHAIR: Rob King COLUMBIA UNIVERSITY CHAIR: Heather Collette-VanDeraa UNIVERSITY OF Jennifer Fleeger URSINUS COLLEGE “Putting Opera CALIFORNIA, LOS ANGELES to Work: Song, Stardom, and Labor in the Vitaphone Julia Alekseyeva HARVARD UNIVERSITY “Nuclear Opera Shorts” Skin: Hiroshima and the Critique of Embodiment in Rob King COLUMBIA UNIVERSITY “‘I Want Music Affairs Within Walls” Everywhere’: Underscoring in the Hal Roach Studios’ Lynne Stahl CORNELL UNIVERSITY “Unhappy Early Sound Films” Medium: Tomboys, Lesbians, and Frustrated Daniel Goldmark CASE WESTERN RESERVE UNIVERSITY Spectatorship” MARCH 20, 2014 MARCH 20, THURSDAY “The Musical Roots of The Jazz Singer” Mila Zuo UNIVERSITY OF CALIFORNIA, LOS ANGELES
SPONSOR: Sound Studies Scholarly Interest Group “The Un-common Sense of Beauty: Joan Chen, Lucy Liu, and the Uneasy Consumption of Chinese- American Actresses” Heather Collette-VanDeraa UNIVERSITY OF CALIFORNIA, LOS ANGELES “Realdoll™ (Lesbian) Robots, and 11 Rethinking Wong Kar-wai Labors of Love: Sensational Bodies and Affective I New Approaches to an Established International Orientations” Auteur
ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Frank P. Tomasulo CITY COLLEGE OF NEW YORK Stephen Teo NANYANG TECHNOLOGICAL UNIVERSITY 13 Horror and Performance I Alternative Modes of Stardom and Reception “Wong Kar-wai’s Genre Practice and Romantic Authorship: The Cases of Ashes of Time/Redux and ROOM: Jefferson B Union Street Tower, Fourth Floor The Grandmaster” CHAIR: Sarah Thomas ABERYSTWYTH UNIVERSITY Angelo Restivo GEORGIA STATE UNIVERSITY “Wong Mark Bernard UNIVERSITY OF NORTH CAROLINA AT Kar-wai: Sound + Image” CHARLOTTE “From Stuntman to Celebrity: Kane Helen Leung SIMON FRASER UNIVERSITY “New Queer Hodder and His Self-fashioning of a Star Image in the Angles on Wong Kar-wai” Friday the 13th Series” Kate Egan ABERYSTWYTH UNIVERSITY “Victimizing RESPONDENT: Martha Nochimson INDEPENDENT SCHOLAR the Victim: Fan Responses to the Kubrick-Duvall Relationship in The Shining (1980)” Sarah Thomas ABERYSTWYTH UNIVERSITY “Re- viewing Hannibal Lecter: Changing Contexts of Horror Performance and Reception”
RESPONDENT: Harry Benshoff UNIVERSITY OF NORTH TEXAS
90 SESSION I | 5:00 – 6:45 pm
I14 WORKSHOP I16 Digital Labor and Web Start-ups The Conceptual and Pedagogical At Work and Play on the Internet Work of Aging and Star Studies ROOM: University Union Street Tower, Fourth Floor CHAIR: Daniel Bernardi SAN FRANCISCO STATE ROOM: Jefferson A Union Street Tower, Fourth Floor UNIVERSITY CHAIR: Diane Negra UNIVERSITY COLLEGE DUBLIN
Daniel Bernardi SAN FRANCISCO STATE UNIVERSITY MARCH THURSDAY WORKSHOP PARTICIPANTS “Post-structuralism for Profit: Tracking Transmediation Lucy Bolton QUEEN MARY UNIVERSITY OF LONDON from Simultaneously Inside and Outside the Academy” Hannah Hamad KING’S COLLEGE LONDON Catherine Johnson UNIVERSITY OF NOTTINGHAM 20, 2014 Deborah Jermyn UNIVERSITY OF ROEHAMPTON “From Television Presentation to ‘On-brand TV’: Red Karen Randell SOUTHAMPTON SOLENT UNIVERSITY Bee Media and the Production Cultures of the Digital Transmedia Industries” Denise Mann UNIVERSITY OF CALIFORNIA, LOS ANGELES “YouTube’s Content Partners—Monetizing the Web Is Scary Business” 15 Before the Lights Dim Kevin Sandler ARIZONA STATE UNIVERSITY “FX then I Visual and Material Encounters with Film Publicity and FX now: Reconceptualizing the FX Network(s) in the Netflix Age” ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Nichole Neuman UNIVERSITY OF MINNESOTA SPONSOR: Media Industries Scholarly Interest Group Suzanne Schulz UNIVERSITY OF TEXAS AT AUSTIN “Arresting Rhythms: The Body, the Street, and the Film Poster in Post-independence India” Nichole Neuman UNIVERSITY OF MINNESOTA “Is Green the Same Color in LA?: Film Programs and I17 WORKSHOP Advertising German Identity” Developing and Managing James Fiumara UNIVERSITY OF COLORADO DENVER Transnational Research Projects “Shock Treatment: Carnival Ballyhoo and the Role of ROOM: Virginia Union Street Tower, Fourth Floor Attraction in Classic-era Horror Film Publicity” CHAIR: Iain Smith UNIVERSITY OF ROEHAMPTON RESPONDENT: Gregory Waller INDIANA UNIVERSITY WORKSHOP PARTICIPANTS Rosalind Galt KING’S COLLEGE LONDON Rayna Denison UNIVERSITY OF EAST ANGLIA Laurence Raw BASKENT UNIVERSITY Stefano Baschiera QUEEN’S UNIVERSITY BELFAST
SPONSOR: Transnational Cinemas Scholarly Interest Group
91 SESSION I | 5:00 – 6:45 pm
I18 WORKSHOP I20 American AV Media Industries Meet Identity Cold War and Visual Education Politics ROOM: Aspen Second Floor CHAIR: Jennifer Horne UNIVERSITY OF CALIFORNIA, ROOM: Juniper Second Floor SANTA CRUZ CHAIR: Alison Trope UNIVERSITY OF SOUTHERN CALIFORNIA Doron Galili STOCKHOLM UNIVERSITY “The Art of Seeing: Rudolf Arnheim between Classical Theory and WORKSHOP PARTICIPANTS Educational Practice” Mary Beltran UNIVERSITY OF TEXAS AT AUSTIN Lynn Spigel NORTHWESTERN UNIVERSITY “Eames TV” Denise Bielby UNIVERSITY OF CALIFORNIA, Fred Turner STANFORD UNIVERSITY “Making the SANTA BARBARA Creative Child at the Museum of Modern Art” Mary Kearney UNIVERSITY OF NOTRE DAME Charles Acland CONCORDIA UNIVERSITY “New Media MARCH 20, 2014 MARCH 20,
THURSDAY Elana Levine UNIVERSITY OF WISCONSIN-MILWAUKEE for the School of Tomorrow: The AV Instructional Karen Petruska UNIVERSITY OF CALIFORNIA, Films of Robert W. Wagner” SANTA BARBARA SPONSOR: Nontheatrical Film & Media SPONSOR: Television Studies Scholarly Interest Group Scholarly Interest Group
I19 This Show Makes Me Feel I22 New Directions Some Kinda Way in Slow Cinema Studies Television and Black Women’s Affect ROOM: Everett Third Floor ROOM: Madrona Second Floor CHAIR: Ted Hovet WESTERN KENTUCKY UNIVERSITY CHAIR: Nsenga Burton GOUCHER COLLEGE Glyn Davis UNIVERSITY OF EDINBURGH “Arrested Racquel Gates COLLEGE OF STATEN ISLAND, CUNY Movement: Slow Film between Cinema and Gallery” “The Ratchet Public Sphere: Love and Hip Hop Atlanta and Black Women’s Culture” Dawn Hall MIDDLE TENNESSEE STATE UNIVERSITY “Feminist Negotiations of Slow Cinema in the Samantha Sheppard UNIVERSITY OF CALIFORNIA, Filmmaking of Kelly Reichardt” LOS ANGELES “The Sociality of Emotions in Iyanla, Fix My Life” Tiago de Luca UNIVERSITY OF LIVERPOOL “Screening Nature: Slow Cinema, Animality, and Ethics” Brandeise Monk-Payton BROWN UNIVERSITY “Soapy Revelations and Black Women’s Televisual RESPONDENT: Tina Kendall ANGLIA RUSKIN UNIVERSITY Transgression” Kristen Warner UNIVERSITY OF ALABAMA “If Loving Olitz Is Wrong I Don’t Wanna Be Right: ABC’s Scandal and the Affect of Black Female Desire”
SPONSORS: African/African American Caucus, Oscar Micheaux Society and Television Studies Scholarly Interest Groups
92 SESSION I | 5:00 – 6:45 pm
I25 Toy Stories I26 “Making-of” Documentaries and Toys, Consumer Culture, and Media Industries “Making-of” Production Narratives
ROOM: Willow A Second Floor ROOM: Willow B Second Floor CHAIR: Tom Kemper CROSSROADS SCHOOL CHAIR: Daniel Steinhart CHAPMAN UNIVERSITY Tom Kemper CROSSROADS SCHOOL “Mutations and Daniel Steinhart CHAPMAN UNIVERSITY
Imagination: Child’s Play in Toy Story” MARCH “Hollywood’s ‘Making-of’ Promotional Featurettes: THURSDAY Ellen Seiter UNIVERSITY OF SOUTHERN CALIFORNIA Selling and Visualizing Production Work in the 1960s” “Toys and Trademarks: Bratz, Power Rangers, and My Aynne Kokas RICE UNIVERSITY “The Press and the
Little Pony” Process: Sino-US Media Industries and the ‘Making-of’ 20, 2014 Reem HIlu NORTHWESTERN UNIVERSITY “‘The Doll Event” Who Plays with You’: Chatty Cathy and Postwar Ritesh Mehta UNIVERSITY OF SOUTHERN CALIFORNIA Girlhood” “The ‘Making-of’ of Film School Students and
RESPONDENT: Derek Johnson UNIVERSITY OF WISCONSIN- Films: Agendas and Standards, Appropriation and MADISON Authorship” John Caldwell UNIVERSITY OF CALIFORNIA, LOS ANGELES “‘Un-making-of’ Documentaries”
SPONSOR: Media Industries Scholarly Interest Group
MEETING MEETING 5:00 – 6:00 pm 5:00 – 6:45 pm
ROOM: Fountain Wine Bar & Lounge ROOM: Ballard Third Floor Pike Street Tower, Lobby Comedy & Humor Studies Caucus on Class Scholarly Interest Group
MEETING EXHIBITOR RECEPTION 5:00 – 6:45 pm 6:00 pm
ROOM: Chelan First Floor, Lobby Level LOCATION: RN74 1433 4th Ave. Urban Studies Scholarly Interest Group University of California Press— reception to introduce B. Ruby Rich as the new editor of Film Quarterly
93 THURSDAY 94 MARCH 20, 2014 the 1973release of the film ( producers CatherineRussellandFatimah of therestoration, Tobingwith film historians Rony, who have both written on Turning Point Ensemble of Vancouver, BC. The discussionto follow thescreening will beled by Brad Evans, oneof theco- score, promoted atthetimeasbeing“native musicsymphonized,” performed for thenew Blu-ray release by and DVD the UCLA Film& Television extant original orchestral Archive. The filmisnotable for having what isbelieved to be the earliest reconstructed, and now rediscovered features and toning, and long-lost scenes its original intertitles, color-tinting at the Northwest Coast, thefilmpremiered in 1914 inSeattle (atthehistoric Moore Theatre) andinNew York. It was recently entirely made collaboratively with theKwakwaka’wakw of BritishColumbia. An epicmelodrama and of indigenous love war onthe MEETING Join us for a centennial screening and discussion of Edward Curtis’s silent featureJoin usfor Edward film, acentennial Curtis’s silent screening anddiscussion of SPECIAL EVENT Professor andCurator EmeritusattheBurke Museum. Refreshments will follow. please check
– LOCATION:
In theLandof theWar Canoes 8:45 d Floor Thir The Burke Museum MEETING pm Thursday, March 20,2014 at thecorner of 17th Ave. NEand45thSt. Women inScreen History Scholarly Interest Group ROOM: 7:00 — 9:15
Kirkland 7:00 ersity of Washington campus on theUniv ) Kwakwaka’wakw filmmaker, Barbara Cranmer, andBillHolm,
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8:45 MEETING d Floor Thir pm pm Asian/Pacific American Caucus Asian/Pacific American ROOM: 7:00 Leschi In theLandof theHead Hunters
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8:45 d Floor Thir
pm
, THURSDAY MARCH 20, 2014 95
, Baby Home Comin’ RECEPTION . pm pm 7:30 7:30 FILM SCREENINGS Pike Street Tower, 35th Floor 35th Floor Tower, Street Pike
Los Angeles Angeles Reception Los University of California, of University Cirrus ROOM: 1515 12th Ave.
pm 9:00 9:00 Please . . .Please , a 1981 documentary on the historic preservation In preservation historic the on Partnership documentary 1981 a Time, with Awards Ceremony Awards Northwest Film Forum Northwest Grand Ballroom, Second Level Second Ballroom, Grand join us Friday at 4:15 pm for the at 4:15 pm for join us Friday Thursday, March 20, 2014 March Thursday, LOCATION: LOCATION: RECEPTION and Media & Environment Scholarly Interest Groups Interest Scholarly & Environment and Media pm location. 30 for map on page vicinity Seattle to refer Please Union Street Tower, Fourth Floor Fourth Tower, Union Street
seniors over 60 (babies under 1 year are free). Seating will begin at 8:30 Seating free). are year 1 60 (babies under seniors over Sponsored by Nontheatrical Film & Media, Urban Studies, Silent Cinema Cultures, Cinema Cultures, Urban Studies, Silent Film & Media, Nontheatrical by Sponsored 7:30 – 9:00 9:00 – 7:30 $6.00/members; $8.00/children under 12, students with valid photo student ID, and student ID, photo valid with 12, students under $8.00/children $6.00/members; Cost: Free to the first 50 SCMS members with conference name badge; Others $11/adults; name badge; Others $11/adults; with conference the first 50 SCMS members to Free Cost:
Jefferson A & B A Jefferson University of Pittsburgh Reception Pittsburgh of University
ROOM: Pacific Wonders: Nontheatrical Films from the Northwest Films from Nontheatrical Wonders: Pacific a city symphony made in Seattle in 1968, and 1968, in Seattle in made symphony city a the Oregon of Kirk. Films courtesy Ruth and Louis filmmakers educational Tacoma-based the by produced movement Washington. of and the University Society Historical Before Gus Van Sant, Kelly Reichardt, and David Lynch made the Pacific Northwest known for hustlers, dreamers, and dreamers, hustlers, for known Northwest made the Pacific Lynch and David Reichardt, Sant, Kelly Van Gus Before in be shown Made to the region. visions of own filmed their filmmakers and professional amateur thousands of weirdos, program This region. the of history visual a represent collectively films these institutions, and schools, workplaces, homes, include Titles Northwest. in the Pacific design, and the environment films on architecture, features THURSDAY 96 MARCH 20, 2014 Living Computer Museum Scarecrow Video Experience MusicProject Museum SPECIAL EVENT HenryGallery Art For publictransportation optionsto theseneighborhoods,seetheHost Committee’s recommendations onpages27–29. Admission isfree with conference namebadge www.livingcomputermuseum.org Wed.—Sun. until5:00 2245 1st Ave. S. SoDo (South of Downtown, Stadium District) Admission isfree with conference namebadge SANCTUM new medium installation www.henryart.org www.scarecrow.com Fri.—Sat. 11:00 Sun.—Thu. 11:00 5030 Roosevelt Way NE University District www.empmuseum.org 10:00 325 5th Ave. N. Lower Queen Anne (near theSpace Needle) Wed., Sat.,Sun.11:00 15th Ave.NE Universityof Washington University District Thu. — Fri. 11:00 am
— 5:00 am am pm am
— 11:00
— 9:00
—10:00 daily am pm
Multiple Venues and Activities for Members to Sample — 4:00 pm pm pm
pm Thursday, March 20,2014
“Taste of Seattle” LOCATION: Various Locations Cinerama Cinema Books Seattle Art Museum(SAM) www.facebook.com/SeattleCinerama www.cinerama.com Check website for schedule 4th Ave.2100 Belltown www.cinemabooks.net/store.htm Mon.—Sat. 10:00 Roosevelt4753 Way University District www.seattleartmuseum.org/exhibit/exhibit.asp www.seattleartmuseum.org Thu. 10:00 Wed., Fri, Sat.,Sun.10:00 1st Ave.1300 Downtown am
— 9:00 am
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pm FRIDAY MARCH 21, 2014 97 “’A
ANGELES
“New “New Media,
J
First Fl UNIVERSITY OF CALIFORNIA, CALIFORNIA, OF UNIVERSITY Level Lobby oor, NORTHWESTERN UNIVERSITY NORTHWESTERN
UNIVERSITY OF SOUTHERN CALIFORNIA SOUTHERN OF UNIVERSITY UNIVERSITY OF MICHIGAN OF UNIVERSITY
UNIVERSITY OF CALIFORNIA, LOS CALIFORNIA, OF UNIVERSITY ANGELES
am
Cultural Brokers and Critics Brokers Cultural Diamond B Hall Kevin LOS
2 ROOM: CHAIR: “Everyone’s a Critic: Intertextuality and Parody in The and Parody Intertextuality a Critic: “Everyone’s Critic” “The Subjectivity of Filmmakers in the International in the International Filmmakers of “The Subjectivity Campus Talent of Industry: Case Study Film Festival Tokyo” in the Brokers Digital Cultural Communities: New South Asian Diaspora” and the Crowther Thing’: Bosley Expectable Naturally Television” Film and of Convergence SESSION SESSION J Lia Wolock Roberts Jason Kelly Hall Kevin Jinhee Park
March 21, 2014 March “Symbolism “Symbolism
9:00 – 10:45 10:45 – 9:00
“ Lineage, Symbolist A
UNIVERSITY OF MINNESOTA OF UNIVERSITY
UNIVERSITY OF CHICAGO OF UNIVERSITY First Fl
Level Lobby oor,
UNIVERSITY WISCONSIN-MILWAUKEE OF UNIVERSITY
COLBY COLLEGE COLBY UNIVERSITY OF CHICAGO OF UNIVERSITY
French & Francophone Scholarly Interest Group Interest Scholarly & Francophone French
What Is “The Symbolist What Is “The Symbolist Temptation?” Transnational in Symbolism of Aesthetics The Cinema Diamond A Bird Robert
1 ROOM: CHAIR: as a Materialist Aesthetic: Soviet Lyrical Cinema and Lyrical Soviet Aesthetic: as a Materialist Beyond” at a Slant” Pre- from Virtual Intermittency and “Symbolism de la mer Silence Le to Precursors cinema Literary (1947)” “A Music of Silence: Abstraction and Sensation in Abstraction Silence: Music of “A Art French and 1920s Theater Époque Symbolist Belle Cinema”
SPONSOR: J Christophe Wall-Romana Christophe Bird Robert Sarah Keller Sarah
Williams Tami
FRIDAY SESSION J | 9:00 – 10:45 am
3 Brazilian Cinema Revisited 5 Asian Video Cultures J Technologies, Exhibition, Reception J In the Penumbral of the Global
ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Joao Luiz Vieira FLUMINENSE FEDERAL CHAIR: Rahul Mukherjee UNIVERSITY OF CALIFORNIA, UNIVERSITY SANTA BARBARA Rafael Freire FLUMINENSE FEDERAL UNIVERSITY “The Bhaskar Sarkar UNIVERSITY OF CALIFORNIA, Conversion to Sound in Brazil” SANTA BARBARA “Video Piracy, Intellectual Property, João Luiz Vieira FLUMINENSE FEDERAL UNIVERSITY and ‘Southern’ Cultures of Creativity” “Igluscope and the Arrival of Widescreen in Brazil” Rahul Mukherjee UNIVERSITY OF CALIFORNIA, Luciana Araujo FEDERAL UNIVERSITY OF SÃO CARLOS SANTA BARBARA “MicroSD-ing ‘Mewati Videos’: “Movie Prologues and the Incorporation of North Publicity Cultures in Informal Circulation Economies” American Film Exhibition Practices in Cinelândia, Rio Joshua Neves BROWN UNIVERSITY “The Other de Janeiro (1926–1927)” Side of Video Production: Affective Labor, Intimate Technologies, and Global Supply Chains” RESPONDENT: Rielle Navitski UNIVERSITY OF GEORGIA Michelle Cho MCGILL UNIVERSITY “Intelligibility, SPONSOR: Latina/o Caucus Affect, and K-pop’s Video Culture”
SPONSOR: Asian/Pacific American Caucus
J4 Thinking with a Camera
FRIDAY during Revolutionary Times Wet, Wired, and Weird I
MARCH 21, 2014 Generative Visualities in the Middle East 6 J Pacific Northwest Film and Media Industries ROOM: Issaquah A Third Floor ROOM: Leschi Third Floor CHAIR: Mark Westmoreland AMERICAN UNIVERSITY IN CAIRO CHAIR: Stephen Rust UNIVERSITY OF OREGON CO-CHAIR: Terri Ginsberg INTERNATIONAL COUNCIL FOR Patricia Gruben SIMON FRASER UNIVERSITY “Allan MIDDLE EAST STUDIES King’s Skid Row and the Origins of the ‘West Coast Terri Ginsberg INTERNATIONAL COUNCIL FOR MIDDLE EAST School’” STUDIES “Race, Class, and Zionism: Revolutionary Helen Morgan Parmett WESTERN WASHINGTON Anti-aesthetics in Simon Louvish’s To Live in Freedom UNIVERSITY “Peripheral Media Spaces in the Pacific (1974/5)” Northwest: The Struggle for an Independent Media Peter Limbrick UNIVERSITY OF CALIFORNIA, SANTA Culture in Bellingham, WA” CRUZ “ 14.3 Seconds: Politics, Art, and the Archival Phil Oppenheim GEORGIA STATE UNIVERSITY Imagination” “Creating AuthentiCity: Wieden + Kennedy and the Mark Westmoreland AMERICAN UNIVERSITY IN CAIRO Branding of the People’s Republic of Portland” “In and Out of the Streets: Activist Documentary in Elizabeth Peterson UNIVERSITY OF OREGON “Access Cairo” to Media Archives in the Northwest” Anjanli Nath UNIVERSITY OF SOUTHERN CALIFORNIA “Tweets from Below: Drone Strikes and Media Spectacles”
SPONSOR: Middle East Caucus 98 SESSION J | 9:00 – 10:45 am
7 At the Limits of the Image 9 Really Behaving Badly J Spectacle, Figuration, Signification J Performative Excess in American Reality Television
ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Richard Abel UNIVERSITY OF MICHIGAN CHAIR: Misha Kavka UNIVERSITY OF AUCKLAND Oksana Chefranova NEW YORK UNIVERSITY Misha Kavka UNIVERSITY OF AUCKLAND “Sex and the “Revisiting the ‘Kingdom of Shadows’: On the Figural Shore: Revisiting the Ethics of Jersey Shore” in Russian Silent Cinema” Alice Leppert URSINUS COLLEGE “Rivals, Exes, and Elena Trencheva AALTO UNIVERSITY “Motivated Rookies: MTV’s The Challenge and the System of Costume: Reading the Cinematic Costume in Four Unruly Reality Celebrity” Different Versions of Joan of Arc’s Story” Chelsea Bullock UNIVERSITY OF OREGON “Southern Eric Zobel INDIANA UNIVERSITY “These Foolish Discomfort: The Politics of Emotion on The Real Things . . . : The Farce of Power in Pier Paolo Pasolini’s Housewives of Atlanta” Salo” RESPONDENT: Brenda Weber INDIANA UNIVERSITY Phil Wagner UNIVERSITY OF CALIFORNIA, LOS ANGELES “What Invisible Power?: Cecil B. DeMille’s Samson and Delilah and the Paradoxes of Spiritual Vision” MARCH 21, 2014 FRIDAY J10 Radio and Other Sounds ROOM: Ravenna C Third Floor 8 The Cultural and Industrial Politics CHAIR: Laurel Westrup UNIVERSITY OF CALIFORNIA, J LOS ANGELES of Contemporary Sport Media Hannah Spaulding NORTHWESTERN UNIVERSITY ROOM: Ravenna A Third Floor “Eavesdropping as Entertainment: The Enormous CHAIR: Travis Vogan UNIVERSITY OF IOWA Radio and Shut Up Little Man!” Aaron Baker ARIZONA STATE UNIVERSITY “Transmedia Jack Curtis Dubowsky ACADEMY OF ART UNIVERSITY Storytelling and Violence in Friday Night Lights” “The Music of Brokeback Mountain” Travis Vogan UNIVERSITY OF IOWA “ESPN Original Ming-Yuen Ma PITZER COLLEGE “Noises of Protest: Entertainment, Docudrama, and the Production of Sound, Race, and Violence in Christian Marclay’s Branded Authority in Contemporary Sport Media” Guitar Drag and Paul D. Miller’s Rebirth of a Nation” Victoria Johnson UNIVERSITY OF CALIFORNIA, IRVINE SPONSOR: Radio Studies Scholarly Interest Group “More than a Game: LeBron James and the Affective Economy of Place” Markus Stauff UNIVERSITY OF AMSTERDAM “Smart Phone Referees: Social Media and Sports’ Politics of Visibility”
99 SESSION J | 9:00 – 10:45 am
J11 Film Stardom and J13 The Politics and Poetics of Cringe Political Leadership Comedy and Negative Affect Interwar Convergences ROOM: Jefferson B Union Street Tower, Fourth Floor
ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Steven Shaviro WAYNE STATE UNIVERSITY CHAIR: Giorgio Bertellini UNIVERSITY OF MICHIGAN John Bruns COLLEGE OF CHARLESTON “The Non- Burton Peretti NORTHERN VIRGINIA COMMUNITY com: Rick Alverson’s The Comedy” COLLEGE “Origins and Tendencies of Hollywood Carrie Andersen UNIVERSITY OF TEXAS AT AUSTIN Liberal Activism in the New Deal Era” “‘The Unwritten Rules of Society’: Discomfort and Kathryn Brownell PURDUE UNIVERSITY “Happy Politics in Larry David’s Curb Your Enthusiasm” Birthday Mr. President!: Franklin Roosevelt, Birthday Kyle Stevens BRANDEIS UNIVERSITY “At Wit’s End: Balls, and the Remaking of the Celebrity Public Image Exasperation in Anglophone Film and Television during the New Deal” Comedy” Giuliana Muscio UNIVERSITY OF PADUA “Mussolini’s Philip Scepanski CONCORDIA UNIVERSITY CHICAGO Extraordinary Appearance in The Eternal City (1923)” “‘I Remember 9/11!’: Television Comedy as Affective Giorgio Bertellini UNIVERSITY OF MICHIGAN “The Revision”
Romance of Undemocratic Leadership: Valentino and SPONSOR: Comedy & Humor Studies Mussolini as Outsourced Authoritarian Models” Scholarly Interest Group
FRIDAY 12 WORKSHOP WORKSHOP MARCH 21, 2014 J J14 Media Activism and Teaching and Researching the Cultural Industries F. Scott Fitzgerald and Film Theorizing the Horizons of Resistance ROOM: Jefferson A Union Street Tower, Fourth Floor ROOM: Columbia Union Street Tower, Fourth Floor CHAIR: Cynthia Lucia RIDER UNIVERSITY CHAIR: Stuart Davis UNIVERSITY OF TEXAS AT AUSTIN CO-CHAIR: Julie Wilson ALLEGHENY COLLEGE WORKSHOP PARTICIPANTS Roy Grundmann BOSTON UNIVERSITY WORKSHOP PARTICIPANTS Philip McGowan QUEENS UNIVERSITY BELFAST Jack Bratich RUTGERS UNIVERSITY Cynthia Lucia RIDER UNIVERSITY Steve Macek NORTH CENTRAL COLLEGE Barton Palmer CLEMSON UNIVERSITY Carol Stabile UNIVERSITY OF OREGON J. E. Smyth UNIVERSITY OF WARWICK Sarah Banet-Weiser UNIVERSITY OF SOUTHERN CALIFORNIA Roopali Mukherjee NEW YORK UNIVERSITY/QUEENS COLLEGE
100 SESSION J | 9:00 – 10:45 am
J15 Small Games J17 The State of ROOM: Seneca Union Street Tower, Fourth Floor Black Independent Film
CHAIR: Aubrey Anable UNIVERSITY OF TORONTO ROOM: Virginia Union Street Tower, Fourth Floor Benjamin Aslinger BENTLEY UNIVERSITY “Alternative CHAIR: Christine Acham UNIVERSITY OF SOUTHERN Geographies of Game Development” CALIFORNIA John Vanderhoef UNIVERSITY OF CALIFORNIA, Mark Cunningham AUSTIN COMMUNITY COLLEGE SANTA BARBARA “R etro Revolt: Challenging Planned “California Dreamin’, California Stuntin’: The Obsolescence” Metamorphosis of Black Independent Film in the Carolyn Cunningham GONZAGA UNIVERSITY “Time Debut Features of John Singleton and Ryan Coogler” to Play: Girls and Small Games” Christine Acham UNIVERSITY OF SOUTHERN CALIFORNIA Jordan Wood SYRACUSE UNIVERSITY “Queer Time, “The New Chitlin’ Circuit: Independent Black Queer Body, Queer Game: A Reading of The Binding Filmmaking and Black Film Festivals” of Isaac” Zeinabu Davis UNIVERSITY OF CALIFORNIA, LOS ANGELES “Old School Meets New School: Developing and SPONSOR: Video Game Studies Scholarly Interest Group Maintaining Audiences for Black Independent Film from Killer of Sheep to Free Angela and All Political
Prisoners” MARCH 21, 2014 FRIDAY Eric Pierson UNIVERSITY OF SAN DIEGO “My Film Is Great because Sundance Says So!” 16 Women at Work J Gender, Genre, and Institutional Networks SPONSORS: Oscar Micheaux Society and Film & Media Festivals Scholarly Interest Groups ROOM: University Union Street Tower, Fourth Floor CHAIR: Sangita Gopal UNIVERSITY OF OREGON CO-CHAIR: Heidi Schlipphacke UNIVERSITY OF ILLINOIS AT CHICAGO Patricia White SWARTHMORE COLLEGE “It’s Not Independent Film, It’s HBO: Women Directors and Premium Cable” Lingzhen Wang BROWN UNIVERSITY “Embedded Feminist Agency: Wang Ping and Early Chinese Socialist Cinema” Heidi Schlipphacke UNIVERSITY OF ILLINOIS AT CHICAGO “Susanne Bier and Barbara Albert: Gender and Form in Minor European Cinemas” Sangita Gopal UNIVERSITY OF OREGON “Between State and Capital: Women Make Movies”
101 SESSION J | 9:00 – 10:45 am
J18 Images of the World J20 Hitchcock, Women, and the World as Image and Queer Sexuality Expanded Cinema at World Expositions ROOM: Aspen Second Floor ROOM: Juniper Second Floor CHAIR: David Greven UNIVERSITY OF SOUTH CHAIR: Malte Hagener PHILIPPS UNIVERSITY OF CAROLINA MARBURG Tania Modleski UNIVERSITY OF SOUTHERN CALIFORNIA Malte Hagener PHILIPPS UNIVERSITY OF MARBURG “Hitchcock’s (Queer) Daughter(s)” “Towards an Expanded Cinema History: The Lee Edelman TUFTS UNIVERSITY and Intersection of Nation State, the Avant-garde, and Joseph Litvak TUFTS UNIVERSITY “Something Industry at World Expositions” Strange about ‘Strangers’: L’histoire du croquemort” Sarah Nilsen UNIVERSITY OF VERMONT “The House Susan White UNIVERSITY OF ARIZONA “The Rope and of Science: A Kuhnian Revolution at the Century 21 the Yarn: Textures of Sexuality and Identity in the Films Exposition” of Alfred Hitchcock” Janine Marchessault YORK UNIVERSITY “Citérama as David Greven UNIVERSITY OF SOUTH CAROLINA Total Cinema Experiment at Expo 67” “‘You’re a Strange Girl, Charlie’: Femininity, the Dandy, Hart Cohen UNIVERSITY OF WESTERN SYDNEY “At the and the Social Implications of Shadow of a Doubt” Nexus of Nation/Culture/Technology: A Comparative Perspective of Immersive Cinema/Media at the Shanghai Expo 2010”
SPONSOR: Nontheatrical Film & Media Scholarly Interest Group 22 Citizenship and Its Mediations FRIDAY J
MARCH 21, 2014 ROOM: Everett Third Floor CHAIR: Chelsey Crawford OKLAHOMA STATE UNIVERSITY Race, Gender, and the Body Wendy Sung UNIVERSITY OF MICHIGAN “White J19 Sympathy, Racial Intimacies: Mad Men, Civil Rights in Found Footage Film Television, and Racial Violence”
ROOM: Madrona Second Floor Mary Feld GEORGIA STATE UNIVERSITY “Lee Daniels’ CHAIR: Leo Goldsmith NEW YORK UNIVERSITY Precious and the Body of the American Citizen” Catherine Russell CONCORDIA UNIVERSITY Mia Fischer UNIVERSITY OF MINNESOTA “ Homeland “Awakening from Hollywood: Rose Hobart as Star of Security USA: Securitainment and the War on Terror” the Archive” Chelsey Crawford OKLAHOMA STATE UNIVERSITY “On Johanna Gosse BRYN MAWR COLLEGE “Marilyn, the Ethics of Borrowing” Wonder Woman, and the Feminist Motion Study” Jaimie Baron UNIVERSITY OF ALBERTA “Unintentional Singers and Racial Ventriloquism in Contemporary Found Footage Videos” Leo Goldsmith NEW YORK UNIVERSITY “The Strength of Metal in Motion: Scratch Video’s Third Body”
SPONSORS: Experimental Film & Media and Documentary Studies Scholarly Interest Groups 102 SESSION J | 9:00 – 10:45 am
23 Convergence in Question 24 NICLed and Dimed J US and European Perspectives on Contemporary J The Global Trajectories and Local Logics of Digital Media Culture Screen Media Labor
ROOM: Redwood A Second Floor ROOM: Redwood B Second Floor CHAIR: Philippe Meers UNIVERSITY OF ANTWERP CHAIR: Michael Curtin UNIVERSITY OF CALIFORNIA, Janet Wasko UNIVERSITY OF OREGON “To Converge SANTA BARBARA or Not to Converge: That’s Still a Question” Kevin Sanson UNIVERSITY OF CALIFORNIA, Philippe Meers UNIVERSITY OF ANTWERP SANTA BARBARA “Production Service Firms and the Daniel Biltereyst GENT UNIVERSITY (not attending) Spatial Dynamics of Global Media Production” and Aleit Veenstra UNIVERSITY OF ANTWERP Shanti Kumar UNIVERSITY OF TEXAS AT AUSTIN “Digital Media Culture to the Test: Young Film “Cinema, Immaterial Labor, and the Production of Audiences’ Experiences with Converging Media Mass Creativity in Urban India” Culture in Europe” Herman Gray UNIVERSITY OF CALIFORNIA, SANTA
RESPONDENT: Melis Behlil KADIR HAS UNIVERSITY CRUZ “Creative Industries, Marketing Diversity, and Managing Difference”
RESPONDENT: Miranda Banks EMERSON COLLEGE MARCH 21, 2014 SPONSOR: Media Industries Scholarly Interest Group FRIDAY
MEETING MEETING 9:00 – 10:45 am 9:00 – 10:45 am
ROOM: Chelan First Floor, Lobby Level ROOM: Ballard Third Floor Media Literacy + Pedagogical CinemArts: Film & Art History Outreach Scholarly Interest Group Scholarly Interest Group
FRIDAY March 21, 2014 11:00 am – 12:00 noon Members’ Business Meeting ROOM: Cirrus Pike Street Tower, 35th Floor All SCMS members are encouraged to attend the annual Members’ Business Meeting to learn more about SCMS and current strategic planning processes. Members will also meet the officers and Board members, and the leadership of the SCMS Caucuses and Scholarly Interest Groups. Refreshments will be provided. 103 104 FRIDAY MARCH 21, 2014 FRIDAY Brian Price Alessandra Raengo Luka Arsenjuk Scott Durham K “Black Matters” Philosophy and Film Theory” Objects to theProblem of Form: Object-oriented Democracies” Socialisme: Godard’s World of Objects,between Two Displacement Project” CHAIR: ROOM: 1
Alessandra Raengo Diamond A Is theMoving ImageanObject? UNIVERSITY
UNIVERSITYOF TORONTO
NORTHWESTERN UNIVERSITY UNIVERSITY OF MARYLAND
GEORGIA STATE UNIVERSITY oor, Lobby Level First Fl
GEORGIA STATE
12:15 – 2:00
“The
March 21,2014
“From
“Film SESSION Nam Lee Inyoung Nam Soowan Jung HyeYoung Cho K CO-CHAIR: Helpless andPluto “Reconstructing SocialDeathsinMystery Thrillers Thrillers” to Heroine: Women’s Representation inRecent Korean Doors” “Documentary asForensic Noir: A CaseStudy of Two 1980s inBong Joon-ho’s TheHost” CHAIR: ROOM: 2
Inyoung Nam Nam Lee Diamond B Korean Cinema Neoliberalism andRecent South pm
CHAPMAN UNIVERSITY
DONGSEO UNIVERSITY DONGGUK UNIVERSITY
CHUNG-ANG UNIVERSITY
”
CHAPMAN UNIVERSITY
oor, Lobby Level First Fl
DONGSEO UNIVERSITY
K
“Memories inthe
Fo Victim “From SESSION K | 12:15 – 2:00 pm
K3 WORKSHOP K5 Psychopathology Surveying Film History of Media Aesthetics New Approaches to the Problems of Teaching the Introductory Film History Course ROOM: Kirkland Third Floor CHAIR: Jonathan Nichols-Pethick DEPAUW ROOM: Issaquah B Third Floor UNIVERSITY CHAIR: Paul Monticone UNIVERSITY OF TEXAS AT Timothy Robinson UNIVERSITY OF FLORIDA AUSTIN “Melancholic Global Cinema: Interrogating the ‘End CO-CHAIR: Colleen Montgomery UNIVERSITY OF TEXAS of Cinema’ in Lars von Trier’s Apocalyptic Melancholia AT AUSTIN (2011)” WORKSHOP PARTICIPANTS Adam Szymanski CONCORDIA UNIVERSITY Charlie Keil UNIVERSITY OF TORONTO “Melancholy Aesthetics and Contemporary Global Art Constance Balides TULANE UNIVERSITY Cinema” Jennifer Horne UNIVERSITY OF CALIFORNIA, SANTA CRUZ Nico Baumbach COLUMBIA UNIVERSITY “The Eric Hoyt UNIVERSITY OF WISCONSIN-MADISON Aesthetics and Politics of Narcissism in Media Today: Chris Cagle TEMPLE UNIVERSITY Notes toward an Investigation” Carla Marcantonio GEORGE MASON UNIVERSITY “Melancholia and Beasts of the Southern Wild: The MARCH 21, 2014 End of the World, the Digital Turn, and the Restoration FRIDAY of Myth” K4 Female Suffering and Spectatorship Ethics
ROOM: Issaquah A Third Floor CHAIR: Stefanie Van de Peer UNIVERSITY OF ST 6 Wet, Wired, and Weird II ANDREWS K Pacific Northwest Film and Media Culture CO-CHAIR: Kathleen Scott ST. ANDREWS UNIVERSITY ROOM: Leschi Third Floor Sonia Misra UNIVERSITY OF SOUTHERN CALIFORNIA CHAIR: Carter Soles SUNY, COLLEGE AT BROCKPORT “Spectatorship, Nomadic Ethics, and Queer Temporality in Su Friedrich’s Sink or Swim” Carter Soles SUNY, COLLEGE AT BROCKPORT “The Origins of Seattle Slacker Culture in Cameron Crowe’s Steve Choe UNIVERSITY OF IOWA “Amoral Say Anything . . . and Singles” Melodrama: Female Suffering in Kim Ki-Duk’s Cinema” Rachel Joseph TRINITY UNIVERSITY “‘I’ll See You in Kathleen Scott ST. ANDREWS UNIVERSITY the Trees’: Screening the Northwest Stage through “Spectatorship Ethics and the Suffering ‘Pregnant David Lynch’s White and Black Lodges” Parisian’ in French New Extremist Cinema” Anne Richardson INDEPENDENT SCHOLAR “Harry Stefanie Van de Peer UNIVERSITY OF ST ANDREWS Smith: Cross Culturality and Regional Identity in a “The Ethics of Seeing and Looking: Rape in the Post- Salmon Nation Beatnik” colony” Matthew Holtmeier UNIVERSITY OF ST ANDREWS “Cascadia on Film and the Politics of (Bio)regional Subjectivity”
105 SESSION K | 12:15 – 2:00 pm
K7 Birth of a Nation K9 Medium and Method in ROOM: Medina Third Floor “Early Television” History
CHAIR: Jason Loviglio UNIVERSITY OF MARYLAND ROOM: Ravenna B Third Floor Jennifer Lynde Barker BELLARMINE UNIVERSITY CHAIR: Luke Stadel NORTHWESTERN UNIVERSITY “From Script to Screen: Animating Race in A Haunting CO-CHAIR: Anne-Katrin Weber UNIVERSITY OF LAUSANNE We Will Go (1939)” Andreas Fickers MAASTRICHT UNIVERSITY “How to Charlene Regester UNIVERSITY OF NORTH CAROLINA Make Objects of Early Television Speak?: A Plea for AT CHAPEL HILL “’I Will Carry Your Guilty Secret Experimental Media Archaeology” to My Grave’: Scarlett O’Hara and Rhett Butler as Kate Newbold NORTHWESTERN UNIVERSITY Embodiments of Blackness in Gone with the Wind” “Television Ontology and Media Methodology: Jason Loviglio UNIVERSITY OF MARYLAND “The White Exploring Televisual Fragmentation in Phonograph, Clown: Alan Reed, Fred Flintstone, and White Ethnic Broadcast, and Print Industries, 1926–1940” Masculinity in the Twentieth Century” Luke Stadel NORTHWESTERN UNIVERSITY “Radio/ Alice Royer UNIVERSITY OF CALIFORNIA, LOS ANGELES Television/Sound, 1922–1941” “Lincoln as Democracy Porn” Anne-Katrin Weber UNIVERSITY OF LAUSANNE “Looking at and Seeing through: Experimental Television as Screen Practice”
K8 Cycles of Titillations and Intermedial Twists FRIDAY New Perspectives on Silent Film 10 Issues in Television Studies MARCH 21, 2014 K ROOM: Ravenna A Third Floor ROOM: Ravenna C Third Floor CHAIR: Yair Solan THE GRADUATE CENTER, CUNY CHAIR: Jane Feuer UNIVERSITY OF PITTSBURGH Amanda Klein EAST CAROLINA UNIVERSITY “The Camilla Sears THOMPSON RIVERS UNIVERSITY Kissing Cycle (1896–1906), Mashers, and Women in “Regulating the ‘Obscene’: An Examination of the City” Television Governance in Canada” Amy Borden PORTLAND STATE UNIVERSITY “Puppy Jane Feuer UNIVERSITY OF PITTSBURGH “Historical Sausage and Food Anxiety in Kine-attractography and Shifts in ‘Quality’ Television Drama: The Medical Show Transitional Era Film Cycles” Wars of 1994” F Booth Wilson UNIVERSITY OF WISCONSIN-MADISON Elana Levine UNIVERSITY OF WISCONSIN-MILWAUKEE “The Crooked Mirror in Early Russian Cinema: “Daytime Disruptions: Narrating Gender in 1950s Theatrical Conventions in Evgenii Bauer’s Symbolist American Soap Opera” Films” Yair Solan THE GRADUATE CENTER, CUNY “From Lantern Show to Moving Picture Show: Turn-of-the- century Fiction and the Transformations of Screen Media”
SPONSOR: Silent Cinema Cultures Scholarly Interest Group
106 SESSION K | 12:15 – 2:00 pm
K11 North American Borderlands K13 New Horror Stories and Identities ROOM: Jefferson B Union Street Tower, Fourth Floor
ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Marc Olivier BRIGHAM YOUNG UNIVERSITY CHAIR: Philippa Gates WILFRID LAURIER UNIVERSITY Anthony Cooke EMORY UNIVERSITY “Walk Among CO-CHAIR: Dominique Bregent-Heald MEMORIAL Us: Deinstitutionalization of the Mentally Ill and the UNIVERSITY OF NEWFOUNDLAND Slasher Trope in Halloween” Dominique Bregent-Heald MEMORIAL UNIVERSITY OF Tamas Nagypal YORK UNIVERSITY “Magical NEWFOUNDLAND “Borderline Criminals: Ambiguous Narrative; or, The Antinomic Images of Historical Criminality in Progressive-era Cinema” Trauma in Lucio Fulci’s Zombi 2” Philippa Gates WILFRID LAURIER UNIVERSITY Alice Haylett Bryan KING’S COLLEGE LONDON “Crossing the Borders of National Identity and Genre: “Surgery, Blood, and Patriarchal Sex: Chinese/Americans in American Westerns” Heteronormativity, Sexuality, and Control in Excision Jon Montes NATIONAL FILM BOARD OF CANADA and American Mary” “Biutiful Feelings: Transnationalization, Border Films, Marc Olivier BRIGHAM YOUNG UNIVERSITY “Glitch and Affected Publics” Gothic: Media Slashing in Recent Found Footage Zoë Heyn-Jones RYERSON UNIVERSITY “Border Horror” Text: Althea Thauberger’s Msaskok and the Spaces of MARCH 21, 2014 Cinema” FRIDAY
K14 WORKSHOP Marshall McLuhan’s K12 Documentary in an Expanding Field Understanding Media Technology and the Mass Subject as Witness The Extensions of Man at 50
ROOM: Columbia Union Street Tower, Fourth Floor ROOM: Jefferson A Union Street Tower, Fourth Floor CHAIR: Tess Takahashi YORK UNIVERSITY CHAIR: Charles Acland CONCORDIA UNIVERSITY CO-CHAIR: Paige Sarlin SUNY, UNIVERSITY AT BUFFALO CO-CHAIR: Raiford Guins STONY BROOK UNIVERSITY Jihoon Kim CHUNG-ANG UNIVERSITY “The Performative Archive: Formations of Social Memory in WORKSHOP PARTICIPANTS Interactive and Collaborative Documentary” Richard Cavell UNIVERSITY OF BRITISH COLUMBIA Paige Sarlin SUNY, UNIVERSITY AT BUFFALO “Now: Wendy Chun BROWN UNIVERSITY Solidarity, Liveness, and Real Time Documentary Erkki Huhtamo UNIVERSITY OF CALIFORNIA, Images of Struggle” LOS ANGELES Henry Lowood STANFORD UNIVERSITY Tess Takahashi YORK UNIVERSITY “Magnitude: Navigating Documentary Reference in the Gallery and Shannon Mattern THE NEW SCHOOL Online”
RESPONDENT: Leshu Torchin UNIVERSITY OF ST ANDREWS
SPONSOR: Documentary Studies Scholarly Interest Group
107 SESSION K | 12:15 – 2:00 pm
K15 Some Accounting for Taste K17 Mediations of Place-based Cultural Distinction and Industrial Practice in Youth Identities Direct-to-video Distribution ROOM: Virginia Union Street Tower, Fourth Floor ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Margaret Zeddies WESTERN MICHIGAN CHAIR: David Church INDIANA UNIVERSITY UNIVERSITY Ernest Mathijs UNIVERSITY OF BRITISH COLUMBIA CO-CHAIR: Candice Haddad UNIVERSITY OF MICHIGAN “The Taste Basement Tapes: Non-theatricality and the Sara Bernstein UNIVERSITY OF CALIFORNIA, DAVIS and Long-term Receptions of Direct-to-video Exploitation Elise Chatelain UNIVERSITY OF CALIFORNIA, DAVIS Cinema” “Werewolf Bar Mitzvah: Coming of Age on the Fringes Joan Hawkins INDIANA UNIVERSITY “Howling at of America” Those in the Know: Bad Boy Bubby’s Shelf Life” Bonnie Tilland UNIVERSITY OF WASHINGTON “The David Church INDIANA UNIVERSITY “From Film Festival in Translation: Youth as Interpreters of Grindhouse to Your House: ‘DVD Premieres,’ Layers of Meaning at the Jeonju International Film Subcultural Capital, and the Market Mobility of the Festival (JIFF)” Retro-styled Genre Pastiche” Margaret Zeddies WESTERN MICHIGAN UNIVERSITY Daniel Herbert UNIVERSITY OF MICHIGAN “Nostalgia “A More United Planet?: Global Community and Merchants: VHS Distributors in the Era of Intangible Representations of Youth on a Voluntourism Website” Media” Candice Haddad UNIVERSITY OF MICHIGAN “ Sh*t Arabs in Dearborn Do: The Frictions of Arab-American Youths’ Self-representational Strategies” FRIDAY
MARCH 21, 2014 16 Illuminating the System K Archival Documents and 1930s Hollywood ROOM: University Union Street Tower, Fourth Floor K18 Revisiting Kurosawa CHAIR: Thomas Doherty BRANDEIS UNIVERSITY ROOM: Juniper Second Floor David Lugowski MANHATTANVILLE COLLEGE CHAIR: Olga Solovieva UNIVERSITY OF CHICAGO “Crossing One More River: From Marital Rape to Queer Olga Solovieva UNIVERSITY OF CHICAGO “War Authorship” Photography and Avant-garde Performance in Catherine Jurca CALIFORNIA INSTITUTE OF Kurosawa Akira’s The Lower Depths (1957)” TECHNOLOGY “Metropolitan Moviegoing in the Dolores Martinez UNIVERSITY OF OXFORD “Revisiting mid–1930s: The Stanley-Warner Exhibition Records” Kurosawa’s Women” Chuck Maland UNIVERSITY OF TENNESSEE “Creating Michael Bourdaghs UNIVERSITY OF CHICAGO the City in City Lights (1931): A Reconstruction via “Hearing the Cold War: Kurosawa Akira’s Soundtracks Chaplin Studio Records” and Soviet Film Theory” Steven Ross UNIVERSITY OF SOUTHERN CALIFORNIA RESPONDENT: Victor Fan KING’S COLLEGE LONDON “Nazism, Fascism, and 1930s Hollywood: Mining the Archives”
108 SESSION K | 12:15 – 2:00 pm
K19 Industry Studies K22 Cinema and the Military and/as Audience Studies Case Studies in Production
ROOM: Everett Third Floor ROOM: Madrona Second Floor CHAIR: Alice Lovejoy UNIVERSITY OF MINNESOTA CHAIR: Alicia Kozma UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN Sueyoung Park-Primiano SUNY FASHION INSTITUTE OF Mel Stanfill UNIVERSITY OF ILLINOIS AT URBANA- TECHNOLOGY “Occupation, Diplomacy, and the CHAMPAIGN “The Fan as/in Industry Discourse” Moving Image: The US Army’s Role and Influence in the Development of the South Korean Motion Picture Derek Johnson UNIVERSITY OF WISCONSIN-MADISON Industry” “The Audience Turn?: Toward a More Integrated Production Studies” Alice Lovejoy UNIVERSITY OF MINNESOTA “Military Instructional Filmmaking and Czechoslovak ‘Civilian’ Suzanne Scott ARIZONA STATE UNIVERSITY “Talking Cinema” the Walk: Enunciative Fandom and Fan Studies’ Industrial Turn” James Paasche INDIANA UNIVERSITY “Be Good, Write Complete Captions, and Keep Us Informed: Michael Kackman UNIVERSITY OF NOTRE DAME Military Media Making during the Vietnam War” “Reaching the Historical Audience: From Industry to Agency” RESPONDENT: Caren Kaplan UNIVERSITY OF CALIFORNIA, DAVIS MARCH 21, 2014
SPONSOR: Media Industries Scholarly Interest Group FRIDAY
Mapping Interdisciplinarity in WORKSHOP K23 K20 European Film Studies’ History Feminist and Queer Platform Studies ROOM: Redwood A Second Floor CHAIR: Philippe Gauthier HARVARD UNIVERSITY ROOM: Aspen Second Floor Philippe Gauthier HARVARD UNIVERSITY CHAIR: Caetlin Benson-Allott GEORGETOWN “Interdisciplinarity and Film History: Points of Rupture UNIVERSITY in French Film Historiography between 1930 and 1960” WORKSHOP PARTICIPANTS Thomas Elsaesser UNIVERSITY OF AMSTERDAM Lisa Parks UNIVERSITY OF CALIFORNIA, SANTA BARBARA “Friendly or Hostile Takeover Bids?: Film Studies Alexandra Juhasz PITZER COLLEGE Courted by Philosophy and Art History” Tara McPherson UNIVERSITY OF SOUTHERN CALIFORNIA Wanda Strauven UNIVERSITY OF AMSTERDAM “Blue Laine Nooney STONY BROOK UNIVERSITY Pill or Red Pill: Contemporary European Film Studies at the Crossroads” SPONSORS: Queer Caucus and Video Game Studies Scholarly Interest Group RESPONDENT: Dudley Andrew YALE UNIVERSITY
SPONSOR: French & Francophone Scholarly Interest Group
109 SESSION K | 12:15 – 2:00 pm
EXHIBITOR RECEPTION K24 The Cultural Politics 2:00 pm of Digital Markets ROOM: Metropolitan Ballroom Third Floor ROOM: Redwood B Second Floor at their table CHAIR: Patrick Vonderau STOCKHOLM UNIVERSITY W.W. Norton & Company—reception CO-CHAIR: Ramon Lobato SWINBURNE UNIVERSITY OF TECHNOLOGY Patrick Vonderau STOCKHOLM UNIVERSITY “The Politics of Content Aggregation” Jennifer Holt UNIVERSITY OF CALIFORNIA, SANTA BARBARA “The Cloud, Mobile Media, and New EXHIBITOR RECEPTION Economies of Competition” 2:00 pm SWINBURNE UNIVERSITY OF Ramon Lobato ROOM: Metropolitan Ballroom Third Floor TECHNOLOGY “The Informal Entrepreneurs of Video at their table Streaming” Amelia Arsenault GEORGIA STATE UNIVERSITY Intellect—meet the author of “Big Data and the Media Industries” Cindy Sherman’s Office Killer
SPONSOR: Media Industries Scholarly Interest Group FRIDAY
MARCH 21, 2014 MEETING 12:15 – 2:00 pm ROOM: Chelan First Floor, Lobby Level Follow . . . Latino/a Caucus SCMS during the conference and throughout the year
MEETING 12:15 – 2:00 pm @SCMStudies ROOM: Ballard Third Floor Sound Studies Scholarly Interest Group
110 FRIDAY MARCH 21, 2014 111 “The “Static “Static
“Watching “Watching
L KWANGWOON UNIVERSITY KWANGWOON
PURDUE UNIVERSITY
First Fl
Level Lobby oor,
KWANGWOON UNIVERSITY KWANGWOON INDEPENDENT SCHOLAR INDEPENDENT
The Evolution of Hong Sang-soo Hong of The Evolution Diamond B Raymond Marc pm
2 ROOM: CHAIR: the Male Gaze of Hong Sang-soo’s Characters” Sang-soo’s Hong of Gaze the Male Shot Table The Group Shots, Changing Perspectives: Sang-soo” Hong Films by Two in Seeing His Films on Sang-soo: Hong Non-analogous Their Own Terms” SESSION SESSION L Marc Raymond Marc Marshall Deutelbaum Hartzell Adam “How
March 21, 2014 March 2:15 – 4:00 4:00 – 2:15 “Charting “Charting “Revisiting “Revisiting
“‘R
‘Real’ by Sex eal’
UNIVERSITY OF KENT OF UNIVERSITY First Fl
Level Lobby oor,
LEEDS TRINITY UNIVERSITY LEEDS TRINITY
UNIVERSITY OF BREMEN OF UNIVERSITY
UNIVERSITY OF KENT OF UNIVERSITY UNIVERSITY OF READING OF UNIVERSITY
“Realism” and “Authenticity” in and “Authenticity” “Realism” Image Moving Contemporary Production Diamond A Mattias Frey
1 ROOM: CHAIR:
Do Trans-media Platforms Deal with Reality?: The with Reality?: Deal Platforms Trans-media Do as Case Study” Documentary Interactive the End Times: ‘Authenticity’ in Twenty-first-century Twenty-first-century in Times: ‘Authenticity’ the End Cinema” Fiction Science European People: Realist Aesthetics and Celebrity Couples in the Couples and Celebrity Aesthetics Realist People: Cinema” Extreme of Marketing Cinematic Realism in Time and Space” in Cinematic Realism
L Stefano Odorico Stefano Aidan Power Mattias Frey Nagib Lucia
FRIDAY SESSION L | 2:15 – 4:00 pm
L3 Media’s Affective Impediments L5 Useful Media and Slowing, Stalling, Exhausting the Global Public Sphere
ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Nick Salvato CORNELL UNIVERSITY CHAIR: Katie Day Good NORTHWESTERN UNIVERSITY Nick Salvato CORNELL UNIVERSITY “Kelly Reichardt’s Katie Day Good NORTHWESTERN UNIVERSITY Slowness” “Projects for Peace: Grassroots Media and Global Citizenship in American Schools, 1907–1950” Phillip Maciak LOUISIANA STATE UNIVERSITY “Variations on Variations: Helen DeWitt, Seven Suzanne Langlois GLENDON COLLEGE, YORK Samurai, and Fragmentary Viewing” UNIVERSITY “Neglected Sources: The Postwar Films of the United Nations” Lindsay Reckson HAVERFORD COLLEGE “Going through the Motions: Yvonne Rainer and Bruce Lisa Rabin GEORGE MASON UNIVERSITY “ A Better Nauman” Tomorrow (1945): City Kids as New Global Citizens in Post-World War II Film” Jennifer Blaylock UNIVERSITY OF CALIFORNIA, BERKELEY “A River Creates an Industry (1955): Colonial Networks and Global Media Flow” L4 Community and Catastrophe in Contemporary European Cinema and Beyond ROOM: Issaquah A Third Floor 6 Fossil, Renewable, Futuristic FRIDAY CHAIR: Patrick Reagan YALE UNIVERSITY L Energy in the Movies MARCH 21, 2014 Nikolaj Lubecker ST. JOHN’S COLLEGE “Nihilism ROOM: Leschi Third Floor on Screen?: Watching Meaning Disappear in Recent CHAIR: Ila Tyagi YALE UNIVERSITY European Art Films” Helen Hughes UNIVERSITY OF SURREY “Rational Patrick Reagan YALE UNIVERSITY “Dystopia and Disasters: Reasoning in New Documentaries on Living Impossible Community in Contemporary European with Nuclear Power” Auteur Cinema” Mona Damluji UNIVERSITY OF CALIFORNIA, BERKELEY Laura McMahon UNIVERSITY OF CAMBRIDGE “’Oil on the Screen’: British Petroleum’s Public “Ecology, Catastrophe, and Inequivalence: Lisandro Relations Machine in Iraq” Alonso and Jean-Luc Nancy” Eric Herhuth UNIVERSITY OF WISCONSIN-MILWAUKEE Seung-hoon Jeong NEW YORK UNIVERSITY ABU DHABI “Alien Energy: Cultural Reproduction and “Ethical Community in Global Cinema” Environmental Change in Pixar’s Monsters, Inc.” SPONSOR: Media & the Environment Heath Iverson UNIVERSITY OF ST ANDREWS “Energetic Scholarly Interest Group Media?: Conservation, Entropy, and Ecology in Recent Works by Tacita Dean and Jane and Louise Wilson”
SPONSOR: Media & the Environment Scholarly Interest Group
112 SESSION L | 2:15 – 4:00 pm
L7 Between Film and Photography L9 WORKSHOP ROOM: Medina Third Floor Green Media Studies Integrating Environmental and Media Studies in CHAIR: Roger Hallas SYRACUSE UNIVERSITY the Classroom and Beyond Stephan Boman UNIVERSITY OF CALIFORNIA, SANTA BARBARA “The World without Us: Art, ROOM: Ravenna B Third Floor Automatism, and Time-lapse Photography” CHAIR: Hunter Vaughan OAKLAND UNIVERSITY Sarah Barkin SYRACUSE UNIVERSITY “Bearing Witness WORKSHOP PARTICIPANTS to Geographies of Traumatic Remembrance through Janet Walker UNIVERSITY OF CALIFORNIA, the Cinematic Use of Photography” SANTA BARBARA Roger Hallas SYRACUSE UNIVERSITY “Portraits, Stephen Rust UNIVERSITY OF OREGON Perpetrators, and Survivors: Reframing the Salma Monani GETTYSBURG COLLEGE Identification Photograph in the Historical Xinmin Liu WASHINGTON STATE UNIVERSITY Documentary” SPONSOR: Media & the Environment Scholarly Interest Group MARCH 21, 2014 L8 Commodifying Gender and FRIDAY Sexuality on New Media 10 Sound Waves Technologies and Platforms L Technology and Practice in Film Sound
ROOM: Ravenna A Third Floor ROOM: Ravenna C Third Floor CHAIR: Bryce Renninger RUTGERS UNIVERSITY CHAIR: Benjamin Wright UNIVERSITY OF SOUTHERN Julia Himberg ARIZONA STATE UNIVERSITY “NBC and CALIFORNIA the Quest for Industrial DiverseCity” Charles O’Brien CARLETON UNIVERSITY “Multi-track F. Hollis Griffin DENISON UNIVERSITY “Zero Feet Sound and the Battle of Paris: American and German Away: Enabling and Regulating Desire on Mobile Films for French Distribution” Media Applications” Eric Dienstfrey UNIVERSITY OF WISCONSIN-MADISON Elizabeth Nathanson MUHLENBERG COLLEGE “Splits, Quad, and the Psychedelic: Dolby’s Rear “Styling the Self: Fashion Blogging and Fixing the Channels Examined” Feminine Image” Katherine Quanz WILFRID LAURIER UNIVERSITY “The Bryce Renninger RUTGERS UNIVERSITY “Do Video Industrial Impact of Toronto’s Transition to Digidesign Genre Memes Have Politics?: On Getting Better, Shit Technology in the Mid–2000s” Girls Say, and Flash Mob Wedding Proposals” Benjamin Wright UNIVERSITY OF SOUTHERN CALIFORNIA “Atmos Now: How Dolby Is Transforming the Art and Craft of Sound Mixing”
SPONSOR: Sound Studies Scholarly Interest Group
113 SESSION L | 2:15 – 4:00 pm
11 Art Direction in American Film 13 Film and Television Comedy L History, Style, Production Technique L International Perspectives
ROOM: Boren Union Street Tower, Fourth Floor ROOM: Jefferson B Union Street Tower, Fourth Floor CHAIR: Merrill Schleier UNIVERSITY OF THE PACIFIC CHAIR: Andrew Horton UNIVERSITY OF OKLAHOMA Lucy Fischer UNIVERSITY OF PITTSBURGH “Art Diana Martinez UNIVERSITY OF OREGON “The Direction and Art Nouveau: Hollywood in the 1920s” Recovery of Romance: Televisual Romantic Comedy in Merrill Schleier UNIVERSITY OF THE PACIFIC “Boris the Postfeminist Era” Leven and Giant (1956): Location and Production Suzanne Gauch TEMPLE UNIVERSITY “Happily Ever Design in Postwar Hollywood” After: Reclaiming the Romantic Comedy in Lyes Jon Yoder KENT STATE UNIVERSITY “Adam and Evil: Salem’s Mascarades” Circular Seduction and Panoptic Domination in the Peter Falanga PACIFIC NORTHWEST COLLEGE OF ART Designs of Ken Adam” “A Return to Sincerity: The Courage of Woody Allen” J. D. Connor YALE UNIVERSITY “‘I Settled for Reality’: Chris Lippard UNIVERSITY OF UTAH “Malfunction and Design Intensity in the Pre-CGI Era” Humor in the Iranian Art Cinema”
SPONSOR: Comedy & Humor Studies Scholarly Interest Group
L12 WORKSHOP Exploring Transnational Television Histories 14 WORKSHOP FRIDAY L
MARCH 21, 2014 ROOM: Columbia Union Street Tower, Fourth Floor In Conversation with CHAIR: Sharon Shahaf GEORGIA STATE UNIVERSITY Alan and Joyce Rudolph
WORKSHOP PARTICIPANTS ROOM: Jefferson A Union Street Tower, Fourth Floor CHAIR: Caryl Flinn UNIVERSITY OF MICHIGAN Aniko Imre UNIVERSITY OF SOUTHERN CALIFORNIA Michael Curtin UNIVERSITY OF CALIFORNIA, WORKSHOP PARTICIPANTS SANTA BARBARA Richard Ness WESTERN ILLINOIS UNIVERSITY Nitin Govil UNIVERSITY OF SOUTHERN CALIFORNIA Krin Gabbard STONY BROOK UNIVERSITY Yeidy Rivero UNIVERSITY OF MICHIGAN Alan Rudolph INDEPENDENT FILMMAKER Shanti Kumar UNIVERSITY OF TEXAS AT AUSTIN Joyce Rudolph INDEPENDENT FILMMAKER
SPONSOR: Television Studies Scholarly Interest Group
114 SESSION L | 2:15 – 4:00 pm
L15 Performing Love, Loving L17 Cinematic Global South Performance Geographies Mobile, Liminal, Planetary ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Steven Rybin GEORGIA GWINNETT COLLEGE ROOM: Virginia Union Street Tower, Fourth Floor Steven Rybin GEORGIA GWINNETT COLLEGE CHAIR: Andrew Douglas BRYN MAWR FILM INSTITUTE/ “The Actor’s Heartbeat: Performing Love in Classical CABRINI COLLEGE Hollywood Cinema” Lakshmi Padmanabhan BROWN UNIVERSITY “The Murray Pomerance RYERSON UNIVERSITY Tamil Question: Towards a Cinema of the Global South “The Enchanted Gaze” in Mani Ratnam’s Kannathil Muthamittal” Linda Ruth Williams UNIVERSITY OF SOUTHHAMPTON Sabine Haenni CORNELL UNIVERSITY “Mobile “The Aging of Romance: Streep, Dench, and Smith Homes: The Cultural Work of Private Space in Arab Perform Late-life Love” French Cinema” Andrew Douglas BRYN MAWR FILM INSTITUTE/CABRINI RESPONDENT: William Rothman UNIVERSITY OF MIAMI COLLEGE “Art House Libertarians: Beasts of the Southern Wild and Mud” Leigh Duck UNIVERSITY OF MISSISSIPPI “Southern Globe: Neill Blomkamp’s Corporate Citizenries” MARCH 21, 2014 FRIDAY 16 A Queered China SPONSOR: Middle East Caucus L Making Sense of Gender and Sexuality in Chinese Popular Culture
ROOM: University Union Street Tower, Fourth Floor CHAIR: Jing (Jamie) Zhao CHINESE UNIVERSITY OF HONG KONG L18 Masculinities Charlie Zhang SOUTH DAKOTA STATE UNIVERSITY ROOM: Juniper Second Floor “Queering the National Body of Neoliberal China” CHAIR: Sarah Projansky UNIVERSITY OF UTAH Erika Junhui Yi UNIVERSITY OF KANSAS “An Insider’s Tiffany Christian WASHINGTON STATE UNIVERSITY Reflection on Chinese Boys’ Love Fan Girls: Friendship, “Recuperating Wounded White Masculinity in The Romance, and Public Image” Book of Eli” Shuzhen Huang ARIZONA STATE UNIVERSITY “Fanning Jimmy Draper OLD DOMINION UNIVERSITY the Queer: Transnational Slash Flows and Gender “Reconsidering the Concept of Hegemonic Politics in Contemporary China” Masculinity in Critical Media Studies” Jing (Jamie) Zhao CHINESE UNIVERSITY OF HONG Scott Balcerzak NORTHERN ILLINOIS UNIVERSITY KONG “Something Unfathomable to Others: “Performing Marty on Television and Film: Rod Steiger, Fantasies of BDSM, Rape, and Incest in Online Chinese Ernest Borgnine, and Midcentury Queerness” Femslash Literature”
RESPONDENT: Xiqing Zheng UNIVERSITY OF WASHINGTON
115 SESSION L | 2:15 – 4:00 pm
L19 Indigenous Media L22 Displaying Knowledge in the Digital Sphere Intermedial Education History, Memory, and Activism ROOM: Everett Third Floor
ROOM: Madrona Second Floor CHAIR: Oliver Gaycken UNIVERSITY OF MARYLAND CHAIR: Joanna Hearne UNIVERSITY OF MISSOURI Caitlin McGrath UNIVERSITY OF MARYLAND “An CO-CHAIR: Angelica Lawson UNIVERSITY OF MINNESOTA Unlikely Classroom: The Wanamaker ‘Store School’” Angelica Lawson UNIVERSITY OF MINNESOTA Artemis Willis UNIVERSITY OF CHICAGO “Between “Transnational New Media Activism: Case Studies from Screen Practice and Peep Practice: The Keystone ‘600 Sápmi and Native America” Set’” Karrmen Crey UNIVERSITY OF CALIFORNIA, LOS ANGELES Victoria Cain NORTHEASTERN UNIVERSITY “Seeing “Beyond Cultural Nationalism: Shifting Discourses of on a Global Scale: Educational Media in Interwar Aboriginal Nonfiction Production in Canada” American Geography Class” Kristin Dowell UNIVERSITY OF OKLAHOMA “Aboriginal Brooke Belisle UNIVERSITY OF CALIFORNIA, BERKELEY Resistance and Reconciliation: Mediating the “Center of the Universe: Inside the Image of ‘Big Data’” Residential School Experience in the Films of Lisa SPONSOR: Nontheatrical Film & Media Jackson” Scholarly Interest Group Joanna Hearne UNIVERSITY OF MISSOURI “Skateboarding and Sovereignty: Dustinn Craig’s 4wheelwarpony”
23 Breaking Bad FRIDAY L Looking Back and Moving Forward MARCH 21, 2014 20 Surveillance, Pornography, and ROOM: Redwood A Second Floor L CHAIR: Myles McNutt UNIVERSITY OF WISCONSIN- Porn Studies MADISON ROOM: Aspen Second Floor Radha O’Meara MASSEY UNIVERSITY “Cooking with CHAIR: Evangelos Tziallas CONCORDIA UNIVERSITY Gas: Phases of Style in Breaking Bad” Linda Williams UNIVERSITY OF CALIFORNIA, BERKELEY Myles McNutt UNIVERSITY OF WISCONSIN-MADISON “The Panopticon and Pornography” “Best Supporting City in a Drama Series?: Mapping the Evangelos Tziallas CONCORDIA UNIVERSITY Meanings of Albuquerque in Breaking Bad” “Doubled Visions, Doubled Bodies: Surveillance Jason Mittell MIDDLEBURY COLLEGE “Skyler’s Story: Technologies, AIDS, and the Return of the Repressed” Breaking Bad, Serial Melodrama, and Character Ev Boyle UNIVERSITY OF SOUTHERN CALIFORNIA “The Chemistry” Case of Is Anyone Up?: Revenge Porn, Privacy, and the Sean O’Sullivan OHIO STATE UNIVERSITY Politics of Gift Economies” “The Inevitable and the Surprise” Katrien Jacobs CHINESE UNIVERSITY OF HONG KONG SPONSOR: Television Studies Scholarly Interest Group “Sexuality, Pornography, and Surveillance Culture on the Chinese Internet”
116 SESSION L | 2:15 – 4:00 pm
MEETING L24 Issues in Film Studies 2:15 – 4:00 pm ROOM: Redwood B Second Floor ROOM: Chelan First Floor, Lobby Level CHAIR: Jan-Christopher Horak UNIVERSITY OF CALIFORNIA, LOS ANGELES Documentary Studies Carol Siegel WASHINGTON STATE UNIVERSITY, Scholarly Interest Group VANCOUVER “Recent Changes in the Representation of Sex and Politics in American Cinema or The Crazies” Lies Van de Vijver GHENT UNIVERSITY “Watching MEETING Disney: Childhood Memories and Exhibition 2:15 – 4:00 pm Strategies” ROOM: Cirrus Pike Street Tower, 35th Floor Veronica Johnson NATIONAL UNIVERSITY OF IRELAND, GALWAY “Alfred Hitchcock, David O. Selznick, and Scandinavian Studies Scholarly the Popularization of Psychoanalysis in America” Interest Group (proposed) Jan-Christopher Horak UNIVERSITY OF CALIFORNIA, LOS ANGELES “Saul Bass: Creating a Brand” MARCH 21, 2014 FRIDAY MEETING 2:15 – 4:00 pm
ROOM: Ballard Third Floor Women’s Caucus
O, Canada Join us next year in Montreal, Quebec.
March 25–29, 2015 Fairmont The Queen Elizabeth
117 118 FRIDAY MARCH 21, 2014 FRIDAY Paula Amad Peter Alilunas Award of Distinction Rielle Navitski Brandon Arroyo 3rd Place Nadine Chan 2nd Place Paul Monticone 1st Place THE KATHERINE SINGERKOVÁCS ESSAY AWARD 3, 2013) Theory’s Gift to FilmStudies,” (CinemaJournal Looking Back at the Return of the Gaze as Postcolonial Video, 1976–1986” Little Movies: The Creation andRegulation of Adult Mexico andBrazil, 1905–1930” “Sensationalism, Cinema,andthePopular Press in NetworkedGay Village” Pornographic Space andSexual Affect inthe Malaya” Cinema andtheRural Lecture Caravan in1930sBritish “Making Ahmad ‘Problem Conscious’: Educational Campaign of the1920s” of MotionPictures intheLargest PublicRelations “Useful Cinema,of Limited Use?: Assessing theRole
STUDENTWRITING AWARD
UNIVERSITY OF IOWA DISSERTATION AWARD
UNIVERSITY OF SOUTHERNCALIFORNIA UNIVERSITY OF MICHIGAN UNIVERSITY OF CALIFORNIA,BERKELEY
SCMS AwardsCeremony UNIVERSITYOF TEXAS AT AUSTIN CONCORDIA UNIVERSITY EMCEE: Barbara Klinger
Vsa Riposte: “Visual ROOM:
March 21,2014 Grand Ballroom D
“Smutty “Active
52, no. 4:15 – 5:30
INDIANA UNIVERSITY Jonathan Sterne Award of Distinction James Tweedie Yuriko Furuhata Ming-Yuen S.Ma Lisa Parks THE KATHERINE SINGERKOVÁCS BOOK AWARD ond Floor 2012) Meaning of aFormat (Durham:Duke University Press, Press, 2013) Season of ImagePolitics(Durham:Duke University Actuality: Japanese Avant-garde Filmmakinginthe RIVERSIDE Erika Suderburg Macmillan, 2013) Harbord, andRachelMoore, eds.(New York:Palgrave in PublicSpace,Berry, Media Space. Chris Janet “Mapping Orbit: Toward a Vertical PublicSpace” 2013) of Globalization (New York: Oxford University Press, The Age of New Waves: Art CinemaandtheStaging (Minneapolis: University of MinnesotaPress, 2013) pm Sec BEST ESSAY IN AN EDITEDCOLLECTION
esident
SCMS Pr UNIVERSITY OF CALIFORNIA,SANTA BEST EDITEDCOLLECTION BEST FIRST BOOK AWARD
Resolutions 3:Global Networks of Video
UNIVERSITYOF WASHINGTON MCGILL UNIVERSITY MCGILL UNIVERSITY PITZER COLLEGE
UNIVERSITY OF CALIFORNIA,
and
Cinema of MP3: The
BARBARA
FRIDAY MARCH 21, 2014 119
RECEPTION Third Floor Third pm
UNIVERSITY OF PENNSYLVANIA OF UNIVERSITY
SERVICE AWARD SERVICE 7:30 – 9:30 9:30 – 7:30 PEDAGOGY AWARD PEDAGOGY
UNIVERSITY WISCONSIN-MILWAUKEE OF UNIVERSITY UNIVERSITY OF MICHIGAN OF UNIVERSITY Issaquah A+B
ROOM: Sec ond Floor University of Texas Reception Texas of University
pm pm DISTINGUISHED CAREER ACHIEVEMENT AWARD DISTINGUISHED CAREER ACHIEVEMENT Patrice Petro Patrice Corrigan Timothy Abel Richard Pike Street Tower, 35th Floor Tower, Street Pike
7:30 – 9:30 9:30 – 7:30 and 5:30 – 7:30 7:30 – 5:30 EXHIBITOR RECEPTION Cocktail Reception Cocktail Shadow Shadow
Oxford University Press University Oxford Cirrus
March 21, 2014 March and meeting new acquaintances. and meeting new ROOM: Grand Ballroom BC & BCD Foyer Ballroom Grand RECEPTION pm Second Floor Second ROOM: SCMS Reception
Celebrate this year’s awards recipients, outgoing SCMS Board members, outgoing SCMS Board recipients, awards year’s this Celebrate 7:30 – 9:30 9:30 – 7:30 UNIVERSITY OF NOTRE DAME NOTRE OF UNIVERSITY
“Lant and others who have served the Society this past year while catching up with old friendswith old up catching while year this past the Society served who have and others ern: The Search & Visualization Willow A & B A Willow
UNIVERSITY WISCONSIN-MADISON OF UNIVERSITY ROOM:
New York University Reception University York New (Berkeley: University of California Press, Press, California of University (Berkeley: a Mouse of 2012) Platform for the Media History Digital Library,” Digital Library,” the Media History for Platform http://lantern.mediahist.org/ the Media History Digital Library and University of of and University Library Digital the Media History Communication Department of Wisconsin-Madison Arts teams THE ANNE FRIEDBERG INNOVATIVE SCHOLARSHIP AWARD SCHOLARSHIP INNOVATIVE FRIEDBERG ANNE THE FRIDAY Donald Crafton Donald Award of Distinction of Award Eric Hoyt 120 FRIDAY MARCH 21, 2014 SPECIAL EVENT Dostoyevsky, Hölderlin, Tarkovsky, andRilke. Representing aradical departure from theEastGermancinemaof thetime,Kipping’s influences includedBuñuel,Nietzsche, a place thatlies“beyond therainbow.” to realize hisscriptfor TheLandBeyond theRainbow , which takes place inthefictionaltown of Stalina in1953,anddepicts language over conventional narrative structures andlanguage.Only after thecollapse of the GDRregime was Kippingable Kipping calls his approach “magical idealism,” emphasizing the need to elevate visuals, metaphorical elements and poetic raised through didacticsocialistrealist films,butby re-introducing thepoeticelement into film. society in which hegrew up.Consciousness aboutpressing social-political issuesof GDR life, inhisopinion, would notbe In thisnew director’s cut,renegade EastGermanfilmmaker Herwig Kippingsetoutto explore theroots of thesocialist SPECIAL EVENT future: www.farestart.org/help/lives/index.html. those in need and helped homeless and disadvantaged men, women, and their families create new opportunities for the GNO isproud to hostour annualdinner atFARESTART, anon-profit thathasprovided over five millionnutritiousmealsto and connection among all women: trans, cis,andgender queer. You don’thave to beanSCMSmember to attend. This year Please joinusfor our annualGNOdinner!“GRRRLS NITEOUT”isanopen,friendly event aimedatencouraging conversation wine reception for Steingröver’s LastFeatures (Camden House). Please arrive early—limited number of complimentary New 35mmprint,introduced by author Reinhild Steingröver, University of Rochester. Followed by booksigningand tickets/seats reserved for SCMSmembersto be claimed with conference badgeatthe venue before 7:45 Vegetarian andgluten-free optionsavailable; handicap accessible; wine andbeer cash Co-presented by DEFA, theEast GermanFilm Library atthe University of Massachusetts Amherst Directions: Head NW on6th Ave., righton Westlake Ave., andthenrighton Virginia St. https://www.eventbrite.com/e/grrrls-night-out-dinner-2014-tickets-5365275684 . buffet The LandBeyond theRainbow ‑ style dinner served at8:00 Cost: $38/graduate studentsandadjuncts,$50.00/professors (1991, dir. Herwig Kipping,EastGermany, 35mm) Please refer to Seattle vicinity maponpage30for location. Please refer to Seattle vicinity maponpage30for location. Grrrls NightOutDinner LOCATION: LOCATION: Friday, March 21,2014 Friday, March 21,2014 FareStart Restaurant Northwest FilmForum Sponsored by Women’s Caucus 7:30 – 11:30 8:00 pm . Tickets mustbepurchased inadvance at pm
Ave. & Virginia St. 7th pm 12th Ave. 1515
‑ bar to beginat7:30;
pm
. FRIDAY MARCH 21, 2014 121
t. . pm
— 11:00
305 Harrison S 305 Harrison SPECIAL EVENT SPECIAL EVENT SPECIAL am
pm 5030 R pm NE Way oosevelt 8:00 8:00 8:00 – 11:00 11:00 – 8:00 Adjust Your Tracking: The Untold Story of the VHS Collector. Adjust Your Tracking Your Adjust VHS Collector. the of Story The Untold Tracking: Your Adjust Scarecrow Video Scarecrow Friday, March 21, 2014 March Friday, Friday, March 21, 2014 March Friday, (John Akomfrah, 2013, UK, 103 min) 2013, UK, 103 Akomfrah, (John Sponsored by African/African American American Caucus African/African Sponsored by The Stuart Hall Project Hall The Stuart LOCATION: LOCATION: Programmed by Scarecrow Video and Daniel Herbert Video and Daniel Scarecrow by Programmed Please refer to Seattle vicinity map on page 30 for location. map on page 30 for vicinity Seattle to refer Please A Skype-in conversation session with film director John Akomfrah Akomfrah John with film director session Skype-in conversation A (2013), revisiting the life and work of Stuart Hall, one of the major public intellectuals of the last of public intellectuals the major Hall, one of Stuart of work and the life (2013), revisiting and Aboubakar Sanogo, Carleton University, will follow the screening. will follow University, Sanogo, Carleton Aboubakar and Seating is limited to 94 and available on a first-come, first-served basis. first-served on a first-come, 94 and available to Seating is limited This event is open to SCMS members wearing SCMS conference badges. SCMS conference wearing SCMS members is open to This event Seattle International Film Festival (SIFF) Film Center/Seattle Center (SIFF) Film Center/Seattle Film Festival International Seattle Screening & Browsing at Scarecrow Video at Scarecrow & Browsing Screening 10 minutes. Adult fare is $2.25 one way, cash only. Friday hours of operation 7:30 operation hours of Friday only. cash way, is $2.25 one fare Adult 10 minutes. LOCATION: LOCATION: Directions: short cab ride away or take the Seattle Center Monorail. Get on at Westlake Center Mall station Center Westlake Get on at Monorail. Center the Seattle take or ride away short cab Directions: at Fifth Ave. and Pine St. and take it to the Seattle Center station. The monorail departs approximately every every departs approximately The monorail station. Center the Seattle it to take and and Pine St. Ave. at Fifth The Stuart Hall Project The Stuart Hall Scarecrow Video will host a free showing of of showing will host a free Video Scarecrow is a new documentary by Dan Kinem and Levi Peretic about the subculture of video fiends who continue to hunt down and hunt down to who continue video fiends of about the subculture Peretic Dan Kinem and Levi by documentary is a new and producers, directors, owners, video store VHS collectors, 100 with over interviews The film features VHS tapes. collect than 120,000 different more offering world, in the video store Video is the largest Scarecrow the country. across from more not which are of a number movies, and obscure both mainstream of an immense selection features The store rent. for titles renowned world the through browse a place, grab to early seats 35 so come room The screening else. anywhere available this special for us Join store. the of front the in VHSpresso at refreshments other or coffee a beer, enjoy and collection in Seattle! only Video—found Scarecrow and experience evening The African/African American Caucus is pleased to invite members of SCMS to the Seattle Premiere of John Akomfrah’s latest Akomfrah’s John of Premiere the Seattle SCMS to of members invite to is pleased Caucus American African/African The film, five decades and one of the architects of the discipline of Cultural Studies. Cultural the discipline of of the architects and one of decades five Stuart of the public significance on the screen, reassess, to had come the time me. I felt important to very Hall is “Stuart 50 the last he has been making for contributions film, and radio writings, but the television, the using, not simply Hall, by the the image, on the status of with us on do something needed to him that he convincing spent six months We years.... worth was that image as it unfolded own something about his was that there felt we outward, than looking image. Rather one epistemic into Hall’s Stuart of regimes discursive various bring the to was the exercise The object of investigating…. Akomfrah) (John space.” 122 SATURDAY MARCH 22, 2014 SATURDAY Alice Maurice Tasha Oren Anne Ciecko M RESPONDENT: Autistic Aesthetic” “Autism in Translation: Media,Empathy, andthe “Bollywood Star Power andNeurodiversity” Audience” Communities: Television, Autism, andtheInternet CHAIR: ROOM: 1
MILWAUKEE Erin Manning Tasha Oren Diamond A Film, Television, andNeurodiversity Spectrum Mediations
UNIVERSITYOF WISCONSIN-MILWAUKEE
UNIVERSITY OF MASSACHUSETTS AMHERST UNIVERSITYOF TORONTO
oor, Lobby Level
First Fl UNIVERSITYOF WISCONSIN-
CONCORDIA UNIVERSITY 9:00 – 10:45
March 22,2014 “Fringe
SESSION
Sian Mitchell Bjorn Nordfjord Peter Dickinson Munib Rezaie M Eternal Sunshineof theSpotless Mind” Revisited: The Surrealist Poetics of MichelGondry’s Pinter: Screenwriter” in Terms of World Citizenship asaGlobal Ethic” Playground: Reevaluating theMulticultural Filmmaker Contemporary Scandinavian Cinema” “Criminal Undertakings:Nicolas Winding Refn and CHAIR: ROOM: 2
Peter Dickinson Diamond B Auteurs beyond Borders am
SAE QANTM, MELBOURNE GEORGIA STATE UNIVERSITY
SIMON FRASERUNIVERSITY UNIVERSITY OF ICELAND
oor, Lobby Level First Fl
M
SIMON FRASERUNIVERSITY
“ Amour fou
“Global
“Harold SESSION M | 9:00 – 10:45 am
M3 Situating Gender I M5 Cinematic Wardrobe Intersectional Domesticities in Japanese Modernity From Kimono to Westernized Clothing ROOM: Issaquah B Third Floor
CHAIR: Pamela Wojcik UNIVERSITY OF NOTRE DAME ROOM: Kirkland Third Floor Anna Sloan UNIVERSITY OF SUSSEX “Virgins in Italy: CHAIR: Miyoko Shimura WASEDA UNIVERSITY Tourism, Imperialism, and the American Woman in Hana Washitani WASEDA UNIVERSITY “Trafficking 1950s Hollywood Melodrama” Women and Textiles in 1930s Japanese Cinema: Theresa L. Geller GRINNELL COLLEGE “Luca Focusing on Mizoguchi Kenji’s Sisters of the Gion” Guadagnino’s Allegory of the Cave: Italian Feminism Miyuki Yonemura SENSHU UNIVERSITY “How Are and Queer Entrustment in I Am Love Io sono ‘Transfer Children’ Represented?: Focusing on Clothes l’amore)” in Animation Films of Studio Ghibli” Krista Lynes CONCORDIA UNIVERSITY “The Yoshie Osawa INDEPENDENT SCHOLAR “The Persistence of Space: A Cinema of Gendered Social Mid–1950s ‘Female Underwear Boom’ in Japanese Life in Transition” Cinema: Underwear Makes the Woman (1958) and Nick Davis NORTHWESTERN UNIVERSITY “ Leap Other Relevant Films” Year: Sex Work, Wage Labor, and the Spaces of Miyoko Shimura WASEDA UNIVERSITY “Hanae Mori: Sadomasochism” A Pioneer in the Field of Costume Design in Postwar
SPONSOR: Women’s Caucus Japanese Cinema”
4 What Is Socialist Realism? M6 Extended Vision M Reexamining Soviet Post-montage Cinema Three Studies of Cinema and Seeing
ROOM: Issaquah A Third Floor ROOM: Leschi Third Floor CHAIR: UNIVERSITY OF CHAIR: Gordon Sullivan UNIVERSITY OF PITTSBURGH
Maria Belodubrovskaya SATURDAY MARCH 22, 2014 WISCONSIN-MADISON Gordon Sullivan UNIVERSITY OF PITTSBURGH Vincent Bohlinger RHODE ISLAND COLLEGE “We Demand to See: Technics and Photogenie” “Soundtrack Design in Soviet Early Sound Film” Kalling Heck UNIVERSITY OF WISCONSIN-MILWAUKEE Elizabeth Papazian UNIVERSITY OF MARYLAND “Authority without Vision: Sátántangó and the Politics “Accessing the Real in Soviet Socialist Realism” of the Long Take” Maria Belodubrovskaya UNIVERSITY OF WISCONSIN- Adam Cottrel GEORGIA STATE UNIVERSITY “Repetition MADISON “What’s Wrong with Comedy?: Escapism, and Reprise in Jim Jarmusch’s The Limits of Control”
Propaganda, and Soviet Film Genres” RESPONDENT: Brian Price UNIVERSITY OF TORONTO Joan Neuberger UNIVERSITY OF TEXAS AT AUSTIN “Making Ivan the Terrible”
123 SESSION M | 9:00 – 10:45 am
7 Playing with Avatars 9 Conflict and Collaboration M M Analyzing the Form and Function of the Television ROOM: Medina Third Floor Industry in the 1950s CHAIR: Novotny Lawrence SOUTHERN ILLINOIS UNIVERSITY ROOM: Ravenna B Third Floor CHAIR: Jennifer Porst UNIVERSITY OF CALIFORNIA, Kalani Michell UNIVERSITY OF MINNESOTA “Toeing the Line in an Artist’s Game: A Case Study of The Artist LOS ANGELES Is Present: Marina Abramović (with Pippin Barr)” Deborah Jaramillo BOSTON UNIVERSITY “The Rise and Fall of the Television Broadcasters’ Association: TV Lyn Goeringer OBERLIN CONSERVATORY OF MUSIC Content and Trade Associations from 1943 to 1951” “No Avatar Required: Audio-reactive Games and Physical Connectivity” Jennifer Porst UNIVERSITY OF CALIFORNIA, LOS ANGELES “The Television Industry’s Struggle over the Licensing SPONSOR: Video Game Studies Scholarly Interest Group and Sale of Hollywood’s Feature Films to Television before 1955” Jonathan J. Cavallero BATES COLLEGE “Meeting Marty at the Archives: Hollywood, Television, and the Production Code Administration” All Hands on New Media M8 Quinn Miller UNIVERSITY OF OREGON “Personnel ROOM: Ravenna A Third Floor History: The Skill Sets of Screen Gems Executives” CHAIR: Dale Hudson NEW YORK UNIVERSITY ABU DHABI SPONSOR: Television Studies Scholarly Interest Group Jentery Sayers UNIVERSITY OF VICTORIA “Kits for Cultural History: Applied Approaches to Old Media and Mechanisms” Stephen Monteiro AMERICAN UNIVERSITY OF PARIS “The Fabric of the Networked Image: Contemporary 10 Global Approaches to Film Sound Screen Interface and Textile Culture” M ROOM: Ravenna C Third Floor Catherine E. Peiper UNIVERSITY OF SOUTHERN CHAIR: James Lastra UNIVERSITY OF CHICAGO CALIFORNIA “ We Are Legion: Place, Identity, and the Virally Mediated Flash Mob” Pavitra Sundar KETTERING UNIVERSITY “Thinking Sound, Rethinking History in Hindi Cinema” Dale Hudson NEW YORK UNIVERSITY ABU DHABI “Handmade Digital Experiments in Piracy” James Lastra UNIVERSITY OF CHICAGO “From Mickey Mouse to Peter Kubelka” Esra-Gokce Sahin HARVARD UNIVERSITY
MARCH 22, 2014 “Soundscape and Humor in Acharaka Comedy in SATURDAY Prewar Japan”
RESPONDENT: Charles O’Brien CARLETON UNIVERSITY
SPONSOR: Sound Studies Scholarly Interest Group
124 SESSION M | 9:00 – 10:45 am
11 Re-inventions of Stardom 13 Studies in Horror M M Temporality, Genre, Narrative ROOM: Boren Union Street Tower, Fourth Floor CHAIR: David Laderman COLLEGE OF SAN MATEO ROOM: Jefferson B Union Street Tower, Fourth Floor Noah Tsika QUEENS COLLEGE, CUNY “Honoring CHAIR: Christine Evans UNIVERSITY OF BRITISH Nollywood: African Icons on the Global Awards-show COLUMBIA Circuit” Eliot Bessette UNIVERSITY OF CALIFORNIA, BERKELEY Graeme Turner UNIVERSITY OF QUEENSLAND “Fear, Time, and Knowledge” “The Re-invention of the Media” Robert Spadoni CASE WESTERN RESERVE UNIVERSITY Jungmin Kwon UNIVERSITY OF ILLINOIS AT URBANA- “Horror Film Atmosphere as Anti-narrative (and Vice CHAMPAIGN “Queering Stars: Fan Play and Media Versa)” Industry” Josh Wucher BAYLOR UNIVERSITY “Once Upon a Time in the Undead West: Night of the Living Dead and The Walking Dead as Modern Westerns”
12 Cinema(s) in the Postcolon(ies) M A Look Inward and Outward 14 WORKSHOP ROOM: Columbia Union Street Tower, Fourth Floor M CHAIR: Olivier Tchouaffe SOUTHWESTERN UNIVERSITY The Return to Classical Film Theory
Anne Major UNIVERSITY OF TEXAS AT AUSTIN ROOM: Jefferson A Union Street Tower, Fourth Floor “Kinshasa Is Calling: The Transnational Circulation of CHAIR: Malcolm Turvey SARAH LAWRENCE COLLEGE Viva Riva!” WORKSHOP PARTICIPANTS Caitlin McClune UNIVERSITY OF TEXAS AT AUSTIN Dudley Andrew YALE UNIVERSITY “Ruptured Discourses of Nationhood: Tsitsi Dangarembga’s Films within the Zimbabwean Political Sarah Keller COLBY COLLEGE Johannes von Moltke UNIVERSITY OF MICHIGAN
Landscape” SATURDAY Masha Salazkina CONCORDIA UNIVERSITY MARCH 22, 2014 Carmela Garritano UNIVERSITY OF ST. THOMAS “Living Precariously in the African Postcolony: Mahamet-Saleh Haroun’s Daratt and Un Homme qui crie” Olivier Tchouaffe SOUTHWESTERN UNIVERSITY “ Viva Riva!: Notes on African Cinema and the Struggle for Forward Momentum”
SPONSORS: Middle East Caucus and African/African American Caucus
125 SESSION M | 9:00 – 10:45 am
15 Generating Professional Identities 16 Hispanic Musicals M Defining Creative Work within Hollywood M Nationalisms and Transnational Stars Production Cultures ROOM: University Union Street Tower, Fourth Floor ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Enrique Garcia MIDDLEBURY COLLEGE CHAIR: John Caldwell UNIVERSITY OF CALIFORNIA, Valeria Camporesi AUTONOMOUS UNIVERSITY OF LOS ANGELES MADRID “Latin Stars, Spanish Women: Lola Flores in Alisa Perren UNIVERSITY OF TEXAS AT AUSTIN the 1950s” “Drawing Lines: Creative Agency in the Contemporary Ana Lopez TULANE UNIVERSITY “La Vecindad: A Comics Industry” Musical Space for the Mexican Cinema” Miranda Banks EMERSON COLLEGE “Of Hyphenates Dolores Tierney SUSSEX UNIVERSITY and and Showrunners: Mapping the Uneasy History of the Sergio de la Mora UNIVERSITY OF CALIFORNIA, Writer-producer” DAVIS “Re-mapping Mexican Cinema of the 1970s: Avi Santo OLD DOMINION UNIVERSITY “License Music and Female Sexuality in Zona Roja” to License: Cultivating Professional Identity in the Enrique Garcia MIDDLEBURY COLLEGE “From Contemporary Character Licensing Industry” Brechtian to Hollywood Approach: The Hispanic Christopher Lucas TRINITY UNIVERSITY “Wizards Community and Salsa Music in the Documentary Our New and Old: Negotiating Creative Claims in Craft Latin Thing (Nuestra Cosa) and the Biopic/Musical El Occupations” Cantante”
SPONSOR: Media Industries Scholarly Interest Group SPONSORS: Latina/o Caucus and Transnational Cinemas Scholarly Interest Group
M17 Forms of Non-fiction Browse . . . Voices, Realisms, Disciplines, Shadows the SCMS Exhibit Area ROOM: Virginia Union Street Tower, Fourth Floor CHAIR: Claudia Springer FRAMINGHAM STATE closes at 6 pm. UNIVERSITY Saul Kutnicki INDIANA UNIVERSITY “Categorizing Reality: Genre and Verisimilitude in 1930’s Non-fiction Film” MARCH 22, 2014 SATURDAY Be sure and stop by for James V. Catano LOUISIANA STATE UNIVERSITY some great deals! “Voiceover and the Essay Film” Francesca Soans UNIVERSITY OF NORTHERN IOWA “Disciplining Documentary: Direct Cinema and the New Mainstream” Claudia Springer FRAMINGHAM STATE UNIVERSITY “Shadow Films: Documentary, Fictional Traces, and Crude”
126 SESSION M | 9:00 – 10:45 am
M18 Media and Sustainability M20 Indie Aesthetics and ROOM: Juniper Second Floor Mobile Authorship
CHAIR: Nicole Starosielski NEW YORK UNIVERSITY ROOM: Aspen Second Floor CO-CHAIR: Janet Walker UNIVERSITY OF CALIFORNIA, CHAIR: Claire Molloy EDGE HILL UNIVERSITY SANTA BARBARA Janet Staiger UNIVERSITY OF TEXAS AT AUSTIN “Proto- Alenda Chang UNIVERSITY OF CONNECTICUT indie: 1960s ‘Half-way’ Cinema” “Think Microscopically, Act Galactically?: Scaling Paul McDonald UNIVERSITY OF NOTTINGHAM Sustainability’s Many Faces with Video Games” “Sindependence: On the Dependent Independence of Bishnupriya Ghosh UNIVERSITY OF CALIFORNIA, the Star-fronted Production Company” SANTA BARBARA “Toward Symbiosis: The Role of Claire Molloy EDGE HILL UNIVERSITY “Neoliberal Scientific Animation in Greening the Virus” Aesthetics and Indie Cinema” Amy Rust UNIVERSITY OF SOUTH FLORIDA “Extraction J.J. Murphy UNIVERSITY OF WISCONSIN-MADISON and Exchange: The Zoom and Environmental “Looking through a Rearview Mirror: The Mumblecore Intension” Movement as Past Tense” Shane Brennan NEW YORK UNIVERSITY “Data at Risk: Backup Systems and the Media of Contingency”
SPONSOR: Media & the Environment Scholarly Interest Group 22 Models and Media Archeology M Time, Scale, Schema
ROOM: Everett Third Floor CHAIR: Meredith Bak FRANKLIN & MARSHALL COLLEGE Unfamiliar Feminisms 19 Patrick Ellis UNIVERSITY OF CALIFORNIA, BERKELEY “‘A M Alternative Narratives of Women’s Experimental Cinema Seventeenth-century Google Earth?’: Modeling the City from Panstereorama to Early Film” ROOM: Second Floor Madrona SATURDAY
Erkki Huhtamo UNIVERSITY OF CALIFORNIA, LOS ANGELES MARCH 22, 2014 CHAIR: Roxanne Samer UNIVERSITY OF SOUTHERN “Mechanical Theaters, Marionettes, and Media Culture CALIFORNIA in the Making” Julia Lesage Jump Cut “Feminist Experimental Meredith Bak FRANKLIN & MARSHALL COLLEGE “The Animators: Suzan Pitt and Joanna Priestley” Pervasive Zoetrope: From Model to Medium and Back Shira Segal UNIVERSITY OF COLORADO BOULDER Again” “Collaborative Experimental Film Practices: Feminism, Justin Vaccaro UNIVERSITY OF CALIFORNIA, BERKELEY Friendship, and Formalism” “World on a Wire: Scale Models, Digital Models, and Roxanne Samer UNIVERSITY OF SOUTHERN CALIFORNIA Temporal Models in the Films of Duncan Jones” “Lesbian-feminist Cinema and Moonforce Media’s SPONSOR: Silent Cinema Cultures Scholarly Interest Group National Women’s Film Circuit”
RESPONDENT: Robin Blaetz MOUNT HOLYOKE COLLEGE
SPONSORS: Women’s Caucus and Experimental Film & Media Scholarly Interest Group
127 SESSION M | 9:00 – 10:45 am
MEETING M23 WORKSHOP 9:00 – 10:45 am Rethinking Networked Culture, ROOM: Ballard Third Floor Media Audiences, and Media Content through Spreadable Media Radio Studies Scholarly Interest Group
ROOM: Redwood A Second Floor CHAIR: Paul Booth DEPAUL UNIVERSITY
WORKSHOP PARTICIPANTS Abigail De Kosnik UNIVERSITY OF CALIFORNIA, MEETING BERKELEY 10:00 – 10:45 am Sam Ford PEPPERCOMM, INC. ROOM: Chelan First Floor, Lobby Level Xiaochang Li NEW YORK UNIVERSITY Sharon Ross COLUMBIA COLLEGE Central/East/South European Ted Hovet WESTERN KENTUCKY UNIVERSITY Scholarly Interest Group
24 The Order of Desire M Sexuality, Sequential Art, and Comic Book Culture in the Late Twentieth Century
ROOM: Redwood B Second Floor CHAIR: Matthew Tinkcom GEORGETOWN UNIVERSITY Siobhan Somerville UNIVERSITY OF ILLINOIS “Graphic Details: Stuck Rubber Baby’s History of Sexuality and Race” Ramzi Fawaz UNIVERSITY OF WISCONSIN-MADISON “Stripped to the Bone: Sequencing Queerness in the Comic Strip Works of Joe Brainard and David Wojnarowicz” Shante Smalls UNIVERSITY OF NEW MEXICO “The Bodies and the Blood: Bloodstorm” MARCH 22, 2014 SATURDAY SPONSORS: Queer Caucus and Comics Studies Scholarly Interest Group
128 SATURDAY MARCH 22, 2014 129
“Death,
“Blurred “Blurred Faces”
GEORGIA STATE UNIVERSITY STATE GEORGIA
N
UNIVERSITY OF COPENHAGEN OF UNIVERSITY UNIVERSITY OF SOUTHERN SOUTHERN OF UNIVERSITY First Fl
Level Lobby oor, GEORGIA STATE UNIVERSITY STATE GEORGIA
THE NEW SCHOOL THE NEW
UNIVERSITY OF COPENHAGEN OF UNIVERSITY pm
The Precarious Aesthetic in Aesthetic The Precarious Images Moving Contemporary Diamond B Fetveit Arild M. Barker Jennifer Lippit Akira CALIFORNIA
2 ROOM: CHAIR: Love, and Cinematic Nostalgia: The Precarious The Precarious and Cinematic Nostalgia: Love, Lana Del Rey” of Aesthetic “The Wandering “The Wandering Camera” CO-CHAIR: N RESPONDENT: Genevieve Yue Genevieve Jennifer M. Barker Jennifer Fetveit Arild SESSION SESSION – 12:45 12:45 –
am
ARBARA B
March 22, 2014 March 11:00 11:00 UNIVERSITY OF CALIFORNIA, CALIFORNIA, OF UNIVERSITY First Fl
Level Lobby oor,
METROPOLITAN STATE UNIVERSITY STATE METROPOLITAN
BARBARA
UNIVERSITY OF CALIFORNIA, SANTA CALIFORNIA, OF UNIVERSITY
Framing Framing the Void Television in Film and Negation Theories of Diamond A Burris Greg SANTA
1 ROOM: CHAIR:
“Anthony Bourdain as War Correspondent: Food-and- Correspondent: War as Bourdain “Anthony and the Violence, Eastern Middle Television, travel Tolerance” Multicultural Limits of “Framing the Void in the Apocalypse Film” Apocalypse in the Void the “Framing
N Greg Burris Greg Sheila Kunkle
SATURDAY SESSION N | 11:00 am – 12:45 pm
3 Situating Gender II 5 Mediating Neoliberalism and Asia N New(d) Ecologies and Ludic Landscapes N Temporalities, Migration, and Gender in Film and TV
ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Krista Lynes CONCORDIA UNIVERSITY CHAIR: Jia Tan HONG KONG BAPTIST UNIVERSITY Jennifer Peterson UNIVERSITY OF COLORADO Jecheol Park THE NATIONAL UNIVERSITY OF SINGAPORE BOULDER “Nudist Films and the Space of “Beyond the Neoliberal Governance of Time: Wilderness” Syndromes and a Century at a Standstill” Chi-Yun Shin SHEFFIELD HALLAM UNIVERSITY “Up Feng-Mei Heberer UNIVERSITY OF SOUTHERN on the Roof: Gender, Genre, and Liminality in South CALIFORNIA “Worthy or Unworthy Life?: Me llamo Korean High School Films” Peng and the Chinese Working Body” Lokeilani Kaimana UNIVERSITY OF TEXAS AT AUSTIN Jia Tan HONG KONG BAPTIST UNIVERSITY “Shu Lea Cheang’s Speculative Ecology” “Neoliberalized Romantic Encounter: If You Are the Cary Elza DEPAUL UNIVERSITY “The Weltzerfall of One and the Gender Politics of Chinese Reality TV”
Man: Gender, Space, and the Role of Play in Post- RESPONDENT: Kara Keeling UNIVERSITY OF SOUTHERN apocalyptic Films” CALIFORNIA
SPONSOR: Women’s Caucus
N6 Locating Radio 4 Memories Unleashed The Symbolic, Cultural, and Political Dimensions N The Emergence of New Cinemas in Turkey of “Place” in North American Radio Broadcasting
ROOM: Leschi Third Floor ROOM: Issaquah A Third Floor CHAIR: Jennifer Wang INDEPENDENT SCHOLAR CHAIR: Ozgur Cicek SUNY, UNIVERSITY AT BINGHAMTON Brian Fauteux UNIVERSITY OF WISCONSIN-MADISON Melis Behlil KADIR HAS UNIVERSITY “Cinematic “Localities and Independent Music in Satellite Radio Memories: Television and YouTube as Informal Programming” Archives” Catherine Martin BOSTON UNIVERSITY “’I’ve Got My Ozgur Cicek SUNY, UNIVERSITY AT BINGHAMTON “A Eyes Open and I Can’t Be Crooked’: Female Virtue and Cinema of Resistance: Kurdish Filmmaking in Turkey” National Identity in Terry and the Pirates” Esin Paca Cengiz ROYAL HOLLOWAY, UNIVERSITY Eleanor Patterson UNIVERSITY OF WISCONSIN-MADISON “This American Franchise: Negotiating the Production
MARCH 22, 2014 OF LONDON “Portrayal of Historical Time in SATURDAY Contemporary Historical Films in Turkey” of Local Public Radio for a Global Audience” Jennifer Wang INDEPENDENT SCHOLAR “Some RESPONDENT: Defne Tüzün KADIR HAS UNIVERSITY ‘Homemakers’ Are More than Housekeepers: SPONSORS: Middle East Caucus and Central/East/South Negotiating Modern Living, Gendered Spheres, and European Cinemas Scholarly Interest Group the Rural Lifestyle in Wisconsin Radio”
SPONSOR: Radio Studies Scholarly Interest Group
130 SESSION N | 11:00 am – 12:45 pm
N7 Represent N9 Repression, Abjection, Subjection Race, Gender, and Respectability Politics in Television Comedy in the Media ROOM: Ravenna B Third Floor ROOM: Medina Third Floor CHAIR: Linda Mizejewski OHIO STATE UNIVERSITY CHAIR: Ralina Joseph UNIVERSITY OF WASHINGTON Linda Mizejewski OHIO STATE UNIVERSITY “A Poop CO-CHAIR: Khadijah White UNIVERSITY OF PENNSYLVANIA Song at the Beauty Pageant: Abjection and Femininity Jane Rhodes MACALESTER COLLEGE “New Negro, on The Sarah Silverman Program” New Woman: African Americans and Early Discourses of Respectability” Rebecca Wanzo WASHINGTON UNIVERSITY “A Tale of Two Girls: Lena Dunham, Issa Rae, and Selling the Robin Means Coleman UNIVERSITY OF MICHIGAN Abject Millennial Woman” “Image Wars: The NAACP, Media, and the Quest of Black Respectability” Martha Nochimson INDEPENDENT SCHOLAR “ Doc Martin: A Fractured Phallic Rom-com” Cherise Smith UNIVERSITY OF TEXAS AT AUSTIN “Authentically Black?: The Politics of Respectability in Victoria Sturtevant UNIVERSITY OF OKLAHOMA Key and Peele” “White People Problems: Abjection, Privilege, and Louis C.K.” Khadijah White UNIVERSITY OF PENNSYLVANIA “Missing White Women, Missing America” SPONSOR: Comedy & Humor Studies Scholarly Interest Group SPONSOR: Oscar Micheaux Society Scholarly Interest Group
10 Crisis on the Homefront N Domestic Insecurity in an Age of Endless War 8 The Mind in Midcentury Media N Mentalities on the Cusp of the Digital Age ROOM: Ravenna C Third Floor CHAIR: James Castonguay SACRED HEART UNIVERSITY ROOM: Ravenna A Third Floor SATURDAY Tony Grajeda UNIVERSITY OF CENTRAL FLORIDA MARCH 22, 2014 CHAIR: Dan Leopard SAINT MARY’S COLLEGE OF CALIFORNIA “Stand Your Ground: The Militarization of the Homefront and Home Invasion Movies” Stephen Charbonneau FLORIDA ATLANTIC UNIVERSITY “The Eyeful Power: Cognition, Active Looks, and the Anna Froula EAST CAROLINA UNIVERSITY “States of Visualization of Youth” Insecurity: The Walking Dead on the Postapocalyptic Frontier” Rebecca Sheehan CALIFORNIA STATE UNIVERSITY, FULLERTON “Visual Noise and the Anamorphic Patrice Petro UNIVERSITY OF WISCONSIN-MILWAUKEE Fragment: Information Theory and the Films of Ray “Austerity Media: Mildred Pierce and Hoarding” and Charles Eames” RESPONDENT: Andrew Martin UNIVERSITY OF WISCONSIN- Henning Engelke UNIVERSITY OF FREIBURG “Film MILWAUKEE as Model: Cybernetics and Cinematic Thinking in Postwar California” Dan Leopard SAINT MARY’S COLLEGE OF CALIFORNIA “The Encounter and the Frame: Psychoanalysis, Cybernetics, and Humanistic Psychology as Models of Reciprocation in 1960’s Media Culture” 131 SESSION N | 11:00 am – 12:45 pm
11 The Little Flashlight of the Usher 13 The Big Sleepless in Seattle N Objects in Exhibition between Spectator N Media Representations of Pacific Northwest and Screen Serial Killers
ROOM: Boren Union Street Tower, Fourth Floor ROOM: Jefferson B Union Street Tower, Fourth Floor CHAIR: Jocelyn Szczepaniak-Gillece CHAIR: James Deutsch SMITHSONIAN INSTITUTION NORTHWESTERN UNIVERSITY Thomas Doherty BRANDEIS UNIVERSITY “Ted Bundy CO-CHAIR: Stephen Groening GEORGE MASON and the Rise of the Cinematic Sociopath” UNIVERSITY James Deutsch SMITHSONIAN INSTITUTION Margaret Hennefeld BROWN UNIVERSITY “Those “Suburban Normalcy in Puget Sound: The Case of The Awful Hats: Social Uplift and the Comic Emergence of Stepfather” Film Spectatorship” Adrienne Domasin INDEPENDENT SCHOLAR Jocelyn Szczepaniak-Gillece NORTHWESTERN “Seattle’s Own: Hunting the Green River Killer in His UNIVERSITY “Seated in the Gloom: The Theater Backyard” Chair and the Spectator” RESPONDENT: Nancy Bartley The Seattle Times Stephen Groening GEORGE MASON UNIVERSITY “‘If You Don’t Want to Look at It, No One Can Force You’: Spectatorship, Agency, and Headphones”
RESPONDENT: Haidee Wasson CONCORDIA UNIVERSITY N14 WORKSHOP Film Scholarship and the Online Journal N12 WORKSHOP ROOM: Jefferson A Union Street Tower, Fourth Floor Melodrama through CHAIR: Girish Shambu CANISIUS COLLEGE a Transnational Lens WORKSHOP PARTICIPANTS Questions of Methodology Tracy Cox-Stanton SAVANNAH COLLEGE OF ART AND ROOM: Columbia Union Street Tower, Fourth Floor DESIGN CHAIR: Christine Gledhill NEW YORK UNIVERSITY Steven Shaviro WAYNE STATE UNIVERSITY John Gibbs UNIVERSITY OF READING WORKSHOP PARTICIPANTS James MacDowell UNIVERSITY OF WARWICK Jason McGrath UNIVERSITY OF MINNESOTA Koel Banerjee UNIVERSITY OF MINNESOTA MARCH 22, 2014
SATURDAY Rachel Schaff UNIVERSITY OF MINNESOTA Julia Sirmons COLUMBIA UNIVERSITY
SPONSOR: Transnational Cinemas Scholarly Interest Group
132 SESSION N | 11:00 am – 12:45 pm
N15 Production Space and N17 Expanded Materials of Cinema Manufactured Place in the ROOM: Virginia Union Street Tower, Fourth Floor Hollywood Studio System CHAIR: Kenneth Rogers YORK UNIVERSITY
ROOM: Seneca Union Street Tower, Fourth Floor Meghan Chandler UNIVERSITY OF CALIFORNIA, IRVINE CHAIR: Joshua Gleich UNIVERSITY OF TEXAS AT AUSTIN “Filming the Foundations: Kodak, Celluloid Acetate, Julie Turnock UNIVERSITY OF ILLINOIS AT URBANA- and Educational Science Films” CHAMPAIGN “Uninhibited, Thorough, and Wild Lan Le UNIVERSITY OF CALIFORNIA, SANTA BARBARA Thinking: Reconsidering the Studio Era through “Material Histories of Visualization: Particle Special Effects” Accelerators and the Epistemologies of Discovery” Joshua Gleich UNIVERSITY OF TEXAS AT AUSTIN “Fiscal Jonathan Crylen UNIVERSITY OF IOWA “From Realism: Economies and Technologies of Location Salvage Ship to Screen: Cinema’s Non- Shooting vs. Sound Stage Production in Postwar representational Technologies and the Undersea Films Hollywood” of John Ernest Williamson” Clifford Galiher UNIVERSITY OF SOUTHERN CALIFORNIA Kenneth Rogers YORK UNIVERSITY “Oil Industry/ “Bringing Baby to the Screen: A Case Study of Visual Media Industry: Petromediation and Sustainable Media Effects in a Screwball Comedy” Practice in the Era of Extreme Oil”
Christina Petersen ECKERD COLLEGE “‘And for a SPONSOR: Nontheatrical Film & Media While I Could Not Enter, for the Way Was Barred to Scholarly Interest Group Me’: Gothic Space, Subjectivity, and Spectatorship in the Studio-era Classical Hollywood Narrative”
SPONSOR: Urban Studies Scholarly Interest Group 18 Immediations N Uses and Subversions of Documentary Immediacy in Recent Autoethnographic Visual Media
ROOM: Second Floor WORKSHOP Juniper SATURDAY N16 MARCH 22, 2014 Teaching Post-production Sound CHAIR: Pooja Rangan THE NEW SCHOOL from a Sound Studies Perspective CO-CHAIR: Fatimah Tobing Rony UNIVERSITY OF CALIFORNIA, IRVINE ROOM: University Union Street Tower, Fourth Floor Tina Takemoto CALIFORNIA COLLEGE OF THE ARTS CHAIR: Vanessa Ament GEORGIA STATE UNIVERSITY “Queer Camp Cinema: Anxious Omissions in WORKSHOP PARTICIPANTS Japanese-American History and Memory” Mark Berger UNIVERSITY OF CALIFORNIA, BERKELEY Fatimah Tobing Rony UNIVERSITY OF CALIFORNIA, Jay Beck CARLETON COLLEGE IRVINE “Globalization, Sexuality, and Biopolitics in Recent Films by Indonesian Women” George Larkin UNIVERSITY OF CALIFORNIA, BERKELEY Daniel Mosquera UNION COLLEGE “Favelado/ SPONSOR: Sound Studies Scholarly Interest Group Fabulado: Participatory Indexicality and Trash Aesthetics in Contemporary Brazil” Pooja Rangan THE NEW SCHOOL “Documentary Opacities: Visualizing Autism in In My Language and Other Recent Films”
SPONSOR: Documentary Studies Scholarly Interest Group 133 SESSION N | 11:00 am – 12:45 pm
19 Extreme Weather and Global Media 22 The Experimental City N N Urban Media and Social Movements ROOM: Madrona Second Floor in the Long 1960s CHAIR: Julia Leyda SOPHIA UNIVERSITY ROOM: Everett Third Floor Jon Kraszewski SETON HALL UNIVERSITY “Televising CHAIR: Susan Lord QUEEN’S UNIVERSITY Hurricane Sandy: Global Warming, Classed Citizenship, and the Apocalypse” Joshua Malitsky INDIANA UNIVERSITY “Sara Gomez’s Encyclopedia Films and the Cuban Nonfiction Cinema Annika Olsson STOCKHOLM UNIVERSITY “Post- Network, 1961–1963” political Crisis Management: Extreme Weather Narratives in Scandinavia” Susan Lord QUEEN’S UNIVERSITY “Transits of Experimental Ethnographies: Havana in the 1960s” Diane Negra UNIVERSITY COLLEGE DUBLIN “Slow Television, Seasonal Predictability, and Springwatch” Jennifer Boles INDIANA UNIVERSITY “Sergio García, the Grupo Liberación, and Super 8 film in Mexico City, Julia Leyda SOPHIA UNIVERSITY “Weathering 1968–1972” Disaster Movies: Beasts of the Southern Wild and SharkNado!” RESPONDENT: Tamara Falicov UNIVERSITY OF KANSAS
N20 Perversion, Transgression, N23 Framing Temporality and Terrain in and the Cinema the Cinema of Hou Hsiao-hsien and Jia Zhangke ROOM: Aspen Second Floor
CHAIR: Bill Nichols SAN FRANCISCO STATE UNIVERSITY ROOM: Redwood A Second Floor Bill Nichols SAN FRANCISCO STATE UNIVERSITY “The CHAIR: Maureen Turim UNIVERSITY OF FLORIDA Transgressive Power of Sexual Perversity” Maureen Turim UNIVERSITY OF FLORIDA “A Time of Dana Plays THE UNIVERSITY OF TAMPA “Beyond Historical Weight and Feminist Consequence in the Pornography: Catherine Breillat, Auteur/Provocateur” Films of Jia and Hou” Dan Humphrey TEXAS A&M UNIVERSITY “Allegory or Christopher Lupke WASHINGTON STATE UNIVERSITY Allegorized?; or, ‘Do You Two Want to Come Over? I “Imbricated Metaphors of Social Dissolution: Just Saw The Human Centipede’” Representing Filiality and Its Discontents in the Films of Hou Hsiao-hsien and Jia Zhangke” Marc Newman UNIVERSITY OF CALIFORNIA, SANTA CRUZ “A Hand on the Knee: Gay Male Ephebophilia in Scott Nygren UNIVERSITY OF FLORIDA “Landscape as
MARCH 22, 2014 Determining Figure: Hou’s and Jia’s Conceptual and
SATURDAY Independent Cinema” Visual Framing” Li Zeng ILLINOIS STATE UNIVERSITY “The Ambiguity of ‘Truth’ in the Documentaries of Jia Zhangke”
134 SESSION N | 11:00 am – 12:45 pm
MEETING 24 After–68 11:00 am – 12:45 pm N Reassessing Revolt ROOM: Chelan First Floor, Lobby Level ROOM: Redwood B Second Floor CHAIR: Andrew Lantz TEXAS A&M UNIVERSITY Nontheatrical Film & Media Sarah Hamblin UNIVERSITY OF MASSACHUSETTS Scholarly Interest Group BOSTON “1968 under a Global Sign of Crisis” Michela Russo TEXAS A&M UNIVERSITY “The Massacre of Tlatelolco between Fiction and Documentary” Harry Benshoff UNIVERSITY OF NORTH TEXAS MEETING “Visualizing Lacanian Structure in Bernardo 11:00 am – 12:45 pm Bertolucci’s The Dreamers (2003)” ROOM: Ballard Third Floor RESPONDENT: David Gerstner COLLEGE OF STATEN ISLAND, CUNY Experimental Film & Media Scholarly Interest Group
See . . . SATURDAY
the SCMS website for MARCH 22, 2014 news and information.
cmstudies.org
135 136 SATURDAY MARCH 22, 2014 SATURDAY Catherine Grant Michael Lawrence Iain Smith O RESPONDENT: SPONSOR: between Turkish andItalianExploitation Cinema” “Remakesploitation: TransnationalBorrowings in Silent House (2011)” Horror FilmMutations:Remaking LaCasamuda(2010) Bhari Maang(1988)andthe Transnational Makeover” CHAIR: ROOM: 1
Transnational CinemasScholarly Interest Group Constantine Verevis R. Barton Palmer Diamond A Transnational FilmRemakes
UNIVERSITY OF ROEHAMPTON
UNIVERSITY OF SUSSEX
UNIVERSITY OF SUSSEX oor, Lobby Level First Fl
CLEMSON UNIVERSITY
MONASH UNIVERSITY
1:00 – 2:45
March 22,2014 Snl Take “Single
“ Khoon SESSION Marc Siegel Lisa Zaher Kenneth White O UNIVERSITY OF CHICAGO R” and ModernistRegressivity: Towards Hollis Frampton’s Activation Room ” in Cologne: Carolee SchneemannandtheElectronic Smith inGermany” CHAIR: ROOM: 2
pm
CHICAGO/UNIVERSITY OF CHICAGO Lisa Zaher Diamond B Context Avant-gardeand Aesthetics
SCHOOL OF THE ART INSTITUTEOF CHICAGO/
GOETHE UNIVERSITY FRANKFURT
STANFORD UNIVERSITY
oor, Lobby Level SCHOOL OF THE ART INSTITUTEOF
First Fl
O Uoin Technopolitics “Utopian
Ma System “Meat
“Jack SESSION O | 1:00 – 2:45 pm
3 Situating Gender III 5 Animals and Adolescence O History and Nation in Women’s Cinema O Cinema’s Human(e) Education
ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Patricia White SWARTHMORE COLLEGE CHAIR: Maria Pramaggiore NORTH CAROLINA STATE Jen Caruso MINNEAPOLIS COLLEGE OF ART AND DESIGN UNIVERSITY “Bodies, Genders, and Architecture in Jane Campion’s Gwenda Young UNIVERSITY COLLEGE CORK “Unruly Top of the Lake” Beasts: Children and Animals in Clarence Brown’s Lida Oukaderova RICE UNIVERSITY “Persistent National Velvet (1944) and The Yearling (1946)” Matter: Space, Screen, and Gender in Kira Muratova’s Lauren Pilcher UNIVERSITY OF FLORIDA “Man: A Films” Course of Study” Kathryn M. Silva ANDREWS UNIVERSITY “Daughters Maria Pramaggiore NORTH CAROLINA STATE UNIVERSITY and Sons of the Dust: Gendered History and the “Humanizing Irish Horses: Crushproof (Tickell, 1998) Cinematic Imaginary of Slavery and Emancipation” and Garage (Abrahamson, 2007)”
Daniel Grinberg INDIANA UNIVERSITY “Women in the RESPONDENT: Inga Pollmann UNIVERSITY OF NORTH Aftermath: Transnational Postwar Spaces in Daughter CAROLINA AT CHAPEL HILL from Danag”
SPONSOR: Women’s Caucus
O6 Cinematic Photography ROOM: Leschi Third Floor Expanding the Meanings of Film O4 CHAIR: Louise Hornby UNIVERSITY OF CALIFORNIA, Cinema and the Nation in East Germany LOS ANGELES
ROOM: Issaquah A Third Floor Louise Hornby UNIVERSITY OF CALIFORNIA, LOS ANGELES CHAIR: Benita Blessing UNIVERSITY OF VIENNA “Film In the Fold of Photography: Tacita Dean’s Tree
OREGON STATE UNIVERSITY Photographs” SATURDAY Sebastian Heiduschke MARCH 22, 2014 “How DEFA Claimed Germany’s Cinematic Legacy: Ryan Conrath UNIVERSITY OF ROCHESTER “Andy Locating Foundational Narratives in the Films of Warhol’s Stitches” Gerhard Lamprecht” Temenuga Trifonova YORK UNIVERSITY “Staging Mariana Ivanova MIAMI UNIVERSITY “Entertainment Time: On Gregory Crewdson’s Cinematic Socialist Style: East German Cinema’s Re- Photography” appropriation of UFA’s Genres in the Mid–1950s” Marcelina Piotrowski UNIVERSITY OF BRITISH Sabine Hake UNIVERSITY OF TEXAS AT AUSTIN “The COLUMBIA “Media, Consumption, and the Politics Popularity of High Culture: On the DEFA Opera Film” of Trash”
Benita Blessing UNIVERSITY OF VIENNA “Princes SPONSOR: CinemArts: Film & Art History and Princesses with (Socialist) Strings: Ideology and Scholarly Interest Group Puppet Fairy Tale Films”
SPONSOR: Central/East/South European Cinemas Scholarly Interest Group
137 SESSION O | 1:00 – 2:45 pm
O7 Latin American Film Culture as O9 Undermining “The System” Cosmopolitan Project, 1916–1960 The Limits and Possibilities for Subversion in 1950s American TV ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Nicolas Poppe BALL STATE UNIVERSITY CHAIR: Phoebe Bronstein GEORGIA TECH Rielle Navitski UNIVERSITY OF GEORGIA “ Cine- CO-CHAIR: Annie Berke YALE UNIVERSITY Mundial in the Silent Era: Spanish-language Film Journalism as Cosmopolitan Pedagogy” Annie Berke YALE UNIVERSITY “‘You Just Type’: The Woman Comedy Writer in 1950s Television” Nicolas Poppe BALL STATE UNIVERSITY “Early Mexican Sound Film as Alternative Vernacular Phoebe Bronstein GEORGIA TECH “Southern Modernism” Circuits: Nat King Cole, the South, and TV in the 1950s” Sarah Ann Wells UNIVERSITY OF NOTRE DAME “Parallel Modernities? The First Reception of Soviet Andrew Young UNIVERSITY OF CALIFORNIA, LOS ANGELES Cinema in South America” “From Ginsberg to Television Noir: Peter Gunn, Network TV, and the Rise of Prime Time Counterculture” Ignacio Sanchez Prado WASHINGTON UNIVERSITY “Wrestling Modernity: El Santo and the Popular Molly Schneider NORTHWESTERN UNIVERSITY Negotiation of Midcentury Mexican Capitalism” “A Tired Nonconformist: Disavowal, Liminality, and The Twilight Zone”
8 Sinophone Cinemas O O10 Mobile Media ROOM: Ravenna A Third Floor Data, Habits, Screens CHAIR: Helen Leung SIMON FRASER UNIVERSITY ROOM: Ravenna C Third Floor Alison Groppe UNIVERSITY OF OREGON CHAIR: Kirsten Ostherr RICE UNIVERSITY “Multilingualism in Singaporean Film Dialogue: Heidi Rae Cooley UNIVERSITY OF SOUTH CAROLINA Authenticity or Argument?” “Transformations Handheld: Habit-change in the Mirana Szeto UNIVERSITY OF HONG KONG Mobile Present” “Sinophone Libidinal Economy in the Age of Brittany Fiore-Silfvast UNIVERSITY OF WASHINGTON Neoliberalization and Mainlandization: Masculinities in “What We Talk about When We Talk about Data: Hong Kong SAR New Wave Cinema” Valences and the Social Performance of Digital Health Audrey Yue THE UNIVERSITY OF MELBOURNE Metrics”
MARCH 22, 2014 “Contemporary Sinophone Cinema in Australia” SATURDAY Kirsten Ostherr RICE UNIVERSITY “Untethered Technology: Aesthetics and Affordances of Mobile Health Media”
138 SESSION O | 1:00 – 2:45 pm
11 In a Queer Space at a Queer Time 13 From Kinetoscopes to Cyberculture O O People, Machines, and Media ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Michele Leigh SOUTHERN ILLINOIS UNIVERSITY ROOM: Jefferson B Union Street Tower, Fourth Floor CARBONDALE CHAIR: Tiel Lundy UNIVERSITY OF COLORADO BOULDER Brandon Arroyo CONCORDIA UNIVERSITY “Active CO-CHAIR: David Thomas UNIVERSITY OF COLORADO Pornographic Space and Sexual Affect in the DENVER Networked Gay Village” Drew Ayers NORTHEASTERN UNIVERSITY “David Curran Nault UNIVERSITY OF TEXAS AT AUSTIN “‘Shut Cronenberg’s Techno-organic Cinema” Up White Boy’: Queer Punk Fantasies of Asian Dyke Lorrie Palmer INDIANA UNIVERSITY “Fashion Police: Revenge” The Wearable Technology of Continuum” Nishant Shahani WASHINGTON STATE UNIVERSITY Graeme Stout MINNEAPOLIS COLLEGE OF ART AND “The Queer Politics of Hypothetical Time” DESIGN “F ascist Cyborgs?: Science Fiction Cinema, Sergio Rigoletto UNIVERSITY OF OREGON “Making Male Bodies, and the ‘Empowerment Clip’” Oneself Visible: Performing Queer Authenticity in the Tiel Lundy UNIVERSITY OF COLORADO BOULDER and Contemporary Italian Documentary” David Thomas UNIVERSITY OF COLORADO DENVER “Me and My Mecha: Human-controlled Robots from Aliens to Pacific Rim”
O12 WORKSHOP A Netflix World Order? 14 Breath and the Body of the Voice in ROOM: Columbia Union Street Tower, Fourth Floor O Cinema CHAIR: Kevin McDonald CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ROOM: Jefferson A Union Street Tower, Fourth Floor CHAIR: Liz Greene QUEEN’S UNIVERSITY BELFAST WORKSHOP PARTICIPANTS
Ian Garwood UNIVERSITY OF GLASGOW “Lost in Non- SATURDAY MARCH 22, 2014 Gerald Sim FLORIDA ATLANTIC UNIVERSITY translation: Analyzing Film Voices from a Position of Peter Feng UNIVERSITY OF DELAWARE Linguistic Incompetence” Sudeep Sharma UNIVERSITY OF CALIFORNIA, Liz Greene QUEEN’S UNIVERSITY BELFAST “The LOS ANGELES Gasping Breath: Controlling the Female Voice in Evan Elkins UNIVERSITY OF WISCONSIN-MADISON Hollywood Cinema”
139 SESSION O | 1:00 – 2:45 pm
15 Seeking a “Useful” Film Industry 17 Troubling the Waters O Managing the Possibilities of Advertising and O New Conceptualizations of Blackness in Cinema Promotional Film, 1910–50 and Television
ROOM: Seneca Union Street Tower, Fourth Floor ROOM: Virginia Union Street Tower, Fourth Floor CHAIR: Paul Moore RYERSON UNIVERSITY CHAIR: Michael B. Gillespie OHIO UNIVERSITY CO-CHAIR: Matthew Ogonoski CONCORDIA UNIVERSITY Allyson Nadia Field UNIVERSITY OF CALIFORNIA, Martin Johnson THE CATHOLIC UNIVERSITY OF LOS ANGELES “Third Cinema in the First World: AMERICA “The Best Advertisement Will Never Be The Aesthetics of Confrontation” Written: Industrial Film and Cinema’s Second Birth” Lisa Guerrero WASHINGTON STATE UNIVERSITY Paul Monticone UNIVERSITY OF TEXAS AT AUSTIN “Criminal Acts: The (Post)racial Economy of Crime on “Parallax Tracks?: Useful Cinema and Electric Railways Film in the Twenty-first Century” in the 1920s” Erica Edwards UNIVERSITY OF CALIFORNIA, RIVERSIDE Kit Hughes UNIVERSITY OF WISCONSIN-MADISON “The Visual Life of Black Freedom-to-secure and the “Back to the Old Film: Industrial Media Heritage at Future of the Female” International Harvester” Michael B. Gillespie OHIO UNIVERSITY “Tomorrow Matthew Ogonoski CONCORDIA UNIVERSITY “On the People: Futurestates and Speculative Visions of Race” Frontlines of Television: Wartime Television-promotion SPONSORS: African/African American Caucus and Films and Industrial Management” Oscar Micheaux Society Scholarly Interest Group SPONSOR: Nontheatrical Film & Media Scholarly Interest Group
18 On Location O Historical Perspectives at the Intersection of Place 16 Debugging Game History and Style O Forgotten Histories ROOM: Juniper Second Floor
ROOM: University Union Street Tower, Fourth Floor CHAIR: Dimitrios Latsis UNIVERSITY OF IOWA CHAIR: Henry Lowood STANFORD UNIVERSITY Iris Cahn SUNY, PURCHASE COLLEGE “Valuing Nature” Melanie Swalwell FLINDERS UNIVERSITY “Homebrew Katherine Manthorne THE GRADUATE CENTER, CUNY Game Development” “Made in New Mexico: Modern Art and the Movies” Emily Flynn-Jones YORK UNIVERSITY “Best Worst Charles Musser YALE UNIVERSITY “Weegee’s Coney Game: Kusoge” Island, 1940–1948” MARCH 22, 2014 SATURDAY Matthew Payne UNIVERSITY OF ALABAMA “Playing to Dimitrios Latsis UNIVERSITY OF IOWA “Canaletto, Score: The Erotic Economy of Atari 2600 Porn Games” Promio, Greenaway: An Eternal Landscape Braid” Raiford Guins STONY BROOK UNIVERSITY “History on SPONSOR: CinemArts: Film & Art History the Side: Desperately Seeking the Artists Lost in the Scholarly Interest Group Veneer of Arcade Time”
SPONSOR: Video Game Studies Scholarly Interest Group
140 SESSION O | 1:00 – 2:45 pm
19 Experimental Film in 8mm 22 Global Cinema Sites O Aesthetics, Economics, Access O ROOM: Everett Third Floor ROOM: Madrona Second Floor CHAIR: Jacqueline Maingard UNIVERSITY OF BRISTOL CHAIR: Federico Windhausen CALIFORNIA COLLEGE Annie Fee UNIVERSITY OF WASHINGTON “Gaumont OF THE ARTS Offers ‘La Russie Rouge’ and All Paris Takes Sides: Erika Balsom KING’S COLLEGE LONDON “Possessable Working-class Activism in Paris Cinemas, 1921–1922” Cinema: The 8mm Reduction Print and the American Virginia Luzon AUTONOMOUS UNIVERSITY OF BARCELONA Avant-garde” Quim Puig AUTONOMOUS UNIVERSITY OF BARCELONA Federico Windhausen CALIFORNIA COLLEGE OF and Jose Carlos Lozano-Redón TEXAS A&M UNIVERSITY THE ARTS “The Goethe Group: Experimental (not attending) “Early Cinema Venues in Barcelona, Filmmaking in Buenos Aires in the 1970s” Spain (1897-1930)” 920s to 1960s” Stephen Anker CALIFORNIA INSTITUTE OF THE ARTS Jasmine Trice UNIVERSITY OF CALIFORNIA, LOS ANGELES “Curating Big as Life: A Retrospective View” “Postwar Modernities and Manila Movie Theaters”
RESPONDENT: John Powers UNIVERSITY OF WISCONSIN- Jacqueline Maingard UNIVERSITY OF BRISTOL MADISON “Cinema Citizens: Cinemagoing in District Six, Cape Town, 1920s to 1960s”
O20 WORKSHOP Activist Media and MEETING Precarious Careers 1:00 – 2:45 pm Lessons from Jump Cut ROOM: Chelan First Floor, Lobby Level ROOM: Aspen Second Floor Silent Cinema Cultures CHAIR: Chuck Kleinhans Jump Cut Scholarly Interest Group SATURDAY WORKSHOP PARTICIPANTS MARCH 22, 2014 John Hess Jump Cut Julia Lesage Jump Cut Peter Steven SHERIDAN INSTITUTE OF TECHNOLOGY Thomas Waugh CONCORDIA UNIVERSITY MEETING 1:00 – 2:45 pm
ROOM: Ballard Third Floor Animated Media Studies Scholarly Interest Group
141 142 SATURDAY MARCH 22, 2014 SATURDAY Masha Salazkina Felipe PrunedaSenties Weihong Bao Aparna Frank P Revueltas” and Cinema-conscience intheFilm Theory of José “Eating Eisenstein to Survive: Monstrous Montage Film andDrama Theory” “The Questionof Huanjing(Environment) inChinese Film Need IndianFilm Theory?: A Critique” Academy” Practices of Film Theory inthe Anglo-American “Transnational Approaches to History andInstitutional CHAIR: ROOM: 1
PITTSBURGH Felipe PrunedaSenties Diamond A the Euro-American CanonI Film Theory andCriticismbeyond
NEWUNIVERSITY YORK UNIVERSITY OF CALIFORNIA,BERKELEY
CONCORDIA UNIVERSITY
oor, Lobby Level First Fl
UNIVERISTY OF PITTSBURGH
UNIVERISTY OF
De Indian “Does 3:00 – 4:45
March 22,2014
Eric Hoyt Michael Casey Anthony Tran Virginia Kuhn SESSION P
Toolbox” the Action with Film Authorship “Investigating Software to Michelle PhanandHer Anti-Phans” “Media Texts,Computers: Applying and Audiences, “Images ontheMove: Research onDemand” Screenplays and Twenty-five Years of Variety” “How to Train Your Computer to Read a Thousand Mark J. Williams Mark CHAIR: ROOM: 2
pm Andrew Myers Diamond B Archivesand Algorithms CALIFORNIA
UNIVERSITYOF WISCONSIN-MADISON
UNIVERSITYOF WISCONSIN-MADISON UNIVERSITY OF SOUTHERNCALIFORNIA DARTMOUTH COLLEGE
DARTMOUTH COLLEGE oor, Lobby Level
First Fl
UNIVERSITY OF SOUTHERN P
and
SESSION P | 3:00 – 4:45 pm
3 Sensorial Cartographies 5 Mediations P New Realisms in Contemporary Latin American P Popular Visual Culture and Political Filmmaking Cinemas in Japan
ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Leslie Marsh GEORGIA STATE UNIVERSITY CHAIR: Diane Lewis WASHINGTON UNIVERSITY Gustavo Furtado DUKE UNIVERSITY “Experimental Diane Lewis WASHINGTON UNIVERSITY “‘What Ethnographic Film and the Aesthetic Apprehension of Made Her Do It?’: Film Adaptation and the Japanese the Social” Proletarian Film Movement” Salome Skvirsky UNIVERSITY OF ILLINOIS AT CHICAGO Chika Kinoshita TOKYO METROPOLITAN UNIVERSITY “The Labor of Slow Cinema in Recent Mexican “The Public Fetus and Private Fantasy: Imaging Documentary” Technology and Representations of Women’s Leslie Marsh GEORGIA STATE UNIVERSITY “Reordering Reproductive Functions in the 1960s Japanese (Social) Sensibilities: Balancing Realisms in O Som ao Cinema” Redor” Ayako Saito MEIJI GAKUIN UNIVERSITY “Oshima and Korea: Between Fiction and Non-fiction” RESPONDENT: Ivone Margulies HUNTER COLLEGE, CUNY Yuka Kanno OTARU UNIVERSITY OF COMMERE SPONSOR: Latina/o Caucus “Racialized Desire and Violence: The Cinematic Imagination of Okinawa”
P4 African Global South Cinema ROOM: Issaquah A Third Floor P6 Animating Abstraction CHAIR: Kenneth Harrow MICHIGAN STATE UNIVERSITY Audio-visual Abstraction as a Transgression of the Moradewun Adejunmobi UNIVERSITY OF CALIFORNIA, Limits of the Image
DAVIS “The Addressivity Spectrum: African Film and ROOM: Leschi Third Floor SATURDAY
Media in the Twenty-first Century” CHAIR: Robin Curtis HEINRICH HEINE UNIVERSITY MARCH 22, 2014 Mary Ellen Higgins PENNSYLVANIA STATE UNIVERSITY DÜSSELDORF “African Cinema, beyond Recognition” CO-CHAIR: Bettina Papenburg HEINRICH HEINE UNIVERSITY DÜSSELDORF Kenneth Harrow MICHIGAN STATE UNIVERSITY “African Global South Cinema” Robin Curtis HEINRICH HEINE UNIVERSITY DÜSSELDORF “An Ethics of Abstraction: Immersive Experience and SPONSORS: African/African American Caucus and the Investigation of the World” Middle East Caucus Bettina Papenburg HEINRICH HEINE UNIVERSITY DÜSSELDORFF “Animating Science: Challenging the Abstract-figural Divide in Visualization Practices” Stefanie Stallschus BERLIN INSTITUTE OF TECHNOLOGY “Animated Landscapes: The Experience of Abstraction in Film and Video Art”
RESPONDENT: Suzanne Buchan MIDDLESEX UNIVERSITY
SPONSORS: Animated Media and Experimental Film & Media Scholarly Interest Groups 143 SESSION P | 3:00 – 4:45 pm
7 “Women Contained” 9 The Bad Boys of Cable P Figuring Feminism in the Films of Todd Haynes P Violent Men and “Quality” Television
ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Rebecca Gordon REED COLLEGE CHAIR: Ina Hark UNIVERSITY OF SOUTH CAROLINA CO-CHAIR: Noah Tsika QUEENS COLLEGE, CUNY Michael Faucette CALDWELL COMMUNITY COLLEGE Matthew Von Vogt INDIANA UNIVERSITY “Structural “‘I Just Never Thought of Myself as an Angry Man’: Anorexia in Superstar” Justified and the Representation of Southern Jess Issacharoff UNIVERSITY OF IOWA “ Poison’s Oath Masculinity in the Age of Platinum Television” in Another Language: Todd Haynes’ Feminist Promise” Ina Hark UNIVERSITY OF SOUTH CAROLINA “Walt Michael Hetra UNIVERSITY OF IOWA “Music and the White Man: Breaking Bad’s Ethnic Cleansing Narrative” Vicissitudes of Desire in Todd Haynes’s Mildred Pierce” Thomas Witholt SYRACUSE UNIVERSITY “Heartless Melodrama: The Misogynistic Displacement of Pathos RESPONDENT: Maria San Filippo INDIANA UNIVERSITY in Quality TV” SPONSOR: Queer Caucus Anna Siomopoulos BENTLEY UNIVERSITY “Defending Dark Passengers: Narrative Strategies and Graphic Violence in ‘Quality’ Television Series”
P8 Documentary, Data, and Contagious Archives ROOM: Ravenna A Third Floor P10 Queer Girls on Film CHAIR: Daniel Marcus GOUCHER COLLEGE ROOM: Ravenna C Third Floor CO-CHAIR: Selmin Kara ONTARIO COLLEGE OF ART AND CHAIR: Barbara Brickman THE UNIVERSITY OF DESIGN UNIVERSITY ALABAMA Selmin Kara ONTARIO COLLEGE OF ART AND DESIGN Kristen Hatch UNIVERSITY OF CALIFORNIA, IRVINE UNIVERSITY “Hooligan Media: Istanbul Gezi Protests “Things No Child Should Be Taught: Girls’ and Contagious Archives” Performances of Desire” Scott Krzych COLORADO COLLEGE “Stock Andrew Scahill GEORGETOWN UNIVERSITY “Stars and Politics: Paradigmatic Images in Citizens United Other Celestial Bodies: Heavenly Creatures and Queer Documentaries” Spectatorship” Anna Fisher CORNELL UNIVERSITY “A System of Lindsey Payne SAN FRANCISCO STATE UNIVERSITY Users: Parasitism in a Networked Age” “Matilda’s Reversal of Innocence: A Queer Fairy Tale” MARCH 22, 2014 SATURDAY Patrick Keilty UNIVERSITY OF TORONTO “Indexing Barbara Brickman THE UNIVERSITY OF ALABAMA “Girls Pornographic Databases: Spectatorship, Navigation, in Chains: Beating Fantasies and Queer Girlhoods in and Narrative in an Electronic Age” 1950s Film” SPONSOR: Documentary Studies Scholarly Interest Group
144 SESSION P | 3:00 – 4:45 pm
P11 Film History, Politics, and P13 New Perspectives on Film Noir Aesthetics after Kracauer ROOM: Jefferson B Union Street Tower, Fourth Floor
ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Robert Silberman UNIVERSITY OF MINNESOTA CHAIR: Gertrud Koch FREE UNIVERSITY BERLIN Cristelle Maury UNIVERSITY OF TOULOUSE II-LE MIRAIL Johannes von Moltke UNIVERSITY OF MICHIGAN “‘He’s Dead Now, Except He’s Breathing’; or, The “‘History’ as Classical Film Theory” Bright Side of Film Noir” Nicholas Baer UNIVERSITY OF CALIFORNIA, BERKELEY Will Scheibel INDIANA UNIVERSITY “Dark “Historical Turns” Illuminations: The Image-making of American Film Noir” Gertrud Koch FREE UNIVERSITY BERLIN “Historicity, History, and the Necessity for Fiction: On Kracauer’s Yuki Nakayama UNIVERSITY OF MICHIGAN “Crossing Assumptions about the Aesthetics of Film and History” the Line: Japanese Film Noir and Ishii Teruo” Philip Rosen BROWN UNIVERSITY “Medium Richard Ness WESTERN ILLINOIS UNIVERSITY Specificity and the Exceptional in Kracauer’s Theory “Dreaming of a Black Christmas: The Yuletide Motif in of History” Film Noir”
12 The Mirror Has Three Faces P14 WORKSHOP P New Approaches to Cinema and the Historical The Pedagogy of Pornography Avant-garde The Current and Future Status of Porn Studies in Academia ROOM: Columbia Union Street Tower, Fourth Floor CHAIR: Jennifer Wild UNIVERSITY OF CHICAGO ROOM: Jefferson A Union Street Tower, Fourth Floor CO-CHAIR: Jennifer Peterson UNIVERSITY OF COLORADO CHAIR: John Stadler DUKE UNIVERSITY BOULDER WORKSHOP PARTICIPANTS
Mal Ahern YALE UNIVERSITY “Electric Affinities: Close SATURDAY Up and Queer Modernism” Constance Penley UNIVERSITY OF CALIFORNIA, MARCH 22, 2014 SANTA BARBARA Gordon Hughes RICE UNIVERSITY “Fernand Léger’s Diana Pozo UNIVERSITY OF CALIFORNIA, Cinematic Tableau” SANTA BARBARA David Mather MASSACHUSETTS INSTITUTE OF Feona Attwood MIDDLESEX UNIVERSITY TECHNOLOGY “Psychosocial Disruption in Early John Stadler DUKE UNIVERSITY Italian Film and Futurism” SPONSOR: Media Literacy + Pedagogical Outreach Yvonne Zimmermann PHILIPPS UNIVERSITY OF Scholarly Interest Group MARBURG “Reconsidering the European Avant- garde in the 1930s in the Context of Non-theatrical Film Culture”
RESPONDENT: Christophe Wall-Romana UNIVERSITY OF MINNESOTA
SPONSORS: CinemArts: Film & Art History and Silent Cinema Cultures Scholarly Interest Groups
145 SESSION P | 3:00 – 4:45 pm
P15 Niche Models of Online Media P17 WORKSHOP Distribution Killing Trayvon Martin, Again On the Media, the Verdict, and the Vox Populi ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Jennifer Hessler UNIVERSITY OF CALIFORNIA, ROOM: Virginia Union Street Tower, Fourth Floor SANTA BARBARA CHAIR: Anna Everett UNIVERSITY OF CALIFORNIA, Chelsea McCracken UNIVERSITY OF WISCONSIN- SANTA BARBARA MADISON “Expanding the Margins: Independent CO-CHAIR: Kristen Warner UNIVERSITY OF ALABAMA LGBTQ Cinema in the Digital Age” WORKSHOP PARTICIPANTS Kathryn Frank UNIVERSITY OF MICHIGAN “Going Nsenga Burton GOUCHER COLLEGE Legit: Crunchyroll and Managing the Transition from Mia Mask VASSAR COLLEGE Illegal to Licensed Online Streaming Content” Brandeise Monk-Payton BROWN UNIVERSITY Abigail De Kosnik UNIVERSITY OF CALIFORNIA, Amy Ongiri UNIVERSITY OF FLORIDA BERKELEY “Exploitation Film Fandom and Piracy: A Eric Pierson UNIVERSITY OF SAN DIEGO Case Study of a Private Torrent Tracker” SPONSOR: African/African American Caucus Jennifer Hessler UNIVERSITY OF CALIFORNIA, SANTA BARBARA “Mubi and the Online Distribution of ‘Quality’ Cinema”
18 Beyond Bond P Alternative Perspectives on the James Bond Franchise 16 Pioneering Visions P New Perspectives on the Silent Era ROOM: Juniper Second Floor CHAIR: Seung-hoon Jeong NEW YORK UNIVERSITY ROOM: University Union Street Tower, Fourth Floor ABU DHABI CHAIR: Joanna Rapf UNIVERSITY OF OKLAHOMA Richard Allen NEW YORK UNIVERSITY “Hitchcock and Joshua Moss INDEPENDENT SCHOLAR “Arrested Bond” Developments: Early Narrative and the Figural Episodic in Georges Méliès’ L’affaire Dreyfus (1899)” Jaap Verheul NEW YORK UNIVERSITY “This Never Happened to the Other Fellow: George Lazenby as the Hilde D’haeyere UNIVERSITY COLLEGE GHENT “High Non-Bond” Kicks: Ernest Belcher Screen Ballets in Mack Sennett Slapstick Comedies” James Chapman UNIVESITY OF LEICESTER “The Forgotten Bond: The CBS Adaptation of Casino Royale Ned Thanhouser THANHOUSER COMPANY FILM MARCH 22, 2014
SATURDAY (1954)” PRESERVATION, INC. “Lloyd F. Lonergan: Studio Co- founder and Prolific Scenario Writer (1910 to 1917)” Meenasarani Murugan NORTHWESTERN UNIVERSITY “‘Unlike Men, the Diamonds Linger’: Bassey and Bond Joanna Rapf UNIVERSITY OF OKLAHOMA “The Fifth beyond the Theme Song” Warner Brother: Harry Rapf between 1916 and 1924”
SPONSOR: Silent Cinema Cultures Scholarly Interest Group
146 SESSION P | 3:00 – 4:45 pm
19 Video Games and Comedy 22 Musics and Medias P Between Laughter and Performance P ROOM: Everett Third Floor ROOM: Madrona Second Floor CHAIR: Norma Coates UNIVERSITY OF WESTERN CHAIR: Manuel Garin POMPEU FABRA UNIVERSITY ONTARIO Ian Jones UNIVERSITY OF CHICAGO “The Obstinate Shawn VanCour NEW YORK UNIVERSITY “In Search of Avatar: On (the Lack of) Bodily Intelligence in Recent Spectacular Sound: Aesthetic Innovation in Classical Slapstick Videogames” Music Programming on Early US Television” Jaroslav Švelch CHARLES UNIVERSITY “Making Lindsay Affleck UNIVERSITY OF CALIFORNIA, LOS ANGELES Mischief in Video Games: The Player and the Engine “The Young Man with a Horn: Harry James and as Co-creators of Physical Humor in Simulated Video the Intersection of the Big Band Era and Classical Game Spaces” Hollywood” Manuel Garin POMPEU FABRA UNIVERSITY “Koopa Christopher Cwynar UNIVERSITY OF WISCONSIN-MADISON in the Face: Sight Gags and Comedic Performance in “Unbuttoning National Public Radio: Assessing the Place Nintendo’s Super Smash Bros.” of Popular Music in NPR’s Current Affairs Programming” Costantino Oliva UNIVERSITY OF MALTA “Comedic Norma Coates UNIVERSITY OF WESTERN ONTARIO Affordances in Digital Game Soundscapes” “‘5% of It Is Good’:” Leonard Bernstein, CBS Reports, and the Cultural Accreditation of Rock Music” SPONSORS: Video Game and Comedy & Humor Studies
Scholarly Interest Groups SPONSOR: Radio Studies Scholarly Interest Group
20 Acting Indie MEETING P Aesthetics, Industry, and Performance in American Independent Cinema 3:00 – 4:45 pm
ROOM: Chelan First Floor, Lobby Level ROOM: Aspen Second Floor SATURDAY MARCH 22, 2014 CHAIR: Cynthia Baron BOWLING GREEN STATE Cognitive/Analytical UNIVERSITY Scholarly Interest Group Cynthia Baron BOWLING GREEN STATE UNIVERSITY “A Continuum of ‘Alternative’ Performance Styles in American Independent Cinema” Yannis Tzioumakis UNIVERSITY OF LIVERPOOL “’Independent,’ ‘Indie,’ and ‘Indiewood’ Film MEETING Performance” pm Gary Needham NOTTINGHAM TRENT UNIVERSITY 3:00 – 4:45 “Towards a Preliminary Typology of Bad Acting in ROOM: Ballard Third Floor Underground Cinema” Television Studies Christine Holmlund UNIVERSITY OF TENNESSEE Scholarly Interest Group “Navigating Genre, Tweaking Type: John Cusack, Indiewood Actor”
147 148 SATURDAY MARCH 22, 2014 SATURDAY Patrick Noonan Jason McGrath Katarina Mihailovic Q RESPONDENT: Aesthetics andChinese‘Suppositionality’” of French Auteurist Discourse” ‘Desert of Individualism’: The Yugoslav Appropriation Film Theory” Japanese 1960s “The Struggle in Theory: Re-thinking and Translating CHAIR: ROOM: 1
SANTA Naoki Yamamoto Patrick Noonan Diamond A the Euro-American CanonII Film Theory andCriticismbeyond BERKELEY
BARBARA
UNIVERSITY OF MINNESOTA UNIVERSITY OF CALIFORNIA,BERKELEY
CONCORDIA UNIVERSITY oor, Lobby Level First Fl
UNIVERSITY OF CALIFORNIA,
UNIVERSITY OF CALIFORNIA, 5:00 – 6:45
March 22,2014
“Digital
“The
SESSION Laura Balladur Alanna Thain Livia Monnet Nadine Boljkovac Q Excorporations: New Ecologies of Screendance” Body inDaniel A. Belton’s Dance Films” Physics, Affective Ecologies, andthe Architectural Memory of Where theDance HasBeen:Quantum Life: Love andChance through Wenders’ Pina” Discipline inTango Libre” CHAIR: ROOM: 2
pm Livia Monnet Diamond B Screendance and Science inContemporary Affective Ecologies, Embodiment,
UNIVERSITY OF MONTREAL MCGILL UNIVERSITY
BATES COLLEGE
BROWN UNIVERSITY
oor, Lobby Level First Fl
UNIVERSITY OF MONTREAL Q
Dne and “Dance
“Refiguring
Fahs of “Flashes “The SESSION Q | 5:00 – 6:45 pm
Q3 Queer Contexts Q5 Indian Cinema in the 1930s ROOM: Issaquah B Third Floor ROOM: Kirkland Third Floor CHAIR: Lucas Hilderbrand UNIVERSITY OF CHAIR: Neepa Majumdar UNIVERSITY OF PITTSBURGH CALIFORNIA, IRVINE Debashree Mukherjee NEW YORK UNIVERSITY “Paper Rosalind Galt KING’S COLLEGE LONDON “Thai Genre Empire: A Transnational Tale of the Continuity Script Films on the World Stage: The Popular as a Mode of and how it Contributed to the 1930s Bombay Film Queer Globality” Industry” Bryan Wuest UNIVERSITY OF CALIFORNIA, LOS ANGELES Sonal Acharya UNIVERSITY OF CALIFORNIA, BERKELEY “Distributing Queer: An Industrial Analysis of LGBT “From Raja Harishchandra to Ayodhya Ka Raja (1932): Niche Media” Continuities between Stage and Screen in the Early Candace Moore UNIVERSITY OF MICHIGAN Sound Film” “Producing Black Lesbian Media” Anupama Kapse QUEENS COLLEGE, CUNY “At Home Jih-Fei Cheng UNIVERSITY OF SOUTHERN CALIFORNIA in One’s Voice: Melodrama and Aural Performance in “‘How to Survive a Plague’ in the (Queer) Context of the Early Sound Film”
Historical Time” SPONSOR: Asian/Pacific American Caucus
SPONSOR: Queer Caucus
Q6 Film and the Serial World Q4 Staging Spain Theory, Audience, Diegesis Performance and Acting in Spanish Cinema ROOM: Leschi Third Floor CHAIR: Scott Higgins WESLEYAN UNIVERSITY ROOM: Issaquah A Third Floor CHAIR: Dean Allbritton COLBY COLLEGE Julika Griem GOETHE UNIVERSITY FRANKFURT Eva Woods VASSAR COLLEGE “Acting for the Camera: “Mundophoria?: Accounting for the Profusion of Vast
Serial Worlds” SATURDAY
Spanish Film of the 1920s” MARCH 22, 2014 Tom Whittaker UNIVERSITY OF LIVERPOOL “Sounding Ilka Brasch UNIVERSITY OF HANNOVER “Structuring Authentic: Direct Sound and Spanish Vocal Serial Worlds: New and Fictional Media in Film Serials Performance in the 1970s” of the 1910s” Alejandro Melero UC3M “Performing Sex” Rafael Vela EASTSIDE MEMORIAL HIGH SCHOOL “Creating the Ideal Youth Gang” Dean Allbritton COLBY COLLEGE “Playing Sick: Representing Illness on the Spanish Screen” Scott Higgins WESLEYAN UNIVERSITY “A World of Play: Narrative Architecture in the Sound Serial”
149 SESSION Q | 5:00 – 6:45 pm
7 Post-traumatic Cinema 9 Postwar TV Moments Q War, Affect, and Representation Q ROOM: Ravenna B Third Floor ROOM: Medina Third Floor CHAIR: Minette Hillyer VICTORIA UNIVERSITY OF CHAIR: John Urang MARYLHURST UNIVERSITY WELLINGTON John Urang MARYLHURST UNIVERSITY “I Was Minette Hillyer VICTORIA UNIVERSITY OF WELLINGTON Nineteen: Konrad Wolf’s Post-traumatic Picaresque” “Adventure at Home: Museums, Images, and Nora M. Alter TEMPLE UNIVERSITY “Trauma Replay” Domesticated Culture in Postwar American Television” David Denny MARYLHURST UNIVERSITY “From the Michelle Kelley NEW YORK UNIVERSITY “Grassroots Reality of War to the Real of War in Restrepo” TV: Local Public Service Broadcasting of the Civil Rights Era, 1954–1965” Hilary Neroni UNIVERSITY OF VERMONT “Authenticity and Other Lies: The Reign of the Biodetective in Zero Todd Kushigemachi UNIVERSITY OF CALIFORNIA, Dark Thirty” LOS ANGELES “Personality Problem: How Johnny Staccato both Reinforces and Complicates the Legend of John Cassavetes”
Q8 New Media History ROOM: Ravenna A Third Floor 10 Kids, Tweens, and Teens CHAIR: Michael Z. Newman UNIVERSITY OF Q How TV Networks Capture the Youth Demo WISCONSIN-MILWAUKEE ROOM: Ravenna C Third Floor Michael Z. Newman UNIVERSITY OF WISCONSIN- CHAIR: Maria Boyd GEORGIA STATE UNIVERSITY MILWAUKEE “When Television Marries Computer: Early Video Games and the History of Convergence” Cynthia Maurer RUTGERS UNIVERSITY “Rebranding Nickelodeon: How Did the First Network for Kids Make Andrew Bottomley UNIVERSITY OF WISCONSIN- it Work?” MADISON “What Is Internet Radio?: A Historical Genealogy of the Discourses of Radio in the Digital Christina Hodel UNIVERSITY OF KANSAS “The Best Era” of both Worlds: Disney’s Ingenious Tween Marketing Ploys” Megan Ankerson UNIVERSITY OF MICHIGAN “Web History as Imagined Futures: The Discipline of Web Maria Boyd GEORGIA STATE UNIVERSITY “The Third Design and the Dot-com Speculative Bubble” Wave of MTV: Entertainment Anywhere” William Boddy BARUCH COLLEGE, CUNY “‘Another
MARCH 22, 2014 TV Apocalypse’: Aereo and the Future of Broadcast SATURDAY Television”
150 SESSION Q | 5:00 – 6:45 pm
11 Indie DIY 2.0 13 The Western and Its Afterlives Q Revising Creative and Economic Relationships Q New Approaches to the Oldest Genre
ROOM: Boren Union Street Tower, Fourth Floor ROOM: Jefferson B Union Street Tower, Fourth Floor CHAIR: Sarah Sinwell NORTHEASTERN UNIVERSITY CHAIR: Matt Hauske UNIVERSITY OF CHICAGO Chuck Tryon FAYETTEVILLE STATE UNIVERSITY Matt Hauske UNIVERSITY OF CHICAGO “Contingency, “Crowdfunding, Independence, Authorship” Digital Cinema, and the Western” Mark Gallagher UNIVERSITY OF NOTTINGHAM Chelsea Wessels UNIVERSITY OF ST ANDREWS “Smaller-screen Soderbergh” “Beyond the West(ern): The Story of the Kelly Gang Sarah Sinwell NORTHEASTERN UNIVERSITY and Genre Fragmentation” “Kickstarting Indie: Crowdsourcing, Independent Richard Grusin CENTER FOR 21ST CENTURY STUDIES Financing, and Art House Exhibition” “Landscape, Distance, and Diegesis in the Westerns of John Ford” RESPONDENT: Janet Staiger UNIVERSITY OF TEXAS AT AUSTIN Jennifer Myers UNIVERSITY OF WASHINGTON TACOMA “‘I’ve Grown Old’: Revising the Western Narrative in the New Millennium”
Q12 WORKSHOP Crisis, What Crisis? Archives in the Digital Age 14 Branding Citizenship ROOM: Columbia Union Street Tower, Fourth Floor Q Sport, Media, and National Identity CHAIR: Theresa Scandiffio TIFF BELL LIGHTBOX ROOM: Jefferson A Union Street Tower, Fourth Floor WORKSHOP PARTICIPANTS CHAIR: Neil Ewen UNIVERSITY OF PORTSMOUTH Janine Marchessault YORK UNIVERSITY Neil Ewen UNIVERSITY OF PORTSMOUTH “Pomp, Theresa Scandiffio TIFF BELL LIGHTBOX Circumstance, and ‘Multicultural Crap’: A Critical YORK UNIVERSITY Analysis of the London 2012 Olympic Opening
Michael Zryd SATURDAY MARCH 22, 2014 Jeffery Lambert NATIONAL FILM PRESERVATION Ceremony and Other Recent British Events” FOUNDATION Joe Tompkins ALLEGHENY COLLEGE “There Will Susan Oxtoby UNIVERSITY OF CALIFORNIA, BERKELEY Never Be a ‘Gay Jackie Robinson’: Melodrama, Sport, and the Politics of Identity” Kate Ranachan UNIVERSITY OF MINNESOTA “More than a Club: FC Barcelona and the Selling of Catalunya” David Zeglen GRAND RAPIDS COMMUNITY COLLEGE “Mr. Rodman Goes to Pyongyang: Basketball Diplomacy as North Korean Propaganda”
151 SESSION Q | 5:00 – 6:45 pm
Q15 Roadshows to Revisionism Q17 WORKSHOP Mapping Shifts in Distribution and Exhibition from Media Systems in East Asia the 1950s to the Present ROOM: Virginia Union Street Tower, Fourth Floor ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Alexander Zahlten HARVARD UNIVERSITY CHAIR: Colleen Glenn COLLEGE OF CHARLESTON CO-CHAIR: Dennis Bingham INDIANA UNIVERSITY-PURDUE WORKSHOP PARTICIPANTS UNIVERSITY INDIANAPOLIS Joshua Neves BROWN UNIVERSITY Dennis Bingham INDIANA UNIVERSITY-PURDUE UNIVERSITY Yuriko Furuhata MCGILL UNIVERSITY INDIANAPOLIS “‘Hey, Big Spender’: How Bob Xiao Liu BROWN UNIVERSITY Fosse Ran Afoul of Roadshows and Discovered the SPONSOR: Asian/Pacific American Caucus Revisionist Musical” Colleen Glenn COLLEGE OF CHARLESTON “In and Out at the Kentucky Theater: Adult Movie Houses of the 1970s and Changes in Exhibition and Spectatorship” Sound, Vision, and Experience in Daniel Smith-Rowsey SACRAMENTO STATE UNIVERSITY Q18 “Imaginative Indices and Deceptive Domains: Lucien Castaing-Taylor and Véréna Examining Netflix’s Categories and Genres” Paravel’s Leviathan (2012)
Cameron Lindsey NEW YORK UNIVERSITY “It’s ROOM: Juniper Second Floor the End of TV as We Know It: The Shift to Internet CHAIR: Christopher Pavsek SIMON FRASER Programming and Distribution” UNIVERSITY Christopher Pavsek SIMON FRASER UNIVERSITY “Where’s the Sense in Sensory Ethnography?” Ohad Landesman TEL AVIV UNIVERSITY “Faraway, So Close: Leviathan and the Digital Future of 16 New Silent Cinema Observational Ethnography” Q Digital Anachronisms and Celluloid Specters Eirik Frisvold Hanssen NORWEGIAN UNIVERSITY OF ROOM: University Union Street Tower, Fourth Floor SCIENCE AND TECHNOLOGY “’His Eyes Are like the CHAIR: Paul Flaig UNIVERSITY OF ABERDEEN Rays of Dawn’: Color Vision and Embodiment in Constance Balides TULANE UNIVERSITY “ Hugo/ Leviathan”
Méliès, Digital/Nitrate, 3-D/Stereoscope, Narrative/ RESPONDENT: Catherine Russell CONCORDIA UNIVERSITY Attractions, Database/Cinema: Intertext as Archive in SPONSOR: Experimental Film & Media
MARCH 22, 2014 ‘New Silent Film’” SATURDAY Scholarly Interest Group Jonah Corne UNIVERSITY OF MANITOBA “After Life, Early Cinema: Remaking the Past with Hirokazu Koreeda” Katherine Groo UNIVERSITY OF ABERDEEN “Archives for a Future History” James Cahill UNIVERSITY OF TORONTO “A YouTube Bestiary: Some Theses on the Post-cinema of Animal Attractions”
SPONSOR: Silent Cinema Cultures Scholarly Interest Group 152 SESSION Q | 5:00 – 6:45 pm
Q19 Gender and Transmediated Q22 Cinematic Spaces in the Urban Celebrity Global South Genres of the Real and the Making of Contemporary Celebrity ROOM: Everett Third Floor CHAIR: Leigh Duck UNIVERSITY OF MISSISSIPPI ROOM: Madrona Second Floor Paulina Suarez-Hesketh NEW YORK UNIVERSITY CHAIR: Sarah Banet-Weiser UNIVERSITY OF “Dancing Pictures, Mobile Publics (Mexico City, SOUTHERN CALIFORNIA 1930s–1950s)” Brenda Weber INDIANA UNIVERSITY “From Kim K to Irene Rozsa CONCORDIA UNIVERSITY “Havana’s Farrah A: The Gendered Realities of Reality Celebrity” 1950s Film Culture: Redrawing Topographies, Julie Wilson ALLEGHENY COLLEGE “The Monkees of Updating Chronologies” Momastery: Maternal Celebrity and Collective Affect in Mary Woods CORNELL UNIVERSITY “Rights to the City Digital Media Culture” in the Reel Streets of Contemporary Urban India” Hannah Hamad KING’S COLLEGE LONDON “Reach for RESPONDENT: Sabine Haenni CORNELL UNIVERSITY the Tsars: Reality Celebrity and UK Government Policy in Coalition Britain” SPONSOR: Urban Studies Scholarly Interest Group Laurie Ouellette UNIVERSITY OF MINNESOTA “Rachel Zoe and the Cultural Economy of the Celebrity Stylist”
MEETING 5:00 – 6:45 pm
ROOM: Chelan First Floor, Lobby Level Q20 WORKSHOP Teaching Women/Gender and Film Transnational Cinemas Scholarly Interest Group ROOM: Aspen Second Floor CHAIR: Antje Ascheid UNIVERSITY OF GEORGIA CO-CHAIR: BROOKLYN COLLEGE, CUNY
Paula J. Massood SATURDAY MARCH 22, 2014 WORKSHOP PARTICIPANTS MEETING Pamela Wojcik UNIVERSITY OF NOTRE DAME 5:00 – 6:45 pm E. Ann Kaplan STONY BROOK UNIVERSITY Patrice Petro UNIVERSITY OF WISCONSIN-MILWAUKEE ROOM: Ballard Third Floor Dona Kercher ASSUMPTION COLLEGE Media & the Environment SPONSOR: Women’s Caucus Scholarly Interest Group
MEETING 7:00 – 8:45 pm
ROOM: Ballard Third Floor African/African American Caucus 153 154 SATURDAY MARCH 22, 2014 emeritus andco-editor of JumpCut based filmmaker andmusicianEricOstrowski. Specialintroduction by ChuckKleinhans, Northwestern University professor rarely screened 16mmfilmprints,originallive accompaniment led by Lori Goldston, andalive performance by Seattle- current filmartists, who explore therhythmic andsomatic dimensionsof animated movement. The program includes Northwest. The program putsSmith’s pioneeringEarly Abstractions inconversation with someof hiscontemporaries and A filmprogram inspired by theearly animated filmsof Harry Smith,anartistandethnomusicologist borninthePacific SPECIAL EVENT Eric Ostrowski, Sidewalkography Sponsored by theNorthwest FilmForum andthe Animated Media, CinemArts:Film& Art History, and Please arrive early—limited number of complimentary tickets/seats reserved for SCMSmembers,
Harry Smith, and the Animation of Bodily Rhythms Harry Smith,FilmNumber 15:Untitled Seminole Patchwork Film,(c. 1965-66) Harry Smith’s “Early Abstractions” MEETING PROGRAM CURATED BY: to beclaimed with conference badgeatthe venue before 7:30 Early Abstractions Please refer to Seattle vicinity maponpage30for location. Cinema Journal Experimental Film&Media Scholarly Interest Groups. media journal. mediajournal. Izabella Pruska-Oldenhof, Fugitive L(i)ght (2005) LOCATION: Jud Yalkut, Saturday, March 22,2014 ROOM: Rani Singh AllaGadassik Storm deHirsch,Peyote Queen Jodie Mack, GlisteningThrills (2013) (2004), with live accompaniment by EricOstrowski andGarek Druss Cirrus Northwest FilmForum (1946–1952), with live accompaniment by Lori Goldston Len Lye, Color Cry 8:00 – 10:00
Hy Hirsh,Eneri(1953) Us Down by theRiverside (1966)
7:30
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Editorial Board Meeting GETTY RESEARCH INSTITUTE
–
8:45 NORTHWESTERN UNIVERSITY pm (1952) (1952) pm 12th Ave. 1515
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and pm .
SUNDAY MARCH 23, 2014 155 “The
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R WASHINGTON UNIVERSITY WASHINGTON
First Fl Level Lobby oor,
NEW YORK YORK UNIVERSITY NEW
CARNEGIE MELLON UNIVERSITY MELLON CARNEGIE OKLAHOMA STATE UNIVERSITY STATE OKLAHOMA
WASHINGTON UNIVERSITY WASHINGTON
am War/Film Diamond B Decker Todd
2 ROOM: CHAIR: the Heart of Nature: Calm, Chaos, and the Incoherent and the Incoherent Calm, Chaos, Nature: of the Heart ” Line Thin Red The Malick’s Terrance of Text “Comedies, Cartoons, and Carnage: World War I in War World and Carnage: Cartoons, “Comedies, Short Films” Comic American Joshua in Critique and ‘Unmapping’ of Aesthetics (2012)” Killing of Act The Oppenheimer’s Music” R Jeff Hinkelman Jeff Clayton Dillard Clayton Decker Todd Minz Christopher SESSION SESSION
March 23, 2014 March 9:00 – 10:45 10:45 – 9:00 UNIVERSITY OF NOTRE NOTRE OF UNIVERSITY
NEW YORK YORK UNIVERSITY NEW
First Fl Level Lobby oor,
UNIVERSITY OF NOTRE DAME NOTRE OF UNIVERSITY
UNIVERSITY WISCONSIN-MADISON OF UNIVERSITY
DAME Protest and Participation in and Participation Protest Media Contemporary Diamond A Hampton Darlene
1 ROOM: CHAIR:
“Doctor ‘Who Cares?’: Fannish Recoding of Science Science of Recoding Fannish ‘Who Cares?’: “Doctor Tumblr” on Fiction Narratives “How to Watch a TED Talk: Assessing the Audience Audience Assessing the Talk: TED a Watch to “How Sites” Public Knowledge Online for Playbook “#BoycottInstagram: Consumer Resistance or Labor Labor or Resistance Consumer “#BoycottInstagram: Strike?”
R Darlene Hampton Darlene Sarah Murray Sarah Laura Portwood-Stacer Laura
SUNDAY SESSION R | 9:00 – 10:45 am
R3 Historicity, Memory, and New R5 Photojournalism and Film in India Aesthetics of Transgression Three Historical Perspectives A Reinterpretation of Cinematic Objects in Latin ROOM: Kirkland Third Floor American Cinema CHAIR: Sudhir Mahadevan UNIVERSITY OF
ROOM: Issaquah B Third Floor WASHINGTON CHAIR: Carolina Rueda UNIVERSITY OF OKLAHOMA Sudhir Mahadevan UNIVERSITY OF WASHINGTON Veronica Garibotto UNIVERSITY OF KANSAS “Cinema in the Snares of the Snapshot: Politics across “Indexicality and Historicity: Rethinking Argentine Media in Calcutta, 1905 to the 1920s” Testimonial Cinema” Manishita Dass ROYAL HOLLOWAY, UNIVERSITY OF Lizardo Herrera WHITTIER COLLEGE “ Madeinusa and LONDON “Spectacles of Suffering: Photography, the Radical Heterogeneity of Neo-Baroque Aesthetics” Famine, and Film in 1940s Bengal” Carolina Rueda UNIVERSITY OF OKLAHOMA Ranu Roychoudhuri UNIVERSITY OF CHICAGO “Testimony, Memory, and Phantasmagoria in Claudia “Shaheed Minar: Photography, Film, and Social Llosa’s La Teta asustada (The Milk of Sorrow)” Commitment in Portraying Calcutta, 1977–91”
RESPONDENT: Gustavo Furtado DUKE UNIVERSITY RESPONDENT: Bhaskar Sarkar UNIVERSITY OF CALIFORNIA, SANTA BARBARA SPONSOR: Latina/o Caucus
6 Technologies and Techniques I R4 (E)quality TV R ROOM: Leschi Third Floor ROOM: Issaquah A Third Floor CHAIR: Katharina Loew UNIVERSITY OF OREGON CHAIR: Patricia Nelson UNIVERSITY OF SOUTHERN CALIFORNIA Luci Marzola UNIVERSITY OF SOUTHERN CALIFORNIA “A Cameraman in the Research Laboratory: The 1928 Brittany Farr UNIVERSITY OF SOUTHERN CALIFORNIA Contact Tour of Joseph Dubray, A.S.C.” “Netflix’s ‘Trojan Horse’: The Intersection of the Entertainment and Prison Industries on Orange Is the Sanja Obradovic YORK UNIVERSITY “The Space New Black” Woven of Light and Sound: Norman McLaren’s Stereoscopic 3-D Animations” Katherine Morrissey UNIVERSITY OF WISCONSIN- MILWAUKEE “Rise of Bridezilla: Reveling in Love’s Daisuke Miyao UNIVERSITY OF OREGON “What Is the Discontents” Director of Photography?: The Transpacific Work of Kurita Toyomichi, 1970s–2010s” Sean Springer STONY BROOK UNIVERSITY “The Filthy Comedian as a Gendered Archetype: The Case of Katharina Loew UNIVERSITY OF OREGON “’One Inside Amy Schumer” Must Play the Camera like an Instrument’: The Special Effects Pioneer Guido Seeber” Patricia Nelson UNIVERSITY OF SOUTHERN CALIFORNIA “Character Crossings: Sexuality and Intersectional Comedy in Lily Tomlin’s Early Variety Specials”
SPONSOR: Comedy & Humor Studies Scholarly Interest Group
SUNDAY 156 MARCH 23, 2014 MARCH 23, SESSION R | 9:00 – 10:45 am
R7 Labor Practice and Labors Lost R9 Film, Civic Activism, and Education ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Kirsten Pullen TEXAS A&M UNIVERSITY CHAIR: Zeynep Yasar INDIANA UNIVERSITY Josh Heuman TEXAS A&M UNIVERSITY “All of Hongwei Chen UNIVERSITY OF MINNESOTA “Mapping This Sometimes Tends to Look like a Closed-shop the Educational Dominant: Cinema’s Use-values Operation: Organizing and Professionalizing Labor between Shanghai and Nanjing in the 1930s” Markets and Relations in Early Broadcast Writing” David Scott Diffrient COLORADO STATE UNIVERSITY Michael Slowik SAN DIEGO STATE UNIVERSITY “Losing “From Johannesburg to Nürnberg: Global Cities, the Human Element: The Shift from Live to Recorded ‘Inhuman’ Pasts, and Human-rights Film Festivals” Music in Hollywood’s Early Sound Era” Zeynep Yasar INDIANA UNIVERSITY “Gezi Park as Jennifer Clark FORDHAM UNIVERSITY “NBC and You: Open-air Theater: Film Exhibition, Spectatorship, and Race and Affective Labor Practices in the Televisual Civic Activism in Istanbul” Workplace, 1944–1955” SPONSORS: Middle East Caucus and Media Literacy + Kirsten Pullen TEXAS A&M UNIVERSITY “Defining Pedagogical Outreach Scholarly Interest Group Performance and Dividing Labor: The Female Drama Coach in Classical Hollywood”
R10 Sound Effects and Sound Affects 8 Between the Network Society and ROOM: Ravenna C Third Floor R CHAIR: Kelly Kirshtner UNIVERSITY OF WISCONSIN- Postsocialist Aesthetics MILWAUKEE ROOM: Ravenna A Third Floor Karly-Lynne Scott NORTHWESTERN UNIVERSITY CHAIR: Neda Atanasoski UNIVERSITY OF CALIFORNIA, “’The Voice of Shouts and Moans’: Haptic Aurality, SANTA CRUZ Resonance, and Affect in Pornography” Xiao Liu BROWN UNIVERSITY “Endless Screening Ian Kennedy WAYNE STATE UNIVERSITY “Damion Time: Information, Affectivity, and Postsocialist Romero’s I Know! I Know! and the Sonic Translation of Cinema” Nonhuman Affect” Neda Atanasoski UNIVERSITY OF CALIFORNIA, SANTA Dong Liang UNIVERSITY OF CHICAGO “Is There a CRUZ “Networks of Terror and Securitization: From Sound Effect in This Score?: SFX in Transition” the Boston Bombings to the Snowden Affair” Kelly Kirshtner UNIVERSITY OF WISCONSIN-MILWAUKEE Jonathan Beller PRATT INSTITUTE “Digital Specters “Bodies of Proof: Sound and the Aesthetics of of Communism” Discovery in Televisual Space”
RESPONDENT: Kalindi Vora UNIVERSITY OF CALIFORNIA, SAN SPONSOR: Sound Studies Scholarly Interest Group DIEGO MARCH 23, 2014 SUNDAY
157 SESSION R | 9:00 – 10:45 am
R11 Actor Performances R13 Zombies ROOM: Boren Union Street Tower, Fourth Floor ROOM: Jefferson B Union Street Tower, Fourth Floor CHAIR: Funing Tang UNIVERSITY OF MIAMI CHAIR: David Bering-Porter MICHIGAN STATE Mark Hain INDIANA UNIVERSITY “Rewriting Failure: UNIVERSITY Theda Bara’s Comeback and the Authorship of Henrike Lehnguth HUMBOLDT UNIVERSITY BERLIN Memory” “Race and Revision in HBO’s True Blood and AMC’s Tina Kendall ANGLIA RUSKIN UNIVERSITY “Virtuosic The Walking Dead” Boredom: Affect, Immaterial Labor, and Robert David Bering-Porter MICHIGAN STATE UNIVERSITY Pattinson’s Bored Performance in David Cronenberg’s “Taking It with You: The Draugr in Object-oriented Cosmopolis” Zombie Movies” Funing Tang UNIVERSITY OF MIAMI “Ingrid Bergman’s Performance in Stromboli: ‘I Am Worse, for I Am Better’” R14 WORKSHOP Making Digital Scholarship Count
ROOM: Jefferson A Union Street Tower, Fourth Floor Swarm, Hive, Flock 12 CHAIR: Suzanne Scott ARIZONA STATE UNIVERSITY R Considering Media Archeological Approaches to Events and Objects WORKSHOP PARTICIPANTS
ROOM: Columbia Union Street Tower, Fourth Floor Kathleen Fitzpatrick MODERN LANGUAGE CHAIR: Gloria Kim HOBART AND WILLIAM SMITH ASSOCIATION COLLEGES Jason Mittell MIDDLEBURY COLLEGE James Tweedie UNIVERSITY OF WASHINGTON “An Melanie Kohnen NEW YORK UNIVERSITY Archeology of Cinematic Objects” Jamie Henthorn OLD DOMINION UNIVERSITY Nicholas Sammond UNIVERSITY OF TORONTO Derek Long UNIVERSITY OF WISCONSIN-MADISON “Swarm and Counter-swarm: Insect Media and the Stuebenville Rape Case” Gloria Kim HOBART AND WILLIAM SMITH COLLEGES “Network Virality and the Flock: Animal Sentinel Media and a New Biopolitics of Global Health”
RESPONDENT: Phillip Thurtle UNIVERSITY OF WASHINGTON
SUNDAY 158 MARCH 23, 2014 MARCH 23, SESSION R | 9:00 – 10:45 am
15 You Gotta Have a Gimmick 17 Narrating National Identity R Contemporary Marketing and Media Packaging R ROOM: Virginia Union Street Tower, Fourth Floor ROOM: Seneca Union Street Tower, Fourth Floor CHAIR: Rebecca Bauman SUNY FASHION INSTITUTE OF CHAIR: Bradley Schauer UNIVERSITY OF ARIZONA TECHNOLOGY Alexander Swanson INDIANA UNIVERSITY Matthew Selway UNIVERSITY OF EAST ANGLIA “Mental “Marketable Screams: A Study of ‘Audience Reaction’ Illness, American Exceptionalism, and National Movie Trailers in the Horror Genre” Narrative in A Beautiful Mind (2001) and The Aviator Casey McCormick MCGILL UNIVERSITY “Race to the (2004)” Finale: Binge-viewing Netflix’s House of Cards” Kelsey Cameron UNIVERSITY OF PITTSBURGH Paul Booth DEPAUL UNIVERSITY “Crowdfunding “Reconsidering Rossellini: Land, Nation, and Identity in Fandom: A Spimatic Analysis of Kickstarter” Man of the Cross” Bradley Schauer UNIVERSITY OF ARIZONA “ Man of Eileen Jones UNIVERSITY OF CALIFORNIA, BERKELEY Steel, God of War: Christian Audiences and the Secular “The Lone Ranger as Revisionist Western” Action Film” Rebecca Bauman SUNY FASHION INSTITUTE OF TECHNOLOGY “The Fascist-themed Film in Italy and Germany: Towards a Comparative Approach to Cinema Studies”
SPONSOR: Central/East/South European Cinemas R16 Women Make Movies Scholarly Interest Group ROOM: University Union Street Tower, Fourth Floor CHAIR: Corinn Columpar UNIVERSITY OF TORONTO Jennifer Moorman UNIVERSITY OF CALIFORNIA, LOS ANGELES “‘Ripe Mango, Take Two’: Female Filmmakers in the US Adult Video Industry” 18 New Approaches in Comics Studies R Past, Present, and Future Denise McKenna UNIVERSITY OF SOUTHERN CALIFORNIA “Industrial Rivalry: Beatriz Michelena and Alternative ROOM: Juniper Second Floor Western Mythologies” CHAIR: Blair Davis DEPAUL UNIVERSITY Corinn Columpar UNIVERSITY OF TORONTO Michelle Bumatay WILLAMETTE UNIVERSITY “The Feminist Potential of Collaboration in Lena “Contemporary Comics Studies: A Constantly Dunham’s Tiny Furniture” Changing Field” Maya Montanez Smukler UNIVERSITY OF CALIFORNIA, Blair Davis DEPAUL UNIVERSITY “Reframing ‘Comics LOS ANGELES “Directing Hollywood: The American and Film’ Scholarship” Film Institute’s Directing Workshop for Women” Aaron Kashtan GEORGIA INSTITUTE OF TECHNOLOGY “Comics Present: Digital and Print Synergy” SPONSOR: Women’s Caucus Drew Morton TEXAS A&M UNIVERSITY-TEXARKANA “The Form and Function of the Perpetual Motion MARCH 23, 2014
(Comic) Machine” SUNDAY
SPONSOR: Comics Studies Scholarly Interest Group
159 SESSION R | 9:00 – 10:45 am
R19 The Work of Luther Price R23 New Approaches to the Question ROOM: Madrona Second Floor of Popular Form
CHAIR: James Hansen OHIO STATE UNIVERSITY ROOM: Redwood A Second Floor John Powers UNIVERSITY OF WISCONSIN-MADISON CHAIR: Meghan Sutherland UNIVERSITY OF TORONTO “Porcelain Ribbon: Process and Materiality in the Work Agustin Zarzosa SUNY, PURCHASE COLLEGE of Luther Price” “Damages: Melodrama and the Somatization of Value” James Hansen OHIO STATE UNIVERSITY “The Meghan Sutherland UNIVERSITY OF TORONTO Ephemeral Familiar: Luther Price’s Moving Image- “Automatically the People: Neoliberalism and the objects” Rhetoric of Popular Form” Ed Halter BARD COLLEGE “Luther Price’s Materialist Niels Niessen UNIVERSITY OF MINNESOTA “‘It’s Aesthetic” Human and You Can’t Stay away from It’: Lynch’s
SPONSOR: Experimental Film & Media Sincerity”
Scholarly Interest Group RESPONDENT: Bishnupriya Ghosh UNIVERSITY OF CALIFORNIA, SANTA BARBARA
20 Beyond Sight and Sound R Film and the Multisensory Experience ROOM: Aspen Second Floor R24 About Time CHAIR: Joseph Kickasola BAYLOR UNIVERSITY ROOM: Redwood B Second Floor Joseph Kickasola BAYLOR UNIVERSITY “The Senses CHAIR: Jeff Heinzl UNIVERSITY OF PITTSBURGH Know: Wong Kar-wai’s Multisensory Aesthetic” Hannah Goodwin UNIVERSITY OF CALIFORNIA, William Brown ROEHAMPTON UNIVERSITY “A Touch SANTA BARBARA “’The Spark That Leaps across of Nostalgia; or, Time and Cinematic Synaesthesia” Time’: An Astronomical Trip through Benjamin’s Constellations of Light and Temporality” RESPONDENT: Carl Plantinga CALVIN COLLEGE Matthew Noble-Olson BROWN UNIVERSITY SPONSOR: Cognitive/Analytic Studies Scholarly Interest Group “Reviving the Elephant; or, The Deaths of Cinema” Masaki Kondo YORK UNIVERSITY “The Incipience of the In-between Image” Jeff Heinzl UNIVERSITY OF PITTSBURGH “MTV Meets R 21 WORKSHOP Slow Cinema: Feedback Loops and the Long Take in Strategies for the G.O.O.D. Music’s Mercy (2012)” Academic Job Market
ROOM: Cirrus Pike Street Tower, 35th Floor CHAIR: Ashley Elaine York UNIVERSITY OF ALBERTA
WORKSHOP PARTICIPANTS Jennifer Lynde Barker BELLARMINE UNIVERSITY Frank Tomasulo CITY COLLEGE OF NEW YORK
SUNDAY 160 MARCH 23, 2014 MARCH 23, SUNDAY MARCH 23, 2014 161 “The
“Branding “Branding
“Selling (and) S
YORK UNIVERSITY YORK CARLETON UNIVERSITY CARLETON
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Level Lobby oor,
KING’S COLLEGE LONDON KING’S COLLEGE
YORK UNIVERSITY YORK CARLETON UNIVERSITY CARLETON
pm
Commercial Auteurs Commercial Diamond B Richler David Thomas Dorey
2 ROOM: CHAIR: ‘Dancing Bear’ Act: Orson Welles as a Commercially as a Commercially Welles Orson Act: ‘Dancing Bear’ Auteur” Uncommercial Wes of The Commercials Auteur: the Smart Film Anderson” and the Culture Promotional Kar-wai: Wong Cosmopolitanism” of Cosmetics SESSION SESSION CO-CHAIR: S Thomas Dorey Richler David Kiriakou Olympia – 12:45 12:45 – am
March 23, 2014 March
“‘I’m So F ucking
11:00 11:00 UNIVERSITY OF BRITISH BRITISH OF UNIVERSITY
First Fl Level Lobby oor,
: Animation, Indexicality, and the and the Animation, Indexicality, :
BROWN UNIVERSITY BROWN MICHIGAN STATE UNIVERSITY MICHIGAN STATE UNIVERSITY OF BRITISH COLUMBIA BRITISH OF UNIVERSITY
SUNY, UNIVERSITY AT STONY BROOK STONY AT UNIVERSITY SUNY,
French & Francophone Scholarly Interest Group Interest Scholarly & Francophone French Problem Bodies and Body Problems Bodies and Body Problem Diamond A Chelsea Birks
COLUMBIA
1 ROOM: CHAIR: “Body Problems: New Extremism, Descartes, and Descartes, Extremism, New Problems: “Body Nancy” Jean-Luc Day Every Trouble Denis’ the Body: Claire “Troubling Bodies” and Foreign “Reanimating Howl“Reanimating Obscene” Beautiful’: Performance, Self-narrativization, and the Self-narrativization, Beautiful’: Performance, Subject” Digital Fat
SPONSOR: S Chelsea Birks Kristin Hole Hannah Allen
Majida Kargbo
SUNDAY SESSION S | 11:00 am – 12:45 pm
3 Nontheatrical Film Communities 5 Imagining Korea S S National and Transnational Perspectives ROOM: Issaquah B Third Floor CHAIR: Isabel Arredondo SUNY, UNIVERSITY AT ROOM: Kirkland Third Floor PLATTSBURGH CHAIR: Jiwon Ahn KEENE STATE COLLEGE Emma Sandon BIRKBECK, UNIVERSITY OF LONDON Youngjeen Choe CHUNG-ANG UNIVERSITY “Missionary Film” “Rethinking Auteurism in the Korean Cinema of 1970s: Pamela Krayenbuhl NORTHWESTERN UNIVERSITY A Case of Ha Kil-jong” “Raising the Barre in Screendance Scholarship: An Robert Cagle UNIVERSITY OF ILLINOIS AT URBANA- Archival Analysis of the Dance Company Film” CHAMPAIGN “ Alone in Love: Observations on the Isabel Arredondo SUNY, UNIVERSITY AT PLATTSBURGH Transnational Appeal of South Korean Television Drama” “The Power of Super 8 Unites Youth Internationally” Michael Potterton UNIVERSITY OF CALIFORNIA, LOS ANGELES “An Occupied Cinema: Depictions SPONSOR: Nontheatrical Film & Media of Korean Space and Landscape in the Films of Ahn Scholarly Interest Group Cheol-yeong” Jiwon Ahn KEENE STATE COLLEGE “Between Fusion and Fantasy: Transnational Period Dramas in Japanese and South Korean Cinemas” S4 Latin American Minor Cinemas in Europe Transnational Trajectories and Ambivalent Belongings 6 Warner Bros. ROOM: Issaquah A Third Floor S Industrial Contexts and Cultures CHAIR: Miguel Fernandez Labayen CHARLES III UNIVERSITY OF MADRID ROOM: Leschi Third Floor CHAIR: Zachary Ingle UNIVERSITY OF KANSAS CO-CHAIR: John Sundholm KARLSTAD UNIVERSITY Lars Andersson LUND UNIVERSITY and Bryan Sebok LEWIS & CLARK COLLEGE “Tech Ops: John Sundholm KARLSTAD UNIVERSITY “Latin Warner Bros. and Corporate Techno-culture” American Minor Cinema in 1970s and 1980s Sweden” Jerome Christensen UNIVERSITY OF CALIFORNIA, Josetxo Cerdan ROVIRA I VIRGILI UNIVERSITY “Latin IRVINE “The Auteur Effect as Christopher Nolan’s American Minor Cinemas in Spain: From Third Cinema Sinister Projection” to Globalization” Kaelie Thompson OAKLAND UNIVERSITY “Dead- Miguel Fernandez Labayen CHARLES III UNIVERSITY ending Delinquency: Reforming Adolescence through OF MADRID “Shadows in Motion: Minor Cinema Warner Bros.’ Dead End Kids Series” Practices of Latin American Filmmakers in Spain in the Kyle Edwards OAKLAND UNIVERSITY “’The Judgment 2000s” and Intelligence of Our System’: Industrial Efficiency at Juana Suarez NEW YORK UNIVERSITY “Thinking the Warner Bros. in the 1930s and 1940s” Accented Colombian Cinematic Experience in Europe”
SPONSOR: Transnational Cinemas Scholarly Interest Group
SUNDAY 162 MARCH 23, 2014 MARCH 23, SESSION S | 11:00 am – 12:45 pm
S7 Technologies and Techniques II S9 A Global Pre-history of Reality TV ROOM: Medina Third Floor ROOM: Ravenna B Third Floor CHAIR: Brian Murphy OHIO STATE UNIVERSITY CHAIR: Ethan Thompson TEXAS A&M UNIVERSITY- Zachary Campbell NORTHWESTERN UNIVERSITY CORPUS CHRISTI “Switching and Cutting: The Protocols of Early Aniko Imre UNIVERSITY OF SOUTHERN CALIFORNIA Videotape Editing” “Socialist Idols: Reality Music Competition Programs in George Larkin UNIVERSITY OF CALIFORNIA, BERKELEY the Soviet Bloc” “The Transformation of Digital Post Production” Lauhona Ganguly AMERICAN UNIVERSITY Kyle Stine UNIVERSITY OF IOWA “Auto-animation: “Translation vs. Transformation: Saregama, Indian Idol, The Regression of the Hand and the Folding of and Homegrown Reformulations of Global Television Machine Vision and CGI” Formats” Brian Murphy OHIO STATE UNIVERSITY “A Silicon Sharon Shahaf GEORGIA STATE UNIVERSITY “The Monument: Preservation and Remediation in Trevor Flexibility of the Unaffiliated: Homegrown Reality in Paglen’s Last Pictures” Israel and the Global Spread of Reality TV” Ethan Thompson TEXAS A&M UNIVERSITY-CORPUS CHRISTI “America’s First ‘Real’ TV Family?: NBC and the Limits of Postwar Documentary Production and Programming” S8 New Hollywood and the Archive SPONSOR: Television Studies Scholarly Interest Group ROOM: Ravenna A Third Floor CHAIR: Eithne Quinn UNIVERSITY OF MANCHESTER Jessica Fowler UNIVERSITY OF CALIFORNIA, LOS ANGELES “We’re the Young Generation and We’ve Got Something to Say: The Monkees and the Birth of New Hollywood” 10 Audible Cinema S Explorations in Sound Stephen Babish NORTHWESTERN UNIVERSITY “Out of the Near Future, Out of the Far Future: Colossus: The ROOM: Ravenna C Third Floor Forbin Project, the Lawrence Hall of Science, and the CHAIR: Neil Lerner DAVIDSON COLLEGE Spaces of Cold War Militarism” Kartik Nair NEW YORK UNIVERSITY “’The Body in the Daniel Langford UNIVERSITY OF CALIFORNIA, LOS ANGELES Voice’: Labor, Sound, and the Cinematic Scream” “Open Marriage, Closed Mind: Ideological Confusion in Chunfeng Lin UNIVERSITY OF ILLINOIS AT URBANA- the Bob & Carol & Ted & Alice Sitcom” CHAMPAIGN “The Sound Identity of the Early Eithne Quinn UNIVERSITY OF MANCHESTER “ In the Chinese Sound Films: Symbolism as Skin, Realism as Heat of the Night (Jewison, 1967) and Racial Politics in Body, and Politics as Soul” Post-Civil Rights Act Hollywood” James Osborne UNIVERSITY OF ARIZONA “Weaving a Sonic Dream: Voice, Sound, Music, and Meaning in Paul Thomas Anderson’s Magnolia” MARCH 23, 2014
Neil Lerner DAVIDSON COLLEGE “Investigating the SUNDAY Origins of Video Game Music Style, 1977–1983: The Early Cinema Hypothesis”
SPONSOR: Sound Studies Scholarly Interest Group
163 SESSION S | 11:00 am – 12:45 pm
11 Historicizing Stars 13 Re-framed S S Cartoons, Comics, and Videogames ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Sara Ross SACRED HEART UNIVERSITY ROOM: Jefferson B Union Street Tower, Fourth Floor Julie Nakama UNIVERSITY OF PITTSBURGH “An CHAIR: Daniel Bashara NORTHWESTERN UNIVERSITY Artifact Exhumed: Doris Day and the Shifting Practices Eric Gomez UNIVERSITY OF NORTH DAKOTA of Hollywood Costume Departments during the Late “Translation of the Post-9/11Comic Book” 1960s” Forrest Greenwood INDIANA UNIVERSITY “Playing Kyle Barnett BELLARMINE UNIVERSITY “Stars on the with Time: Temporality, (P)re-mediation, and the Stereo: Variations on Phonographic Celebrity” Transmedia Flow of Participatory Narrative in Amanda McQueen UNIVERSITY OF WISCONSIN- Japanese Visual-novel Games” MADISON “‘All They’re Good for Is to Make Money’: Lisa Schmidt CHAMPLAIN COLLEGE “Full-bodied The Industrial Significance of Elvis Presley Musicals in Assault: Experiencing Horror in the Video Game 1960s Hollywood” Environment of Dead Space” Sara Ross SACRED HEART UNIVERSITY “’She Took Daniel Bashara NORTHWESTERN UNIVERSITY Whatever She Wanted!’: Kay Francis, Lady Boss” “Dream-work and Cartoon-work: Condensation and Visualization in Postwar American Animation”
SPONSOR: Animated Media Scholarly Interest Group
S12 WORKSHOP Digital Humanities and Media Studies Exploring the Intersections S14 WORKSHOP ROOM: Columbia Union Street Tower, Fourth Floor Agency in Media Pedagogy CHAIR: Jason Rhody NATIONAL ENDOWMENT FOR THE Critical Approaches to Empowerment HUMANITIES ROOM: Jefferson A Union Street Tower, Fourth Floor CHAIR: Brian Goldfarb UNIVERSITY OF CALIFORNIA, WORKSHOP PARTICIPANTS SAN DIEGO Anne Balsamo THE NEW SCHOOL CO-CHAIR: Elisabeth Soep YOUTH RADIO Dene Grigar WASHINGTON STATE UNIVERSITY VANCOUVER WORKSHOP PARTICIPANTS Lauren Klein GEORGIA INSTITUTE OF TECHNOLOGY Ron Krabill UNIVERSITY OF WASHINGTON BOTHELL Eric Kaltman UNIVERSITY OF CALIFORNIA, SANTA CRUZ Elisabeth Soep YOUTH RADIO Robin Held INDEPENDENT FILM PRODUCER Lauren Berliner UNIVERSITY OF WASHINGTON BOTHELL
SPONSOR: Media Literacy + Pedagogical Outreach Scholarly Interest Group
SUNDAY 164 MARCH 23, 2014 MARCH 23, SESSION S | 11:00 am – 12:45 pm
S15 Playing with the Interface S17 Queer Visions ROOM: Seneca Union Street Tower, Fourth Floor ROOM: Virginia Union Street Tower, Fourth Floor CHAIR: Kiri Miller BROWN UNIVERSITY CHAIR: Josh Morrison UNIVERSITY OF MICHIGAN Christopher Russell NORTHWESTERN UNIVERSITY Tallie Ben Daniel UNIVERSITY OF CALIFORNIA, “Gamification and Digital Heterotopia” DAVIS “Safe Spaces: Queer Migration and the Steve Drum SAVANNAH COLLEGE OF ART AND DESIGN Neoliberalization of Zionism in Yariv Mozer’s The “Selfie-actualization: The Death of the Cinema Star in Invisible Men” the Films of Sofia Coppola” Yongwoo Lee INDEPENDENT SCHOLAR “Invisibly Lauren Cramer GEORGIA STATE UNIVERSITY Visible, Unlocatably Everywhere: Queer Appropriation “Race at the Interface: Rendering Blackness on of the 70’s Hostess Movie Genre and Melodramatized WorldStarHipHop.com” Queerscape in Lee Songheeil’s No Regret and Other Films” Kiri Miller BROWN UNIVERSITY “Gaming Gender in Dance Central” Josh Morrison UNIVERSITY OF MICHIGAN “A Hurricane of Murmurs: Epstein’s Queer Cinema of (Dis)Orientation”
S16 Questions of Realism ROOM: University Union Street Tower, Fourth Floor 18 The Dramatization of a Life CHAIR: William Paul WASHINGTON UNIVERSITY S Biographical Practices in the Cinema Petur Valsson UNIVERSITY OF WASHINGTON ROOM: Juniper Second Floor “Cinemathematics: The Counter-realism of Lars von CHAIR: Jacquelyn Cain YORK UNIVERSITY Trier’s Automavision” CO-CHAIR: Scott Birdwise YORK UNIVERSITY Antonio Iannotta UNIVERSITY OF SALERNO “A Sound Michael Meneghetti BROCK UNIVERSITY “The Act Laboratory for the Modern: Sound in Italian Cinema of Willing: Performance and Defeat in Hollywood’s from Neorealism to the 60s” Recent Biopics” Joel Neville Anderson UNIVERSITY OF ROCHESTER Jacquelyn Cain YORK UNIVERSITY “Jonas MEKAS by “Playing Radical: Revolutionary Aspiration in the Loose jonas mekas: Autobiographical Practices in the Film Realisms of Epic Docudrama” Criticism of Jonas Mekas” William Paul WASHINGTON UNIVERSITY “Torn Scott Birdwise YORK UNIVERSITY “The Resistances Characters in a Sundered World: The Tension between of a Life in Records: Archive and (Auto)biography in Realism and Expressionism in King Vidor’s The Crowd Allio’s Moi, Pierre Rivière, ayant égorgé ma mère, ma (1928)” soeur et mon frère . . . (1976) and Philibert’s Retour en Normandie (2007)”
RESPONDENT: Lucy Fischer UNIVERSITY OF PITTSBURGH MARCH 23, 2014 SUNDAY
165 SESSION S | 11:00 am – 12:45 pm
S19 Revisiting Colonial Pasts S21 Producing Paratexts for ROOM: Madrona Second Floor Contemporary Film, Television, CHAIR: Priya Jaikumar UNIVERSITY OF SOUTHERN and Media CALIFORNIA ROOM: Cirrus Pike Street Tower, 35th Floor Luca Caminati CONCORDIA UNIVERSITY “Abebe Bikila CHAIR: Paul Grainge UNIVERSITY OF NOTTINGHAM According to LUCE: The Geopolitics of Italian Colonial Jennifer Gillan BENTLEY UNIVERSITY “Multitasking Space” Paratexts: The Emergence of New Industry Sectors Matthew Croombs CARLETON UNIVERSITY “Loin du and Hybrid Forms” Vietnam: Solidarity, Representation, and the Proximity Paul Grainge UNIVERSITY OF NOTTINGHAM of the French Colonial Past” “Animating the Olympics: Promotion, Paratexts, and Daniel Norford UNIVERSITY OF FLORIDA “On Live Media Events” Postcolonial Spectralization: Différance and the Taylor Nygaard UNIVERSITY OF SOUTHERN CALIFORNIA National Body in Ousmane Sembène’s Mandabi” “Performing Paratexts: Social Media Marketing and the Priya Jaikumar UNIVERSITY OF SOUTHERN CALIFORNIA New Indie Playbook” “Real and Sublime India in Jean Renoir’s The River Jonathan Gray UNIVERSITY OF WISCONSIN-MADISON (1951)” and Ivan Askwith INDEPENDENT SCHOLAR SPONSOR: French & Francophone Scholarly Interest Group “Kickstarting the Paratext”
S20 WORKSHOP S23 Debating Zero Dark Thirty Taking a Longer Look ROOM: Redwood A Second Floor The Visual Cultures of the Feminist 1970s CHAIR: Robert Burgoyne UNIVERSITY OF ST ANDREWS ROOM: Aspen Second Floor Linda Mokdad UNIVERSITY OF IOWA “Embedded and CHAIR: Kimberly Lamm DUKE UNIVERSITY Embodied: Knowledge in the Post-9/11 Hollywood Combat Film” WORKSHOP PARTICIPANTS Matthew Smith GEORGIA STATE UNIVERSITY “Tortured Victoria Hesford STONY BROOK UNIVERSITY Narrative: Controversy and Kathryn Bigelow’s Zero Cybelle H. McFadden UNIVERSITY OF NORTH Dark Thirty” CAROLINA AT GREENSBORO Laura Harris UNIVERSITY OF CALIFORNIA, RIVERSIDE Laura Swanbeck UNIVERSITY OF CALIFORNIA, LOS ANGELES “P olitical Rorschach: Gauging Shilyh Warren THE UNIVERSITY OF TEXAS AT DALLAS Zero Dark Thirty’s Polarizing Reception in Terms of Kimberly Lamm DUKE UNIVERSITY Ideological Warfare and Aesthetic Indictment” Robert Burgoyne UNIVERSITY OF ST ANDREWS “The Violated Body: Affective Experience and Somatic Intensity in Zero Dark Thirty”
SUNDAY 166 MARCH 23, 2014 MARCH 23, SESSION S | 11:00 am – 12:45 pm
S24 WORKSHOP 24 fps, 24/7? Striving for Work/Life Balance
ROOM: Redwood B Second Floor CHAIR: Lindsay Giggey UNIVERSITY OF CALIFORNIA, LOS ANGELES
WORKSHOP PARTICIPANTS Benjamin Aslinger BENTLEY UNIVERSITY Allyson Nadia Field UNIVERSITY OF CALIFORNIA, LOS ANGELES Kelly Kessler DEPAUL UNIVERSITY Daniel Smith-Rowsey SACRAMENTO STATE UNIVERSITY
SCMS 2015 . . . Join us next year in Montreal
. March 25–29 Fairmont The Queen Elizabeth MARCH 23, 2014 SUNDAY
167 SUNDAY MARCH 23, 2014 168 SUNDAY Hunter Vaughan Anne Kern Sam B.Girgus J. E.Smyth T CO-CHAIR: SPONSOR: Kaleidoscope: Play, Ethics, andtheMoving Image” Eastwood: The Cinemaof Revolt” Becker to Fred Zinnemann” of FilmHistoriography: Practical Revolts from Carl Natural Film-philosophy” CHAIR: ROOM: 1
Scholarly Interest Group Media &theEnvironment Kristin Hole Sam B.Girgus Diamond A Renewing theHumanities Film andPhilosophy
SUNY, PURCHASECOLLEGE UNIVERSITYOF WARWICK
VANDERBILT UNIVERSITY
OAKLAND UNIVERSITY
oor, Lobby Level
First Fl STONY BROOKUNIVERSITY
VANDERBILT UNIVERSITY
A Philosophy “A 1:00 – 2:45
Truh the “Through
Kitv and “Kristeva March 23,2014 Twrs a “Towards
Ken Provencher Thong Win Danielle Bouchard Ungsan Kim SESSION T GREENSBORO “Risky Returns: Accessing Vietnam from theDiaspora” Identification, andthe Visual Logics of HumanRights” Defectors inStateless Things (2011)” Intimacy: Queer Representation of North Korean Black Rain(1989)” “B–29 or B–29s?: The Paradox of Traumatic Memory in CHAIR: ROOM: 2
pm SANTA Thong Win Diamond B Identity,Nation, Trauma
UNIVERSITY OF CALIFORNIA,SANTA
UNIVERSITYOF WASHINGTON BARBARA aceless’ Woman: Gender, Race,
“The ‘F LOYOLA MARYMOUNT UNIVERSITY
UNIVERSITY OF NORTH CAROLINA AT oor, Lobby Level
First Fl UNIVERSITY OF CALIFORNIA, T
BARBARA “Perverse
SESSION T | 1:00 – 2:45 pm
3 East Asian Cinemas 5 Translation-adaptation-nation T Production, Exhibition, Reception T ROOM: Kirkland Third Floor ROOM: Issaquah B Third Floor CHAIR: Bruce Williams WILLIAM PATERSON UNIVERSITY CHAIR: HyeRyoung Ok UNIVERSITY OF OREGON Tim Bell QUEEN MARY UNIVERSITY OF LONDON “Our Gyeong-hae Wee CHONNAM NATIONAL UNIVERSITY Town: Working-class Authorship and the British New “South Korea’s Film Exhibition and Cinemagoing Wave” Experience during the Post-Korean War Era” Gerald Sim FLORIDA ATLANTIC UNIVERSITY Xiqing Zheng UNIVERSITY OF WASHINGTON “Amateur “Cacophonies of Affection: Postcolonial Soundscapes” vs. Professional: Fansub, Cross-cultural Acceptance, Hector Amaya UNIVERSITY OF VIRGINIA and Cultural Authority” “Narcocorridos, Transnationalism, and the Branding of Lien Fan Shen UNIVERSITY OF UTAH “Otaku Authenticity” Characters in Anime: Representation of Anime Fans’ Bruce Williams WILLIAM PATERSON UNIVERSITY and Desire, Fantasy, and Self-commodification” Keumsil Yoon WILLIAM PATERSON UNIVERSITY HyeRyoung Ok UNIVERSITY OF OREGON “Visual “Home from Transnational: Code-switching and Effects and Post/Techno-nationalism in Korean Cinematic Pragmatics in the New Korean Cinema” Blockbusters”
6 New Narratologies 4 European Cinema, T T ROOM: Leschi Third Floor Precarious Emotions CHAIR: Ruth Johnston PACE UNIVERSITY ROOM: Issaquah A Third Floor Ryan Lizardi SUNY INSTITUTE OF TECHNOLOGY CHAIR: Anu Koivunen STOCKHOLM UNIVERSITY “Bioshock: Complex Narratives and Full Game Julian Daniel Gutierrez-Albilla UNIVERSITY SOUTHERN Playthrough Methodology” CALIFORNIA “The Skin of Horror or Horror on the Ruth Johnston PACE UNIVERSITY “Media Skin: Power, Violence, and Trauma on the (Post)human Archaeology via Narratography” Body in Almodovar’s The Skin I Live In” Marguerite Waller UNIVERSITY OF CALIFORNIA, RIVERSIDE “Transmedial Denunciations: Sabina Guzzanti’s Extensible Documentaries” Jennie Carlsten QUEEN’S UNIVERSITY BELFAST “Not Thinking Clearly: History and Emotion in the Recent Irish Cinema” Anu Koivunen STOCKHOLM UNIVERSITY “When There Was a Future: Negotiating Post-Communist MARCH 23, 2014
Melancholia” SUNDAY
169 SESSION T | 1:00 – 2:45 pm
7 Histories of Technologies 9 Non-human T T Material, Animal, Machine ROOM: Medina Third Floor CHAIR: Dimitrios Pavlounis UNIVERSITY OF MICHIGAN ROOM: Ravenna B Third Floor Dawn Fratini UNIVERSITY OF CALIFORNIA, LOS ANGELES CHAIR: Casey Riffel UNIVERSITY OF SOUTHERN “Cues and Anti-cues Dealing with the Technical CALIFORNIA Dimension of 3-D Filming, 1952–1966” Laurel Ahnert GEORGIA STATE UNIVERSITY “Machinic Dimitrios Pavlounis UNIVERSITY OF MICHIGAN “Audio Vision and Ethical Understanding in Christian Frei’s Surveillance Goes to the Movies: William J. Burns, War Photographer (2001)” the Detective Dictograph, and the Idea of Sound Brent Smith-Casanueva STONY BROOK UNIVERSITY Recording, 1910–1920” “Media Studies beyond New Materialism: Toward a Alexandra Bush UNIVERSITY OF CALIFORNIA, BERKELEY Media Ontoepistemology” “The Living, Flying, Spying Machine: Pigeon Javier O’Neil-Ortiz UNIVERSITY OF PITTSBURGH “The Photography and the History of Surveillance” Fur of the Film: Animal Affects and Nonhuman ‘Film Bodies’” Casey Riffel UNIVERSITY OF SOUTHERN CALIFORNIA “Encountering the Ocean: David Gatten’s What the Water Said and the Phenomenology of Things” T8 Agencies of the Digital ROOM: Ravenna A Third Floor CHAIR: Daniel Faltesek OREGON STATE UNIVERSITY Beatrice Choi NORTHWESTERN UNIVERSITY Gender, Sex, and Identification “Gradients of the Digital Citizen: Hurricane Sandy, the T10 Instant Gramming of Media Vigilantism, and Evolving in TV Fandom
Technologies of Witnessing” ROOM: Ravenna C Third Floor Emma Withers UNIVERSITY OF SUSSEX “Rethinking CHAIR: Bridget Kies UNIVERSITY OF WISCONSIN- the ‘Digital’ Image in Tron and Brainstorm” MILWAUKEE Karen Petruska UNIVERSITY OF CALIFORNIA, Katerina Symes CONCORDIA UNIVERSITY “Extending SANTA BARBARA “Disrupting the New and Old Media ‘Eccentric Identifications’ beyond the Immediate Binary: The Economics of the Digital Distribution Viewing Process: Case Study Shane McCutcheon” Ecosystem” Nicole Cox VALDOSTA STATE UNIVERSITY “The Daniel Faltesek OREGON STATE UNIVERSITY “Family Degradation, Defiling, and Decay of Our Gender: Funded, Crowd Approved” Reading Bravo’s The Real Housewives Online” Bridget Kies UNIVERSITY OF WISCONSIN-MILWAUKEE “Homo-genized Popular Television and ‘The New Normal’ for Producer-fan Interactions”
SUNDAY 170 MARCH 23, 2014 MARCH 23, SESSION T | 1:00 – 2:45 pm
T11 Blockbusters, Technologies, T13 Ontology and Its Discontents Apocalypses ROOM: Jefferson B Union Street Tower, Fourth Floor
ROOM: Boren Union Street Tower, Fourth Floor CHAIR: Braxton Soderman MIAMI UNIVERSITY CHAIR: Zoran Samardzija COLUMBIA COLLEGE Mario Slugan UNIVERSITY OF CHICAGO “The Myth CHICAGO of Ontologically Privileged Cinema: Indexicality, Jeremiah Favara UNIVERSITY OF OREGON “Gods and Transparency, and Bazin” Freaks, Soldiers and Men: Gender and Technology in Tim Ridlen UNIVERSITY OF CALIFORNIA, SAN DIEGO The Avengers” “Mimesis and Disciplinarity: Maya Deren’s Divine Mike Dillon UNIVERSITY OF SOUTHERN CALIFORNIA Horsemen as Art and Thought” “Catastrophic Cosmopolitanism: Screening the End of Kristin Seifert UNIVERSITY OF WASHINGTON “The the World” Theatrical Avant-garde Screened: Production Matt Applegate SUNY, UNIVERSITY AT BINGHAMTON Mediums and Epic Theory” “Imagining the End of Late Capitalism: Exploitation Braxton Soderman MIAMI UNIVERSITY and Escape in Shane Carruth’s Primer and Upstream “Surrenderism; or, The Medium Specificity of Games” Color” Zoran Samardzija COLUMBIA COLLEGE CHICAGO “The East-European Apocalypse in the Late Works of Jan Švankmajer and Béla Tarr” 14 Japanese Cinema T From the Classical to the Cult
ROOM: Jefferson A Union Street Tower, Fourth Floor CHAIR: Aaron Kerner SAN FRANCISCO STATE T12 WORKSHOP UNIVERSITY From Libraries to Labs William Carroll UNIVERSITY OF CHICAGO “The Simple Spaces of Media Access, Making, and Learning Camera Movements of Shimizu Hiroshi Flourish with
ROOM: Columbia Union Street Tower, Fourth Floor Complexity: Examining the Formal Styles of Children CHAIR: Shannon Mattern THE NEW SCHOOL in the Wind and Four Seasons of Children” Nora Stone UNIVERSITY OF WISCONSIN-MADISON “Art- WORKSHOP PARTICIPANTS cinema Narration, Classical Style: An Investigation of Anne Balsamo THE NEW SCHOOL Mikio Naruse’s Late Films” Paulina Mickiewicz MCGILL UNIVERSITY Se Young Kim UNIVERSITY OF IOWA “Human/ Jentery Sayers UNIVERSITY OF VICTORIA Cyborg/Alien/Friend: Postwar Ressentiment in Patrik Svensson UMEA UNIVERSITY Japanese Science Fiction and Posthuman Ethics in
SPONSOR: Urban Studies Scholarly Interest Group Kamen Rider Fourze” Aaron Kerner SAN FRANCISCO STATE UNIVERSITY “From Ishii to Tsukamoto: The Spectacle of Butoh” MARCH 23, 2014 SUNDAY
171 SESSION T | 1:00 – 2:45 pm
T15 WORKSHOP T17 Revisoning Black Time Alternative Modes and Space through of Online Publishing the Afrofuturist Moving Image
ROOM: Seneca Union Street Tower, Fourth Floor ROOM: Virginia Union Street Tower, Fourth Floor CHAIR: Charlotte Howell UNIVERSITY OF TEXAS AT CHAIR: Elizabeth Reich WAYNE STATE UNIVERSITY AUSTIN Kevin Ball WAYNE STATE UNIVERSITY “The Incendiary Intergalactic: Sun Ra in Space Is the Place” WORKSHOP PARTICIPANTS Michael Kackman UNIVERSITY OF NOTRE DAME Elizabeth Reich WAYNE STATE UNIVERSITY “Strange Days in the Same Place: Revisiting Afrofuturism Lauren Cramer GEORGIA STATE UNIVERSITY through the Rodney King Riots” John Vanderhoef UNIVERSITY OF CALIFORNIA, SANTA BARBARA Ingrid LaFleur MAISON LAFLEUR “Afrofuturism Redefined through the Radical Imagination of Kahlil Joseph”
RESPONDENT: Nina Cartier NORTHWESTERN UNIVERSITY
SPONSOR: African/African American Caucus and T16 Gender, Sexualities, Oscar Micheaux Society Scholarly Inerest Group and National Cinemas
ROOM: University Union Street Tower, Fourth Floor CHAIR: Raz Yosef TEL AVIV UNIVERSITY Sadaf Ahmad LAHORE UNIVERSITY OF MANAGEMENT New Views on Documentary SCIENCES “‘Gendered’ Slaps in Commercial T18 Pakistani Films: A Nexus of Ideology and ROOM: Juniper Second Floor Sensationalism” CHAIR: Malin Wahlberg STOCKHOLM UNIVERSITY Alexandra Sastre UNIVERSITY OF PENNSYLVANIA Michael Baker UNIVERSITY OF BRITISH COLUMBIA “The “Al Principio Era una Mujer y esa Mujer Hablaba: Digital Opportunity: The Interactive Documentary in Reading Gender in the Work of the Barcelona School” Canada, Future and Past” Darshana Sreedhar JAWAHARLAL NEHRU UNIVERSITY Paul Fileri NEW YORK UNIVERSITY “Documentary “Sex-sirens and Bad Girls: Cabaret, Controversy, and Unsettling Cinéma Vérité: October in Paris (1962) Morality in Malayalam Cinema” and the Collective Reenactment of Colonial State Raz Yosef TEL AVIV UNIVERSITY “Diasporic Grief Violence” and Lost Queer Attachments in Contemporary Israeli Shota Ogawa UNIVERSITY OF ROCHESTER “The Cinema” Unmodern Remediation: Edo-era Screens and Scrolls as Visible Evidences of Flourishing Korea-Japan Relations” Malin Wahlberg STOCKHOLM UNIVERSITY “Solidarity Films on Prime Time: Vietnam War Testimonies and the Alternative Archive of the Swedish Radio Control Board”
SUNDAY 172 MARCH 23, 2014 MARCH 23, SESSION T | 1:00 – 2:45 pm
T19 Spatial Reconfigurations T21 Breaking Television ROOM: Madrona Second Floor ROOM: Cirrus Pike Street Tower, 35th Floor CHAIR: Michael Siegel CLARK UNIVERSITY CHAIR: Shelleen Greene UNIVERSITY OF WISCONSIN- Jedd Hakimi UNIVERSITY OF PITTSBURGH “Playing MILWAUKEE Los Angeles Itself: Experiencing the Virtual Metropolis Felipe Gutterriez UNIVERSITY OF CALIFORNIA, BERKELEY of the City Symphony Film and the Open-world Video “You’ll Never Leave Harlan Alive: The Chronotope of Game” Moral Perfectionism in Justified” Patrick Brown UNIVERSITY OF IOWA “Building Kristen Loutensock UNIVERSITY OF CALIFORNIA, Dwelling Gaming: Video Games and Natural Space” BERKELEY “The Burden of Empathy: Autism and Anirban Baishya UNIVERSITY OF SOUTHERN Narrative in Serial Detective Dramas” CALIFORNIA “’Eye See You’: The ‘Surveillance Michael Kmet INDEPENDENT SCHOLAR “The Game’s Aesthetic’ and Indian Public Culture in Dibakar in the Show, and the Show’s in the Game: Product Bannerjee’s LSD” Placement, Quality TV, and Breaking Bad” Michael Siegel CLARK UNIVERSITY “Ride into the Shelleen Greene UNIVERSITY OF WISCONSIN-MILWAUKEE Danger Zone: Tony Scott and the Reconfiguration of “Vampirism, Racial Hybridity, and the ‘New South’ in the Screen” True Blood: (Post)racial Narratives on TV”
T20 Revising Conventional Industrial T23 Dangerous and Difficult Pleasures Histories ROOM: Redwood A Second Floor
ROOM: Aspen Second Floor CHAIR: Neta Alexander NEW YORK UNIVERSITY CHAIR: Mary Desjardins DARTMOUTH COLLEGE Veronica Fitzpatrick UNIVERSITY OF PITTSBURGH Derek Long UNIVERSITY OF WISCONSIN-MADISON “Rape Aesthetics: Camera Movement and the Ethics of “Feature Standardization at 4500 Sunset Boulevard: Consent” Notes from the Reliance-Majestic and Triangle-Fine Tanya Twombly OKLAHOMA STATE UNIVERSITY “Serial Arts Cost Ledgers, 1914–17” Television and the A Priori Woman” Benjamin Strassfeld UNIVERSITY OF MICHIGAN Emanuelle Wessels MISSOURI STATE UNIVERSITY “Rethinking Run-zone-clearance: Race, Class, and “The Living Camcorder: Affective Epistemologies and Film Distribution in the City of Detroit” Gendered Technologies in The Conjuring, Insidious, Maureen Rogers UNIVERSITY OF WISCONSIN-MADISON and Paranormal Activity” “States’ Rights Distribution and the Feature Film, Vincent Hausmann FURMAN UNIVERSITY “About 1911–1914” Face: Women, War, and Disability in George Cukor’s A Mary Desjardins DARTMOUTH COLLEGE “Gross Woman’s Face (1941)” ‘Inaccuracies, Misrepresentations, and Exaggerations’: MARCH 23, 2014
The Motion Picture Industry’s ‘Clean-up’ of Movie Fan SUNDAY Magazines in 1934”
173 SESSION T | 1:00 – 2:45 pm
T24 Border Crossings ROOM: Redwood B Second Floor CHAIR: Brendan Kredell UNIVERSITY OF CALGARY Francisco Monar BROWN UNIVERSITY “A Community of Influence: The Politics of Participation and Its Representation in Borderland Visual Practices” Hye Seung Chung COLORADO STATE UNIVERSITY “Trapped, Terrorized, Traumatized: The Transnational Meanings of Oldboy’s Detention Narrative” Brendan Kredell UNIVERSITY OF CALGARY “Marketing Difference: US Latino Audiences in Contemporary Hollywood”
SUNDAY 174 MARCH 23, 2014 MARCH 23, Index
A Abel, Richard J7 Alberti, John C5 Ames, Morgan D8 Arnold, Michael B8 Acham, Christine J17 Aldouby, Hava E19 Amit, Rea C9 Arnold, Sarah E1 Acharya, Sonal Q5 Aldred, Jessica E15 Anable, Aubrey J15 Arredondo, Isabel S3 Acland, Charles I20, K14 Alekseyeva, Julia I12 Andersen, Carrie J13 Arroyo, Brandon O11 Adamson, Morgan D1 Alexander, Neta I12 Anderson, Joel Neville S16 Arsenault, Amelia K24 Addison, Heather H8 Alilunas, Peter G25 Anderson, Mark Lynn I7 Arsenjuk, Luka K1 Adejunmobi, Moradewun P4 Alkassim, Samirah F20 Anderson, Steve D19, G17 Ascheid, Antje Q20 Adekoya, Mary A3 Allbritton, Dean Q4 Anderson, Tim D15 Ashmore, Robert A11 Affleck, Lindsay P22 Allen, Hannah S1 Andersson, Lars S4 Askwith, Ivan S22 Affuso, Elizabeth H6 Allen, Richard E20, P18 Andrew, Dudley K23, M14 Aslinger, Benjamin J15, S24 Afra, Kia A18 Allison, Tanine H11 Anker, Stephen O19 Atanasoski, Neda R8 Ahern, Mal P12 Alsop, Elizabeth B12 Ankerson, Megan Q8 Atkinson, Sarah D12 Ahmad, Sadaf T16 Alter, Nora M. Q7 Annett, Sandra I5 Attwood, Feona P14 Ahn, Jiwon S5 Alvarado Saggese, Megan A10 Anselmo-Sequeira, Diana H8 Avila-Saavedra, Guillermo G16 Ahnert, Laurel T9 Alvaray, Luisela C3 Applegate, Matt T11 Ayers, Drew O13 Ahwesh, Peggy R19 Amaya, Hector T5 Araujo, Luciana J3 Akudinobi, Jude G4 Ament, Vanessa N16 Ardizzoni, Michela G10 B Babish, Stephen S8 Barker, Cory F4 Behlil, Melis J23, N4 Berliner, Lauren S14 Badley, Linda G26 Barker, Jennifer Lynde K7, R21 Belisle, Brooke L22 Bernard, Mark I13 Baer, Nicholas P11 Barker, Jennifer M. N2 Bell, Matt H17 Bernardi, Daniel I16 Baishya, Anirban T19 Barkin, Sarah L7 Bell, Tim T5 Bernstein, Sara K17 Bak, Meredith M22 Barnett, Kyle S11 Beller, Jonathan R8 Bertellini, Giorgio J11 Baker, Aaron J8 Baron, Cynthia P20 Belodubrovskaya, Maria M4 Bessette, Eliot M13 Baker, Michael T18 Baron, Jaimie J19 Beltran, Mary C20, I18 Biancorosso, Giorgio C10 Balcerzak, Scott L18 Bartley, Nancy N13 Ben Daniel, Tallie S17 Bielby, Denise I18 Balides, Constance K3, Q16 Bartolome Herrera, Beatriz I4 Benini, Stefania B4 Bingham, Dennis Q15 Ball, Kevin T17 Basa, Elaine C3 Benshoff, Harry I13, N24 Bird, Katie B13 Balladur, Laura Q2 Baschiera, Stefano G13, I17 Benson, Nicholas B15 Bird, Robert J1 Balsamo, Anne S12, T12 Bashara, Daniel S13 Benson-Allott, Caetlin F13, K20 Birdwise, Scott S18 Balsom, Erika O19 Baskett, Michael G5 Berger, Mark N16 Birks, Chelsea S1 Banerjee, Koel N12 Bauman, Rebecca R17 Bergfelder, Tim A12 Blackledge, Olga D13 Banet-Weiser, Sarah J12, Q19 Baumbach, Nico K5 Bergh, Justin B9 Blaetz, Robin M19 Banks, Anna D5 Beck, Jay N16 Bergstrom, Anders B1 Blake, Nathan B2 Banks, Miranda J24, M15 Becker, Christine E14 Bergstrom, Kian B19 Blasini, Gilberto C3 Bao, Weihong P1 Beeler, Karin G1 Bering-Porter, David R13 Blaylock, Jennifer L5 Baran, Sebnem A15 Begin, Richard H26 Berke, Annie O9 Blaylock, Sara C4 175 Index
Blessing, Benita O4 Bound, Keith A1 Braziel, Jana C15 Bruns, John J13 Bloom, Emily H9 Bourdaghs, Michael K18 Bregent-Heald, Dominique K11 Buchan, Suzanne P6 Boddy, William Q8 Bowdre, Karen B3 Breger, Claudia B1 Bull, Sofia H16 Bohlinger, Vincent M4 Boyd, Katrina G. F10 Brennan, Nate G15 Bullock, Chelsea G16, J9 Boles, Jennifer N22 Boyd, Maria Q10 Brennan, Shane M18 Bumatay, Michelle R18 Boljkovac, Nadine Q2 Boyle, Ev L20 Brickman, Barbara P10 Burd, Samuel B12 Bolton, Lucy I14 Boyle, Kirk C15 Brinkema, Eugenie F13 Burgess, Diane I8 Boman, Stephan L7 Braester, Yomi C2 Bronfman, Alejandra E10 Burgoyne, Robert S23 Booth, Paul M23, R15 Brannon Donoghue, Bronstein, Phoebe O9 Burnett, Colin H4 Borden, Amy C14, K8 Courtney D11 Brooks, Andrea E13 Burris, Greg N1 Bose, Nandana B11 Brasch, Ilka Q6 Brown, Patrick T19 Burton, Nsenga I19, P17 Bottomley, Andrew Q8 Brassard, Jeffrey A15 Brown, Stephanie D10 Bush, Alexandra T7 Bouchard, Danielle T2 Bratich, Jack J12 Brown, William R20 Bouchard, Karine I4 Bratslavsky, Lauren H15 Brownell, Kathryn J11 C Cagle, Chris K3 Cavallero, Jonathan J. M9 Christensen, Jerome S6 Conrath, Ryan O6 Cagle, Robert S5 Cavanagh, Robert E16 Christian, Tiffany L18 Conway, Kelley H4 Cahill, James Q16 Cavell, Richard K14 Christiansen, Steen D6 Cook, Ryan C9 Cahn, Iris O18 Cavness, Anna F20 Chu, Kiu-wai D5 Cooke, Anthony K13 Cain, Jacquelyn S18 Cerdan, Josetxo S4 Chun, Wendy D8, K14 Cooley, Heidi Rae O10 Cain, Victoria L22 Chadha, Ashish F18 Chung, Hye Seung T24 Cooper, Mark A14 Caldwell, John I26, M15 Chakravorty, Swagato F7 Church, David K15 Corkin, Stanley C15 Callahan, Vicki D12 Champlin, Alexander A8 Ciammaroni, Stefano C13 Cormany, Diane B9 Cameron, Allan A7 Chan, Shu Ching D3 Cicek, Ozgur N4 Corne, Jonah Q16 Cameron, Kelsey R17 Chandler, Katherine I9 Ciecko, Anne M1 Cornfeld, Li G22 Caminati, Luca S19 Chandler, Meghan N17 Civille, Mike A17 Corrigan, Maria I2 Campbell, Zachary S7 Chang, Alenda M18 Clark, Jennifer R7 Cote, Paul C6 Camporesi, Valeria M16 Chang, Jing Jing E5 Clark, Meredith F17 Cottrel, Adam M6 Cannon, Jonathan B11 Chang, Ti-Kai H5 Clayton, Alex D9 Coulthard, Lisa H16 Capino, Jose G12 Chapman, James P18 Close, Samantha D2 Couret, Nilo F3 Capper, Beth G19 Charbonneau, Stephen N8 Coates, Norma P22 Cowan, Michael H19 Cariani, Karen A14 Chatelain, Elise K17 Cobb, Shelley C6 Cox, Nicole T10 Carlsten, Jennie T4 Chatman, Dayna D16 Cohan, Steven H17 Cox-Stanton, Tracy A4, N14 Carman, Emily E6 Chefranova, Oksana J7 Cohen, Debra Rae H9 Crafton, Donald H20 Carr, Steven A2, F11 Chen, Hongwei R9 Cohen, Hart J18 Cramer, Lauren S15, T15 Carroll, William T14 Cheney-Lippold, John G14 Cohen, Harvey F2 Crawford, Chelsey J22 Carruthers, Lee H1 Cheng, Jih-Fei Q3 Cohen, Kris G19 Crey, Karrmen L19 Cartier, Nina T17 Cho, HyeYoung K2 Cohn, Jonathan E15 Cronin, Theresa A19 Caruso, Jen O3 Cho, Michelle J5 Collette-VanDeraa, Heather I12 Croombs, Matthew S19 Caruthers, Jakeya D17 Choe, Steve K4 Collins, Sue C16 Crylen, Jonathan N17 Casey, Michael P2 Choe, Youngjeen S5 Columpar, Corinn R16 Culp, Andrew A8 Castonguay, James N10 Choi, Beatrice T8 Connolly, Matthew B17 Cunningham, Carolyn J15 176 Catano, James V. M17 Choi, Jinhee E20 Connor, J. D. L11 Cunningham, Mark J17 Index
Curry, Ramona F12 Curtin, Michael J24, L12 Curtis, Robin P6 Cwynar, Christopher P22 D Dalle-Vacche, Angela E18 Decker, Todd R2 Dienst, Richard C1 Donnelly, Kevin A10 Damluji, Mona A20, L6 Dejmanee, Tisha B9 Dienstfrey, Eric L10 Dorey, Thomas S2 Dass, Manishita R5 Deleyto, Celestino C15 Diffrient, David Scott R9 Douglas, Andrew L17 Davis, Andrew D7 Dell’Aria, Annie B8 Dill, Diana C8 Dove-Viebahn, Aviva G8 Davis, Blair R18 Denison, Rayna B5, I17 Dillard, Clayton R2 Dowell, Kristin L19 Davis, Glyn I22 Denny, David Q7 Dillon, Mike T11 Draper, Jimmy L18 Davis, Nick H14, M3 Desilets, Sean B1 Dixon, Wheeler Winston G6 Drum, Steve S15 Davis, Stuart A3, J12 Desjardins, Mary T20 D’Lugo, Marvin E4 Du, Daisy Yan I5 Davis, Zeinabu J17 Deutelbaum, Marshall L2 Doane, Mary Ann F9 Dubowsky, Jack Curtis J10 De Kosnik, Abigail M23, P15 Deutsch, James N13 Doherty, Thomas K16, N13 Duck, Leigh L17, Q22 De la Mora, Sergio M16 D’haeyere, Hilde P16 Domasin, Adrienne N13 Durham, Scott K1 De Luca, Tiago I24 Dickinson, Peter M2 Domenig, Roland F5 E Echchaibi, Nabil G14 Eisenstein, Ken H13 Ellcessor, Elizabeth B16 Eng, Michael E13 Edelman, Lee J20 El Hibri, Hatim C2 Elliott, Mandy D11 Engelke, Henning N8 Edwards, Erica O17 Elias, Liora C5 Ellis, Patrick M22 Everett, Anna P17 Edwards, Kyle S6 Eliaz, Ofer H2 Elsaesser, Thomas K23 Ewen, Neil Q14 Egan, Kate I13 Elkins, Evan B10, O12 Elza, Cary N3 Ezcurra, Carlos H22 F Fabian, Rachel B13 Feil, Ken H12 Fisher, Austin A12, G13 Fouz-Hernandez, Santiago E4 Falanga, Peter L13 Feld, Mary J22 Fitzpatrick, Kathleen R14 Fowler, Jessica S8 Falconer, Peter E7 Felleman, Susan E18 Fitzpatrick, Veronica T23 Frank, Aparna P1 Falicov, Tamara C12, N22 Feng, Peter O12 Fiumara, James I15 Frank, Kathryn P15 Fallica, Kristen A2 Fernandez Labayen, Miguel S4 Flaig, Paul I7, Q16 Franklin, Ieuan E9 Fallon, Kristopher F9 Ferrari, Matthew C5 Flaxman, Gregory I1 Fratini, Dawn T7 Faltesek, Daniel T8 Fetveit, Arild N2 Fleeger, Jennifer F18, I10 Freedman, Eric A8 Fan, Victor E5, K18 Feuer, Jane D20, K10 Fletcher, Brady I6 Freire, Rafael J3 Farr, Brittany R4 Fickers, Andreas K9 Flinn, Caryl H25, L14 Fresko, David A3 Faucette, Michael P9 Field, Allyson Nadia O17, S24 Floquet, Pierre D18 Frey, Mattias L1 Fauteux, Brian N6 Fileri, Paul T18 Florini, Sarah F17 Froula, Anna N10 Favara, Jeremiah T11 Fiore-Silfvast, Brittany O10 Flynn-Jones, Emily O16 Frykholm, Joel C18 Fawaz, Ramzi M24 Fischer, Lucy L11, S18 Ford, Sam M23 Fuller-Seeley, Kathryn H15 Fedorova, Anastasia I2 Fischer, Mia J22 Forget, Thomas G2 Furtado, Gustavo P3, R3 Fee, Annie O22 Fisher, Anna P8 Forrest, Jennifer D14 Furuhata, Yuriko Q17 G Gabbard, Krin D11, L14 Galiher, Clifford N15 Galt, Rosalind I17, Q3 Garcia, Desiree H25 Gaboury, Jacob D6 Galili, Doron I20 Ganguly, Lauhona S9 Garcia, Enrique M16 Gadassik, Alla F7 Gallagher, Mark Q11 Ganti, Tejaswini E3 Gárdonyi, László G8 177 Index
Garibotto, Veronica R3 Ginsberg, Terri J4 Gosse, Johanna J19 Griem, Julika Q6 Garin, Manuel P19 Giotta, Gina B16, E22 Gottlieb, Akiva B11 Griffin, F. Hollis L8 Garner, Ross G1 Girgus, Sam B. T1 Govil, Nitin L12 Griffin, Sean H25 Garritano, Carmela M12 Gish, Harrison E15 Grabiner, Ellen F10 Griffis, Noelle F18 Garwood, Ian O14 Gledhill, Christine N12 Graham, Zoe D19 Griffiths, Alison E2 Gates, Philippa K11 Gleesing, Elizabeth B18 Grainge, Paul S21 Grigar, Dene S12 Gates, Racquel I19 Gleich, Joshua N15 Grajeda, Tony N10 Grinberg, Daniel O3 Gauch, Suzanne L13 Glenn, Colleen Q15 Grant, Catherine E14, O1 Groening, Stephen N11 Gaudreault, Andre H26 Glick, Josh F18 Gray, Beach A8 Groo, Katherine Q16 Gauthier, Philippe K23 Goeringer, Lyn M7 Gray, Herman J24 Groppe, Alison O8 Gaycken, Oliver L22 Goldfarb, Brian S14 Gray, Jonathan H20, S21 Gruben, Patricia J6 Gehlawat, Ajay A5 Goldmark, Daniel I10 Gray, Kishonna F17 Grundmann, Roy J14 Geller, Theresa L. H14, M3 Goldsmith, Leo J19 Great, Artel A17 Gruner, Oliver E7 Gerst, Robert C14 Gombash, William B15 Green, Anna C13 Grusin, Richard Q13 Gerstner, David H14, N24 Gomez, Eric S13 Green, Frederik E5 Guerrero, Lisa O17 Gharavi, Maryam Monalisa F20 Good, Katie Day L5 Greene, Liz O14 Guins, Raiford K14, O16 Ghosh, Bishnupriya M18, R23 Goodwin, Hannah R24 Greene, Shelleen T21 Gutierrez-Albilla, Julian Gibbs, John N14 Gopal, Sangita J16 Greenhough, Alexander A4 Daniel T4 Giggey, Lindsay S24 Gorbman, Claudia G18 Greenwood, Forrest S13 Gutterriez, Felipe T21 Gillan, Jennifer S21 Gordon, Rebecca P7 Gregg, Ronald I7 Gyenge, Andrea B12 Gillespie, Michael B. O17 Gorfinkel, Elena F19 Greven, David J20 H Haak, Chris B10 Hariharan, Veena A5 Hawkins, Joan K15 Hessler, Jennifer P15 Haddad, Candice K17 Hark, Ina P9 Hayes, Heather Ashley A17 Hetra, Michael P7 Haenni, Sabine L17, Q22 Harper, Kate D16 Haylett Bryan, Alice K13 Heuman, Josh R7 Hagener, Malte J18 Harper, Kristin C16 Hearne, Joanna L19 Heyn-Jones, Zoë K11 Haggins, Bambi H20 Harrington, Catherine E2 Heberer, Feng-Mei N5 Higgins, Mary Ellen P4 Hain, Mark R11 Harris, Ben B15 Heck, Kalling M6 Higgins, Scott Q6 Hake, Sabine O4 Harris, Laura S20 Heffernan, Kevin G25 Hilderbrand, Lucas Q3 Hakimi, Jedd T19 Harris, Stephanie B7 Heiduschke, Sebastian O4 Hills, Matt C11 Hall, Dawn I22 Harrison, Rebecca A2 Heinzl, Jeff R24 Hillyer, Minette Q9 Hall, Kevin J2 Harrow, Kenneth P4 Held, Robin S14 HIlu, Reem I25 Hallas, Roger L7 Hart, Adam G19 Henderson, Lisa G22 Himberg, Julia L8 Halter, Ed R19 Hartman, Ian E1 Hendricks, Dorothy H6 Hinkelman, Jeff R2 Hamad, Hannah I14, Q19 Hartzell, Adam G19, L2 Hennefeld, Margaret N11 Hinsman, Abigail E8 Hamblin, Sarah N24 Hashmi, Mobina B14 Henry, Claire E19 Hodel, Christina Q10 Hampton, Darlene R1 Hassan, Syed Feroz C7 Henthorn, Jamie R14 Hodge, James F8 Hanna, Erin C12 Hastie, Amelie A14 Herbert, Daniel F6, K15 Hole, Kristin S1, T1 Hansen, James R19 Hatch, Kevin I3 Herhuth, Eric L6 Holmlund, Christine G26, P20 Hanson, Christopher F14 Hatch, Kristen P10 Herrera, Lizardo R3 Holt, Jennifer K24 Hanssen, Eirik Frisvold Q18 Hauske, Matt Q13 Herzog, Amy F19 Holtmeier, Matthew K6 Haralovich, Mary Beth G20 Hausmann, Vincent T23 Hesford, Victoria S20 Hongisto, Ilona I8 178 Hargraves, Hunter E17 Havens, Tim C12 Hess, John O20 Hook, Jamie G1 Index
Horak, Jan-Christopher L24 Horton, Justin E13 Hu, Tung-Hui E8, G17 Hughes, Kit O15 Horak, Laura I7 Horwatt, Eli C19 Huang, Nicole C10 Huhtamo, Erkki K14, M22 Horeck, Tanya H16 Hou, Jeffrey A20 Huang, Shuzhen L16 Humphrey, Dan H12, N20 Horn, Katrin C17 Hovet, Ted I22, M23 Hubbell, Matthew H12 Hunt, Kara D17 Hornby, Louise O6 Howard, Christopher B5 Hudson, Dale M8 Hussein, Linnea D10 Horne, Jennifer I20, K3 Howell, Charlotte T15 Hughes, Gordon P12 Hwang, Yun Mi B5 Horton, Andrew L13 Hoyt, Eric K3, P2 Hughes, Helen L6 I Iannotta, Antonio S16 Ishida, Minori E11 Ivakhiv, Adrian D5 Iyer, Usha A5 Imre, Aniko L12, S9 Ishii-Gonzales, Sam G6 Ivanova, Mariana O4 Ingle, Zachary S6 Issacharoff, Jess P7 Iverson, Heath L6 J Jacks, Wesley D3 Jameson, Peter A11 Johnson, Catherine I16 Jones, Jennifer Lynn C20 Jackson, Josh D15 Jankovic, Colleen F22 Johnson, David H7 Jones, Timothy H11 Jacobs, Jason D9 Jaramillo, Deborah M9 Johnson, Derek I25, K19 Joseph, Rachel K6 Jacobs, Katrien L20 Jeffers McDonald, Tamar H8 Johnson, Martin O15 Joseph, Ralina N7 Jacobs, Steven E18 Jeffries, Dru I3 Johnson, Veronica L24 Joyrich, Lynne D20 Jacobson, Brian F7 Jeong, Areum G11 Johnson, Victoria J8 Juhasz, Alexandra K20 Jagoda, Patrick F8, H11 Jeong, Seung-hoon L4, P18 Johnston, Ruth T6 Jung, Soowan K2 Jaikumar, Priya S19 Jermyn, Deborah I14 Jones, Eileen R17 Jurca, Catherine K16 Jain, Anuja A5 Jimenez, Carlos H3 Jones, Ian P19 K Kackman, Michael K19, T15 Keating, Patrick F2 Kessler, Kelly H25, S24 Klein, Lauren S12 Kaimana, Lokeilani H14, N3 Keeler, Amanda F4 Khan, Sabiha G10 Kleinhans, Chuck O20 Kaltman, Eric S12 Keeling, Kara N5 Kickasola, Joseph R20 Klinker, Mary Jo H10 Kanno, Yuka P5 Keene, Rachael E9 Kidman, Shawna B10 Kmet, Michael T21 Kapelke-Dale, Rachel A18 Keidl, Philipp Dominik I4 Kies, Bridget T10 Knight, Arthur G9 Kaplan, Caren K22 Keil, Charlie K3 Kim, Dong Hoon F22 Knuttila, Lee D6 Kaplan, E. Ann Q20 Keilen, Brian I3 Kim, Gloria R12 Koch, Gertrud P11 Kapse, Anupama E3, Q5 Keilty, Patrick P8 Kim, Han Sang G5 Kocurek, Carly F14 Kara, Selmin P8 Keller, Sarah J1, M14 Kim, Jihoon K12 Kohnen, Melanie R14 Karaduman, Arzu D22 Kelleter, Frank D14 Kim, Se Young T14 Koivunen, Anu T4 Kargbo, Majida S1 Kelley, Andrea G15 Kim, Ungsan T2 Kokas, Aynne I26 Kashtan, Aaron R18 Kelley, Michelle Q9 Kimball, Danny B6 Kompare, Derek D15 Kavka, Misha J9 Kemper, Tom I25 Kimber, Shaun G13 Kondo, Masaki R24 Kay, Darol D17 Kendall, Tina I22, R11 King, Homay F9 Koob, Nathan G2 Keane, Damien H9 Kennedy, Ian R10 King, Rob I10 Kozma, Alicia B8, K19 Kearney, Mary I18 Kercher, Dona Q20 Kinoshita, Chika P5 Krabill, Ron S14 Keathley, Christian E14, H7 Kern, Anne T1 Kiriakou, Olympia S2 Kraszewski, Jon N19 Keating, Betsy D10 Kerner, Aaron T14 Kirshtner, Kelly R10 Krayenbuhl, Pamela S3 Kredell, Brendan Keating, Nicole D10 Kerns, Susan G3 Klein, Amanda G16, K8 T24 179 Index
Kruger-Robbins, Benjamin G1 Kumar, Shanti J24, L12 Kupfer, Alex C18 Kwon, Jungmin M11 Krzych, Scott P8 Kunigami, André A7 Kushigemachi, Todd Q9 Kyrola, Katariina A19 Kuhn, Virginia P2 Kunkle, Sheila N1 Kutnicki, Saul M17 L LaBar, Claire D19 Lawrence, Michael O1 Leung, Helen O8 Long, Derek R14, T20 Labuza, Peter G8 Lawrence, Novotn-y M7 Levine, Elana I18, K10 Loock, Kathleen D14 Laderman, David M11 Lawson, Angelica L19 Lewis, Diane P5 Lopez, Ana F3, M16 LaFleur, Ingrid T17 Le, Lan N17 Lewis, Jon G7 Lord, Susan N22 Lagerwey, Jorie C20 Leal-Riesco, Beatriz G4 Leyda, Julia N19 Lothian, Alexis E17 Lam, Mariam G12 Lebot, Ariane A10 Li, Xiaochang M23 Loutensock, Kristen T21 Lam, Stephanie I6 Lee, Nam K2 Liang, Dong R10 Lovejoy, Alice K22 Lamarre, Thomas I5 Lee, Yongwoo S17 Limbrick, Peter J4 Loviglio, Jason K7 Lambert, Jeffery Q12 Leeder, Murray E12 Lin, Chunfeng S10 Lowenstein, Adam C13 Lamm, Kimberly S20 Lefebvre, Martin H26 Lin, Lana F1 Lowood, Henry K14, O16 Landesman, Ohad Q18 Lehnguth, Henrike R13 Lindsey, Cameron Q15 Lu, Yi H5 Langford, Daniel S8 Leigh, Michele O11 Lippard, Chris L13 Lubecker, Nikolaj L4 Langlois, Suzanne L5 Lenos, Melissa G16 Lippit, Akira E11, N2 Lucas, Christopher M15 Lantz, Andrew H12, N24 Leonard, Suzanne H10 Litwack, Michael E2 Lucia, Cynthia J14 LaPlaca, Laura C8 Leopard, Dan N8 Liu, Linda G7 Lugowski, David K16 Larke-Walsh, George C14, E12 Leppert, Alice J9 Liu, Xiao Q17, R8 Lund, Joshua A6 Larkin, George N16, S7 Lerner, David E16 Liu, Xinmin L9 Lundy, Tiel O13 Larrieux, Stephanie B3 Lerner, Giovanna B4 Lizardi, Ryan T6 Lupke, Christopher N23 Lastra, James M10 Lerner, Neil S10 Llamas Rodriguez, Juan F6 Lurie, Peter F10 Latsis, Dimitrios O18 Lesage, Julia M19, O20 Lobato, Ramon K24 Luzon, Virginia O22 Lauro, Sarah Juliet D6 Lessard, John C4 Lodhie, Lindsey C19 Lynes, Krista M3, N3 Laviosa, Flavia A12 Leung, Helen I11, O8 Loew, Katharina R6 Lyons, James D18 M Ma, Ming-Yuen J10 Mancus, Shannon Davies A13 Martinez Exposito, Alfredo E4 McCarroll, Meredith D6 Macdonald, Ian F15 Mann, Denise I16 Martinez, Diana L13 McClearen, Jennifer D11 Macdonald, Sean I5 Manning, Erin M1 Martinez, Dolores K18 McClune, Caitlin M12 MacDowell, James E7, N14 Manthorne, Katherine O18 Martins, Pablo Gonçalo B12 McCormick, Casey R15 Macek, Steve B14, J12 Marcantonio, Carla K5 Marzola, Luci R6 McCracken, Chelsea P15 Maciak, Phillip L3 Marchessault, Janine J18, Q12 Mask, Mia P17 McDonald, Kevin H2, O12 Magnan-Park, Aaron B5 Marciano, Avi G14 Massood, Paula J. Q20 McDonald, Paul E9, M20 Mahadevan, Sudhir R5 Marcus, Daniel B14, P8 Mather, Davi McDonough, Tom D1 Maingard, Jacqueline O22 Marghitu, Stefania F4 Mathijs, Ernest K15 McFadden, Cybelle H. S20 Maitra, Aniruddha B7 Margulies, Ivone P3 Mattern, Shannon K17, T12 McGowan, Philip J14 Major, Anne M12 Marks, Laura F20 Maule, Rosanna H26 McGrath, Caitlin L22 Majumdar, Neepa E3, Q5 Marsh, Leslie P3 Maurer, Cynthia Q10 McGrath, Jason N12, Q1 Maland, Chuck K16 Martin, Andrew N10 Maurice, Alice M1 McHugh, Kathleen C5 Malitsky, Joshua N22 Martin, Catherine N6 Maury, Cristelle P13 McIntosh, Heather B15 180 Malkowski, Jennifer F14 Martin, Jr., Alfred D20 Mayne, Laura E9 McIntyre, Anthony P H6 Index
McKee, Alison A13 Michael, Charlie H4 Molloy, Claire M20 Morrow, Katherine G8 McKenna, Denise R16 Michell, Kalani M7 Monani, Salma L9 Morton, Drew E14, R18 Mckeown, Conor D5 Mickiewicz, Paulina T12 Monar, Francisco T24 Mosquera, Daniel N18 McLeod, Dayna E17 Middleton, Jason F13 Monk-Payton, Moss, Joshua P16 McMahon, Laura L4 Mihailova, Mihaela H11 Brandeise I19, P17 Mroz, Matilda H22 McNutt, Myles L23 Mihailovic, Katarina Q1 Monnet, Livia Q2 Mukherjee, Debashree Q5 McPherson, Tara G17, K20 Miller, Kiri S15 Monteiro, Stephen M8 Mukherjee, Rahul J5 McQueen, Amanda S11 Miller, Nicholas D13 Montes, Jon K11 Mukherjee, Roopali J12 Means Coleman, Robin N7 Miller, Quinn M9 Montgomery, Colleen A2, K3 Murphy, Brian S7 Meers, Philippe J23 Miller, Taylor Cole D20 Monticone, Paul K3, O15 Murphy, Caryn G20 Meeuf, Russell E12 Milliken, Christie G10 Moon, Krystyn F12 Murphy, J.J. M20 Mehta, Rijuta B7 Mills, Brett D9 Moore, Candace Q3 Murphy, Sheila A19 Mehta, Ritesh I26 Minett, Mark C6 Moore, Paul O15 Murray, Kathleen A13 Melero, Alejandro Q4 Minz, Christopher R2 Moorman, Jennifer R16 Murray, Sarah R1 Melnick, Ross E6 Misra, Sonia K4 Moorti, Sujata H10 Murugan, Meenasarani P18 Melzer, Zach B8 Mitchell, Sian M2 Morel, Eric B13 Muscio, Giuliana J11 Meneghetti, Michael S18 Mittell, Jason L23, R14 Morgan Parmett, Helen J6 Musegades, Paula E10 Mersch, Dieter C1 Miyao, Daisuke R6 Morreale, Joanne G20 Mushinski, Matthias F6 Mersereau, Peters C16 Mizejewski, Linda N9 Morris, Jeremy D15 Musser, Charles O18 Mey, Adeena I4 Mjolsness, Lora D13 Morris, Justin E10 Myers, Andrew F16 Meyers, Andrew P2 Modleski, Tania J20 Morris, Mitchell G18 Myers, Andrew P2 Meyers, Cynthia H15 Mokdad, Linda S23 Morrison, Josh S17 Myers, Jennifer Q13 Morrissey, Katherine R4 N Nagib, Lucia A12, L1 Navitski, Rielle J3, O7 Neves, Joshua J5, Q17 Noble-Olson, Matthew R24 Nagypal, Tamas K13 Ndounou, Monica B3 Newbold, Kate K9 Nocek, Adam I1 Nair, Kartik S10 Needham, Gary P20 Newland, Paul A6 Nochimson, Martha I11, N9 Nakama, Julie S11 Negra, Diane I14, N19 Newman, Kathleen F3 Noonan, Patrick Q1 Nakamura, Lisa F8 Nelson, Patricia R4 Newman, Marc N20 Nooney, Laine K20 Nakayama, Yuki P13 Nelson, Solveig G19 Newman, Michael Z. Q8 Nordfjord, Bjorn M2 Nam, Inyoung K2 Neroni, Hilary Q7 Nguyen, Hoang G12 Norford, Daniel S19 Nath, Anjanli J4 Ness, Richard L14, P13 Nichols, Bill N20 Norton, Diana H22 Nathanson, Elizabeth L8 Neuberger, Joan M4 Nichols-Pethick, Jonathan K5 Nygaard, Taylor S21 Nault, Curran O11 Neuman, Nichole I15 Niessen, Niels R23 Nygren, Scott N23 Navarro, Vinicius H18 Neupert, Richard A4 Nilsen, Sarah J18 O Obradovic, Sanja R6 Ogawa, Shota T18 Oliva, Costantino P19 Ono, Kent A. F12, G12 O’Brien, Charles L10, M10 Ogonoski, Matthew O15 Olivier, Marc K13 Opitz, Andrew C2 OBrien, Michael F6 O’Grady, David E15 Olsson, Annika N19 Oppenheim, Phil J6 Ochonicky, Adam G11 Ogrodnik, Ben B19 O’Meara, Radha L23 Oren, Tasha M1 Odorico, Stefano L1 Ok, HyeRyoung T3 O’Neil-Ortiz, Javier T9 Osawa, Yoshie M5 Oeler, Karla Olesen, Christian Gosvig F13, I2 D22 Ongiri, Amy P17 Osborne, James S10 181 Index
Osterweil, Ara F19 Ouellette, Laurie Q19 Owczarski, Kimberly A15 Oyallon-Koloski, Jenny H4 Ostherr, Kirsten O10 Oukaderova, Lida O3 Owens, Andrew B17 O’Sullivan, Sean D14, L23 Overpeck, Deron D3 Oxtoby, Susan Q12 P Paasche, James K22 Pavsek, Christopher Q18 Peucker, Brigitte E18 Potter, Susan C17 Paca Cengiz, Esin N4 Payne, Lindsey P10 Phillips, Alastair A4 Potterton, Michael S5 Padmanabhan, Lakshmi L17 Payne, Matthew F14, O16 Picard, Yves A9 Powell, Ryan B17 Palmer, Barton J14 Peacock, Steven D9 Pierson, Eric J17, P17 Power, Aidan L1 Palmer, Lindsay E8 Peake, Bryce B16 Pilcher, Lauren O5 Powers, John O19, R19 Palmer, Lorrie O13 Peiper, Catherine E. M8 Pimenta, Joana C19 Pozo, Diana P14 Palmer, R Barton O1 Penley, Constance P14 Piotrowski, Marcelina O6 Pramaggiore, Maria O5 Palumbo, Allison P. D16 Peplin, Katy D2 Pisters, Patricia I1 Pratten, Robert D12 Papazian, Elizabeth M4 Peretti, Burton J11 Plantinga, Carl E20, R20 Price, Brian K1, M6 Papenburg, Bettina P6 Perez, Jorge A3 Plays, Dana N20 Prigge, Matthew B17 Park, Jecheol N5 Perkins, Claire G26 Pluschke, Anton C1 Prime, Rebecca E6 Park, Jinhee J2 Perren, Alisa M15 Podalsky, Laura A20, C3 Pringle, Thomas I6 Park-Primiano, Sueyoung K22 Pesch, Katrin A6 Pollmann, Inga H1, O5 Projansky, Sarah L18 Parks, Lisa K20 Peters, Ian C8 Polonyi, Eszter H1 Provencher, Ken T2 Past, Elena B4 Petersen, Christina B16, N15 Pomerance, Murray L15 Pruneda Senties, Felipe P1 Pastel, Renee B2 Petersen, Jennifer B6, G22 Poppe, Nicolas O7 Puget, Clément A4 Paszkiewicz, Katarzyna B20 Peterson, Elizabeth J6 Porst, Jennifer M9 Puig, Quim O22 Patterson, Eleanor N6 Peterson, Jennifer L. N3, P12 Porter, Pete D2 Pullen, Kirsten R7 Paul, William S16 Petro, Patrice N10, Q20 Portwood-Stacer, Pummer, Claudia H2 Pavlounis, Dimitrios T7 Petruska, Karen I18, T8 Laura G14, R1 Punathambekar, Aswin C12 Q Quanz, Katherine L10 Quigley, Mark A14 Quinn, Eithne S8 R Rabin, Lisa L5 Reckson, Lindsay L3 Rhym, John A1 Roberts, Martin B11 Raengo, Alessandra K1 Redmon, Allen B20 Richardson, Anne K6 Robinson, Ian F7 Raine, Michael F5 Redvall, Eva F15 Richardson, John G18 Robinson, Timothy K5 Ramaeker, Paul A13 Regester, Charlene K7 Richler, David S2 Rochester, Katherine D13 Ranachan, Kate Q14 Rehak, Bob C11 Richmond, Scott F8 Rodman, Gilbert A17 Rand, Erica H14 Reich, Elizabeth T17 Ridlen, Tim T13 Rogers, Kenneth N17 Randell, Karen F16, I14 Reinsch, Paul E16 Riffel, Casey T9 Rogers, Maureen T20 Rangan, Pooja N18 Renninger, Bryce L8 Rigoletto, Sergio O11 Rogerson, Ben D7 Rankin, Cortland C2 Renov, Michael H18 Ritter, Courtney F22 Roggen, Sam H7 Rapf, Joanna P16 Rentschler, Carrie G22 Rivero, Yeidy L12 Rony, Fatimah Tobing N18 Raw, Laurence I17 Restivo, Angelo I11 Rizo-Lenshyn, Victoria C4 Rosen, Philip C9, P11 Rawitsch, Elizabeth E7 Rezaie, Munib M2 Robe, Chris B14 Rosenow, James B13 Raymond, Marc L2 Rhodes, Jane N7 Roberts, Jason Kelly J2 Rosenthal, Michele G14 182 Reagan, Patrick L4 Rhody, Jason S12 Roberts, Mark E11 Rosenzweig, Laura F11 Index
Rosner, Daniela D8 Rossie, Amanda D16 Rudolph, Alan L14 Russell, Christopher S15 Rust, Amy M18 Ross, Sara S11 Rothman, William L15 Rudolph, Joyce L14 Russo, Alexander A16 Rust, Stephen J6, L9 Ross, Sharon M23 Roychoudhuri, Ranu R5 Rueda, Carolina R3 Russo, Julie C11, E17 Rutkoff, Rebekah H13 Ross, Steven F11, K16 Royer, Alice K7 Ruehlicke, Andrea B9 Russo, Michela N24 Ryabchikova, Natalie I2 Rossaak, Eivind B19 Rozsa, Irene Q22 Russell, Catherine J19, Russworm, Rybin, Steven L15 Q18 TreaAndrea F14 S Safariants, Rita F18 Scepanski, Philip H20, Shafer, Leah B16 Smith, Cherise N7 Stamm, Laura F1 Saha, Poulomi A7 J13 Shahaf, Sharon L12, S9 Smith, Iain I17, O1 Stanfill, Mel G16, K19 Sahin, Esra-Gokce M10 Schaber, Bennet B1 Shahani, Nishant O11 Smith, Jason D1 Starosielski, Saito, Ayako P5 Schaefer, Eric G25 Shambu, Girish H7, N14 Smith, Justin E9 Nicole D8, M18 Salamanca, Claudia I9 Schaff, Rachel N12 Sharma, Sudeep E16, Smith, Matthew S23 Stasia, Cristina B20 Salazkina, Masha M14, Schauer, Bradley R15 O12 Smith, Nova A17 Stauff, Markus J8 P1 Scheibel, Will P13 Sharp, Sharon D22 Smith-Casanueva, Stebbins, Amy H13 Saliot, Anne-Gaelle C7 Scheible, Jeff D8 Shaviro, Steven J13, N14 Brent T9 Stein, Erica A20, G7 Saljoughi, Sara F20 Schilt, Thibaut B4 Shaw, Deborah A12 Smith-Rowsey, Steinbach, Salvato, Nick L3 Schleier, Merrill L11 Sheaffer, Russell G25 Daniel Q15, S24 Katherine H18 Samardzija, Zoran T11 Schlipphacke, Heidi J16 Sheehan, Rebecca N8 Smoodin, Eric E6 Steingrover, Reinhild C4 Samer, Roxanne M19 Schlotterbeck, Jesse A11 Shen, Lien Fan T3 Smukler, Maya Steinhart, Daniel I26 Sammond, Nicholas R12 Schmidt, Andrea G11 Sheppard, Samantha I19 Montanez R16 Steven, Peter O20 Sampson, Benjamin E14 Schmidt, Lisa S13 Sherman, Kevin H18 Smyth, J. E. J14, T1 Stevens, Kyle J13 Samuelson, Mary F2 Schneider, Molly O9 Shiel, Mark A20, C15 Soans, Francesca M17 Stilwell, Robynn G18 San Filippo, Schonig, Jordan G6 Shimura, Miyoko M5 Soderman, Braxton T13 Stine, Kyle S7 Maria F10, P7 Schreiber, Michele G26 Shin, Chi-Yun N3 Soep, Elisabeth S14 Stites Mor, Jessica F3 Sanabria, Carolina E4 Schulz, Suzanne I15 Shurkus, Marie F1 Solan, Yair K8 Stob, Jennifer G2 Sanchez Prado, Schur, Thomas G3 Siegel, Carol L24 Soles, Carter K6 Stockton, Kathryn Ignacio O7 Schwoch, James A18 Siegel, Marc O2 Solovieva, Olga K18 Bond H14 Sandell, Jillian G9 Sciachitano, Marian D22 Siegel, Michael T19 Somerville, Stone, Nora T14 Siobhan M24 Sandler, Kevin C12, I16 Sconce, Jeffrey G17 Sienkiewicz, Stork, Matthias E14, I3 Song, Hojin A9 Sandon, Emma S3 Scott, Kaia B2 Matt D4, H20 Stout, Graeme O13 Spadoni, Robert M13 Sanogo, Aboubakar G4 Scott, Karly-Lynne R10 Silberman, Robert P13 Strassfeld, Benjamin T20 Spaulding, Hannah J10 Sanson, Kevin J24 Scott, Kathleen K4 Silva, Kathryn M. O3 Strauven, Wanda K23 Spigel, Lynn I20 Santana-Kaplan, Scott, Suzanne K19, R14 Sim, Gerald O12, T5 Street, Sarah H19 Andrew B1 Sprengler, Christine A10 Sears, Camilla K10 Sinwell, Sarah Q11 Studlar, Gaylyn H8 Santo, Avi C12, M15 Springer, Claudia M17 Sebok, Bryan S6 Siomopoulos, Anna P9 Sturtevant, Victoria N9 Sarkar, Bhaskar J5, R5 Springer, Sean R4 Segal, Shira M19 Sirmons, Julia N12 Suarez, Juan F19 Sarlin, Paige K12 Sreedhar, Darshana T16 Seiber, Tim D10 Sitton, Bob B6 Suarez, Juana S4 Sastre, Alexandra T16 Stabile, Carol J12 Seifert, Kristin T13 Skvirsky, Salome P3 Suarez-Hesketh, Saunders, Keeley B20 Stadel, Luke K9 Paulina Q22 Seiter, Ellen I25 Sloan, Anna M3 Sayad, Cecilia C13 Stadler, John P14 Subramanian, Selberg, Scott A19 Slowik, Michael R7 Sayers, Jentery M8, T12 Stahl, Lynne I12 Janani C20 Selway, Matthew R17 Slugan, Mario T13 Scahill, Andrew P10 Staiger, Janet M20, Q11 Sugawara, Yoshino H5 Sen, Meheli E3 Smaill, Belinda B18 Scandiffio, Theresa Q12 Stallschus, Stefanie P6 Sullivan, Annie G9 Service, Brett C18 Smalls, Shante M24 Sullivan, Gordon M6 183 Index
Sundar, Pavitra M10 Sutherland, Meghan R23 Swalwell, Melanie O16 Symes, Katerina T10 Szeto, Mirana O8 Sundholm, John S4 Suwart, Przemyslaw I8 Swanbeck, Laura S23 Szczepaniak-Gillece, Szymanski, Adam K5 Sung, Wendy J22 Svensson, Patrik T12 Swanson, Alexander R15 Jocelyn N11 T Takacs, Stacy F16 Thanhouser, Ned P16 Thorsby, Mark G2 Tran, Anthony P2 Turner, Fred I20 Takahashi, Tess K12 Thimons, Alexander G15 Thurtle, Phillip R12 Trencheva, Elena J7 Turner, Graeme M11 Takemoto, Tina N18 Thoma, Pamela H10 Tierney, Dolores M16 Trice, Jasmine O22 Turnock, Julie N15 Takinami, Yuki E10 Thomas, David O13 Tilland, Bonnie K17 Trifonova, Temenuga O6 Turvey, Malcolm E20, Talvio, Raija F15 Thomas, Sarah I13 Tinic, Serra A15 Trono, Mario G7 M14 Tan, Jia N5 Thompson, Ethan S9 Tinkcom, Matthew M24 Trope, Alison I18 Tuzun, Defne G3, N4 Tang, Funing R11 Thompson, Kaelie S6 Tomasulo, Frank P. Tropiano, Stephen D20 Tweedie, James R12 Tchouaffe, Olivier M12 Thompson, Kathryn H6 I11, R21 Troy, Edward E13 Twombly, Tanya T23 Tedjasukmana, Chris H1 Thompson, Kirsten Tompkins, Joe Q14 Tryon, Chuck Q11 Tyagi, Ila L6 Teo, Stephen I11 Moana G11 Torchin, Leshu K12 Tsika, Noah M11, P7 Tziallas, Evangelos L20 Terrefe, Selamawit D17 Thornton, Niamh Torner, Evan C4 Tsunoda, Takuya F5 Tzioumakis, Thain, Alanna I1, Q2 Rosario A11 Trafton, John C16 Turim, Maureen N23 Yannis G26, P20 U Udden, James D4 Uhlin, Graig A6 Ukadike, N. Frank G4 Urang, John Q7 V Vaccaro, Justin M22 VanCour, Shawn P22 Vela, Rafael Q6 Vickery, Jacqueline E1 Von Moltke, Vagt, Christina C1 Vanderhoef, Verchery, Lina D5 Vieira, Joao Luiz J3 Johannes M14 Valsson, Petur S16 John J15, T15 Verevis, Villarejo, Amy A9, H17 Vonderau, Patrick K24 Van de Peer, Stefanie K4 Vannucci, Enrico I8 Constantine D14, O1 Vogan, Travis J8 Vonderheide, Leah A16 Van de Vijver, Lies L24 Vaughan, Hunter L9, T1 Verheul, Jaap P18 Von Vogt, Matthew P7 Vora, Kalindi R8 Veenstra, Aleit J23 Viano, Maurizio C14 W Wada-Marciano, Ward, Meredith C8 Webb, Lawrence A20, White, Khadijah N7 Williams, Linda Ruth L15 Mitsuyo E11 Wark, McKenzie G17 D7 White, Mimi G10 Williams, Mark A14, P2 Wagner, Phil J7 Warner, Kristen I19, P17 Weber, Anne-Katrin K9 White, Patricia J16, O3 Williams, Tami J1 Wahlberg, Malin T18 Warner, Rick A1 Weber, Brenda J9, Q19 White, Patricia O3 Williamson, Colin A7 Walker, Janet L9, M18 Warren, Shilyh S20 Wee, Gyeong-hae T3 White, Susan J20 Willis, Artemis L22 Walker, Johnny G13 Warren-Crow, Weiberg, Birk B6 White-Stanley, Willis, Holly D19 Waller, Gregory I15 Heather G3 Welbon, Yvonne D12 Debra F16 Wilson, F Booth K8 Waller, Marguerite T4 Washitani, Hana M5 Wells, Sarah O7 Whitney, Allison B2, E12 Wilson, Julie J12, Q19 Walley, Jonathan C19 Wasko, Janet J23 Wessels, Chelsea Q13 Whittaker, Tom Q4 Wilson, Samantha C7 Wall-Romana, Wasow, Althea I9 Wessels, Emanuelle T23 Whittington, Ian H9 Win, Thong T2 Christophe J1, P12 Wasson, Haidee G15, West, Thomas D2 Wild, Jennifer P12 Windhausen, Wang, Jennifer N6 N11 Westmoreland, Mark J4 Wilkman, Jon F11 Federico O19 Wang, Lingzhen J16 Watkins, Elizabeth A16 Westrup, Laurel J10 Williams, Bruce T5 Withers, Emma T8 Wang, Yiman F12 Waugh, Thomas O20 White, Kenneth O2 Williams, Linda L. L20 Witholt, Thomas P9 184 Wanzo, Rebecca N9 Index
Witte, Michael D7 Wolf, Mark J.P. E22 Wood, Jordan J15 Woods, Mary Q22 Wuensch, Michaela C1 Wlodarz, Joseph H17 Wolfson, Elizabeth B7 Woods, Eva Q4 Wright, Benjamin L10 Wuest, Bryan Q3 Wojcik, Pamela M3, Q20 Wolock, Lia J2 Woods, Faye D18 Wucher, Josh M13 X Xiao, Zhiwei H5 Y Yale, Andrew C7 Yasar, Zeynep R9 Yoder, Jon L11 Yosef, Raz T16 Yue, Audrey O8 Yamamoto, Yeung, Stephanie C17 Yonemura, Miyuki M5 Youmans, Greg F9 Yue, Genevieve G17, N2 Naoki C9, Q1 Yi, Erika Junhui L16 Yoon, Keumsil T5 Young, Andrew O9 Yumibe, Joshua H19 Yang, Wei E5 Yip, Man Fung G5 Yoon, Soyoung D1 Young, Damon F9 Yasar, Kerim C10 Yockey, Matt C11 York, Ashley Elaine R21 Young, Gwenda O5 Z Zaher, Lisa O2 Zeavin, Hannah F1 Zhang, Charlie L16 Zimmer, Catherine E8 Zolides, Andrew F4 Zahlten, Alexander Q17 Zeddies, Margaret K17 Zhang, Ling C10 Zimmerman, Heidi B10 Zryd, Michael E19, Q12 Zakos, Katharine E22 Zeglen, David Q14 Zhao, Jing (Jamie) L16 Zimmermann, Zuo, Mila I12 Zarza, Zaira H3 Zeilinger, Martin G9 Zheng, Xiqing L16, T3 Yvonne P12 Zweig, Noah A18 Zarzosa, Agustin R23 Zemel, Dustin B19 Zhu, Xiaoxi D3 Zinman, Gregory H19 Zavala, Veronica H3 Zeng, Li N23 Zhu, Yanhong E5 Zobel, Eric J7
185 honors OUTGOING BOARD MEMBERS Jim Castonguay Angelo Restivo Pam Wojcik
Thank you so much for your service – you will be greatly missed! U SCMS Undergraduate Conference April 18–19, 2014 Norman, Oklahoma Hosted by the University of Oklahoma
The Society for Cinema and Media Studies is proud to announce its support for the Society for Cinema and Media Studies Undergraduate Conference. Previously conducted under the title of the Midwest Undergraduate Film and Television Conference and held only at the University of Notre Dame, this new incarnation will rotate across multiple universities on an annual basis, so as to enable wider access to students across North America. It will carry the SCMS imprimatur to reflect the organization’s strong support for undergraduate education in cinema and media studies.
The SCMS Undergraduate Conference offers undergraduate students a forum to present papers representing their best work in the field. Each year, a panel comprised of faculty from the host institution selects the best papers from the proposals received. In 2014, the panel will be from the Film and Media Studies program at the University of Oklahoma. The resulting conference allows undergraduate students the rare opportunity to share their cinema and media history, criticism, and theory work with peers from across the country.
We ask that you tell your undergraduate students about the conference. As mentioned, this year it will be held at the University of Oklahoma on April 18 and 19, 2014. The 2015 Conference will be hosted by Smith College, Northampton, Massachusetts. More information about next year’s conference will be available on the SCMS website in the fall.
Questions about the 2014 conference should be directed to Victoria Sturtevant at [email protected]
For the call for papers, please visit https://cmstudies.site-ym.com/?page=undergraduate
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Women and Film Nazi Film Melodrama Keepers of the Flame Contemporary Film History International LAURA HEINS NFL Films and the Rise of Directors Paperback $30.00; Ebook Sports Media Germaine Dulac TRAVIS VOGAN Spike Lee A Cinema of Sensations The Europeanization of Paperback $25.00; Ebook TODD McGOWAN TAMI WILLIAMS Cinema Paperback $22.00; Ebook Paperback $28.00; Ebook Interzones and Imaginative Friday Night Fighter Communities Gaspar "Indio" Ortega Christian Petzold Exporting Perilous Pauline RANDALL HALLE and the Golden Age JAIMEY FISHER Pearl White and the Serial Paperback $28.00; Ebook of Television Boxing Paperback $22.00; Ebook Film Craze TROY RONDINONE Edited by MARINA Hardcover $32.00 Todd Haynes DAHLQUIST ROB WHITE Paperback $25.00; Ebook Undercover Asian Paperback $22.00; Ebook Multiracial Asian Americans in Visual Culture Journals Strange Natures LEILANI NISHIME Paperback $28.00; Ebook Futurity, Empathy, and Journal of Film and Video The Asian American Experience the Queer Ecological Offi cial journal of the Imagination University Film and Video Hillary Clinton in the Association NICOLE SEYMOUR News Paperback $25.00; Ebook Edited by STEPHEN Gender and Authenticity in American Politics TROPIANO C. Francis Jenkins, Pioneer of Film and SHAWN J. PARRY-GILES Music and the Paperback $27.00; Ebook Television Moving Image DONALD G. GODFREY Our ebooks are available on Kindle, Google Play, NOOK, Edited by GILLIAN B. Hardcover $50.00; Ebook Kobo, and other formats and devices. Select titles are also ANDERSON & RONALD H. The History of Communication available through libraries from ebrary, MyiLibrary, SADOFF JSTOR, Project MUSE/UPCC, and ACLS Humanities E-Book.
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20TH SERCIA ANNIVERSARY CONFERENCE SERCIA, founded in France in 1993 and one of SCMS’s affi liate organizations, is a European-based association of scholars dedicated to the study of English-speaking cinema. It organizes an annual conference dedicated to a particular theme. The theme of the 2014 conference is “Music and Movies: National and Transnational Perspectives.” It will be hosted by the Department of American Studies, Radboud University, Nijmegen, The Netherlands on September 18-20, 2014. Nijmegen is the oldest town in the Netherlands and well known to movie experts from Richard Attenborough’s A Bridge Too Far (1977). This year will mark the 70th anniversary of Operation Market Garden, designed to end the war quickly. During the operation, launched on September 17, 1944, American, Canadian, British, and Polish troops liberated Nijmegen. Thus, our conference participants will fi nd the scenic town center buzzling with international visitors, parades, concerts, and fi lm events around the theme of liberation. In addition to our conference lectures, panels, and workshops on the aural dimension of fi lm, we will present an exhibition as well as a live musical performance on “The Soundtrack of Liberation” synchronized with live screenings.
MUSIC AND MOVIES: NATIONAL AND TRANSNATIONAL APPROACHES The global appeal of fi lms in the digital age is not only driven by impressive visuals but also by music. We do not simply watch a fi lm: the soundtrack plays a crucial role in shaping our perception of what is shown on the screen. Music represents perhaps the most neglected paradigmatic medium, in spite of being a powerful infl uence on how fi lms are understood and are able to cross national, cultural, and ethnic boundaries. Musicians, composers, sound designers, directors, producers, and distributors function as infl uential cultural mediators (in the sense of Stephen Greenblatt) who are constitutive in shaping regional, subnational and national identities. Thus, the theme Music and Movies raises broader issues in transnational studies, fi lm studies, media studies, and studies in performance culture. The conference will bring together international scholars from diverse disciplines offering a discursive platform for the collaboration between fi lm studies, cultural studies, American studies, musicology, ethnomusicology, performance culture, sound design, and media studies. We hope to decode the nexus between music and movies from historical, theoretical, and analytical perspectives. Despite the centrality of our theme to fi lm, media, and entertainment culture, the infl uences of music, sound effects, and language on the visual often remain on the fringes of academic investigations. Indeed, we do not yet have an established analytical language in order to understand the complex interplay of hearing and seeing a fi lm. The conference Music and Movies explores, maps, and critically evaluates the creative interplay between sights and sounds. For further information on the call for papers please refer to our website: http://www.ru.nl/col/SERCIA Deadline: Paper proposals from members of SCMS may be submitted up to Friday, 11 April 2014 to both Frank Mehring, head of the American Studies Department ([email protected]) and Melvyn Stokes, president of SERCIA ([email protected]).
New from Oxford Popular Music and the New Auteur Visionary Filmmakers after MTV Edited by ARVED ASHBY 2013 232 pp. 32 illus. Hardcover $99.00 Paperback $35.00
The Desiring-Image OXFORD HANDBOOKS Gilles Deleuze and Contemporary Queer Cinema NICK DAVIS 2013 332 pp. 15 illus. Hardcover $99.00 Paperback $29.95 The Oxford Handbook of Virtuality Edited by MARK GRIMSHAW Occult Aesthetics 2014 792 pp. 97 illus. Hardcover $150.00 Synchronization in Sound Film New in Paperback K.J. DONNELLY The Oxford Handbook of Sound Studies (Oxford Music/Media Series) Edited by TREVOR PINCH and Edited by KARIN BIJSTERVELD 2014 272 pp. 39 illus. Hardcover $99.00 Paperback $29.95 2013 612 pp. 39 illus. Paperback $50.00 America Is Elsewhere The Oxford Handbook of Japanese Cinema The Noir Tradition in the Age of Consumer Culture Edited by DAISUKE MIYAO ERIK DUSSERE 2014 496 pp. 137 illus. Hardcover $150.00 2013 320 pp. 26 illus. Hardcover $99.00 Paperback $29.95 The Oxford Handbook of Sound and Image Sampling Media in Digital Media Edited by DAVID LADERMAN and LAUREL WESTRUP Edited by CAROL VERNALLIS, AMY HERZOG, and JOHN RICHARDSON 2014 288 pp. 44 illus. Hardcover $99.00 Paperback $29.95 2013 832 pp. 100 illus. Hardcover $150.00 We’ll Meet Again The Oxford Handbook of Film Music Studies Musical Design in the Films of Stanley Kubrick Edited by DAVID NEUMEYER KATE McQUISTON 2013 704 pp. 151 illus. Hardcover $150.00 (Oxford Music/Media Series) 2013 256 pp. 36 illus. 14 music ex. Hardcover $99.00 Paperback $27.95 The Oxford Handbook of New Audiovisual Saying It With Songs Aesthetics Edited by JOHN RICHARDSON, CLAUDIA GORBMAN, Popular Music and the Coming of Sound to Hollywood Cinema and CAROL VERNALLIS KATHERINE SPRING 2013 752 pp. Hardcover $150.00 (Oxford Music/Media Series) 2013 256 pp. 28 illus. Hardcover $99.00 Paperback $29.95 The Oxford Handbook of Chinese Cinemas Edited by CARLOS ROJAS and EILEEN CHOW The Age of New Waves 2013 736 pp. 86 illus. Hardcover $150.00 Art Cinema and the Staging of Globalization JAMES TWEEDIE 2013 378 pp. 53 illus. Hardcover $99.00 Paperback $35.00
Unruly Media Now Available Online! YouTube, Music Video, and the New Digital Cinema Very Short Introductions Brilliant. Sharp. Inspiring. CAROL VERNALLIS Now Online. 2013 368 pp. 71 illus. Hardcover $99.00 Paperback $24.95 The leading international journal of academic film & veryshortintroductions.com television studies. indicates titles with companion websites. screen.oxfordjournals.org Visit oxfordwebmusic.com for more information.
Visit the Oxford booth to save on these and other titles. oup.com/us 1 We congratulate the following scholars on being awarded the 2013 Academy Film Scholars Grants for their proposed book projects:
LAURENCE KARDISH JAMES O. NAREMORE Shirley Clark: The Cinema of Charles Burnett The Original Chelsea Girl Indiana University Independent Scholar
Academy Film Scholars
For application information, visit oscars.org/filmscholars DePaul University, housed on dual campuses in Chicago’s Lincoln Park and Loop, offers a BA, joint 5-year BA/MA, and MA in Media and Cinema Studies. Our programs provide students with the critical skills, historical grounding, and research methodologies necessary for understanding the cultural and social impact of film, television and digital media in our globalized world.
CORE MEDIA AND CINEMA STUDIES FACULTY • Luisela Alvaray, works on transnational and Latin American cinemas and has published in journals such as Cinema Journal, Cultural Dynamics, Transnational Cinemas, Studies in Hispanic Cinemas and Film and History
• Paul Booth, author of Digital Fandom: New Media Studies and Time on TV: Temporal Displacement and Mashup Television and editor of Fan Phenomena: Doctor Who
• Blair Davis, author of The Battle for the B’s: 1950s Hollywood and the Rebirth of Low-Budget Cinema and various works on topics such as the horror genre, graphic novels, and early occurrences of media convergence
• Michael DeAngelis, author of Gay Fandom and Crossover Stardom: James Dean, Mel Gibson, and Keanu Reeves and editor of the upcoming Reading The Bromance: Homosocial Relationships In Film And Television
• Kelly Kessler, author of Destabilizing the Hollywood Musical: Music, Masculinity, and Mayhem and various published works on television, sexuality, and genre
• Daniel Makagon, author of Where the Ball Drops: Days and Nights in Time Square and co-author of Recording Culture: Audio Documentary and the Ethnographic Experience
Learn more at communication.depaul.edu. University of Wisconsin — Milwaukee MEDIA, CINEMA, AND DIGITAL STUDIES Building on its traditions of innovative graduate study in cinema and critical theory,
UW-Milwaukee’s English Department offers a unique, interdisciplinary graduate
curriculum in Media, Cinema, and Digital Studies. The Master’s and Doctoral
program combines studies of film, media, and popular culture with studies of
developing digital technologies and textualities. Students are encouraged to pursue
their own areas of concentration from courses in film television FACULTY Gilberto Blasini: third cinemas, cultural studies, film and television criticism; Dave Clark: digital textualities, web production and theory; Elena media theory Gorfinkel: film history, gender and sexuality, avant-garde and cult cinema; cultural studies Richard Grusin: digital theory, science and technology studies, philosophy; Lane critical theory Hall: activism and tactical media, experimental narrative, multimedia production; Gregory Jay: African American film, race and critical theory; multimedia writing Jennifer Johung: digital culture, media art, performance studies; Thomas alternative textual Malaby: game studies, video game industry and culture; Andrew Martin: film, production television, popular culture; Stuart Moulthrop: game studies, digital theory, digital literature; Tasha Oren: cultural studies, global media history/theory, television, technology screenwriting; Peter Paik: world cinema, anime, political philosophy; Patrice digital studies Petro: global film history and theory, media studies, feminist theory; Peter Sands: science fiction, utopianism, technoculture, law; Tami Williams: French cinema, game studies early cinema, digital culture; Anne Frances Wysocki: digital rhetoric, textualities, technology theory and culture; digital production. and more For more information, visit media.uwm.edu
or contact Tasha Oren, Coordinator [email protected] e UNIVERSITY of OKLAHOMA
Film and Media Studies is an interdisciplinary program at the University FILM & of Oklahoma designed to give students a broad understanding of film MEDIA and media history, theory, and criticism. OU Film and Media Studies, in STUDIES the College of Arts and Sciences, is proud to be the institutional home of the SCMS Office and staff.
The University of Oklahoma is truly an extraordinary institution, known for its academic excellence and strong sense of community. Attracting top students from across the nation and more than 100 countries around the world, OU provides a major university experience in a private college atmosphere.
http://cas.ou.edu/fms/ In Memoriam Robert Furze Stuart Hall Elspeth Kydd
T h e Concordia Jean-Marc Arcade Fire Mordecai Richler Bagels Musée d’Art Contemporain Université de Montréal Leonard Jean Talon Market Montreal World Film Smoked Meat Montreal International Documentary Montreal William Shatner 2015 John and Yoko Bed-in April Wine Jay Baruchel Denis Villeneuve Fantasia Film Festival Denis Arcand CirqueCall du Soleil for Paper, Panel, National and Workshop Film Board Proposals McGill University Maple Spring The Society Jessica forParé Cinema Robert and Lepage Musée Media Studiesdes Beaux announces its Arts Vallée Xavier Dolan call for proposals for the 2015 conference. Alanis Obamsawin Film Festival Jazz Festival Canadian Centre for Architecture Université Festival Please Quartier join desus Wednesday,Spectacles Old March Montreal 25 – Sunday, SocietyMarch 29, for 2015 Arts and Technology Les Habitants poutine Cohen at the Fairmont The Queen Elizabeth Hotel. Michel Brault Smoked Meat Festival de Nouveau Cinéma Cirque Anne-Claire Poirier Bienvenue Cinémathèque à Montréal! World Québécoise Film A bilingual Festival cultural Jazz Festival mecca, Robert Montreal Charlevoix hosts one of the Denis most dynamic music, Joe Beef film, art, and culinary scenes in North America. Named University Musée d’Art Université Contemporain de Montréal the UNESCO City Underground of Design Moment in City 2011, Factory Montreal hosts dozens of film and cultural Place des Arts Maple Spring festivals, museums, and galleries. A rich cultural Concordia and architectural University heritage Expo ’67 Jessica Paré Robert round out a young, Les Nuits vibrant D’Afrique city that Bagelsembraces difference and diversity. Join us! de Québec à Montréal John and Yoko Bed-in Jean-Marc Vallée Celine Dion Jazz Festival The 2015 SCMS Conference Program Committee welcomes quality paper, Canadian William Shatner Quartier des Spectacles • Mordecaipanel, and Richler workshop proposals on any topic related to cinema and media Old du Soleil Jean Talon Market studies. Proposal submission forms will be available through the SCMS Montreal International Leonard Documentary Cohen Film Festival Villeneuvewebsite on June 1, 2014. Montreal The deadline World for Film proposals Festival is Friday, August 29, 2014 Festival de Nouveau Cinéma World Film Festival Cinémathèque Québécoise April(5:00 Wine pm Central Time). Place des Arts National Film Fantasia Board Film Jay Festival Baruchel Society for Arts McGill University Denis Arcand Lepage Expo ’67 Jazz Alanis Obamsawin Musée des Beaux Arts Xavier Dolan Anne-Claire Poirier Michel Centre for Architecture Montreal Les HabitantsJoe Beef and TechnologyUnderground Festival City Brault
2/16/14 3:51 PM
2014 CONFERENCE PROGRAM Seattle www.cmstudies.org
SOCIETY FOR CINEMA AND MEDIA STUDIES FOR SOCIETY dedicated to the scholary study of film, television, video & new media & new video television, film, of study the scholary to dedicated SCMS 2014 COV FP.indd 1