DOCSLIB.ORG

Dinner in Utopia: Why Did Plato Propose “Amazing and Frightening” Meals in Common Michael Jackson & Damian Grace

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dinner in Utopia: Why Did Plato Propose “Amazing and Frightening” Meals in Common Michael Jackson & Damian Grace Spaces of Utopia nd 2 Series, No. 3, 2014 Spaces of Utopia An Electronic Journal, nd 2 Series, No. 3, 2014 Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3, 2014 2 Presentation, Call for Papers & Guidelines Spaces of Utopia is a double-blind peer review international e-journal of scholarly research in the field of Utopian Studies. It is published in English once a year as part of the Digital Library of the Faculdade de Letras da Universidade do Porto (FLUP), Portugal, and has an ISSN number (ISSN 1646-4729). Founded by the members of the research project “Mapping Dreams: British and North-American Utopianism”, hosted by CETAPS - Centre for English, translation and Anglo-Portuguese Studies, the journal aims at providing a space for the publication of studies on a wide spectrum of topics related to literary utopias and utopian thought and practices. Although its founding members work in the field of Anglo-American Utopian Studies, the journal welcomes contributions on all subjects within the general field of Utopian Studies (i.e., on any country, period, book, and experiment). Spaces of Utopia is a pluralist publication with no ideological affiliation and open to proposals and perspectives from all research methodologies. All contributions are to be submitted to the Editorial Board of the journal for double-blind peer-reviewing. A member of the Editorial Board shall be appointed editor for the organization of each issue. It is understood that articles are original and are not being submitted to other journals at the same time. Contributions are assumed to be unpaid. The Editorial Board may also invite distinguished scholars to contribute to the journal. Spaces of Utopia is listed in DOAJ and in Ulrich's Periodicals Directory. Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3, 2014 3 Call for Papers The typical (but not rigid) structure for each issue includes three or four sections: • Utopia Matters – consisting of a testimony by, or an interview with, a distinguished scholar in the field of Utopian Studies. • Articles – some issues may be thematic. • Varia – articles on various topics, in case the issue is thematic. • More Food for Thought – a space for the publication of new utopias (max. 15.000 words). There is a standing call for contributions to the journal for sections 3 and 4. Contributions are to be sent both to [email protected] and to [email protected]. Thematic issues will always be announced. Guidelines For Authors When sending us your essay, please make sure that you follow these guidelines: General Guidelines • All essays should be typed in Times New Roman 12, double-spaced, with no more than 28 lines per page (ca. 1800 spaces). Pages should be numbered and the title typed in bold, Times New Roman 14. • Essays must not exceed 20 pages (including notes and list of works cited). • They should be sent in their definite version via e-mail or floppy disk (with information on the software used, as well as a print copy of the essay). • All the published works are the authors’ responsibility. Titles • Italics should be used for titles of works published independently (such as books and plays). Quotation marks should be used for titles of works published within larger works (e.g. articles, essays, reviews or titles of poems). Notes • All notes should be endnotes. They should be typed in Times New Roman 10, and should be numbered consecutively, starting from 1. • For note numbers use “superscript”, after the punctuation mark (except for dashes). Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3, 2014 4 Epigraphs • Epigraphs should be typed in italics, in Times New Roman 10. The name of the author must be given (the title of the work is optional). Quotations • Quotations in languages other than the one chosen to write the essay may be followed by their translation, in square brackets. • Quotations of not more than three typed lines should be placed in quotation marks and incorporated in the text (use the quotation marks “.....”; in case the quotation itself contains another quotation, use “.....‘.....’.....”). • Quotations of more than three typed lines should be set off from the text, beginning a new line and indenting it 1.5 centimetres; type should be Times New Roman 10, without quotation marks. • Interpolations should come in square brackets [ ]. • For ellypsis within a sentence, use three periods (…) in brackets. • For sources, use parenthetical references within the text, indicating the following information in its shortened form: name of the author, publishing date and number of page: e.g. Single author: (Simenon, 1985: 7ss) Two authors: (Sjöwall / Wahlöö, 1985: 35) Three or more authors: (Doyle et al., 1973: 43) • When citing indirect sources, use apud before it in the parenthetical reference: e.g. (apud Chandler, 1774: 755). • If you cite an author repeatedly, use (idem, 10) or, in case the quotation is from the same page in the same work, use (ibidem). Works Cited • The Works Cited section should appear at the end of the essay, before the endnotes, in Times New Roman 10. It should list all the works that have been cited or referred to in the essay, alphabetically organized by the authors’ last name. e.g. Boileau, Pierre / Thomas Narcejac (1982), Le Roman Policier, Paris, Nathan. Fossati, Franco (1994), Dizionario del genere poliziesco, Milano, Einaudi. • In citing two or more works by the same author, the author’s name should be given in the first entry only. Thereafter, instead of the name, type two dashes, followed by the date of publication in brackets, the title and other publication information. If the works were published the same year, add the letters a, b, c, etc. to the publication dates: e.g. Frye, Northrop (1957a), Anatomy of Criticism: Four Essays, Princeton, Princeton Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3, 2014 5 UP. _ _ (1957b) Sound and Poetry, New York, Columbia UP. • Publication information such as the publisher, the place of publication and the edition used must always be given. If you wish to indicate the year of the first edition, use square brackets: e.g. Dürrenmatt, Friedrich (1992), Der Richter und sein Henker, Zürich, Diogenes [1950]. • In citing a translation, give also the translator’s name, preceded by “trans.”. e.g. Chekhov, Anton (1964), Five Plays, trans. Ronald Hingley, London, Oxford UP. • For anthologies, articles in periodicals or other sources, follow the models below: Alewyn, Richard (1968), “Anatomie des Detektivromans”, in Jochen Voght (ed.) (1998), Der Kriminalroman. Poetik. Theorie. Geschichte, München, pp. 52-72. Pizer, John (1987), “History, Genre and ‘Ursprung’ in Benjamin’s Early Aesthetics”, The German Quarterly, vol. 60, nr. 1, pp. 68-87. To add further information, use square brackets [ ]. Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3, 2014 6 TITLE: Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3 GENERAL EDITOR: Fátima Vieira EDITOR(S): Teresa Botelho PLACE OF PUBLICATION: Porto PUBLISHER: Universidade do Porto. Faculdade de Letras. Biblioteca Digital. YEAR: 2014 ISSN: 1646-4728 PERIODICITY: Annual ONLINE ACCESS: http://ler.letras.up.pt/site/default.aspx?qry=id05id174?=sim Spaces of Utopia is an open access electronic journal that follows all the criteria of OA publishing policy. All articles are Double Blind Peer Reviewed. The journal is classified as “refereed” in Ulrich's International Periodicals Directory. Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3, 2014 7 Spaces of Utopia 2nd Series, No. 3, EDITED BY: TERESA BOTELHO CONTENTS Dinner in Utopia: Why did Plato Propose “Amazing and Frightening” Meals in Common Michael Jackson & Damian Grace ............................................................................ 9 From More’s Natural Utopia to Cordwainer Smith’s Artificial Pseudo-Utopia Maria do Rosário Monteiro .................................................................................... 27 Teilhard de Chardin’s Idea of Progress and Theory of Cosmological Evolution José Eduardo Reis .............................................................................................. 41 From “the Tyranny of the Stomach” to the World “beyond”: Food and Utopia in The House of Mirth Stéphanie Durrans ............................................................................................. 53 Reimagining the Body in Post-Singularity Techno-Utopias Teresa Botelho ................................................................................................. 70 “In Search of Contemporary Revolutionary Writing: A Reading of Ohran Pamuk’s Snow” Márcia Lemos ................................................................................................... 84 Kristeva, Psychic Space, and Utopia: Toward a Sketch of Abject Utopianism Ellis Cameron ................................................................................................... 96 Estranged Worlds: Board Games, Players and the Politics of Immersion Teresa Pereira ................................................................................................ 109 Spaces of Utopia: An Electronic Journal, 2nd Series, No. 3, 2014 8 Dinner in Utopia: Why did Plato Propose “Amazing and Frightening” Meals in Common? Michael Jackson & Damian Grace UNIVERSITY OF SYDNEY Citation: Jackson & Grace, “Dinner in Utopia: Why did Plato Propose ‘Amazing and Frightening’ Meals in Common?”, Spaces of Utopia: An Electronic Journal, 2nd series, no. 3, 2014, pp. 9-26 <http://ler.letras.up.pt > ISSN 1646-4729. “Let one
Load more

Recommended publications
  • Visions of a Technological Future
    Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Antti Alanko University of Jyväskylä Department of History and Ethnology General History Master’s Thesis JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Historian ja etnologian laitos Tekijä – Author Antti Mikael Alanko Työn nimi – Title Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Oppiaine – Subject Työn laji – Level Yleinen historia Pro gradu -tutkielma Aika – Month and year Sivumäärä – Number of pages Kesäkuu 2015 129 Tiivistelmä – Abstract Tarkastelen tutkielmassa maailmansotien välisenä aikana Yhdysvaltalaisissa tiede- ja tekniikkajulkaisuissa Popular Mechanicsissa ja Popular Science Monthlyssa esiintynyttä tulevaisuusajattelua. Tutkielman tarkoituksena on selvittää mitä tulevaisuudesta maailmansotien välisenä aikana Yhdysvalloissa ajateltiin. Erityisesti tarkastelen mitä edellä mainituissa aikakauslehdissä kirjoitettiin kaupungin, rakentamisen ja kodin tulevaisuudesta. Käsittelen aineistoa pääosin historiallisen kuvatutkimuksen keinoin. Tutkimuksen teoreettinen viitekehys pohjaa Reinhart Koselleckin historiallisten aikojen teoriaan, erityisesti kokemustilan ja odotushorisontin väliseen suhteeseen. Tämän tutkielman hypoteesi on, että kirjoittajien optimistiset tulevaisuudenodotukset syntyivät 1800- luvun lopun ja 1900-luvun alun hyvin nopean ja kiihtyvän teknologisen kehityksen seurauksena. Tämä teknologisen kehityksen kokemus tuotti
    [Show full text]
  • The Syntheist Movement and Creating God in the Internet Age
    1 I Sing the Body Electric: The Syntheist Movement and Creating God in the Internet Age Melodi H. Dincer Senior Thesis Brown University Department of Religious Studies Adviser: Paul Nahme Second Reader: Daniel Vaca Providence, Rhode Island April 15, 20 2 Table of Contents Acknowledgments. 3 Introduction: Making the Internet Holy. .4 Chapter (1) A Technophilic Genealogy: Piracy and Syntheism as Cybernetic Offspring. .12 Chapter (2) The Atheist Theology of Syntheism . 49 Chapter (3) Enacted Syntheisms: An Ethics of Active Virtuality and Virtual Activity. 96 (In)Conclusions. 138 Works Cited. 144 3 Acknowledgments I would briefly like to thank anyone who has had a hand—actually, even the slightest brush of a finger in making this project materialize outside of the confines of my own brain matter. I would first like to thank Kerri Heffernan and my Royce Fellowship cohort for supporting my initial research on the Church of Kopimism. My time in Berlin and Stockholm on behalf of the Royce made an indelible mark on my entire academic career thus far, without which this thesis would definitely not be as out-of-the-box as it is proud to be. I would also like to thank a few professors in the Religious Studies department who, whether they were aware of it or not, encouraged my confidence in this area of study and shaped how I approached the religious communities this project concerns. Specifically, thank you to Prof. Denzey-Lewis, who taught my first religious studies course at Brown and graciously sponsored my Royce research amidst her own travels. Also, infinite thanks and blessings to Fannie Bialek, who so deftly modeled all that is good in this discipline, and all that is most noble in the often confusing, frustrating, and stressful task of teaching “hard” topics.
    [Show full text]
  • “We Need a Showing of All Hands”: Technological Utopianism in <Em>
    Linfield University DigitalCommons@Linfield Faculty Publications 2011 “We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine Susan Currie Sivek Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/mscmfac_pubs Part of the Journalism Studies Commons DigitalCommons@Linfield Citation Sivek, Susan Currie, "“We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine" (2011). Faculty Publications. Accepted Version. Submission 5. https://digitalcommons.linfield.edu/mscmfac_pubs/5 This Accepted Version is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Accepted Version must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Running head: MAKE MAGAZINE “We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine Keywords: magazine journalism, ideology, textual analysis, technological utopianism MAKE MAGAZINE 2 Make magazine is one of a growing genre of magazines that provides practical information to readers on ways to improve their homes and communities while also connecting their projects to greater social and environmental goals. The magazine and its associated event,
    [Show full text]
  • “A Way of Revealing”: Technology and Utopianism in Contemporary Culture
    “A Way of Revealing”: 58 Technology and Utopianism in Contemporary Culture s Alex Hall e i d u t S y g Abstract o cultural production platforms (e.g., the Internet l o n Although technology was once viewed liter- and film technologies). If the hermeneutic h c e ally as a means of bringing about utopian socie- employed by subscribers to the philosophy of T f ty, its means to that end was exhausted in the Ernst Bloch is accepted, then utopian potential o l a minds of many when it fostered the nuclear can be found in any cultural product. Since most n r u attacks on Japan in 1945. Since then, not only cultural production is dependent upon technolo- o J has technology lost its utopian verve, but it also gy in one way or another, then it hardly seems a e h T has been viewed by some quite pessimistically. stretch to grant technology some credit in the Nevertheless, technology does provide an area of utopian potential, despite what it leaves avenue for utopian cultural production, whose to be desired in others. Still, the history of tech- utopian energy must often be rescued by readers nology’s relationship with utopianism is quite and scholars using the Blochian utopian complicated, especially with regard to technolo- hermeneutic. In this way technology is as gy as a means to a socially utopian end. Heidegger described it—“a way of revealing,” that is, the tool that brings the carving out from Enlightenment thinkers saw technology as within the rock. This article argues that although one of several means of bringing about a perfect technology has come to be viewed by some pes- world, but they also recognized its inherent neg- simistically in the years since Hiroshima and ative possibilities.
    [Show full text]
  • Electrification and the Ideological Origins of Energy
    A Dissertation entitled “Keep Your Dirty Lights On:” Electrification and the Ideological Origins of Energy Exceptionalism in American Society by Daniel A. French Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History _________________________________________ Dr. Diane F. Britton, Committee Chairperson _________________________________________ Dr. Peter Linebaugh, Committee Member _________________________________________ Dr. Daryl Moorhead, Committee Member _________________________________________ Dr. Kim E. Nielsen, Committee Member _________________________________________ Dr. Patricia Komuniecki Dean College of Graduate Studies The University of Toledo December 2014 Copyright 2014, Daniel A. French This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the express permission of the author. An Abstract of “Keep Your Dirty Lights On:” Electrification and the Ideological Origins of Energy Exceptionalism in American Society by Daniel A. French Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History The University of Toledo December 2014 Electricity has been defined by American society as a modern and clean form of energy since it came into practical use at the end of the nineteenth century, yet no comprehensive study exists which examines the roots of these definitions. This dissertation considers the social meanings of electricity as an energy technology that became adopted between the mid- nineteenth and early decades of the twentieth centuries. Arguing that both technical and cultural factors played a role, this study shows how electricity became an abstracted form of energy in the minds of Americans. As technological advancements allowed for an increasing physical distance between power generation and power consumption, the commodity of electricity became consciously detached from the steam and coal that produced it.
    [Show full text]
  • The Cambridge Companion to Science Fiction
    16 EDWARD JAMES Utopias and anti-utopias It is sometimes said that the ability of the writer to imagine a better place in which to live died in the course of the twentieth century, extinguished by the horrors of total war, of genocide and of totalitarianism. The genre of utopia, created unwittingly by Sir Thomas More when he published Utopia in 1516, died when idealism perished, a victim to twentieth-century pessimism and cynicism. It is the contention of this chapter that utopia has not disappeared; it has merely mutated, within the field of sf, into something very different from the classic utopia. Hoda M. Zaki, whose Phoenix Renewed (1988)isthe only published monograph on sf utopias, was on the point of recognizing this, although she failed; as a political scientist, she was still looking in vain for the classic utopia. She concluded that ‘the disappearance of utopian literature in the twentieth century is surprising’ and ‘an issue with serious implications for the entire body politics’. Her study was based on the nineteen novels which had won the Nebula Award between 1965 and 1982. Almost all these novels had utopian elements, she concluded, but none of them were actual utopias: although many of those novels offered critiques of the contemporary world, none of them offered the necessary coherent account of a superior and de- sirable alternative in the future. Modern sf thus had no utopias to offer, but only ‘tantalizing fragments in the utopian tradition’.1 However, one can use the same evidence to suggest something quite different: if almost all the novels had utopian elements, this is a demonstration of the profound way in which utopianism has permeated sf.
    [Show full text]
  • Automation and the Meaning of Work in the Postwar United States
    The Misanthropic Sublime: Automation and the Meaning of Work in the Postwar United States Jason Resnikoff Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Jason Zachary Resnikoff All rights reserved Abstract “The Misanthropic Sublime: Automation and the Meaning of Work in the Postwar United States” Jason Resnikoff In the United States of America after World War II, Americans from across the political spectrum adopted the technological optimism of the postwar period to resolve one of the central contradictions of industrial society—the opposition between work and freedom. Although classical American liberalism held that freedom for citizens meant owning property they worked for themselves, many Americans in the postwar period believed that work had come to mean the act of maintaining mere survival. The broad acceptance of this degraded meaning of work found expression in a word coined by managers in the immediate postwar period: “automation.” Between the late 1940s and the early 1970s, the word “automation” stood for a revolutionary development, even though few could agree as to precisely what kind of technology it described. Rather than a specific technology, however, this dissertation argues that “automation” was a discourse that defined work as mere biological survival and saw the end of human labor as the the inevitable result of technological progress. In premising liberation on the end of work, those who subscribed to the automation discourse made political freedom contingent not on the distribution of power, but on escape from the limits of the human body itself.
    [Show full text]
  • Eschatology and the Technological Future
    Eschatology and the Technological Future This book offers an insightful and timely analysis of key theorists and ideas in the intersection between theology and technology. From the religiously inspired technological optimism of Pierre Teilhard de Chardin and Nikolai Fedorov, to the darker technological pessimism of Jacques Ellul, the contributions of Christian theorists to under- standing the technological milieu can offer us fresh perspectives on some intractable problems of modern life. As Burdett clearly shows, technological optimism and utopianism have religious roots, and a technological culture that ignores its own roots is in danger not only of environmental devastation, but also existential and spiritual despair. A fi ne book at a critical time. — David Lewin, Liverpool Hope University, UK The rapid advancement of technology has led to an explosion of speculative theories about what the future of humankind may look like. These “tech- nological futurisms” from the fi elds of nanotechnology, biotechnology and information technology are drawing growing scrutiny from the philosophi- cal and theological communities. This text seeks to contextualize the grow- ing literature on the cultural, philosophical and religious implications of technological advancement by considering technological futurisms such as transhumanism in the context of the long historical tradition of technologi- cal dreaming. Michael Burdett traces the latent religious sources of our con- temporary technological imagination by looking at visionary approaches to technology and the future in seminal technological utopias and sci- ence fi ction and draws on past theological responses to the technological future with Pierre Teilhard de Chardin and Jacques Ellul. Burdett’s argu- ment arrives at a contemporary Christian response to transhumanism based around the themes of possibility and promise by turning to the works of Richard Kearney, Eberhard Jüngel and Jürgen Moltmann.
    [Show full text]
  • “It Doesn't Have to Be This Way”: Hacker Perspectives on Privacy
    Hacker Perspectives on Privacy 29 “It Doesn’t Have to Be This Way”: Hacker Perspectives on Privacy Kevin Steinmetz & Jurg Gerber* We face a lot of troubling times ahead with regards to surveillance. Most of the power, for the moment at least, remains in our hands and in our minds, should we choose to use them. It is our acceptance of the elements of a surveillance state which will give it the most strength and solidify its presence for future generations. It doesn’t have to be this way. —Emmanuel Goldstein, “The Whole World’s Watching” (2008, 5) F A PERSON WERE TO ONLY CONSULT NEWS MEDIA, HE OR SHE WOULD GAIN THE impression that the world is constantly under threat of computer hackers eroding our technological infrastructure, national security, and—perhaps most Iimmediately frightening to many—our personal privacy. Much attention has been directed toward hackers recently, in light of the numerous controversies surrounding the escapades of hacker groups like Anonymous and the disbanded Lulz Security/ LulzSec (Olson 2012); concerns over consumer financial security, as demonstrated in the occasion of the recent breach of credit card data at Target (Newman 2013); and a plethora of other hacking occurrences.1 Perhaps now more than ever, hackers are perceived as a tremendous threat, particularly to personal privacy. Scholars have spent a great deal of time examining public perceptions to- wards hackers (Halbert 1997; Holt 2009; Skibell 2002; Thomas 2005). Hacking, however, is often shrouded in a veil of social construction, perhaps as a result of the fact that the public has “little direct contact with computer hackers,” which makes their image “particularly susceptible to shifts in public perception” (Skibel 2002, 343; Hollinger 1991; Taylor 1999).
    [Show full text]
  • To Communal Societies
    Index to Communal Societies Prepared by Lyman Tower Sargent AUTHORS OF ARTICLES Ackelsberg, Martha, Sexual Divisions and Anarchist Collectivization in Civil War Spain 5 (1985): 101-21. Aguilar, Jade, Internet Technology's Impact on Intentional Communities: A Case Study of Acorn Community 29.2 (2009): 17-24. Altus, Deborah. Student Housing Cooperatives: Communitarianism among American Youth 17 (1997): 1-13. Andelson, Jonathan G[ary], The Challenge of Sustainability: A Cautionary Tale from Amana 31.1 (2011): 29-53. Andelson, Jonathan G[ary], Introduction: Boundaries in Communal Amana 14 (1994): 1-6. Andelson, Jonathan G[ary], The Gift To Be Single: Celibacy and Religious Enthusiasm in the Community of True Inspiration 5 (1985): 1-32. Andelson, Jonathan G[ary], What the Amana Inspirationists Were Reading 14 (1994): 7-19. Andrew, Bradley B., Regional Differences in the Size and Composition of Communal Membership: The Shakers, 1850-1870 20 (2000): 45- 58. Androes, Louis C., The Rajneesh Experience: A Report 6 (1986): 101-17. Arcudi, Melanie, The Brotherhood of the Sun, 1969-1985: A Memoir 5 (1985): 82-88. Atwood, Craig D. The Joyfulness of Death in Eighteenth-Century Moravian Communities 17 (1997): 39-58. Bach, Jeffrey, Ephrata and Moravian Relations: The View from Ephrata 21 (2001): 49-60. Bainbridge, William Sims, The Decline of the Shakers: Evidence from the United States Census 4 (1984): 19-34. Balzer, Anitra, Donald Vose: Home Grown Traitor 8 (1988): 90-103. Bang [Bangs in the Table of Contents], Jan Martin, Challenge and Response: The Environmental Crisis and the Kibbutz Movement 18 (1998): 1-8. Barkun, Michael, Communal Societies as Cyclical Phenomena 4 (1984): 35-48.
    [Show full text]
  • Burgess Et Al Edited Chapter 4 Corrected
    Stevenson, Michael (2018) “From hypertext to hype and back again: exploring the roots of social media in the early web.” In J. Burgess, A Marwick and T Poell, eds. The SAGE Handbook of Social Media. Sage, London: p 69-87. This version is not the same as the final, published version. Please cite the published version and note there may be small changes in the text and formatting. !1 4 From hypertext to hype and back again: Exploring the roots of social media in early web culture1 Michael Stevenson Introduction Social media emerged in the early 2000s with the launch of sites like Facebook, YouTube and Wikipedia. According to computer industry commentator Tim O’Reilly (2005), such platforms were part of a larger paradigm shift called ‘Web 2.0.’ They signaled a move away from a web of static pages and towards a more dynamic, open and participatory media environment (ibid.; Kelly, 2005). As many scholars have pointed out, and as O’Reilly himself notes, the rise of Web 2.0 was more evolution than radical change. Many of the features and forms we associate with Web 2.0 and social media – personalization, networking features, user-generated content, many-to- many communication, and so on – were pioneered on the web in the 1990s or with earlier forms of networked computing such as Bulletin Board Systems (BBSs; see Chapter 2 in this volume). This raises the question of what was actually new or different about Web 2.0 and social media platforms. How should we think of the relationship between social media and the early web, and what can we learn from this history? !2 In this chapter I argue that Web 2.0 and social media must be seen as a particular constellation of previously existing ideas, values, media forms, and technologies.
    [Show full text]
  • Against Technology: from the Luddites to Neo-Luddism Steven E
    Against Technology RT688X_FM.indd 1 3/6/06 10:01:49 AM RT688X_C000.indd 2 3/3/06 10:23:02 AM Against Technology From the Luddites to Neo-Luddism Steven E. Jones New York London Routledge is an imprint of the Taylor & Francis Group, an informa business RT688X_FM.indd 2 3/6/06 10:01:49 AM RT688X_RT7867X_Discl.fm Page 1 Thursday, March 9, 2006 10:49 AM "All Watched Over by Machines of Loving Grace," in The Pill versus The Springhill Mine Disaster © 1968 by Richard Brautigan is reprinted with permission of Sarah Lazin Books. Published in 2006 by Published in Great Britain by Routledge Routledge Taylor & Francis Group Taylor & Francis Group 270 Madison Avenue 2 Park Square New York, NY 10016 Milton Park, Abingdon Oxon OX14 4RN © 2006 by Taylor & Francis Group, LLC Routledge is an imprint of Taylor & Francis Group Printed in the United States of America on acid-free paper 10987654321 International Standard Book Number-10: 0-415-97867-X (Hardcover) 0-415-97868-8 (Softcover) International Standard Book Number-13: 978-0-415-97867-5 (Hardcover) 978-0-415-97868-2 (Softcover) Library of Congress Card Number 2005031322 No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
    [Show full text]