Against Technology: from the Luddites to Neo-Luddism Steven E
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Social Oral Epidemi(Olog)
Community Dent Oral Epidemiol 2014; 42; 481–494 Ó 2014 The Authors. Community Dentistry and Oral Epidemiology Published by John Wiley & Sons Ltd. All rights reserved Unsolicited Narrative Review 2 Sarah R. Baker and Barry G. Gibson Social oral epidemi(olog) y Unit of Dental Public Health, School of Clinical Dentistry, University of Sheffield, where next: one small step or Sheffield, UK one giant leap? Baker SR, Gibson BG. Social oral epidemi(olog)2y where next: one small step or one giant leap?. Community Dent Oral Epidemiol 2014; 42: 481–494. © 2014 The Authors. Community Dentistry and Oral Epidemiology Published by John Wiley & Sons Ltd. This is an open access article under the terms of the Creative Commons Attribu- tion-NonCommercial-NoDerivs License, which permits use and distribution in any medium, provided the original work is properly cited, the use is non-com- mercial and no modifications or adaptations are made. Abstract – Since the early 1990s, there has been heated debate critically reflecting on social epidemiology. Yet, very little of this debate has reached oral epidemiology. This is no more noticeable than in the field of oral health inequalities. One of the significant achievements of social oral epidemiology has been the persistent documentation of social patterning of oral disease. Nevertheless, where social oral epidemiology has fallen down is going beyond description to explaining these patterns. Thinking how and in what way things happen, not just in relation to oral health inequalities but also more broadly, requires a more creative approach which links to scholarship outside of dentistry, including the work from critical epidemiologists to that within the social sciences. -
Man and Machine in Thoreau. Joseph Lawrence Basile Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1972 Man and Machine in Thoreau. Joseph Lawrence Basile Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Basile, Joseph Lawrence, "Man and Machine in Thoreau." (1972). LSU Historical Dissertations and Theses. 2194. https://digitalcommons.lsu.edu/gradschool_disstheses/2194 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
Beyond Westworld
“We Don’t Know Exactly How They Work”: Making Sense of Technophobia in 1973 Westworld, Futureworld, and Beyond Westworld Stefano Bigliardi Al Akhawayn University in Ifrane - Morocco Abstract This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation of the narratives at stake. I connect technophobia and what I call de-theologized, epistemic hubris: the conclusion is that fearing technology is philosophically meaningful if one realizes that the limitations of technology are the consequence of its creation and usage on behalf of epistemically limited humanity (or artificial minds). Keywords: Westworld, Futureworld, Beyond Westworld, Michael Crichton, androids, technology, technophobia, Daniel Dinello, hubris. 1. Introduction The 2016 and 2018 HBO series Westworld by Jonathan Nolan and Lisa Joy has spawned renewed interest in the 1973 movie with the same title by Michael Crichton (1942-2008), its 1976 sequel Futureworld by Richard T. Heffron (1930-2007), and the short-lived 1980 MGM TV series Beyond Westworld. The movies and the series deal with androids used for recreational purposes and raise questions about technology and its risks. I aim at an as-yet unattempted comparative analysis taking the narratives at stake as technophobic tales: each one conveys a feeling of threat and fear related to technological beings and environments. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Electric Amateurs Literary encounters with computing technologies 1987-2001 Dorothy Butchard PhD in English Literature The University of Edinburgh 2015 DECLARATION is is to certify that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional quali"cation. ABSTRACT is thesis considers the portrayal of uncertain or amateur encounters with new technologies in the late twentieth century. Focusing on "ctional responses to the incipient technological and cultural changes wrought by the rise of the personal computer, I demonstrate how authors during this period drew on experiences of empowerment and uncertainty to convey the impact of a period of intense technological transition. From the increasing availability of word processing software in the 1980s to the exponential popularity of the “World Wide Web”, I explore how perceptions of an “information revolution” tended to emphasise the increasing speed, ease and expansiveness of global communications, while more doubtful commentators expressed anxieties about the pace and effects of technological change. -
20 Years Later: a Look Back at the Unabomber Manifesto by Brett A
PERSPECTIVES ON TERRORISM Volume 9, Issue 6 20 Years Later: A Look Back at the Unabomber Manifesto by Brett A. Barnett Abstract On September 19, 1995, The New York Times and The Washington Post submitted to “Unabomber” Theodore Kaczynski’s demand to publish his manifesto, a treatise that would come to be known as the “Unabomber Manifesto.” While Kaczynski has been serving a life sentence for the letter-bombing campaign that he perpetrated between 1979 and 1995, the radical environmentalist rhetoric contained within his manifesto has become available to an even wider audience of current and would-be environmental extremists than when it was first published. Given its availability online, the Unabomber Manifesto has become one of the most well-known rhetorical artifacts endorsing environmental extremism. Using Herbert Simons’ “rhetorical requirements” approach, this study demonstrates that the Unabomber Manifesto represents Kaczynski’s rhetorical efforts to animate like-minded environmental extremists. The article concludes by discussing how the Unabomber Manifesto resonated with some radical environmentalists and may have even served as a catalyst for later acts committed by U.S.-based environmental extremists. By utilizing a framework for examining the rhetoric of violent revolutionary social movements, this study provides further insight into what motivates environmental extremists of today. Keywords: Unabomber Manifesto; eco-terrorism; environmental extremists; radical environmentalists; rhetorical analysis Introduction etween 1979 -
Disruptive Technology Assessment Game 'DTAG' Handbook V0.1
Disruptive Technology Assessment Game ‘DTAG’ Handbook V0.1 Executive Summary What is the DTAG? The Disruptive Technology Assessment Game (DTAG) is a table-top seminar wargame, used to assess potential future technologies and their impact on military operations and operating environment. How is it played? There are four distinct steps in executing a DTAG experiment. The first two are part of the planning process, prior to playing the game. Step 1: Identify Possible Future Technologies that are under development and are of interest to the military. Step 2 – Create Ideas of Systems (IoS) cards from the technologies identified. Specific technologies, or combinations of technologies are combined with equipment to create new systems that could be employed by the military or by an adversary. These are described on cards. Step 3 – Play the DTAG. Figure 1 summarizes the process. Red teams and Blue teams both plan courses of action in the context of a scenario & vignette. After the initial confrontation of plans, which establishes the baseline, the teams plan again with the addition of future technology from the IoS cards. The second confrontation highlights the effect that the technology has on the plans and the wargame outcome. Figure 1: The DTAG Process Step 4 – Assess the results of the wargame through questions and analysis of data captured. Who plays it? The DTAG unites Technology experts, Military and Analysts providing a broad perspective on the potential impacts of future technology on military operations. The approach allows for an element of unconstrained thinking and the wargame-like rounds encourage open communication opportunities. Why should a DTAG be played, and when? It is most useful when assessing technology that is a prototype or at early stage of development, or technology that is not in widespread use by the military. -
Gao-20-246G, Technology Assessment Design Handbook
HANDBOOK Technology Assessment Design Handbook Handbook for Key Steps and Considerations in the Design of Technology Assessments GAO-20-246G December 2019 Contents Preface 1 Chapter 1 The Importance of Technology Assessment Design 6 1.1 Reasons to Conduct and Uses of a Technology Assessment 6 1.2 Importance of Spending Time on Design 8 Chapter 2 Technology Assessment Scope and Design 8 2.1 Sound Technology Assessment Design 9 2.2 Phases and Considerations for Technology Assessment Design 9 2.2.1 GAO Technology Assessment Design Examples 14 Chapter 3 Approaches to Selected Technology Assessment Design and Implementation Challenges 18 3.1 Ensuring Technology Assessment Products are Useful for Congress and Others 19 3.2 Determining Policy Goals and Measuring Impact 20 3.3 Researching and Communicating Complicated Issues 20 3.4 Engaging All Relevant Stakeholders 21 Appendix I Objectives, Scope, and Methodology 22 Appendix II Summary of Steps for GAO’s General Engagement Process 35 Appendix III Example Methods for Technology Assessment 38 Appendix IV GAO Contact and Staff Acknowledgments 44 Page i GAO-20-246G Technology Assessment Handbook Tables Table 1: Summary of GAO’s Technology Assessment Process 3 Table 2: Examples for Technology Assessment Objectives that Describe Status and Challenges to Development of a Technology 15 Table 3: Examples for Technology Assessment Objectives that Assess Opportunities and Challenges that May Result from the Use of a Technology 16 Table 4: Examples for Technology Assessment Objectives that Assess Cost-Effectiveness, -
3.2 Bullet Time and the Mediation of Post-Cinematic Temporality
3.2 Bullet Time and the Mediation of Post-Cinematic Temporality BY ANDREAS SUDMANN I’ve watched you, Neo. You do not use a computer like a tool. You use it like it was part of yourself. —Morpheus in The Matrix Digital computers, these universal machines, are everywhere; virtually ubiquitous, they surround us, and they do so all the time. They are even inside our bodies. They have become so familiar and so deeply connected to us that we no longer seem to be aware of their presence (apart from moments of interruption, dysfunction—or, in short, events). Without a doubt, computers have become crucial actants in determining our situation. But even when we pay conscious attention to them, we necessarily overlook the procedural (and temporal) operations most central to computation, as these take place at speeds we cannot cognitively capture. How, then, can we describe the affective and temporal experience of digital media, whose algorithmic processes elude conscious thought and yet form the (im)material conditions of much of our life today? In order to address this question, this chapter examines several examples of digital media works (films, games) that can serve as central mediators of the shift to a properly post-cinematic regime, focusing particularly on the aesthetic dimensions of the popular and transmedial “bullet time” effect. Looking primarily at the first Matrix film | 1 3.2 Bullet Time and the Mediation of Post-Cinematic Temporality (1999), as well as digital games like the Max Payne series (2001; 2003; 2012), I seek to explore how the use of bullet time serves to highlight the medial transformation of temporality and affect that takes place with the advent of the digital—how it establishes an alternative configuration of perception and agency, perhaps unprecedented in the cinematic age that was dominated by what Deleuze has called the “movement-image.”[1] 1. -
Visions of a Technological Future
Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Antti Alanko University of Jyväskylä Department of History and Ethnology General History Master’s Thesis JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Historian ja etnologian laitos Tekijä – Author Antti Mikael Alanko Työn nimi – Title Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Oppiaine – Subject Työn laji – Level Yleinen historia Pro gradu -tutkielma Aika – Month and year Sivumäärä – Number of pages Kesäkuu 2015 129 Tiivistelmä – Abstract Tarkastelen tutkielmassa maailmansotien välisenä aikana Yhdysvaltalaisissa tiede- ja tekniikkajulkaisuissa Popular Mechanicsissa ja Popular Science Monthlyssa esiintynyttä tulevaisuusajattelua. Tutkielman tarkoituksena on selvittää mitä tulevaisuudesta maailmansotien välisenä aikana Yhdysvalloissa ajateltiin. Erityisesti tarkastelen mitä edellä mainituissa aikakauslehdissä kirjoitettiin kaupungin, rakentamisen ja kodin tulevaisuudesta. Käsittelen aineistoa pääosin historiallisen kuvatutkimuksen keinoin. Tutkimuksen teoreettinen viitekehys pohjaa Reinhart Koselleckin historiallisten aikojen teoriaan, erityisesti kokemustilan ja odotushorisontin väliseen suhteeseen. Tämän tutkielman hypoteesi on, että kirjoittajien optimistiset tulevaisuudenodotukset syntyivät 1800- luvun lopun ja 1900-luvun alun hyvin nopean ja kiihtyvän teknologisen kehityksen seurauksena. Tämä teknologisen kehityksen kokemus tuotti -
The Syntheist Movement and Creating God in the Internet Age
1 I Sing the Body Electric: The Syntheist Movement and Creating God in the Internet Age Melodi H. Dincer Senior Thesis Brown University Department of Religious Studies Adviser: Paul Nahme Second Reader: Daniel Vaca Providence, Rhode Island April 15, 20 2 Table of Contents Acknowledgments. 3 Introduction: Making the Internet Holy. .4 Chapter (1) A Technophilic Genealogy: Piracy and Syntheism as Cybernetic Offspring. .12 Chapter (2) The Atheist Theology of Syntheism . 49 Chapter (3) Enacted Syntheisms: An Ethics of Active Virtuality and Virtual Activity. 96 (In)Conclusions. 138 Works Cited. 144 3 Acknowledgments I would briefly like to thank anyone who has had a hand—actually, even the slightest brush of a finger in making this project materialize outside of the confines of my own brain matter. I would first like to thank Kerri Heffernan and my Royce Fellowship cohort for supporting my initial research on the Church of Kopimism. My time in Berlin and Stockholm on behalf of the Royce made an indelible mark on my entire academic career thus far, without which this thesis would definitely not be as out-of-the-box as it is proud to be. I would also like to thank a few professors in the Religious Studies department who, whether they were aware of it or not, encouraged my confidence in this area of study and shaped how I approached the religious communities this project concerns. Specifically, thank you to Prof. Denzey-Lewis, who taught my first religious studies course at Brown and graciously sponsored my Royce research amidst her own travels. Also, infinite thanks and blessings to Fannie Bialek, who so deftly modeled all that is good in this discipline, and all that is most noble in the often confusing, frustrating, and stressful task of teaching “hard” topics. -
Interview with Kirkpatrick Sale Arthur Versluis
Interview with Kirkpatrick Sale Arthur Versluis Journal for the Study of Radicalism, Volume 2, Number 2, 2009, pp. 133-145 (Article) Published by Michigan State University Press DOI: https://doi.org/10.1353/jsr.0.0001 For additional information about this article https://muse.jhu.edu/article/254912 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Interview with Kirkpatrick Sale ■ Arthur Versluis, Michigan State University irkpatrick Sale’s writing career began in the early 1970s, his first major book being SDS, the first extensive history of that seminal Kpolitical movement. Over the ensuing decades, he has continued to publish influential books, especially on bioregionalism and ecological issues, but early in the twenty-first century, he became active in the North American secessionist movement. He founded the Middlebury Institute, devoted to the ethos of decentralization, and organized secessionist conferences that brought together all the major and disparate secessionist groups in the United States, perhaps the most vigorous of which is the movement for the Second Vermont Republic. Over the course of the interview, we discussed the range of Sale’s many books, and how his more abstract points in them about bioregionalism and ecological issues become practically expressed by way of the secessionist movement that he now champions. We sat together in his booklined study, behind us dense woods visible through the window, and began by reflecting on the New Left in relation to his more recent and more radical work. AV: I’m sitting in the study with Kirkpatrick Sale. I wanted to start by just asking you about SDS [Students for a Democratic Society] and your 1973 book SDS. -
UCLA Previously Published Works
UCLA UCLA Previously Published Works Title Climate Change: Insights from Hinduism Permalink https://escholarship.org/uc/item/2kx442j4 Journal JOURNAL OF THE AMERICAN ACADEMY OF RELIGION, 83(2) ISSN 0002-7189 Author Lal, Vinay Publication Date 2015-06-01 DOI 10.1093/jaarel/lfv020 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Roundtable on Climate Destabilization and the Study of Religion Climate Change: Insights from Downloaded from Hinduism Vinay Lal* http://jaar.oxfordjournals.org/ A LARGER CRISIS THAN ANY THAT typically makes the evening news—a terrorist attack, a relentless war that claims civilian lives as “col- lateral damage,” the lengthening shadow of death cast by a fatal virus— engulfs us all, even those who are sheltered from the cruel afflictions to which a good portion of humankind is still subject, especially in the by guest on April 23, 2015 global South. Over the last few years, as the opening article in this round- table by Todd LeVasseur so clearly sets out, a consensus has slowly been emerging among members of the scientific community that climate change is presently taking place at a rate which is unprecedented in com- parison with the natural climate change cycles that have characterized our earth in the course of the last half a million years; moreover, as suc- cessive Assessment Reports of the International Panel on Climate Change (IPCC) (2007) have affirmed, global warming is, to an overwhelming degree, the consequence of human activity. Scientists and increasingly other commentators—various practitioners of the social sciences, jour- nalists, and policy makers—are now inclined to the view that this *Vinay Lal, History Department, UCLA, 6265 Bunche Hall, Box 951473, Los Angeles, CA 90095- 1473, USA.