Techno-Utopias: Virtual and Utopian Spaces in Literature from the Industrial Revolution to the Computer Revolution
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ideal Cities
国際シンポジウム「イタリアの都市における文化的表象」 (国際言語文化研究所 研究所重点プログラム「風景・空間の表象,記憶,歴史」) Ideal Cities Raffaele MILANI Reflections on the subject of antiquity and the future In the history of art, we find many recurrences of antiquity, since it is a source of instruction and a model for subsequent aesthetic developments. In his studies of Neoclassical and Romantic aesthetics and poetics, Rosario Assunto1 illustrates that antiquity itself can be experienced as the future. It can be said that memory underpins all innovation and gives authenticity to new and, at times, shocking forms. Antiquity is present in artworks in the play of fantastic forms we find in masterpieces. This presence entails the reinterpretation of images from the Classicism of the Romans to that of the age of Charlemagne, from Humanism to the Enlightenment, from the Renaissance of the modern era to the Renaissance of the postmodern era. Even the Greeks reinvented their past in an “archeology of nostalgia”, to use John Boardman’s2 expression. Greek antiquity features myth, history, imagination, and personifications in an amalgam of meanings and symbols. Classicism is synonymous with values considered to be universal: perfection, proportion, equilibrium, harmony, grace, and intensity and naturalness of figures. In this sense, we can speak of a future dimension of Classicism, according to Salvatore Settis, who studies the phases of the Western artistic tradition. He argues that the more we see the “classical” not as a dead culture we inherited and for which we can take no credit but as something surprising to be recreated each day and as a powerful stimulus to understand the “other”, the more we will be able to mould future generations3. -
Visions of a Technological Future
Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Antti Alanko University of Jyväskylä Department of History and Ethnology General History Master’s Thesis JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Historian ja etnologian laitos Tekijä – Author Antti Mikael Alanko Työn nimi – Title Visions of a Technological Future: Experience and Expectation of Progress in the Interwar United States Oppiaine – Subject Työn laji – Level Yleinen historia Pro gradu -tutkielma Aika – Month and year Sivumäärä – Number of pages Kesäkuu 2015 129 Tiivistelmä – Abstract Tarkastelen tutkielmassa maailmansotien välisenä aikana Yhdysvaltalaisissa tiede- ja tekniikkajulkaisuissa Popular Mechanicsissa ja Popular Science Monthlyssa esiintynyttä tulevaisuusajattelua. Tutkielman tarkoituksena on selvittää mitä tulevaisuudesta maailmansotien välisenä aikana Yhdysvalloissa ajateltiin. Erityisesti tarkastelen mitä edellä mainituissa aikakauslehdissä kirjoitettiin kaupungin, rakentamisen ja kodin tulevaisuudesta. Käsittelen aineistoa pääosin historiallisen kuvatutkimuksen keinoin. Tutkimuksen teoreettinen viitekehys pohjaa Reinhart Koselleckin historiallisten aikojen teoriaan, erityisesti kokemustilan ja odotushorisontin väliseen suhteeseen. Tämän tutkielman hypoteesi on, että kirjoittajien optimistiset tulevaisuudenodotukset syntyivät 1800- luvun lopun ja 1900-luvun alun hyvin nopean ja kiihtyvän teknologisen kehityksen seurauksena. Tämä teknologisen kehityksen kokemus tuotti -
The Syntheist Movement and Creating God in the Internet Age
1 I Sing the Body Electric: The Syntheist Movement and Creating God in the Internet Age Melodi H. Dincer Senior Thesis Brown University Department of Religious Studies Adviser: Paul Nahme Second Reader: Daniel Vaca Providence, Rhode Island April 15, 20 2 Table of Contents Acknowledgments. 3 Introduction: Making the Internet Holy. .4 Chapter (1) A Technophilic Genealogy: Piracy and Syntheism as Cybernetic Offspring. .12 Chapter (2) The Atheist Theology of Syntheism . 49 Chapter (3) Enacted Syntheisms: An Ethics of Active Virtuality and Virtual Activity. 96 (In)Conclusions. 138 Works Cited. 144 3 Acknowledgments I would briefly like to thank anyone who has had a hand—actually, even the slightest brush of a finger in making this project materialize outside of the confines of my own brain matter. I would first like to thank Kerri Heffernan and my Royce Fellowship cohort for supporting my initial research on the Church of Kopimism. My time in Berlin and Stockholm on behalf of the Royce made an indelible mark on my entire academic career thus far, without which this thesis would definitely not be as out-of-the-box as it is proud to be. I would also like to thank a few professors in the Religious Studies department who, whether they were aware of it or not, encouraged my confidence in this area of study and shaped how I approached the religious communities this project concerns. Specifically, thank you to Prof. Denzey-Lewis, who taught my first religious studies course at Brown and graciously sponsored my Royce research amidst her own travels. Also, infinite thanks and blessings to Fannie Bialek, who so deftly modeled all that is good in this discipline, and all that is most noble in the often confusing, frustrating, and stressful task of teaching “hard” topics. -
“We Need a Showing of All Hands”: Technological Utopianism in <Em>
Linfield University DigitalCommons@Linfield Faculty Publications 2011 “We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine Susan Currie Sivek Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/mscmfac_pubs Part of the Journalism Studies Commons DigitalCommons@Linfield Citation Sivek, Susan Currie, "“We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine" (2011). Faculty Publications. Accepted Version. Submission 5. https://digitalcommons.linfield.edu/mscmfac_pubs/5 This Accepted Version is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Accepted Version must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Running head: MAKE MAGAZINE “We Need a Showing of All Hands”: Technological Utopianism in MAKE Magazine Keywords: magazine journalism, ideology, textual analysis, technological utopianism MAKE MAGAZINE 2 Make magazine is one of a growing genre of magazines that provides practical information to readers on ways to improve their homes and communities while also connecting their projects to greater social and environmental goals. The magazine and its associated event, -
Objects in Tom Stoppard's Arcadia
Cercles 22 (2012) ANIMAL, VEGETABLE OR MINERAL? OBJECTS IN TOM STOPPARD’S ARCADIA SUSAN BLATTÈS Université Stendhal—Grenoble 3 The simplicity of the single set in Arcadia1 with its rather austere furniture, bare floor and uncurtained windows has been pointed out by critics, notably in comparison with some of Stoppard’s earlier work. This relatively timeless set provides, on one level, an unchanging backdrop for the play’s multiple complexities in terms of plot, ideas and temporal structure. However we should not conclude that the set plays a secondary role in the play since the mysteries at the centre of the plot can only be solved here and with this particular group of characters. Furthermore, I would like to suggest that the on-stage objects play a similarly vital role by gradually transforming our first impressions and contributing to the multi-layered meaning of the play. In his study on the theatre from a phenomenological perspective, Bert O. States writes: “Theater is the medium, par excellence, that consumes the real in its realest forms […] Its permanent spectacle is the parade of objects and processes in transit from environment to imagery” [STATES 1985 : 40]. This paper will look at some of the parading or paraded objects in Arcadia. The objects are many and various, as can be seen in the list provided in the Samuel French acting edition (along with lists of lighting and sound effects). We will see that there are not only many different objects, but also that each object can be called upon to assume different functions at different moments, hence the rather playful question in the title of this paper (an allusion to the popular game “Twenty Questions” in which the identity of an object has to be guessed), suggesting we consider the objects as a kind of challenge to the spectator, who is set the task of identifying and interpreting them. -
Literary Convention in Paul Muldoon's Madoc
ABSTRACT MULLINS, MATTHEW RYAN. 20th Century Texts—19th Century Narratives: Literary Convention in Paul Muldoon’s Madoc: A Mystery and Ishmael Reed’s Flight to Canada. (Under the direction of Thomas Lisk.) This thesis explores how Paul Muldoon and Ishmael Reed use literary and historical conventions to comment on the value of literary conventions in the context of contemporary literature and culture. Muldoon uses poetic conventions in Madoc: A Mystery, while Reed uses slave narrative conventions in Flight to Canada. The value of reexamining these conventions in a contemporary context is to see their persisting importance and influence in literature and culture, and also to see where, perhaps, they may have fallen short as is the case with some of the slave narrative conventions appropriated by Reed. No previous research has placed Madoc and Flight to Canada side by side. By placing these two texts side by side, we can get a better idea of the irreducible complexity of language. Both Muldoon and Reed use language that can only be reduced to a lowest common denominator that is, in itself, complex. Both authors also offer a revisionist history that questions capital “T” truth, and the concepts of time and history in general. And, in both texts, America is critiqued for falling short of its once-ripe New World aspirations. By appropriating literary conventions, Muldoon and Reed pull two hundred years into the span of a few hundred pages, and use convention to challenge convention while learning from convention in the process. 20th Century Texts—19th Century Narratives: Literary Convention in Paul Muldoon’s Madoc: A Mystery and Ishmael Reed’s Flight to Canada. -
1 Introduction It Is My Goal in This Paper to Offer a Strategy For
Three Archetypes for the Clarification Christopher Yorke Of Utopian Theorizing University of Glasgow Introduction It is my goal in this paper to offer a strategy for translating universal statements about utopia into particular statements. This is accomplished by drawing out their implicit, temporally embedded, points of reference. Universal statements of the kind I find troublesome are those of the form ‘Utopia is x’, where ‘x’ can be anything from ‘the receding horizon’ to ‘the nation of the virtuous’. To such statements, I want to put the questions: ‘Which utopias?’; ‘In what sense?’; and ‘When was that, is that, or will that be, the case for utopias?’ Through an exploration of these lines of questioning, I arrive at three archetypes of utopian theorizing which serve to provide the answers: namely, utopian historicism, utopian presentism, and utopian futurism. The employment of these archetypes temporally grounds statements about utopia in the past, present, or future, and thus forces discussion of discrete particulars instead of abstract universals with no meaningful referents. Given the vague manner in which the term ‘utopia’ is employed in discourse—whether academic or non-academic—confusion frequently, and rightly, ensues. There are various possible sources for this confusion, the first of which is the sheer volume and wide variety of socio-political schemes that have been regarded as utopian, by utopian theorists, historians, or authors of fiction. Bibliographers of utopian literature (such as Lyman Tower Sargent) face the onerous task of sorting out those visions of other worlds that belong in the utopian canon from those that do not. However, utopian bibliographies generally err on the side of inclusiveness, and a sufficient range and number of utopias remain in the realm of discourse to make the practice of distinguishing a utopia from a non-utopia (or even a dystopia) challenging at best and baffling at worst. -
Ingo Berensmeyer Literary Culture in Early Modern England, 1630–1700
Ingo Berensmeyer Literary Culture in Early Modern England, 1630–1700 Ingo Berensmeyer Literary Culture in Early Modern England, 1630–1700 Angles of Contingency This book is a revised translation of “Angles of Contingency”: Literarische Kultur im England des siebzehnten Jahrhunderts, originally published in German by Max Niemeyer Verlag, Tübingen 2007, as vol. 39 of the Anglia Book Series. ISBN 978-3-11-069130-6 e-ISBN (PDF) 978-3-11-069137-5 e-ISBN (EPUB) 978-3-11-069140-5 DOI https://doi.org/10.1515/9783110691375 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020934495 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available from the Internet at http://dnb.dnb.de. ©2020 Ingo Berensmeyer, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Cover image: Jan Davidszoon de Heem, Vanitas Still Life with Books, a Globe, a Skull, a Violin and a Fan, c. 1650. UtCon Collection/Alamy Stock Photo. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Preface to the Revised Edition This book was first published in German in 2007 as volume 39 of the Anglia Book Series. In returning to it for this English version, I decided not simply to translate but to revise it thoroughly in order to correct mistakes, bring it up to date, and make it a little more reader-friendly by discarding at least some of its Teutonic bag- gage. -
Les Représentations Médiatiques De La Vieillesse Dans La Société Française Contemporaine
Les repr´esentations m´ediatiquesde la vieillesse dans la soci´et´efran¸caisecontemporaine : ambigu¨ıt´esdes discours et r´ealit´essociales Yannick Sauveur To cite this version: Yannick Sauveur. Les repr´esentations m´ediatiques de la vieillesse dans la soci´et´efran¸caise contemporaine : ambigu¨ıt´esdes discours et r´ealit´essociales. Sciences de l'information et de la communication. Universit´ede Bourgogne, 2011. Fran¸cais. <NNT : 2011DIJOL015>. <tel- 00665923> HAL Id: tel-00665923 https://tel.archives-ouvertes.fr/tel-00665923 Submitted on 3 Feb 2012 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. UNIVERSITE DE BOURGOGNE THÈSE Pour obtenir le grade de Docteur de l‟Université de Bourgogne Discipline : Sciences de l‟Information et de la Communication par Yannick Sauveur Les représentations médiatiques de la vieillesse dans la société française contemporaine Ambiguïtés des discours et réalités sociales Thèse dirigée par Pascal Lardellier Soutenue le mercredi 22 juin 2011 Jury M. Jean-Jacques BOUTAUD, Professeur, Université de Bourgogne, Mme Michèle DION, Professeur, Université de Bourgogne, M. Claude JAVEAU, Professeur émérite, Université Libre de Bruxelles, M. Pascal LARDELLIER, Professeur, Université de Bourgogne, Directeur de la thèse, M. -
1 4 Henry Stead Swinish Classics
Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). 4 Henry Stead Swinish classics; or a conservative clash with Cockney culture On 1 November 1790 Edmund Burke’s Reflections on the Revolution in France was published in England. The counter-revolutionary intervention of a Whig politician who had previously championed numerous progressive causes provided an important rallying point for traditionalist thinkers by expressing in plain language their concerns 1 Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). about the social upheaval across the channel. From the viewpoint of pro- revolutionaries, Burke’s Reflections gave shape to the conservative forces they were up against; its publication provoked a ‘pamphlet war’, which included such key radical responses to the Reflections as Mary Wollstonecraft’s A Vindication of the Rights of Man (1790) and Tom Paine’s The Rights of Man (1791).1 In Burke’s treatise, he expressed a concern for the fate of French civilisation and its culture, and in so doing coined a term that would haunt his counter-revolutionary campaign. Capping his deliberation about what would happen to French civilisation following the overthrow of its nobility and clergy, which he viewed as the twin guardians of European culture, he wrote, ‘learning will be cast into the mire, and trodden down under the hoofs of a swinish multitude’. This chapter asks what part the Greek and Roman classics played in the cultural war between British reformists and conservatives in the periodical press of the late 1810s and early 1820s. -
A Chronological Analysis of Utopias, Urbanism and Technology
RICE UNIVERSITY A CHRONOLOGICAL ANALYSIS OF .UTOPIAS, URBANISM, AND TECHNOLOGY JAMES L. BOTTORFF A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN URBAN DESIGN aiocU M (feU4 O. Jack Mitchell Thesis Director Houston, Texas May, 1971 ABSTRACT A CHRONOLOGICAL ANALYSIS OF UTOPIAS, URBANISM, & TECHNOLOGY By James L. Bottorff This thesis is a comparative analysis of the chronological patterns of utopias, urbanism, and technology that have prevailed throughout European and American history. It analyzes a wide range of carefully selected utopian concepts, and compares them with the dominant urbanistic and technological events existing at similar points in time. The result of this investigation is a theory that utopian activity has responded to urbanistic and technological trends in a recurring sequence, and that this pattern continues up to the nineteenth century. In the nineteenth and twentieth centuries, the recurring pattern becomes complex and less defined because of an increase in utopian concepts. Based on this theory, the thesis concludes that utopian activity has responded to the prevailing urbanistic trends and technological changes of society and'the appearance of utopian activity has signaled society of important changes. TABLE OF CONTENTS Chapter 1. INTRODUCTION , 2 1. 1 Importance of Utopias, Urbanism & Technology 2 1.2 Statement of the Thesis .3 1.3 Definition of Terms 4 Chapter 2. UTOPIAN, URBANISTIC & TECHNOLOGICAL TYPOLOGIES 8 2. 1 Physical and Social Utopias 8 2. 2 Urban and Rural Trends 10 2.3 Transportation and Communication Technology 12 2.4 Summary 13 Chapter 3. CHRONOLOGICAL PATTERNS 15 3. 1 Utopian Activity . -
The Pennsylvania State University the Graduate School
The Pennsylvania State University The Graduate School College of Arts and Architecture PLANTAE, ANIMALIA, FUNGI: TRANSFORMATIONS OF NATURAL HISTORY IN CONTEMPORARY AMERICAN ART A Dissertation in Art History by Alissa Walls Mazow © 2009 Alissa Walls Mazow Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2009 The Dissertation of Alissa Walls Mazow was reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Adviser Chair of Committee Brian A. Curran Associate Professor of Art History Richard M. Doyle Professor of English, Science, Technology and Society, and Information Science and Technology Nancy Locke Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History *Signatures are on file in the Graduate School. ii Abstract This dissertation examines the ways that five contemporary artists—Mark Dion (b. 1961), Fred Tomaselli (b. 1956), Walton Ford (b. 1960), Roxy Paine (b. 1966) and Cy Twombly (b. 1928)—have adopted the visual traditions and theoretical formulations of historical natural history to explore longstanding relationships between “nature” and “culture” and begin new dialogues about emerging paradigms, wherein plants, animals and fungi engage in ecologically-conscious dialogues. Using motifs such as curiosity cabinets and systems of taxonomy, these artists demonstrate a growing interest in the paradigms of natural history. For these practitioners natural history operates within the realm of history, memory and mythology, inspiring them to make works that examine a scientific paradigm long thought to be obsolete. This study, which itself takes on the form of a curiosity cabinet, identifies three points of consonance among these artists.