DOCSLIB.ORG

Crowdfunding Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Crowdfunding Music Crowdfunding Music A look at crowdfunding as an alternative source of funding for independent creators within the recorded music industry Haakon André Søttar Hagen SUPERVISOR Daniel Nordgård This master’s thesis is carried out as a part of the education at the University of Agder and is therefore approved as a part of this education. However, this does not imply that the University answers for the methods that are used or the conclusions that are drawn University of Agder, 2017 Faculty of Fine Arts Department of Popular Music FOREWORD THANK YOU to my supervisor, Daniel Nordgård for his excellent supervision and advice throughout the span of my work. Also THANK YOU to Bendik Hofseth and Peter Jenner for extra guidance and feedback. THANK YOU to Aaron Cupples, Joel Hughes and Christer Falck, for being willing to take part in my thesis and giving me frank and insightful answers when being interviewed. Without their contributions this thesis would not be possible. Also THANK YOU to Andy Inglis and Sally-Anne Gross for helping me get in contact with my interview subjects after my own attempts at getting similar interview subjects failed. THANK YOU to my mother, my father, my sister and other relatives for their support through my many years of music business studies. THANK YOU to my all my friends, classmates and others in need of thanking. THANK YOU to Anja, Anja, and Viktoriia for keeping me company while working on my Master’s thesis, and for not leaving me when I complained. I ABSTRACT With larger crowdfunding campaigns getting the media hype for crowdfunding going, crowdfunding is often touted as the future of creative project funding. With examples like Amanda Palmer always being presented, is crowdfunding the future and saviour of funding for recorded music projects? This is what this thesis is trying to answer, to see if crowdfunding is a suitable alternate way of funding projects. The subject is an often- discussed one, but a subject that has not seen much academic research. The success of Amanda Palmer can often be put down to her already having fans from previous work with The Dresden Dolls. But that is exactly what you need to be able to crowdfund a new release: fans. A crowd. Through interviews with three subjects in different points of the music industries and/or the crowdfunding industry, and some interesting statistics this thesis concludes that there is a future for crowdfunding as an alternative way of funding music, but not in hundreds of thousands to a million dollar range like with Amanda Palmer. Most successful campaigns live in the $1000 to $10,000 range, which is a pointer to the true power of crowdfunding: smaller artists being able to activate the small fan base they have acquired through gigging and other releases to get them to fund new projects, from albums/EPs, to tours, to books. Crowdfunding is a tool for smaller artists to fund new ventures without record label support and doing it by themselves. II TABLE OF CONTENTS FOREWORD ..................................................................................................................................................... I ABSTRACT ..................................................................................................................................................... II TABLE OF CONTENTS ............................................................................................................................... III I: INTRODUCTION ........................................................................................................................................ 1 1.1 TOPIC: ......................................................................................................................................................................... 1 1.2 RESEARCH QUESTION ............................................................................................................................................... 2 1.2.1 Main concepts of research question ......................................................................................... 2 1.2.2 Sub-questions to the research question ................................................................................. 2 1.3 REASON ....................................................................................................................................................................... 3 1.4 DEFINITION OF KEY PHRASES ................................................................................................................................. 3 1.5 THESIS LIMITATIONS ................................................................................................................................................ 5 II: THEORETICAL BACKGROUND ............................................................................................................ 6 2.1 MUSIC BUSINESS CHANGES ..................................................................................................................................... 6 2.1.1 Structure Of the Music Industries ............................................................................................. 9 2.1.2 Revenue ............................................................................................................................................. 10 2.1.3 Funding ............................................................................................................................................. 12 2.1.4 Indie/D.I.Y ........................................................................................................................................ 16 2.2 CROWDFUNDING .................................................................................................................................................... 18 2.2.1 Ways Of Crowdfunding ............................................................................................................... 20 2.2.2 Famous Examples ......................................................................................................................... 21 III: METHODOLOGICAL APPROACH .................................................................................................... 24 3.1 DATA ......................................................................................................................................................................... 25 3.1.1 Qualitative data vs. quantitative data ................................................................................. 25 3.2 INTERVIEW .............................................................................................................................................................. 26 3.2.1 Advantages ...................................................................................................................................... 27 3.2.2 Disadvantages and challenges ................................................................................................ 28 3.2.3 Ethical concerns ............................................................................................................................ 30 3.2.4 The Interview Guide ..................................................................................................................... 30 3.2.5 Interview subjects ......................................................................................................................... 32 3.2.6 Analysis .............................................................................................................................................. 33 III 3.3 STATISTICS AND PROJECT NUMBERS .................................................................................................................. 34 IV: FINDINGS ............................................................................................................................................... 35 4.1 INTERVIEWS ............................................................................................................................................................ 35 4.2 NUMBERS FROM CROWDFUNDING ..................................................................................................................... 49 4.2.1 Successfully Funded Projects ................................................................................................... 49 4.2.2 Projects and Dollars ..................................................................................................................... 49 4.2.3 Projects and Genres ...................................................................................................................... 49 V: DISCUSSION ............................................................................................................................................ 51 5.1 CROWDFUNDABLE ARTISTS? ............................................................................................................................... 51 5.2 FOR THE FANS ........................................................................................................................................................ 52 5.3 MUSIC COMPARED TO OTHER GENRES ............................................................................................................... 53 5.4 CROWDFUNDING REPLACING RECORD LABELS ................................................................................................. 54 5.5 THE FUTURE AND SUSTAINABILITY ..................................................................................................................
Load more

Recommended publications
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • MUSIC WEEK, NOVEMBER 4, 1978 0 Ot Way's Lish Adventures JOHN
    MUSIC WEEK, NOVEMBER 4, 1978 0 THE FUTURE OF ABC/ Anchor — to include a probable association with Ot way's lish adventures RCA — will be clarified this week with the presence JOHN OTWAY'S talent for mascots, the police cheerfully only) Tilled Stardusi Man: The John in London of ABC Records attracting disaster was nearly explained that street was a notorious Oiway story, it is a ponrail of ihe president Steve Dienerand the end of him on three separate location for dumping bodies. Just to singer built around an open air ABC Records International occasions during his tour of finish off the week, the Otway concert at his home town of president Jay Morgenstern Ireland. entourage was chased by the Aylesbury in Buckinghamshire, Rainbow's manager Bruce Payne gentleman in blue on the way to the which was attended by 12,000 in London last week talking to First, Otway decided to climb the ferry home. Blue lights flashing and people. Various members of his crew Giant's Causeway, all 700 feet of it. sirens wailing, the cars then tell the story of the garbage collector a number of record companies Needless to say he got stuck. After disgorged police who arrested one of turned rock "artist". It will be The re-launch of half an hour he managed to get back the roadies. screened nationally later in the year. Engelbert Humperdinck under his to safety. Otway is not the only one: new name, simply Engelbert, hardly warranted four pages in the Then his Belfast date was en- keyboard player Paul Ward had his Sunday Telepgraph magazine.
    [Show full text]
  • Keywords in Literature and Culture (KILC). : Modernism
    Melba Cuddy-Keane is Emerita Member of the Graduate Department “Modernism: Keywords will be an indispensable Melba Cuddy-Keane of English, University of Toronto, resource from the moment it appears. The work is Adam Hammond and Emerita Professor, University rigorous in theoretical conception, broad in historical of Toronto-Scarborough, Canada. reach, and powerfully revisionary in its implications Alexandra Peat Modernism: Keywords presents a Her publications include Virginia for modernist study. It falls within the distinguished series of short entries explaining Woolf, the Intellectual, and the Public the diverse and often contradictory Sphere (2003), the Harcourt annotated legacy of Raymond Williams but also applies the meanings of words used with frequency edition of Virginia Woolf’s Between most current methods to an expanding archive of and urgency in “written modernism.” the Acts (2008), and contributions to modernist texts. Scholars and students at every Spanning the “long” modernist period A Companion to Modernist Literature level will keep it close at hand.” (from about 1880 to 1950), this work and Culture (Wiley Blackwell, 2006) Michael Levenson, University of Virginia aims not to define the era’s dominant and A Companion to Narrative Modernism “beliefs,” but to highlight and expose Theory (Wiley Blackwell, 2005). its salient controversies and changing cultural thought. Guided by the cultural Adam Hammond recently completed Keywords lexicography developed by Raymond an SSHRC postdoctoral fellowship at Williams in his ground-breaking work, the University of Victoria and is currently Keywords (1976), the entries here focus the Michael Ridley Postdoctoral Fellow on words with unstable meanings in Digital Humanities at the University and conflicting definitions, tracking of Guelph, Canada.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Leeds Crown Court Hears of Rape Victim's Horrific Ordea1
    " • 1 4th March 1994 Defendant denies series of sexual assaults on Leeds students Leeds Crown Court hears of Rape victim's horrific ordea1 eeds Crown Court heard this were making their way home after The man put his arm round her shouting at him to get off me." week how a hooded rapist nights out with friends at pubs or By Richard Fletcher Ihroat and pushed her to the She said the man ran off when I4 attacked live female students clubs. ground. He put a big black padded two boys approached with a dog. during a reign of terror in the There could be little more Lane at about midnight when a man glove on his hand and put over Mr Paul Worsley, QC. Woodhouse area of Leeds. terrifying experience for young grabbed her from behind, put his her throat and mouth. She led to prosecuting. - who believes that David Martin Jackson. 28, of women walking home alone than to hands over her mouth and pulled bite his fingers but only r the Jackson carried out the attacks - Neville View, Osmontithorpe, Leeds, be attacked and sexually assaulted her to the ground. The man who material. He then turned E on to claims that Jackson was trapped by a denies one charge of rape, three by a hooded stranger. he told the wore gloves and a balaclava forced her stomach and kept his hand over letter he sent to the police in January, charges of indecent assault, two of court. her on to her hack and knelt astride her mouth.
    [Show full text]
  • The New Roxette the New
    The New Roxette The New www.theNewRoxette.com . coming next month . Roxette May 2009 – ISSUE SIX ISSUE FIVE – APRIL 2009 John Otway Also featuring: David Saw Black Poets Mike Carroll John Dexter Jones Echo Studios FREE News, Reviews Music Fan of the Month The New Roxette and Interviews Looking Back at Friars meets . and so much more! News, Reviews Howard Jones & Interviews for a chat . and so much more! www.theNewRoxette.com Welcome to Editorial: Stuart Robb The New Roxette Judy Pearce WELCOME to issue five of The New Roxette. Rick Pearce Advertising: We have another great magazine for you to delve into this month, with interviews from Dennis Hall Aylesbury favourite John Otway, plus Mike Carroll and David Saw. Design: Don’t forget to check out the official website too for the FULL interviews, plus the Mike Payne MYSPACE and FACEBOOK pages for all the very latest news and gossip. Website: Well, The New Roxette is growing from strength to strength, with nearly 13,000 Anthony O’Sullivan ‘hits’ being registered on the website www.theNewRoxette.com during February Contributors: alone, and this is already showing signs of increasing, so thank you for your continued Richard Carr interest and support. Bob Cronin Leon Gordon Don’t forget – if you are a local business, or a band, and wish to ADVERTISE in Jamie Masters The New Roxette, or tell us about your latest album, then simply drop us a line. Michael O’Connor ADVERTS are already selling fast for the July ‘Aylesbury Festival’ & August ‘Hobble on Photography: Top Floor Photography the Cobbles’ New Roxette Special Editions – so please contact us TODAY to ensure you (John Otway) don’t miss out on these fantastic opportunities as well.
    [Show full text]
  • “All Politicians Are Crooks and Liars”
    Blur EXCLUSIVE Alex James on Cameron, Damon & the next album 2 MAY 2015 2 MAY Is protest music dead? Noel Gallagher Enter Shikari Savages “All politicians are Matt Bellamy crooks and liars” The Horrors HAVE THEIR SAY The GEORGE W BUSH W GEORGE Prodigy + Speedy Ortiz STILL STARTING FIRES A$AP Rocky Django Django “They misunderestimated me” David Byrne THE PAST, PRESENT & FUTURE OF MUSIC Palma Violets 2 MAY 2015 | £2.50 US$8.50 | ES€3.90 | CN$6.99 # "% # %$ % & "" " "$ % %"&# " # " %% " "& ### " "& "$# " " % & " " &# ! " % & "% % BAND LIST NEW MUSICAL EXPRESS | 2 MAY 2015 Anna B Savage 23 Matthew E White 51 A$AP Rocky 10 Mogwai 35 Best Coast 43 Muse 33 REGULARS The Big Moon 22 Naked 23 FEATURES Black Rebel Motorcycle Nicky Blitz 24 Club 17 Noel Gallagher 33 4 Blanck Mass 44 Oasis 13 SOUNDING OFF Blur 36 Paddy Hanna 25 6 26 Breeze 25 Palma Violets 34, 42 ON REPEAT The Prodigy Brian Wilson 43 Patrick Watson 43 Braintree’s baddest give us both The Britanys 24 Passion Pit 43 16 IN THE STUDIO Broadbay 23 Pink Teens 24 Radkey barrels on politics, heritage acts and Caribou 33 The Prodigy 26 the terrible state of modern dance Carl Barât & The Jackals 48 Radkey 16 17 ANATOMY music. Oh, and eco light bulbs… Chastity Belt 45 Refused 6, 13 Coneheads 23 Remi Kabaka 15 David Byrne 12 Ride 21 OF AN ALBUM De La Soul 7 Rihanna 6 Black Rebel Motorcycle Club 32 Protest music Django Django 15, 44 Rolo Tomassi 6 – ‘BRMC’ Drenge 33 Rozi Plain 24 On the eve of the general election, we Du Blonde 35 Run The Jewels 6
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Beauty Is in the Eye of the “Produser”: Japan's Virtual Idol Hatsune Miku from Software, to Network, to Stage
    BEAUTY IS IN THE EYE OF THE “PRODUSER”: JAPAN'S VIRTUAL IDOL HATSUNE MIKU FROM SOFTWARE, TO NETWORK, Intermittence + Interference POST-SCREEN: TO STAGE ANA MATILDE SOUSA ANA MATILDE SOUSA 117 INTRODUCTION The “virtual idol” dream is not new, but Hatsune Miku — a cybercelebrity origi- nating from Japan who is steadily becoming a worldwide phenomenon — con- stitutes a paradigm shift in this lineage initiated in 1958 by the novelty group of anthropomorphic squirrels Alvin and the Chipmunks. Since then many have followed, from The Archies to Gorillaz and 2.0Pac. In Japan, HoriPro’s “digital kid”, Date Kyoko, pioneered the cyber frontier with her hit single “Love Commu- nication” in 1996 (Wolff, n.d.). While in 2011, the idol supergroup AKB48 pulled an infamous publicity stunt by revealing their new girl, Aimi Eguchi, was a com- puter-generated combination of other group members (Chen, 2011). So what does Miku have that they do not? Despite her apparent similar- ity to fictional characters such as Rei Toei from William Gibson’s Idoru, Miku’s phenomenon has less to do with futuristic prospects of technological singu- larity than with present-day renegotiations of the roles of author, work and fan in Web 2.0 media cultures. By addressing her softwarennetworknstage transformations, this study draws on a rapidly growing scholarship (Hama- saki, Takeda, & Nishimura, 2008; Le, 2013; Conner, 2014; Guga, 2014; Annett, 2015; Leavitt, Knight, & Yoshiba, 2016) to investigate how Miku’s appearance on screen(s) has shaped her construction as a virtual idol through grassroots- corporate “produsage” (Bruns, 2008). MIKU, FROM THE BEGINNING With a visionary name announcing the “First Sound of Future”, Hatsune POST-SCREEN: Intermittence + Interference POST-SCREEN: Miku, created in August 2007 by Sapporo-based company Crypton Future Me- dia, is the most popular avatar of Yamaha’s cutting-edge voice synthesizer VO- CALOID.
    [Show full text]
  • George Drew, Director Special Programming
    DREXEL UNIVERSITY PHILADELPHIA, PA. Friday, Septem ber 26. 1980 VOLUME LVI, NO. 11 Squeezing into the parking garage ing public transportation, par­ before 9 a.m. each school day, ticularly when two or more even though his or her first Office of Safety and Security persons pool the costs of class may be some time later. garage parking> Otherwise, the daily commuter The Department of Safety mav find the parking garage With the beginning of the and Security, which ad­ filled. Fall term, the parking garage ministers on-campus parking, Surface parking lots, such has experienced a large in­ anticipates that by Friday, as the Library Lot, the Creese crease in the number of September 26, over 375 Fall Student Center Lot and “ F” students, faculty and staff Term parking permits for the Lot, 31st and Ludlow Sts., for utilizing this facility each garage will have been issued. faculty and staff, have also ex­ school day. The garage was This is an increase of over 130 perienced “ full houses” each filled to capacity the first few permits over the Fall 1979 day. days of classes, for the first term. Term permit holders are In conclusion, it appears time since the SEPTA strike of guaranteed a space m the that on-campus parking may 1978. This necessitated turning parking garage, plus overnight be more difficult to obtain this away numerous commuters and week-end parking new term than in the past. after 10 a.m. priveleges, to the exclusion of Those students, faculty and This upsurge in usage of the token users.
    [Show full text]
  • Top Five Best Top Five Worst
    VOLUME 29, ISSUE 6 WWW.BROWARD.EDU/STUDENTLIFE/PUBLICATIONS/OBSERVER/PAGES/DEFAULT November 11, 2014 The Broward College Student Newspaper Campus News BC spotlight Centerspread Opinion Backpage Want More Observer? theobservernews.blogspot.com Best Buddies BC professor Elisa Learn the Determine Bailey Hall has updates on articles, program joins with Albo releases new ins-and-outs of whether or gets biggest Entertainment, Sports and BC to help those in elegy poetry book Black Friday not Internet renovation in much more. need addiction is real history Check Out: ON PAGE 6 ON PAGE 3 ON PAGE 8-9 ON PAGE 14 ON PAGE 16 theobservernews.blogspot.com CAREER CHOICES Top Five Best Top Five Worst Jeetsu Ahuja The field of nursing is a great field to Jennifer Beardslee Radi the demand for psychologists in Staff writer get a degree in, too. Staff Writer America is so low at the time. As a nurse, this is a career is not only According to apa.org, psychology Picking a college major is the first out gratifying to souls, but to pockets as Many college students are trying to go graduates total to an amount of about of many mature decisions that college well. into a career straight after graduation 5,000. students have to start making in life With all of these never heard of because it sounds promising and ideal. In contrast to psychology currently from that point onwards. diseases creeping up these days, However, a couple of new studies being one of the worst majors to So, the decision should be taken the demand for nurses have been reveal that the major that college choose, the U.S.
    [Show full text]
  • Central Florida Future, Vol. 27 No. 14, October 6, 1994
    University of Central Florida STARS Central Florida Future University Archives 10-6-1994 Central Florida Future, Vol. 27 No. 14, October 6, 1994 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 27 No. 14, October 6, 1994" (1994). Central Florida Future. 1256. https://stars.library.ucf.edu/centralfloridafuture/1256 • Golden Knights football moves up to No. 6 in Sports Network poll-Sports, p. 16. • • Central Florida Future • Students, faculty-learn safety tips at UCPs Crime Prevention-Fair • by SCOTI HOLBROOK prevention te~hniques until crime "Wearen'ttellingstudentsof News editor becomes personal. Then it hits legal age notto drink," said McNeil. home." The brochures on crime "We want to educate them about the • It's late at night, and you're prevention on Kay's table were DUI laws and the potential outcome walking through the parking lot af­ printed using money seized in drug of their actions. We stress aware­ ter class. Suddenly, you hear foot­ busts, something he pointed out was ness and responsibility about alco­ steps behind you, approaching one of the few beneficial outcomes hol use." McNeil also pointed out quickly.
    [Show full text]