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In Their Own Words: Voices of Jihad
THE ARTS This PDF document was made available from www.rand.org as CHILD POLICY a public service of the RAND Corporation. CIVIL JUSTICE EDUCATION Jump down to document ENERGY AND ENVIRONMENT 6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS The RAND Corporation is a nonprofit research NATIONAL SECURITY POPULATION AND AGING organization providing objective analysis and PUBLIC SAFETY effective solutions that address the challenges facing SCIENCE AND TECHNOLOGY the public and private sectors around the world. SUBSTANCE ABUSE TERRORISM AND HOMELAND SECURITY Support RAND TRANSPORTATION AND INFRASTRUCTURE Purchase this document WORKFORCE AND WORKPLACE Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Learn more about the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND PDFs to a non-RAND Web site is prohibited. RAND PDFs are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND monographs undergo rigorous peer review to ensure high standards for research quality and objectivity. in their own words Voices of Jihad compilation and commentary David Aaron Approved for public release; distribution unlimited C O R P O R A T I O N This book results from the RAND Corporation's continuing program of self-initiated research. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Beachersep02.Pdf
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 37, Number 34 Thursday, September 2, 2021 THE Page 2 September 2, 2021 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 Beacher Company Directory e-mail: News/Articles - [email protected] Don and Tom Montgomery Owners email: Classifieds - [email protected] Andrew Tallackson Editor http://www.thebeacher.com/ Drew White Print Salesman PRINTE ITH Published and Printed by Janet Baines Inside Sales/Customer Service T Randy Kayser Pressman T A S A THE BEACHER BUSINESS PRINTERS Dora Kayser Bindery Jacquie Quinlan, Jessica Gonda Production Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. The Beacher is John Baines, Karen Gehr, Tom Montgomery Delivery also delivered to public places in Michigan City, New Buffalo, LaPorte and Sheridan Beach. AAnn IIdyllicdyllic LLifeife by Connie Kuzydym Micky Gallas is photographed by The Beacher’s Bob Wellinski along the Lake Michigan shoreline. Editor’s note — This is the next in an ongoing se- ries amid this year’s Long Beach centennial anni- versary highlighting history, individuals and orga- nizations in the community. hen Long Beach was fi rst established 100 years ago, it was a resort community draw- Wing predominantly from Chicago. Eventu- ally, the area near Lake Michigan began resonating with those who wanted to raise their children near the sand and water. As the years passed, there were generations of families sprinkled throughout the beach area. One such family is the O’Haras. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Octb2003 Robert Kelly Bard College
Bard College Bard Digital Commons Robert Kelly Manuscripts Robert Kelly Archive 10-2003 octB2003 Robert Kelly Bard College Follow this and additional works at: http://digitalcommons.bard.edu/rk_manuscripts Recommended Citation Kelly, Robert, "octB2003" (2003). Robert Kelly Manuscripts. Paper 913. http://digitalcommons.bard.edu/rk_manuscripts/913 This Manuscript is brought to you for free and open access by the Robert Kelly Archive at Bard Digital Commons. It has been accepted for inclusion in Robert Kelly Manuscripts by an authorized administrator of Bard Digital Commons. For more information, please contact [email protected]. THE FOUNTAIN Why people spill the way they do river of wise water and the young man teaches the old man how to speak not mother tongue but daughter tongue we learn it from frustration from the spew of ill-focused desires in the first ten seconds of cosmology this personal life. The first time I know that I am me, language begins. The elders fight it with all their powers, silence the worst of them, that unclean holocaust of feeling and meaning, silence the child, be silent, the child invents language but the priest answers Be still, my voice is the voice of God. When it is said that language is passed down through generations it is meant that the old attempt to stifle the expression of the young with tired forms and easy answers, how sick I felt when I was young when I was answered in clichés, even clichés I never heard before but shoved their nauseating wadding round my face, to keep the new word from opening my mouth. -
Beauty Is in the Eye of the “Produser”: Japan's Virtual Idol Hatsune Miku from Software, to Network, to Stage
BEAUTY IS IN THE EYE OF THE “PRODUSER”: JAPAN'S VIRTUAL IDOL HATSUNE MIKU FROM SOFTWARE, TO NETWORK, Intermittence + Interference POST-SCREEN: TO STAGE ANA MATILDE SOUSA ANA MATILDE SOUSA 117 INTRODUCTION The “virtual idol” dream is not new, but Hatsune Miku — a cybercelebrity origi- nating from Japan who is steadily becoming a worldwide phenomenon — con- stitutes a paradigm shift in this lineage initiated in 1958 by the novelty group of anthropomorphic squirrels Alvin and the Chipmunks. Since then many have followed, from The Archies to Gorillaz and 2.0Pac. In Japan, HoriPro’s “digital kid”, Date Kyoko, pioneered the cyber frontier with her hit single “Love Commu- nication” in 1996 (Wolff, n.d.). While in 2011, the idol supergroup AKB48 pulled an infamous publicity stunt by revealing their new girl, Aimi Eguchi, was a com- puter-generated combination of other group members (Chen, 2011). So what does Miku have that they do not? Despite her apparent similar- ity to fictional characters such as Rei Toei from William Gibson’s Idoru, Miku’s phenomenon has less to do with futuristic prospects of technological singu- larity than with present-day renegotiations of the roles of author, work and fan in Web 2.0 media cultures. By addressing her softwarennetworknstage transformations, this study draws on a rapidly growing scholarship (Hama- saki, Takeda, & Nishimura, 2008; Le, 2013; Conner, 2014; Guga, 2014; Annett, 2015; Leavitt, Knight, & Yoshiba, 2016) to investigate how Miku’s appearance on screen(s) has shaped her construction as a virtual idol through grassroots- corporate “produsage” (Bruns, 2008). MIKU, FROM THE BEGINNING With a visionary name announcing the “First Sound of Future”, Hatsune POST-SCREEN: Intermittence + Interference POST-SCREEN: Miku, created in August 2007 by Sapporo-based company Crypton Future Me- dia, is the most popular avatar of Yamaha’s cutting-edge voice synthesizer VO- CALOID. -
Education Board Lets Bids for High School Alterations City Projects
Serving Summit Read the Herald For Sixty Years For Local News ond Summit Record Ttfephsat Sanunit C-i3 T SECTION Enttrfd M Second Clan Matter it fti« ftHterflra BAY, mRUAftr 17, ki Summit, N. 1., Itndtr tb» Act of Much }, I8TB. I4AYIAR ICINTS Education Board Lets Bids Rotary Meeting City Projects Million Dollar Monday to Open For High School Alterations Bond Issue for High School The Board of Education Tuesday night approved bids Red Cross Drive Summit's umual Red Cross fund Common Council Tuesday night introduced-an ordi- totaling $1,117,000 for high school expansion and alterations. .nance providing for the raising of SI,000.000 by a bond At the same meeting they indicated they would turn thumbs campaign wiJ! g*t underway next Umdty at the RoUry dub lunch- j issue for additions and improvements to the .Senior and Jun- down on a request by several residents for school rezoning eon meeting *t the TMCA, it wu } ior High Bchools. The total estimated cost of the work will i which would shuttle children living on Mt. Vernon avenue announced this week at the regu- j be $1,335,000 but of this sum, $285,000 balance from the from the Washington School to - •-; ; ~~ lar s_*#tiu« «f the club. Carle ton _______ ___ , _ ((aj^o j Edison Junior' Hihi School--. Franklin.' W. Pieraoa, d-_jrt_.«ji ol this year** will be iised, with $5tyx>o tc> be The school bids awarded were as dxi«*. «ria preside at the meeting raised lat^r. follows: Becker Construction Co. -
2017-10-Radio Salomon
Artist List for period: 01.10.2017 - 31.10.2017 WYCLEF JEAN FEAT. LUNCH MONEY, THE KNOCKS – WHAT HAPPENED TO LOVE DON DIABLO – MOMENTUM (ORIGINAL MIX) MAURIZIO BASILOTTA & DAVE ROSE – FUNKYBIZA RITA ORA – YOUR SONG ALLE FARBEN & JANIECK – LITTLE HOLLYWOOD ANDREA BELLI X MAURO PILATO & MAX MONTI – GAM GAM (STEREOMODE 2K17 RADIO REWORK) BURAK YETER FEAT. DANELE SANDOVAL – TUESDAY SIGALA X DIGITAL FARM ANIMALS – ONLY ONE MICAR – BURDEN DOWN ALAN WALKER FEAT. GAVIN JAMES – TIRED OFENBACH – BE MINE CHARLIE PUTH – ATTENTION (ROMAN MULLER REMIX) CNCO FEAT. LITTLE MIX – REGGAETON LENTO (REMIX) FRENCH MONTANA & J BALVIN FEAT. SWAE LEE – UNFORGETTABLE [LATIN REMIX] ITALOBROTHERS – SUMMER AIR (RADIO EDIT) CHALLE SALLE – LAGANO DASOUL FEAT. NACHO – KUNG FU JOSE LUCAS – IF IT WEREN T FOR LOVE (THE WHISTLE SONG) NICKY JAM – EL AMANTE BABY K FEAT. ANDRES DVICIO – VOGLIO BALLARE CON TE(SAMMYCILLI ULTIMIX) BINGO PLAYERS – BEAT THE DRUM (ORIGINAL MIX) BLASTERJAXX FEAT. INNA – HOT MALUMA – FELICES LOS 4 BOB SINCLAR FEAT. AKON – TIL THE SUN RISE UP PISO 21 – BESANDOTE FEDDE LE GRAND VS IAN CAREY – KEEP ON RISING J BALVIN FT. WILLY WILLIAM – MI GENTE CHAINSMOKERS & COLDPLAY – SOMETHING JUST LIKE THIS DEEPEND FEAT. GRAHAM CANDY – WAITING FOR THE SUMMER TRAVI – BANG BREATHE CAROLINA & DROPGUN FT. KALEENA ZANDERS – RHYTHM IS A DANCER LUCAS & STEVE – UP TILL DAWN (ON THE MOVE) (ORIGINAL MIX) JASON DERULO FEAT. NICKI MINAJ & TY DOLLA SIGN – SWALLA CHARLY BLACK & DADDY YANKEE – GYAL YOU A PARTY ANIMAL (REMIX) D BASE – VASE POGLEJ ALOK, BRUNO MARTINI & ZEEBA – NEVER LET ME GO DAVID FEAT. MURAT – VRJAM UMMET OZCAN FEAT. CHRIS CRONE – EVERYTHING CHANGES DAVID & ALEX FEAT. -
The Vocaloid Phenomenon of Vocal Synthesis and Sample Concatenation
The Vocaloid Phenomenon of Vocal Synthesis and Sample Concatenation Cole Masaitis University of Mary Washington Department of Music Dr. Mark Snyder January 30, 2017 Masaitis, 1 Imagine a future where a singing voice synthesizer sang to you, instead of a real human. Instead of imagining that, what if I told you that this particular future has been around for quite some time? Vocaloid, or computer software that matches this exact description has been blowing up in Japan for over a decade, with other areas including the West being largely in the dark about it. In reality, Vocaloid has been slowly but surely seeping into pop-culture in other countries as well and was created all the way back in the early 2000’s. Vocaloid originated in the early 2000’s and was developed by a man named Hideki Kenmochi who some refer to as “the father” of the software, for a research project at Pompeu Fabra University in Barcelona, Spain. Following his time at university, Yamaha Corporation funded his research which allowed for the further development of his creation and since then, the software has evolved into the worldwide phenomenon called Vocaloid that exists today. Vocaloid employs sample concatenation or sequence that replicates the human voice, based on actual recordings of different individuals for each voicebank found in the Vocaloid editor programs. Originally, it was only capable of pronouncing vowels, and by the year 2003, the team released their product which was now able to sing simplistic words. Over the years the product went through several iterations before it reached the modern version of vocal synthesis it exemplifies today, in the form of Yamaha’s Vocaloid 4 software with more advanced phonetic, linguistic, and vocal than ever before. -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores. -
Billboard Magazine
Pop's princess takes country's newbie under her wing as part of this season's live music mash -up, May 31, 2014 1billboard.com a girl -powered punch completewith talk of, yep, who gets to wear the transparent skirt So 99U 8.99C,, UK £5.50 SAMSUNG THE NEXT BIG THING IN MUSIC 200+ Ad Free* Customized MINI I LK Stations Radio For You Powered by: Q SLACKER With more than 200 stations and a catalog of over 13 million songs, listen to your favorite songs with no interruption from ads. GET IT ON 0)*.Google play *For a limited time 2014 Samsung Telecommunications America, LLC. Samsung and Milk Music are both trademarks of Samsung Electronics Co. Ltd. Appearance of device may vary. Device screen imagessimulated. Other company names, product names and marks mentioned herein are the property of their respective owners and may be trademarks or registered trademarks. Contents ON THE COVER Katy Perry and Kacey Musgraves photographed by Lauren Dukoff on April 17 at Sony Pictures in Culver City. For an exclusive interview and behind-the-scenes video, go to Billboard.com or Billboard.com/ipad. THIS WEEK Special Double Issue Volume 126 / No. 18 TO OUR READERS Billboard will publish its next issue on June 7. Please check Billboard.biz for 24-7 business coverage. Kesha photographed by Austin Hargrave on May 18 at the MGM Grand Garden Arena in Las Vegas. FEATURES TOPLINE MUSIC 30 Kacey Musgraves and Katy 5 Can anything stop the rise of 47 Robyn and Royksopp, Perry What’s expected when Spotify? (Yes, actually.) Christina Perri, Deniro Farrar 16 a country ingenue and a Chart Movers Latin’s 50 Reviews Coldplay, pop superstar meet up on pop trouble, Disclosure John Fullbright, Quirke 40 “ getting ready for tour? Fun and profits.