National Endowment for the Arts ~99I Annual Report

NATIONAL ENDOWMENT FOR~THE ARTS

~99~ Annual Report NATIONAL ENDOWMENT FOR~THE ARTS

Dear Mr. President:

I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the fiscal year Arts in Eduealion ended September 30, 1991. Challenge Respectfully,

Anne-Imelda Radice Acting Chairman

The President The White House Washington, D.C.

July 1992 The Arts Endowment in Brief 6 The Year in Review The National Council on the Arts

PROGRAMS Dance 15 Design Arts 3o Expansion Arts 42 Folk Arts 64 Inter-Arts 74 Literature 9o Media Arts IO2 Museum 116 Music I44 Opera-Musical Theater ~84 Theater I95 Visual Arts :2I3 Challenge 2:27 Advancement 236

OFFICE FOR PUBLIC PARTNERSHIP Arts in Education z43 Locals 254 State and Regional 259 Under-Served Communities Set-Aside 265

OFFICE OF POLICY, PLANNING, RESEARCH & BUDGET z75 Special Constituencies 276 Research 277 Arts Administration Fellows 279 International Activities 28I

ADVANCEMENT, CHALLENGE AND OVERVIEW PANELS 286

FINANCIAL SUMMARY Fiscal Year 1991 297 History of Authorizations and Appropriations 298

Credits 303 Each summer "Jazz in July," at New York’s 92d Street Y, features immortals like bassist Milt Hinton with Arts Endowment help. The Arts Endowment in Brief

stablished by Congress in 1965, the National of the National Foundation on the Arts and Humanities. Endowment for the Arts is the federal agency The Foundation is an umbrella organization, created by that supports the visual, literary and perform­ Congress, that also contains the National Endowment for E ing arts to benefit all Americans. Its mission is the Humanities, the Federal Council on the Arts and the to serve the American people--by fostering Humanities, and the Institute of Museum Services. It has artistic excellence and helping to develop the nation’s no administrative or programming identity separate from finest creative talent; by preserving and transmitting our its component organizations. diverse cultural heritage; by making the arts more accessi­ ble to all Americans, young, old, or disabled, living in How the Agency Functions rural towns or major cities; by promoting the vitality of arts institutions; and by helping to make the arts intrinsic The Endowment pursues its service to the American pub­ to education. lic by providing financial assistance to artists and non­ The Arts Endowment serves as a catalyst to increase profit arts organizations. The agency also awards grants to opportunities for artists and resources for arts organiza­ other public arts agencies at the state, local and regional tions. It also spurs involvement in the arts by citizens, levels. Since the Endowment receives applications for public and private organizations, and the states and local more than four times as many grants as it can support, communities. The agency does not direct the activities the application process, culminating in the award of of individual artists or arts organizations. Rather, it is a grants or contracts by the Chairman, resembles a national partner with the entire arts community, using federal competition. resources to develop and promote a broadly conceived First, the Endowment staff reviews applications from national policy of support for the arts. individual artists and nonprofit arts organizations for eli­ The agency awards grants to nonprofit arts organiza­ gibility and conformance with published program guide­ tions to help support outstanding performances, exhibi­ lines. Second, application~ are evaluated for artistic excel­ tions, projects and programs. It provides fellowships to lence and merit by panels of experts and knowledgeable American artists of exceptional talent in order to stimu­ laypersons from relevant arts fields. Third, the agency’s late creation of new works of art, expand the nation’s advisory body, the National Council on the Arts, reviews artistic resources and promote preservation of the coun­ the recommendations of the panels and makes its own try’s cultural heritage. It funds projects whose goal is to recommendations on applications meriting funding to educate, formally or informally, both children and adults the Chairman. Upon consideration of those recommen­ in the arts. It disburses program funds to state arts agen­ dations, the Chairman decides whether to award a grant cies and regional organizations in order to promote broad or reject an application. dissemination of the arts across America. The Chairman National Foundation on the Arts and Humanities Appointed by the President of the United States with the The National Endowment for the Arts is one component advice and consent of the Senate, the Chairman of the

7 Endowment is chief executive officer of the agency and ment staff and Council members. Membership on Chairman of the National Council on the Arts. Author­ the panels rotates regularly, as no member may serve ized by law to establish and carry out policy, the Chair­ more than three years consecutively. man provides overall direction to the Endowment and its operations. The Chairman establishes agency procedures, Methods of Funding directs the programs, and awards grants and contracts. Grant money authorized by Congress comes to the En­ National Council on the Arts dowment as program funds, Treasury funds and Chal­ lenge Grant funds. Most direct grants to organizations Twenty-six distinguished citizens, appointed by the Presi­ and individuals come from program funds. Program dent and confirmed by the Senate, plus the Chairman of grants to arts institutions must be matched at least the Endowment, constitute the National Council on the dollar-for-dollar. Arts. These distinguished citizens have broad experience The Treasury Fund arrangement allows private in the various arts disciplines and with the major aspects donors to pledge gifts to specific Endowment grantees. of artistic enterprise such as creation, performance, pre­ Each pledge frees an equal amount for the grantee from sentation, administration and patronage. Representing the Treasury Fund, which is maintained at the Treasury the variety of artistic disciplines and genres in America, Department. Grantees must then match the combined collectively the Council transcends single artistic interests total of the donor’s pledge plus the Treasury Fund as well as narrow geographic, ethnic and philosophic disbursement. bounds. Challenge Grants, which must be matched on at least The Council advises the Chairman on policies, a three-to-one basis in new or increased funds, stimulate programs and procedures. It also reviews and makes support for significant projects with long-term impact. recommendations on grant applications. Council Ranging from $75,000 to $1 million, Challenge Grants members serve six-year terms, staggered so that roughly fund projects promoting expanded artistry, enhanced one-third of the Council membership rotates every access and art appreciation, and strengthened arts support two years. systems.

The Advisory Panels Impact of Endowment Grants

Panels of private citizens advise the Endowment’s individ­ Every grant directly benefits the grantee and thus the ual programs and thus the agency as a whole. These pan­ grantee’s home community and state. Beyond that, in els review applications, identify issues of artistic concern 1991 about 8 percent of the Endowment’s grant dollars to the field and the American public, and inform the supported projects whose impact extended to benefit policies and programs through which the Endowment arts disciplines or audiences within the region. pursues its mission. With even broader effect, this year more than 20 Arts and community leaders from around the nation percent of Endowment grant funds supported projects serve on the grant advisory panels. The panelists represent of national impact. Many of these attracted audiences many aesthetic and cultural viewpoints, providing a cross- nationwide through radio or TV broadcasting, publica­ section of American experience and artistic opinion. tions or recordings. Others reached wide audiences Panels typically include artists, arts administrators, board through touring of, for example, a dance company or a members, critics, arts educators and knowledgeable sculpture exhibition. Still others exerted a national impact laymen. on their arts field by providing management or technical Nominations for panelists come from the public assistance, professional training, career development, at large; from artists, organizations, and leaders in the research or information. arts field; from members of Congress; and from Endow­ Because of their importance, grants having national

8 National Endowment for the Arts impact receive special attention in this report; throughoutBush nine days later, Public Law 101-512, TheArts, these pages, they are flagged with this symbol: ¢r Humanities and Museums Amendments of 1990, autho­ rized the Endowment for three additional years--Fiscal The Endowment’s Reauthorization Year 1991 through Fiscal Year 1993.

Like other independent federal agencies, the Arts Endow­ Annual Report ment is granted legal authority to operate for finite peri­ ods and consequently must be reauthorized periodically. Grants, cooperative agreements and contracts listed in On October 27, 1990 both houses of Congress approved the following pages are those obligated as of September a bill reauthorizing the Endowment. Signed by President 3O, 1991.

1991 Annual Report 9 Engaged in collaboration--the soul of many arts--designer John Conklin, assistant director Ann-Christin Rommen and director Robert Wilson confer on their revival of Ibsen’s As We DeadAwaken at the American Repertory Theatre. The Year in Review

he National Endowment for the Arts inau­ pending application for financial assistance, and no one gurated a period of significant change in who is an employee of an organization with a pending Fiscal Year 1991. Changes were made in application, may serve on a panel that will review the T both programs and procedures. Some of application. Modified panel structures, implementing these changes were initiated by the agency the new policies, effected this objective. itself. Others were recommended by a special Indepen­ For example, in grant categories where nearly all U.S. dent Commission, appointed by Congress, which in arts organizations apply to the agency--Dance, Opera- September of 1990 issued its unanimous report on grant- Musical Theater, Inter-Arts, Museum and Theater--split making procedures and issues concerning publicly funded panels are now used. That is, two slightly smaller panels art. Still other changes and refinements resulted from the are constituted, and each reviews a balanced half of the reauthorization of the agency by the Congress in 1990. application pool. Alternatively, in other programs such as Programmatic changes included a new formula, man­ Music and Visual Arts, multi-year applications prevent dated by Congress, increasing by 50 percent the amount direct conflicts because organizations submit an applica­ of funds allocated by the Endowment to state and region­ tion for the same amount of funding for more than one al arts agencies. Thus in FY 1991, 25 percent of program year, usually for two years. Thus in the year an organiza­ funds was reserved by law for state and regional arts agen­ tion’s application is being considered, no one associated cies and another 5 percent was set aside for programs with that organization serves on the review panel. administered by state and regional arts agencies that To open advisory panels to more diverse points of specifically addressed developing arts organizations and view, a lay person knowledgeable about the relevant arts artistically under-served communities particularly in rural field sits on every panel. A three-year limit on continuous and inner-city areas. New grant categories also extended service was imposed, thereby increasing the turnover of support to under-served rural and inner-city areas. Special panelists and bringing new people onto the panels. emphasis was placed on expanding arts education Advisory panels now include individuals from more activities. Plans to revise the Challenge Program got diverse geographic and cultural backgrounds and repre­ underway. Support for international activities by senting different aesthetic viewpoints of the pertinent dis­ American artists and arts organizations was enhanced. cipline. Thus, the number of panelists from California A consolidated program, Presenting & Commissioning, and New York declined while the proportion of panelists was conceived to support additional arts opportunities from the Midwest, South and Southwest increased.* for more Americans. As a consequence of these many reforms, the number Among the significant procedural changes, the rules of panelists grew from 792 in 1990 to 947 in 1991, an governing potential conflicts of interest of panelists were increase of 20 percent. In 1991, 77 percent of the pan­ tightened. Review panels were enlarged to promote their elists were new. Minority composition of the panels rose diversity. Panel membership turned over more frequently. to more than 20 percent. Taken as a whole, the procedural reforms made the agency more accountable, responsive and inclusive. Changed Responsibilities for Chairman, Council Reinvigorated by these changes, the Endowment renewed its efforts to expand arts opportunities for all Americans In 1991, several changes were made in the roles and and to foster support for artistic excellence. responsibilities of both the Chairman and the National Council on the Arts. Probably most important was the Panel Reforms clarification of the authority of the Chairman. The Chairman is authorized to establish and carry out A crucial objective was to eliminate even the appearance the grants, contracts and loans to support agency projects. of direct conflicts of interest of those serving on the * Some grants listed in this report were reviewed by panels that met before Endowment’s advisory panels. Now, no one with a the reforms were in place and thus operated under old rules.

1991 Annual Report 11 In late 1990, Congress added clauses to the Endowment’s expressed by the President, the Congress and the enabling statute requiring that the Chairman establish National Governors Association. The Endowment’s latest regulations and procedures to ensure that artistic excel­ reauthorization encouraged the agency to expand its arts lence and artistic merit are the criteria by which applica­ education activities. Particular goals are to help make the tions are judged and vesting the Chairman with final arts basic to education, to foster new generations of artists authority to approve all applications except those on as well as citizens who practice and enjoy the arts, and to which the Council makes a negative recommendation. reinforce the excellence and diversity of American arts. In Charged by the reauthorization statute with making response, in 1991 the agency launched the Arts Educa­ recommendations to the Chairman both on whether to tion Collaboration Initiative, now called "Arts Plus." It approve assistance for each application recommended by supports partnerships between schools and their commu­ advisory panels and on the amount of the award for such nity’s arts organizations, especially in the realms of dance, applications, members of the National Council needed theater, opera and musical theater, which have been typi­ more detailed information about the grant applications cally under-represented in schools. they consider and about Endowment programs. Accord­ By its long-standing commitment to arts institutions, ingly, since May 1991, Council members assemble in the Endowment has always recognized the importance of small groups on the day prior to the opening of the regu­ supporting these repositories of American culture and lar quarterly business meeting to exchange information creativity. Particularly in more difficult economic times, with staffon the Endowment’s programs and pending the Endowment has a major role to play in assisting these grant applications. In addition, since August 1990 all organizations, for they are the infrastructure that keeps policy meetings of the Council are open to the public. the arts before the public. Large and small, old and new, they maintain, augment and transmit America’s artistic Other Procedural Reforms tradition. Many are the source of special community pride and identity. Recognizing that to assume these The grantmaking process has also been revised. In some institutions can exist without continued federal support programs, maximum grant award levels were lowered to would mortgage their future and jeopardize our national increase the potential number of grants and thus the cultural legacies, in 1991 the Endowment’s assistance and breadth of Endowment support. Some minimum grant support helped safeguard these cultural resources. levels were raised so that they constitute a more meaning­ Also remaining central to the mission of the ful investment of dollars. Also, to broaden the distribu­ Endowment is its support of the source of creativity, the tion of Endowment support, in some categories or pro- ¯ artist--the individual painter, performer and writer. In grams limits were placed on the number of applications several forms, grants to assist artists continued in all the that could be accepted from a single applicant, and on disciplinary programs: Dance, Design Arts, Folk Arts, the number of awards that could be made to one grantee. Literature, Media Arts, Museum, Music, Opera-Musical Also, effective in FY 1991, all applicants were Theater, Theater and Visual Arts. required to submit project descriptions. In addition, all This year also saw the Endowment make particular grantees receiving seasonal support were required to sub­ efforts to reach out to communities and audiences that " mit interim reports, which must be approved by the have been chronically under-served, particularly those of Endowment before the final third of the grant award is innercities and rural areas. During 1991, through a vari­ released. If an interim report varies significantly from the ety of means and with many different collaborators, the original application, the agency can reconsider the grant. agency increased its support for arts programs and cultur­ al development projects in a broad spectrum of commu­ Program Highlights nities. Support for local, state and regional arts agencies was also augmented. In its commitment to arts education, the Endowment is Grants of special interest are outlined in the introduc­ carrying out a mandate from the American people as tions to the chapters in this report.

12 National Endowment for the Arts The National Council on the Arts

John E. Frohnmayer, Chairman (October 2, 1989--April 30, 1992)

Members whose terms Members whose terms Members whose terms Members whose terms expire in 1990" expire in 1992 expire in 1994 expire in 1996

Phyllis Berney David Baker Phyllis Curtin Donald Hall Arts Patron/Trustee Composer/Teacher Soprano/Educator Poet

Joseph Epstein Sally Brayley Bliss Roy M. Goodman Marta Istomin Writer/Teacher/Editor Dancer/Teacher/Artistic Arts Patron/Trustee Artistic Director/Musician Director Helen Frankenthaler Mel Harris Louis McClure Painter Nina Brock Television Executive Arts Patron/Trustee Arts Patron/Trustee Margaret Hillis Peter Hero William E. Stricldand, Jr. Choral Director Robert Garfias Arts Administrator/ Arts Administrator/ Scholar/Ethnomusicologist Foundation Executive Ceramist M. Ray Kingston Architect Bob Johnson Wendy Luers State Arts Council Arts Patron/Trustee Talbot MacCarthy Chairman Arts Patron/Trustee Roger Mandle Ardis Krainik Museum Director Carlos Moseley Opera Director Symphony Orchestra Jocelyn Levi Straus President/Trustee Harvey Lichtenstein Arts Patron/Trustee Arts Presenter Lloyd Richards Catherine Yi-yu Cho Woo Theater Director/Producer Arthur Mitchell Scholar/Visual Artist Dance Director/ James Wood Choreographer Museum Director

* Members continue to serve until successors are named.

1991 Annual Report 13

Merce Cunningham Dance Company, one of 104 companies to receive direct Dance Program support, performs Beach Birds. Dance 284 Grants Program Funds $7,777,672 Treasury Funds $700,000

The Dance Program supports the highest quality and creativ- performances, research and develop material for produc.­ ily in dance and helps make a broad range of exemplary ¯ tion, or spend time preparing new choreography. The dance available to audiences nationwide through grants to Dance Program instituted multiyear fellowships to pro- professional companies, choreographers and individuals or vide artists with more time to develop their work. The organizations that present or serve dance. range of dance idioms represented in this years grants in­ cluded African-American, Asian-American, ballet, classi­ n 1991, Choreographers’ Fellowships provided cru- cal Indian, clogging, ice dancing, jazz, Latin-American, cial support to professional choreographers whose modern, social, tap and more. Fellowships were awarded work has attained a level of national excellence in a in the following amounts: One-year ($7,000); two-year I broad range of dance idioms. These grants enabled ($20,000); three-year ($45,000). Among the artists re- artists to pay dancers, rent space for rehearsals and ceiving fellowships were veteran tap masters Charles

15 Cook, Charles Green, James Brown and LaVaughn month residency with Urban Bush Women. Robinson. Each exemplified the brilliance and diversity Dance/Film/Video grants promoted the use of film of one of America’s greatest dance traditions, jazz tap. and video to creatively extend, enhance and preserve the These artists were cited for their innovative choreographyart of dance. Underscoring the concern for dance preser­ and crucial role in passing the traditions along to youngervation, as an example, a grant was made to noted dance generations through their teaching and performance. choreographer and ethnologist Pearl Primus, in collabora­ Three-year fellowships were awarded to Ishmael tion with the New York Public Library’s Schomburg Houston-Jones, who has been exploring new dance Center for Research in Black Culture, to support an oral forms, and to master tap veteran Steve Condos. Sadly, history and the preservation of early silent films of her Mr. Condos died before he could receive the award. work. Dance Company Grants helped professional dance Grants in the General Services to the Field category companies of widely varied styles, sizes and stages of de- assisted critical support services, including the provision velopment to realize projects that served their artistic and of performance and rehearsal spaces, assistance with fi­ organizational needs both at home and on tour. Support nancial and management matters, documentation and was given, for example, to Ballet West in Salt Lake City, research services, communication within the dance world, DanceBrazil in New York City, Dance Exchange in and promotion of public awareness of dance. For exam- Washington, D.C., and Pacific Northwest Ballet in ple, the Dayton Contemporary Dance Guild received Seattle for the acquisition or commissioning of new work.support to host the Fourth International Conference of Educational activities were supported through grants to Black Dance Companies, which attracted participants Aman Folk Ensemble in Los Angeles, Ballet Hispanico infrom across the United States and abroad to address the New York City, and North Carolina Dance Theatre in unique challenges facing black dance companies today. Charlotte. Grants supported major domestic tours of "Dancing," a groundbreaking eight-part public televi­ such internationally renowned companies as the Martha sion series exploring the power of dance in world culture, Graham Dance Company and Dance Theatre of Harlem, is scheduled for broadcast nationally in the fall of 1992. both of which performed in a total of more than 18 The series was developed and supported through Arts communities. Endowment grants. An earlier Special Projects grant as- Designed to encourage and aid experienced dance sisted the development of America Dancing, an innova­ presenters nationwide, grants awarded in the Dance tive nationwide outreach project. America Dancing this Presenters category reflected increasing leadership, strong year began coordinating efforts through a network of pre- commitment to communities and artists, and innovativesenters, service organizations, dance companies, commu­ approaches to presenting dance of all kinds. Major dance nities and public television stations across the country. events such as the American Dance Festival in Durham, The events will be a celebration of dance connecting the North Carolina, and Jacob’s Pillow Dance Festival in television series with a host of live dance activities in Becket, Massachusetts, were assisted in enlarging their communities throughout the nation. far-reaching programs which draw students, artists and In 1991, a report co-funded by the Dance Program audiences from across the United States and abroad. and the Andrew W. Mellon Foundation, Images of Several first-time applicants were funded for compelling American Dance: Documenting and Preserving a Cultural projects: Lincoln Center for the Performing Arts in New Heritage, was published and distributed widely. This pio- York City for its free Out-of-Doors Festival; the neering survey pointed to the urgency of coordinated ef- Mandeleo Institute in Oakland, California, to bring its forts to document and preserve America’s dance heritage. festival of.African music and dance to San Francisco and As one result of this study, plans for a National Dance Los Angeles; the Wexner Center at Ohio State University Heritage Coalition are being developed. The Endowment in Columbus for its comprehensive roster of first-rank also presented a major body of work on video and film, artists and commitment to support new work; the supported by a Special Projects grant and produced by Contemporary Arts Center in New Orleans for a four- the Martha Graham Contemporary Dance Center over a

16 National Endowment for the Arts period of five years, to the Library of Congress and the nationwide. In the first full year of Dance on Tour, 168 New York Public Library Dance Collection. diverse companies toured 159 communities in all six The Dance Theater Workshop’s National Perform­ mainland regions, providing audiences with the finest ance Network, an innovative linkage of artists and com­ examples of live dance performance. By supporting the munities, supported 22 dance artists and companies to popular public television series ’~dive from Off Center," conduct one- and two-week residencies through 45 arts the Dance Program helped in the making and acquisition organizations in 24 communities. The Dance Program of dance programs that reach a large audience and offered collaborated with the Inter-Arts and State Programs in collaborative opportunities for dance artists and media partnership with regional arts organizations and state artists to enliven dance through the medium of television. arts agencies to enhance dance touring and presentation

Choreographer’s Cynthia Hedstrom Andres, Jo Daniels, Brenda J. Producing Director New York, NY $20,000 Long Island City, NY Fellowships The Performance Garage $7,000 New York, NY Bornstein, Rachelle A. Elkins, Douglas B. To provide funds for any New York, NY $7,000 New York, NY $7,000 project or activity that will Yacov Sharir further a choreographer’s Artistic Director Braden, Kay F. Farley, Mice P. development. Sharir Dance Company Austin, TX $20,000 New York, NY $7,000 Austin, TX 52 Grants Brown, James R. Feldman, Anita S. Funds: $841,000 Sukanya Rahman New York, NY $20,000 Port Washington, NY Choreographer/Dancer $20,000 Advisory Panel Orr’s Island, ME Brown, Tony A. and Margolis, Kari G. Fenley, A. Molissa Jeffrey Bentley Gus Solomons, Jr. Brooklyn, NY $20,000 New York, NY $20,000 Executive Director Artistic Director Solomons Company/ Caniparoli, Val W. Foley, Kate M. DanceAspen Dance Inc. Aspen, CO San Francisco, CA $20,000 San Francisco, CA $7,000 New York, NY Suzanne Carbonneau Casey, Pamela B. Forti, Simone Sally Sommer Claremont, CA $7,000 East Charleston, VT $20,000 Historian/Critic Dance Writer/Critic Che Chase, MD W New York, NY Charlip, Remy Garver, Fred G. Chuck Davis San Francisco, CA $7,000 Norway, ME $7,000 Artistic Director Stephen Steinberg Program Coordinator African American Dance Chong, Ping Graney, Patricia M. San Francisco Performing New York, NY $7,000 Seattle, WA $20,000 Ensemble Arts Library and Museum Durham, NC San Francisco, CA Cook, Charles C. Green, Charles Douglas Dunn Brooklyn, NY $10,000 New York, NY $20,000 Artistic Director Elizabeth Streb Rio Grande Union, Inc. Artistic Director Creach, Terry L. and Greenberg, Neil D. Ringside, Inc. New York, NY Koester, Stephen J. New York, NY $20,000 New York, NY New York, NY $20,000 Richard Englund Guergue, Margarita I. Director Grants Cummings, Blondell Brooklyn, NY $20,000 The Joffrey II Dancers New York, NY $20,000 Ambegaokar, Anjani J. New York, NY Halprin, Anna S. Walnut, CA $7,000 Kentfield, CA $20,000

1991 Annual Report 17 Hay, Deborah Rogers, Wendy L. Dance Theatre DanceBrazil/Capoeira Austin, TX $20,000 Berkeley, CA $20,000 Chicago, IL Foundation New York, NY Houston-Jones, Ishmael Rousseve, David J. David Gordon New York, NY $45,000 New York, NY $7,000 Artistic Director Lila York Pick Up Performance Director Kelly, John J. Salaam, Abdel R. Company Pacific Northwest Ballet New York, NY $20,000 New York, NY $20,000 New York, NY Off Stage Seattle, WA Kimoto, Kumiko Soto, Merian Margaret Jenkins New York, NY $7,000 Bronx, NY $20,000 Artistic Director Grants Margaret Jenkins Dance Knight, Lakshmi Spina, Peggy A. Company ~ Denotes Grants Having Stockton, NJ $20,000 New York, NY $7,000 San Francisco, CA National Impact

Knott, Laura Strickler, Fred Pooh Kaye ~ AMAN Folk Ensemble Brookline, MA $7,000 Riverside, CA $20,000 Artistic Director Los Angeles, CA $65,800 Eccentric Motions To support domestic touring, Koplowitz, Stephan M. Tippet, Clark Somerville, MA educational and performance Brooklyn, NY $20,000 New York, NY $20,000 residencies, and rehearsal Jean Battey Lewis periods. 91-3321-0186 Krieckhaus, Steven G. Vazquez, Viveca Consultant/Dance Critic Philadelphia, PA $20,000 Santurce, PR $7,000 CheW Chase, MD African American Dance Ensemble, Inc. Kumar, Mythili R. Wilson, Llory Cay Bruce Marks Durham, NC $9,400 Cupertino, CA $7,000 Seattle, WA $20,000 Artistic Director To support the development Boston Ballet of choreography, home sea­ Ladzekpo, CK Dance Company Boston, MA son production costs, and ad­ Oakland, CA $20,000 ministrative expenses for the Grants Cynthia Mayeda African American Dance Leahy, Sharon Managing Director Ensemble. 91-3321-0159 Spring Valley, OH $7,000 To help dance companies Dayton Hudson Foundation realize projects that best serve Minneapolis, MN Aims of Modzawe, Inc. McCullough, Rick their artistic and managerial Jamaica, NY $10,300 Winston-Salem, NC $20,000 needs both at home and Joseph Melillo To support costs associated on tour. President/Artistic Director with the 1991-92 season Nagrin, Daniel New York International of the Dinizulu African Tempe, AZ $20,000 104 Grants Festival of the Arts Dancers, Drummers, and New York, NY Singers. 91-3321-0140 Program Funds: $4,936,600 O’Connor, Tere R. Brooklyn, NY $20,000 Treasury Funds: $700,000 Suzette Surkamer American Ballroom Theater Deputy Director Company, Inc. Pelzig, Daniel Advisory Panel South Carolina Arts New York, NY $16,900 New York, NY $7,000 Commission To support rehearsal periods Art Becofsky Columbia, SC for American Ballroom Pomare, Eleo Executive Director Theater in the 1991-92 New York, NY $20,000 Cunningham Dance Helgi Tomasson season. 91-3321-0184 Foundation Artistic Director Primus, Pearl E. New York, NY San Francisco Ballet Art of the Matter New Rochelle, NY $20,000 San Francisco, CA Performance Foundation Randy Duncan San Francisco, CA $9,400 Robinson, LaVaughn E. Artistic Director Jelon Vieira To support artistic and Philadelphia, PA $20,000 Joseph Holmes Chicago Artistic Director administrative salaries, the

18 National Endowment for the Arts development of new work by Bella Lewitzky Dance Crowsnest, Inc. Dance Solos, Inc. Artistic Director Deborah Foundation New Haven, CT $53,600 New York, NY $10,300 Slater for Deborah Slater and Los Angeles, CA $70,500 To support development To support artistic salaries, Company, and related costs. To support salaries for re­ of new work by Artistic rehearsal periods, and the de­ 91-3321-0161 hearsal periods and the devel­ Director Martha Clarke for velopment of new repertory opment of new work for the Crowsnest. 91-3321-0158 for Dance Solos. Arts Catalyst Mliance, Inc. Bella Lewitzky Dance 91-3321-0190 New York, NY $12,200 Company. 91-3321-0179 ~r Cunningham Dance To support domestic touring, Foundation, Inc. ~r Dance Theatre rehearsal periods, and the de­ Boston Ballet, Inc. New York, NY $376,000 Foundation velopment of new work Boston, MA $141,100 To support domestic touring, New York, NY $282,000 by Artistic Director Nina To support the Boston a New York season, film, To support domestic touring, Wiener for the Nina Wiener Ballet’s 1991-92 perfor­ video, and archival work rehearsal periods, home sea­ Dance Company. mance season. 91-3321-0138 for the Merce Cunningham son production costs, and the 91-3321-0198 Dance Company. creation and revival of chore­ Capoeira Foundation, Inc. 91-3321-0218 ography for the repertory Bailes Flamencos New York, NY $14,100 of the Mvin Ailey American San Francisco, CA $9,400 To support costs associated Dan Wagoner Dance Dance Theater. To support performance with the 1991-92 season of Foundation, Inc. 91-3321-0178 costs for the 1991-92 home DanceBrazil. 91-3321-0208 New York, NY $37,600 season concerts. To support rehearsal periods ~r Dance Theatre of 91-3321-0194 Cincinnati Ballet and the development of new Harlem, Inc. Company, Inc. work by Artistic Director New York, NY $258,600 Ballet Chicago Company Cincinnati, OH $18,800 Dan Wagoner for the Dan To support domestic touring, Chicago, IL $9,400 To support the Cincinnati Wagoner Dance Company. rehearsal periods, and the To support dancers’ salaries Ballet’s purchase of technical 91-3321-0167 acquisition of choreography. in the 1991-92 season for equipment for touring en­ 91-3321-0215 Ballet Chicago. gagements. 91-3321o0173 Dance Brigade 91-3321-0223 Oakland, CA $9,400 Dances and Drums of Cleveland Ballet To support the development, Africa, Inc. Ballet Metropolitan, Inc. Cleveland, OH $18,800 rehearsal, and performance of Brooklyn, NY $9,400 Columbus, OH $14,100 To support rehearsal periods new work by Artistic Direc­ To support domestic touring, To support rehearsal periods of the Cleveland San Jose tor Krissy Keefer and Princi­ performance costs, and for Ballet Metropolitan’s Ballet’s 1991-92 season. pal Choreographer Nina rehearsal periods for the 1991-92 season. 91-3321-0123 Fichter. 91-3321-0206 Charles Moore Dance 91-3321-0171 Theatre. 91-3321-0217 CoDanceCo, Inc. Dance Continuum, Inc. ~r Ballet Theatre New York, NY $9,400 New York, NY $9,400 ~ Dayton Contemporary Foundation, Inc. To support artistic and ad­ To support rehearsal periods Dance Guild, Inc. New York, NY $1,000 ministrative salaries and do­ and the development of new Dayton, OH $23,500 TF $300,000 mestic touring activity for work by Artistic Director To support salaries for To support salaries of touring CoDanceCo. 91-3321-0134 Susan Marshall for Susan dancers and artistic staffand personnel during American Marshall and Company. domestic touring for the Ballet Theatre’s 1991-92 Cross Performance, Inc. 91-3321-0142 Dayton Contemporary season. 91-3321-0145 New York, NY $9,400 Dance Company. To support administrative Dance Exchange, Inc. 91-3321-0139 Ballet West salaries and the development Washington, DC $9,400 Salt Lake City, UT $101,600 of new work by Artistic To support rehearsal periods, ~r Dean Dance and Music To support acquisition and Director Ralph Lemon for dancers’ salaries, and a com­ Foundation, Inc. development of new choreog­ the Ralph Lemon Company. mission for Dance Exchange New York, NY $98,800 raphy for the company. 91-3321-0195 during the 1991-92 season. To support domestic touring, 91-3321-0148 91-3321-0124 rehearsal periods, and the de­ velopment of new work by

1991 Annual Report 19 Artistic Director Laura Dean ~ Foundation for Artistic Director Bebe Miller ~ Institute for Spanish Arts for Laura Dean Dancers and Independent Artists, Inc. for Bebe Miller and Com­ New York, NY $43,400 Musicians, and to support New York, NY $32,900 pany, and related costs. To support domestic touring planning for long-term audi­ To support home season ex­ 91-3321-0187 and rehearsal periods for the ence development and penses, domestic touring, and Maria Benitez Spanish Dance administrative strategies. rehearsal periods for Eiko & Guateque Folkloric Taller of Company. 91-3321-0219 91-3321-0210 Koma. 91-3321-0188 Puerto Rico, Inc. Corozal, PR $9,400 Institute of Puerto Rican ~r Discalced, inc. ~ Foundation for To support the research and Culture New York, NY $26,300 Independent Artists, Inc. development of new work for San Juan, PR $9,400 To support administrative New York, NY $12,200 the repertory of Guateque To support the acquisition salaries, domestic touring, To support rehearsal and per­ Folkloric Ballet of Puerto of choreography by Ballet and the development of new formance p~riods and admin­ Rico. 91-3321-0164 Concierto de Puerto Rico dur­ work by Artistic Director istrative salaries for Urban ing the 1991-92 season. Mark Morris for the Mark Bush Women. Hartford Ballet, Inc. 91-3321-0132 Morris Dance Group. 91-3321-0191 Hartford, CT $9,400 91-3321-0182 To support rehearsal periods Institute of Puerto Rican ~ Foundation for Modern for the Hartford Ballet and Culture Eccentric Motions, Inc. Dance, Inc. related costs. 91-3321-0193 San Juan, PR $10,300 New York, NY $14,100 New York, NY $39,500 To support rehearsal periods, To support costs associated To support domestic touring, ~ House Foundation for dancers’ salaries, and related with the 1991-92 season of rehearsal periods, a New York the Arts costs for the Ballets de San performances and the devel­ season, and the development New York, NY $112,900 Juan 1991-92 season. opment of new work by of new work by Artistic Di­ To support domestic touring, 91-3321-0147 Artistic Director Pooh Kaye. rector Erick Hawkins for the administrative salaries, docu­ 91-3321-0149 Erick Hawkins Dance mentation of work, and the ~r Jazz Tap Ensemble, Inc. Company. 91-3321-0168 development of new work by Los Angeles, CA $45,100 Eugene Ballet Artistic Director Meredith To support domestic touring, Eugene, OR $9,400 ~" Foundation for the Monk for Meredith Monk/ rehearsal periods, production To support domestic touring, Joffrey Ballet, Inc. The House Foundation for costs, artistic and administra­ dancers’ salaries, and the ac­ New York, NY $230,400 the Arts. 91-3321-0118 tive salaries, and performance quisition of choreography To support rehearsal periods periods. 91-3321-0157 during the 1991-92 season. and performance costs in Houston Ballet Foundation 91-3321-0152 New York and Los Angeles Houston, TX $68,700 Joe Goode Performance for the Joffrey Ballet. To support acquisition of Group Fort Worth Ballet 91-3321-0155 choreography for the reperto­ San Francisco, CA $11,300 Association ry of the Houston Ballet and To support the home season Ft. Worth, TX $9,400 ~ Garth Fagan’s Bucket related costs. 91-3321-0141 at Theater Artaud in San To support the salary of the Dance Francisco during the 1992 artistic director and artistic Theatre, Inc. Hubbard Street Dance season. 91-3321-0121 advisors. 91-3321-0185 Rochester, NY $75,200 Company To support domestic touring Chicago, IL $16,000 ~ Jose Hmon Dance ~r Foundation for Dance and performance costs in To support rehearsal periods Foundation Promotion, Inc. Brooklyn and Rochester for during the 1991-92 season. New York, NY $48,900 New York, NY $37,600 Garth Fagan Dance. 91-3321-0163 To support domestic touring, To support rehearsal periods, 91-3321-0146 dancers’ salaries, develop­ domestic touring, and home Ice Theatre of New ment of and acquisitions to season production costs for ~ Gotham Dance, Inc. York, Inc. the repertory, administrative the Bill T. Jones/Arnie Zane New York, NY $18,800 New York, NY $9,400 salaries, and a New York sea­ Company. 91-3321-0160 To support administrative To support development and son for the Jose Limon salaries, domestic touring, acquisition of choreography Dance Company. the development and perfor­ for new repertory. 91-3321-0174 mance of new work by 91-3321-0221

20 National Endowment for the Arts Joseph Holmes Dance home season, domestic tour­ administrative salaries, of choreography. Theatre ing, and related rehearsal pe­ rehearsal periods, domestic 91-3321-0180 Chicago, IL $16,000 riods. 91-3321-0166 touring, and the development To support dancers’ salaries of new work by Artistic ~" New York City and domestic touring in the Lucinda Childs Dance Director Sara Shelton Mann Ballet, Inc. 1991 season for the Joseph Foundation, Inc. for Contraband. New York, NY $76,000 Holmes Chicago Dance New York, NY $61,100 91-3321-0170 TF $300,000 Theatre. 91-3321-0130 To support artistic and ad­ To support rehearsal periods ministrative salaries, rehearsal Mordine and Company and domestic touring during Kankoul’an periods, and the development Chicago, IL $10,300 the 1991-92 season. Washington, DC $9,400 and revival of works by To support artistic and ad­ 91-3321-0156 To support artistic and ad­ Artistic Director Lucinda ministrative salaries and re­ ministrative salaries and an Childs for the Lucinda hearsal periods. New York City African dance festival for Childs Dance Company. 91-3321-0181 Hispanic-American Dance Kankouran West African 91-3321-0199 Company, Inc. Dance Company. Moving Earth, Inc. New York, NY $35,700 91-3321-0127 Mandeleo Institute New York, NY $23,500 To support a New York sea­ Oakland, CA $9,400 To support artistic and ad­ son and rehearsal period for Kansas City Ballet To support performance ex­ ministrative salaries and the Ballet Hispanico. Association penses for Fua Dia Congo’s development of new work by 91-3321-0207 Kansas City, MO $35,700 San Francisco and Oakland Artistic Director Kei Takei To support artistic and ad­ seasons. 91-3321-0213 for Moving Earth. ~ New York Foundation ministrative salaries for the 91-3321-0220 for the Arts, Inc. State Ballet of Missouri. ~r Margaret Jenkins Dance New York, NY $9,400 91-3321-0162 Studio, Inc. Muntu Dance Theatre To support domestic touring San Francisco, CA $50,600 Chicago, IL $9,400 for Ellen Kogan Solo Dance. LTD Unlimited Dance To support rehearsal periods, To support artistic and ad­ 91-3321-0222 Company, Inc. domestic touring, and ad­ ministrative salaries and pro­ Los Angeles, CA $9,400 ministrative and performance duction expenses for the ~" Nikolais/Louis To support rehearsal and costs during the 1991-92 1991-92 season. Foundation for Dance, Inc. performance periods during season. 91-3321-0204 91-3321-0129 New York, NY $89,300 the 1991-92 season for To support domestic touring, "Rhapsody in Taps." ~ Martha Graham New Dance Ensemble rehearsal periods, a New 91-3321-0212 Center of Contemporary Minneapolis, MN $11,300 York season, and the devel­ Dance, Inc. To support artistic and ad­ opment of new work by Los Angeles Contemporary New York, NY $235,000 ministrative salaries related to Artistic Directors Murray Dance Theatre To support domestic touring, rehearsal periods. Louis and Alwin Nikolais. Inglewood, CA $9,400 rehearsal periods, and a New 91-3321-0133 91-3321-0153 To support promotional ac­ York season for the Martha tivities and domestic touring Graham Dance Company. New Dance Theatre, Inc. North Carolina Dance for the Lula Washington/Los 91-3321-0154 Denver, CO $14,100 Theater Angeles Contemporary To support dancers’ salaries Charlotte, NC $44,200 Dance Theatre. Miami City Ballet, Inc. for the 1991-92 season of To support rehearsal periods, 91-3321-0119 Miami Beach, FL $37,600 the Cleo Parker Robinson educational programs, and To support costs associated Dance Ensemble. the 1991-92 season of per­ ~" Lubovitch Dance with the commissioning of 91-3321-0169 formances. 91-3321-0143 Foundation, Inc. a ballet for the repertory of New York, NY $65,800 Miami City Ballet. New York Baroque Dance Oakland Ballet Company To support the development 91-3321-0122 Company, Inc. and Guild of new work by Artistic New York, NY $9,400 Oakland, CA $32,000 Director Lar Lubovitch for ~ Mixed Bag Productions To support administrative To support rehearsal and the Lar Lubovitch Dance San Francisco, CA $10,300 salaries and the development, production costs for new Company and expenses for a To support artistic and acquisition, and presentation

1991 Annual Report 21 choreography for the Taylor Dance Company. for the Doug Elkins Dance salaries for the Sharir Dance Oakland Ballet. 91-3321-0150 Company, and related costs. Company. 91-3321-0165 91-3321-0214 91-3321-0128 Pennsylvania Ballet ~ Solomons Company/ ~ Oberlin Dance Collective Association ~ Repertory Dance Theatre Dance, Inc. San Francisco, CA $37,600 Philadelphia, PA $10,000 Salt Lake City, UT $43,700 New York, NY $13,200 To support domestic touring, To support dancers’ salaries To support costs associated To support domestic touring, home season performances, in the 1991-92 season for with home season perfor­ performance costs, and the and the development of new the Pennsylvania Ballet. mances, domestic touring, development of new work work for ODC/SanFrancisco. 91-3321-0211 and dance reconstruction. by Artistic Director Gus 91-3321-0131 91-3321-0136 Solomons for Solomons Philadelphia Dance Company/Dance. Ohio Chamber Ballet Company Rio Grande Union, Inc. 91-3321-0189 Akron, OH $55,000 Philadelphia, PA $23,500 New York, NY $10,300 To support the development To support rehearsal periods, To support the development Spanish Dance Theatre, Inc. of new work by Artistic home season performances, of a new work by Artistic Boston, MA $9,400 Director Heinz Poll for the and the development of Director Douglas Dunn for To support the development Ohio Ballet. 91-3321-0200 choreography for Philadanco. Douglas Dunn and Dancers. of new choreography. 91-3321-0135 91-3321-0202 91-3321-0176 ~ Original Ballets Foundation, Inc. ~ Pick up Performance ~ San Francisco Ballet ~ Stephen Petronio Dance New York, NY $85,600 Company, Inc. Association Company, Inc. To support domestic touring, New York, NY $73,400 San Francisco, CA $144,500 New York, NY $16,900 booking expenses, and related To support domestic touring, TF $100,000 To support domestic touring, costs for the Feld Ballet. rehearsal periods, and the de­ To support rehearsal periods, administrative salaries, and 91-3321-0172 velopment of new choreogra­ domestic touring, and home the development of new phy. 91-3321-0137 season production expenses work by Artistic Director Pacific Northwest Ballet for the 1991-92 season. Stephen Petronio. Association Pilobolus, Inc. 91-3321-0209 91-3321-0196 Seattle, WA $202,200 Washington Depot, CT To support rehearsal periods, $20,000 San Francisco Moving Terra Moto, Inc. the development and acquisi­ To support the development Company Modern New York, NY $9,400 tion of choreography, home of new work by the artistic Dance, Inc. To support artistic and ad­ season production costs, and directors of Pilobolus. San Francisco, CA $9,400 ministrative salaries, the de­ a choreography workshop. 91-3321-0197 To support the development velopment of new work by 91-3321-0216 of new work by Artistic Di­ Artistic Director Victoria ~ Pittsburgh Ballet rector Della Davidson for the Marks for the Victoria Marks ~" Parsons Dance Theatre, Inc. Della Davidson Company. Performance Company, and Foundation, Inc. Pittsburgh, PA $72,400 91-3321-0151 related costs. 91-3321-0144 New York, NY $9,400 To support domestic touring, To support rehearsal periods rehearsal periods, home School of Hard Knocks, Inc. Transmedia Kinetrics and domestic touring for the season expenses, and the New York, NY $9,400 Coalition, Inc. David Parsons Dance Com­ addition of ballets to the To support the 1991-92 sea-. New York, NY $9,400 pany. 91-3321-0175 repertory. 91-3321-0203 son ofYoshiko Chuma and To support a New York sea the School of Hard Knocks. son for Kenneth King and ~ Paul Taylor Dance Plam Dancers, Inc. 91-3321-0126 Dancers/Company. Foundation, Inc. New York, NY $9,400 91-3321-0192 New York, NY $310,400 To support artistic and Sharir Dance Company To support domestic touring, administrative salaries, the Austin, TX $9,400 ~ Trisha Brown Dance a New York season, and the development of new work by To support home season ex­ Company, Inc. development and revival of Artistic Director Doug Elkins penses and administrative New York, NY $158,000 works by Artistic Director To support domestic touring, Paul Taylor for the Paul

22 National Endowment for the Arts rehearsal periods, and perfor­ Michael Kidd Dance Continuum, Inc. videotapes for the New York mances in New York City for Choreographer/Director New York, NY $15,000 Public Library’s Dance the Trisha Brown Company. Los Angeles, CA To support a new dance Collection. 91-3331-0005 91-3321-0205 video by choreographer Marda Kirn Susan Marshall. Primus, Pearl E. Washington Ballet Director 91-3331-0003 New Rochelle, NY $15,000 Washington, DC $32,000 Colorado Dance Festival To support the preservation To support the addition of a Boulder, CO Halprin, Anna S. of early films and an oral his­ ballet master/choreographer Kentfield, CA $15,000 tory of choreographer and and outreach services. Monica Moseley To support production of a noted dance ethnologist Pearl 91-3321-0125 First Assistant video tape incorporating Primus in collaboration with New York Public Library footage from choreographer New York Public Library’s Zenon Dance Company and Dance Collection Anna Halprin’s 1989 Circle Schomburg Center for Re­ School, Inc. New York, NY the Earth: Dancing with Life search in Black Culture. Minneapolis, MN $9,400 on the Line workshop perfor­ 91-3331-0009 To support home season ex­ Wendy Rogers mance by men and women penses for Zenon Dance Artistic Director with HIV disease and their Rio Grande Union, Inc. Company. 91-3321-0183 Wendy Rogers Dance caregivers. 91-3331-0004 New York, NY $10,000 Company To support development of a Zivili Kolo Ensemble Berkeley, CA Institute of Contemporary dance film by choreographer Granville, OH $9,400 Art, Boston Douglas Dunn and film­ To support educational and Jelon Vieira Boston, MA $15,000 maker Rudy Burckhardt. outreach services during the Artistic Director To support production of a 91-3331-0011 1991-92 season. DanceBrazil/Capoeira dance film by choreograph­ 91-3321-0201 Foundation er/filmmaker Pooh Kaye. Twyla Tharp New York, NY 91-3331-0010 Foundation, Inc. Dance/Film/ New York, NY $8,000 Melinda Ward ~r Jose Limon Dance To support the continued Video Director, Cultural and Foundation preservation and transfer of Children’s Programming New York, NY $8,000 videotapes that document the To help individuals and orga­ Public Broadcasting Service To support the preservation work of choreographer Twyla nizations who use film or Alexandria, VA and acquisition of films and Tharp from the archives of video creatively to expand, videos of works by choreogra­ the Twyla Tharp Dance enhance and preserve the art Grants pher Jose Limon and others Company. of dance. for the archives of the Jose 91-3331-0002 Denotes Grants Having Limon Dance Company. 11 Grants National lmpact 91-3331-0012 Grants to Dance Program Funds: $201,000 Belle, Anne Moulton, Charles Presenters Advisory Panel New York, NY $20,000 New York, NY $15,000 To support the development To support development of a To enable experienced spon­ sors to present professional Suzanne Carbbonneau of a documentary film on dance/video project to be ballet teacher Stanley choreographed and directed dance events of the highest Historian/Critic artistic quality. Che Chase, MD Williams by filmmaker Anne by Charles Moulton. W Belle. 91-3331-0001 91-3331-0008 58 Grants Lucinda Childs ~ New York Public Library Artistic Director Cunningham Dance Program Funds: $970,000 Foundation, Inc. Astor, Lenox and Tilden Lucinda Childs Dance Company New York, NY $40,000 Foundation Advisory Panel New York, NY To support the development New York, NY $40,000 of a film version of Merce To support public viewing Jeremy Alliger Cunningham’s Pictures. services, acquisitions, and Executive Director 91-3331-0006 preservation of films and

1991 Annual Report 23 Boston Dance Umbrella Grants Festival, the Dance Africa the 1991-92 season. Boston, MA Festival, and the Performing 91-3341-0241 55th Street Dance Theater Arts Program for Young Kim Chan Foundation, Inc. People. 91-3341-0278 Colorado Dance Director, Dance and New New York, NY $4,900 Festival, Inc. Performance To support the presentation Catamount Film and Arts Boulder, CO $27,300 Washington Performing Arts of the Twyla Tharp Dance Company To support artists’ fees and Society Project and the Young St. Johnsbury, VT $4,900 related costs for the 1991 Washington, DC People’s Dance Series and To support dance perfor­ Colorado Dance Festival. Outreach Education Program mances and residency activity 91-3341-0270 Georgene Dawson at City Center. during the 1991-92 season. Manager, North Dayton 91-3341-0243 91-3341-0258 Columbia College Customer Energy Center Chicago, IL $7,800 The Dayton Power and Light American Dance Center for Contemporary To support dance presenta­ Company Festival, Inc. Arts of Santa Fe, Inc. tions during the 1991-92 Dayton, OH Durham, NC $68,300 Santa Fe, NM $4,900 season at the Dance Center. To support the presentation To support the presentation 91-3341-0252 John Killacky of a variety of companies and of dance artists and compa­ Director of Performing Arts artists and the commissioning nies during the 1991-92 ContemporawZ Arts Center, Walker Arts Center of new works as part of the season. 91-3341-0267 New Orleans Minneapolis, MN 1991 American Dance New Orleans, LA $9,800 Festival. 91-3341-0246 City Celebration, Inc. To support an extended Nancy Matschek San Francisco, CA $8,800 residency by Urban Bush Managing Director, Contem­ Anchorage Concert To support the 1991 San Women during the 1991-92 porary Dance Season Association, Inc. Francisco Ethnic Dance season. 91-3341-0224 Portland State University Anchorage, AK $19,500 Festival. 91-3341-0263 Portland, OR To support the presentation Contemporary Dance of dance companies during City of San Antonio, Texas, Theater, Inc. Mimi McKell the 1991-92 season. for the Carver Community Cincinnati, OH $6,800 Director, Performing Arts 91-3341-0281 Cultural Center To support the guest artist Western States Arts San Antonio, TX $9,800 series of dance presentations Federation Associated YM-YWHAs of To support a variety of dance during the 1991-92 season. Santa Fe, NM Greater New York, Inc. presentations during the 91-3341-0256 New York, NY $4,900 1991-92 season. Elvi Moore To support artists’ fees and 91-3341-0225 D.C. Wheel General Manager related costs during the Productions, Inc. Washington Ballet 1991-92 season for the 14th Cleveland Modern Dance Washington, DC $14,600 Washington, DC Street Dance Center. Association To support the 1991-92 91-3341-0237 Cleveland, OH $6,800 performing series at Dance Kimi Okada To support dance presenta­ Place. 91-3341-0228 Associate Choreographer Boston Dance Umbrella tions in the 1991-92 season ODC/San Francisco Cambridge, MA $39,100 for DanceCleveland’s 35th DanceAspen, Inc. San Francisco, CA To support the presentation anniversary year. Aspen, CO $21,500 of a wide range of dance 91-3341-0254 To support dance presenta­ Eiko Otake artists and companies during tions during the 1991 sum­ Co-Artistic Director the 1991-92 season. College Community mer festival. 91-3341-0233 Eiko & Koma 91-3341-0273 Services, Inc. New York, NY Brooklyn, NY $4,900 Dance Concert Society for Brooklyn Academy of To support costs associated Dance St. Louis Music, Inc. with the presentation of St. Louis, MO $16,100 Brooklyn, NY $24,400 American dance companies at To support the presentation To support the 1991-92 the Brooklyn Center during of a variety of dance compa­ seasons of the Next Wave nies and artists during the

24 National Endowment for the Arts 1991-92 season. Mendocino Dance Series. of-Doors, and the Mostly the 1991-92 season. 91-3341-0230 91-3341-0262 Mozart Festival. 91-3341-0239 91-3341-0247 Dance Theater Haleakala, Inc. Performance Space 122, Inc. Workshop, Inc. New York, NY $17,600 Los Angeles Contemporary New York, NY $26,300 New York, NY $58,700 To support artists’ fees, pro­ Exhibitions, Inc. To support the presentation To support the presentation duction, and related expenses Los Angeles, CA $4,900 of a variety of dance artists of the 1991-92 DTW Dance for the ten-week 1991 To support the presentation and companies during the Production Project, which "Dancing in the Kitchen" of various artists during the 1991-92 season. includes the fall/winter/ series. 91-3341-0264 1991-92 season. 91-3341-0277 spring events, the "Out-of- 91-3341-0259 Towners," the "11 O’Clock Helena Presents Pittsburgh Dance New(s)," "Split Stream," and Helena, MT $14,400 Mandeleo Institute Council, Inc. "Fresh Tracks." To support dance residencies Oakland, CA $4,900 Pittsburgh, PA $21,500 91-3341-0231 and performances during the To support costs associated To support the presentation 1991-92 season. with presentation of the insti­ of dance companies and Dancing in the Streets, Inc. 91-3341-0279 tute’s African dance series in artists during the 1991-92 New York, NY $7,800 Oakland, San Francisco, season. 91-3341-0245 To support the commission­ Jacob’s Pillow Dance and Los Angeles during the ing and presentation of works Festival, Inc. 1991-92 season. Portland State University by various choreographers to Lee, MA $73,300 91-3341-0272 Portland, OR $11,700 take place at Wave Hill in the To support tlie presentation To support the presentation Bronx. 91-3341-0248 of a wide range of companies Minnesota Dance Alliance of dance companies during and artists during the course Minneapolis, MN $4,900 the 1991-92 season of The Danspace Project, Inc. of the 1991 Jacob’s Pillow To support the presentations Contemporary Dance New York, NY $7,800 Dance Festival. ofLucas Hoving, Long Season. 91-3341-0266 To support weekends of 91-3341-0275 Nguyen, and Sharon Wyrrick dance presentation at St. during the 1991-92 season. San Antonio Performing Mark’s Church during the John F. Kennedy Center for 91-3341-0244 Arts Association 1991-92 season. the Performing Arts San Antonio, TX $7,300 91-3341-0268 Washington, DC $35,000 Ohio State University To support artists’ fees and To support artists’ fees for a Research Foundation related activities for dance Downtown Dance Company wide range of presentations Columbus, OH $19,500 companies during the Baltimore, MD $4,900 of American dance during To support the presentation 1991-92 season. To support dance company the 1991-92 season. of dance companies at the 91-3341-0257 presentations for the 91-3341-0249 Wexner Center during the 1991-92 season of"Dance 1991-92 season. San Diego Foundation for on the Edge." 91-3341-0261 Joyce Theater 91-3341-0280 . the Performing Arts, Inc. Foundation, Inc. San Diego, CA $4,900 Flynn Theatre for the New York, NY $29,300 On the Boards To support dance perfor­ Performing Arts, Limited To support artists’ fees and Seattle, WA $17,600 mances and residency activi­ Burlington, VT $14,400 related costs for the 1991-92 To support the New Perfor­ ties during the 1991-92 To support dance presenta­ dance presentation season. mance Series and the North­ season. 91-3341-0253 tion and residency activities 91-3341-0242 west New Works Festival during the 1991-92 season. dance components during San Francisco 91-3341-0271 Lincoln Center for the the 1991-92 season. Performances, Inc. Performing Arts, Inc. 91-3341-0276 San Francisco, CA $4,900 Gloriana Opera Company New York, NY $24,400 To support the presentation Mendocino, CA $4,900 To support artists’ fees and Painted Bride Art of dance companies during To support the presentation related costs for "Serious Center, Inc. the 1991-92 season. of a wide range of dance Fun!," Lincoln Center Out­ Philadelphia, PA $4,900 91-3341-0240 companies during the To support the presentation 1991-92 season for the of dance companies during

1991 Annual Report 25 Sharlr Dance Company 1991-92 season of perfor­ of choreographers and their Allan Gray Austin, TX $6,800 mances. 91-3341-0229 companies in the 1991-92 Director To support a residency by the season. 91-3341-0255 Community Development Merce Cunningham Dance University of Illinois-­ Corporation of Kansas Company. 91-3341-0269 Champaign County Washington Performing City Urbana, IL $4,900 Arts Society Kansas City, MO Society for the To support artists’ fees and Washington, DC $27,300 Performing Arts presentation costs for the To support the presentation Dianne McIntyre Houston, TX $15,000 1991-92 season of dance of a wide variety of dance Founder/Freelance Choreo­ To support the presentation performances at the Krannert companies during the grapher Sounds In Motion Dance of dance companies during Center for the Performing 1991-92 season. Arts. 91-3341-0227 91-3341-0232 Company the 1991-92 season. New York, NY 91-3341-0226 University of Iowa World Music Institute, Inc. Spoleto Festival U.S.A. Iowa City, IA $24,400 New York, NY $4,900 John McFall Charleston, SC $22,000 To support artists’ fees and To support the presentation Artistic Director To support dance presenta­ related costs for performances of dances from Africa, India, Ballet Met tions at the 1991 Spoleto and residencies by dance Indonesia, Japan, North Columbus, OH Festival in Charleston, South companies during the America, and South America Carolina. 91-3341-0251 1991-92 season at Hancher during the 1991-92 season. Samuel Miller Auditorium. 91-3341-0250 91-3341-0236 Executive Director State Dance Association of Jacob’s Pillow Dance Festival Florida, Inc. University of Minnesota-­ General Services Lee, MA Miami, FL $6,300 Twin Cities To support the presentation Minneapolis, MN $17,600 to the Field Randall Rosenbaum of a variety of dance artists To support the presentation Director, Dance and and companies during the of dance companies for the To assist organizations or Presenting Organizations 1991 Florida Dance Festival. Northrop Dance Series dur­ individuals who provide Program 91-3341-0260 ing the 1991-92 season. services to dance companies, Pennsylvania Council on 91-3341-0235 dancers, and choreographers the Arts Sushi, Inc. on a national or regional Harrisburg, PA San Diego, CA $7,300 University of Nebras~--­ level. To support the presentation Lincoln Rebecca Terrell L. of eight to twelve dance com­ Lincoln, NE $9,800 51 Grants Executive Director State Dance Association of panies during the 1991-92 To support Lied Center per­ Program Funds: $468,357 season. 91-3341-0265 formances of dance compa­ Florida Miami Beach, FL nies during the 1991-92 Advisory Panel Theater Artaud season. 91-3341-0238 Grants San Francisco, CA $6,800 Sally Banes To support the presentation University of Washington Dance Historian/Author ~r Denotes Grants Having of Contraband, Della David­ Seattle, WA $11,700 Cornell University National Impact son, and Kimiko Kumoto; To support artists’ fees and Ithaca, NY the co-commission of a new related costs for the 1991-92 55th Street Dance Theater work by choreographer Joe dance performance season Lillian Goldthwaite Goode; and artists’ fees for presented by the World Foundation, Inc. Executive Director New York, NY $6,700 "Dance in Society." Dance Series at Meany Hall Dance Bay Area To support the Theater 91-3341-0274 for the Performing Arts. San Francisco, CA 91-3341-0234 Rental Subsidy Program and University of California-­ the Ticket Services Program. Pat Graney 91-3365-0108 Berkeley Walker Art Center, Inc. Choreographer Berkeley, CA $35,000 Minneapolis, MN $39,300 Seattle, WA To support the presentation To support commissions, Affiliate Artists, Inc. of dance companies in the residencies, and presentations New York, NY $10,600

26 National Endowment for the Arts To support dance residencies To support consultation on tion, which serves the needs ~ Dance/USA and outreach for new production, management, of the tap community and Washington, DC $31,000 choreographers to add to promotion, the distribution promotes the art of tap To support the Roundtables the Affiliate Artists roster. of dance publications, and dancing. 91-3365-0094 and Workshops professional 91-3365-0080 general services to the local development program, and dance community. Cultural Council publication of the Update ~r American Dance 91-3365-0078 Foundation journal. 91-3365-0117 Festival, Inc. New York, NY $4,400 Durham, NC $4,400 Brooklyn Arts Council To support the Soho Book­ DanceWorks, Inc. To support the 1991 Dance Brooklyn, NY $4,400 ing Program of management New York, NY $30,100 Critics Conference and relat­ To support the 1991 Per­ and performance opportuni­ To support Pentacle’s contin­ ed costs. 91-3365-0099 formers Showcase Forum for ties for dance companies. ued program of administra­ Choreographers. 91-3365-0081 tive and support services for American Tap Dance 91-3365-0101 performing artists. Orchestra, Inc. D.C. Wheel 91-3365-0075 New York, NY $4,400 Carlisle Project Productions, Inc. To support a weekend per­ Carlisle, PA $6,600 Washington, DC $4,400 Dancer’s Collective of formance series for dance To support choreographers’ To support the Choreog­ Adanta, Inc. artists and monthly "tap jam" workshops, residencies, and raphers’ Showcase, the New Atlanta, GA $4,400 performances. 91-3365-0100 the fifth annual Philadelphia Releases performance series, To support the 1991 Showcase at the Carlisle and affordable rehearsal space Choreographers’ Symposium Artists Trust: A Resource Project. 91-3365-0076 rental at Dance Place. and a dance festival for local for Washington 91-3365-0095 dancers. 91-3365-0086 Seattle, WA $4,400 Chicago Dance Arts To support the dance com­ Coalition, Inc. ~" Dance Notation Dancers’ Group ponent of the Grants for Chicago, IL $4,400 Bureau, Inc. San Francisco, CA $4,400 Artists Projects program, To support the annual spring Glen Head, NY $13,300 To support a range of services providing grants to individ­ retreat, workshops, and To support the documenta­ related to the "Bread and ual artists to develop or membership services for the tion of dance works in Butter" series, the Local complete new works. Chicago dance community. Labanotation and to contin­ Choreographers’ Footworks 91-3365-0083 91-3365-0073 ue building the bureau’s Series, the Edge Festival, and archive. 91-3365-0116 related costs. 91-3365-0072 Arts Resources in City Celebration, Inc. Collaboration, Inc. San Francisco, CA $6,200 Dance Theater Dayton Contemporary New York, NY $4,400 To support a comprehensive Workshop, Inc. Dance Guild, Inc. To support the upgrading of service program for northern New York, NY $29,700 Dayton, OH $4,400 post-production standards California ethnic dance To support the Membership To support the International and promotion for the televi­ companies and soloists. Services Program, providing a Conference of Black Dance sion series "Eye on Dance". 91-3365-0089 system of low-cost adminis­ Companies, to be hosted by 91-3365-0067 trative and production ser­ Dayton Contemporary Colorado Dance Mliance vices to performing artists Dance Company. Association of Ohio Dance Denver, CO $4,400 and video documentation of 91-3365-0084 Companies To support the 1991 Colo­ dance performances. Columbus, OH $4,400 rado Choreographers’ Show­ 91-3365-0079 Dia Art Foundation, Inc. To support booking assis­ case and publication of the New York, NY $4,400 tance to dance artists, compa­ newsletter. 91-3365-0113 Dance Umbrella To support free and low- nies, and presenters in the Austin, TX $4,400 cost dance rehearsal and Ohio area and for the Ohio Colorado Dance To support ongoing services, performance space and video Dance Festival. Festival, Inc. the development of statewide documentation of dance 91-3365-0104 Boulder, CO $4,400 activities to promote dance, performances at Dia Art To support a wide variety of and the New Choreography Foundation. 91-3365-0106 Boston Dance Umbrella projects and services for the Performance Project. Cambridge, MA $7,100 International Tap Associa­ 91-3365-0082

1991AnnualReport 27 Ellen Webb Dance Jacob’s Pillow Dance choreographers and dance Philadelphia Dance Alliance Foundation Festival, Inc. companies. 91-3365-0112 Philadelphia, PA $4,400 Oakland, CA $4,400 Lee, MA $8,900 To support ongoing pro­ To support the continued To support the 1991 ~r New York Public Library grams, technical assistance, development of the Talking Presenters and Managers Astor, Lenox and Tilden publications, the Manage­ Dance Project. Conference at Jacob’s Pillow. Foundation ment Initiative, and other services for the dance com­ 91-3365-0115 91-3365-0070 New York, NY $26,600 To support the salary of a munity. 91-3365-0088 Ethnic Folk Arts Joyce Theater technical assistant and video Center, Inc. Foundation, Inc. documentation of dance Pittsburgh Dance $5,300 New York, NY $20,000 companies and artists. Council, Inc. New York, NY $4,400 To support subsidized rental To support subsidized pro­ 91-3365-0077 Pittsburgh, PA and performance space at the duction, front-of-house, and To support the Choreog­ Ethnic Folk Arts Center. box office services to dance On the Boards raphers’ Continuum, which 91-3365-0102 companies during the Joyce’s Seattle, WA $7,500 commissions and presents expanded season of presenta­ To support the "12 Minutes new work by local choreogra­ ~ Foundation for the tions. 91-3365-0069 Max" performance series and phers. 91-3365-0085 Extension and Development the Artist Access Program, of the American Professional Laban/Bartenieff Institute of which provide production San Francisco Bay Area Theatre, Inc. Movement Studies, Inc. and presentation support for Dance Coalition, Inc. New York, NY $10,600 New York, NY $4,400 emerging artists throughout San Francisco, CA $14,200 To support organizational To support studio subsidies, the Pacific Northwest. To support information ser­ and crisis assistance to a health symposium, and the 91-3365-0098 vices; promotion and perfor­ dancers and companies. Groundwork Performance mance opportunities, includ­ 91-3365-0071 Showcase series. Original Ballets ing the first annual San 91-3365-0114 Foundation, Inc. Francisco Dance Festival; and H.T. Dance Company, Inc. New York, NY $5,000 economic and managerial New York, NY $4,400 Minnesota Dance Alliance To support the activities of support to Bay Area dance To support subsidized re­ Minneapolis, MN $12,400 the New Ballet School, pro­ artists. 91-3365-0087 hearsal and performance To support a newsletter, viding New York City public space for dance artists and space rental, technical pro­ school children with free State Dance Association of companies. 91-3365-0068 duction assistance, and dance training, transporta­ Florida, Inc. membership services for the tion, and supplies. Miami Beach, FL $11,700 Haleakala, Inc. regional dance community. 91-3365-0110 To support information, re­ New York, NY $6,400 91-3365-0109 sources, and services for the To support the Kitchen’s Performance Space 122, Inc. Florida dance community "Working in the Kitchen" Movement Research, Inc. New York, NY $12,400 and out-of-state dance artists series of works-in-progress New York, NY $4,400 To support a new consulta­ and companies, and costs showings and video docu­ To support services to dance tion program, subsidized re­ associated with the 1991 mentation. 91-3365-0103 professionals, including the hearsal space, daily classes Florida Dance Festival. Studies, Residency, and and workshops, and video 91-3365-0105 Inter-Media Art Center, Inc. Video Documentation pro­ and photo documentation Huntington, NY $4,400 jects, the Workshop Series, services for the New York Theater Artaud To support video facilities and open performance dance community. San Francisco, CA $6,200 grants for choreographers. events. 91-3365-0093 91-3365-0107 To support subsidized 91-3365-0111 rentals, technical assistance, New York Dance Performance Zone, Inc. audience education, a confer­ ~ Jack Faucett Associates Center, Inc. New York, NY $4,400 ence, and related costs. Bethesda, MD $41,057 New York, NY $4,400 To support The Field’s wide- 91-3365-0092 To amend a cooperative To support the Harkness ranging services to emerging agreement for Dance Space Grant Program, a sub­ dance artists in New York. Theatre Development Program site visit services. sidized rental program for 91-3365-0091 Fund, Inc. DCA 90-51 New York, NY $20,000

28 National Endowment for the Arts To support a variety of ticket University of California-­ Artistic Director Chuck Pennsylvania Ballet sales, marketing programs, Berkeley Davis to travel to Gambia Association and a performing arts hot- Berkeley, CA and Zimbabwe with the nec­ Philadelphia, PA $20,000* line. 91-3365-0074 essary support staff to inter­ To support dancers’ salaries Suzanne Carbbonneau view village elders and devel­ for a three-week period. The Yard, Inc. Historian/Critic op video documentation of 91-3370-0285 New York, NY $4,400 CheW Chase, MD dance styles of their youth. * Chairman "s Extraordinary To support dance residencies 91-3052-0050 Action Grant. and performances, the Paul Susan Dickson * The InternationalActivities Taylor Fellowship, and Coordinator, Individual Office contributed an addi­ the Session for Emerging Artists Program tional $2,835for this grant. Dance on Tour Choreographers. Ohio Arts Council 91-3365-0096 Columbus, OH American Dance Advisory Panel Festival, Inc. Panelists listed for the Dance Yellow Springs Institute Cynthia Mayeda Durham, NC $15,000" for Contemporary Studies Chair To begin a linkage/exchange on Tour Panel listed under and the Arts Dayton Hudson Foundation program with Czechoslovakia the Inter-Arts Program Chester Springs, PA $4,400 Minneapolis, MN in the summer of 1991 and also reviewed grants in this To support residencies for to continue the Leningrad category. two dance ensembles. Darlene Neel linkage. 91-3370-0287 91-3365-0090 Manager *See International Activities Grants Lewitzky Dance Company section. Arts Midwest Special Projects Los Angeles, CA ~" Dance Theater Minneapolis, MN $170,050 Sukanya Rahman To support artists’ fees to To support exemplary ideas Workshop, Inc. Dancer/Choreographer/ New York, NY $100,000 presenters in Iowa, Minne­ that will advance the dance Lecturer sota, Ohio, North and South art form, are of national sig­ To support the 1991-92 sea­ Orr’s Island, ME son of the dance component Dakota, Wisconsin, Illinois, nificance, and/or can be used Indiana, and Michigan for as models by the whole dance of the National Performance Edward Villella Network. 91-3370-0289 the presentation of dance field. Included are grants Artistic Director during the 1991-92 season under Dance on Tour. A Miami City Ballet Jacob’s Pillow Dance and for related administrative partial list of these grants is Miami, FL costs. 91-5442-0021 included in this section. The Festival, Inc. Lee, MA $15,000" remaining grants are listed Southern Arts Federation under Dance on Tour in the Barbara Weisberger To support the Russian Director Village project and to initiate Atlanta, GA $35,000* Inter-Arts and State and Carlisle Project To support artists’ fees to Regional Programs. an exchange program be­ Carlisle, PA tween Soviet and American presenters throughout the master ballet instructors and member states for the presen­ 7 Grants Grants dancers during the summer tation of dance companies Program Funds: $360,715 of 1991.91-3370-0288 during the 1992-93 season African American Dance *See International Activities and for related administrative Advisory Panel Ensemble section. costs. 91-5442-0252 Durham, NC $5,665* * This grant was cofunded with Ella Baff To support expenses for the Inter-Arts Program. Program Director, Cal Performances

1991 Annual Report 29 The ghost town church of Apostal Santiago (Saint James the Apostle) is one of htmdreds of adobe shrines being studied--and in many cases expertly restored by local workers--with the help of a Design Arts grant to the New Mexico Community Foundation. Design Arts 133 Grants Program Funds $3,715,500

The Design Arts program supports excellence in the disci­ occur at the Massachusetts Institute of Technology (for plines of architecture, landscape architecture, urban and the Northeast), Tulane University (South), University of regional planning, historic preservation, interior design, and Minnesota (Midwest) and University of California at graphic industrial and product design. Working through a Berkeley (West). combination of grants and leadership activities, it strives to The Design for Housing Forum continued to broad­ make Americans more aware of the benefits of good design en exposure to the benefits of quality design for the by promoting informed design discussion and criticism. The developers, builders and users of low-income housing. program also links the public with valuable design resources Workshops around the country brought together non­ and encourages design approaches that stimulate creativity profit developers and designers to discuss the role of while celebrating design heritage. design in the creation of long-term solutions for low- cost housing. o help the public become more aware of Design Arts grants promoted much-needed discus­ the importance of the design process, in FY sions about design and about several specific projects 1991 the program took a lead role in focus­ during the year. The Adaptive Environments Center of T ing on design in the public realm. The Boston, in collaboration with the Center for Accessible Mayors’ Institute on City Design, a short Housing, is sponsoring a conference for design school course on urban design principles for elected officials, teachers to consult with "universal design" experts on continues to be held yearly. Two national institutes occur methods of incorporating universal design principles in at the University of Virginia, while regional institutes design curricula. Another grant supported the publica­

31 tion of a manual on converting abandoned railway lines to assess the importance of local landscape vis-a-vis into parks and walking trails. Each year rail companies sustainable agriculture, wildlife habitats and protected abandon thousands of miles of railroad tracks; their wetlands. rights-of-way remain for local organizations to adapt to Urgent design education needs were also met new uses. This manual now serves as a practical guide for through Design Arts Program grants. Project support city recreation departments, regional open space councils was provided for conferences, workshops, videos and and local governments. publications that address the need for greater interest in Another priority during the year was the support of including the design process in school curricula, not only grants serving Americans in rural environments. These for kindergarten through 12th grade but at all levels of projects included a master plan study for the preserva­ education. tion and conversion of a building in Bennettsville, South The program offered leadership in providing design Carolina for use as a cultural center; a feasibility study information and expertise to the public free of charge for a new theater in West Liberty, Ohio as home for a through ongoing services, including a computerized regional touring theater company; a master plan study library of information on thousands of design projects for the reuse of a historic depot building in Bismarck, conducted in communities throughout the nation. This North Dakota, as an exhibition center for Native Ameri­ resource offers a national perspective on individual can art; and a collaborative project between high school design problems, supporting better understanding of students and landscape architects in Genesee, Idaho, how to achieve design excellence.

through a joint initiative with Architectural Interiors, Inc. University of North Design the Visual Arts Program to Highland Park, IL Carolina Advancement support collaborations Charlotte, NC between design professionals Suzanne Brendel-Pandich Project Grants for Individu­ and visual artists in the cre­ Director Louis Nelson als and Project Grants for ation of public art. Individu­ Lyndhurst Principal Organizations support proj­ al Grants for Design Innova­ Tarrytown, NY Louis Nelson Associates, Inc. ects that advance the state of tion support projects that New York, NY the art through design prac­ identify, resolve, or define Michael Buckley . tice, theory, research, com­ current design problems by President Leland Roth munication, and education exploring alternative solu­ Halcyon, Limited Associate Professor of Art about design in all the disci­ tions and challenging the Hartford, CT History plines, including architecture, status quo. University of Oregon landscape architecture, urban Farroll Hamer Eugene, OR design and planning, historic Director, Urban Design preservation, interior design, Project Grants for Section Cynthia Schaal graphic design, and industrial Individuals Maryland National Capital Executive Director and product design. Project Park and Planning Lynchburg Fine Arts Center Richmond, VA Grants for Rural and Small 29 Grants Commission Communities support local Takoma Park, MD efforts to solve urban design Program Grants: $360,900 Lorraine Wild and planning issues, particu­ Jerry Johnson Director, Visual Communi- larly those surrounding Advisory Panel Senior Design Architect cation Program growth management, by pro­ Ellerbe Becket, Inc. California Institute of Arts viding funds to organizations Panel A Minneapolis, MN Valencia, CA for design assistance and demonstration projects. Jean Bellas Jory Johnson Artist/Designer Collabora­ President Assistant Professor of tion Grants are offered Landscape Architecture

32 National Endowment for the Arts Panel B Noel Vernon origins and meanings of Janney, Christopher Chairman, Department of graphic elements and their Lexington, MA $13,700 Deborah Edge Abele Landscape Architecture influences on a designer’s To support design of a proto­ Historic Preservation Officer Ball State University visual vocabulary. Reviewed typical sound park to be City of Phoenix Muncie, IN by Panel B. 91-4216-0115 installed in urban plazas. Phoenix, AZ Reviewed by Panel B. Arnold Wasserman Dozier, Richard K. 91-4216-0103 Terry Brooks, Jr. Dean, Art and Design Baltimore, MD $10,000 Director, Land Use Services Pratt Institute To support research and ~z Justice, Lorraine M. Stohlman, Beuchert, Egan & Brooklyn, NY development for an exhibi­ Columbus, OH $10,000 Smith tion documenting the first To support research on the Washington, DC J. Stroud Watson century of African-American effect of computer graphic Professor of Architecture architectural education. systems on the work of tradi­ John Danzer University of Tennessee Reviewed by Panel B. tional design firms. Reviewed President Knoxville, TN 91-4216-0105 by Panel B. 91-4216-0114 Munder-Skiles, Inc. New York, NY Grants ~ Even, Robert L. ¢z Kent, Cheryl A. DeKalb, IL $10,000 Chicago, IL $15,000 Dan Droz Denotes Grants Having To support the second phase To support the writing of a Professor of Design National Impact of an oral history and video book on the design competi­ Carnegie Mellon University documentary project of lead­ tion and construction of the Pittsburgh, PA ~ Anderson, Eva M. ing industrial and graphic Chicago Public Library. Providence, RI $15,000 designers in post-World War Reviewed by Panel A. Laurie Maurer To support research, writing, II Chicago. Reviewed by 91-4216-0042 Principal and publication of a newslet­ Panel B. 91-4216-0109 Maurer & Maurer Architects ter to increase environmental ~ KiIlory, Christine F. H. Brooklyn, NY awareness in the graphic and ~r Hadighi, Mehrdad San Diego, CA $15,000 industrial design fields. New York, NY $15,000 To support publication of a James Miho Reviewed by Panel B. To support a study of walls book featuring outstanding Chairman, Department of 91-4216-0104 and their tectonic, economic, examples of multifamily Graphic Art and Packaging and psychological contexts. housing design in southern Design ~r Baker, Eric C. Reviewed by Panel A. California. Reviewed by Art Center College of Design New York, NY $15,000 91-4216-0041 Panel B. 91-4216-0113 Pasadena, CA To support research for a book on design patent illus­ ~ Heller, Steven ~r Lakeman, Sandra Davis Joan Iverson Nassauer trations submitted to the New York, NY $10,000 San Luis Obispo, CA $7,500 Associate Professor of U.S. Patent Office from To support the cataloguing, To support completion of Landscape Architecture 1945 to 1960. Reviewed by transcription, and editing of a text for a catalogue to accom­ University of Minnesota Panel B. 91-4216-0107 collection of interviews of pany an exhibition on natural St. Paul, MN important graphic designers light and the Italian piazza. Buchen, Bill from modernism to contem­ Reviewed by Panel B. Alec Simpson New York, NY $13,000 porary practice. Reviewed by 91-4216-0106 Coordinator, Art in Public To support design of a sound Panel A. 91-4216-0037 Places and Design Arts park in a courtyard of a pub­ ~ Leger, Jacqueline A. Programs lic elementary school in the ~r Hille, Thomas R. Darien, CT $3,500 District of Columbia Com­ South Bronx. Reviewed by Ann Arbor, MI $8,880 To support subtitle produc­ mission on the Arts and Panel B. 91-4216-0098 To support a study of how tion for a documentary film Humanities architecture conveys meaning on Alberto Sartoris, one of Washington, DC ~r Cabarga, LeslieJ. through form. Reviewed by the last living pioneers of Philadelphia, PA $10,000 Panel B. 91-4216-0100 modern architecture. Review­ To support research on the ed by Panel B. 91-4216-0108

1991 Annual Report 33 ~ Loomis, John A. Seamon, David R. Wilson, Fo D. roof, a structure that will New York, NY $7,500 Manhattan, KS $15,000 Brooklyn, NY $15,000 open and close like the iris of To support the planning To support a catalogue for an eye. Reviewed by Panel A. To support the development 91-4259-0052 ofprototypical urban design phase of a multimedia intro­ the exhibition "Visual strategies that combine man­ duction for a visitors’ center Perceptions: Twenty-five ufacturing, commercial, and at Olana, the home and stu­ African American Graphic ~ Mahar, Lisa A. residential functions to create dio of 19th-century painter Designers Challenge Modern New York, NY $10,000 socially and economically Frederic Church. Reviewed Stereotypes." Reviewed by To support a typological balanced communities. by Panel A. 91-4216-0038 Panel A. 91-4216-0040 study of the architectural and Reviewed by Panel B. mechanical elements of the 91-4216-0112 gr Steinfeld, Edward H. ~ Wirth, HarryJ. grain elevator, one of Buffalo, NY $14,920 Salem, WI $14,600 America’s earliest types of buildings to have interna­ ~ Muren, Zara Pinfold To support the development To support research for an of a book on universal interdisciplinary design exhi­ tional influence. Reviewed San Anselmo, CA $15,000 by Panel B. 91-4259-0051 To support a video docu­ design. Reviewed by Panel B. bition, "The Art of Design menting the design and 91-4216-0111 II." Reviewed by Panel B. development of Sea Ranch, a 91-4216-0110 Tishler, William H. planned community on the Suisman, Douglas R. Madison, WI $10,000 northern California coast. Berkeley, CA $15,000 Individual Grants To support completion of a Reviewed by Panel B. To support research for a for Design book on the work of H.W.S. 91-4216-0101 book tracing design solutions Cleveland, a lesser known that address contemporary Innovation but important 19th-century ~ O’Donnell, Patricia M. cultural and social needs. American landscape architect. Westport, CT $15,000 Reviewed by Panel A. 6 Grants Reviewed by Panel B. 91-4259-0119 To support the development 91-4216-0045 Program Funds: $59,600 of a diverse group of case study models in historic land­ ~z Todisco, Patrice A. Advisory Panels Trissel, James N. Malden, MA $7,500 Colorado Springs, CO scape preservation. Reviewed $10,000 by Panel A. 91-4216-0043 To support research for a Individual Grants for Design topographical landscape his­ To support the exploration of Innovation were reviewed by the uses of high-resolution ~ Passonneau, Joseph R. tory of Boston. Reviewed by Design Advancement: Project Washington, DC $15,000 Panel B. 91-4216-0102 polymer printing plates. Grants for Individuals panels Reviewed by Panel A. To support a project to docu­ A and B. ment the development of Visser, Thomas D. 91-4259-0053 Washington, DC, over the Burlington, VT $10,000 Grants Weinhold, Virginia B. past 200 years. Reviewed by To support research for a Panel A. 91-4216-0044 field guide to New England ~r Denotes Grants Having Worthington, OH $10,000 To support an investigation barns and other agricultural National Impact Pereau, M. Jana outbuildings. Reviewed by of the effects of lighting inte­ Bryan, TX $14,800 Panel B. 91-4216-0099 rior spaces using computer- Goodman, Joel H. generated models as an inves­ To support a study of vernac­ Ridgeway, WI $9,600 ular housing along the Texas/ Washington, Lynn tigatory tool. Reviewed by To support research, docu­ Panel B. 91-4259-0120 Mexico border. Reviewed by Philadelphia, PA $15,000 mentation, and development Panel A. 91-4216-0046 To support the design of a of solar architectural models. children’s antidrug booklet Reviewed by Panel B. USA Fellowships Rubbo, Anna D. as well as graphic design 91-4259-0121 Sydney, Australia $15,000 training for young people USA Fellowships support To support research for a detained in the Philadelphia Hoberman, Charles S. independent travel and study. biography on the life and Youth Study Center. New York, NY $10,000 work of architect Marion Reviewed by Panel A. To support the development 6 Grants Mahony Griffin. Reviewed 91-4216-0039 of a prototypical retractable by Panel A. 91-4216-0047 Program Funds: $120,000

34 National Endowment for the Arts Advisory Panels ~r Margolies, John Daniel Earle Deborah Dalton New York, NY Professor, Department of Associate Dean, Department USA Fellowships were To support travel, research, Landscape Architecture of Landscape Architecture reviewed by the Design and documentation of proto­ Louisiana State University North Carolina State Advancement: Project Grants typical examples of roadside Baton Rouge, LA University for Individuals panels A design and architecture Raleigh, NC and B. throughout the United Brenda Levin States. Reviewed by Panel A. Principal Robert de Jongh Grants 91-4219-0048 Levin and Associates Principal Los Angeles, CA de Jongh Associates ~r Denotes Grants Having Morgan, William N. St. Thomas, USVI National Impact Jacksonville, FL Loyd Moore To support research and trav­ Principal Rex Gulbranson All recipients were awarded el for a study tracing the ori­ Technology Design Program Director, Design $20,000. gins and evolution of ancient Bellevue, WA Organizations architecture in the South­ Arizona Commission on Breeze, Carla west. Reviewed by Panel A. Deane Richardson the Arts Williamsburg, NY 91-4219-0049 Principal Phoenix, AZ To support travel, research, FitchRichardson Smith and documentation of art Project Grants for Worthington, OH Alferdteen Harrison deco architecture and interi­ Professor of History ors throughout the Plains Organizations Garth Rockcastle Jackson State University region of the United States. Principal Jackson, MS Reviewed by Panel A. 62 Grants Meyer, Scherer and 91-4219-0050 Funds: $1,805,465 Rockcastle Limited Mark Lapping Minneapolis, MN Dean, Faculty of Planning Gallery-Dilworth, Leslie M. Advisory Panels and Public Policy Philadelphia, PA Nancy Skolos Rutgers University To support research and trav­ Panel A President New Brunswick, NJ el for the development of an Skolos, Wedell and Raynor, urban design education pro­ Leslie Armstrong Inc. David Lee gram aimed at business and Principal Charlestown, MA Vice President civic leaders. Reviewed by Armstrong Cumming Stull and Lee, Inc. Panel B. 91-4219-0116 New York, NY Charles Zucker Boston, MA Senior Director, Community ~" Gratz, Roberta B. Claire Bogaard Assistance Initiative Katherine McCoy New York, NY Executive Director American Institute of Co-Chair To support research and trav­ Pasadena Heritage Architects Department of Design, el for a book on transporta­ Pasadena, CA Washington, DC Cranbook Academy of Art tion and its effects on urban, Bloomfield Hills, MI suburban, and rural design. Nancy Rutledge Connery John Zukowsky Reviewed by Panel B. Independent Consultant Curator of Architecture Lawrence Oaks 91-4219-0118 Woolwich, ME Art Institute of Chicago Executive Director Chicago, IL Alabama Historical Lyle, John Tillman Lakin Ray Cook Commission Sierra Madre, CA Executive Director, Arts and Panel B Montgomery, AL To support research on Humanities regenerative technologies and West Virginia Division of Philip John Castillo Patricia O’Brien their application to the fields Culture and History Senior Vice President Principal of landscape architecture and Charleston, WV Murphy/Jahn Architects Meacham O’Brien planning. Reviewed by Chicago, IL San Francisco, CA Panel B. 91-4219-0117

1991 Annual Report 35 Richard Penney ~z American Institute of ~z Adanta-Fulton County architecture in Chicago. Director Graphic Arts, Boston Zoo, Inc. Reviewed by Panel A. The Richard Penney Chapter, Inc. Atlanta, GA $35,000 91-4251-0078 Group, Inc. Cambridge, MA $30,000 To support a workshop and a New York, NY To support research and pro­ report on the design of chil­ City of Covington, duction of Recycled Papers for dren’s zoos. Reviewed by Kentucky Donald C. Royse Printing: A Guide for Panel A. 91-4251-0088 Covington, KY $14,700 Director, City of St. Louis Designers and Their Clients. To support the production of Economic Development Reviewed by Panel B. ~z Baltimore Museum of design guidelines to regulate Corporation 91-4251-0026 Art, Inc. growth and protect the his­ St. Louis, MO Baltimore, MD $25,000 toric character of the Pike ~ American Institute of To support "Design 1935­ Street Corridor. Reviewed by Mark P. Ryser Graphic Arts, New York 1965: What Modern Was," Panel B. 91-4251-0008 Executive Director Chapter, Inc. an exhibition of modernist Foundation for San New York, NY $42,700 design objects, and related Community Design Center Francisco’s Architectural To support the production of promotional and educational of Pittsburgh, Inc. Heritage a guide for education and programming. Reviewed by Pittsburgh, PA $29,600 San Francisco, CA career opportunities in graph­ Panel A. 91-4251-0091 To support a design competi­ ic design. Reviewed by tion for nonprofit communi­ Grants Panel B. 91-4251-0016 Bi-State Development ty development in inner-city Agency neighborhoods. Reviewed by ~ Denotes Grants Having ~ American Institute of St. Louis, MO $35,000 Panel A. 91-4251-0072 National Impact Graphic Arts, New York To support development of Chapter, Inc. a plan by a team of visual ~ Cooper Union for the ~ Adaptive Environments New York, NY $8,000 artists and landscape archi­ Advancement of Science Center, Inc. To support the expansion of tects for the nonstation areas and Art Boston, MA $45,000 the institute’s slide-lending and contiguous properties of New York, NY $40,108 To support the development library. Reviewed by Panel A. Metro Link, an 18-mile-long To support a publication and of teaching practices that 91-4251-0085 light rail system in the St. exhibition tracing Bauhaus integrate universal design Louis metropolitan area. pedagogy and design. principles into professional ~z Artists Trust: A Resource Reviewed by Panel B. Reviewed by Panel B. design education. Reviewed for Washington 91-4251-0015 91-4251-0021 by Panel B. 91-4251-0025 Seattle, WA $13,000 To support design fellow­ Buffalo Friends of Olmsted ~ Cooper Union for the Alternative Worksite, Inc. ships and an outreach pro­ Parks, Inc. Advancement of Science Omaha, NE $26,850 gram for the design commu­ Buffalo, NY $35,000 and Art To support the development nity. Reviewed by Panel A. To support the research and New York, NY $15,000" of a design master plan for 91-4251-0093 design for "Buffalo Green- To support an exhibition in the conversion of an industri­ ways: Open Space Plan for Prague of internationally al warehouse into a new facil­ Asian Neighborhood the 21st Century," a master renowned architect John ity. Reviewed by Panel A. Design, Inc. plan to address citywide plan­ Hejduk, Dean of Cooper 91~4251-0080 San Francisco, CA $30,000 ning, open space needs, and Union’s Irwin S. Chanin To support design for the preservation of Frederick School of Architecture. Art Institute of Chicago renovation of a deteriorating Law Olmsted’s park system. Reviewed by the following Chicago, IL $45,000 suburban apartment complex Reviewed by Panel A. members of Individual Pro­ To support the publication for a community of Cam­ 91-4251-0089 jects Panel B: John Danzer, of BuiMing in a New Spain: bodian refugees in Stockton, Dan Droz, Laurie Maurer, Contemporary Spanish California. Reviewed by Chicago Chapter Alec Simpson, and Stroud Architecture. Reviewed by Panel A. 91-4251-0064 Foundation/American Watson. 91-4251-0123 Panel B. 91-4251-0027 Institute of Architects * See InternationalActivities Chicago, IL $21,500 section. To support a guidebook on

36 National Endowment for the Arts Dance Theater ~z Environmental Defense LuckyRides, Inc. ~" New Jersey Institute of Workshop, Inc. Fund, Inc. Branford, CT $16,500 Technology Foundation at New York, NY $50,000 New York, NY $50,000 To support the introduction New Jersey Institute of To support the redesign of To support the development of the "Mobile Merry-Go- Technology the landmark Battery Mari­ of a handbook addressing the Round," an exhibit of sculp­ Newark, NJ $42,000 time Building for use as a principles and practices of ture, movement, and music, To support research and pro­ performing arts complex. environmentally sound pack­ into an inner-city elementary duction of a report using case Reviewed by Panel A. aging, graphics, and industri­ school curriculum. Reviewed studies from New Jersey’s 91-4251-0077 al design. Reviewed by by Panel A. 91-4251-0083 Balanced Housing Program, Panel B. 91-4251-0004 a statewide subsidy program ~" Design History Lumen, Inc. for low- and moderate- Foundation, Inc. ~z Georgia Tech Research New York, NY $14,700 income housing. Reviewed New York, NY $25,000 Corporation To support a publication by Panel B. 91-4251-0012 To support publication of Atlanta, GA $45,000 illustrating elements of New Places, a quarterly journal on To support a national confer­ York City’s built environ­ New Mexico Community environmental design. ence on the preservation of ment through a series of Foundation Reviewed by Panel A. historic interiors and related transparent acetate maps and Santa Fe, NM $25,000 91-4251-0061 costs. Reviewed by Panel B. text. Reviewed by Panel A. To support the distribution 91-4251-0033 91-4251-0063 of a statewide architectural ~z Design Management survey of historic churches Institute, Inc. Hugh Moore Historical Minnesota Center for and to provide technical Boston, MA $45,000 Park and Museums, Inc. Book Arts assistance to caretakers and To support the development Easton, PA $34,000 Minneapolis, MN $25,600 communities with adobe of a traveling exhibition, a To support the development To support an exhibition, churches. Reviewed by symposium, and a publica­ of directional interpretive accompanying catalogue, and Panel A. 91-4251-0081 tion series on key issues in signage and printed materials educational programs about the management of design for the Delaware and Lehigh English artist and designer ~" New York Foundation in product development. Heritage Corridor. Reviewed William Morris’ contribu­ for the Arts, Inc. Reviewed by Panel B. by Panel A. 91-4251-0090 tions to book design. New York, NY $20,000 91-4251-0010 Reviewed by Panel B. To support a documentary Institute of American Indian 91-4251-0028 film on architect Louis Kahn, East Tennessee Community Arts Foundation a lesser known but important Design Center, Inc. Santa Fe, NM $35,200 ~ Minnesota Center for influence in the history of Knoxville, TN $28,000 To support the design for the BookArts American architecture. To support a regional design adaptation of a 1921 Pueblo Minneapolis, MN $12,000 Reviewed by Panel A. advocacy program in east Revival-style post office for To support a new design for 91-4251-0070 Tennessee, an area that use as a museum of contem­ Fine Print: The Review for the retains a significant quantity porary Indian art. Reviewed Arts of the Book, an interna­ ~z New York Foundation of natural and cultural by Panel A. 91-4251-0069 tional journal on the art of for the Arts, Inc. resources that are as yet bookmaking. Reviewed by New York, NY $20,000 undisturbed but also unpro­ ~ Kansas State University Panel A. 91-4251-0097 To support production tected. Reviewed by Panel A. Manhattan, KS $45,000 of "New Directions In 91-4251-0068 To support an international ~z Municipal Art Society American Architecture," a conference for landscape New York, NY $40,000 documentary film on con­ Ellington Fund architecture students focusing To support an exhibition, temporary trends in Washington, DC $37,500 on stewardship of the land. tours, and other public pro­ American architecture. To support a master planning Reviewed by Panel B. gramming to investigate the Reviewed by Panel A. study for renovation of the 91-4251-0022 long-range implications of 91-4251-0071 Duke Ellington School of the New York’s ten-year housing Arts. Reviewed by Panel A. plan. Reviewed by Panel B. 91-4251-0086 91-4251-0034

1991 Annual Report 37 Preservation Alliance of regional design in the state of To support the initial plan­ Traditional Dwellings and Virginia New Jersey. Reviewed by ning phase of a national Settlements Review: Journal of Charlottesville, VA $37,000 Panel A. 91-4251-0057 archive for environmental the International Association To support the development graphic design. Reviewed by for the Study of Traditional of training and technical ~ Research Foundation Panel B. 91-4251-0024 Environments. Reviewed by assistance programs, includ­ of the City University of Panel B. 91-4251-0031 ing workshops and publica­ New York Storefront for Art and tions, for Virginia’s architec­ New York, NY $45,000 Architecture, Inc. ~ University of Cincinnati tural review boards to To support the development New York, NY $7,700 Main Campus improve design decisions of a comprehensive national To support an exhibition and Cincinnati, OH $30,000 concerning historic proper­ source of information on accompanying catalogue of To support research, docu­ ties. Reviewed by Panel B. children’s relationships to recent works by Michigan mentation, and a critical 91-4251-0017 the physical environment. architect Dan Hoffman. assessment of a design Reviewed by Panel B. Reviewed by Panel B. review’s effects on communi­ Prospect Park Alliance 91-4251-0005 91-4251-0019 ties. Reviewed by Panel A. Brooklyn, NY $40,000 91-4251-0095 To support a woodland San Francisco Museum of Storeffont for Art and management study for the Modern Art Architecture, Inc. University of the Arts restoration of Prospect Park San Francisco, CA $35,000 New York, NY $10,000 Philadelphia, PA $24,000 by integrating ecology, soci­ To support an exhibition, To support a special issue of To support an exhibition, ology, and public education accompanying catalogue, and the publication Front, docu­ catalogue, and lecture of the into the historic design of the related educational programs menting Storefront’s pro­ work of metalworker Albert landscape. Reviewed by on the work of contemporary grams and activities since its Paley. Reviewed by Panel B. Panel A. 91-4251-0066 Japanese architect Shin founding in 1982. Reviewed 91-4251-0030 Takamatsu. Reviewed by by Panel B. 91-4251-0035 Providence Foundation Panel A. 91-4251-0059 University of the Arts Providence, RI $24,000 Storefront for Art and Philadelphia, PA $41,670 To support the development ~ San Francisco State Architecture, Inc. To support the development of an urban design plan for University New York, NY $7,100 of a comprehensive program the city’s waterfront on the San Francisco, CA $25,000 To support an exhibition of to introduce design to school Providence River, an area To support Lanchcapesfor the work of Belgian architect children in kindergarten made available by the reloca­ All, a research report explor­ and artist Luc Deleu. through 12th grade. tion of Interstate Route 195. ing the design of public land­ Reviewed by Panel B. Reviewed by Panel A. Reviewed by Panel A. scapes that are accessible to 91-4251-0036 91-4251-0058 91-4251-0082 the disabled. Reviewed by Panel A. 91-4251-0065 Storefront for Art and Village of Mfred, New York ~ Rails to Trails Architecture, Inc. Alfred, NY $47,500 Conservancy Scripps College New York, NY $12,000 To support community Washington, DC $30,000 Claremont, CA $48,500 To support an exhibition on planning efforts and design To support the research and To support an exhibition and Austrian architect Gunther guidelines to protect the rural production of a design manu­ catalogue of the work of Domenig, a leader of a con­ character of Alfred, New al for converting abandoned southern California architects temporary school of architec­ York. Reviewed by Panel B. railway lines into parks and Gordon Kaufmann, Reginald ture in Austria, the "Gratz 91-4251-0011 pedestrian trails. Reviewed by Johnson, and Roland Coate. Schule." Reviewed by Panel B. 91-4251-0007 Reviewed by Panel B. Panel A. 91-4251-0084 Visiting Nurse Association 91-4251-0029 of Manchester and Southern Regional Plan University of California-­ New Hampshire, Inc. Association, Inc. ~ Society of Environmental Berkeley Manchester, NH $35,000 Newark, NJ $26,700 Graphic Designers Berkeley, CA $45,000 To support a design for the To support the first phase of Education Foundation, Inc. To support expansion of documentation efforts of Cambridge, MA $21,887

38 National Endowment for the Arts expansion of the association’s Artist/Designer Grants Horse Cave Theatre, Inc. child care facility, a primary Collaboration Horse Cave, KY $10,000 resource for essential health Grants Better Living, Inc. To support design fees for and day care services to the Genesee, ID $9,900 renovation and expansion of Manchester community. To support a land-use design the theater. Reviewed by Reviewed by Panel A. Grants for the development of an Panel B. 91-4251-0006 91-4251-0076 environmental park. Cultural Council Reviewed by Panel A. Mad River Theater Works Foundation (Art and Visual Arts Foundation, Inc. 91-4242-0092 West Liberty, OH $10,000 New York, NY $12,700 Knowledge Workshop) To support a feasibility study Bronx, NY $10,000" To support dissemination of City of Arroyo Grande, for the permanent facility. video- and audiotapes of the To support the planning Reviewed by Panel A. phase for a collaborative California symposium, "Modernism Arroyo Grande, CA $2,300 91-4251-0073 and Eclecticism: A History of design project for the South Bronx Academy of Art. To support a historic American Graphic Design." resources survey and design Marlboro Civic Center Reviewed by Panel A. Reviewed by the Visual Arts Foundation Art in Public Places Panel A. guidelines development for 91-4251-0087 Arroyo Grande, a small town Bennettsville, SC $10,000 91-4141-0134 in southwestern San Luis To support the renovation ~ Walker Art Center, Inc. * The VisualArts Program is Obispo County, California. and adaptation of an aban­ Minneapolis, MN $27,000 providing an additional doned opera house as a cul­ $1 O, 000 toward this grant. Reviewed by Panel B. To support an educational 91-4242-0020 tural facility. Reviewed by program of lectures and radio Panel A. 91-4251-0067 San Diego Museum of broadcasts and a publication City of Calhoun, Georgia on the impact of design inno­ Contemporary Art Calhoun, GA $10,000 North Dakota Community vations on American life. La Jolla, CA $15,000* Foundation To support an artist/designer To support the restoration of Reviewed by Panel B. the city’s railroad depot, a Bismarck, ND $10,000 91-4251-0023 collaboration for the design To support the production of a satellite to the museum historic building on the National Register, as a com­ of a master plan for the Walker Art Center, Inc. in downtown San Diego. restoration and adaptation of Reviewed by the Visual Arts munity center. Reviewed by Minneapolis, MN $20,000 Panel B. 91-4251-0018 the historic Mandan Depot To support a one-day sympo­ Art in Public Places Panel A. as a native American art cen­ 91-4141-0174 sium and an exhibition, in City of Coeur d’Alene, ter. Reviewed by Panel A. conjunction with the * The VisualArts Program is Idaho 91-4242-0074 Minneapolis College of Art providing an additional $1 O, 000 toward this grant. Coeur d’Alene, ID $5,300 and Design, that will explore To support the adaptation Starkville Municipal the effect of demographic and renovation of a historic Separate School District and cultural changes on mid- Project Grants for Spokane and Inland Railway Starkville, MS $10,000 western parks. Reviewed by Rural and Small building as a cultural center. To support the development Panel A. 91-4251-0096 Communities Reviewed by Panel A. of a design master plan for an 91-4242-0062 elementary school complex. ~ William Marsh Rice Reviewed by Panel A. 12 Grants University City of Taunton, 91-4251-0075 Houston, TX $25,750 Program Funds: $102,500 Massachusetts To support expansion and Taunton, MA $7,000 Town of Shirley, improvement of Cite, a Advisory Panels To support a design feasibili­ Massachusetts review of architecture, design, ty study for the preservation Shirley, MA $8,000 and urban planning. Review­ Project Grants for Rural and of the historic Star Theater. To support the formulation ed by Panel B. 91-4251-0014 Small Communities were Reviewed by Panel A. of a community-based pro­ reviewed by the Design 91-4251-0079 ject for commercial and resi­ Advancement: Project Grants dential revitalization of the for Organizations panels A village area. Reviewed by and B. Panel B. 91-4242-0013

1991 Annual Report 39 Waterford Foundation, Inc. Lee County Arts Grants Massachusetts Institute of Waterford, VA $10,000 Council, Inc. Technology To support the development Bishopville, SC $15,000 ~ Denotes Grants Having Cambridge, MA $50,000 of walking trails through the To support the restoration of National Impact A cooperative agreement to Waterford National Historic Lee County Opera House, a support the first edition of Landmark. Reviewed by building listed on the ~ American Architectural the northeast Mayors’ Panel A. 91-4242-0060 National Register of Historic Foundation Institute on City Design and Places, into a community Washington, DC $200,000 to produce support material Design Program center~ Reviewed by Panel B. A cooperative agreement to for mayors, civic leaders, and 91-4241-0001 support the continuation of professional designers addres­ Grants to State, the Design for Housing sing the need to improve the Local, and Regional North Carolina Arts Council Forum, a program comprised quality of design in their Arts Agencies Raleigh, NC $25,000 of regional workshops in cities. DCA 91-08 To support a designer project which design is introduced to These grants encourage state grant category for individual nonprofit developers and ~ National Building and regional arts agencies to designers. Reviewed by neighborhood organizations Museum develop design arts programs. Panel B. 91-4241-0002 experienced in building low- Washington, DC $80,000 income housing. DCA 91-29 An amendment to coopera­ tive agreement DCA 90-47 6 Grants South Carolina Arts Commission ~ Carnegie Mellon for a comprehensive museum Program Funds: $112,035 Columbia, SC $22,035* University exhibition to draw public To support the initial opera­ Pittsburgh, PA $45,000 attention to the federal gov­ Advisory Panels tional phase for a South A cooperative agreement to ernment’s role as the coun­ Carolina design arts program. support the production of a try’s single largest design These grants were reviewed Reviewed by Panel A. series of videotape- workbook client. by Design Advancement: 91-4241-0055 units on the importance and Project Grants for Organiza­ * Thisgrant was cofunded with benefits of product design ~ National Building tions panels A and B. the State and Regional Pro­ and design management to Museum gram for a total of $27, 035. business executives. Washington, DC $310,000 Grants DCA 91-33 To support the planning and development of a computer­ Arts Midwest DesiFn Initiatives ~ Community Ventures ized information services pro­ Minneapolis, MN $15,000 Washington, DC $100,000 gram that will provide the To support a Midwest The Program conducts lead­ public with comprehensive ership activities in areas of To support the Presidential regional arts council retreat Design Awards, a program information on design activi­ to encourage design program­ special concern: Federal ry throughout the US and to Realm, Public Realm, Cor­ that recognizes exemplary ming. Reviewed by Panel A. achievements in federal support a special project that 91-4241-0056 porate Realm, and Access/ will develop a traveling Professional Development. design projects, programs, and policies. DCA 91-21 exhibit and video on univer­ California Arts Council sal design. DCA 91-25 Sacramento, CA $25,000 12 Grants ~r Design Management To support the planning of a Program Funds: $1,155,000 Institute Tulane University state-wide design arts pro­ Boston, MA $50,000 New Orleans, LA $50,000 gram. Reviewed by Panel B. Advisory Panels For a cooperative agreement To support, through a coop­ 91-4241-0009 to continue to produce case erative agreement, a second Panelists listed in the Over­ studies about design and southern Mayor’s Institute City of San Antonio, Texas view Panel also reviewed executive education programs on City Design and to pro­ San Antonio, TX $10,000 these grants. for school students and duce support materials for To support continued devel­ others. DCA 91-28 mayors, civic leaders, and opment of an uban design professional designers addres master plan. Reviewed by Panel B. 91-4241-0003

40 National Endowment for the Arts sing the need to improve the United States. Interagency University of California-- ~r University of Virginia quality of design in their transfer of funds. Berkeley Charlottesville, VA $150,000 cities. DCA 91-07 Berkeley, CA $50,000 To support the national ~ US Department of State To support the second west­ Mayors’ Institute on City US Department of Washington, DC $20,000 ern Mayors’ Institute on City Design and to produce sup­ Agriculture A cooperative agreement to Design and to produce sup­ port materials for mayors, Washington, DC $50,000 provide partial support for port materials for mayors, civic leaders, and professional To support the placement the FY 1991 activities of civic leaders, and professional designers addressing the need of landscape architects in the Federal Construction designers addressing the need to improve the quality of resource conservation and Council (FCC), an organiza­ to improve the quality of design in their cities. development districts in tion dedicated to improving design in their cities. DCA 91-10 three different regions of the federal design, of which NEA DCA 91-19 is a member. DCA 91-41

1991 Annual Report 41 Dimensions Dance Theater, founded in Oakland 20 years ago to promote Africa-derived dance, performs Isicathulo (The Boot Dance). The company received aid from the Expansion Arts Program which awarded grants in 41 states and major jurisdictions. Expansion Arts 366 Grants Program Funds $5,918,600

The Expansion Arts Program supports arts of a high stan­ citywith an alarming high school drop-out rate. dard for and among the ethnic groups that make up the A noteworthy multidisciplinary organization, the mosaic of American culture. The program does this primarily Guadalupe Cultural Arts Center, is located in San by aiding community-based organizations that encourage the Antonio’s largest and poorest barrio. Guadalupe, a full professional artists in those communities to make, present service community arts center, offers formal training in and teach art. These artists, as varied as America itself, rep­ literature, visual art and the performing arts. The Center resent an array of traditionalists and modernists who display presents a national Latino film festival, an annual festival the expressions of their people j~om the ancient past to the of conjunto bands, a season of nine professionally orga­ future. This not only enhances the quality of life in commu­ nized exhibitions, a poetry and fiction reading series, as nities that are often depressed, it also presents the work to well as a season of theater by the resident company. It also growing mainstream audiences. hosts touring companies. Guadalupe is one of its com­ munity’s most stabilizing influences. he program’s Organizations category pro- The Services to the Field category funds organizations vides grants to eligible organizations to whose mission is to offer technical assistance to artists produce or present art of a high profession­ and arts organizations. One such organization is the T al standard and to present that art to under- Montana Institute of the Arts which offers a variety of served communities. Grants also aid in­ services to organizations in extremely remote areas of that structional programs for gifted individuals who aspire vast state. In addition to providing management, clerical to careers in the arts. These often are the only opportuni­ and technical assistance, the Montana Institute also ob­ ties for intensive training in the arts that are available tained dance scholarship funds for a client organization to people, particularly the young, who live in these that in turn made awards to gifted students in small towns communities. and villages. Other activities included helping Native An exemplary grantee is Philadelphia’s Freedom American groups with professional development, organiz­ Theatre which teaches theater to inner city youth. Since ing a market and festival, and forming a computer net­ 1972, Freedom Theatre has offered rigorous instruction work for rural arts groups and individual artists. The value and highly disciplined performance experiences to more of such services cannot be overstated, for the institute’s than 10,000 primarily black but ethnically mixed stu­ clients are small and isolated and need to share resources dents. Many Freedom Theatre graduates have gone on to and management efforts in order to move forward. successful careers in acting and directing. One measure of The Special Projects category maintains three initia­ the program’s success is that 98 percent of the students tives: The Rural Arts Initiative is a matching regrant pro­ have gone on to college--an astounding achievement in a gram with eleven state arts agencies. (This year, for the first time, it was funded from monies set aside by nizations in their efforts to build stable administrative and Congress in the Endowment’s reauthorization for devel- programmatic staff. oping arts organizations and other projects in under- The Community Foundation Initiative develops served communities.) Participating states frequently helpendowed funds for small and mid-sized organizations. organizations in rural communities with their efforts to This program, which has collaborated with 26 communi- acquire professional staff, a difficult matter in areas with ty foundations around the country, is in its concluding scant resources. phase as its last five community foundations complete The Organizational Development Pilot, now in its their four-year programs. second year, assists five multidisciplinary presenting orga-

Queens College Richmond Arts Council Alternative Center for Expansion Arts New York, NY Richmond, VA International Arts, Inc. Organizations New York, NY $30,000 Alice Lovelace Grants To support visual arts exhibi­ To assist professionally Executive Director/Writer tions and experimental jazz directed arts organizations of Southeast Community ¢z Denotes Grants Having and ethnic music concerts high artistic quality that are Cultural Center Nationallmpact featuring emerging and mid- deeply rooted in and reflec­ Atlanta, GA career African-American, tive of culturally diverse, Afrikan Poetry Theatre, Inc. Asian, Hispanic, and native inner-city, rural, or tribal Jo Ann Lynch Jamaica, NY $7,000 American artists. communities. These organi­ Program O~cer To support a program, 91-5323-0134 zations provide programs in Lilly Foundation "Tribute to an Elder," paying the performing arts, visual Indianapolis, IN homage to a black writer; a Amauan Workshop arts, media, design, literary summer music concert fea­ New York, NY $5,000 arts, and multidisciplinary Barbara Nicholson turing an African High Life To support administrative arts activities. Executive Director group from Ghana, West and artistic costs for perfor­ District of Columbia Africa; and a performance by mances and workshops in 317 Grants Commission on the Arts the professional resident theater, media, film, folk arts, and Humanities company. 91-5323-0181 and visual arts exhibitions. Program Funds: $4,786,100 Washington, DC 91-5323-0136 Afro-American Cultural Multidisciplinary Joe Rodriguez Center, Inc. An Claidheamh Soluis Inc. Artist Charlotte, NC $17,000 New York, NY $25,000 Arts Organizations Austin, TX To support and enhance To support a season of pro­ the center’s multidisciplinary ductions of Irish and Irish- Advisory Panel Rosalba Rolon arts programming, which American plays, issues of An Artistic Director includes workshops, lectures, Gaelmagazine, and a perfor­ Patricia Cioffl Pregones Theater Company and performances, and to mance and workshop pro­ Founder/Executive Director Bronx, NY support administrative costs. gram and festivals in tradi­ The New School for the Arts 91-5323-0130 tional Irish music and dance. Montclair, NJ Terezita Romo 91-5323-0177 Program Manager, Afro-American Cultural Evelyn Crawford Organizational Grants Society of the Golden ~ Appalshop, Inc. Director Program Triangle, Inc. Whitesburg, KY $50,000 Bay Area Multicultural Arts California Arts Council Starkville, MS $9,000 To support the promotion Initiative Sacramento, CA To support a variety of visual and presentation of indige­ San Francisco, CA arts and music presentations nous Appalachian culture Sandi Stovall and related activities. through the Appalshop Kristin Jackson Director, Festival and Special 91-5323-0239 Center Program and to sup­ Professor of Dance/ Events port the administrative costs Choreographer

44 National Endowment for the Arts associated with audience and traditional Asian music Center, including instruction Chinese for Affirmative development. 91-5323-0168 and dance ensembles and the in music, dance, and theater. Action development of a professional 91-5323-0161 San Francisco, CA $9,000 Arab Community Center for marketing plan. To support a series of con­ Economic and Social 91-5323-0111 ~" Carter G. Woodson certs, performances, lectures, Services Foundation, Inc. classes, and exhibitions at the Dearborn, MI $5,000 Association of Newark, NJ $25,000 Kearny Street Workshop, To support a series of perfor­ Community-Based Artists To support the partial salary including the 1 lth Asian mances of Arab-American of Westchester, Inc. of the producer-director, American Jazz Festival/ music and dance and multi­ Mt. Vernon, NY $5,000 ongoing performance activi­ Concerts, photography cultural music. To support an exhibition ties, marketing, and adminis­ seminars, and related costs. 91-5323-0142 program, a concert series, art trative costs. 91-5323-0247 91-5323-0152 workshops, an apprenticeship Artists Collective, Inc. program, a film program, and Casa de Unidad Unity Christina Community Hartford, CT $35,000 related costs. 91-5323-0151 House Center of Old Swedes, Inc. To support professional Detroit, MI $10,000 Wilmington, DE $20,000 training classes in dance, Bedford Stuyvesant To support partial artistic To support the training of music, theater, and visual Restoration Corporation and administrative costs for a aspiring student musicians; arts. 91-5323-0124 Brooklyn, NY $36,000 series of visual arts exhibits, a self-contained mobile arts To support artistic and performing arts presenta­ Artists of Indian studio; and an ongoing pro­ administrative costs for a pro­ tions, and professional work­ gram involving exhibitions, America, Inc. gram that includes visual arts shops in music and poetry. performances, and workshops Albuquerque, NM $15,000 exhibits for professional 91-5323-0144 featuring artists of national To support a professionally minority artists, the Poets and international renown. directed multidisciplinary and Writers Showcase, an Centro Cultural de la 91-5323-0114 arts program for various artists-in-residence program, Raza, Inc. Indian communities within and related costs. San Diego, CA $28,000 City of San Antonio, Texas the Southwest offering work­ 91-5323-0120 To support a series of films, San Antonio, TX $27,000 shops in traditional story­ performing arts presenta­ To support a marketing and telling, song, music, dance, Black Artists Guild, Inc. tions, and related administra­ development program for the and related activities. Kinston, NC $8,500 tive costs. 91-5323-0145 Carver Community Cultural 91-5323-0110 To support artistic costs of Center. 91-5323-0126 visual and literary arts pro­ Chinese American Arts Arts Council, Inc. jects, dance and music work­ Council, Inc. Committee for African- Winston-Salem, NC $7,000 shops, and performing arts New York, NY $15,000 American History Month To support professional theater productions. To support the presentation Observances training in the performing 91-5323-0150 of a variety of Asian-Ameri­ Georgetown, SC $10,000 and visual arts for artistically can cultural events and for To support the position of talented students. Boulevard Arts Center exhibitions and services for the executive director. 91-5323-0127 Chicago, IL $10,000 emerging artists of the com­ 91-5323-0175 To support a multidiscipli­ munity. 91-5323-0107 Asian American Arts nary series of master work­ Cultural Council Center, Inc. shops, performances, exhibi­ Chinese Culture Foundation New York, NY $35,000 tions, classes, training, and Institute, Inc. To support administrative, New York, NY $13,000 related costs. 91-5323-0165 Boston, !VIA $10,000 To support workshops, pre­ artistic, and other related To support a visual arts exhi­ sentations, and productions costs for the 1991-92 season Boys Harbor, Inc. bition program and music by Charas. 91-5323-0140 of activities. 91-5323-0147 New York, NY $12,000 and dance performances fea­ To support the preprofes­ turing established and emerg­ Dixwell Children’s Creative Asian Heritage Council sional training programs of ing Asian-American artists. Art Center, Inc. San Jose, CA $5,000 Harbor Performing Arts 91-5323-0108 To support the presentation New Haven, CT $19,000 To support expansion of the of emerging contemporary professional development

1991 Annual Report 45 Interstate Firehouse program, which identifies development for the Educa- Arts Company, and related tion Program. 91-5323-0173 costs. 91-5323-0106 Cultural Center and provides training for tal­ Portland, OR $10,000 ented minority youth of greater New Haven in visual Guadalupe Cultural Arts Hull House Association To support the promotion of Center Chicago, IL $5,000 programs offered by the cen­ arts, dance, music, drama, ter, including a cross-cultural and reading. 91-5323-0143 San Antonio, TX $36,000 To support the Beacon Street To support artistic and Gallery and Theatre’s exhibi­ theater season, Student Pro­ ~ Dunham Fund for administrative costs, includ- tion and performance pro­ duction Company, North­ west Theatre of the Deaf Research and Development ing staff salaries and promo- gram featuring African­ tional costs for this multidis- American, native American, residency, and a visual arts of Cultural Arts gallery. 91-5323-0169 East St. Louis, IL $60,000 ciplinary arts organization. Hispanic, and Asian artists To support activities and 91-5323-0179 and forums on ethnic diversity. 91-5323-0157 Jamaica Center for the operations, including the International Dunham Harlem School of the Performing and Visual Arts, Inc. Idris Ackamoor and Arts, Inc. Technique Seminar Program Jamaica, NY $37,000 for dancers, choreographers, New York, NY $50,000 "Cultural Odyssey To support advanced and San Francisco, CA $10,000 To support salaries, exhibi­ and scholars; the Dynamic tions, performing arts and Museum; and the Children’s master classes in the perform- To support the creation of a Workshop. 91-5323-0154 ing and visual arts for the new performance work for education programs, and professional career develop- the ensemble to be produced related costs. 91-5323-0118 East Bay Center for the ment of gifted students from with professional guest ~ Japanese American Performing Arts throughout the New York artists. 91-5323-0132 Richmond, CA $20,000 City area. 91-5323-0153 Cultural and Community Center To support administrative Inner City salaries, artists’ fees, and Henry Street Settlement Cultural Center Los Angeles, CA $35,000 related costs. 91-5323-0164 New York, NY $40,000 Los Angeles, CA $50,000 To support the salary of a To support a diverse program To support the strengthening community programs direc­ Ethnic Folk Arts of professional training and and maintenance of existing tor, as well as supporting the Center, Inc. instruction in music, dance, programs in the areas of the­ ongoing presentation of tra­ $30,000 and theater. 91-5323-0121 ater, music, dance, and visual ditional and contemporary New York, NY Japanese performing artists. To support the 17th Queens arts. 91-5323-0113 Ethnic Music and Dance Hostos Community College 91-5323-0166 Festival and related costs. Advisory Council, Inc. Inquilinos Boricuas en Japantown Art and Media 91-5323-0119 Bronx, NY $15,000 Accion To support the Arts and Boston, MA $10,000 Workshop San Francisco, CA $35,000 Friends of Puerto Rico, Inc. Culture Program, which pre- To support the salary of a New York, NY $35,500 sents visual arts exhibitions, a program coordinator, artists’ To support artistic and administrative costs, profes­ To support cultural program­ film series, music and dance fees for emerging Hispanic ming of the Museum of concerts, and a series of liter- performance ensembles, and sionally led training work­ shops, exhibits, festivals, Contemporary Hispanic ary, drama, dance, and tradi- related costs. 91-5323-0123 tional crafts workshops. film/video shows, and art Arts, including performances, projects for seniors, women, exhibitions, concerts, lec­ 91-5323-0133 International Agency tures, poetry readings, ser­ for Minority Artist Affairs and emerging Asian artists. vices to artists, and related Houston Asian American (IAMAA) 91-5323-0174 costs. 91-5323-0146 Festival Association New York, NY $5,000 Houston, TX $10,000 T° support the marketing Jubilee Community Friends of the Mission To support Asian Arts-- and promotion of a monthly Arts, Inc. Knoxville, TN $25,000 Cultural Center Houston, including the newsletter, Harlem Uptown San Francisco, CA $22,500 Asian Performing Arts Gala, Arts News, professional arts To support costs for pro­ To support the Mission Houston’s annual Asian management/training work- grams designed to preserve Grafica Printmaking Intern­ American Festival, Perals Ng shops, and a film/video and advance the art forms of ship Program and curriculum Silangan Filipino Performing series. 91-5323-0246 the southern Appalachians, including performance series,

46 National Endowment for the Arts poets and writers readings, La Pena Cultural Metropolitan School for the To support the Gifted Stu­ and publication of a news­ Center, Inc. Arts, Inc. dent Program, the Sampler letter. 91-5323-0115 Berkeley, CA $20,000 Syracuse, NY $24,000 Series, the Faculty Artist To support the 17th annual To support the financial aid Performing Series, and the Kalihi-Palarna Culture and performing arts season. program for group and indi­ Creative Writing Program. Arts Society, Inc. 91-5323-0171 vidual instruction in music, 91-5323-0129 Honolulu, HI $10,000 visual arts, drama, and dance, To support a training pro­ La Raza Bookstore as well as administrative Ollantay Center for the gram in the traditional arts Sacramento, CA $18,500 costs. 91-5323-0125 Arts, Inc. and dances representative of To support administrative Jackson Heights, NY the various cultures in and operating costs for three Milwaukee Inner City Arts $15,000 Hawaii. 91-5323-0180 Cantos, featuring music, Council, Inc. To support theater produc­ poetry, and literature of Milwaukee, WI $12,000 tions, concert presentations, Kings Majestic Corporation Chicano/Mexican and native To support a comprehensive visual art exhibitions, play- Brooklyn, NY $7,500 American artists; and activi­ program that includes a sum­ writing workshops, writers’ To support professional per­ ties associated with "Dia de mer youth employment and and critics’ conferences, and forming arts events and new los Muertos/Day of the internship program; work­ related publications. audience development pro­ Dead." 91-5323-0117 shops, classes, and instruction 91-5323-0122 jects associated with the 1992 in the performing and visual Festival of Jazz and Blues. Langston Hughes Center for arts; and related costs. Penn Community Reviewed by the Performing the Arts 91-5323-0149 Services, Inc. Arts Organizations--Dance/ Providence, RI $10,000 St. Helena Island, SC Music Panel. To support "The Jazz Idiom: Mind-Builders Creative Arts $20,000 91-5323-0128 A Tenth Year Celebration," Company, Inc. To support performance a series of multimedia events Bronx, NY $15,000 series, exhibitions, and the Koncepts Cultural Gallery exploring the influence of To support professional hiring of a consultant for the Oakland, CA $7,500 jazz in artistic expression. training workshops for gifted development of a compre­ To support artistic, adminis­ 91-5323-0139 students at intermediate and hensive long-range cultural trative, and related costs for advanced levels in music, the­ plan. 91-5323-0178 implementation of an out­ Latin American ater, and dance and to sup­ reach campaign. Workshop, Inc. port administrative costs. Plaza de la Raza, Inc. 91-5323-0159 New York, NY $7,500 91-5323-0138 Los Angeles, CA $40,000 To support multicultural To support programs of the ~ Kulintang Arts, Inc. programming in the visual Mississippi: Cultural School of Performing and Oakland, CA $10,000 and performing arts, includ­ Crossroads, Inc. Visual Arts, including pre­ To support the salary of the ing concerts, plays, poetry Lorman, MS $8,000 professional training in executive artistic director, readings, dance perfor­ To support administrative dance, music, theater, and artists’ fees, and domestic mances, exhibitions, and a and artistic costs for theater visual arts. 91-5323-0163 touring during the 1991-92 video program documenting and quilting programs. performance season. the organization’s activities. 91-5323-0248 Rose Center and Council for 91-5323-0148 91-5323-0137 the Arts, Inc. Near Northwest Arts Morristown, TN $10,000 La Casa De La Raza Manchester Craftsmen’s Council To support technical assis­ Santa Barbara, CA $5,000 Guild Chicago, IL $3,000 tance workshops for rural To support administrative Pittsburgh, PA $50,000 To support administrative artists and arts presenting and artistic costs of promot­ To support an arts education and artistic costs associated organizations, a quarterly arts ing and presenting Latino and presenting program in with the council’s resource calendar/newsletter, monthly and minority artists, includ­ ceramic art, photography, center for artists and arts East Tennessee country ing visual arts exhibits, and jazz and classical music, organizations. 91-5323-0167 music performances, and drama, folkloric dance pre­ as well as the high school Big an artist-in-school program. sentations, and a poetry read­ Band Jazz Orchestra and Newark Community School 91-5323-0131 ing series. 91-5323-0170 related costs. 91-5323-0141 of the Arts Newark, NJ $30,000

1991Annual Report 47 Senior Arts Project sents emerging and estab­ and administrative staff, Donna Porterfield Albuquerque, NM $7,500 lished professional artists in presentation of plays, and Managing Director the visual, performing, and presentation of events on the Roadside Theater To support a workshop and Whitesburg, KY performance series that uses literary arts. 91-5323-0109 theme of the quincentenary. professional senior artists to 91-5323-0182 provide contemporary and Toyo Kami, Inc. Philip Thomas traditional arts workshops Oakland, CA $5,000 Your Heritage House, Inc. President/Artistic Director To support professional pro­ Detroit, MI $17,000 Carter G. Woodson and programs in music, Foundation dance, theater, and the visual ductions showcasing talented To support exhibitions, per­ and folk arts. 91-5323-0158 Asian-American and Pacific formances, and studio work­ Newark, NJ Island artists, professional shops; programs in language Society of Folk Arts and workshops in acting and and environmental arts; and Panel B Culture, Inc. playwriting, and related related costs. 91-5323-0135 Eutaw, AL $10,000 activities. 91-5323-0116 Phillip Esparza To support administrative Performing Arts Director and artistic costs associated Urban Gateways E1 Teatro Campesino Organizations-­ San Juan Bautista, CA with the implementation of Chicago, IL $48,000 Theater programs that preserve and To support a formal training document the rural cultural program for professional Max Ferra traditions of western Ala­ minority artists and related Advisory Panels Executive Director bama. 91-5323-0176 costs. 91-5323-0162 International Arts Relations Panel A New York, NY Southeast Community Visual Arts Research and Tomas Benitez Cultural Center, Inc. Resource Center Relating Marian A. Godfrey to the Caribbean, Inc. Development Consultant Project Director Atlanta, GA $20,000 Los Angeles, CA To support the salaries and New York, NY $50,000 Pew Charitable Trusts programs of the Arts To support the center’s mul­ Philadelphia, PA Exchange. 91-5323-0156 tidisciplinary cross-cultural Cecelia Flores programs for 1991-92. Actress/Director Eric Hayashi Dallas, TX St. Joseph Multi-Ethnic 91-5323-0155 Executive Director Cultural Arts Committee Asian American Theater Waianae Coast Culture and Marian Godfrey Company Houston, TX $5,000 Arts Officer To support administrative Arts Society, Inc. San Francisco, CA Waianae, HI $25,000 Pew Charitable Trusts and artistic costs, perfor­ Philadelphia, PA mances and workshops in To support ongoing profes­ Ron Himes sional workshops in tradi­ Producing Director dance and music, and theater Fred Hudson and visual arts training by tional crafts, dance, and St. Louis Black Repertory music that perpetuate the President Company, Inc. professional artists. Frederick Douglass Center 91-5323-0249 many ethnic cultures of the St. Louis, MO Hawaiian Islands, as well as New York, NY support for the presentation Marsha Jackson Supporters of the Western Amelita Mandingo Addition Cultural Center of various art forms. Co-Artistic Director San Francisco, CA $15,000 91-5323-0112 Manager, Arts Organization Jomandi Productions, Inc. Support Atlanta, GA To support the marketing Michigan Arts Council and promotion of programs offered by the center and San Francisco, CA $5,000 Detroit, MI Thomas Johnson administrative salaries. To support artistic and Producing Director 91-5323-0160 administrative salaries. Carlton Molette Old Creamery Theater 91-5323-0172 Vice President for Academic Company Affairs Taller Puertorriqueno, Inc. Garrison, IA Philadelphia, PA $20,000 Xicanindio Artes, Inc. Coppin State College To support the Visiting Mesa, AZ $18,500 Baltimore, MD Artists Program, which pre­ To support costs for artistic

48 National Endowment for the Arts Mario Sanchez To support a series of main- cussions led by a dramaturg, EcoTheater, Inc. Director stage productions, local tours, and documentary recordings Lewisburg, WV $8,000 Teatro Avante, Inc. and a regional tour. for the playwrights’ use. To support the Summer Miami, FL 91-5321-0340 91-5321-0315 Youth Theater, organization­ al development, and related Barbara Ann Teer Billie Holiday Theatre, Inc. Bushfire Theatre of costs. 91-5321-0310 Executive Director Brooklyn, NY $40,600 Performing Arts National Black Theater To support the 1991-92 sea­ Philadelphia, PA $9,000 ~z El Teatro Campesino Workshop son of major productions of To support the production San Juan Bautista, CA New York, NY works by African-Ametican of mainstage and workshop $27,000 playwrights. 91-5321-0322 plays and related costs. To support the development Grallt$ 91-5321-0318 and presentation of tradition­ Black Spectrum Theatre gr Denotes Grants Having al Hispanic folldoric plays. Company, Inc. Cresson Lake Playhouse 91-5321-0313 National Impact Jamaica, NY $25,000 Ebensburg, PA $12,000 To support administrative To support administrative El Teatro de la Esperanza Grants were reviewed by and related costs for the and artistic costs for the San Francisco, CA $23,500 Panel A unless otherwise 1991-92 schedule of 1991-92 season of plays. To support administrative indicated. activities. 91-5321-0287 91-5321-0284 and artistic costs as well as a series of performances and AMAS Repertory Blackbelt Arts and Crossroads, Inc. workshops. 91-5321-0289 Theatre, Inc. Cultural Center. New Brunswick, NJ $32,000 New York, NY $35,000 Selma, AL $12,000 To support administrative, Eulipions, Inc. To support professional To support administrative promotional, and audience Denver, CO $7,500 instruction in voice, dance, costs for the 1991-92 sched­ development costs related to To support the professional and acting through the Eubie ule of activities, which the Audience Development company’s 1990-91 Studio Blake Children’s Theater. includes touting and profes­ Program and production E Theatre Ensemble season. 91-5321-0288 sional development. costs for the annual Black 91-5321-0009 91-5321-0296 History Month Touring Adelante Corporation Project. 91-5321-0343 Eulipions, Inc. San Francisco, CA $5,000 Blues City Cultural Center Denver, CO $7,500 To support the salaries of the Memphis, TN $6,000 Crossroads National To support the professional artistic director and actors To support increased salaries Education and Arts Center company’s 1991-92 season and related costs for Teatro and fees to the resident com­ Los Angeles, CA $6,000 of works. Reviewed by Nuestro. 91-5321-0311 pany, development of a series To support the 1991-92 Panel B. 91-5321-0285 of workshops, and expansion Readers Theatre Project. African Cultural Center of of the season. 91-5321-0049 91-5321-0426 Everyday Theater Buffalo, Inc. Washington, DC $5,000 Buffalo, NY $6,000 Blues City Cultural Center ETA Creative Arts To support the 1991-92 sea­ To support the continuation Memphis, TN $6,000 Foundation son of productions and work­ of the Paul Robeson Drama To support administrative Chicago, IL $25,000 shops. 91-5321-0299 Workshop. 91-5321-0328 costs, including the touring To support the professional program of the professional training and performance Fairmount Theatre of Asian American Theatre theater company. Reviewed program. 91-5321-0332 the Deaf Company by Panel B. 91-5321-0347 Cleveland, OH ~ $15,000 San Francisco, CA $18,000 East West Players, Inc. To support the 1991-92 To support the 1991-92 sea­ Borderlands Theater/Teatro Los Angeles, CA $32,500 touring season of one-act son. 91-5321-0312 Fronterizo, Inc. To support the professional and full-length productions Tucson, AZ $5,000 theater training program. specifically staged and pro­ Bilingual Foundation of the To support activities for 91-5321-0305 duced for deaf and blind Arts/Fundacion Bilingue De local emerging playwrights, performers and presented Las Artes, Inc. including workshops, pub­ throughout the Great Lakes Los Angeles, CA $26,000 licly staged readings with dis­ region. 91-5321-0304

1991 Annual Report 49 ~ National Black Touring Frank Silvera Writers’ "Community Without To support the 1990-91 sea­ Walls" program, and the tour son featuring original and Circuit, Inc. Workshop Foundation, Inc. New York, NY $15,000 New York, NY $10,000 program. 91-5321-0345 traditional black productions. Reviewed by Panel B. To support the 1991-92 sea­ To support administrative son, which includes a revival and artistic costs associated Junebug Productions, Inc. 91-5321-0099 New Orleans, LA $5,000 of the turn-of-the-century hit with writers’ workshop activi­ musical In Dahomey by Will ties. 91-5321-0319 To support an audience Mad River Theater Works development project and staff West Liberty, OH $11,000 Marion Cook and the tour­ Friends of the Davis salaries. 91-5321-0278 To support artistic and ing of Zora Neale Hurston by Laurence Holder. Center, Inc. administrative costs as well as New York, NY $9,500 Junior Black Academy of the research, development, 91-5321-0293 To support the presentation Arts and Letters, Inc. rehearsal, and production of Dallas, TX $25,000 a new work. 91-5321-0302 National Theatre Workshop of emerging artists and relat­ of the Handicapped, Inc. ed costs through showcase To support administrative costs, artistic salaries and fees, Millan Theatre Company New York, NY $5,000 productions during the To support staffsalaries and 1991-92 season. and other operating costs for Detroit, MI $20,000 91-5321-0325 the 1991-92 season. To support the 1991-92 related costs for the work­ 91-5321-0346 production season. shop’s professional training program. 91-5321-0326 G.A.L.A., Inc. 91-5321-0277 Washington, DC $21,000 Just Us Theater Co. Negro Ensemble To support the production Atlanta, GA $16,500 Mixed Blood Theatre To support a series of plays Company Company, Inc. costs for a season of bilingual $7,500 plays. 91-5321-0286 featuring new performance Minneapolis, MN $20,000 New York, NY work, music, and staged To support a series of main- To support a playwrights’ Institute of Puerto Rican readings. 91-5321-0295 stage productions with mul­ workshop, which develops Culture/Producciones tiracial casts, a series of cul­ new works by emerging black Flor De Cahillo Karamu House tural showcases, a tour of American writers. Rio Pie&as, PR $5,000 Cleveland, OH $20,000 educational productions, and 91-5321-0297 To support administrative To support the 1991-92 a theater training program for costs and costs for a work­ production season of the Southeast Asian teenagers. New Federal Theatre, Inc. shop in theater and music. Performing Arts Theatre and 91-5321-0335 New York, NY $35,000 Reviewed by Panel B. the Theatre for Young To support the professional 91-5321-0070 Audiences Guest Series. Mountain Women’s training program, which is 91-5321-0300 Exchange, Inc. designed to move black and [nstituto Arte Teatral Jellico, TN $5,000 Hispanic artists into profes­ Internacional, Inc. Lime Kiln Arts, Inc. To support administrative sional theater, and to support $5,000 Lexington, VA $6,000 and artistic costs as well as student productions resulting New York, NY from the training program. To support a three-play To support the touring com­ workshops in drama and season. 91-5321-0334 pany during the 1991-92 fall performances for Jellico 91-5321-0301 and winter seasons. Children’s Theater. International Arts 91-5321-0316 91-5321-0303 New Freedom Theatre, Inc. Relations, Inc. Philadelphia, PA $22,500 New York, NY $50,000 Los Angeles Poverty National Black Theatre To support costs of the 1991-92 season. To support administrative Department Workshop, Inc. costs and the Hispanic Los Angeles, CA $7,500 New York, NY $25,000 91-5321-0330 Playwrights-in-Residence To support administrative To support the costs associat­ Laboratory. 91-5321-0306 and artistic costs, as well as ed with marketing, promo­ New York Street Theatre workshops and touring. tion, and documentation. Caravan, Inc. Jomandi Productions, Inc. 91-5321-0327 91-5321-0307 Jamaica, NY $5,000 Atlanta, GA $32,000 To support the company’s To support the audience "M" Ensemble 1991-92 production season. development program, the Company, Inc. 91-5321-0308 Miami, FL $5,000

50 National Endowment for the Arts North Carolina Black company’s 1991-92 season Sealaska Heritage Teatro del Sesenta, Inc. Repertory Company, Inc. of works. 91-5321-0337 Foundation San Juan, PR $5,000 Winston-Salem, NC Juneau, AK $13,000 To support production costs $22,500 Perseverance Theatre, Inc. To support the 1991-92 for La Loteria. 91-5321-0291 To support salaries and relat­ Douglas, AK $25,000 season of the Naa Kahidi ed costs for the administra­ To support mainstage pro­ Theater. 91-5321-0324 Teatro Hispano de Dallas tive development of the duction costs and a profes­ Dallas, TX $5,000 company. 91-5321-0360 sional training program in Seven Stages, Inc. To support the costs of the the theater arts. Atlanta, GA $5,000 sixth annual "EI Dia de los Northwest Asian American 91-5321-0292 To support administrative Muertos/Day of the Dead" Theatre salaries and related costs. celebration. 91-5321-0317 Seattle, WA $12,500 Pregones Touring 91-5321-0274 To support the 1991-92 sea­ Puerto Rican Theater Thalia Spanish Theatre, Inc. son of mainstage productions Collection, Inc. Spanish-English Ensemble Sunnyside, NY $10,000 and related costs. Bronx, NY $7,000 Theatre, Inc. To support the costs of the­ 91-5321-0314 To support administrative New York, NY $5,000 atrical productions in Span­ salaries for the general man­ To support the 1990-91 ish during the 1991-92 Oakland Ensemble Theatre ager, accountant, and office season of mainstage produc­ season. 91-5321-0275 Oakland, CA $17,500 manager. 91-5321-0282 tions. Reviewed by Panel B. To support production costs 91-5321-0075 The Group for the 1991-92 season. Puerto Rican Traveling Seattle, WA $24,500 91-5321-0279 Theatre Company, Inc. Spanish Theatre Repertory To support the 1991-92 New York, NY $43,000 Company, Limited season of production. Old Creamery Theatre To support the theater’s New York, NY $41,000 91-5321-0309 Company, Inc. training unit, which provides To support an audience Garrison, IA $17,000 professional classes in acting, development campaign for The Road Company To support production costs dance and movement, music, the company’s performances Johnson City, TN $24,000 for the 1991-92 season. speech, and audition tech­ the salary of a producer’s To support the 1991-92 91-5321-0283 niques to minority youth. assistant, and related costs. home season, new show 91-5321-0280 91-5321-0281 development, and related Opera de Camara, Inc. costs. 91-5321-0321 Old San Juan, PR $5,000 Rhode Island Black St. Louis Black Repertory To support audience devel­ Heritage Society Company, Inc. Theatre by the Blind opment and administrative Providence, RI $24,500 St. Louis, MO $23,000 Corporation costs for Producciones Aleph, To support the 1991-92 play To support the 1991-92 sea­ New York, NY $5,000 Inc. 91-5321-0290 season at the Rites and son ofmainstage productions To support the company’s Reason Theatre, which pre­ and touring productions by 1991-92 season, including ~" Pan Asian Repertory sents workshop productions the resident company. fully staged productions, Theatre, Inc. of original plays based on 91-5321-0329 training programs in voice New York, NY $36,000 researched documentation, as and movement for blind To support the touring of well as a fully staged produc­ Su Teatro, Inc. actors, and staged readings of full-length productions, tion by Elmo Terry-Morgan Denver, CO $5,000 new plays. 91-5321-0323 Asian-American play.devel­ and the original Brer Rabbit To support the 1991-92 sea­ opment, career development Whole. 91-5321-0344 son of mainstage productions Theatre North workshops, special school and tours. 91-5321-0338 Tulsa, OK $7,500 matinees, and related organi­ SEW Productions, Inc. To support the 1991-92 sea­ zational support. San Francisco, CA $23,500 Teatro Avante, Inc. son of productions. 91-5321-0276 To support compensation for Miami, FL $18,000 91-5321-0320 artistic and administrative To support the 1991-92 Paul Robeson Performing personnel. 91-5321-0336 season of bilingual plays and Theatre of Yugen, Inc. Arts Company, Inc. the Annual Hispanic Theatre San Francisco, CA $8,000 Syracuse, NY $5,000 Festival. 91-5321-0339 To support the 1990-91 pro­ To support the professional duction season, including an

1991 Annual Report 51 East Coast tour. Williams College New Orleans Public Schools Andrew Cacho 91-5321-0036 Williamstown, MA New Orleans, LA African Drummers and Dancers Economic Theatre of Yugen, Inc. Grants Development, Inc. San Francisco, CA $8,000 Development Coordinator, Washington, DC $7,000 To support costs of an East Department of Cultural Denotes Grants Having To support classes, work­ Affairs National lmpact shops, performances, and Coast tour of performances of traditional Japanese Kyogen City of Chicago lectures offering training in theater and contemporary Chicago, IL Abhinaya Dance Company African-inspired Caribbean works. Reviewed by Panel B. of San Jose, Inc. traditional dance. 91-5321-0341 Charmaine Jefferson San Jose, CA $5,000 91-5322-0258 Acting Commissioner, To support fees for the musi­ Theater Workshop of Department of Cultural cians and dancers and related Andrew Cacho Louisville, Inc. Affairs. costs for a performance series African Drummers and Louisville, KY $11,000 City of New York that reflects of the music, Dancers Economic To support the 1991-92 sea­ New York, NY dance, and culture of India. Development, Inc. son of productions focusing 91-5322-0265 Washington, DC $19,000 on the presentation and Denise Nash To support a touring perfor­ preservation of the African- Executive Director Academia de Danza y mance program by the American experience. Pasadena Arts Commission Folklore Mexicano, Inc. Olantunj Center of African 91-5321-0298 Pasadena, CA Austin, TX $5,000 Culture, with lectures and To support a year-round workshops combining dance, Vigilante Players, Inc. Mariano Parra program of performances of music, drumming, and other Bozeman, MT $7,500 Dance Consultant/ authentic Indian danzas and fundamentals of African cul­ To support partial adminis­ Choreographer/Educator traditional Mexican bailes ture, and to support related trative support for the execu­ Surfside, FL folkloricos. 91-5322-0268 administrative costs. tive director and related trav­ 91-5322-0381 el costs. 91-5321-0342 Adam Pinsker African American Dance Executive Director Ensemble, Inc. Asian American Dance Vinnette Carroll Repertory Dance St. Louis Durham, NC $17,000 Collective Theatre St. Louis, MO To support costs associated San Francisco, CA $9,000 Ft. Lauderdale, FL $7,500 with the 1991-92 season of To support the commission­ To support the salary of the Everto Ruiz activities. 91-5322-0250 ing and production of origi­ producing artistic director. Chair, Chicano Studies nal full-length dance con­ 91-5321-0333 Department Aims of Modzawe, Inc. certs. 91-5322-0252 California State University Jamaica, NY $14,000 Northridge, CA To support a program for Bailes Flamencos Performing Arts advanced students in African San Francisco, CA $5,000 Organizations-­ Michael Stirling traditional dance and music. To support artists’ salaries for Dance Performing Arts Program 91-5322-0254 the development and presen­ Coordinator tation of a major new work Advisory Panel Oregon Arts Commission American Authentic Jazz for the company’s 19th home Portland, OR Dance Theatre, Inc. season. 91-5322-0273 Sherill Berryman-Miller New York, NY $7,000 Professor of Dance/ Mari Torres De Hutchinson To support professional Ballet East Dance Company Choreographer Arts Fund Coordinator dance workshops, with Austin, TX $5,000 Howard University Community Foundation emphasis on performance To support a community Washington, DC Hato Rey, PR skills, for the preservation of dance training program and the vanishing dance heritage performances by the compa­ Sandra Burton Lorraine Wilson of old jazz forms. ny. 91-5322-0269 Professor of Dance Supervisor of Music 91-5322-0267 Bronx Dance Theatre, Inc. Bronx, NY $5,000 To support administrative

52 National Endowment for the Arts and artistic costs associated Congolese dance. To support the salary of the Homowa Foundation with the dance training pro­ 91-5322-0262 public relations officer for for African Arts and gram for the 1991-92 season. expanding the company’s Cultures, Inc. 91-5322-0256 Dance Theatre Foundation touring market. Portland, OR $5,000 New York, NY $23,500 91-5322-0270 To support a performance Buffalo Inner City Ballet To support the artist-in-resi­ series presenting traditional Company, Inc. dence program, covering Folldorico Filipino music and dance of Ghana. Buffalo, NY $5,000 contemporary dance and New York, NY $2,000 91-5322-0382 To support administrative drama techniques for musical To support costs associated and artistic costs, along with theater, music, repertory, and with the company’s 1991-92 Indian Health Board of support for a professional dance composition at the season. 91-5322-0272 Minneapolis dance performance program. Alvin Ailey American Dance Minneapolis, MN $7,000 91-5322-0261 Center. 91-5322-0255 Foundation for Independent To support a dance exhibi­ Artists, Inc. tion series by the Minneap­ Caribbean Dance Dance Theatre of New York, NY $6,000 olis American Indian Dance Company, Inc. Harlem, Inc. To support a residency for Troupe featuring dances St. Croix, VI $10,000 New York, NY $49,500 Urban Bush Women at the unique to the upper Midwest To support an instructional To support the Dance Contemporary Art Center in native American tribes. program, as well as support Theatre of Harlem School’s New Orleans, along with 91-5322-0364 for performance costs. professional dance training support for performances and 91-5322-0259 and scholarship program workshops. 91-5322-0257 Institute of Puerto Rican during the 1991-92 season. Culture Compania Folklorica 91-5322-0253 Great Leap, Inc. San Juan, PR $14,500 Puertorriquena, Inc. Los Angeles, CA $21,000 To support production costs San Juan, PR $7,000 Dances and Drums of To support the creation, of the Bailer Concierto de To support a training pro­ Africa, Inc. production, and presentation Puerto Rico. 91-5322-0352 gram in folkloric dance, Brooklyn, NY $5,000 of original multimedia works performances for rural and To support instructors’ to audiences in the Asian- Institute of Puerto Rican urban communities through­ salaries, performances in American community, along Culture out Puerto Rico, and admin­ African ethnic dance and with support for administra­ San Juan, PR $5,000 istrative costs. 91-5322-0251 music, and related costs. tive staffsalaries. To support the salaries of 91-5322-0266 91-5322-0373 training personnel for Ballet Cultural Council de San Juan performance and Foundation Dayton Contemporary H.T. Dance Company, Inc. workshop programs. New York, NY $7,000 Dance Guild, Inc. New York, NY $18,500 91-5322-0356 To support administrative Dayton, OH $25,000 To support performances of and artistic costs at Pepatian To support the repertory Chen & Dancers and the Joseph Holmes Dance for a program focusing on development of a choreo­ music and dance training Theatre new dance and multidiscipli­ graphic work by Talley program at the Arts Gate Chicago, IL $8,000 nary performance work, the Beatty. 91-5322-0264 Center, including workshops To support a lecture/demon­ Tercer Maraton de Nuevas and dance events committed stration program for second­ Formas ("Third New Forms Dimensions Dance to traditional and contempo­ ary schools in the Chicago Marathon"). 91-5322-0260 Theater, Inc. rary Asian-American dance. metropolitan area. Oakland, CA $17,500 91-5322-0361 91-5322-0351 ~ Dance Giant Steps, Inc. To support artistic and Brooklyn, NY $5,000 administrative salaries in con­ Harambee Dance Ensemble Kankouran To support the publication nection with the production Oakland, CA $5,000 Washington, DC $5,000 of Attitude: The Dancer’s of the King Holiday Concert To support the partial salary To support administrative Monthly, a journal for and in January 1992. of a general manager. costs and a professional train­ about artists of culturally 91-5322-0263 91-5322-0377 ing program for senior com­ diverse backgrounds, along pany members. with support for artistic fees Floricanto Dance Theatre 91-5322-0355 for a series of workshops in Whittier, CA $5,000

1991 Annual Report 53 Ko-Thi, Inc. the African Music Dance Nanette Bearden and training program offered Milwaukee, WI $8,500 Ensemble. 91-5322-0374 Contemporary Dance by guest artists. To support the presentation Theatre Foundation, Inc. 91-5322-0357 of a major new work during a Mandeleo Institute New York, NY $4,500 Oakland, CA $10;000 To support a dance training Pueblo of Pojoaque midwestern tour and the $7,000 adaptation of a shortened To support performance program for the professional Santa Fe, NM version for performances in fees and related costs for the career development of minor­ To support a training pro­ schools. 91-5322-0353 Tenth Annual African ity students, which includes gram of traditional dances, Cultural Festival which will classes and workshops in bal­ song, and costume making. LaRocque Bey School of take place in February 1992 let, jazz, modern, and ethnic 91-5322-0379 Dance Theatre, Inc. in downtown Oakland. dance. 91-5322-0363 New York, NY $5,000 91-5322-0376 Rod Rodgers Dance New Dance Theatre, Inc. Company, Inc. To support dance perfor­ $18,500 mances incorporating classic Mandeleo Institute Denver, CO $36,000 New York, NY African choreography, drum Oakland, CA $5,500 To support professional To support administrative music, and costumes of To support the rehearsal and salaries of the ensemble and and training staff salaries, Africa. 91-5322-0105 performance fees for the pro­ instruction and training of programs for under-served fessional musicians and the youth troupe. audiences, and related costs. Lola Montes Foundation for dancers of Fua Dia Congo as 91-5322-0371 91-5322-0367 Dances of Spain and the part of their repertory concert Americas series. 91-5322-0378 gr New York Chinese Samahan Philippine Dance Los Angeles, CA $5,260 Cultural Center, Inc. Company, Inc. To support dance perfor­ Memory of African New York, NY $5,000 E1 Cajon, CA $5,000 mances of the "California Culture To support artists’ fees, To support artistic salaries Heritage" program. Washington, DC $5,000 promotion, and travel for a and related costs for the cre­ 91-5322-0349 To support administrative tour by professional Chinese ation of new dance suites and artistic costs, along with musicians and dancers to with themes selected from Lula Washington support for a residency pro­ Chinese-American communi­ different regions of the Contemporary Dance gram. 91-5322-0366 ties in the United States. Philippines. 91-5322-0368 Foundation 91-5322-0375 Inglewood, CA $5,000 Montana Ballet Spanish Dance Arts To support the training Company, Inc. New York City Company, Inc. program by Djimbe West Bozeman, MT $5,000 Hispanic-American Dance New York, NY $5,000 African Dancers and Drum­ To support a performance Company, Inc. To support artists’ fees and mers for talented professional and workshop program for New York, NY $47,500 related costs for the Com­ artists. 91-5322-0271 intermediate and advanced To support the professional munity Arts Program, which students from Montana, training program. enables the company to con­ Lula Washington Wyoming, and Idaho. 91-5322-0359 tinue the professional devel­ Contemporary Dance 91-5322-0354 opment of its members. Foundation Pacific American Ballet 91-5322-0104 Inglewood, CA $11,500 Muntu Dance Theatre Theatre, Inc. To support salaries for the Chicago, IL $9,725 Gardena, CA $5,000 Thelma Hill Performing dancers and choreographers To support the guest artist To support a touring reperto­ Arts Center, Inc. as well as administrative costs residency program. ry program appropriate for a Brooklyn, NY $16,000 during the 1992 season. 91-5322-0358 variety of ethnic communi­ To support the 1991-92 91-5322-0372 ties. 91-5322-0350 dance programs. Najwa Dance Corps 91-5322-0362 Mandeleo Institute Chicago, IL $5,000 Philadelphia Dance Oakland, CA $5,000 To support artistic and Company Tokunaga Dance Ko., Inc. To support the second annu­ administrative costs during Philadelphia, PA $46,000 New York, NY $5,000 al repertory concert series of the 1991-92 performance To support artistic and To support the instruction the Ladzekpo Brothers and season. 91-5322-0348 administrative costs for a pro­ program, which provides fessional dance instruction professional dance training

54 National Endowment for the Arts combining Japanese and professional training in internationally renowned Friends of the DC Youth Western dance. music, including classes, artists and Washington artists Orchestra Program 91-5322-0365 workshops, and concerts that as well as master classes. Washington, DC $23,500 will provide inner-city youth 91-5322-0401 To support the advanced Voloshky Ukrainian Dance with practical and studio symphonic music classes and Ensemble experience in Latin music. Chicago Children’s Choir a concert series featuring Philadelphia, PA $6,000 91-5322-0400 Chicago, IL $22,000 inner-city youth who are To support the celebration of To support the advanced taught by professional musi­ the company’s 20th anniver­ Boys Choir of Harlem, Inc. musical training and perfor­ cians. 91-5322-0388 sary with a dance presenta­ New York, NY $43,000 mance program aimed tion, video documentation, To support a music training toward enhancing young Institute of Puerto Rican and a brochure. program offering professional participants’ choral skills. Culture 91-5322-0369 instruction in piano, music 91-5322-0385 San Juan, PR $6,000 theory and history, sight To support administrative ZACCHO Dance Theatre singing, and voice for musi­ Chinese Music Ensemble of salaries and related costs for San Francisco, CA $5,000 cally gifted students, and sup­ New York, Inc. the music training program To support the production port for performances and New York, NY $9,500 for Coro de Ninos de San Juan of a collaborative new work. general management costs. To support administrative during the 1991-92 season. 91-5322-0380 91-5322-0387 and production costs for 91-5322-0390 training in and performance Performing Arts Bronx Council on the of Chinese classical, tradi­ Institute of Puerto Rican Organizationsm Arts, Inc. tional, and contemporary Culture Bronx, NY $6,000 music. 91-5322-0409 San Juan, PR $5,000 Music To support staffsalaries dur­ To support Producciones ing the 1991-92 season of Chinese Music Society Flor de Cahillo in its pro­ Advisory Panel Los Pleneros de la 21. Woodridge, IL $16,000 duction of a recording by 91-5322-0397 To support the development the musical ensemble Panelists on the Performing of professional skills required Marunguey, featuring the Arts Organizations--Dance Carter Family Memorial for traditional Chinese music works of island composers. Panel also reviewed the grants Music Center, Inc. for the orchestra. 91-5322-0413 below. Hiltons, VA $11,000 91-5322-0402 To support a concert and James Weldon Johnson Grants performance program to pre­ Concerned Musicians of Community Center, Inc. sent old-time music and Houston New York, NY $28,000 Alabama State Council on dance from the Appalachian Houston, TX $10,000 To support an advanced the Arts region. 91-5322-0389 To support the ongoing jazz instructional program of Montgomery, AL $10,000 performance program with Latin music, theory, and To support the administra­ Charlie Parker Memorial workshops and residencies instrumentation at the East tive costs of the Wiregrass Foundation offering professional instruc­ Harlem Music School, as Sacred Harp Singers. Kansas City, MO $17,000 tion in music theory, compo­ well as support for profes­ 91-5322-0384 To support the Jazz Studies sition, arranging, and orches­ sional salsa orchestra perfor­ and Performance programs tration, as well as support for mances for the community. Mi Akbar College of Music designed to help aspiring administrative costs. 91-5322-0383 San Rafael, CA $8,000 young student musicians pre­ 91-5322-0403 To support faculty salaries for pare for careers as performers, the core teaching program in Jazzmobile, Inc. arrangers, composers, and Creative Arts Collective, Inc. New York, NY $47,000 the North Indian classical teachers. 91-5322-0410 Detroit, MI $5,000 To support the advanced music tradition. To support a concert series of music workshop program in 91-5322-0396 Charlin Jazz Society, Inc. African-American avant which talented young musi­ Washington, DC $6,500 garde jazz at the Detroit cians are instructed by profes­ Asociacion de Musicos To support administrative Institute of Arts. sional jazz musicians. Latino Americanos, Inc. and performance costs for the 91-5322-0411 91-5322-0393 Philadelphia, PA $10,000 Jazz-in-the-Schools program, To support performances and featuring performances by

1991 Annual Report 55 Carlos Gutierrez-Solana Lira Singers To support the salary of the Society of the Third Chicago, IL $6,000 executive director. Street Music School Artist/Director, Visual Arts To support salaries for artistic 91-5322-0424 Settlement, Inc. Program and administrative staff. New York, NY $8,500 New York State Council on 91-5322-0412 Oakland Youth Chorus To support the Performing the Arts Oakland, CA $5,000 Arts Comprehensive Train­ New York, NY Manna House To support artistic fees and ing Program, which provides Workshops, Inc. related costs during the professional instruction in New York, NY $5,000 1991-92 season. music for the preprofessional Associate Professor, Department of Art To support the artistic and 91-5322-0415 student. 91-5322-0399 administrative services related University of Wisconsin-­ Opera de Camara, Inc. Southeast Symphony Madison to professional music instruc­ Madison, WI tion and performance oppor­ Old San Juan, PR $6,000 Association, Inc. tunities for a multiethnic To support administrative Los Angeles, CA $6,000 constituency. 91-5322-0408 costs for the 1991-92 season To support symphonic music Linda Lucero of productions. classes and a concert series for Executive Director Vanguard Foundation Merit Music Program, Inc. 91-5322-0391 minority and inner-city Chicago, IL $9,000 youth who are taught by pro­ San Francisco, CA To support the tuition-free Opera Factory fessional performing musi­ conservatory program, which Chicago, IL $5,000 cians from the Los Angeles Irvine Mac Manus provides professional music To support administrative area. 91-5322-0425 Director, Cultural Programs training for gifted minority costs and the premiere of a Commonwealth of Puerto and inner-city students pur­ zarzuela. 91-5322-0406 St. Francis Music Center Rico suing careers in music. Little Falls, MN $9,000 New York, NY 91-5322-0386 Pacific Zheng Ensemble To support an artist-in-resi­ Berkeley, CA $3,000 dence program in piano and Magee Nelson Music From China, Inc. To support the fifth annual harp, advanced training Director New York, NY $6,515 Zheng musical presentation. programs for musicians, a Hockaday Arts Center To support a regional concert 91-5322-0398 composers workshop, and Kalispell, MT series of classical, folk, and an ethnic dance program. contemporary Chinese music People’s Music School, Inc. 91-5322-0394 Aaronetta Pierce by the ensemble and guest Chicago, IL $6,500 Art Collector and Patron artists and to support related To support administrative Yeh Yu Chinese Opera San Antonio, TX costs. 91-5322-0392 costs for an advanced music Association, Inc. training program for minor­ New York, NY $5,000 Ed Spriggs Musica de Camara, Inc. ity and low-income students. To support performances and Executive Director New York, NY $5,000 91-5322-0407 a workshop program in Hammonds House To support the presentation Peking opera with traditional Atlanta, GA of the Master Class Concerts Richmond Jazz Society, Inc. Chinese musical instrumen­ to New York City’s inner- Richmond, VA $5,000 tation, singing, acting, and Grants city youth. 91-5322-0395 To support lectures, semi­ makeup. 91-5322-0414 nars, educational outreach ~ Denotes Grants Having National Impact New School for the Arts programs, a newsletter, and Visual, Media, Montclair, NJ $17,000 demonstrations, along with And Literary Arts To support a professional support for a concert series. Visual training center for the per­ 91-5322-0405 Organizations forming arts that provides Aljira, Inc. $6,000 scholarships for deserving San Jose Taiko Group, Inc. Advisory Panel Newark, NJ students. 91-5322-0416 San Jose, CA $8,500 To support an exhibition To support administrative series and related activities for Oakland Jazz Mliance, Inc. costs for the promotion of David Chung emerging artists. Oakland, CA $5,000 taiko. 91-5322-0404 Printmaker/Film and Video 91-5325-0208 Artist Washington, DC

56 National Endowment for the Arts ~ American Indian 1991 program, the Artist Multidisciplinary Panel. En Foco, Inc. Contemporary Arts Studio Fellowship Program, 91-5325-0197 Bronx, NY $8,000 San Francisco, CA $10,000 and various seminars. To support the public arts To support the administra­ 91-5325-0221 Children’s Art Carnival exhibition program at the tive activities and exhibitions New York, NY $38,000 gallery and at different loca­ of the work of emerging Bronx Museum of the Arts To support the Harlem- tions throughout the Bronx. native American artists who Bronx, NY $15,000 based Communication Arts 91-5325-0214 represent all regions of the To support exhibition oppor­ Production Program, a career nation. 91-5325-0218 tunities and related costs for training apprenticeship pro­ Fondo Del Sol emerging and established gram, the Harlem Textile Washington, DC $5,000 American Indian artists in public spaces Works Program, and other To support various exhibits Services, Inc. throughout the Bronx. professional training work­ and programs for the Sioux Falls, SD $7,000 91-5325-0217 shops. 91-5325-0205 1991-92 season. To support administrative 91-5325-0204 salaries and related adminis­ Bronx River Art Center, Inc. Chinese Culture Foundation trative costs for Northern Bronx, NY $7,000 of San Francisco Galeria Studio 24 Plains Tribal Arts ’92. To support the partial salary San Francisco, CA $20,000 San Francisco, CA $40,000 91-5325-0213 of an exhibition coordinator, To support exhibitions of To support a season of exhi­ exhibitions for emerging Chinese and Chinese-Ameri­ bitions at the gallery serving Amigos del Museo artists, and a sculptor-in­ can artists and related bro­ the Chicano/Latino Mission del Barrio residence. 91-5325-0244 chures, catalogues, and District. 91-5325-0212 New York, NY $35,000 educational programs. To support administrative Catamount Film and Arts 91-5325-0192 Kenkeleba House, Inc. and artistic costs for an ex­ Company New York, NY $24,000 hibition program featuring St. Johnsbury, VT $5,000 Community Artists’ To support a series of group Hispanic artists. Reviewed by To support a workshop pro­ Collective exhibitions featuring the the Multidisciplinary Panel. gram in which artist Don Houston, TX $4,400 work of established and 91-5325-0206 Sunseri assists in the develop­ To support an exhibition emerging visual artists, as ment of indigenous visual program for emerging and well as showcasing profes­ Art Exchange, Inc. arts produced mainly by established artists reflecting sional performing artists. Union Dale, PA $5,000 elderly and special consti­ the culturally diverse inner- 91-5325-0196 To support the development tuency artists of rural city community of Houston. of a traveling exhibit, "The Vermont. 91-5325-0185 91-5325-0245 La Raza Graphics Susquehanna River Valley Center, Inc. Project." Reviewed by the Centro Cultural Aztlan, Inc. Community Renewal Team San Francisco, CA $29,000 Multidisciplinary Panel. San Antonio, TX $5,000 of Greater Hartford, Inc. To support arts program­ 91-5325-0202 To support administrative Hartford, CT $17,000 ming and related services to costs and an exhibition pro­ To support the Craftery local artists and multicultural Brandywine Graphic gram for established and Gallery program, which pre­ arts organizations. Workshop, Inc. emerging Hispanic artists. sents professionally organized 91-5325-0223 Philadelphia, PA $40,000 91-5325-0203 exhibitions of prominent and To support the new gallery emerging minority artists. Liga Estudiantes de Arte de exhibition program and resi­ Chicago Public Art Group 91-5325-0198 San Juan, Inc. dencies for older printmakers Chicago, IL $6,000 San Juan, PR $35,000 who will serve as visiting To support a mural and Custer County Art and To support a series of visual artists/lecturers. sculpture program using pro­ Heritage Center arts exhibitions showcasing 91-5325-0210 fessional artists in a series of Miles City, MT $5,000 Puerto Rican artists, a schol­ projects stressing positive To support an exhibition and arship program, professional Bronx Council on the Latino and African-American instruction program specifi­ stafftraining, and publication Arts, Inc. images for the revitalization cally directed to the center’s of Plastica. 91-5325-0189 Bronx, NY $10,500 of economically distressed rural audience. To support the Scholarship areas. Reviewed by the 91-5325-0199 Studio Artist Exhibition

1991 Annual Report 57 Lower East Side Montana Art Gallery Opera de Camara, Inc. ~" Studio Museum in Printshop, Inc. Directors Association Old San Juan, PR $15,000 Harlem, Inc. New York, NY $5,000 Great Falls, MT $5,000 To support administrative New York, NY $45,000 To support the printmaking To support the presentation and related costs for a series To support the artists-in-resi­ workshop that provides pro­ of quality arts exhibitions to of exhibitions and an ad­ dence program offering fel­ fessional instruction for the art museums and galleries vanced workshop program in lowships for studio space and minority artists. throughout the state of Mon­ ceramics at Casa Candina. art supplies to outstanding 91-5325-0191 tana that provide accessibility 91-5325-0187 emerging artists, the Intern to rural communities. Program in museology, and Margaret Harwell Art 91-5325-0211 Puerto Rican administrative costs. Museum Workshop, Inc. 91-5325-0215 Poplar Bluff, MO $5,000 Montana Indian Art and New York, NY $5,000 To support administrative Culture Association To support administrative Taos Art Association, Inc. costs and travel costs for an Bozeman,. MT $5,000 salaries. 91-5325-0186 Taos, NM $5,000 exhibition program serving To support a resource devel­ To support the Young Artist an isolated rural population opment program for contem­ Self-Help Graphics and Workshop Series at the Oo­ in southeast Missouri. porary American Indian Arts, Inc. oonah Arts Center, offering 91-5325-0190 artists living in Montana and Los Angeles, CA $21,500 studio and gallery experience the Northwest region of the To support the administra­ in contemporary and tradi­ ~g Mexican Museum nation. 91-5325-0240 tive costs for an exhibition tional art forms for children San Francisco, CA $25,000 program at the Otra Vez age 3 to 18.91-5325-0200 To support the museum’s Movimiento Artistico del Gallery; professionally led exhibition program of Rio Salado, Inc. studio classes; and "atelier," United Indians of Ml Tribes Mexican and Mexican- Phoenix, AZ $8,000 etching, and monoprint Foundation American art. 91-5325-0219 To support the MARS workshops for emerging Seattle, WA $17,000 Artspace Local Artist Series, Latino artists. 91-5325-0188 To support the center as a Mexic-Arte an exhibition program major regional focal point Austin, TX $13,000 designed to develop and Social and Public Art for native American art exhi­ To support the exhibition advance the skills of emerg­ Resource Center bitions. 91-5325-0193 program for Mexican- ing Mexican-American visual Venice, CA $27,000 American artists and admin­ artists, and related costs. To support administrative United Tribes Educational istrative costs. 91-5325-0220 91-5325-0207 and training costs for the Technical Center resource center’s work with Bismarck, ND $5,000 Minneapolis American National Center of Afro- professional muralists. To support costs associated Indian Center American Artists, Inc. 91-5325-0183 with the fourth Annual Minneapolis, MN $12,000 Boston, MA $24,100 United Tribes Indian Art To support a series of visual To support an exhibition Southern Alleghenies Expo. 91-5325-0209 arts exhibitions featuring the program by African-Ameri­ Museum of Art work of traditional and mod­ can and Caribbean artists, Loretto, PA $15,000 Media Arts ern Indian artists from the and related music, dance, and To support the exhibition upper Midwest. spoken-word programs. activities of the museum’s ~r Asian Cine-Vision, Inc. 91-5325-0194 91-5325-0222 major extension facilities in New York, NY $26,000 Johnstown and Hollidays­ To support services to Asian- Molly Olga Neighborhood National Institute of Art burg. 91-5325-0184 American media artists, Art Classes, Inc. and Disabilities including an exhibition pro­ Buffalo, NY $5,000 Richmond, CA $5,000 St. Thomas Arts gram and publications de­ To support a program of pro­ To support the center’s visual Council, Inc. signed to increase visibility fessional career training in arts exhibition and studio St. Thomas, VI $7,500 and accessibility of their painting, drawing, sculpture, program for disabled persons To support administrative work. 91-5325-0225 and photography for gifted and curatorial costs. and instructional costs for inner-city youth. 91-5325-0216 training programs for the ~g Black Filmmakers Hall 91-5325-0195 career enhancement of visual of Fame arts students. 91-5325-0224 Oakland, CA $7,000

58 National Endowment for the Arts To support administrative To support writers’ and Hatch-Billops Maine Arts Commission costs for a series showcasing poets’ fees and related costs Collection, Inc. Augusta, ME independent black film­ for issues of Catalyst maga­ New York, NY $11,500 makers and their films. zine. 91-5325-0234 To support the "Artist and Edward Diaz 91-5325-0227 Influence" series, which pro­ Director Elders Share the Arts, Inc. motes and documents the San Antonio Department of Camera News, Inc. Brooklyn, NY $5,000 artistic careers of prominent Cultural Affairs New York, NY $10,000 To support administrative contemporary visual, per­ San Antonio, TX To support an intensive film costs for a performance pro­ forming, and literary artists and video training program gram involving the elderly. from the expansion arts field. Vivian Robinson for emerging artists. 91-5325-0235 91-5325-0242 Executive Director 91-5325-0228 AUDELCO Frederick Douglass Oneida Tribe of Indians New York, NY Sojourner Productions, Inc. Creative Arts of Wisconsin Washington, DC $14,000 New York, NY $35,000 Oneida, WI $5,000 Myce Sadongei To support the Black Film To support the literary train­ To support a working forum Curriculum Manager Institute, a film exhibition ing program, the annual for artists skilled in the arts of Smithsonian Institution program with accompanying Black Roots Festival, the quill work, the making of the Washington, DC lectures focusing on the Staged Reading Series, and head dress, and other compo­ scope, meaning, and poten­ Equity Showcase produc­ nents of the traditional Mayumi Tsutakawa tial of black cinema. tions. 91-5325-0238 Oneida costume, in an effort Manager, Cultural Resources 91-5325-0231 to share and preserve tribal Division ~r Multicultural Arts, Inc. art forms. 91-5325-0243 King County Arts Southern California Asian Los Angeles, CA $18,000 Commission American Studies Central To support The International Winston-Salem Delta Fine Seattle, WA Los Angeles, CA $29,000 Review of A~ican American Arts, Inc. To support the sixth year of Art, which documents the Winston-Salem, NC $7,500 Panel B the Asian Pacific Filmmaker work of African and African- To support administrative Development Program. American artists. salaries. 91-5325-0241 Anne Edmunds 91-5325-0230 91-5325-0232 President Services to A.L. Edmunds Associates Visual Communications ~r Native American Center Philadelphia, PA Group, Inc. for the Living Arts, Inc. the Field Miami, FL $5,000 Niagara Falls, NY $26,000 Jane Delgado To support a course program To support the center’s The Support is provided to orga­ Consultant for African-American film Turtle Quarterly magazine, nizations of regional or Bronx, NY and video artists. which provides experience national scope whose primary 91-5325-0229 and professional training to function is to offer quality Maryo Ewell native Americans in the fields technical assistance and/or Director, Community Literary Arts of journalism, photography, services to expansion arts Programs and literary production. organizations. Colorado Council on the Atlanta Writing Resource 91-5325-0236 Arts and Humanities Center, Inc. 31 Grants Denver, CO Atlanta, GA $5,000 Visual Arts Program Funds: $630,000 To support a creative writing Combination Ruby Lerner program, including work­ Advisory Panels Executive Director shops in fiction, poetry, flee- Film News Now IMAGE Film and Video lance writing, and playwrit­ Foundation, Inc. Panel A Center ing; a writer-in-residence New York, NY $7,000 Atlanta, GA program; and related costs. To support programs and 91-5325-0237 David Cadigan services for minority and Community Arts Myce Sadongei women media artists and Coordinator Executive Director ~ Catalyst, Inc. related administrative costs. ATLATL Atlanta, GA $5,000 91-5325-0226 Phoenix, AZ

1991 Annual Report 59 Grants African-American theater costs, membership services, Chinese American companies. Reviewed by and related costs. Reviewed Educational and Cultural ~r Denotes Grants Having Panel A. 91-5365-0447 by Panel A. 91-5365-0084 Center of Michigan National Impact Ann Arbor, MI $35,000 Mternate ROOTS, Inc. ~ Association of American To support a program that ~r ATLATL Atlanta, GA $21,000 Cultures, Inc. provides services for Chinese- Phoenix, AZ $21,000 To support the creation, Washington, DC $50,000 American arts organizations, To support administrative development, and presenta­ To support core programs including technical assis­ costs and services for native tion of new work, publica­ and administrative and relat­ tance, promotion of perfor­ American artists and arts tion of newsletters and a ed costs. Reviewed by mances, exhibitions, arts organizations. Reviewed by bimonthly members’ bul­ Panel B. 91-5365-0456 directories, newsletters, and Panel B. 91-5365-0090 letin; an annual meeting; and related costs. Reviewed by related costs. Reviewed by ~ Association of Hispanic Panel B. 91-5365-0086 ~ ATLATL Panel B. 91-5365-0092 Arts, Inc. Phoenix, AZ $20,000 New York, NY $50,000 Chinese American To support administrative Mternate ROOTS, Inc. To support a technical assis­ Educational and Cultural costs, a technical assistance Atlanta, GA $21,500 tance program, artistic and Center of Michigan program, and information To support artistic and administrative costs, a Ann Arbor, MI $30,000 services provided to native administrative skills work­ monthly newsletter, and To support a newsletter and American artists, arts organi­ shops for rural and urban comprehensive national costs related to the technical zations, and tribes. Reviewed Appalachian arts organiza­ information services. assistance, promotion, and by Panel A. 91-5365-0452 tions at the annual meeting, Reviewed by Panel A. marketing programs. publication of newsletters, 91-5365-0446 Reviewed by Panel A. African American Arts and related costs. Reviewed 91-5365-0455 Mliance of Chicago by Panel A. 91-5365-0449 California Assembly of Local Chicago, IL $6,000 Arts Agencies Coalition of African- To support a program of Asian American Arts Yountville, CA $5,000 American Cultural technical services including Alliance To support the partial salaries Organizations publications; workshops in New York, NY $5,000 of persons at Rural Arts Philadelphia, PA $28,000 the areas of administrative, To support services to Asian Services providing technical To support partial adminis­ organizational, and artistic and Asian-American artists assistance to rural California trative costs, a newsletter, and development; costs of African and arts organizations in communities in developing technical assistance and mar­ American Arts Month; and New York, including a arts programming involving keting programs, including related costs. Reviewed by monthly newsletter, technical American Indian arts produc­ workshops on publicity and Panel B. 91-5365-0094 assistance workshops, an edu­ ing, exhibiting, and service advocacy. Reviewed by cational conference, and organizations. Reviewed by Panel A. 91-5365-0427 ~ African-American related costs. Reviewed by Panel B. 91-5365-0093 Museums Association Panel B. 91-5365-0087 Friends of Support Services Washington, DC $10,000 Chicano Humanities and for the Arts, Inc. To support the publication of Asian American Arts Arts Council, Inc. San Francisco, CA $40,000 newsletters, a series of"muse­ Alliance Denver, CO $18,000 To support administrative, um shape-ups," critical con­ New York, NY $7,500 To support the regional dis­ technical, and artistic salaries sultant assistance, and related To support salaries, market­ semination of information to and related costs in provid­ costs. Reviewed by Panel B. ing, and related costs for the Hispanic arts organizations, a ing services to multicultural 91-5365-0085 alliance’s resource library. newsletter, technical assis­ arts organizations and artists Reviewed by Panel A. tance to developing organiza­ in northern California. ~ African Continuum 91-5365-0448 tions, and promotional assis­ Reviewed by Panel B. Theatre Coalition, Inc. tance for arts events. 91-5365-0097 Washington, DC $6,000 ~ Association of American Reviewed by Panel A. To support the Management Cultures, Inc. 91-5365-0428 Friends of Support Services Assistant Program designed Washington, DC $50,000 for the Arts, Inc. to provide organizational To support administrative San Francisco, CA $35,000 development services to To support salaries of the

60 National Endowment for the Arts professional, artistic, and to the industry, and work­ a directory of resources for tive effort with local commu­ technical staffinvolved in the shops in career development. native American artists living niry foundations designed to Support Service Project and Reviewed by Panel A. in Montana and the North­ secure private money on a costs related to the project. 91-5365-0089 west. Reviewed by Panel A. permanent basis for small Reviewed by Panel A. 91-5365-0451 and medium-sized arts 91-5365-0450 Institute of Alaska Native groups, with an emphasis on Arts, Inc. Texas Assodation of expansion arts organizations. Harlem Cultural Fairbanks, AK $36,000 American Cultures The four-year grants from Council, Inc. To support services to native San Antonio, TX $5,000 the Expansion Arts Program New York, NY $12,000 artists and arts organizations To support the development are used to subgrant to local To support a newsletter that of Alaska through the Infor­ of resource information and arts groups, and the commu­ disseminates information to mation Center Program and technical assistance to artists niry foundation’s match is regional artists and arts orga­ to support related admin­ and arts organizations en­ deposited in permanent nizations and to support istrative costs. Reviewed by gaged in producing and endowment. The Rural Arts expenses associated with Panel A. 91-5365-0429 presenting culturally diverse Initiative awards match meetings of the Harlem Arts programming in Texas. ing grants of up to $40,000 Advocacy Group and related Maine Arts Sponsors Reviewed by Panel A. per year, available for up costs. Reviewed by Panel B. Association 91-5365-0102 to three years to state arts 91-5365-0083 Augusta, ME $7,000 agencies for regranting to To support a technical assis­ Texas Association of rural arts organizations with­ Hispanic Culture tance program that provides American Cultures in their state. The Organiza­ Foundation workshops in board develop­ San Antonio, TX $5,000 tional Development Pilot Albuquerque, NM $20,000 ment and related activities for To support the development For Presenters, a joint effort To support services to His­ artists and arts organizations of resource information and of the Expansion Arts and panic arts organizations and in isolated rural regions of technical assistance to artists Inter-Arts Programs, provides artists of New Mexico, the state. Reviewed by and arts organizations en­ matching grants of up to including technical assis­ Panel B. 91-5365-0098 gaged in producing and pre $30,000 for not more than tance, a workshop titled senting culturally diverse pro­ three years to culturally "Hispanic Arts and the Maine Arts Sponsors gramming in Texas.Reviewed diverse, multidisciplinary pre­ Quincentennial," and related Association by Panel B. 91-5365-0453 senting organizations for costs. Reviewed by Panel A. Augusta, ME $10,000 institutional enhancement. 91-5365-0088 To support a technical assis­ ~ Visual Arts Research and tance program that offers Resource Center Relating to 18 Grants Hispanic Culture workshops for artists and arts the Caribbean, Inc. Foundation organizations in isolated rural New York, NY $30,000 Program Funds: $502,500 Albuquerque, NM $20,000 regions of the state. Reviewed To support the second inter­ To support the technical by Panel A. 91-5365-0430 national forum "Cultural Advisory Panel assistance program and Diversity Based on Cultural administrative and related Midwest Affikan American Grounding II," during which Panel A costs for the newsletter, direc­ Theatre Alliance papers written by leading cul­ tory on Hispanic culture, Chicago, IL $6,000 turalists, artists, and scholars Cynthia Hardy referrals and resource center. To support a technical assis­ will be presented. Reviewed Consultant Reviewed by Panel B. tance conference, the publi­ by Panel A. 91-5365-0454 Columbus, OH 91-5365-0457 cation of newsletters and bulletins, and related costs. Katharine Pearson Hispanic Organization of Reviewed by Panel B. Special Projects Executive Director Latin Actors 91-5365-0091 East Tennessee Community New York, NY $15,000 For special initiatives that To support administrative will advance expansion art Foundation Montana Indian Art and Knoxville, TN costs, a nationally distributed Culture Association forms, are of national signifi­ monthly newsletter, referral Bozeman, MT $5,000 cance, and/or can be used as models by the whole field. Joe Rodriguez and information services for To support administrative Assistant Director professionals and newcomers costs and the development of The Community Founda­ tion Initiative is a collabora­

1991 Annual Report 61 Office of Cultural Affairs Denise Nash Historical Society, Fort Community San Jose, CA Executive Director Leavenworth, Kansas Foundation Pasadena Arts Commission Ft. Leavenworth, KS Initiative Alice Sandogei Pasadena, CA $20,000 To support design develop­ Curriculum Manager Advisory Panels Smithsonian Institution Mariano Parra ment costs for a Buffalo Washington, DC Dance Consultant/ Soldier Monument to mark Choreographer/Educator the achievements and contri­ Panel A Surfside, FL butions made by African- Michael Stifling Cynthia Hardy Performing Arts Program American cavalry regiments Adam Pinsker formed just after the Civil Consultant Coordinator Columbus, OH Oregon Arts Commission Executive Director War in 1866. Reviewed by Portland, OR Dance St. Louis Panel B. 91-5370-0103 St. Louis, MO Katharine Pearson Panel B Lula Washington Executive Director Michael Stifling Contemporary Dance East Tennessee Community Performing Arts Program Foundation Foundation Willis Bing Davis Knoxville, TN Chairman, Art Department Coordinator Inglewood, CA $16,500 Oregon Arts Commission To support the Fifth Inter­ Central State University Frances Poteet Wilberforce, OH Portland, OR national Black Dance Com­ panies Conference scheduled Consultant Sandia Park, NM Ed Spriggs Grants to take place in Los Angeles Executive Director and related costs. Reviewed Denotes Grants Having by Panel C. 91-5370-0443 Michael Stifling Hammonds House Performing Arts Program Atlanta, GA National lmpact San Francisco Coordinator ~ Association of American Foundation Oregon Arts Commission Maryo Ewell Portland, OR Director, Community Cultures, Inc. San Francisco, CA $6,000 Programs Washington, DC $25,000 To support the final docu­ mentary phase of the Bay Betty Switzer Colorado Council on the Field Representative Arts and Humanities To support the final phase of Area Multicultural Arts Initiative, a three-year Texas Commission on the Denver, CO planning for a comprehensive Arts economic development train­ program of institutional Austin, TX Ruby Lerner ing project designed to bene­ enhancement of selected arts Executive Director fit community-based, ethnic, organizations. Reviewed by nonprofit cultural organiza­ the Multidisciplinary Arts Robert Wadsworth IMAGE Film and Video Program Director Center tions. Reviewed by Panel A. Organization Panel. 91-5370-0444 91-5370-0422 Boston Foundation Atlanta, GA Boston, MA Panel C Florida Endowment Fund Young Aspirations/Young for Higher Education Artists, Inc. Panel B Sandra Burton Tampa, FL $20,000 New Orleans, LA $5,000* To support "YA/YA Maryo Ewell Professor of Dance To provide support for the Director, Community Williams College production of an educational Abroad," a project linking Williamstown, MA documentary focusing on the young inner-city design Programs works and artists represented artists trained by YA/YA Colorado Council on the in the Barnett-Aden African- with youth and young profes­ Arts and Humanities Charmaine Jefferson Denver, CO Acting Commissioner, American Art Collection. sionals in communities in Reviewed by the Expansion Milan and Paris. Reviewed Department of Cultural Cynthia Hardy Affairs Arts Program’s Multidisci­ by Panel A. 91-5370-0445 plinary Panel and the Media * See InternationalActivities Deputy Director City of New York Ohio Arts Council New York, NY Arts Program’s Television section. Panel. 91-5370-0423 Columbus, OH

62 National Endowment for the Arts Derek Gordon Trident Community Jamaica Center for the of the Organizational Executive Director Foundation, Inc. Performing and Visual Arts Development Pilot. Pennsylvania Council on Charleston, SC $30,000 New York, NY 91-5370-0419 the Arts To support subgranting to Harrisburg, PA small and minority arts orga­ Joanna Lee Inner City Cultural Center nizations. Reviewed by Affirmative Action Officer Los Angeles, CA $30,000 Ruby Lerner Panel B. 88-5370-0093 Trenton State College To support the second Executive Director Trenton, NJ year of the Organizational IMAGE Film and Video Vermont Community Development Pilot. Center Foundation Mice Lovelace 91-5370-0421 Atlanta, GA Middlebury, VT $50,000 Executive Director/Writer For support of subgranting Southeast Community Mandeleo Institute Grants to small and minority arts Cultural Center Oakland, CA $30,000 organizations. Reviewed by Atlanta, GA To support the second year Community Foundation of Panel A. 88-5370-0380 of the Organizational Santa Clara County Terezita Romo Development Pilot. San Jose, CA $50,000 Rural Arts Program Manager, 91-5370-0420 For support ofsubgrants to Organizational Grants small and medium-sized arts Initiative Program William Terry, ODP organizations, including California Arts Council Cooperator those of the expansion arts Grants in this subcategory Sacramento, CA New York, NY $20,000 field. Reviewed by Panel A. were funded with State Set- To support the second year 89-5370-0239 Aside funds. See the State Grants of a cooperative agreement Set-Asides section of this to the five grantees of the Community Foundation of report for a list of the Afro-American Cultural Expansion Arts/Inter-Arts Sonoma County Expansion Arts Program’s Center, Inc. Programs’ Organizational Santa Rosa, CA $50,000 Rural Arts Initiative grants. Charlotte, NC $30,000 Development Pilot. To support subgranting to To support the second year DCA 91-04 small and minority arts orga­ Organizational of the Organizational nizations. Reviewed by Development Pilot Development Pilot. William Terry, ODP Panel A. 88-5370-0388 91-5370-0417 Cooperator for Presenters New York, NY $10,000 Jacksonville Community Carter G. Woodson To amend cooperative agree­ Foundation Advisory Panel Foundation, Inc. ment DCA 90-11, which Jacksonville, FL $50,000 Newark, NJ $30,000 was awarded to monitor the To support subgranting to Susie Farr To support the second year Organizational Development small and medium-sized arts Executive Director of the Organizational Pilot Initiative for Presenters organizations and individual Association of Performing Development Pilot. grantees. The additional artists, including those in Arts Presenters 91-5370-0418 funds were used for technical the expansion arts field. Washington, DC assistance visits by the Reviewed by Panel A. Guakia, Inc. cooperator. 89-5370-0375 Patricia Johnson Hartford, CT $30,000 Executive Director To support the second year

1991 Annual Report 63 Handcrafted saddles draw attention at Nevada’s Cowboy Poetry Gathering, an annual event supported by a Folk Arts Program grantee. Folk Arts 158 Grants Program Funds $2,955,200

The Folk Arts Program supports the traditional arts prac­ Multicultural events such as the Lowell Folk Festival ticed by groups of people who share an ethnic heritage, occu­ in Massachusetts and National Folk Festival in Johns­ pation, language, religion or geographic area. Its special town, Pennsylvania, featured a multiplicity of traditional responsibility is to encourage arts that have endured through artists from many cultural groups and attracted audiences several generations, that carry a sense of community esthetic, of well over 100,000. The Cowboy Poetry Gathering in and that demonstrate artistic excellence. The program assists Hko, Nevada, entered its eighth year and continued to and honors men and women who demonstrate the highest attract national attention. The diverse "Folk Masters" traditional artistic knowledge and skills. It supports the cul­ series at Carnegie Hall was packaged for radio and broad­ tural activities of traditional communities. It helps to make cast on nearly 200 stations. Organized by the Museum the sophistication, vivacity and significance of our multicul­ of International Folk Art in Santa Fe, the exhibition of tural artistic heritage available to a wider public. works by recipients of the Endowments National Heritage Fellowships toured nationally. n 1991 the folk arts field continued its lively, Many individual cultural groups worked to maintain booming course of recent years. There was height­ their time-honored art forms and to offer traditional ened activity on several fronts: greater public inter­ artistic expression for public appreciation. An informal I est in the folk arts; ever-growing numbers of folk count showed that more than 175 distinct ethnic com­ artists wanting to perform or exhibit for wider munities have approached the Folk Arts Program for sup- audiences; and more performance and exhibition venues port in recent years. The 1991 grantees used music, craft, offering more diverse fare. the spoken word, and other creative genres to project a

64 rainbow of cultural backgrounds from African-American Roots" to audiences in the region. The New England blues to Hawaiian slack key steel string guitar, from rural Foundation plans similar tours. The annual conference of New York stonework to Native California wicker. the Association of Performing Arts Presenters saw the American Indians and Alaskan Natives, among whom largest number of folk arts showcases in its history. more than 200 languages are still spoken, were particular­ The transmission of traditional skills, esthetic princi­ ly active as they planned traditional arts activities for the ples and repertoires in a close, person-to-person fashion 1992 quincentenary of the arrival of Columbus in the has always been the cornerstone of folk art traditions. New World. That milestone offers a special opportunity With Endowment encouragement, the number of state- to recognize the strength of the many indigenous cultures based grants programs in support of folk arts apprentice­ that remained vital during the past 500 years. To aid ships in the states and Pacific territories grew from one in efforts supporting tribal traditions, the Interior Depart­ 1984 to 35 this year. ment initiated a new Tribal Preservation Program, and Finally, the program’s National Heritage Fellowships the Folk Arts Program is cooperating in the venture. continued to command national attention. A major arti­ More folk arts tours were available to arts presenters cle in National Geographic profiled many of the fellows than before, partly the result of new efforts by regional and stimulated new nominations. Speaking of these folk arts organizations that received Endowment support. The arts masters, the article observed, "Taken all together, they Southern Arts Federation brought "Deep South Musical emphasize the astonishing diversity of American life."

National Heritage Tennessee Division of Parks Carol Robertson University of North Carolina and Recreation Associate Professor, Chapel Hill, NC Fellowships Lake City, TN Ethnomusicology University of Maryland Grants To recognize, through a one- Micia Gonzalez College Park, MD time-only grant award, a few Coordinator, Quincen­ Fellows received $5,000. of the nation’s exemplary tenary Activities David Roche master folk artists and arti- Smithsonian Institution Cultural Consultant Baker, Etta sans whose significant contri- Washington, DC Point Richmond, CA butions to the health and Morganton, NC happiness of the nation have James Griffith Sam-Ang Sam gone largely unrecognized. Blake, George Director, Southwest Folklore Professor/Traditional Hoopa Valley, CA Center Cambodian Musician 16 Grants University of Arizona University of Washington Coen, Jack Program Funds: $80,000 Tucson, AZ Seattle, WA Bronx, NY Advisory Panel Kevin Locke Ricardo Trimillos Frank, Rose Tradition Bearer/Musician Professor of Ethno- Lapwai, ID David Brose Mobridge, SD musicology Folk Arts Coordinator University of Hawaii-- Guerrero, Eduardo Iowa Arts Council Nathan Pearson, Jr. Honolulu Cathedral City, CA Des Moines, IA President Manoa, HI Broadcasting Partners, Inc. Insixiengmai, Khamvong Gerald Davis New York, NY Thomas Vennum, Jr. Fresno, CA Filmmaker/Poet/Professor/ Senior Ethnomusicologist, Folklorist Elizabeth Peterson Office of Folklife Programs King, Don Rutgers University Regional Folk Arts Smithsonian Institution Sheridan, WY New Brunswick, NJ Coordinator Washington, DC New England Foundation on King, Riley B.B. Bobby Fulcher the Arts Charles Zug Las Vegas, NV Regional Interpretive Boston, MA Chairman of Curriculum in Specialist Folklore

1991 Annual Report 65 Littlefield, Esther Foundation Ralph Samuelson Bea Medicine Sitka, AK Juneau, AK Ethnomusicologist/Musi­ Anthropologist/Consultant, cian/Foundation Native American Culture Nakasone, Harry James Griffith Executive/Associate Mobridge, SD Honolulu, HI Director, Southwest Folklore Director Center Asian Cultural Center Maria-Isabel Miranda Perez, Irvan University of Arizona New York, NY Assistant Professor, Poudras, LA Tucson, AZ Department of Chicano Robert Teske Studies Sexton, Morgan Barbara Hampton Director California State University Cornettesville, KY Associate Professor Cedarburg Cultural Center Northridge, CA Hunter College Cedarburg, WI Tsimouris, Nikitas New York, NY j. Sanford Rikoon Tarpon Springs, FL Thomas Vennum, Jr. Research Assistant/Professor, William Kornrich Senior Ethnomusicologist, Department of Rural Wells, Gussie Director Office of Folklife Programs Sociology Oakland, CA Rose Center and Council for Smithsonian Institution University of Missouri-­ the Arts Washington, DC Columbia Williams, Arbie Morristown, TN Columbia, MO Oakland, CA Bell Yung Dorothy Lee Assistant Professor, Music John Roberts Wine, Melvin Professor/Acting Director, Department/Qin Player Director, African-American Copen, WV Archives of Oral Tradition University of Pittsburgh Studies Program Indiana University Pittsburgh, PA University of Pennsylvania Bloomington, IN Philadelphia, PA Folk Arts Panel B Organizations Steve Loza Hiromi L. Sakata Professor of Music/Musician David Brose Professor/Ethnomusicologist To enable nonprofit organi­ University of California-­ Folk Arts Coordinator University of Washington zations to support such folk Los Angeles Iowa Arts Council Seattle, WA art activities as local festivals, Los Angeles, CA Des Moines, IA concerts, exhibits, and tour­ Lee Udall ing performances. Grants are Bea Medicine James Griffith Retired Administrator/ also awarded for the docu­ Anthropologist/Consultant, Director, Southwest Folklore Layperson mentation of traditional arts Native American Culture Center Santa Fe, NM through radio, film, and Mobridge, SD University of Arizona recording and for general Tucson, AZ Thomas Vennum, Jr. assistance to the field. Nathan Pearson, Jr. Senior Ethnomusicologist, State set-asides for folk arts President Barbara Hampton Office of Folklife Programs appear in a later chapter. Broadcasting Partners, Inc. Associate Professor Smithsonian Institution New York, NY Hunter College Washington, DC 135 Grants New York, NY Barbara Rahm Isabel Wong Program Funds: $2,712,400 State Folk Arts Coordinator William Kornrich Office of International California Arts Council Director Programs and Studies Advisory Panel Sacramento, CA Rose Center and Council for University of Illinois the Arts Champaign, IL Panel A j. Sanf0rd Rikoon Morristown, TN Research Assistant/Professor, Charles Zug Nora Dauenhauer Department of Rural Dorothy Lee Chairman of Curriculum in Program Director, Language Sociology Professor/Acting Director, Folklore and Cultural Studies University of Missouri-­ Archives of Oral Tradition University of North Carolina Sealaska Heritage Columbia Indiana University Chapel Hill, NC Columbia, MO Bloomington, IN

66 National Endowment for the Arts Panel C David Roche Dorothy Lee ~r Maska Public Radio Ethnomusicologist/Musician Professor/Acting Director, Network Nora Dauenhauer Pt. Richmond, CA Archives of Oral Tradition Anchorage, AK $10,000 Program Director, Language Indiana University To support a series of short and Cultural Studies Thomas Vennum, Jr. Bloomington, IN radio features on native Sealaska Heritage Senior Ethnomusicologist, American traditional arts Foundation Office of Folklife Programs R. Carlos Nakai from across the United Juneau, AK Smithsonian Institution Musician/Educator States. Reviewed by Panel A. Washington, DC Tucson, AZ 91o5533-0010 Barbara Hampton Associate Professor Bell Yung Jose Reyna Allied Arts Fund of Greater Hunter College Assistant Professor, Music Folklorist/Musician/Professor Chattanooga New York, NY Department/Qin Player California State University Chattanooga, TN $18,500 University of Pittsburgh Bakersfield, CA To support a folklorist-in­ Albert Head Pittsburgh, PA residence position to identify, Executive Director J. Sanford Rikoon document, and present to Alabama State Council on Charles Zug Research Assistant/Professor, the public the folk and ethnic the Arts Chairman of Curriculum in Department of Rural artistic traditions of the Birmingham, AL Folklore Sociology greater Chattanooga area. University of North Carolina University of Missouri-­ Reviewed by Panel B. William Kornrich Chapel Hill, NC Columbia 91-5533-0117 Director Columbia, MO Rose Center and Council for Panel D ~ An Claidheamh the Arts David Roche Soluis, Inc. Morristown, TN Martha Ellen Davis Ethnomusicologist/Musician New York, NY $5,800 Ethnomusicologist/Professor Pt. Richmond, CA To support a recording of James Leary Indiana University selected pieces from the Irish Folklorist Bloomington, IN Thomas Vennum, Jr. Donegal-style tune reper­ Mt. Horeb, WI Senior Ethnomusicologist, toire. Reviewed by Panel A. Barbara Hampton Office of Folklife Programs 91-5533-0023 Dorothy Lee Associate Professor Smithsonian Institution Professor/Acting Director, Hunter College Washington, DC Appalshop, Inc. Archives of Oral Tradition New York, NY Whitesburg, KY $15,000 Indiana University Charles Zug To support the "Seedtime on Bloomington, IN Mbert Head Chairman of Curriculum in the Cumberland" Festival, a Executive Director Folklore celebration of traditional R. Carlos Nakai Alabama State Council on University of North Carolina Appalachian arts. Reviewed Musician/Educator the Arts Chapel Hill, NC by Panel A. 91-5533-0097 Tucson, AZ Birmingham, AL Grants Arab Community Center Jose Reyna Richard Kennedy for Economic and Social Folklorist/Musician/Professor Ethnomusicologist qr Denotes Grants Having Services California State University Smithsonian Institution National Impact Dearborn, MI $23,000 Bakersfield, CA Washington, DC To support the Artisan Abhinaya Dance Company Training Program and a tra­ J. Sanford Rikoon William Kornrich of San Jose, Inc. ditional Arab dance and Research Assistant/Professor, Director San Jose, CA $10,000 music performance series. Department of Rural Rose Center and Council for To support weekly classes in Reviewed by Panel A. Sociology the Arts south Indian dance styles to 91-5533-0078 University of Missouri-­ Morristown, TN be led by master artist Columbia Mythili Kumar. Reviewed by Asian American Arts Columbia, MO James Leafy Panel A. 91-5533-0013 Center, Inc. Folklorist New York, NY $9,000 Mt. Horeb, WI To support the production of

1991Annual Report 67 cassette and CD recordings Bethel German Communal Festival in Memphis. Chicken: The Prairie Cajun ofTaishan muyu folk singer Colony, Inc. Reviewed by Panel A. Mardi Gras. Reviewed by Ng Sheung-chi. Reviewed by Bethel, MO $2,800 91-5533-0036 Panel B. 91-5533-0156 Panel B. 91-5533-0164 To support the Bethel youth fiddle camp. Reviewed by Chicago Flamenco Studies City of Klawock Asian Pacific American Panel A. 91-5533-0060 Rolling Meadows, IL Klawock, AK $15,000 Heritage Council, Inc. $19,600 To support the recarving of a Arlington, VA $14,900 Birmingham Cultural and To support a series of con­ totem pole in the native vil­ To support interpretive pro­ Heritage Foundation, Inc. certs and lectures in cante lage of Klawock. Reviewed grams and fees for artists and Birmingham, AL $15,000 jondo, the deep song tradition by Panel B. 91-5533-0124 consultants in a presentation To support a folklife and folk of Spanish flamenco. of local traditional Asian arts area at the annual City Reviewed by Panel B. City of Oakland, California artists at the 1991 Asian Stages Festival in Birming­ 91-5533-0174 Oakland, CA $20,000 Pacific American Heritage ham. Reviewed by Panel A. To support a performance Festival. Reviewed by 91-5533-0025 CityLore, Inc. series and craft demonstra­ Panel A. 91-5533-0059 New York, NY $15,000 tions by local traditional Cambodian Studies Center To support an internship artists at Oakland’s libraries. ~ Association for Cultural Seattle, WA $22,500 based at CityLore designed Reviewed by Panel B. Equity, Inc. To support the traditional to train a minority person in 91-5533-0171 New York, NY $16,000 performing arts project of the public sector work, including To support the development Cambodian Studies Center, field research, archiving, Country Roads, Inc. of footage shot by Alan which trains young musicians publications, public presenta­ Boston, MA $25,400 Lomax in 1964 of traditional and dancers in court and folk tions, and related costs. To support a program pre­ artists appearing at the New­ dance. Reviewed by Panel A. Reviewed by Panel A. senting traditional artists in port Folk Festival. Reviewed 91-5533-0072 91-5533-0082 schools and community orga­ by Panel B. 91-5533-0161 nizations. Reviewed by Center for Community CityLore, Inc. Panel B. 91-5533-0130 Bala Music and Dance Studies, Inc. New York, NY $10,000 Association, Ltd. New York, NY $17,800 To support the 1991 Fiestas Country Roads, Inc. Stockton, NJ $10,000 To support lectures, school de Cruz: Tradicion del Pueblo, Boston, MA $9,700 To support a tour of concerts demonstrations, and perfor­ a traditional Puerto Rican To support a folk arts coordi­ and lecture demonstrations mances coinciding with the community celebration. nator position and related by master bharatana~yam exhibition "Red Boat on the Reviewed by Panel A. costs to assist in the develop­ dancer Lakshmi, with a video Canal: Cantonese Operatic 91-5533-0083 ment of programs at the documentation of her per­ Art in NYC Chinatown." Center for Living Traditions. formances. Reviewed by Reviewed by Panel A. CityLore, Inc. Reviewed by Panel B. Panel A. 91-5533-0044 91-5533-0074 New York, NY $7,000 91-5533-0202 To support classroom presen­ ~ Banneker-Douglass Center for Community tations by traditional artists. ~ Country Roads, Inc. Museum Foundation, Inc. Studies, Inc. Reviewed by Panel B. Boston, MA $15,000" Annapolis, MD $9,600 New York, NY $27,200 91-5533-0150 To support an exhibition of To support a recording of To support a multimedia Soviet Armenian traditional Afro-Methodist singing and gallery exhibit of a recently City of Corpus Christi crafts to tour to United States praying bands. Reviewed by acquired collection of cos­ Corpus Christi, TX $14,400 communities where signifi­ Panel A. 91-5533-0054 tumes and memorabilia of a To support a folklife festival cant Armenian populations New York City Cantonese featuring traditional arts and reside. Reviewed by Panel B. Benedict College opera company. Reviewed by artists of the Corpus Christi * See InternationalActivities Columbia, SC $23,200 Panel A. 91-5533-0076 area. Reviewed by Panel B. section. 91-5533-0209 To support public programs 91-5533-0166 examining congregational Center for Southern County of Middlesex singing in African-American Folklore City of Eunice North Brunswick, NJ communities of South Memphis, TN $25,000 Eunice, LA $19,300 $19,300 Carolina. Reviewed by To support the 1991 Mid- To support post production To support "A Living Legacy: Panel B. 91-5533-0178 South Music and Heritage costs of a film Dance for a Folk Arts in Middlesex

68 National Endowment for the Arts County." Reviewed by East Bay Center for the To support A Matter of To support a traveling exhib­ Panel A. 91-5533-0041 Performing Arts Respect, a 16mm film about it of folk art of New York Richmond, CA $9,800 the culture of the Tlingit of State. Reviewed by Panel A. Cuyahoga Valley Association To support an instructional Sitka, Alaska. Reviewed by 91-5533-0037 Peninsula, OH $12,400 workshop series to be led by Panel B. 90-5533-0071 To support the second year Ghanaian master dancer/ Georgia Council for the Arts of the Ethnic Heritage Series. drummer C. K. Ladzekpo First District Agricultural Tucker, GA $18,500 Reviewed by Panel A. and the eminent Lao (Mien) Association To support the costs of trans­ 91-5533-0015 Paau Zuung singer, E Yoon Oakland, CA $15,300 ferring the state folk arts Saelee. Reviewed by Panel A. To support the Local coordinator position from Delaware County Historical 91-5533-0068 Cultures section of the 1991 the Georgia Department of Association Festival at the Lake. Natural Resources to the Delhi, NY $19,800 Elders Share the Arts, Inc. Reviewed by Panel A. Georgia Council for the Arts. To support an exhibition of Brooklyn, NY $5,000 91-5533-0052 Reviewed by Panel B. and accompanying guide to To support the presentation 91-5533-0180 folk artists of the Catskills of elder African-American Folk Arts Network, Inc. region, a photographic travel­ storytellers in public schools Cambridge, MA $5,000 Georgia Sea Island Folklore ing version of the exhibition, and community centers in To support a concert/work­ Revival Project, Inc. and associated lectures and several boroughs of New shop series in the Boston Brunswick, GA $10,000 artist demonstrations. York City. Reviewed by public school system by To support the Georgia Sea Reviewed by Panel A. Panel B. 91-5533-0163 African-American traditional Island Festival. Reviewed by 91-5533-0064 artists Frankie and Doug Panel B. 91-5533-0115 ~ Ethnic FolkArts Quimby. Reviewed by Delaware Department of Center, Inc. Panel A. 91-5533-0020 Greater Lowell Natural Resources and New York, NY $32,900 Regatta Festival Charitable Environmental Control To support a national tour by Folldife Festivals, Inc. Foundation Dover, DE $36,000 Shashmaqam. Reviewed by Hutchinson, KS $6,300 Lowell, MA $20,000 To support the initiation and Panel A. 91-5533-0017 To support a festival of folk To support the 1991 Lowell development of a statewide arts featuring the crafts and Folk Festival. Reviewed by folklife program in Delaware. Ethnic Folk Arts folklife skills of ethnic groups Panel A. 91-5533-0081 Reviewed by Panel B. Center, Inc. found in central Kansas. 91-5533-0116 New York, NY $22,400 Reviewed by Panel A. Greater Washington Ceili To support a fieldwork pro­ 91-5533-0031 Club, Corporation District of Columbia ject in the Portuguese com­ Washington, DC $10,000 Commission on the Arts munities of northern New Fresno Arts Council To support the annual and Humanities Jersey and to support the Fresno, CA $34,000 Washington, DC, Irish Folk Washington, DC $30,000 incorporation of live, authen­ To support salary and related Festival at Glen Echo Park in To support the folk arts coor­ tic, traditional musicians and costs for a folk arts coordina­ Maryland. Reviewed by dinator position for the music into performances for tor for the city of Fresno. Panel A. 91-5533-0018 District of Columbia and general audiences by regional Reviewed by Panel B. associated project costs. Portuguese-Americans. 91-5533-0175 Homowa Foundation Reviewed by Panel B. Reviewed by Panel B. for African Arts and 91-5533-0157 91-5533-0118 ~ Fund for Folk Culture Cultures, Inc. Santa Fe, NM $15,000 Portland, OR $11,000 Division of Historical and Ferrum College To provide partial support To support a Ghanaian-style Cultural Programs Ferrum, VA $32,500 for the final phase of institu­ Homowa festival. Reviewed Annapolis, MD $30,000 To support a one-year folk tional planning and stabiliza­ by Panel B. 91-5533-0114 To support a video program arts coordinator position at tion for the Fund for Folk for tourists on the disappear­ the Blue Ridge Institute and Culture. Reviewed by Houston Community ing artistic traditions of resi­ related costs. Reviewed by Panel B. 91-5533-0121 Services dents of Smith Island, Mary­ Panel B. 91-5533-0146 Houston, TX $7,000 land. Reviewed by Panel A. Gallery Association of New To support the 1991 Con- 91-5533-0055 Film Arts Foundation York State, Inc. junto Festival de Houston. San Francisco, CA $8,300 Hamilton, NY $34,300

1991 Annual Report 69 Reviewed by Panel A. of Mone Saenphimmachak. Nakasone. Reviewed by Maine Arts, Inc. 91-5533-0079 Reviewed by Panel B. Panel A. 91-5533-0011 Portland, ME $14,500 91-5533-0137 To support performances Humboldt Arts Council Kentuck Museum by traditional Maine folk Eureka, CA $13,800 Jack Straw Foundation Association, Inc. artists. Reviewed by Panel A. To support workshops in the Seattle, WA $15,800 Birmingham, AL $26,000 91-5533-0053 making of ceremonial dance To support artists’ fees and To support the Alabama regalia for the Yurok, Hupa, production and distribution Folklife Festival. Reviewed by Metropolitan Library and Karuk Indians. Reviewed costs for a series of radio pro­ Panel A. 91-5533-0047 Commission of Oklahoma by Panel A. 91-5533-0062 grams focusing on traditional County, Oklahoma arts in Washington State. Kentucky Heritage Oklahoma City, OK Idaho Commission on Reviewed by Panel B. Foundation $10,300 the Arts 91-5533-0126 Frankfurt, KY $15,000 To support the Oklahoma Boise, ID $42,300 To support a concert presen­ Cowboy Poetry Gathering at To support the design and Japanese American Cultural tation by local traditional the National Cowboy Hall of construction of several travel­ and Community Center artists as part of the celebra­ Fame. Reviewed by Panel A. ing exhibitions. Reviewed by Los Angeles, CA $13,200 tion of the 50th anniversary 91-5533-0070 Panel B. 91-5533-0216 To support a traditional of Mammoth Cave National Obon festival. Reviewed by Park. Reviewed by Panel A. Metropolitan Library Institute for Community Panel A. 91-5533-0038 91-5533-0066 Commission of Oklahoma Research, Inc. County, Oklahoma Hartford, CT $44,400 Kahua Na’au A’o ma Khmer Studies Oklahoma City, OK $6,700 To support a folk arts coordi­ Pu’uhonua o Honaunau Institute, Inc. To support "A Celebration nator position in Connecti­ NHP, Inc. Newington, CT $27,900 of Tradition," featuring cut and related costs. Honaunau, Kona, HI To support production of master traditional artists of Reviewed by Panel B. $23,300 a video on Khmer court Oklahoma. Reviewed by 91-5533-0120 To support a gathering of dance in the United States. Panel A. 91-5533-0071 traditional Hawaiian craft Reviewed by Panel B. Institute for Italian and performing artists at the 91-5533-0183 Michigan State University American Studies, Inc. Place of Refuge National East Lansing, MI $30,000 Jamaica Estates, NY $9,300 Park near Kona, Hawaii, for Koncepts Cultural Gallery To support an exhibition To support a traditional public demonstrations and Oakland, CA $25,000 featuring the traditional arts Irpinian carnival presenting a planning conference. To support the Blues-in-the- of the Detroit Mexican- local Italian-American per­ Reviewed by Panel A. Schools project. Reviewed by American community’s cele­ formers and visiting musi­ 91-5533-0029 Panel B. 91-5533-0154 brations of Las Posadas, Dia cians from Montemarano, de los Muertos, and Fiestas Italy. Reviewed by Panel A. Kalakendra Limited LA Arts Guadalupanas, coordinated 91-5533-0077 Portland, OR $8,300 Lewiston, ME $17,900 by the university’s museum To support presentational To support "Acadie-Quebec! and Casa de Unidad. International Institute of expenses and artists’ fees for a A Festival of French- Reviewed by Panel B. Metropolitan St. Louis festival of performing folk Canadian Music." Reviewed 91-5533-0215 St. Louis, MO $14,900 artists from the Sangeet by Panel B. 91-5533-0168 To support a film document­ Research Academy of Cal­ Mississippi Action for ing the Lowland Lao weaving cutta. Reviewed by Panel A. Los Angeles Unified Community Education, Inc. of Mone Saenphimmachak. 91-5533-0034 School District Greenville, MS $35,000 Reviewed by Panel A. Los Angeles, CA $9,200 To support the "Blues 91-5533-0080 Kariyushi Kai To support the Festival de Mobile," a tour presenting San Jose, CA $15,000 Mariachi Estudiantil ’91, traditional Mississippi Delta International Institute of To support performances, a festival of presentations and blues and gospel artists to Metropolitan St. Louis workshops, classes, and lec­ workshops open to students public schools and communi­ St. Louis, MO $13,400 ture-demonstrations featur­ in Los Angeles. Reviewed by ties in the Delta region. To support an exhibition, ing master artists Tomoko Panel C. 91-5533-0008 Reviewed by Panel B. "Head, Hand, and Heart," Makishi and Harry Seisho 91-5533-0133 on the Lowland Lao weaving

70 National Endowment for the Arts Mississippi Department of Reviewed by Panel B. To support a series of radio ~ New York Foundation Economic and Community 91-5533-0217 segments on traditional arts for the Arts, Inc. Development to be aired over National New York, NY $9,200 Jackson, MS $12,000 Museum of American Public Radio’s "All Things To support completion costs To support a cultural plan to Frontier Culture Foundation Considered." Reviewed by for the film Dancing with the help coordinate the presenta­ Staunton, VA $5,000 Panel A. 91-5533-0057 Incas. Reviewed by Panel B. tion of the Delta blues her­ To support a conference to 91-5533-0127 itage to the general public introduce folklife program­ National Council for the living in or traveling to ming to Virginia arts organi­ Traditional Arts North Carolina Maritime Mississippi. Reviewed by zations, museums, historical Silver Spring, MD $37,000 Museum Panel B. 91-5533-0212 societies, and community To support a West Coast Beaufort, NC $10,500 groups. Reviewed by Panel B. tour of "Saturday Night and To provide partial support Missoula Museum of the 91-5533-0153 Sunday Morning," a music for the folk arts coordinator Arts Foundation concert featuring secular program at the North Missoula, MT $33,500 ~ National BlackArts and sacred music of the Carolina Maritime Museum. To support a multimedia art Festival, Inc. African-American tradition. Reviewed by Panel B. exhibition and related pro­ Atlanta, GA $15,000 Reviewed by Panel A. 91-5533-0206 gram titled "Speaking for To support a folk arts coordi­ 91-5533-0061 Themselves: Montana nator position for the 1992 North Columbia Hmong in Transition." National Black Arts Festival ~ National Council for the Schoolhouse Cultural Reviewed by Panel B. in Atlanta. Reviewed by Traditional Arts Center 91-5533-0142 Panel B. 91-5533-0169 Silver Spring, MD $30,000 Nevada City, CA $9,200 To support the 53rd To support the presentation Mon Valley Initiative ~ National Council for the National Folk Festival. of the traditional arts of the Homestead, PA $36,400 Traditional Arts Reviewed by Panel B. Mono tribe, including bas­ To support a regional folklife Silver Spring, MD $95,000 91-5533-0123 ketry, music, and dance, at position in western Pennsyl­ To support, through a coop­ the Foothill Regional Arts vania. Reviewed by Panel A. erative agreement, 1) techni­ Native American Heritage Festival. Reviewed by 91-5533-0009 cal assistance to native Commission Panel A. 91-5533-0043 American tribes, local ethnic Sacramento, CA $15,000 ~ Morning Star associations, and rural com­ To support costs to publish North Dakota Council on Foundation munity organizations for the and disseminate several books the Arts Washington, DC $50,000 development and conduct of detailing the assemblies of Fargo, ND $35,800 To support, through a coop­ ongoing folk arts activities, California Indian cultural To support the state folk arts erative agreement, a directory and 2) travel costs for tradi­ artifacts and publications coordinator position and of federal resources for native tional arts experts to evaluate concerning Indian arts and related costs. Reviewed by American artists and cultural the performance of Folk Arts culture held in collections Panel B. 91-5533-0167 organizations and a hand­ Program grantees. Reviewed around the state. Reviewed book on arts, arts organiza­ by Panel B. DCA 91-34 by Panel A. 91-5533-0033 Oklahoma Arts Institute tions, and cultural activities Oklahoma City, OK $5,500 in "Indian Country." ~r National Council for the Nevada State Museum and To support workshops at the Reviewed by Dauenhauer, Traditional Arts Historical Society institute on Kiowa beadwork Grifflth, Kornrich, Lee, Loza, Silver Spring, MD $106,000 Las Vegas, NV $8,000 and Cherokee basketweaving. Pearson, Rahm, Samuelson, To support, through a coop­ To support a concert series Reviewed by Panel B. Teske, and Vennum of erative agreement, the organi­ presenting several National 91-5533-0176 Panel A. DCA 91-27 zation and administration of Heritage Fellowship perform­ the 1991 Assembly of ing artists to augment the Oklahoma Folklife Council Multi-Media Training National Heritage Fellows. arrival of the exhibit Oklahoma City, OK Institute Reviewed by Panel B. "America’s Living Folk $30,000 Washington, DC $27,400 DCA 91-32 Traditions." Reviewed by To support "Traditions ’91: To support a video docu­ Panel A. 91-5533-0030 An Oklahoma Folklife mentary of several traditional ~ National Coundl for the Celebration." Reviewed by African-American music Traditional Arts Panel B. 91-5533-0149 groups in Washington, DC. Silver Spring, MD $34,200

1991 Annual Report 71 Philadelphia Folklore National Park and an exhibi­ Rensselaer County Council Society for Preservation and Project tion showing traditional for the Arts Propagation of Eastern Arts Philadelphia, PA $30,000 shapes and decorative styles Troy, NY $7,600 Salt Lake City, UT $6,600 To support a folk arts coordi­ of Puerto Rican pottery. To support maritime folk To support a concert of tra­ nator position at the Phila­ Reviewed by Panel B. arts presentations, including ditional Iranian music, as delphia Folklore Project. 91-5533-0207 decoy carving, traditional well as workshops, instru­ Reviewed by Panel B. boat building, and story­ mental instruction, and out­ 91-5533-0140 Radio Bilingue, Inc. telling, to accompany a reach in local schools. Fresno, CA $11,000 Hudson River Shad Bake Reviewed by Panel A. Pioneer Valley Folklore To support an instructional celebration. Reviewed by 91-5533-0075 Society workshop series on mariachi Panel A. 91-5533-0035 Greenfield, MA $30,000 music as part of the "Viva el South Dakota State To support the Western Mariachi." festival. Reviewed Roberson Memorial, Inc. Historical Society Massachusetts Rural Folklife by Panel B. 91-5533-0145 Binghamton, NY $10,600 Pierre, SD $27,200 Project. Reviewed by To support an exhibit titled To support the folk arts and Panel B. 91-5533-0152 Radio Bilingue, Inc. "In Wood and Stone." folklife program of South Fresno, CA $5,000* Reviewed by Panel A. Dakota. Reviewed by Plains Art Museum To support a concert by 91-5533-0065 Panel A. 91-5533-0026 Fargo, ND $30,000 Mexican traditional mariachi To support a video docu­ musicians, radio production Santa Fe Council for the Southern Arts mentary on Ojibwe bandolier expenses, and related costs. Arts, Inc. Federation, Inc. bags, focusing on the tech­ Reviewed by Panel B. Santa Fe, NM $17,200 Atlanta, GA $25,000 niques and practices of 91-5533-0211 To support the Morada To support the folk arts coor­ master Ojibwe artist Maude * See InternationalActivities Photographic Survey project. dinator position and related Kegg. Reviewed by Panel B. Reviewed by Panel A. costs at the Southern Arts 91-5533-0177 Ragamala 91-5533-0040 Federation. Reviewed by Seattle, WA $10,000 Panel B. 91-5533-0135 Pordand Performing Arts To support a festival of music Sealaska Heritage Center, Inc. and dance featuring the folk Foundation Texarkana Regional Portland, ME $5,500 performers from the Sangeet Juneau, AK $25,000 Arts and Humanities To support "Roots of New Research Academy in To support "Celebration Council, Inc. England Music," two-part Calcutta. Reviewed by ’92." Reviewed by Panel B. Texarkana, AR $18,000 touring concerts tracing the Panel A. 91-5533-0067 91-5533-0179 To support the folklife pro­ major influences on the gram at the Texarkana traditional music of New Red Cliff Band of Lake Seven Loaves Regional Arts and Humani­ England. Reviewed by Superior Chippewa New York, NY $10,500 ties Council. Reviewed by Panel A. 91-5533-0049 Bayfield, WI $24,900 To support the production Panel A. 91-5533-0058 To support the organization and presentation of several Puerto Rico Community of a performance series by a performances of traditional Texas Folklife Resources Foundation, Inc. Red CliffYouth performing Czech puppetry in Czech Austin, TX $30,000 Hato Rey, PR $28,000 group. Reviewed by Panel B. neighborhoods. Reviewed by To support "Accordion To support a full-time pro­ 91-5533-0160 Panel B. 91-5533-0203 Kings," a documentation and fessionally trained folk arts presentation project focusing coordinator position for Red Earth, Inc. Shoshone Tribal Business on cross-cultural accordion Puerto Rico and related costs. Oklahoma City, OK Council music unique to Texas, Reviewed by Panel B. $11,200 Ft. Washakie, WY $22,000 including performances, a 91-5533-0181 To support presentations of To support a program of symposium, and a radio native American music and traditional arts workshops series. Reviewed by Panel A. Puerto Rico Community dance at the Red Earth and apprenticeships for the 91-5533-0028 Foundation, Inc. Native American Cultural Shoshone tribe in Wyoming. Hato Rey, PR $20,900 Festival. Reviewed by Reviewed by Panel A. Town of Cheektowaga, To support demonstrations Panel A. 91-5533-0032 91-5533-0022 New York of traditional Puerto Rican Cheektowaga, NY $7,500 pottery-making at El Morro To support workshops by

72 National Endowment for the Arts traditional artisans and per­ Wyoming. Reviewed by Western Folklife Center Ya-Ka-Ama Indian forming artists at the town’s Panel A. 91-5533-0021 Elko, NV $31,500 Education and annual Polish-American To support research, docu­ Development Inc. Festival. Reviewed by Utah Arts Council mentation, and presentation Forestville, CA $16,000 Panel A. 91-5533-0024 Salt Lake City, UT $18,400 of the traditional arts of To support a conference and To support fieldwork to Hispanic western cowboys at related costs for northern and Town of Ferriday, Louisiana identi~! Hispanic traditional the 1992 Cowboy Poetry central California native Ferriday, LA $21,600 artists in Utah, to produce a Gathering at Elko. Reviewed American basket weavers. To support the Delta Folklife cassette of Hispanic musi­ by Panel B. 91-5533-0170 Reviewed by Panel A. Festival in Ferriday, Louisi­ cians, and to feature Hispanic 91-5533-0069 ana. Reviewed by Panel B. performers and craftspeople Wisconsin Folk 91-5533-0138 in a summer concert series in Museum, Inc. State Arts Agency Salt Lake City. Reviewed by Mount Horeb, WI $18,000 University of California-­ Panel B. 91-5533-0173 To support the folk arts coor­ Apprenticship Los Angeles dinator position and related Program Los Angeles, CA $21,100 Virginia Foundation costs at the Wisconsin Folk To support the "Festival of for the Humanities and Museum. Reviewed by Funds are available to state or Indigenous Music Before Public Policy Panel B. 91-5533-0151 private nonprofit agencies for 1492: A Celebration of the Charlottesville, VA $7,800 the development ofstatewide California Indian Spirit," a To support video documen­ Wisconsin Folk apprenticeship programs. series of conference lectures taries on individu~d musicians Museum, Inc. and demonstrations of the who will participate in an Mount Horeb, WI $26,000 7 Grants music and dance of Cali­ African-American traditional To support the museum’s fornia native Americans. music tour. Reviewed by folk arts documentation pro­ Program Funds: $162,800 Reviewed by Panel B. Panel A. 91-5533-0016 gram. Reviewed by Panel D. Advisory Panel 91-5533-0136 91-5533-0007 Virginia Foundation Reviewed by Folk Arts University of Maine for the Humanities and World Music Institute, Inc. Organizations Panel A. Orono, ME $23,900 Public Policy New York, NY $12,000 To support the folklife coor­ Charlottesville, VA $37,000 To support a series of con­ Grants dinator position and related To support the Virginia certs of traditional Carib­ costs at the Northeast Folklife Program and the folk bean music and dance at Country Roads, Inc. Archives of Folklore and Oral arts coordinator position in Symphony Space and Boston, MA $30,000 History at the University of Virginia. Reviewed by another site in Brooklyn. Maine. Reviewed by Panel B. Panel A. 91-5533-0019 Reviewed by Panel A. Davis & Elkins College 91-5533-0125 91-5533-0063 Elkins, WV $25,000 Virginia Foundation University of the Philippines for the Humanities and World Music Institute, Inc. Division of Historical Alumni Association, Public Policy New York, NY $15,000 Resources, Bureau of Florida Northern California Chapter Charlottesville, VA $32,400 To support a multicultural Folldife Programs Berkeley, CA $22,300 To support a touring pro­ festival of traditional accor­ White Springs, FL $23,000 To support a workshop series gram of Virginia traditional dion music. Reviewed by by kulintang artist and teach­ musicians of African- Panel B. 91-5533-0208 Lewis and Clark College er Danongan Kalanduyan of American descent to rural Portland, OR $27,200 the folksongs, dance, and and inner-city communities Writers League of Boston chants of ethnic tribes of the in the state. Reviewed by Boston, MA $28,400 Michigan State University Philippines. Reviewed by Panel B. 91-5533-0148 To support a film document­ East Lansing, MI $25,000 Panel B. 91-5533-0155 ing the Afro-Puerto Rican Western Folklife Center oral poetry and poetic decla­ South Dakota State University of Wyoming Salt Lake City, UT $20,000 mation ofEfrain Ortiz. Historical Society Laramie, WY $20,900 To support "Voices Reviewed by Panel A. Pierre, SD $12,600 To support the folk arts W.E.S.T.," a multicultural 91-5533-0012 coordinator position in choral festival. Reviewed by Texas Folklife Resources Panel A. 91-5533-0056 Austin, TX $20,000

1991 Annual Report 73 o

St. Luke’s Chamber Ensemble prepares to play at St. Ann’s Center for Restoration and the Arts in Brooklyn, one of more than 120 presenting organizations to receive help from Inter-Arts. This program helped performers appear in every state in the union in 1991. Inter-Arts 216 Grants Program Funds $3,511,997 Treasury Funds $415,000"

The Inter-Arts Program assists institutions that serve multi- new staff, new outreach efforts to broaden applicant ple artistic disciplines--presenting organizations, artists’ pools, and continued commitment to diversity on its communities and presenter service organizations. The pm- review panels. gram also supports interdisciplinary arts projects involving The Inter-Arts applicant pool of presenting organiza­ work by artistsJ~om a variety of disciplines. tions sponsored more than 20,000 arts events during the 1989-90 season to serve audiences of almost 7 mil- n 1991, the program began charting new direc- lion Americans. These presenters initiated and developed tions, chose a new name, and worked with its new activity through commissioning and new approaches diverse constituents to plan for the consolidation ofto arts touring. Projects supported by Inter-Arts involved I Endowment support to presenting organizations. important artistic advances and increased audience Starting its evolution to the Presenting and access across the nation. Commissioning Program, Inter-Arts was strengthened by The Grants to Presenting Organizations category * This includes $65,000 in unobligated commitments. helps to expand job opportunities for American artists

74 and boosts local economies where presentations occur. formances in public spaces. In Los Angeles, Dancing in The nation’s 20,000-plus presenters--the curators of per­ the Streets joined UCLA and the Black Choreographers formance facilities--bring live performing arts events to Festival to co-present new site-specific works by David Americans in large and small communities everywhere. Rousseve, Joanna Haigood and local artists. At Phila­ This year they gave new emphasis to artistry and cura­ delphia’s 30th Street Station the group joined Movement torial approaches to programming. They also made Theater International in celebrating the station’s renova­ stronger commitments to their communities despite tion. In Chicago, with the MoMing Arts Center, it co­ growing financial concerns. The program’s applicants sponsored workshops on choreography for public spaces. directly contributed over $150 million in economic These Marina Towers performances, presented with the activity to their communities, an impressive level of Chicago Lights Festival, included choreographer Eliza­ achievement. beth Streb and the African dance ensemble Muntu. Dance on Tour, a model of partnership by the Inter- Dancing in the Streets has produced similar events in Arts, Dance, and State and Regional programs, supports Columbus, Ohio, Washington, D.C., and Grand Central nationwide access to exceptional dance performances. Station in New York City. This year a grant of $30,000 to the Wisconsin Arts Board New artistic directions often incorporate traditional supported performance and residency activities of the forms and material with inventions that result in a unique Feld Ballets/NY in eight Wisconsin locations during a esthetic. Experimentation within and between art forms four-week tour. Open rehearsals, master classes, lecture- is both a method of working and a genre of art; such demonstrations, performances, post-performance discus­ experimentation is one important focus of the Artists’ sions and meet-the-artist receptions took place in such Projects category, while another is greater access for diverse communities as Milwaukee, Sheboygan, Kohler, emerging and multicultural artists. Madison, Wausau, Green Bay, Eau Claire and Oshkosh. The Artists’ Projects Regional Initiative, a partnership The tour also included the premier of Endsongby Eliot with The Rockefeller Foundation and Andy Warhol Feld, artistic director of the company; which was com­ Foundation for the Visual Arts, funds nonprofit organiza­ missioned by the Wisconsin Presenters Network for the tions in diverse geographic areas to administer subgrant tour. More than 14,000 Wisconsin residents attended programs for artists who have had little contact with the ten performances. Endowment. Particularly effective in reaching these cre­ The Partnerships in Commissioning category offers ators, the partnership no~v serves artists in all 50 states, grants for the creation, production and presentation of the District of Columbia and Puerto Rico. interdisciplinary projects. Works may be the product of Artists’ Communities grants represent an increasingly collaboration by several artists or the creation of a single critical resource for artists developing new work. Indi­ interdisciplinary artist. Presenting organizations collabo­ vidual artists in all disciplines need space, time and mate­ rate with artists, other presenters or other arts organiza­ rials. The need for artists’ communities, which provide all tions to develop innovative work of national or regional three, was dramatically demonstrated by statistics from significance. Thus, a $16,900 grant awarded to the Inter-Arts’ applicant pool: last year 9,750 fellowship/resi­ Hancher Auditorium at the University of Iowa supported dency requests were recorded by 17 artists’ community the creation of a new work, "Atlas," by interdisciplinary applicants which could accept only 1,533 artists as fel­ artist Meredith Monk. It was coocommissioned and pre­ lows. The field took a step toward consortium-building sented by the Walker Art Center in Minneapolis, the when 18 like-minded communities formed the National Wexner Center in Columbus, Ohio, the American Music Consortium of Artists’ Communities. Theater Festival in Philadelphia, and the Houston Grand Opera. More than 6,000 people attended 13 performances. Similarly, a grant to Dancing in the Streets, Inc., sup­ ported continuation of a national touring project of per­

1991 Annual Report 75 University of Kansas Lenwood Sloan Japan Society Presenting Lawrence, KS Executive Director New York, NY Organizations Festival 2000 Judith Fritz San Francisco, CA Pedro Rodriguez Includes four subcategories: Executive Director Executive Director Grants to Presenting Taos Art Association Andrea Wagner Guadalupe Cultural Center Organizations are designed Taos, NM Managing Director San Antonio, TX to improve the ability of pro­ On the Boards fessional presenting organiza­ Omus Hirshbein Seattle, WA Ralph Sandier tions to present diverse, high- Director, Performing Arts Arts Consultant quality arts programming in Young Men’s and Young Presenting Overview Queens, NY their communities. Services Women’s Hebrew Panel to Presenting Organizations Association Suzanne Sato grants are awarded to state New York, NY Roberto Bedoya Associate Director, Arts and and regional arts agencies and Consultant/Writer/Curator Humanities service organizations to help Howard Klein San Francisco, CA Rockefeller Foundation presenters improve their pro­ Former Director, Arts and New York, NY fessional skills. Partnerships Humanities Paul Dresher in Commissioning and The Rockefeller Center Composer/Performer Organizational Touring grants support mul­ Silver Spring, MD Berkeley, CA Development Pilot tidisciplinary presenting orga­ Panel nizations in the commission­ Celeste Miller Susan Farr ing and touring of new works, Choreographer Executive Director Susan Farr and in the central coordina­ New York, NY Association of Performing Executive Director tion of tours of existing and/ Arts Presenters Association of Performing or new works. Dance on Pedro Rodriguez Washington, DC Arts Presenters Tour assists presenters in Executive Director Washington, DC booking nationally recog­ Guadalupe Cultural Center Kenneth Fischer Director nized dance companies and San Antonio, TX Patricia Johnson dance artists by supporting University Musical Society at Executive Director Suzanne Sato the University of Michigan state arts agencies and region­ Jamaica Center for the al organization projects. All Associate Director, Arts and Ann Arbor, MI Performing and Visual Arts funds were obligated during Humanities New York, NY FY91, unless otherwise The Rockefeller Foundation John Gingrich noted. New York, NY President Joanna Lee John Gingrich Management Affirmative Action Officer New York, NY 136 Grants Baraka Sele Trenton State College Vice President, Performing Trenton, NJ Program Funds: $2,367,650 Arts Colleen Jennings- Treasury Funds: $415,000 Houston International Roggensack Alice Lovelace Festival Director, Programs Artist/Writer Advisory Panels Hopkins Center, Dartmouth Houston, TX Atlanta, GA College Caron Atlas Avery Sharpe Hanover, NH Director, American Festival Terezita Romo Composer/Performer/Leader California Arts Council Project John Killacky Avery Sharpe Group Sacramento, CA Appalshop Leverett, MA Director, Performing Arts Whitesburg, KY Walker Arts Center Holly Sidford Minneapolis, MN Grants to Presenting Jacqueline Z. Davis Executive Director Organizations Project Director, Concert New England Foundation for Cora Mirikitani and Chamber Music Series the Arts Director, Performing Arts ~ Denotes Grants Having Cambridge, MA National Impact

76 National Endowment for the Arts 80 Langton Street, Inc. mance events, visual arts California Polytechnic State and administrative costs San Francisco, CA $5,000 exhibits, and art workshops University Foundation for the "Memories w/Meta To support artists’ fees, for young people. San Luis Obispo, CA $5,000 4" project to take place in administrative and travel 91-5442-0115 To support expenses associat­ September of 1991. costs, and related expenses ed with presentations sched­ 91-5442-0079 associated with the 1991-92 Asia Society uled for the 1991-92 season. season of small scale, innova­ New York, NY $5,000 91-5442-0117 City of San Antonio, Texas tive presentations of music, To support costs associated San Antonio, TX $15,000 performance art, and inter­ with the presentation of a Carter G. Woodson To support the costs of pro­ disciplinary collaborations. music and dance troupe from Foundation, Inc. motional programs associated 91-5442-0023 Tashkent, Central Asia, dur­ Newark, NJ $7,500 with the 1991-92 presenta­ ing the 1991-92 season. To support artists’ fees and tion season at the Carver Anchorage Concert 91-5442-0040 audience development Community Cultural Center. Association, Inc. expenses associated with the 91-5442-0072 Anchorage, AK $20,000 ~r Association of 1991-92 On Stage in New To support artists’ fees, pro­ Performing Arts Jersey series. 91-5442-0075 City~olk duction costs, audience Presenters, Inc. Dayton, OH $10,000 development, and adminis­ Washington, DC $102,910 Catamount Film and To support artists’ fees associ­ trative expenses associated To support artistic and Arts Co. ated with the 1991-92 with dance, music, new administrative evaluations by St. Johnsbury, VT $13,000 American Music Masters music, and theater events qualified experts foi" approxi­ To support artists’ fees, series, music and dance in the 1991-92 season. mately 300 applicants to the administrative costs, and pro­ collaborations, and a compar­ 91-5442-0081 Inter-Arts Program. duction and promotional ative dance residency pro­ DCA 91-06 expenses for the 1991-92 gram. 91-5442-0039 Appalshop, Inc. Catamount Performing Arts Whitesburg, KY $25,000 Board of Trustees of Showcase, and to support the Cleveland Public To support artists’ fees and the Leland Stanford Junior salary of an associate director. Theatre, Inc. administrative, promotional, University 91-5442-0076 Cleveland, OH $5,000 production, and travel Stanford, CA $15,000 To support artists’ fees and expenses associated with the To support costs associated Center for Women and administrative costs of the 1991-92 series of events in with the newly structured Their Work, Inc. fourth annual Cleveland music, literature, film, video, Community Outreach Austin, TX $10,000 Public Theatre Performance dance, and visual arts. Program. 91-5442-0049 To support artists’ fees, Art Festival in March and 91-5442-0033 administrative and travel April of 1991.91-5442-0074 Boston Early Music costs, and production and Artists Collective, Inc. Festival, Inc. promotional expenses associ­ Contemporary Arts Center, Hartford, CT $7,500 Cambridge, MA $15,000 ated with the 1991-92 New New Orleans To support artists’ fees, pro­ To support artists’ fees and Performance Series. New Orleans, LA $10,000 motional and administrative administrative and travel 91-5442-0097 To support costs associated costs, and travel subsidies for costs associated with music- with the center’s 1991-92 the interdisciplinary project, drama events to be held dur­ Central Park multidisciplinary presenting "Storyville Series." ing the 1991 Early Music Conservancy, Inc. program. 91-5442-0034 91-5442-0038 Festival. 91-5442-0091 New York, NY $5,000 To support artists’ fees and Creative Time, Inc. Artswatch, Inc. Brooklyn Academy of administrative and produc­ New York, NY $10,000 Louisville, KY $5,000 Music, Inc. tion expenses associated with To support artists’ fees, To support artists’ fees and Brooklyn, NY TF $175,000 the 1991 SummerStage administrative costs, and pro­ administrative and travel To support artists’ fees and series. 91-5442-0131 motional expenses for the expenses, and advertising and travel expenses, and produc­ 1991-92 season. production costs associated tion costs associated with City Celebration, Inc. 91-5442-0044 with the 1991-92 presenta­ events during the 1991-92 San Francisco, CA $5,000 tion of contemporary perfor­ season. 91-5442-0028 To support artists’ fees

1991 Annual Report 77 Crossroads Arts District Curators, Inc. Flynn Theatre for the motional costs, and produc­ Council, Inc. Washington, DC 512,000 Performing Arts, Limited tion expenses associated with Rutland, VT 55,000 To support artists’ fees and Burlington, VT $10,000 the 1991-92 season of events To support artists’ fees, administrative, travel, pro­ To support costs associated in dance, theater, opera- administrative costs, and duction, and promotion costs with the 1991-92 season of musical theater, and music. travel subsidies associated associated with interdiscipli­ multidisciplinary presenta­ 91-5442-0130 with the presentation of nary projects scheduled for tions. 91-5442-0042 events and related residency the 1991-92 season. Houston Festival activities in the 1991-92 91-5442-0029 Friends of the Davis Foundation, Inc. season. 91-5442-0055 Center, Inc. Houston, TX $10,000 DiverseWorks, Inc. New York, NY $5,000 To support artists’ fees, Dance Theater Houston, TX $7,500 To support artists’ fees and administrative costs, and pro­ Workshop, Inc. To support artists’ fees, production, promotion, and motional expenses associated New York, NY 575,000 administrative costs, and administrative costs for the with the 1991 Houston To support artists’ fees, travel and housing subsidies 1991-92 season. International Festival. administrative and produc­ associated with the 1991-92 91-5442-0058 91-5442-0071 tion costs, and promotional NU-ART performance series. expenses associated with the 91-5442-0032 Fund for the Borough of Hult Center for the 1991-92 season of perfor­ Brooklyn, Inc. Performing Arts mances of dance, music, Duke University Brooklyn, NY $7,500 Eugene, OR $5,000 theater, and visual arts. Durham, NC $5,000 To support artists’ fees and To support costs associated 91-5442-0045 To support costs associated administrative and promo­ with the 1991-92 season of with the 1991-92 presenting tional costs associated with interdisciplinary presenta­ ~ Dance Theater activities of the Office of the 1991-92 Celebrate tions. 91-5442-0113 Workshop, Inc. Cultural Affairs/Institute of Brooklyn Festival. New York, NY $35,000* the Arts. 91-5442-0068 91-5442-0094 Humboldt State University To support the North Ameri­ Foundation ca Project, a cooperative Elaine Summers Guadalupe Cultural Arts Arcata, CA 515,000 effort between the National Experimental Intermedia Center To support artists’ fees for Performance Network, Cana­ Foundation, Inc. San Antonio, TX $10,000 the 1991-92 CenterArts dian presenters, artists, the New York, NY 55,000 To support costs associated season.91-5442-0090 Canada Council on the Arts, To support artists’ fees, with the 1991-92 Guadalupe and Canada’s Ministry of administrative costs, and pro­ Theater Performing Arts Institute of Contemporary External Affairs. motional expenses associated Series. 91-5442-0060 Art, Boston 91-5442-0172 with the 1991-92 season of Boston, MA $30,000 * See InternationalActivities interdisciplinary perfor­ Haleakala, Inc. To support costs associated section. mances. 91-5442-0118 New York, NY $65,000 with the 1991-92 season of To support artist, administra­ multidisciplinary presenta­ Dancing in the Streets, Inc. Exploratorium tive, travel, and promotional tions. 91-5442-0116 New York, NY $7,500 San Francisco, CA 515,000 costs associated with the To support costs associated To support costs associated 1991-92 season. Inter-Media Art Center, Inc. with the "Dancing on Thin with the "Speaking of Music" 91-5442-0114 Huntington, NY $5,000 Ice" series of presentations of series and the Performing To support costs associated the Ice Theatre of New York. Artists-in-Residence Program. Hallwalls, Inc. with the 1991-92 season of 91-5442-0037 91-5442-0056 Buffalo, NY 512,000 multidisciplinary perfor­ To support administrative mances. 91-5442-0103 Davis & Elkins College Festival International de and personnel costs associat­ Elkins, WV $10,000 Louisiane ed with the 1991-92 season. Intermedia Arts of To support costs associated Lafayette, LA $10,000 91-5442-0102 Minnesota, Inc. with the 1991 series of public To support costs associated Minneapolis, MN $5,000 performances. 91-5442-0127 with the annual visual and Helena Presents To support costs associated performing arts festival. Helena, MT $32,500 with the Performance Art 91-5442-0067 To support artists’ fees, pro­

78 National Endowment for the Arts Series of the 1991-92 season. of multidisciplinary presenta­ La Pena Cultural Maine Arts, Inc. 91-5442-0106 tions. 91-5442-0078 Center, Inc. Portland, ME $5,000 Berkeley, CA $12,500 To support artists’ fees, International House of John F. Kennedy Center for To support a multidiscipli­ administrative costs, and Philadelphia the Performing Arts nary, multicultural perform­ travel subsidies associated Philadelphia, PA $25,000 Washington, DC $15,000 ing arts series. 91-5442-0088 with Maine Art’s two annual To support planning for the To support artistic fees, travel festivals, the Maine Festival production of a year of cele­ expenses, and administrative Lafayette College and New Years/Portland, and bration of American Living costs associated with the cen­ Easton, PA $5,000 with the new program titled Heritage scheduled for 1993. ter’s Texas Festival to be held To support artists’ fees and "Maine Arts Outreach." 91-5442-0242 in June 1991.91-5442-0096 administrative expenses asso­ 91-5442-0122 ciated with the 1991-92 sea­ International Theatrical Joyce Theater son of presenting activities at Mandeleo Institute Arts Society Foundation, Inc. the Williams Center for the Oakland, CA $8,850 Dallas, TX $5,000 New York, NY $17,500 Arts. 91-5442-0124 To support artists’ fees, To support artists’ fees and To support expenses associat­ administration and produc­ administrative and promo­ ed with the design and imple­ Life on the Water tion costs, promotional tional costs associated with mentation of audience devel­ San Francisco, CA $13,000 expenses, and travel subsidies the dance and music events opment campaigns for the To support artists’ fees, travel associated with major events in the 1991-92 season. 1991 Summer Presentations subsidies, and administrative of the 1991-92 season. 91-5442-0047 and the 1991-92 Dance costs associated with the pre­ 91-5442-0083 Presenting Program. sentations of touring theater Intersection 91-5442-0036 and dance artists during the Mobius, Inc. San Francisco, CA $5,000 1991-92 season. Boston, MA $5,000 To support expenses associat­ Kentucky Center for 91-5442-0082 To support costs associated ed with the 1991-92 season. the Arts with multidisciplinary pre­ 91-5442-0101 Louisville, KY $5,000 Lime Kiln Arts, Inc. sentations in the 1991-92 To support artists’ fees, Lexington, VA $5,000 season. 91-5442-0070 Jacob’s Pillow Dance administrative costs, and pro­ To support artists’ fees and Festival, Inc. duction and travel expenses administrative costs associat­ Montana Performing Arts Lee, MA $30,000 associated with the 1991-92 ed with events in the 1991 Consortium To support costs associated season of events in music, season. 91-5442-0073 Bozeman, MT $11,500 with this summer’s Ted dance, theater, performance To support a model pilot Shawn Theatre and Studio/ art, and media. Lincoln Center for the project for the development Theatre series of multidisci­ 91-5442-0043 Performing Arts, Inc. of a regional rural presenters’ plinary presentations. New York, NY subgrant program. Reviewed 91-5442-0035 LA Arts TF $77,O0O by the Presenting Overview Lewiston, ME $5,000 To support artists’ fees and Panel. 91-5442-0173 Japan Society, Inc. To support costs associated related costs associated with New York, NY $5,000 with the 1991-92 presenting the 1991-92 season of multi­ Music Center of Los To support costs associated season and related residency disciplinary presentations. Angeles County with a performing arts proj­ programs. 91-5442-0119 91-5442-0064 Los Angeles, CA ect centered on the work of TF $15,000" bunraku puppet artists La Mama Experimental Los Angeles Contemporary To support artists’ fees and Yoshida Minosuke and Theatre Club, Inc. Exhibitions, Inc. administrative, production, Toyotake Rodayu. New York, NY $35,000 Los Angeles, CA $16,000 travel, and promotional 91-5442-0086 To support artists’ fees, To support artists’ fees, expenses associated with the administrative and promo­ administrative and promo­ 1991-92 Music Center on Japanese American Cultural tional costs, and production tional costs, travel subsidies, Tour and Passport programs. and Community Center expenses associated with and technical expenses associ­ 91-5442-0120 Los Angeles, CA $35,000 productions presented during ated with the 1991-92 *No treasury funds were oblig­ To support expenses associat­ the 1991-92 season. season. 91-5442-0109 ated during FY91. ed with the 1991-92 season 91-5442-0125

1991 Annual Report 79 Ohio State University Randolph Street with the 1991-92 season of Taos Art Association, Inc. Research Foundation Gallery, Inc. performances in music and Taos, NM $6,850 Columbus, OH $5,000 Chicago, IL $5,000 dance. 91-5442-0050 To support costs associated To support costs associated To support artists’ fees, with the 1991-92 Aqui en with the 1991-92 season of administrative costs, and pro­ Society for the Taos series of multicultural events at the Wexner Center motional expenses associated Performing Arts performances. 91-5442-0089 for the Arts. 91-5442-0104 with the 1991-92 season of Houston, TX $13,000 interdisciplinary events. To support costs associated Tears of Joy Theatre On the Boards 91-5442-0084 with the 1991-92 perfor­ Vancouver, WA $6,000 Seattle, WA $35,000 mance season. 91-5442-0031 To support artists’ fees, To support costs associated Real Art Ways, Inc. administrative costs, and pro­ with the 1991-92 New Hartford, CT $5,000 ~ Spoleto Festival U.S.A. duction expenses associated Performance Series. To support costs associated Charleston, SC $100,000 with the 1991 International 91-5442-0098 with the 1991-92 season. To support artistic fees and Children’s Festival. 91-5442-0051 promotion expenses associat­ 91-5442-0121 Painted Bride Art ed with the 1991 festival. Center, Inc. Regents of the University of 91-5442-0052 Theater Artaud Philadelphia, PA $17,500 Colorado San Francisco, CA $5,000 To support artists’ fees and Boulder, CO $5,000 St. Ann Center To support costs associated administrative costs associat­ To support artists’ fees for for Restoration and the with the 1991-92 season of ed with the 1991-92 season artists and companies who Arts, Inc. multidisciplinary presenta­ of theatre, music, dance, and will be a part of the 1991-92 Brooklyn, NY $15,000 tions. 91-5442-0080 performance art events. "Old World, New World: To support costs associated 91-5442-0100 Mixing It Up in the Ameri­ with a plan designed to The.art.re.grup, Inc. can Southwest." increase and diversify audi­ San Francisco, CA $10,000" Pentangle 91-5442-0053 ences for multidisciplinary To support costs associated Woodstock, VT $5,000 presentations in the 1991-92 with "Crossing Boundaries: To support costs associated Rutgers, The State season. 91-5442-0041 Moscow to San Francisco," a with the 1991-92 season of University series of events featuring a multidisciplinary presenta­ New Brunswick, NJ $5,000 Stamford Center for the broad range of contemporary tions. 91-5442-0085 To support artists’ fees, Arts, Inc. Soviet artists. administrative costs, and pro­ Stamford, CT $10,000 *See International Activities Performance Space 122, Inc. duction expenses associated To support costs associated section. 91-5442-0161 New York, NY $23,000 with a 14-month retrospec­ with the 1991-92 season of To support artists’ fees and tive of the works of Alwin multidisciplinary presenta­ Trustees of the University of administrative costs for the Nikolais and Murray Louis. tions. 91-5442-0063 Pennsylvania 1991-92 season. 91-5442-0054 Philadelphia, PA $17,500 91-5442-0158 Sushi, Inc. To support artists’ fees, San Antonio Performing San Diego, CA $9,000 administrative costs, and pro­ Pittsburgh Children’s Arts Association To support costs associated duction expenses associated Festival, Inc. San Antonio, TX $5,000 with NEOFEST 1991, an with the Annenberg Center’s Pittsburgh, PA $6,000 To support costs associated annual six-week festival of seventh annual Philadelphia To support artists’ fees, pro­ with the 1991-92 season of multidisciplinary perfor­ International Theatre Festival motional expenses, and multidisciplinary perfor­ mances. 91-5442-0099 for Children. 91-5442-0026 administrative costs associat­ mances and the 1992 San ed with the sixth annual Antonio Early Music Symphony Space, Inc. University Musical Society Pittsburgh Children’s Festival Festival. 91-5442-0069 New York, NY $12,000 Ann Arbor, MI $5,000 in May 1991.91-5442-0046 To support artists’ fees and To support costs associated San Francisco related expenses associated with the 1991-92 concert Performances, Inc. with the 1991-92 season of season. 91-5442-0027 San Francisco, CA $20,000 events in music and litera­ To support costs associated ture. 91-5442-0129

80 National Endowment for the Arts University of California-­ subsidies associated with the Urban Institute for To support artists’ fees, pro­ Berkeley events in the 1991-92 Con­ Contemporary Arts duction and promotional Berkeley, CA $37,000 cert, Chamber Music, and Grand Rapids, MI $5,000 costs, administrative expen­ TF $13,000 New Directions series. To support costs associated ses, and travel subsidies for To support artists’ fees, 91-5442-0062 with the 1991-92 season of events in the 1991-92 season administrative costs, and pro­ multidisciplinary perfor­ of dance and music. duction expenses associated University of Kansas Main mances. 91-5442-0107 91-5442-0066 with the 1991-92 program Campus of Latino arts presentations, Lawrence, KS $30,000 Utah Arts Festival Walker Art Center, Inc. Cultura sin Frontera: Cele­ To support relocation and Foundation, Inc. Minneapolis, MN $50,000 bracion Latina. rescheduling of events of the Salt Lake City, UT $5,000 TF $50,000* 91-5442-0024 Concert, Chamber Music, To support artists’ fees, To support artists’ fees; and New Direction Series. administrative costs, travel administrative, promotional, University of California-­ 91-5442-0243 subsidies, and production production costs; and travel Davis expenses associated with the subsidies associated with the Davis, CA $10,000 University of Massachusetts 1991 festival. 91-5442-0111 1991-92 season of events in To support costs associated at Amherst music, theater, and dance. with the 1991-92 season of Amherst, MA $7,700 VetT Special Arts, 91-5442-0030 presentations. 91-5442-0123 To support artists’ fees and Washington, DC *No treasury funds were oblig­ production costs during the Washington, DC $20,000 ated during FY91. University of California-­ 1991-92 season. To support administrative, Los Angeles 91-5442-0025 promotional, and production Washington Performing Los Angeles, CA $7,500 costs associated with the Very Arts Society To support artists’ fee for up University of Minnesota- Special Arts Festival held at Washington, DC $40,850 to three events presented as Twin Cities Teachers College, Columbia To support artists’ fees, part of the 1991-92 Minneapolis, MN $10,000 University, in May 1991. administrative costs, and pro­ Contemporary Series. To support artists’ and com­ 91-5442-0157 motional expenses associated 91-5442-0022 missioning fees and produc­ with the 1991-92 season of tion costs associated with Virginia Museum of dance, music, and perfor­ University of California-­ multidisciplinary presenta­ Fine Arts mance art events. Santa Barbara tions during the 1991-92 Richmond, VA $7,500 91-5442-0059 Santa Barbara, CA $30,000 season. 91-5442-0057 To support costs associated To support artists’ fees for with the 1991-92 Fast/For­ Washington University programming in the per­ University of Nebraska-­ ward series. 91-5442-0108 St. Louis, MO $10,000 forming, literary, and media Lincoln To support costs associated arts during the 1991-92 Lincoln, NE $20,000 Visual Arts Research and with the 1991-92 season of season. 91-5442-0105 To support artists’ fees and Resource Center Relating to multidisciplinary perfor­ promotional, administrative, the Caribbean, Inc. mances. 91-5442-0087 University of Iowa and production expenses New York, NY $75,000 Iowa City, IA $24,000 associated with the 1991-92 To support artists’ fees, audi­ Wooster Group, Inc. To support artists’ fees, pro­ season. 91-5442-0126 ence development, and out­ New York, NY $5,000 duction costs, and expanded reach associated with a sec­ To support artists’ fees, pro­ outreach activities associated University of Washington ond cycle of touring projects duction costs, and promo­ with the 1991-92 season. Seattle, WA $5,000 developed by the Network of tional expenses associated 91-5442-0128 To support artists’ fees, pro­ Cultural Centers of Color. with events in the Perform­ duction, and promotional Reviewed by the Organiza­ ing Garage Visiting Artists University of Kansas Main expenses associated with tional Development Pilot Series in 1991-92. Campus events in the UW World Panel. 91-5442-0066 91-5442-0112 Lawrence, KS $20,000 Music & Theatre Series and To support artists’ fees, the UW World Dance Series Visual Arts Research and World Music Institute, Inc. administrative and promo­ at Meany Hall in 1991-92. Resource Center Relating to New York, NY $12,500 tional expenses, and travel 91-5442-0077 the Caribbeanbean, Inc. To support costs associated New York, NY $10,000

1991 Annual Report 81 with the 1991-92 season. Institute and to support To support the American On the Boards 91-5442-0110 administrative costs of the Festival Project. Seattle, WA $29,500 program. Reviewed by Ken 91-5442-0147 To support the commission­ Young Men’s and Fischer, John Gingrich, John ing of a new work by the Young Women’s Hebrew Killacky, Ralph Sandler, and Brooklyn Academy of Wooster Group, to be pre­ Association Suzanne Sato of the Pre­ Music, Inc. sented by On the Boards, the NewYork, NY TF $85,000 senting Overview Panel. Brooklyn, NY $33,700 Walker Art Center, and the To support artists’ fees associ­ 91-5442-0244 To support the co-commis­ Wexner Center. ated with interdisciplinary * See InternationalActivities sion of a new trilogy titled 91-5442-0145 presentations during the sectian. 1992 by performance artist 1991-92 season. Guillermo Gomez-Pena. Performance Space 91-5442-0093 ~ National Association of 91-5442-0140 122, Inc. Artists’ Organizations, Inc. New York, NY $12,600 To support the P.S. 122 Services to Washington, DC $7,750 ~ Dance Theater To support costs associated Workshop, Inc. Field Trips, a national tour­ Presenting with the presentation of New York, NY $84,300 ing program for solo and Organizations artists at NAAO’s national To support artist residencies small ensemble works by conference in April, 1991. as part of the National Per­ emerging artists. Grants 91-5442-0132 formance Network and the 91-5442-0149 NPN annual meeting. ~ Denotes Grants Having Vermont Council on 91-5442-0146 Theater Artaud National Impact the Arts San Francisco, CA $21,100 Montpelier, VT $5,000* Dancing in the Streets, Inc. To support the commission­ ~ Association of American To support a meeting to plan New York, NY $21,100 ing of a new work by Ellen Cultures, Inc. the implementation of the To support the continuation Sebastian, to be presented by Washington, DC $22,500 Vermont/Quebec Cultural of a national program of per­ Theater Artaud, Life on the To support administrative Exchange, a project designed formances in public spaces to Water, the Brooklyn Acad­ costs and travel expenses to extend and deepen under­ take place in Los Angeles, emy of Music, and the associated with planning standing of French-Canadian Philadelphia, and Chicago. Wexner Center. Open Dialogue V, scheduled culture, heritage, and contri­ 91-5442-0143 91-5442-0151 to be held in June 1992. butions to Vermont. 91-5442-0138 Reviewed by Ken Fischer, Haleakala, Inc. University of California-­ John Gingrich, John New York, NY $21,100 Los Angeles ~ Association of Killacky, Ralph Sandier, To support the commission­ Los Angeles, CA $16,900 Performing Arts and Suzanne Sato of the ing and touring of a new solo To support the commission­ Presenters, Inc. Presenting Overview Panel. opera by composer/vocalist ing of a new work by the Washington, DC $57,000 91-5442-0245 Diamanda Galas to be pre­ Miami City Ballet and resi­ To support honoraria, * See InternationalActivities sented by The Kitchen, the dent choreographer Jimmy administrative and promo­ section. Spoleto Festival USA, and Gamonet de los Heros, to be tional expenses, and travel the Walker Art Center. presented by UCLA, the subsidies associated with Partnerships in 91-5442-0142 Hancher Auditorium, the ongoing and new services to Krannert Center, and the presenting organizations. Commissioning and Life on the Water University Musical Society. 91-5442-0133 Touring San Francisco, CA $21,100 91-5442-0141 To support the co-commis­ ~ British American Arts Grants sioning of a collaborative University of Iowa Association US, Inc. work by Bay Area artists, to Iowa City, IA $16,900 ~r Denotes Grants Having London, England $25,000* be presented by Life on the To support the commission­ To support fellowships to National Impact Water, Dance Theater ing of a new work by Mere­ American arts administrators Workshop, and Painted dith Monk, Ghost Stories, to for participation in the Appalshop, Inc. Bride Arts Center. be presented by Hancher British American Advanced Whitesburg, KY $33,700 91-5442-0148 Auditorium, the University Administrator Training

82 National Endowment for the Arts of California--Los Angeles, grants; the remaining grants Bennett Tarleton Artists’ Projects: the Walker Art Center, the are included under the Dance Executive Director Wexner Center, and the Program and the State and Tennessee Arts Commission New Forms American Music Theater Regional Program. Nashville, TN Festival. 91-5442-0150 To encourage experimental, Advisory Panel Woodie White innovative projects that chal­ University of Kansas Main Managing Director, The lenge the traditional art Campus Sue Bonaiuto Dance Center forms. This category supports Lawrence, KS $21,100 Director Columbia College the creation and production To support the commission­ New Hampshire State Chicago, IL of original work that extends ing of a new work by choreo­ Council on the Arts or explores both single-disci­ grapher Liz Lerman titled Concord, NH Grants plinary and multidisciplinary The Good Jew? to be present­ forms by individual artists, ed by the University of Oceola Bragg Mid-Adantic Arts groups of collaborating Kansas, the Washington Founder/Director Foundation, Inc. artists, and/or ongoing Performing Arts Society, 14th Street DanceCenter Baltimore, MD $33,000 ensembles. Dance Umbrella, and the New York, NY For artists’ fee support for Pittsburgh Dance Council. presenters throughout the 70 Grants 91-5442-0139 Randy Duncan member states for dance Program Funds: $964,347 Artistic Director presentation during the Walker Art Center, Inc. Joseph Holmes Dance 1992-93 season and for Advisory Panels Minneapolis, MN $16,900 Theater related administrative costs. To support the commission­ Chicago, IL 91-5442-0254 Panel A ing of a new work by choreo­ grapher Kei Takei, 24 Hours Garth Fagan New England Foundation William Cook of Light, t.o be presented by Artistic Director for the Arts Deputy Director the Walker Art Center, the Bucket Dance Company Cambridge, MA $8,000 Wexner Cefiter for the Arts Atlantic Center for the Arts, Rochester, NY To ammend grant # 90­ Columbus, OH and the University of Califor- 5442-0263 to provide addi­ nia-Los Angeles. Wendy Griffin tional assistance to the Bill T. Kahil El’Zabar 91-5442-0144 Chairman of the Board Jones/Arnie Zane Company’s Composer/Musician Washington State Arts engagement at the Dance Chicago, IL Dance on Tour Commission Umbrella in Boston in May Olympia, WA 1991. Coco Fusco Dance on Tour assists pre­ Freelance Writer and senters in booking nationally Charmaine Jefferson Southern Arts Curator/Development recognized dance companies Acting Commissioner Federation, Inc. Director Department of Cultural and dance artists by support­ Atlanta, GA $112,240" Third World Newsred ing state arts agencies and Affairs/City of New York To suppport artists’ fees to New York, NY regional organization pro­ New York, NY presenters for the presenta­ jects. Dance on Tour is a tion of dance companies Judith Kirshner cooperative effort between Nancy Matschek throughout Alabama, Director, School of Art and the Endowment’s Inter-Arts, Managing Director/ Florida, Georgia, Kentucky, Design Dance, and State and Contemporary Dance Season Louisiana, Mississippi, North University of Illinois-­ Regional programs in consul­ Portland State University Carolina, South Carolina, Chicago tation with presenters, dance Portland, OR and Tennessee during the Chicago, IL companies, artists, and state 1991-92 season. Darlene Neel and regional arts agency rep­ 91-5442-0006 George Longfish * Thisgrant was cofunded with resentatives. This initiative is Manager Professor, Native American administered by the Inter- Lewitzky Dance Company the Dance Program. Studies Arts Program. This section Los Angeles, CA University of California presents a partial list of these Davis, CA

1991 Annual Report 83 Larry Polansky Douglas Ewart Alice Lovelace Roberto Bedoya Professor, Music Musician/Sculptor/ Executive Director Consultant/Writer/Curator Dartmouth College Crafisperson Southeast Community Los Angeles, CA Hanover, NH Chicago, IL Cultural Center/The Arts Exchange Cindy Carr Ellen Sollod Greta Gunderson Atlanta, GA StaffWriter/Reviewer Executive Director Associate Director The Village Voice Seattle Arts Commission Lower Manhattan Cultural Larry Polansky New York, NY Seattle, WA Council Composer/Performer/ New York, NY Faculty, Graduate Program Carl Cheng Emily Todd in Music and Technology Sculptor/Installation Artist Program Director Jock Reynolds Dartmouth College Santa Monica, CA Andy Warhol Foundation for Director, Addison Gallery of Hanover, NH the Visual Arts American Art Marie Cieri New York, NY Phillips Academy Panel D Independent Producer/ Andover, MA Curator/Consultant Rene Yanez Kim Chan Cambridge, MA Artist/Independent Curator Davie Williams Performing Arts Specialist San Francisco, CA Performer/Critic Washington Performing Arts Kahil El’Zabar Birmingham, AL Society Composer/Musician Panel B Washington, DC Chicago, IL Panel C Roberto Bedoya Fran Holden Tiye Giraud Consultant/Writer/Curator Jerri Allyn Director, Professional Composer/Vocalist/Musical Los Angeles, CA Performance Artist/Faculty Development Director Western Washington Association of Performing Urban Bush~vomen Kimberly Camp University Arts Presenters Bronx, NY Director, Experimental Bellingham, WA Washington, DC Gallery Jerry Hunt Smithsonian Institution Sally Banes John Moore Composer/Sound Artist Washington, DC Dance Critic/Historian/ Assistant Director Canton, TX Faculty Washington Project for the Kim Chan Cornell University Arts John Kelly Director, Dance and New Ithaca, NY Washington, DC Performance Artist Performance New York, NY Washington Performing Arts Coco Fusco Charlotte Murphy Society Freelance Writer and Executive Director Victor Masayesva Washington, DC Curator/Development National Association of Video Artist Director Artists Organizations Hoteville, AZ Ping Chong Third World Newsreel Washington, DC Performance Artist/Artistic New York, NY Adrian Piper Director Victoria Sharpley Conceptual Artist/ Fiji Theater Company Marian Godfrey Executive Director Philosopher/Faculty New York, NY Program Director, Culture The Association of American Wellesley College Pew Charitable Trusts Cultures Wellesley, MA Alexandrino Ducarmo Philadelphia, PA Washington, DC Teacher, Performing Ellen Sebastian Arts/Multicultural Inter­ Wayne Lawson Panel E Co-Founder disciplinary Arts Program Executive Director Life on the Water Roberto Clemente School of Ohio Arts Council M.K. Wegmann San Francisco, CA the Arts Columbus, OH Associate Director New York, NY Contemporary Arts Center Liz Thompson New Orleans, LA Director, Next Wave

84 National Endowment for the Arts Festival/Executive VII International Conference Center for Community Crosspulse DirectorBrooklyn Academy onMDS in June 1991. Studies, Inc. E1Sobrante, CA $15,000 of Music/Jacob’s Pillow Reviewed by Panel D. New York, NY $9,630 To support a new production Dance Festival 91-5411-0174 To support an installation by titled "Go," by Keith Terry Brooklyn, NY artist Tomie Arai in New and collaborating artists and Before Your Eyes, Inc. York’s Chinatown neighbor performers. Reviewed by Grants New York, NY $7,500 hood. Reviewed by Panel A. Panel B. 91-5411-0215 To support the creation of an 91-5411-0187 80 Langton Street, Inc. installation and performance Cultural Council San Francisco, CA $15,000 piece by DANCENOISE Center for Contemporary Foundation To support the Trigram pro­ and visual artist James Vance. Arts of Santa Fe, Inc. New York, NY $7,500 ject of San Francisco artists Reviewed by Panel B. Santa Fe, NM $7,500 To support creative and pro­ Francisco (Chico) Mac- 91-5411-0190 To support the development duction costs of a new perfor­ Murtrie, Bruce Darby, and of a new multidisciplinary mance work by Brazilian Rick Sayre. Reviewed by Brava! for Women in event titled "The Misfortune choreographer and director Panel B. 91-5411-0221 the Arts of the Immortals," by Mor­ Patricia Hoffbauer. Reviewed San Francisco, CA $10,000 ton Subotnick, Joan LaBar­ by Panel B. 91-5411-0186 African American Dance To support a collaboration bara, Power Boothe, and Ensemble, Inc. between writer Cherrie Mark Coniglio. Reviewed by Cultural Council Durham, NC $10,000 Moraga and visual artist Ester Panel A. 91-5411-0218 Foundation To support the creation and Hernandez for the second Ne~v York, NY $10,000 development of a new work phase of the creation process Center for New Television To support the production of by Artistic Director Chuck and production of a multidis­ Chicago, IL $7,500 a new work by choreographer Davis and collaborating ciplinary work, "Heroes and To support the creation and Blondell Cummings and artists. Reviewed by Panel B. Saints." Reviewed by exhibition of a multimedia dancer Tom Thayer. 91-5411-0198 Panel B. 91-5411-0194 video installation by Stashu Reviewed by Panel B. Kybartas. Reviewed by 91-5411-0207 Arts Company, Inc. Cactus Foundation Panel A. 91-5411-0177 Cambridge, MA $17,000 Los Angeles, CA $7,500 Dance Brigade, A To support the creation and To support the creation, pro­ Centro Cultural de la New Group From presentation of a new perfor­ duction and presentation of a Raza, Inc. Wallflower Order mance by artist Wim new aural performance- San Diego, CA $15,000 Oakland, CA $7,500 Vandekeybus. Reviewed by installation work by collabo­ To support an exhibition/ To support the development Panel C. 91-5411-0155 rating artists Jacki Apple and installation and catalogue and premiere performances Keith Antar Mason, as part of stories and images titled of Goodbye Columbus, by the Arts Company, Inc. of the "Fault Lines: Redefin­ "The 4th World--Migrant Dance Brigade and collabo­ Cambridge, MA $26,000 ing Democracy in America" Peoples, Moving Stories," by rating artists. Reviewed by To support the development series. Reviewed by Panel A. Carmela Castrejon, Patricio Panel B. 91-5411-0222 of "Mississippi Freedom," 91-5411-0211 Chavez, Michael Schnorr, a new mixed-media work by Carlos Toth, and Susan Donald Byrd Dance artist Robbie McCauley. Camera News, Inc. Yamagata. Reviewed by Foundation, Inc. Reviewed by Panel B. New York, NY $12,000 Panel A. 91-5411-0193 New York, NY $26,000 91-5411-0217 To support the research and To support the creation of a development of a multidisci­ Citizens’ Environmental new African-American ver­ Bay Area Center for Art and plinary installation and audio Coalition sion of The Nutcracker, by Technology art piece by Guillermo Houston, TX $10,000 Donald Byrd, Don Pullen, San Francisco, CA $2,347 Gomez Pena and Coco To support the creation and and David Berger. Reviewed To support the participation Fusco, with collaborating exhibition of a new installa­ by Panel B. 91-5411-0210 of Project Face to Face--an artists Nancy Lytle and tion work by artist Mel Chin. installation piece made up of Stephen Erickson. Reviewed Reviewed by Panel E. Eccentric Motions, Inc. face castings and recorded by Panel B. 91-5411-0223 91-5411-0160 New York, NY $22,000 oral histories of people who To support the production are living with AIDS--at the

1991 Annual Report 85 and post-production costs of Culture Clash. Reviewed by between David Rousseve and stories to be collected and a new experimental film by Panel A. 91-5411-0178 the Lavender Light gospel displayed in San Francisco filmmaker/choreographer choir. Reviewed by Panel B. bus shelters by artists Ann Pooh Kaye and collaborating Foundation for Independent 91-5411-0204 Chamberlain, Yolanda artists. Reviewed by Panel B. Artists, Inc. Lopez, Ulysses Jenkins, Julian 91-5411-0181 New York, NY $26,000 Hallwalls, Inc. Lang, and Brenda Hutch­ To support the development Buffalo, NY $6,185 inson. Reviewed by Panel B. En Garde Arts, Inc. of a new multidisciplinary To support the development 91-5411-0179 New York, NY $25,000 work by Urban Bush of a citywide, viewer-interac­ To support the artistic devel­ Women. Reviewed by tive, public video installation Kronos Performing Arts opment, technical, and logis­ Panel B. 91-5411-0220 by artist Julia Scher in the Association tical costs associated with The city of Buffalo. Reviewed by San Francisco, CA $18,000 Funhouse Project, an interac­ George Coates Performance Panel A. 91-5411-0201 To support the creation and tive theater event by Len Company development of a new musi­ Jenkin and John Arnone. San Francisco, CA $10,000 Idris Ackamoor and cal and visual production by Reviewed by Panel A. To support "Black Screen Cultural Odyssey the Kronos Quartet based on 91-5411-0175 Cathedral," a three-dimen­ San Francisco, CA $10,000 the writings ofI. F. Stone. sional film and slide installa­ To support the creation and Reviewed by Panel B. En Garde Arts, Inc. tion by artists George Coates, workshop production of 91-5411-0203 New York, NY $12,000 Charles Rose, and Fred "Raining Down Stars: More To support "The Harlem Sharples. Reviewed by Stories from the Diaspora," a Kulintang Arts, Inc. Project," which will feature Panel A. 91-5411-0180 collaborative, interdiscipli­ Oakland, CA $10,000 newly commissioned plays by nary performance piece by To support a collaboration Laurie Carlos and other col­ Goat Island Ed Bullins, Don Moye, Idris between Kulintang Arts and laborating artists. Reviewed Chicago, IL $5,000 Ackamoor, and Rhodessa Chris Millado, Director of by Panel B. 91-5411-0176 To support the creation of a Jones. Reviewed by Panel B. the Philippine theatre ensem­ new collaborative work by 91-5411-0185 ble PETA. Reviewed by Exit Art, Inc., for Papo Colo the Goat Island performance Panel B. 91-5411-0188 New York, NY $11,250 group. Reviewed by Panel B. Institute of Contemporary To support production costs 91-5411-0191 Art, Boston Life on the Water associated with the interdisci­ Boston, MA $18,000 San Francisco, CA $30,000 plinary project titled "The HOME for Contemporary To support the creation and To support a new collabora­ Barn," by Papo Colo. Theatre and Art, Limited presentation of a new collab­ tive work by Culture Clash, Reviewed by Panel A. New York, NY $5,000 orative performance by artist visual artist Gronk, and com­ 91-5411-0192 To support the development Rebecca Mien and members poser John Santos. Reviewed of an autobiographical mono­ of La Fura dels Baus and by Panel B. 91-5411-0227 Fiji Theater Company, Inc. logue/photodocumentary by Black and White. Reviewed New York, NY $14,400 Todd Alcott. Reviewed by by Panel B. 91-5411-0196 Los Angeles Contemporary To support artists’ fees and Panel B. 91-5411-0216 Exhibitions research, construction, and International Arts Los Angeles, CA $10,000 media production costs for Haleakala, Inc. Relations, Inc. To support the creation of a "A Pavilion for 1492," an New York, NY $20,000 New York, NY $15,000 new work by artist Daniel installation by Ping Chong in To support the creation and To support a mixed-media Martinez, in collaboration collaboration with Jan Hart­ performance of a new work installation by artist Mildred with Harry Gamboa, Jr., ley and Brian Hallas. Review­ by performance artist Karen Howard in the INTAR Vinzula Kara, Aubry Wilson, ed by Panel A. 91-5411-0209 Finley and musician/compos­ Gallery. Reviewed by and Diane Gamboa. er Jerry Hunt. Reviewed by Panel A. 91-5411-0182 Reviewed by Panel C. Film Arts Foundation Panel C. 91-5411-0153 91-5411-0152 San Francisco, CA $35,000 Intersection To support the production of Haleakala, Inc. San Francisco, CA $12,000 Mixed Bag Productions a new videotape by Lourdes New York, NY $12,000 To support the research and San Francisco, CA $12,000 Portillo, Rene Castro, and To support the development development of a series of To support Contraband in of a collaborative project creating a multidisciplinary

86 National Endowment for the Arts performance project known woman Theatre. Reviewed by White Columns, Inc. dation for the Visual Arts, as "Mira Cycle II." Reviewed Panel B. 91-5411-0189 New York, NY $6,330 Inc., in partnership with arts by Panel B. 91-5411-0202 To support a new interdisci­ organizations located in di­ Red Eye Collaboration plinary installation by artist verse regions of the country. N.A.M.E. Gallery Minneapolis, MN $5,000 Paul Ramirez. Reviewed by Chicago, IL $11,835 To support the media com­ Panel A. 91-5411-0214 Advisory Panel To support "The Anony­ ponent in the theatrical pro­ mous Museum," a collabora­ duction of Andy Warhal Goes White Columns, Inc. Susan Dickson tive arts project. Reviewed by to Therapy. Reviewed by New York, NY $7,780 Coordinator, Individual Panel A. 91-5411-0224 Panel A. 91-5411-0219 To support the commission Artists Program of a new interdisciplinary Nightfire Theater San Jose Institute of installation by artist Millie Ohio Arts Council San Francisco, CA $11,040 Contemporary Art Wilson. Reviewed by Columbus, OH To support the initial phases San Jose, CA $10,000 Panel A. 91-5411-0225 of an independent video/ To support the development Carlos Gutierrez-Solana sculpture installation project of an experimental perfor­ Wooster Group, Inc. Artist/Former Director, by artist Laura Farabough, mance work by Joel Slayton. New York, NY $22,500 Visual Arts Program examining the construction Reviewed by Panel B. To support the creation of an NY State Council on the Arts of the new Museum of 91-5411-0197 original video work based on Ne~v York, NY Modern Art in San Fran­ Anton Chekhov’s Three cisco. Reviewed by Panel A. Skysaver Productions, Inc. Sisters. Reviewed by Panel A. Patter Hellstrom 91-5411-0208 New York, NY $15,000 91-5411-0205 Visual Artist To support the "under­ Minneapolis, MN Pauline Oliveros Foundation ground" multimedia project Word Conjurors: The Kingston, NY $21,550 by Theodora Sldpitares, Association of African Vicky Lee To support an environmental Bobby Previte, and Michael American Storytelling Arts Program Coordinator sound design for the new col­ Moschen that will explore the Oakland, CA $10,000 King County Arts laborative interdisciplinary subterranean cities, struc­ To support the creation and Commission work NZINGA. Reviewed tures, shelters, and corridors production of"Grinchin’" by Seattle, WA by Panel A. 91-5411-0199 that have been built through­ Luisah Teish and collaborat­ out history. Reviewed by ing artists. Reviewed by John Moore Performance Space 122, Inc. Panel B. 91-5411-0213 Panel B. 91-5411-0226 President New York, NY $15,000 African Continuum Theatre To support the creation of a St. Ann Center for Washington Project for the Coalition new work by playwrights Restoration and the Arts, Inc. Washington, DC Holly Hughes and Ellen Arts, Inc. Washington, DC $15,000 Sebastian. Reviewed by Brooklyn, NY $15,000 To support the creation of a Robin Tryloff Panel C. 91-5411-0154 To support "Life multimedia installation and Nonprofit Management Underwater," a new collabo­ accompanying artist book by Consultant Performance Space 122, Inc. rative piece by artists John artist Adrian Piper. Reviewed Downers Grove, IL New York, NY $7,500 Cale and Zoe Beloff. by Panel C. 91-5411-0156 To support the creation and Reviewed by Panel B. Grants development of a new perfor­ 91-5411-0212 New Forms mance work by artist Penny Regional Initiative 80 Langton Street, Inc. Arcade. Reviewed by We Tell Stories, Inc. San Francisco, CA $15,900 Panel B. 91-5411-0206 Venice, CA $10,000 To support a grants program To support the Multicultural The New Forms Regional serving artists in Maska, Spoken Word Festival in the Initiative is a regional pro­ northern California, Oregon, Randolph Street gram of project fellowships Gallery, Inc. city of Los Angeles. Reviewed and Washington. $24,000 by Panel B. 91-5411-0184 for independent artists sup­ 91-5411-0229 Chicago, IL ported by the Endowment, To support a Chicago resi­ dency project for Spider- The Rockefeller Foundation, and The Andy Warhol Foun

1991 Annual Report 87 Mternate ROOTS, Inc. and Texas, in conjunction State Dance Association of Grants with DiverseWorks, an Florida, Inc. Atlanta, GA $15,900 ~r Denotes Grants Having To support a grants program artists’ organization in Miami, FL $6,600 serving artists in the states of Houston, Texas. To support a grants program National Impact Georgia, Kentucky, North 91-5411-0231 serving artists in the state of Carolina, South Carolina, Florida. 91-5411-0232 ~" Centrum Foundation and Tennessee. New England Foundation Port Townsend, WA 91-5411-0234 for the Arts Artist $12,500 Cambridge, MA $16,440 To support residencies for Colorado Dance To support a grants program Communities artists. 91-5412-0163 Festival, Inc. serving artists in Connecti­ Boulder, CO $14,000 cut, Maine, Massachusetts, To enable artist communities ~ Corporation of Yaddo To support a grants program New Hampshire, Rhode and other artists’ workplaces Saratoga Springs, NY serving artists in Colorado, Island, and Vermont. to provide opportunities for $12,500 Idaho, Montana, Nevada, 91-5411-0239 creative artists from various To support artists in resi­ Utah, and Wyoming, to be disciplines to pursue their dence who represent the administered in conjunction Painted Bride Art work. fields of writing, visual arts, with Helena Presents of Center, Inc. 10 Grants and music composition. Helena, Montana. Philadelphia, PA $15,900 Program Funds: $180,000 91-5412-0169 91-5411-0228 To support a grants program serving artists in Delaware, Advisory Panel ~r Djerassi Foundation Contemporary Arts Center, the District of Columbia, Woodside, CA $12,500 New Orleans Maryland, New Jersey, Penn­ Kristine Aono To support artists’ residencies New Orleans, LA $17,430 sylvania, Virginia, and West Sculptor in choreography, dance, per­ To support a grants program Virginia. 91-5411-0236 Cheverly, MD formance art, literature, serving artists in Alabama, music, visual arts, and new Puerto Rico Community genres that contribute to pro­ Arkansas, Louisiana, and Roger Bruce Mississippi. 91-5411-0233 Foundation, Inc. Media Artist jects between resident artists Hato Rey, PR $10,760 Linwood, NY and arts organizations in the Intermedia Arts of To support a grants program community. 91-5412-0164 Minnesota, Inc. serving artists in Puerto Rico. Jeri Connelly qg Fine Arts Work Center Minneapolis, MN $14,000 91-5411-0230 Writer in Provincetown, Inc. To support a grants program Bethesda, MD serving artists in Iowa, Kan­ Pyramid Arts Center, Inc. Provincetown, MA $20,000 Rochester, NY $19,590 To support writers and visual sas, Minnesota, Nebraska, Olga Garay North Dakota, South Dakota, To support a grants program Director, Cultural Affairs artists in a long-term residen­ and Wisconsin. serving artists in the state of Miami-Dade Community cy program that focuses on 91-5411-0238 New York, to be adminis­ College/Wolfson Campus emerging talent. tered in conjunction with the Miami, FL 91-5412-0171 Los Angeles Contemporary Lower Manhattan Cultural Exhibitions, Inc. Council. 91-5411-0235 Ken Hope ~ Headlands Center for Los Angeles, CA $14,000 Director, Fellows Program the Arts To support a grants program Randolph Street MacArthur Foundation Sausalito, CA $25,000 serving artists in southern Gallery, Inc. Chicago, IL To support costs of enriching California and Hawaii. Chicago, IL $17,050 the artist-in-residence pro­ 91-5411-0237 To support a grants program Heather Plank gram by inviting artists of serving artists in Illinois, Trustee/Former Director national and international Mexic-Arte Indiana, Michigan, Missouri, Ucross Foundation reputation to participate in Austin, TX $17,430 and Ohio. 91-5411-0240 Clearmont, WY the program. 91-5412-0165 To support a grants program serving artists in Arizona, MacDowell Colony, Inc. New Mexico, Oklahoma, Peterborough, NH $24,000

88 National Endowment for the Arts To support artist residencies ers, composers, and visual ~r Virginia Center for the ~r Yellow Springs Institute and special initiatives. artists. 91-5412-0162 Creative Arts for Contemporary Studies 91-5412-0170 Sweet Briar, VA $9,000 and the Arts ~ Ragdale Foundation To support residencies and Chester Springs, PA $39,500 ~r Millay Colony for the Lake Forest, IL $10,000 studio space for professional To support residency fellow­ Arts, Inc. To support residencies for writers, visual artists, and ships for interdisciplinary Austerlitz, NY $15,000 artists, writers, and com­ composers from all over artists and ensembles as To support one-month resi­ posers. 91-5412-0167 America. 91-5412-0168 part of the 1992 Artists’ dencies for professional writ­ Residency Program. 91-5412-0166

1991 Annual Report 89 Poet Jayne Cortez reads (and a signer interprets) at Bumbershoot, Seattle’s literary fete which receives Literature Program aid. L ¯ terature 246 Grants Program Funds $4,576,577

The Literature Program assists individual creative writers Bilingual Review Press works with a broad range of and literary translators, encourages wider audiences for con­ Hispanic writers, while White Pine Press emphasizes con­ temporary literature, and aids nonprofit literary organiza­ temporary American writers and work by Scandinavian tions and smallpresses. authors in translation. Audience Development grants put authors in touch iterature is an important contributor to our with their readers, either in reading series and residency national treasury of style and language and programs or through electronic media such as video and gives voice to many of our best ideas about audio tapes. Community-based literary centers, such as L human life. The purposes of the Literature Beyond Baroque of California, The Loft in Minneapolis, Program are to encourage the creation of a Hellgate Writers in Montana, and the North Carolina national body of literature of the highest quality through Writer’s Network, present the best of the nation’s writers the support of exceptionally talented individual artists to a broad audience. and to make the work of outstanding contemporary writ­ Three grants exemplify important aspects of the ers available to a broad public. Endowment’s Literature Program: Support to individual poets, prose writers and transla­ ¯ For almost a quarter century, Teachers & Writers tors remains the cornerstone of the program. This year, Collaborative has been dedicated to sending professional 90 writers in all regions of the country received Creative writers into classrooms to teach students both how to Writing Fellowships. Awarded through a judging of 2,279 appreciate literature and how to write. T&W publishes manuscripts, these fellowships afforded writers the oppor­ books for teachers about how to teach creative writing. It tunity to devote time to their craft. In addition, nine lit­ also exemplifies the idea that "creative teaching and artis­ erary translators received support to translate works into tic development [are] at the heart of our lives." Endow­ English from other languages. Funded projects included ment grant funds provide support for T&W’S writing translations of both contemporary and classical works in workshops in schools; for the publishing and distribution Arabic, Russian, Catalan, Spanish, French, New Nor­ to teachers of books, audio tapes, and other publications; wegian and Chinese literature. and for general organizational support. In recognition of lifetime contributions to American ¯ While much contemporary literature speaks to spe­ letters, Margaret Walker and William Stafford were cialized audiences, the PEN Syndicated Fiction Project awarded Senior Fellowships in Literature. aims to make serious writing available to a wider range of Literary Publishing grants awarded to literary maga­ Americans. It places contemporary fiction in newspapers zines, small presses and distribution organizations make and distributes the radio program "The Sound of the best of contemporary writing available to all parts of Writing: America’s Short Story Magazine of the Air." The the country. Magazines range from Black American imaginative life and contemporary reality of the nation Literature Forum, which publishes original works of fic­ are reflected in these stories, which are suitable for and in­ tion and poetry as well as scholarly work focusing on teresting to audiences across the country. The weekly black literature, to Parnassus: Poetry in Review, the coun­ radio series provides pleasures otherwise too often un­ try’s only publication devoted to reviews of poetry books. available to its potential audience of 15 million. As a lis­ Similarly, small presses feature a variety of formats: tener wrote from New Hampshire, "I can think of few

91 things as vivid or as comforting--reminiscent of child- schools. The project will produce a volume of poetry and hood--as settling in to hear a good story." one of prose reflecting the "imaginative territory" of the ¯ A new project, Literature of the States, is being state and then make use of these volumes in schools. The designed to stimulate the discovery and preservation of writers published in the anthologies will work with class­ every state’s literary heritage. Developed in collaboration room teachers to introduce students to their state’s liter° with the Arts in Education Program, it will also encour­ ary heritage. age immediate and practical use of this vital legacy in

Mei-Mei Berssenbrugge Prose Fellowships Bienvenido Santos Fellowships Poet/Educator Fiction Writer/Poet Galisteo, NM Sandra Cisneros Greeley, CO Includes three subcategories: Fiction Writer/Poet Fellowships for Creative Robert Dana Ann Arbor, MI Sara Vogan Writers enable exceptionally Fiction Writer talented published writers Professor of English/Poet-in­ Residence/Editor Lydia Davis San Francisco, CA of poetry, fiction, and cre­ ative nonfiction to set aside Cornell College Fiction Writer/Translator Coralville, IA Port Ewen, NY Grants time for writing, research, or travel in order to advance Richard Howard Percival Everett Recipients received $20,000 their careers. Senior Fellow­ Poet/Translator/Poetry Fiction Writer/Visiting each unless otherwise noted. ships support and honor cre­ Editor/Essayist/Educator/ Professor, Department of ative writers and other liter Critic English Poetry Fellowships ary professionals who have University of Notre Dame received the highest critical The New Republic New York, NY South Bend, IN Mcosser, Sandra B. acclaim but who are not nec­ Encinitas, CA essarily widely known outside Pinkie Gordon Lane Rolando Hinojosa the literary field. Fellowships Poet/Scholar/Educator Fiction Anderson, Margaret A. for Translators allow recipi­ Baton Rouge, LA Writer/Director,Texas Kent, OH ents to translate into English Center for Writers major literary works in other E. Ethelbert Miller University of Texas-~Austin Ball, Angela S. languages. Poet/Director, Afro- Austin, TX Hattiesburg, MS American Resource Center 102 Grants Howard University David Huddle Bargen, Walter L. Program Funds: $2,140,000 Washington, DC Professor of English/Fiction Ashland, MO Writer/Poet Naomi Shihab Nye University of Vermont/ Barrett, Carol J. Fellowships for Poet/Translator/Educator Breadloaf School of San Antonio, TX Creative Writers San Antonio, TX English Burlington, VT Bateman, Claire Katha Pollitt Clemson, SC Advisory Panel Poet/Editor/Translator Josephine Humphreys New York, NY Fiction Writer Budy, Andrea H. Charleston, SC Mountain View, AR Poetry Fellowships Rosmarie Waldrop Visiting Professor, Creative Joyce Kornblatt Burkard, Michael P. Alurista Writing Program/ Fiction Writer/Professor of Rome, NY Poet/Editor/Professor of Poet/Translator/Editor English English Brown University University of Maryland Burnham, Deborah S. California Polytechnic State Providence, RI Washington, DC Philadelphia, PA University Pismo Beach, CA

92 National Endowment for the Arts Carter, Jared R. Masini, Donna Bass, Jr., Charles Richard Hill, Ingrid M. Indianapolis, IN New York, NY Troy, MT Iowa City, IA

Christensen, Paul N. Medina, Pablo F. Bell, M. Shayne Kadohata, Cynthia L. College Station, TX Washington, DC Salt Lake City, UT Los Angeles, CA

Colander, Valerie N. Murabito, Stephen J. Bradley, Jr., David H. Katz, Judith E. Fairmont, WV Slickville, PA La Jolla, CA Minneapolis, MN

Cording, Robert Osman, Jena Brant, Beth E. Kiteley, Brian A. Woodstock, CT New York, NY Melvindale, MI Northampton, MA

Corn, Mfred D. Peacock, Molly W. Brown, James D. Krich, John K. New York, NY New York, NY Eugene, OR San Francisco, CA

deCourcy, Lynne H. Price, Robert Earl Christopher, Peter C. Lavers, Norman Oxford, OH Atlanta, GA Brooklyn, NY Jonesboro, AR

Duesing, Laurie M. Rivard, David Cohen, Jonathan S. Lazarre, Jane Benicia, CA Somerville, MA Swarthmore, PA New York, NY

Fagan, Kathy M. Smith, Rodney T. Cooper, Stephen P. Mairs, Nancy P. Delaware, OH Opelika, AL Los Angeles, CA Tucson, AZ

Garcia, Richard Louis Soto, Gary A. Coskran, Kathleen A. McAllister, Bruce H. Santa Monica, CA Albany, CA Minneapolis, MN Redlands, CA

Gaspar, Frank X. St. Germain, Sheryl A. Costello, Mark P. McElroy, Colleen J. Long Beach, CA Dallas, TX Champaign, IL Seattle, WA

Goldberg, Barbara J. Stein, Kevin J. Cunningham, Laura McFarland, Dennis L. Chevy Chase, MD Dunlap, IL Stone Ridge, NY Watertown, MA

Greger, Debora J. Talal, Marilynn G. Egan, Jennifer C. McKnight, Reginald Gainesville, FL San Antonio, TX New York, NY Pittsburgh, PA

Grennan, Eamon Taylor, G. Keith Flowers, Arthur R. Nelson, Kent S. Poughkeepsie, NY Ann Arbor, MI Memphis, TN Exeter, NH

Howe, Fanny Q. Wall, Martha M. Glantz, Kenneth Nelson, Richard K. La Jolla, CA New Orleans, LA Portland, OR Sitka, AK

Kitchen, Judith Worley, Jeff R. Glickfeld, Carole L. Norman, Howard A. Brockport, NY Lexington, KY Seattle, WA College Park, MD

Koertge, Ronald B. Prose Fellowships Glickman, Gary Novakovich, Josip A. South Pasadena, CA Boston, MA Winnetoon, NE Anzaldua, Gloria E. Lawler, Patrick J. Santa Cruz, CA Gordon, Jaimy M. Ochs, Vanessa L. Liverpool, NY Kalamazoo, MI Morristown, NJ Barrett, Lynne M. Logghe, Joan S. Miami, FL Haefele, Fred M. Phillips, Matthew J. Espan01a, NM Stanford, CA Iowa City, IA

1991 Annual Report 93 Pritchard, Samuel E. Stafford, William Julieta Campos (b. 1932). To support the translation Ames, IA Lake Oswego, OR $40,000 91-5212-0007 from Arabic of Tagasim al- In support of his significant Lail walNahar, a novel by Proulx, E. Annie contributions to American ~ DiBernardi, Dominic G. Abdelrahman Munif (b. circa Vershire, VT literature. 91-5213-0245 Philadelphia, PA $20,000 1933). 91-5212-0010 To support the translation Riley, James A. Fellowships for from the French of Le Grand ~g Waldrop, Bernard K. Pikeville, KY Incendie de Londres, by Providence, RI $20,000 Translators Jacques Roubaud (b. 1932). To support the translation Selfridge, Barbara E. 91-5212-0003 from the French of Rose­ Oakland, CA Advisory Panel declic, a long series-poem by ~ Hansen, Paul S. Dominique Fourcade. Shelton, Richard W. Diskin Clay LaConner, WA $20,000 91-5212-0009 Tucson, AZ Translator/Poet/Professor of To support the translation Classics and Philosophy from Chinese of approxi­ Literary Shields, David J. City University of New York mately 75 poems from the Seattle, WA Baltimore, MD (residence) Eastern Meditation Tawer Publishing Collection (Tung Kuan Chi), Svendsen, Linda J. Lyn Hejinian by the Chinese poet Wei Yeh Includes three subcategories: Vancouver, Canada Poet/Translator (960-1019). 91-5212-0008 Assistance to Literary Berkeley, CA Magazines grants help non­ Tester, William P. ~ High, John A. profit literary magazines that New York, NY Jerome P. Seaton San Francisco, CA $10,000 regularly publish poetry, fic­ Translator/Educator To support the translation tion, literary essays, and Weir, Jr., John P. University of North from Russian of the work of translations. Small Press New York, NY Carolina--Chapel Hill five contemporary poets from Assistance grants support Chapel Hill, NC Moscow’s unofficial "Poetry small, independent presses Wilson, Miles S. Club." 91-5212-0005 that publish contemporary San Marcos, TX Lawrence Venuti creative writing. Distribution Translator/Educator qg Hinton, David A. Projects grants fund non­ Poets & Writers, Inc. Temple University East Calais, VT $10,000 profit organizations for the New York, NY $120,000 Philadelphia, PA To support the translation distribution of contemporary To support the reading fees from Chinese of selected po­ creative literature. paid to Literature Program Katharine Washburn etry of T’ao Yuan-ming (T’ao panelists during the review Translator/Contributing Ch’ien, 365-427). 74 Grants process. 91-5211-0242 Editor 91-5212-0006 Book-of-the-Month Club Program Fund: $1,093,348 Brooklyn, NY ~ Rosenthal, David H. Senior Fellowships New York, NY $20,000 Advisory Panel Eliot Weinberger To support the translation Advisory Panel Translator from Catalan of Incerta glo­ Anne Bourget New York, NY ria, a novel by Joan Sales Fellowship Program Senior Fellowships were re­ (1912-1983). 91-5212-0002 Administrator viewed by the Professional Grants California Arts Council Development Panel. ~r Shackelford, Frankie D. Sgcramento, CA qz Denotes Grants Having St. Paul, MN $10,000 Grants National Impact To support the translation Judith Corer from New Norwegian of Ave Poet/Fiction Writer Alexander, Margaret Walker ~ Chambers, Leland H. Eva, a novel by Edvard Louisville, GA Jackson, MS $40,000 Denver, CO $20,000 Hoem (b. 1949). In support of her significant To support the translation 91-5212-0004 Mvin Greenberg contributions to American from the Spanish of El miedo Poet/Fiction Writer/Professor literature. 91-5213-0246 de perder a Euridice, a novel ~r Theroux, Peter C. of English by the Cuban-Mexican writer Long Beach, CA $10,000

94 National Endowment for the Arts Macalester College Palmer and Dodge Law Firm and contributors’ fees for is­ issues of Poetry East. St. Paul, MN Cambridge, MA sues of Boston Review. 91-5224-0127 91-5224-0138 Gloria Hickok Assistance to gr Eshleman, Clayton Poet/Founding Editor/ ~r Calyx, Inc. Ypsilanti, MI $10,000 President Literary Magazines Corvallis, OR $10,000 To support production and Helicon Nine Magazine and Grants To support production, pro­ circulation costs and contrib­ Press motion, and circulation costs utors’ fees for issues of Sulfur Kansas City, KS and contributors’ payments magazine. 91-5224-0149 Denotes Grants Having for issues of Calyx. Beverly Jarrett National lmpact 91-5224-0148 ~" Haviaras, Stratis Director/Editor Cambridge, MA $4,350 University of Missouri Press ~g Agni Review ~ Colorado State To support production, pro­ Columbia, MO Boston, MA $10,000 University Foundation motion, and circulation costs To support contributors’ Ft. Collins, CO $5,640 for issues of Erato/Harvard Charles Johnson payments and production To support production, pro­ Book Review. 91-5224-0134 Fiction Writer/Essayist/ costs for issues of Agni motion, and circulation costs Review. 91-5224-0145 Professor, Creative Writing and contributors’ fees for is­ ~r Hollander, Kurt University of Washington sues of Colorado Review. New York, NY $5,000 Seattle ~ American Poetry Review 91-5224-0140 To support production, pro­ Seattle, WA Philadelphia, PA $10,000 motion, and circulation costs To support authors’ pay­ ~ Council of Literary and contributors’ fees for is­ ments and prizes for issues Magazines and Presses sues of Partable Lower East Robert Kelly of American Poetry Review. Poet/Fiction New York, NY $10,000 Side. 91-5224-0142 Writer/Professor, Division 91-5224-0128 To support production, pro­ motion, and circulation costs ~ Hudson Review Inc. of Language and ~ Antioch College Literature/Co-Director and contributors’ fees for New York, NY $10,000 Milton Avery Graduate Yellow Springs, OH Belles Lettres: A Review of To support production and $10,000 School of the Arts/Bard Books by Women. promotion costs and contrib­ To support production, pro­ College 91-5224-0130 utors’ fees for issues of Hud­ Annandale-On-Hudson, NY motion, and circulation costs son Review. 91-5224-0151 and authors’ payments for ~" Council of Literary Joan Murray issues of Antioch Review. Magazines and Presses ~ Indiana State University Poet/Founder 91-5224-0152 New York, NY $10,000 Terre Haute, IN $10,000 JUST BUFFALO Literary "/~ Arizona State University To support production, pro­ To support production costs Center’s Writers in motion, and circulation costs and contributors’ fees for is­ Tempe, AZ $5,000 Education Program and contributors’ payments sues of Black American Litera­ Rochester, NY To support production and for issues of Paris Review. ture Forum. circulation costs and contrib­ 91-5224-0153 91-5224-0122 Arthur Sze utors’ fees for issues of Poet/Professor of English Hayden’s Ferry Review. "/~ Cultural Council ~ Kansas State University Institute of American Indian 91-5224-0125 Foundation Writers Society Arts New York, NY $10,000 Manhattan, KS $2,040 Sante Fe, NM gr Big River Association To support production, pro­ To support production, pro­ St. Louis, MO $10,000 motion, and circulation costs motion, and circulation costs To support production, Dallas Wiebe and contributors’ fees for is­ and contributors’ fees for is­ Fiction Writer/Editor/ promotion, and circulation sues of American Book sues of Literary Magazine Professor of English costs and contributors’ fees Review. 91-5224-0139 Review. 91-5224-0155 University of Cincinnati for issues of River Styx. Cincinnati, OH 91-5224-0135 ~ DePaul University ~ Northeast Missouri State Chicago, IL $10,000 University John Williams ~ Boston Critic, Inc. To support production costs Kirksville, MO $3,100 Partner Boston, MA $6,500 and contributors’ fees for To support production and To support production, pro­ motion, and circulation costs 1991 Annual Report 95 circulation costs and contrib­ motion, and circulation costs ~ Trustees of Columbia ~ Another Chicago Press utors’ fees for issues of and contributors’ fees for University in the City of Chicago, IL $14,929 Chariton Review. isues of Parnassus: Poetry in New York To support authors’ royalties 91-5224-0143 Review. 91- 5224-0147 New York, NY $10,000 and production and distribu­ To support production, pro­ tion costs for books. ~r Northwestern University ~ Recursos de motion, and circulation costs 91-5225-0173 Evanston, IL $10,000 Santa Fe, Inc. and contributors’ fees for To support promotion costs Santa Fe, NM $8,000 issues of Translation. ~" Bamboo Ridge Press and contributors’ fees for To support production, pro­ 91-5224-0137 Honolulu, HI $10,000 issues of Triquarterly. motion, and circulation costs To support production and 91-5224-0123 and contributors’ fees for is­ ~ University of Houston-­ distribution costs for books. sues of Tyuonyi. University Park 91-5225-0182 ~" O.R. Press, Inc. 91-5224-0126 Houston, TX $10,000 Princeton, NJ $7,800 To support contributors’ ~" Carnegie Mellon To support production, pro­ ~ Review of Contemporary payments and production University motion, and circulation costs Fiction, Inc. and promotion costs for Pittsburgh, PA $15,000 To support production and and contributors’ fees for Elmwood Park, IL $10,000 issues of Americas Review. issues of Ontario Review. To support payments to con­ 91-5224-0146 distribution costs, and royal­ 91-5224-0129 tributors and translators and ties for volumes in the related costs for issues of ~r University of Missouri-­ Carnegie Mellon Press poetry ~ Ohio State University Review of Contemporary Columbia series. 91-5225-0184 Research Foundation Fiction. 91-5224-0124 Columbia, MO $10,000 Columbus, OH $7,350 To support contributors’ fees ~ Chax Press, Inc. To support production costs ~ Rudman, Mark and production, promotion, Tucson, AZ $12,000 and contributors’ fees for New York, NY $10,000 and circulation costs for To support production, pro­ issues of The JournaL To support production, pro­ issues of Missouri Review. motion, and distribution 91-5224-0141 motion, and contributors’ 91-5224-0144 costs for the publication of fees for issues of Pequod. books. 91-5225-0162 ~ Opojaz, Inc. 91-5224-0154 ~ University of Missouri-­ Philadelphia, PA $10,000 Kansas City ~" Coffee House Press To support production and ~ Smith, Lawrence R. Kansas City, MO $10,000 Minneapolis, MN $30,000 circulation costs and contrib­ Ann Arbor, MI $10,000 To support production, pro­ To support production, utors’ payments for issues of To support production and motion, and circulation costs promotion, and distribution Boulevard 91-5224-0121 circulation costs and author and contributors’ fees for costs for books. payments for issues of issues of New Letters. 91-5225-0159 ~ Partisan Review, Inc. Caliban. 91-5224-0183 91-5224-0132 Boston, MA $10,000 ~ Copper Canyon Press To support production costs ~ Southern Methodist ~ University of Southern Port Townsend, WA and author payments for University Mississippi $30,000 issues of Partisan Review. Dallas, TX $10,000 Hattiesburg, MS $7,000 To support production, pro­ 91-5224-0133 To support payments to con­ To support production, pro­ motion, and distribution tributors for issues of South­ motion, and circulation costs costs and royalties for books. ~r Ploughshares, Inc. west Review. and contributors’ fees for 91-5225-0177 Cambridge, MA $10,000 91-5224-0131 issues of Mississippi Review. To support production, pro­ 91-5224-0150 ~ Feminist Press, Inc. motion, and circulation costs ~ Threepenny Review New York, NY $25,000 and contributors’ fees for Berkeley, CA $10,000 Small Press To support production, pro­ issues of Ploughshares. To support a direct-mail sub­ Assistance motion, and distribution 91-5224-0156 scription campaign for costs and payments to au­ thors and translators for Threepenny Review. Grants ~ Poetry in Review 91-5224-0136 books. 91-5225-0176 Foundation, Inc. ~r Denotes Grants Having ~ Graywolf Press New York, NY $10,000 National Impact To support production, pro­ St. Paul, MN $30,000

96 National Endowment for the Arts To support production, pro­ ~r North Carolina ~ Review of Contemporary Press Pitt Poetry Series motion, and distribution Wesleyan College Fiction, Inc. books. 91-5225-0185 costs and authors’ royalties Rocky Mount, NC $7,000 Elmwood Park, IL $30,000 for the publishing of books. To support production and To support production, pro­ ~ Wainhouse, Austryn 91-5225-0168 promotion costs and authors’ motion, and distribution Marlboro, VT $30,000 royalties for books published costs and payments to To support authors’ and ~" Hershon, Robert by North Carolina Wesleyan authors and translators for translators’ payments and Brooklyn, NY $12,000 College Press. 91-5225-0165 books published by Dalkey production, promotion, and To support authors’ royalties Archive Press. 91-5225-0170 distribution costs for books and production, promotion, ~ Northwestern University published by Marlboro Press. and distribution costs for Evanston, IL $22,000 ~ Roger Williams College 91-5225-0158 books published by Hanging To support production, pro­ Bristol, RI $2,500 Loose Press. 91-5225-0178 motion, and distribution To establish the Ampersand ~ White Pine Press, Inc. costs and author and transla­ Press Women Poets Series. Fredonia, NY $25,000 ~r Kentucky Arts Council tor payments for Northwest­ 91-5225-0181 To support production, pro­ Frankfort, KY $15,500 ern University Press books. motion, and distribution To support production, pro­ 91-5225-0186 ~r Segue Foundation, Inc. costs and payments to au­ motion, and distribution New York, NY $10,000 thors for books. costs and authors’ royalties ~ Perlman, Jim To support production, pro­ 91-5225-0164 for Gnomon Press books. Duluth, MN $30,000 motion, and distribution 91-5225-0161 To support production, pro­ costs for books published by ~ Women in Translation motion, and distribution Roof Books. 91-5225-0179 Seattle, WA $12,000 ~ McPherson, Bruce R. costs and authors’ royalties To support production, pro­ Kingston, NY $25,000 for books published by Holy ~ Teachers and Writers motion, and distribution To support authors’ royalties Cow! Press. 91-5225-0166 Collaborative costs and translation fees for and production, promotion, New York, NY $25,000 books. 91-5225-0180 and distribution costs for ~z Potes & Poets Press, Inc. To support production, pro­ books published by McPher­ Elmwood, CT $7,350 motion, and distribution Distribution son & Company. To support production, pro­ costs and authors’ royalties 91-5225-0171 motion, and distribution for books published by Projects costs and authors’ payments Fiction Collective Two. ~z Milkweed Editions, Inc. for publishing books of 91-5225-0172 Grants Minneapolis, MN $15,000 poetry. 91-5225-0157 ~r Denotes Grants Having To support production, pro­ ~ University of Houston-­ motion, and distribution ~ Quasha, George University Park National Impact costs and authors’ royalties Barrytown, NY $30,000 Houston, TX $30,000 for books. 91-5225-0175 To support production, pro­ To support production, ~ Another Chicago Press motion, and distribution promotion, marketing, and Chicago, IL $42,500 ~r Morales, Mejandro costs and payment to authors distribution costs for Arte To support marketing, pro­ Irvine, CA $6,789 for books published by Publico Press books. motion, advertising, and To support authors’ royalties Station Hill Press. 91-5225-0163 other costs related to the na­ and publication, distribution, 91-5225-0174 ¯ tional distribution of small and advertising costs for ~ University of Iowa press literature by the Inde­ books published by Pacific ~r Readers International, Iowa City, IA $12,000 pendent Literary Publishers Association. 91-5226-0192 Writers Press. 91-5225-0169 Inc. To support production and Columbia, LA $30,000 related costs for two books in ~" New Rivers Press, Inc. To support production, pro­ the Iowa Short Fiction Series. ~z Arizona State University Minneapolis, MN $30,000 motion, and distribution 91-5225-0244 Tempe, AZ $30,000 To support authors’ royalties costs and payments to au­ To support marketing, pro­ motion, advertising, and and production, marketing, thors and translators for ~ University of and distribution costs for the books. 91-5225-0160 Pittsburgh--Main Campus other costs related to the na­ publishing of books. Pittsburgh, PA $12,000 tional distribution of small 91-5225-0167 To support production costs press literature by the Bilin­ for University of Pittsburgh gual Review Press. 91-5226-0189 1991 Annual Report 97 ~ COMPAS, Inc. lished writers of poetry, fic­ Poets and Writers, Inc. Colorado State University St. Paul, MN $44,000 tion and creative nonfiction; New York, NY Fort Collins, CO $6,000 To support promotion, ad­ performance poets; and To support writers’ fees and vertising, and fulfillment translators. Audience Deborah Mcgill related costs to bring writers costs related to the national Development Projects grants Editor/Director of Literature to the community and the distribution of small press lit­ are awarded to a small num­ North Carolina Council on campus to give readings, lec­ erature by Bookslinger, Inc. ber of organizations to pro­ the Arts tures, and workshops at sev­ 91-5226-0190 mote literature through co­ Durham, NC eral locations over two days. operative literary promotion 91-5243-0194 ~r Segue Foundation, Inc. projects, small press book Sheila Murphy New York, NY $8,000 fairs, exhibits of literary works, Literature Program Officer Guadalupe Cultural To support costs associated syndicated review networks Lila Wallace-Reader’s Digest Arts Center with the national distribution and media projects that pro­ Fund San Antonio, TX $6,000 of small press literature by mote literature or literary New York, NY To support writers’ fees and the Segue Distribution publishing. Literary Centers related costs for a 1992 sum­ Project. 91-5226-0188 that offer a variety of activi­ Ed Ochester mer writers-in-residence pro­ ties receive grants for projects Poet/Director, Writing gram featuring nationally ~r Small Press that benefit the literary com­ Program/Co-Owner/ respected Latino and native Distribution, Inc. munity and its audience. Co-Editor American writers. Berkeley, CA $44,500 University of Pittsburgh 91-5243-0195 To support costs related to 54 Grants Pittsburgh, PA the national distribution of Guild Complex Program Funds: $658,689 small press literature by Residencies for Chicago, IL $6,000 Serendipity Books Writers and Reading To support writers’ fees and Distribution. 91-5226-0191 Advisory Panel related costs for a short fic­ Series tion and poetry reading series ~ Western States Arts Laurie Alberts held in 1991-92. Federation Fiction Writer/Professor of Grants 91-5243-0213 Santa Fe, NM $10,000 Creative Writing To support costs associated University of New Mexico 80 Langton Street, Inc. Haleakala, Inc. with the Western States Arts Albuquerque, NM San Francisco, CA $5,000 New York, NY $8,000 Federation Book Awards. To support writers’ fees and To support writers’ fees for 91-5226-0187 James Barnes related costs for the 1991-92 the Literature Series and Poet/Associate Professor of season of New Langton Arts’ related costs. 91-5243-0214 ~ Council of Literary Comparative Literature writers-in-residence series. Magazines and Presses Northeast Missouri State 91-5243-0210 Kentucky Center New York, NY $6,500 University for the Arts To support payments to Macon, MO COMPAS, Inc. Louisville, KY $4,800 readers of literary magazines St. Paul, MN $2,250 To support writers’ fees and and small press titles in the Man Cheuse To support xvriters’ fees and related costs for the Kentucky review process of the literary FictionWriter/Essayist/ related costs for a series of Center Readings Series, publishing category and Reviewer readings to be part of educa­ which, in conjunction with related administrative ex­ Washington, DC tional forums designed to the University of Louisville, penses. 91-5224-0001 inform the general public presents authors and their Don Lee about native American art words free to the public. Managing Editor/Associate and issues related to it. 91-5243-0201 Audience Fiction Editor 91-5243-0200 Development Ploughshares Mankato State University Boston, MA Centrum Foundation Mankato, MN $8,660 Port Townsend, WA Three subcategories are To support writers’ fees and Debby Mayer $10,000 related costs for the Good included: Residencies for To support a residency Writers and Reading Series Fiction Writer/Publications Thunder Reading Series in Director program for writers of the south central Minnesota. grants support the develop­ Northwest. 91-5243-0204 ment of audiences for pub­ 91-5243-0197

98 National Endowment for the Arts Milledgeville-Baldwin St. Louis County Heritage Walker Art Center, Inc. Intersection County Mlied Arts, Inc. and Arts Center Minneapolis, MN $10,000 San Francisco, CA $20,000 Milledgeville, GA $10,000 Duluth, MN $3,500 To support writers’ fees and To support the design, pro­ To support writer’s fees and To support writers’ fees for related costs for the 20th an­ duction, and installation of related costs for a project to the Lake Superior Writers niversary season of the Wri­ "Streetfare Journal," a series contract with Judith Ortiz Series, featuring authors of ters Reading Series. of poetry posters (car cards) Corer for a series of residen­ national renown. 91-5243-0205 to be displayed in buses in cies in various settings 91-5243-0196 selected cities across the throughout Georgia. Writer’s Center of country. 91-5245-0239 91-5243-0207 Tucson Poetry Festival Indianapolis Inc. Committee Indianapolis, IN $6,050 One Reel Mt. Hood Community Tucson, AZ $5,000 To support writers’ fees and Seattle, WA $15,000 College To support writers’ fees and related costs for a poets-in­ To support the literary com­ Gresham, OR $10,000 related costs for the 10th residence program. ponent of Bumbershoot, the To support writers’ fees and annual Tucson Poetry 91-5243-0206 Seattle Arts Festival. related expenses for the Festival. 91-5243-0203 91-5245-0238 Mountain Writers Series, Audience which will present writers at University of Arizona Poets House, Inc. the college in a variety of ac­ Tucson, AZ $9,000 Development New York, NY $9,700 tivities. 91-5243-0209 To support writers’ fees for a Projects To support artists’ and con­ series of readings and residen­ sultants’ fees and related ex­ Nevada State Council cies held throughout the state Grants penses for the Spring and Fall on the Arts in cooperation with North­ Poetry Publication Show­ Reno, NV $10,000 ern Arizona University and ~ Denotes Grants Having cases, designed to display all To support writers’ fees and Arizona State University. National Impact new poetry releases produced related costs for a series of 91-5243-0198 throughout the country. four-day residencies. ~ American Audio Prose 91-5245-0235 91-5243-0211 University of Houston-­ Library, Inc. University Park Columbia, MO $15,000 South Carolina Arts Phoenix: The New Haven Houston, TX $10,000 To support the 12th in a Commission Poetry Series, Inc. To support writers’ fees and series of recordings by Ameri­ Columbia, SC $4,600 New Haven, CT $5,465 related costs for the 1991-92 can prose writers. To support the South To support writers’ fees and Houston Reading Series, 91-5245-0236 Carolina Fiction Project, de­ related costs for a communi­ featuring readings at the signed to bring the work of ty-based poetry series of read­ Museum of Fine Arts in Guadalupe Cultural Arts emerging and established ings held at the public library Houston. 91-5243-0215 Center writers from the state to the in downtown New Haven. San Antonio, TX $9,000 attention of the reading 91-5243-0202 University of Missouri-­ To support presenters’ fees public. 91-5245-0240 Columbia and related costs for the fifth Poetry Launderette, Inc. Columbia, MO $10,000 annual San Antonio Inter- ~r Symphony Space, Inc. Brooklyn, NY $3,250 To support writers’ fees and American Bookfair and New York, NY $15,000 To support writers’ fees and related costs for a residency Literary Festival in October To support writers’ fees and related costs to bring nation­ program. 91-5243-0199 1991.91-5245-0233 related costs for the fourth ally recognized poets from audio edition of "Selected beyond the New York City University of Texas at ~ In Our Time Arts Shorts: A Celebration of the area to Brooklyn. El Paso Media, Inc. Short Story." 91-5245-0237 91-5243-0212 E1 Paso, TX $9,504 New York, NY $14,660 To support writers’ fees and To support production and Yellowstone Art Center Real Art Ways, Inc. related costs for a program to distribution of the 1 lth sea­ Foundation Hartford, CT $7,000 bring Hispanic and Anglo son of"A Moveable Feast," a Billings, MT $12,000 To support artists’ fees and writers to E1 Paso. series of weekly radio pro­ To support the Regional related costs for the center’s 91-5243-0216 grams featuring poets and fic­ Writers Project, which pro­ spoken word/residency series, tion writers. 91-5245-0234 motes the active exchange of "Word." 91-5243-0208 juried regional literature

1991 Annual Report 99 among writers, small presses, readers, and general audi­ To support writers’ hono­ 1990-91 workshops and core and the reading public in the ences in Montana. raria, reviewers’ fees for the reading series. 91-5244-0017 Northwest. 91-5245-0232 91-5244-0231 newsletter, publicity costs, and administrative costs. Young Men’s and Just Buffalo Literary 91-5244-0249 Young Women’s Hebrew Literary Centers Center, Inc. Association Buffalo, NY $28,000 Small Press Traffic Literary New York, NY $12,500 Grants To support writers’ fees, ad­ Arts Center To support honoraria paid to ministrative costs, and pub­ San Francisco, CA $9,000 authors who appear in the All these grants apply during licity for the center’s 1992 To support the center’s core reading series and who 1991-92 unless otherwise literary activities. 1990-91 literary services and teach in the writing work­ specified. 91-5244-0229 programming. 91-5244-0016 shop program at the Poetry Center. 91-5244-0228 Beyond Baroque Foundation Just Buffalo Literary Thurber House, Venice, CA $15,000 Center, Inc. Incorporated Young Men’s Christian To support writers’ hono­ Buffalo, NY $28,000 Columbus, OH $7,000 Association of Greater raria, administrative costs, To support administrative To support the organization’s New York and publicity for a wide costs, writers’ fees, and relat­ literary services. New York, NY $25,000 range of literary program­ ed expenses in providing re­ 91-5244-0224 To support the services and ming. 91-5244-0230 sources and services to writers programming of the Writer’s in western New York State Woodland Pattern, Inc. Voice literary center. Big River Association during 1991.91-5244-0013 Milwaukee, WI $10,000 91-5244-0220 St. Louis, MO $5,000 To support the center’s liter­ To support a broad range of Loft, Inc. ary services and program­ Professional services to the literary com­ Minneapolis, MN $28,000 ming during 1992. munity in the St. Louis area. To support writers’ fees, ad­ 91-5244-0226 Development 91-5244-0227 ministrative costs, program­ ming costs, and program Writer’s Center To support a limited number Big River Association publicity during 1990-91. Bethesda, MD $28,000 of national organizations that St. Louis, MO $7,750 91-5244-0012 To support the center’s liter­ provide professional assis­ To support a broad range of ary services and program­ tance to creative writers, and literary services during Loft, Inc. ming during 1992. for unique literary projects 1990-91.91-5244-0015 Minneapolis, MN $32,000 91-5244-0250 not eligible for support in To support writers’ fees and other categories. Community Writers’ administrative costs. Writers and Books, Inc. Project, Inc. 91-5244-0221 Rochester, NY $28,000 13 Grants Syracuse, NY $10,000 To support a broad range of Program Funds: $564,550 To support administrative North Carolina Writers’ literary activities during costs for the center’s literary Network, Inc. 1990-91.91-5244-0011 Advisory Panel services. 91-5244-0225 Carrboro, NC $10,000 To support NCWN’s Writers and Books, Inc. Michael Anania Community Writers’ statewide services and pro­ Rochester, NY $30,000 Poet/Professor of English Project, Inc. gramming. 91-5244-0248 To support an extensive University of Chicago Syracuse, NY $10,000 range of ongoing literary ac­ Chicago, IL To support administrative Poetry Project, Limited tivities. 91-5244-0222 costs for the center’s 1990­ New York, NY $30,000 Rosemary Catacalos 91 literary services. To support a broad range of Young Men’s and Poet/Executive Director Young Women’s Hebrew 91-5244-0014 literary events and resources San Francisco State for writers. 91-5244-0218 Association University Poetry Center Hellgate Writers, Inc. New York, NY $10,000 San Francisco, CA Missoula, MT $10,000 Small Press Traffc Literary To support fees for estab­ To support a range of literary Arts Center lished and emerging writers programming serving writers, San Francisco, CA $5,000 for the Poetry Center’s

100 National Endowment for the Arts Percival Everett ~r Academy of American Latin American writers Special Projects Fiction Writer/Professor of Poets, Inc. through the Latin American English New York, NY $25,000 Writers Institute. For projects that benefit the University of Notre Dame To support the provision of 91-5265-0024 Literature Program as a South Bend, IN services to American writers. whole and are not eligible 91-5265-0030 ~ San Francisco State under other categories. Charles Johnson University Fiction Writer/Essayist/ ~ Associated Writing San Francisco, CA $25,000 Professor, Creative Writing Programs To support the recording, 3 Grants University of Washington-­ Norfolk, VA $34,800 distribution, and archiving of Program Funds: $120,000 Seattle To support the provision of live literary performances on Seattle, WA services to American writers. videotape. 91-5265-0028 Advisory Panel 91-5265-0029 Beverly Lowry ~r Teachers and Writers Panelists listed under the Fiction Writer/Creative ~ Before Columbus Collaborative Professional Development Nonfiction Writer Foundation New York, NY $82,650 category also reviewed grants Houston, TX Seattle, WA $25,000 To support services to writers in this category. To support the provision of and programs that foster the Sarah Lutman services to American multi­ art of creative writing and its Grants Program Associate cultural writers. teaching. 91-5265-0021 Bush Foundation 91-5265-0020 ~r Denotes Grants Having Minneapolis, MN ~: Trustees of Columbia National Impact ~r Council of Literary University in the City of Deborah McGill Magazines and Presses New York ~ Copper Canyon Press Editor/Director, Literature New York, NY $65,250 New York, NY $25,000 Port Townsend, WA North Carolina Council on To support the provision of To support services to literary $10,000 the Arts services to literary magazines translators and to facilitate To support the Poet Laureate Durham, NC and small presses. the translation of literary Book Award honoring Mark 91-5265-0023 works through the Transla­ Strand and resulting in a Jennifer Moyer tion Center. publication of a laureate- Publisher/Poet ~" PEN American Center 91-5265-0026 selected author. Mt. Kisco, NY New York, NY $78,300 91-5270-0247 To support programs that ~r University of Texas at Katha Pollitt provide services to American Dallas ~r New American Writing Poet/Editor writers. 91-5265-0018 Richardson, TX $20,000 St. Paul, MN $35,000 New York, NY To support the promotion To support costs related to Pen Center USA West of excellence in literary trans­ the New American Writing Lawrence Venuti Los Angeles, CA $15,000 lation and the provision of Project, promoting American Translator/Writer/Associate To support operating ex­ essential information andsup­ small press literature at inter­ Professor of English penses and a portion of the port services to literary trans­ national book fairs. Temple University program officer’s salary. lators through the American 91-5270-0193 Philadelphia, PA 91-5265-0027 Literary Translators Associa­ tion. 91-5265-0025 ~r Writer’s Center John Taylor Williams ~r Poets and Writers, Inc. Bethesda, MD $75,000 Attorney/Trustee New York, NY $108,750 Writers Room, Inc. To support the PEN Syndi­ Boston, MA To support a broad range of New York, NY $25,000 cated Fiction Project, includ­ services to writers. To support the provision of ing the placement of literary Grants 91-5265-0019 work space to writers and to fiction in newspapers, the provide residencies at the distribution of radio pro­ ~r Denotes Grants Having Research Foundation of the Writers Room for writers. grams featuring short fiction, National Impact City University of New York 91-5265-0022 and related costs. New York, NY $34,800 91-5270-0241 To support the provision of services to Hispanic and

1991 Annual Report 101 Glenda Jackson and Joan Plowright star in The House ofBernada Alba on "Great Performances," a drama series on public television. Media Arts 208 Grants Program Funds $10,284,850 Treasury Funds $1,500,000

The Media Arts Program encourages the creativity of indi­ includes, of course, repeating viewers who, as their thou­ vidual artists working in film, radio and television. It assists sands of letters confirm, form a regular attachment to the organizations that bring the work of these artists to the pub­ series of their choice. lic through exhibition and broadcast. It also provides nation­ Media Arts review panels broadened the program’s wide access to the best of all the arts through support of pub­ horizons (while fulfilling their primary function: namely, lic radio and television programs. to review grant requests). Several panel members have advised the Endowment that a great education opportu­ n partnership with generous private donors, the nity presents itself as the century’s end approaches: a Media Arts Program has made the arts available complex series examining the transformative course of through broadcast to every citizen irrespective of each art form since 1900. Each art has been shaped by its I taste, gender, location or ethnicity. In the early days rough passage through the sound and fury of this centu­ of independent media, the ideal was to have a cam- ry; in turn each has shaped our private lives and public era in every hand and media literacy in every eye. "Access"consciousness of what has transpired. Series on dance and for the Media Arts Program now means affording the film are forthcoming. Series on architecture, photogra­ national audience a choice among many ongoing series. phy, the American novel, and American theater are in The diversity of the many series supported by the early stages of development. And a series on the arts edu­ Media Arts Program ranges from the high art preserved cating our greatest resource for the future--our chil­ by the vital museums of culture ("The Metropolitan dren-recently received its final impetus from a corporate Presents" and "Live from Lincoln Center") to equally sponsor, McDonald’s. "Behind the Scenes," which pre- accomplished folk culture at the informal end of the spec-sents a major artist in each program, will be broadcast trum (’Tkmerican Patchwork" with the incomparable Alanstarting in September 1992. Valuable printed matter, Lomax). Some offerings in these series define new art such as activity books, will accompany the series and be forms ("Alive from Off-Center"). Others expand the diffi-circulated to the school and home. cult art of the documentary ("EO.V." and radio’s A relatively young educational institution per se is the "Soundprint"). Still others showcase our national trea­ media arts center, some 70 of which are supported by the sures ("American Masters") and present pure drama program each year. As three screens--~:omputer, T.V. and ("American Playhouse"). movie--loom larger in our lives each day, greater literacy Each episode, watched by millions, increases total in deciphering what they offer is imperative if our chil­ viewership as these series unroll. This year some 310 mil­ dren are to become masters of this technology and not its lion people watched eight Endowment-supported series pawns. This year, the literacy programs of these media at a per-viewer cost of 1.5 cents in tax funds. The total centers were examined, and planning began for coordi­

103 nating these efforts into a national program in association for-profit venues supported by the Endowment often with the Endowment’s Arts in Education Program. serve as proving grounds for developing talent--the stars Planning also took place this year for another educational of commercial venues in later years. venture, the Arts Corps, through which graduate students Another major publishing project is a continuing in the arts will be placed in small towns and rural com­ and cooperative one, the massive Catalogue of American munities for six weeks in the summer to teach their art at Feature Films, which is being compiled by the Center for libraries, homes, schools and community centers, while at Film/Video Preservation at the American Film Institute. the same time enriching themselves through an experi­ Decade by decade, the record of all American films is ence not usually available to urban Americans. researched, reconstructed, codified, checked and pub­ While the Media Arts Program specializes of necessity lished according to the highest standards of library sci­ in electronic vehicles, it also engages in an older public ence. In shaping this indispensable tool for film scholar­ medium, that of paper publications. In a unique effort, it ship, the National Endowment for the Humanities is our published a book nearly the size of this annual report, collaborator. Decade by decade, the weighty crimson vol­ The Arts on Television 1976-1990. Subtitled "Fifteen umes check off the century: the ’20s appeared in 1971, Years of Cultural Programming Supported by the the ’60s in 1976, the teens in 1988; the ’30s will appear National Endowment for the Arts," this volume is a com­ in 1992, and research on the ’50s has begun. Nothing prehensive encyclopedia of all the television series and proves more clearly the merit of government support than programs aided by the agency during the period. Beyond such a long-term task to preserve a particularly American that, it is virtually a chronicle of television’s recent devel­ art form. opment, because as in so many other arts fields, the not-

Film/Video Linda Gibson Margaret Morse Museum of Modern Art Program Analyst, Electronic Professor New York, NY Production Media Program San Francisco State New York State Council on University Barbara Scharres To support outstanding pro- the Arts San Francisco, CA Director, Film Center ductions in film and video New York, NY Art Institute of Chicago that emphasize the use of Michael Nash Chicago, IL these media as art forms. Charles Guggenheim Media Arts Curator Filmmaker Long Beach Museum of Art Llewellyn Smith 28 Grants Guggenheim Productions, Long Beach, CA Series Editor Inc. "The American Experience" Program Funds: $700,000 Washington, DC Armond White Boston, MA Film Critic Advisory Panels Sam McElfresh New York, NY Richard Soto Director, Film Program Producer/Director Preliminary Screening American Federation of the Ken Wlaschin Los Angeles, CA Panel Arts Director, Film Exhibitions New York, NY American Film Institute Script Evaluation Linda Blackaby Los Angeles, CA Director Albert Milgrom Lynn Hoist Neighborhood Film Project Program Director Final Review Panel Director, Program Philadelphia, PA Minnesota Film Development Center/University Film Robert Collinson "American Playhouse" Alyce Dissette Society Film Producer (Retired) New York, NY Executive Producer Minneapolis, MN Cutler, ME "Alive From Off-Center" Gary Jenneke St. Paul, MN Barbara London Screenwriter Curator of Video Programs St. Paul, MN

104 National Endowment for the Arts Frank Miller Faber, Melinda S. Katz, Leandro Riedel, Fred Public Relations Manager Evanston, IL $15,000 New York, NY $25,000 New York, NY $25,000 Turner Network Television To support the production To support the postproduc­ To support the production of Atlanta, GA of an experimental videotape. tion costs of a narrative film. an experimental film by Peter 91-3411-0141 91-3411-0135 Hutton, Jem Cohen, Jeff Grants Preiss, and Adam Grossman Film News Now Lewis, Brady Cohen. 91-3411-0158 B, Beth Foundation, Inc. Pittsburgh, PA $25,000 New York, NY $25,000 New York, NY $35,000 To support the production of Robinson, Debra J. To support the production of To support the production of an experimental film. Milwaukee, WI $25,000 an experimental videotape. a documentary film by Chris­ 91-3411-0155 To support the production of 91-3411-0136 tine Choy and Renee Tajima. a narrative film. 91-3411-0134 Louisville Visual Art 91-3411-0139 Black Maria, Inc. Association, Inc. New York, NY $23,000 Green, Vanalyne Louisville, KY $19,000 Roszell, Stephen To support the completion Chicago, IL $24,000 To support the production of Chicago, IL $19,000 of an interactive videodisc by To support the production a narrative film by Ron To support the postproduc­ Grahame Weinbren. of an experimental videotape. Schildknecht. 91-3411-0147 tion costs of a documentary 91-3411-0153 91-3411-0160 film. 91-3411-0148 New York Foundation for Buba, Tony Hammer, Barbara the Arts, Inc. Southwest Alternate Media Braddock, PA $25,000 New York, NY $20,000 New York, NY $35,000 Project, Inc. To support the production To support the production of To support the postproduc­ Houston, TX $35,000 of a documentary film. an experimental film. tion costs of a documentary To support the production of 91-3411-0149 91-3411-0154 film by Gaylen Ross. a narrative film by Eagle 91-3411-0142 Pennell. 91-3411-0157 Catamount Film and Arts Harris, Leslie Company Brooklyn, NY $25,000 O’Neill, Patrick R. Wang, Peter St. Johnsbury, VT $35,000 To support the production of Los Angeles, CA $25,000 New York, NY $25,000 To support the production of a narrative film. To support the production To support research and a narrative film by Jay 91-3411-0144 of an experimental film. script development for a nar­ Craven. 91-3411-0150 91-3411-0159 rative film. 91-3411-0151 House Foundation for Davis, Kate and Denny, the Arts Oursler, Tony Media Arts Alyson New York, NY $25,000 Jamaica Plain, MA $25,000 New York, NY $25,000 To support the preproduc­ To support the production of Centers To support the production of tion costs of a film by Mere­ an experimental videotape a documentary film. dith Monk. and multichannel video To assist media arts centers 91-3411-0156 91-3411-0143 installation. 91-3411-0161 in a variety of projects that make the arts of film and Eccentric Motions, Inc. Jost, Jon Pies, Dennis (Sky-David) video more widely appreciat­ Somerville, MA $25,000 San Francisco, CA $25,000 Philadelphia, PA $15,000 ed and practiced. Projects To support the production of To support the production of To support the production of may include exhibitions, an experimental film by Pooh a narrative film. an animated film. workshops, production facili­ Kaye. 91-3411-0152 91-3411-0146 91-3411-0140 ties, publications, study col­ lections, and arts education Educational Broadcasting Kalin, Thomas S. Rappaport, Mark ¯ programs. Corporation New York, NY $25,000 New York, NY $25,000 New York, NY $25,000 To support the production To support the postproduc­ 55 Grants To support the production of an experimental narrative tion costs of an experimental of a documentary film by film. 91-3411-0145 narrative videotape. Program Funds: $1,569,850 Frederick Wiseman. 91-3411-0138 91-3411-0137

1991 Annual Report 105 Advisory Panel Wendy Keys Grants Chicago Filmmakers Director, Programming Chicago, IL $19,000 Panel A Film Society of Lincoln ~r Denotes Grants Having 91-3421-0059 Center National Impact Claire Aguilar New York, NY Community Film Workshop Archive Film Programmer, All grants were reviewed by of Chicago Film and Television Linda Mabalot Panel A unless otherwise Chicago, IL $12,900 Archives Executive Director indicated. 91-3421-0037 University of California-­ Visual Communications Los Angeles Los Angeles, CA Anthology Film Archives Downtown Community Los Angeles, CA New York, NY $17,100 Television Center, Inc. Cornelius Moore 91-3421-0030 New York, NY $26,200 William Foster Executive Director 91-3421-0043 Director, Northwest Film California Newsreel ~ American Museum of the and Video Center San Francisco, CA Moving Image ~ Electronic Arts Oregon Art Institute Astoria, NY $33,250 Intermix, Inc. Portland, OR Mimi Pickering 91-3421-0026 New York, NY $28,500 Filmmaker 91-3421-0053 Derek Gordon Appalshop Appalshop, Inc. Executive Director Whitesburg, KY Whitesburg, KY $49,400 Facets-Multimedia, Inc. Pennsylvania Council for the 91-3421-0057 Chicago, IL $27,600 Arts Tom Wylie Reviewed by Panel B. Harrisburg, PA Assistant Dean, Planning and ~r Art Institute of Chicago 91-3421-0050 External Resources Chicago, IL $28,500 Rodger Larson Bunker Hill Community 91-3421-0028 Film Arts Foundation Executive Director College San Francisco, CA $40,900 Film/Video Arts Boston, MA Asian Cine-Vision, Inc. 91-3421-0063 New York, NY New York, NY $33,250 Panel C 91-3421-0018 Film in the Cities, Inc. Rochelle Slovin St. Paul, MN $57,000 Executive Director Susan Leonard Bay Area Video 91-3421-0056 American Museum of the Director, Southern Circuit Coalition, Inc. Moving Image South Carolina Arts San Francisco, CA $33,250 Film/Video Arts, Inc. New York, NY Commission 91-3421-0047 New York, NY $32,300 Columbia, SC 91-3421-0023 Milos Stehlik Black Filmmaker Cofounder/Film Program Milos Stehlik Foundation Foundation for Art in Director Cofounder/Film Program New York, NY $11,400 Cinema (San Francisco Facets-Multimedia Director 91-3421-0019 Cinematheque) Chicago, IL Facets-Multimedia San Francisco, CA $15,200 Chicago, IL Boston Film/Video 91-3421-0036 Nancy Yasecko Foundation, Inc. Filmmaker Rick Weise Boston, MA $33,250 Global Village Video Merritt Island, FL Executive Director 91-3421-0016 Resource Center, Inc. /Filmmaker New York, NY $4,750 Panel B Film in the Cities, Inc. Carnegie Institute 91-3421-0024 St. Paul, MN Pittsburgh, PA $15,200 Robert Booker 91-3421-0027 Haleakala, Inc. Assistant Director Arthur Tsuchiya (The Kitchen) Minnesota State Arts Board Video Artist Center for New Television New York, NY $14,250 St. Paul, MN New York, NY Chicago, IL $36,600 91-3421-0054 91-3421-0025

106 National Endowment for the Arts Hallwalls, Inc. ~ Moving Image, Inc. San Francisco Museum of ~r Whitney Museum of Buffalo, NY $12,400 (Film Forum) Modern Art American Art 91-3421-0044 New York, NY $42,750 San Francisco, CA $14,250 New York, NY $30,400 91-3421-0040 91-3421-0035 91-3421-0012 Independent MediaArtists of Georgia, Etc.,Inc. ~ Museum ofModernArt South Carolina Arts Media Arts Atlanta, GA $26,600 NewYork, NY $57,000 Commission Centers-­ 91-3421-0041 91-3421-0049 Columbia, SC $57,000 91-3421-0029 International Institute of Contemporary ~r National Mliance of Activities Art, Boston Media Arts Centers, Inc. Southern California Asian Boston, MA $24,700 Oakland, CA $210,000 American Studies Central Advisory Panel 91-3421-0038 To amend a previous grant (Visual Communications) (90-3421-0263) to support Los Angeles, CA $26,600 Steve Gong Intermedia Arts of the eighth year of the 91-3421-0095 Administrative Director Minnesota, Inc. Management Assistance Pacific Film Archive Minneapolis, MN $36,6OO Program and to establish a Southwest Alternate Media Berkeley, CA 91-3421-0042 subgranting fund that will Project, Inc. award matching project Houston, TX $33,250 Nancy Sher International House of grants to small and develop­ 91-3421-0033 Director Philadelphia ing media arts centers. Tucson Arts Channel Philadelphia, PA $26,600 Reviewed by Panel C. Standby Program, Inc. Tucson, AZ 91-3421-0020 NewYork, NY $20,000 New Community Cinema 91-3421-0039 Morrie Warshawski International Museum Club, Inc. Arts Consultant of Photography at George Huntington, NY $11,900 ~r University of St. Louis, MO Eastman House 91-3421-0060 California--Berkeley Rochester, NY $9,500 (Pacific Film Archive) Grants 91-3421-0051 New Orleans Video Access Berkeley, CA $57,000 Center, Inc. 91-3421-0014 Facets-Multimedia, Inc. Long Beach MuseumofArt New Orleans, LA $14,250 Chicago, IL $5,000* Foundation 91-3421-0052 ~: University of To support research investi­ Long Beach, CA $33,250 California--Los Angeles gating the possibilities of pre­ 91-3421-0032 Oregon Art Institute (UCLA Film, Television, senting works by American (Northwest Film and Video and Radio Archives) media artists in Central and Los Angeles Contemporary Center) Los Angeles, CA $30,400 Eastern Europe. Exhibitions, Inc. Portland, OR $26,600 Reviewed by Panel B. 91-3421-0204 Los Angeles, CA $11,400 Reviewed by Panel B. 91-3421-0013 * See InternationalActivities. 91-3421-0062 91-3421-0010 University of the District of International Film Media Mliance, Inc. Pittsburgh Filmmakers, Inc. Columbia (Black Film Seminars, Inc. New York, NY $14,250 Pittsburgh, PA $28,500 Institute) New York, NY $5,000* 91-3421-0055 91-3421-0061 Washington, DC $11,400 To support the participation 91-3421-0011 of foreign filmmakers at the Millennium Film Regents of the University of 1991 Robert Flaherty Film Workshop, Inc. Colorado (Rocky Mountain Utah Media Center, Inc. Seminar. 91-3421-0205 New York, NY $19,000 Film Center) Salt Lake City, UT $11,400 *See International Activities. 91-3421-0058 Boulder, CO $26,600 91-3421-0046 91-3421-0022 Resolution, Inc. Minnesota Film Center Walker Art Center, Inc. San Francisco, CA $14,500" (University Film Society) Minneapolis, MN $23,750 To support California News­ Minneapolis, MN $16,200 91-3421-0031 reel’s Library of African 91-3421-0034 Cinema project, which will

1991 Annual Report 107 present new African cinema Oregon Art Institute region (Illinois, Indiana, resources for artistic growth to American audiences. Portland, OR Michigan, and Ohio). and development. 91-3421-0203 91-3413-0007 *See International Activities. Rodger Larson 34 Grants Film in the Cities, Inc. Executive Director Program Funds: $450,000 Media Arts Film/Video Arts St. Paul, MN New York, NY To support media arts fellow­ Centers--Special ships in the upper Midwest Advisory Panel Projects Rochelle Slovin (Iowa, Minnesota, North Panel A Executive Director Dakota, South Dakota, and Grants American Museum of the Wisconsin). 91-3413-0004 William Foster Moving Image Director, Northwest Film Guadalupe Cultural New York, NY Oregon Art Institute Arts Center (Northwest Film and Video and Video Center San Antonio, TX $12,000 Center) Oregon Art Institute Milos Stehlik Portland, OR To support a three-day retro­ Cofounder/Film Program Portland, OR spective of Chicano film and Director To support media arts fellow­ Susan Ivers video to complement the Facets Multimedia ships in the West (Alaska, Media Arts Coordinator exhibition "Mexican Art, Chicago, IL Arizona, California, Colora­ Ohio Arts Council Splendors of Thirty Cen­ do, Hawaii, Idaho, Montana, Columbus, OH turies." Reviewed by Linda Nancy Yasecko Nevada, New Mexico, Ore­ Blackaby, Sam McElfresh, gon, Utah, Washington, Filmmaker Wendy Lidell and Ken Wlaschin of the Merritt Island, FL Wyoming, and the Pacific Prescreening Panel of Film/ Territories). 91-3413-0003 Director Video Production. Grants International Film Circuit 91-3421-0115 Pittsburgh Filmmakers, Inc. New York, NY Pittsburgh, PA All recipients were awarded Louis Massiah $60,000. To support media arts fellow­ Regional ships in the Mid-Atlantic Executive Director region (Delaware, District of Scribe Video Center Fellowships Appalshop, Inc. Philadelphia, PA Whitesburg, KY Columbia, Maryland, New Jersey, Pennsylvania, and To enable media centers to To support media arts fellow­ Giulio Scalinger administer fellowship pro­ ships in the Southeast (Ala­ West Virginia). 91-3413-0006 Director grams for regional film and bama, Florida, Georgia, Ken­ Arizona Center for the video artists. tucky, Louisiana, Mississippi, Media Arts Southwest Alternate Media North Carolina, South Caro­ Tucson, AZ 7 Grants lina, Tennessee, and Project, Inc. Virginia). 91-3413-0009 Houston, TX Program Funds: $420,000 To support media arts fellow­ John Spence Manager, Support Services Boston Film/Video ships in the South Central Advisory Panel region (Arkansas, Kansas, Eastman Kodak Company Foundation, Inc. Rochester, NY Boston, MA Missouri, Nebraska, Okla­ Claire Aguilar homa, Texas, Puerto Rico, To support media arts fellow­ Milos Stehlik Archive Film Programmer, ships in New England (Con­ and the United States Virgin Film and Television Islands). 91-3413-0005 Cofounder/Film Program necticut, Maine, Massa­ Director Archives chusetts, New Hampshire, University of California-­ Facets-Multimedia Rhode Island, and Vermont). Chicago, IL Los Angeles 91-3413-0008 National Services Los Angeles, CA Center for New Television To support exemplary activi­ Panel B William Foster Chicago, IL ties that provide professional Director, Northwest Film To support media arts fellow­ media artists and media arts Mary Lea Bandy and Video Center ships in the Great Lakes organizations with essential Director, Film Department

108 National Endowment for the Arts Museum of Modern Art ~ Art Institute of Chicago annual Atlanta Third World independent filmmakers. New York, NY Chicago, IL $12,000 Film Festival. 91-3465-0091 91-3465-0093 To support the circulation of Coco Fusco touring packages of video art ~r Film SocietyofLincoln $r International Center for Writer/Critic through the institute’s Video Center, Inc. 8mm Film and Video, Inc. New York, NY Data Bank. 91-3465-0080 New York, NY $35,000 Somerville, MA $10,000 To support the New York To support technical assis­ Steve Gong Sr Cabin Creek Center for Film Festival, publication of tance, workshops, and infor­ Administrative Director Work and Environmental the film journal Film Com­ mation services designed to Pacific Film Archive Studies, Inc. (The ment, and "New Directors/ support artists who work Berkeley, CA Documentary Center) New Films," a film series that with 8mm and Super-8 film. New York, NY $7,000 annually introduces works by 91-3465-0068 Morrie Warshawski To support the presentation emerging directors from the Arts Consultant of the 1991 Documentary United States and abroad. ~r International Film St. Louis, MO Festival of New York. 91-3465-0073 Circuit, Inc. 91-3465-0021 New York, NY $14,000 Grants ~r Foundation for Art in To support the organization Sr Camera News, Inc. Cinema (Canyon Cinema) and circulation of exhibitions ~r Denotes Grants Having New York, NY $20,000 San Francisco, CA $10,000 of contemporary films from National Impact To support information and To support publication of a around the world. Reviewed distribution services for inde­ supplement to the current by Panel B. 91-3465-0074 All grants were reviewed by pendent film/videomakers, catalogue of over 2,500 films Panel A unless otherwise particularly minority and and videotapes. ~r International Film indicated. Third World producers, and 91-3465-0094 Seminars, Inc. to support a touring exhibi­ New York, NY $10,000 ~- American Federation of tion of the work of Indian ~" Foundation for To support the 1991 Robert Arts, Inc. filmmaker Ritwak Ghatak. Independent Video and Flaherty Film Seminar. New York, NY $38,000 91-3465-0078 Film, Inc. 91-3465-0092 To support the circulation of New York, NY $37,000 exhibitions of film and video Sr Camera News, Inc. To support services to inde­ ~" Jewish Film Festival art to museums,universities, (August Light Productions) pendent media artists, inclu­ Berkeley, CA $10,000 libraries, and media centers. New York, NY $5,000 ding publications, seminars, To support the 1991 Jewish 91-3465-0090 To support a touring film a data base of international Film Festival. 91-3465-0015 exhibition surveying the film/video events, works-in­ ~r American Film and Video major achievements of Alger­ progress screenings, and a ~ National Alliance of Association, Inc. ian cinema. production resource center. Media Arts Centers, Inc. LaGrange Park, IL $5,000 91-3465-0084 91-3465-0066 Oakland, CA $18,000 To support the activities of To support services that pro­ the association, including ~" Camera Obscura, Inc. ~ Frameline, Inc. mote the development of information services, publica­ Rochester, NY $5,000 San Francisco, CA $12,000 media arts centers and tions, and the American Film To support the publication of To support the annual San increase public understand­ and Video Festival. Camera Obscura, a scholarly Francisco International Les­ ing of the media arts. 91-3465-0072 journal investigating critical bian and Gay Film Festival. 91-3465-0088 issues in media studies and 91-3465-0065 Sr Amigos del Museo del recent developments in femi­ Sr National Asian American Barrio nist film theory. ~" Independent Feature Telecommunications New York, NY $7,000 91-3465-0082 Project, Inc. Association To support a retrospective of New York, NY $15,000 San Francisco, CA $5,000 Chicano and Puerto Rican City of Adanta Bureau of To support services and pro­ To support CrossCurrent films in collaboration with Cultural Affairs grams that assist the develop­ Media, a national video and the Whitney Museum of Atlanta, GA $10,000 ment, production, and distri­ audio cassette distribution American Art. 91-3465-0089 To support the eleventh bution of feature films by service for works by Asian­

1991 Annual Report 109 American artists. Sinking Creek Film ~ Visual Studies and Humanities 91-3465-0077 Celebration, Inc. Workshop, Inc. Washington, DC Nashville, TN $9,000 Rochester, NY $12,000 ~r National Black To support the 22nd annual To support the coverage of John Roche Programming Consortium Sinking Creek Film and independent film and video President Columbus, OH $8,000 Video Festival. in Afterimage. 91-3465-0067 Business Research To support "Prized Pieces 91-3465-0076 Publications ’91," a juried international Washington DC Film New York, NY competition showcasing the ~ Sojourner Productions, Festival, Inc. work of African-American Inc. Washington, DC $10,000 George Schaefer television producers and Washington, DC $17,000 To support the fifth annual Chairman, Department of independent filmmakers, and To support the publication, Filmfest DC. 91-3465-0070 Theatre, Film, and to support a conference to marketing, and distribution Television discuss cultural diversity and of Black Film Review, a quar­ ~ Women Make Movies, University of California-­ television programming in terly journal focusing on Inc. Los Angeles the 1990s. 91-3465-0048 African-American films and New York, NY $18,000 Los Angeles, CA filmmakers. 91-3465-0075 To support the production, ~ National Educational promotion, and distribution Morrie Warshawski Film Festival ~r Sundance Institute for of films and videotapes by Arts Consultant Oakland, CA $5,000 Film and Television and about women, including St. Louis, MO To support the 21st annual Sundance, UT $30,000 a supplement to the current National Educational Film To support services to Amer­ catalog of over 225 titles and Rick Weise and Video Festival. ican independent filmmakers, a resource library. Executive Director/ 91-3465-0017 including summer lab pro­ 91-3465-0085 Filmmaker grams for the development of Film in the Cities, Inc. ~ National Film Preserve, new feature films, coordina­ ~r Writers Guild of St. Paul, MN Limited tion of an exchange program America, East, Foundation, Hanover, NH $6,000 with Latin American film­ Inc. Grant To support the 18th Tellu­ makers, and the Sundance New York, NY $8,000 ride Film Festival. Film Festival. To support a career develop­ ~ American Film Institute 91-3465-0071 91-3465-0081 ment program for screenwrit­ Washington, DC ers entering the profession. $1,400,000 New England Foundation ~r Thomas A. Edison Media 91-3465-0069 To support programs of the for the Arts Arts Consortium, Inc. American Film Institute. Cambridge, MA $12,000 Jersey City, NJ $5,000 American Film 91-3422-0096 To support the 1991 season To support the Black Maria of"Mixed Signals," a cable Film and Video Festival, a Institute television series of contempo­ circulating exhibition of AFI Independent rary film/video works. independent film and video. Support for the American Film and Video- 91-3465-0083 91-3465-0087 Film Institute, founded in 1967 to preserve the heritage maker Program qg New York Foundation ~ University of and advance the art of film for the Arts, Inc. California--Los Angeles and television. AFI administers for the New York, NY $5,000 Los Angeles, CA $20,000 Endowment a program of To support the American To support "The Mexican 1 Grant grants to independent media Cinema: A Survey, 1930­ artists whose work shows Independents in Berlin pro­ Program Funds: $1,400,000 ject, a consortium of media 1990," a touring program exceptional promise and organizations that represents featuring approximately 100 who have demonstrated a and promotes the work of feature and short films span­ Advisory Panel commitment to the moving American independent film­ ning the history of Mexico’s image. makers at the Berlin Film rich cinematic heritage. Pamela Holt Festival. 91-3465-0086 91-3465-0079 Deputy Director 1 Cooperative Agreement District of Columbia Commission on the Arts Program Funds: $400,000

110 National Endowment for the Arts �~ Denotes Grants Having Programming in ~ Maska Public Radio ~ L.A. Theatre Works National Impact Network Venice, CA $20,000 the Arts Anchorage, AK $20,000 To support a season of L.A. ¢r American Film Institute To support the eighth year Classic Theatre Works’ radio Washington, DC $400,000 To bring the best of all the of "National Native Arts," presentations of American lit­ For a cooperative agreement arts to the widest possible weekly five-minute features erature and drama. to support the Independent audience through the support on traditional and contempo­ 91-3445-0178 Film and Videomaker Pro­ of nationally broadcast radio raty native American arts. gram, which conducts a and television programs. 91-3445-0180 ­~ National Public national subgrant program Radio, Inc. for advanced film and video The Arts on Radio ~ Ceiba Productions, Inc. Washington, DC $25,000 artists and awards regional Brooklyn, NY $88,000 To support the production of subgrants to film- and video- To support the third season "Wynton Marsalis: Making makers in the western region 19 Grants of"BluesStage," a series pre­ The Music," a series of hour- of the country. DCA 91-23 Program Funds: $720,000 senting the many styles of long live performances trac­ blues music. 91-3445-0171 ing the development of AFI/NEA Film Advisory Panel American music. Preservation ¢z ETV Endowment of 91-3445-0172 Regina Hayes South Carolina, Inc. Program Editorial’/Public Service Spartanburg, SC $30,000 ~" New Radio and Director To support "Marian McPart­ Performing Arts, Inc. To help organizations locate, WLS Radio/WYTZ-FM land’s Piano Jazz," a weekly Brooklyn, NY $75,000 preserve, and catalog films of Chicago, IL program that brings out­ To support the 1992 season artistic value. standing jazz artists together of"New American Radio," a Donna Maldonaldo for performance and discus­ series of half-hour programs 1 Cooperative Agreement Program Director sion. 91-3445-0174 featuring commissioned and KRCL Community Radio acquired works that explore Program Funds: $750,000 Salt Lake City, UT ­~ Earmark, Inc. the parameters of expression Miami, FL $60,000 for the radio medium. �~ Denotes Grants Having Hugo Morales To support "Crossroads," a 91-3445-0166 National Impact Executive Director national weekly radio news magazine covering music, art, ~r Newark Public ~ American Film Institute Radio Bilingue Fresno, CA literature, culture and sci­ Radio, Inc. Washington, DC $750,000 ence. 91-3445-0170 Newark, NJ $25,000 For a cooperative agreement Marty Newell To support the 1991-92 sea­ to support the eighth year of Executive Director ­~ Friends of West Virginia son of "American Jazz Radio the National Center for Film Kentucky Arts Commission Public Radio, Inc. Festival," a weekly jazz pro­ and Video Preservation. Cen­ Frankfort, KY Charleston, WV $60,000 gram featuring live perfor­ ter activities include publica­ To support "Mountain mances by artists from tion of the American Film Steve Rathe Stage," a weekly two-hour around the country. Institute Catalogue of Feature Executive Director live performance program 91-3445-0173 Films, development of the Murray Street Enterprise showcasing a variety of musi­ National Moving Image Data New York, NY cal artists. 91-3445-0165 ~" Otherworld Media, Inc. Base, and administration of Freeland, WA $45,000 subgrants to organizations Rachel Vaccaro ~ Johns Hopkins To support the continuation that preserve, maintain, and University of research and development restore films of artistic and Director Pennsylvania Radio Theater Baltimore, MD $40,000 for cable audio, a new venue cultural value. DCA 91-47 To support "Soundprint," a New Cumberland, PA for the distribution of radio weekly half-hour series of drama, documentaries, chil­ Grants documentaries by outstand­ dren’s programs, and audio ing independent producers art. 91-3445-0168 Denotes Grants Having from across the United National Impact States. 91-3445-0169

1991 Annual Report 111 ~r Painted Bride Art ~r WHYY, Inc. Robert Holmes Teri McLuhan Center, Inc. Philadelphia, PA $30,000 Musician/Composer/ Independent Filmmaker Philadelphia, PA $30,000 To support the fifth season of Educator New York, NY To support the second season "Fresh Air," a daily hour-long Jazz Excursion of"The Music Makers," a program combining inter­ Nashville, TN Grants series of two-hour documen­ views with prominent and ~r Denotes Grants Having tary radio programs examin­ emerging figures from vari­ Lloyd Kaiser ing some of America’s most ous art disciplines and com­ President National Impact influential contemporary mentary about the arts. WQED musicians. 91-3445-0179 91-3445-0163 Pittsburgh, PA The following grants were reviewed by Panel A unless ¢r Pennsylvania Public ~ World Music Julie Levinson otherwise indicated. Radio Associates, Inc. Productions Producer/Curator Uwchland, PA $20,000 Brooklyn, NY $45,000 New England Foundation for ~ American Community To support "Echoes," a two- To support "Afropop World­ the Arts Service Network, Inc. hour daily new music pro­ wide," a weekly series of one- Cambridge, MA Columbia, SC $100,000 gram featuring world music, hour programs devoted to To support "The Indepen­ new acoustic and electronic today’s African and African- Lawrence Pitkethly dents," a series showcasing music, jazz, and contempo­ influenced music. Director independent film and video rary classical music. 91-3445-0167 New York Center for Visual work on The Learning 91-3445-0175 History Channel. 91-3446-0188 ~r ZBS Foundation New York, NY ~" Public Media Ft. Edward, NY $35,000 ~r American Foundation, Inc. To support the production Alan Sandier Documentary, Inc. Boston, MA $20,000 of"Travels With Jack," a Director, Public Education New York, NY $250,000 To support the production of dramatic series set in Bali, American Institute of To support the 1992 season "The Radio Play," a series of Burma, Egypt, India, and Architects of the public television series half-hour radio dramas in South America. Washington, DC "P.O.V." (Point of View). cooperation with New Voices 91-3445-0162 91-3446-0186 Writers Theater and the Panel B ~ American Film British Broadcasting Corpo­ The Arts on ration. 91-3445-0164 Anne Bourget Foundation Television Grants Administrator Santa Monica, CA $50,000 ~ Radio Foundation, Inc. California Arts Council To support the completion of New York, NY $27,000 25 Grants Sacramento, CA a film by Freida Mock about To support "Modern Program Funds: $3,425,000 Maya Lin, the designer of the Times," a live two-hour talk Robert Holmes Vietnam Veterans War show composed of inter­ Treasury Funds: $1,500,000 Musician/Composer/ Memorial. 91-3446-0181 views, essays, listener phone Educator calls, and music moderated Advisory Panel Jazz Excursion ¢r Association for Cultural by host and producer Larry Nashville, TN Equity, Inc. Josephson. 91-3445-0176 Panel A New York, NY $50,000 Lloyd Kaiser To support partial costs of ~ Symphony Space, Inc. Rachel Bellow President the second season of New York, NY $25,000 Program Associate for WQED "American Patchwork." To support the eighth season the Arts Pittsburgh, PA 91-3446-0187 of"Selected Shorts: A Cele­ A.W. Mellon Foundation New York, NY bration of the Short Story," a John Ludwig ~ Association for Cultural series presenting short stories Performing Arts Consultant Equity, Inc. by prominent and lesser- David Grifflths Washington, DC New York, NY $50,000 known writers read by distin­ Television Producer To support a three-part series guished actors. Los Angeles, CA on Soviet Georgian culture. 91-3445-0177 91-3446-0202

112 National Endowment for the Arts ~ Carnegie Hall ~r FilmAmerica, Inc. ¢r Metropolitan Opera ~r WGBH Educational Corporation East Hampton, NY Association, Inc. Foundation New York, NY $25,000* $350,000 New York, NY Boston, MA $100,000 To support the national tele­ To support the initial pro­ TF $200,000 To support the 1992 season cast of Carnegie Hall’s duction phase of a television To support the 1991-92 of "New Television." Centennial Gala concert. series on music in the 20th season of "The Metropolitan 91-3446-0190 91-3470-0199 century. 91-3446-0184 Opera Presents." * Chairman’s Extraordinary 91-3446-0194 ~r WMHT Educational Action Grant. ~r Global Village Video Telecommunications, Inc. Resource Center, Inc. ~r New York Foundation Schenectady, NY $45,000 ~r Cultural Uplink New York, NY $50,000 for the Arts, Inc. To support the production of Productions, Inc. To amend a previous grant to (Vanguard Films) a documentary film by Sedat New York, NY $15,000 support the production of a New York, NY $100,000 Pakay on the photographer To support the production three-part public television To support the production Walker Evans. 91-3446-0185 of a documentary film by series about Samuel Beckett. of a public television series Edward Lachman about the 88-3446-0178 about the influence of the visual artist Jenny Holzer. blues on American music. Radio Projects Reviewed by Panel B. ~r Hudson West Reviewed by Panel B. 91-3446-0001 Productions, Inc. 91-3446-0002 Includes two subcategories: Hoboken, NJ $25,000 Radio Production grants ~r Educational Broadcasting To support completion costs ~" Pacific Arts support outstanding single Corporation for a film by Amber Edwards Entertainment productions and series for New York, NY $800,000 and David Davison about the Berkeley, CA $25,000 radio broadcast. Radio To support the seventh sea­ tap dancer Peg Leg Bates. To support the production of Services And Workshops son of "American Masters." 91-3446-0182 a film by William Jersey and grants enable organizations to 91-3446-0192 Meg Partridge about the offer a variety of services to ~r International photographer Dorothea the radio/audio art field, ~r Educational Broadcasting Documentary Foundation Lange. 91-3446-0195 including workshops with Corporation Los Angeles, CA $50,000 nationally recognized radio New York, NY $150,000 To support the production ~r Public Television producers. To support postproduction of a documentary film by Playhouse, Inc. costs of "The Dance Project." Arthur Dong and Rusty New York, NY 37 Grants 91-3446-0193 Frank about tap dancers. TF $600,000 Program Funds: $450,000 91-3446-0206 To support the 1991-1992 ~r Educational Broadcasting season of "American Play­ Advisory Panel Corporation ~r Krafft, Rebecca house." 91-3446-0183 New York, NY $600,000 Arlington, VA $10,000 Regina Hayes TF $500,000 To amend a previous grant to ~r Twin Cities Public Editorial/Public Service To support the 1992-93 sea­ support the research and Television, Inc. Director son of "Great Performances," writing of a catalogue of tele­ St. Paul, MN $500,000 WLS Radio/WYTZ-FM including three new produc­ vision programs supported by To support the 1992 season Chicago, IL tions of "Dance in America." the Endowment’s Media Arts of "Alive From Off Center." 91-3446-0196 Program. 89-3470-0248 91-3446-0198 Marty Newell Executive Director ~r Educational Broadcasting ~r Lincoln Center for the ~- Twin Cities Public Kentucky Arts Commission Corporation Performing Arts, Inc. Television, Inc. Frankfort, KY New York, NY $30,000 New York, NY St. Paul, MN $50,000 To support the research and TF $200,000 To support the research and Elisabeth Perez-Luna development phase of a tele­ To support the 1991-92 sea­ development phase of a tele­ Radio Producer vision series on the American son of "Live From Lincoln vision series about the televi­ Miami, FL musical theater. Center." 91-3446-0189 sion medium. 91-3446-0201 91-3446-0197 Steve Rathe Executive Director

1991 Annual Report 113 Murray Street Enterprise mances and original dramas. programs of audio portraits Radio’s 13-part series on his New York, NY 91-3444-0098 and dramatic documentaries life and work, "Dizzy’s by independent producers. Diamond." 91-3444-0126 Steve Rowland Frillmann, Karen 91-3444-0122 Executive Producer Stuyvesant Falls, NY $7,500 New Radio and Performing Miles Davis Radio Project To support the production of ~r Minnesota Public Arts, Inc. Philadelphia, PA a one-hour experimental Radio, Inc. Brooklyn, NY $8,000 radio drama. 91-3444-0100 St. Paul, MN $15,000 To support the production of Rachel Vaccaro To support the 1 lth season an experimental Halloween Director Independent Eye, Limited of "Saint Paul Sunday Morn­ special on bats, drawing on Pennsylvania Radio Theater Lancaster, PA $10,000 ing," the weekly classical bat lore and illustrated with New Cumberland, PA To support "Tapdancer," a music series carried by over dramatic presentations of the six-episode dramatic series. 170 public radio stations vampire legend. 91-3444-0120 Radio Production 91-3444-0102 nationwide. 91-3444-0125 Kostelanetz, Richard Museum of Contemporary New Radio and Performing ~ Denotes Grants Having New York, NY $10,000 Art, Los Angeles Arts, Inc. National Impact To support the production of Los Angeles, CA $25,000 Brooklyn, NY $10,000 acoustical explorations of cul­ To support "The Territory of To support "The Horn of Maska Public Radio ture and language for radio. Art, Part IV," a series of half- Gabriel," a radio drama com­ Network 91-3444-0109 hour audio art programs fea­ bining jazz and musical the­ Anchorage, AK $10,000 turing commissioned works ater performances. To support "Alaskanarts," a Kronen, Larry by artists from diverse loca­ 91-3444-0128 weekly program presenting (Co-Producer: Julie tions and disciplines. Alaskan arts and artists. Newcomb) 91-3444-0133 Nuyorican Poets Cafe, Inc. 91-3444-0110 Albuquerque, NM $4,000 New York, NY $3,000 To support the production of ~ National Public To support the production of ~r American Audio Prose half-hour radio programs Radio, Inc. "Live From the Nuyorican Library, Inc. profiling Holocaust survivor Washington, DC $20,000 Poets Cafe," a two-hour Columbia, MO $5,000 and concentration camp To support the production of weekly broadcast presenting To support "American medical assistant Dr. Anna holiday jazz specials high­ jazz, Latin music, poetry Prose," a series of one-hour Chernichoff. 91-3444-0108 lighting events and signifi­ readings, and drama. programs in which promi­ cant individuals in the history 91-3444-0131 nent writers read and discuss Lawrence, David of American jazz. their work. 91-3444-0099 San Francisco, CA $5,000 91-3444-0119 Otherworld Media, Inc. To support the production of Freeland, WA $15,000 ~r American Composers a half-hour audio work on ~" National Public To support the production Orchestra, Inc. the subject of electronic sim­ Radio, Inc. of"RadioNoir," a series of New York, NY $15,000 ulation of real space or "vir­ Washington, DC $10,000 radio mysteries dramatizing To support "Music in the tual reality." 91-3444-0104 To support the acquisition of short stories and novels by Present Tense---The Ameri­ radio dramas to be included Sue Grafton, Raymond can Composers Orchestra at McPherson, Karen Michel in the nationally distributed Chandler, and Gahan Carnegie Hall," a series of Brooklyn, NY $8,500 two-hour weekly series, Wilson. 91-3444-0117 one-hour programs featuring To support two productions: "NPR Playhouse." recent performances. a documentary about Hiro­ 91-3444-0121 Owens, Timothy G. 91-3444-0105 shima and a reinterpretation Arlington, VA $10,000 of the story of Cleopatra. ~ National Public To support "Jazz Legacies," a ~ Frank, Joe 91-3444-0101 Radio, Inc. series of birthday tributes to Santa Monica, CA $20,000 Washington, DC $7,500 influential jazz artists, includ­ To support "Joe Frank: To support the production of ing Art Blakey, Benny Good­ Work In Progress," a weekly Miles, Ginger New York, NY $15,000 interviews with the jazz trum­ man, and Sarah Vaughn. series of one-hour programs To support "American peter Dizzy Gillespie in con­ 91-3444-0124 combining audio art perfor­ Stories," a series of half-hour nection with National Public

114 National Endowment for the Arts Roberts, D. WNYC Foundation From Chicago," a series of ~" New Radio and Portland, OR $6,000 New York, NY $20,000 radio programs focusing on Performing Arts, Inc. To support "Of Angels and To support the production of the sonic arts. 91-3444-01 (Association of Demons," a half-hour experi­ radio dramas for inclusion in Independents in Radio) mental docu-drama exploring WNYC’s series, "The Radio Film in the Cities, Inc. Brooklyn, NY $15,000 the complexities of romantic Stage." 91-3444-0127 St. Paul, MN $5,000 To support national services relationships and domestic To support a studio and to radio producers and audio violence. 91-3444-0116 Wallace, Devin equipment access project artists. 91-3444-0113 Seattle, WA $4,000 cosponsored with KFM Salud Para La Gente, Inc. To support the production of Radio. 91-3444-0103 ~ New Wave Corporation Watsonville, CA $15,000 "The Glass Harmonica," a Columbia, MO $25,000 To support the production of radio dramatization of an ~ Harvestworks, Inc. To support the 1991 "AIDS in Focus," a weekly episode in the life of the 18th New York, NY $10,000 Midwest Radio Theater documentary series that uses century physician, Dr. Franz To support Harvestworks’ Workshop, a national script music and drama to present Anton Mesmer. audio production facility, contest, a Radio Playwrights information on the global 91-3444-0132 which offers production ser­ workshop, technical assis­ MDS epidemic. vices to producers through tance, and apprentice pro­ 91-3444-0123 Western Organization its Artist-In Residence and grams. 91-3444-0112 of Resource Councils Studio PASS programs. Self Reliance Foundation Education Project 91-3444-0107 ~r Western Public Santa Fe, NM $4,500 Billings, MT $10,000 Radio, Inc. To support the second season To support the production of ~r National Federation San Francisco, CA $12,000 of" Con Corazon (With "The High Plains News of Community To support services to inde­ Heart)," a weekly series of Service," a weekly regional Broadcasters, Inc. pendent radio producers, short Spanish-language dra­ news program presenting Washington, DC $20,000 including training, access to mas focusing on difficulties information on the arts in To support services to com­ production/postproduction experienced by Hispanic Colorado, Idaho, Montana, munity radio stations, pro­ facilities, and workshops. women as they adjust to life North and South Dakota, ducers, and programmers, 91-3444-0097 in the United States. and Wyoming. including publications, train­ 91-3444-0130 91-3444-0129 ing, and a national confer­ ~ Western Public ence. 91-3444-0106 Radio, Inc. United Christian Front for Radio Services and San Francisco, CA $10,000 Brotherhood, Inc. Workshops ~" National Federation To support publication of (Pepper Bird Foundation) of Community "The American Radio Hampton, VA $5,000 Broadcasters, Inc. Dramatist," a text by Yuri To support the production of Denotes Grants Having Washington, DC $50,000 Rasovsky covering the "The Storyteller," a series of National Irnpact To support the Rural Radio theory and practice of radio short dramas drawn from sto­ Initiative, a pilot program to drama. 91-3444-0114 ries of African-American heri­ Experimental Sound Studio Chicago, IL $5,000 assist rural radio stations in tage and narrated by Dylan acquiring Endowment-sup­ Pritchett. 91-3444-0118 To support studio and equip­ ment access for audio artists ported radio programs. selected to work on "Sounds 91-3444-0200

1991 Annual Report 115 /

The Garden Court of the Pierpont Morgan Library, one of more than 250 institutions that received Museum Program help in 1991. Museum 496 Grants Program Funds $9,568,000 Treasury Funds $2,070,000*

The Museum Program supports projects of artistic signifi­ for diverse programming embracing the history of artj~om cance in the museum field. It awards grants to museums, ancient times to the present. organizations and museum professionals for activities that present art to the public and contribute to the understanding nder Special Exhibitions, the program and appreciation of visual arts through special exhibitions, supports exhibitions that make signifi­ educational programs, publications and programs devoted to cant contributions to scholarship and to the care and presentation of permanent collections. Awards u the understanding of the creative process are made to a broad spectrum of institutions across the coun­ as expressed in different cultures around try, including university museums and regional art centers, the world. In 1991, the program funded such major * This includes $310,000 in unobligated commitments. historical and modern exhibitions as the "Loves of the

116 Gods: French Mythological Painting from Watteau to art exhibitions arranged by the Texas Fine Arts Associa­ David" organized by the Philadelphia Museum of Art in tion toured small colleges and community centers in collaboration with the Kimbell Art Museum in Fort Texas. Also funded by the program were several collec­ Worth; the art of Italian Renaissance master Andrea tion-sharing projects in which museums in Michigan, Mantegna at the Metropolitan Museum of Art; "Dress, New Mexico, Georgia and Florida borrowed important Art, and Culture in Japan, 1600-1850" at the Los works on long-term loan from major metropolitan Angeles County Museum of Art; Russian avant-garde institutions. stage design at the Fine Arts Museums of San Francisco; The range and diversity of projects funded under the the still lifes of Pablo Picasso at the Cleveland Museum of Education category attests to the central role of education Art; an exhibition of 19th-century American photogra­ in museums today and the desire to reach broader audi­ phy at the Amon Carter Museum in Fort Worth and an ences. Among the activities funded in 1991 were an inter­ exhibition devoted to the work of the Cuban artist active video to provide greater access to the Baltimore Wifredo Lam at the Studio Museum in Harlem. In the Museum of Art’s African collection, an after-school pro­ field of contemporary art, exhibitions aided by the pro­ gram developed by the Institute of Contemporary Art gram included the Carnegie International at the Carnegie for Boston’s under-served South End, and an in-museum Institute in Pittsburgh; the mid-career survey of Martin program intended to reach 1,500 fifth graders at the Puryear at the Art Institute of Chicago; Terry Allen’s Museum of Fine Arts, Houston. Educational activities "Youth in Asia’’ series at the Southeastern Center for such as symposia, public lectures, guided tours, brochures Contemporary Art in Winston-Salem; and the Pilchuck and programming for school groups and adults were also School and its impact on the studio glass movement at included in Special Exhibition projects and presentations the Whatcom Museum in Bellingham, Washington. from permanent collections funded by the Museum Many of the exhibitions supported in 1991 went on view Program. at several museums, thereby assuring broader exposure to Conservation grants provided funds for student diverse audiences across the country. stipends at training centers and for postgraduate intern­ One of the new initiatives undertaken by the ships in museums as well as support for the conservation Museum Program in 1991 was a low-cost touring pro­ of diverse objects. These included a 16th-century Belgian gram designed to bring quality programming to regional tapestry, Art Nouveau posters, a WPA mural and a selec­ and rural institutions that reach out to otherwise under- tion of Andean textiles. Collection Maintenance grants, served areas. Among the programs funded under this ini­ which help museums upgrade their exhibition and stor­ tiative was an exhibition of American Indian weaving age environments, included a major award to the Isabella organized by the Plains Art Museum in Fargo to tour to Stewart Gardner Museum to upgrade security and cli­ 12 sites in North Dakota. Elsewhere, three contemporary mate control systems.

Fellowships for 5 Grants Peter Birmingham Dartmouth College Program Funds: $38,070 Director, Museum of Art Hanover, NH Museum University of Arizona Professionals Advisory Panel Tucson, AZ Peter P. Morrin Director To enable currently employ- Panel A Kinshasha H. Conwill J. B. Speed Art Museum ed museum professionals to Executive Director Louisville, KY take leaves of absence of up Susan J. Barnes Studio Museum in Harlem to one year to undertake Senior Curator New York, NY Panel B independent study, research, Dallas Museum of Art travel, or otherwise improve Dallas, TX James Cuno Jan Adlmann their professional qualifica­ Director, Hood Museum Assistant Director, External tions. of Art Affairs

1991 Annual Report 117 Guggenheim Museum Reviewed by Panel A. ~r American Law Institute Metropolitan Museum New York, NY 91-4411-0001 Philadelphia, PA $20,000 of Art To support stipends for New York, NY $15,000 Maxwell Anderson Murphy, Sue B. museum professionals to To support a summer intern­ Director Austin, TX $6,000 attend a course of study con­ ship program for college stu­ Emory University Museum To support travel to France ducted by the institute on dents interested in pursuing of Art and Archaeology and Great Britain to research legal problems of museum museum careers. Reviewed Atlanta, GA treatment techniques in administration. Reviewed by by Panel B. 91-4412-0504 paper conservation. Reviewed Panel B. 91-4412-0495 Amina Dickerson by Panel B. 91-4411-0499 Metropolitan Museum Director, Education and Art Institute of Chicago of Art Public Programs Primanis, Olivia K. Chicago, IL $12,000 New York, NY $10,000 Chicago Historical Society Austin, TX $5,400 To support a graduate-level To support a six-month grad­ Chicago, IL To support a two-month internship in the Department uate-level internship for a manuscripts conservation of Museum Education and minority student. Reviewed Nancy Grover internship at Trinity College, related costs. Reviewed by by Panel B. 91-4412-0505 Trustee and Professional Dublin, Ireland. Reviewed by Panel A. 91-4412-0002 Volunteer Panel B. 91-4411-0501 Museum Associates Wadsworth Atheneum Birmingham Museum of Art Los Angeles, CA $14,000 Simsbury, CT Zukowsky, John R. Birmingham, AL $12,900 To support a year-long grad­ Chicago, IL $12,050 To support a one-year gradu­ uate-level internship in edu­ Marie Ramirez-Garcia To support travel to research ate-level internship in the cation at the Los Angeles Curator, Latin American Art, German architecture between Department of Painting and County Museum. Reviewed Huntington Art Gallery the World Wars. Reviewed Sculpture. Reviewed by by Panel A. 91-4412-0007 University of Texas~Austin by Panel B. 91-4411-0500 Panel A. 91-4412-0003 Austin, TX Museum of Arts and Boston University Sciences, Inc. Laurel Reuter Museum Training Boston, MA $12,000 Macon, GA $12,000 Founder/Director To support two graduate- To support college-level North Dakota Museum To assist museums and uni­ level internships in the Amer­ internships for minority stu­ of Art versities in training museum ican and New England dents. Reviewed by Panel A. Grand Forks, ND professionals and technicians Studies Program of the uni­ 91-4412-0009 through arts-related formal versity. Reviewed by Panel A. Grants college-level and postgradu­ 91-4412-0004 New Museum of ate-level programs, intern­ Contemporary Art Dixon, Jeannette ships, and apprenticeships. Henry Francis du Pont New York, NY $12,000 Houston, TX $7,000 Winterthur Museum, Inc. To support a multicultural To support travel to muse­ 26 Grants Winterthur, DE $15,000 internship and related costs ums throughout the country Program Funds: $349,200 To support a registrarial for a college graduate or post­ and overseas to study their internship and related costs. graduate student in the Cura­ library systems and to partici­ Reviewed by Panel A. torial Department. Reviewed pate in several professional Advisory Panel 91-4412-0020 by Panel A. library conferences. Reviewed 91-4412-0012 by Panel B. 91-4411-0498 Panelists listed under Pro­ Joslyn Art Museum fessional Development panels Omaha, NE $12,300 New Museum of Eby, Eugene J. A and B also reviewed grants To support a one-year gradu­ Contemporary Art Houston, TX $7,620 in this category. ate-level internship that will New York, NY $12,000 To support travel and provide a general understand­ To support a multicultural research to investigate the Grants ing of the curatorial functions internship and related costs relationship between prob­ of the museum. Reviewed by for a college graduate or post­ lems in object conservation ~ Denotes Grants Having Panel A. 91-4412-0006 graduate student. Reviewed and exhibition design. National Impact by Panel A. 91-4412-0013

118 National Endowment for the Arts New Museum of ate-level internship either in Williams College Birmingham Museum of Art Contemporary Art the Curatorial or Education Williamstown, MA $9,000 Birmingham, AL New York, NY $10,000 Department. Reviewed by To support a one-year gradu­ To support a one-year cura­ Panel B. 91-4412-0506 ate-level internship in the Kathryn Johnson torial internship for a minori­ Curatorial Department and Chairperson, Education ty student. Reviewed by University of New Mexico related costs. Reviewed by Division Panel B. 91-4412-0502 Main Campus Panel A. 91-4412-0019 Minneapolis Institute of Art Albuquerque, NM $10,000 Minneapolis, MN New Museum of To support a graduate or Worcester Art Museum Contemporary Art postgraduate level internship Worcester, MA $14,000 J. patrice Marandel New York, NY $10,000 in the Art Museum’s Depart­ To support a graduate-level Curator of European To support a one-year pro­ ment of Prints and Photo­ curatorial internship in Paintings gram for interns of differing graphs. Reviewed by Panel A. American art. Reviewed by Detroit Institute of Arts cultural backgrounds in 91-4412-0010 Panel A. 91-4412-0021 Detroit, MI museum administration. Reviewed by Panel B. University of New Mexico Yale University Marilyn Simon 91-4412-0503 Main Campus New Haven, CT $14,000 Director-Curator, Godwin- Albuquerque, NM $8,000 To support a graduate-level Ternbach Museum ~r New York University To support a one-year gradu­ internship in the Department Queens College New York, NY $25,000 ate- or undergraduate-level of Prints, Drawings, and Flushing, NY To support honoraria for lec­ internship at the Jonson Gal­ Photographs. Reviewed by turers and financial aid for lery. Reviewed by Panel A. Panel A. 91-4412-0022 Grant students in the graduate pro­ 91-4412-0011 gram in Curatorial Studies ~ Denotes Grants Having offered jointly by the Insti­ ~r University of Southern Special Artistic National Impact tute of Fine Arts and the California Initiatives Metropolitan Museum of Los Angeles, CA $15,000 ¢z American Craft Council Art. Reviewed by Panel B. To support internships for To support special long-term New York, NY 91-4412-0496 students in the School of initiatives by museums to TF $200,000* Fine Arts graduate program define or redefine their mis­ To support the first three Philadelphia Museum of Art in museum studies and relat­ sion and artistic direction years of the American Craft Philadelphia, PA $10,000 ed costs. Reviewed by through a carefully coordi­ Museum’s initiative to docu­ To support a one-year intern­ Panel A. 91-4412-0017 nated series of programs, ment the history of 20th­ ship in education and related which may include a se­ century American craft. costs for an undergraduate or Whitney Museum of quence of exhibitions, rein­ 90-4424-0568 graduate student in art histo­ American Art stallations, educational pro­ *Funds for this grant were ry, art education, or fine arts. New York, NY $25,000 grams, publications, and committed in FY90, but were Reviewed by Panel A. To support the Independent interdisciplinary projects. not obligated until FY91; 91-4412-0015 Study Program, an alterna­ therefore, the grant appears in tive to traditional academic 1 Grant both the 1990 and 1991 Philadelphia Museum of Art programs in art history and annual reports. Philadelphia, PA $10,000 museum studies. Reviewed Treasury Funds: $200,000 To support a postgraduate by Panel A. 91-4412-0018 internship in the Department Advisory Panel Conservation of Prints, Drawings, and Whitney Museum of Photographs and related American Art James K. Ballinger To enable museums to plan costs. Reviewed by Panel A. New York, NY $20,000 Director conservation programs, 91-4412-0023 To support the Independent Phoenix Art Museum implement conservation Study Program, an alterna­ Phoenix, AZ treatment for permanent col­ San Diego Museum of tive to traditional academic lections, conduct workshops, Contemporary Art programs in art history and Douglas K.S. Hyland support training centers and La Jolla, CA $10,000 museum studies. Reviewed Director internship programs to train To support a one-year gradu­ by Panel B. 91-4412-0497 conservation professionals,

1991Annual Report 119 and purchase conservation Fine Arts Museums of San of Paintings and Sculpture Belgian tapestry in the muse­ equipment. Francisco Baltimore Museum of Art um’s collection. San Francisco, CA Baltimore, MD 91-4431-0207 94 Grants Panel B Thomas K. Seligman Bishop Museum Program Funds: $1,196,050 (Overview Panel) Director Honolulu, HI $20,000 Fine Arts Museum of To support a graduate-level Advisory Panel Kinshasha H. Conwill San Francisco internship in objects conser­ Director San Francisco, CA vation at the Pacific Regional Panel A The Studio Museum in Conservation Center. Harlem Lewis I. Sharp 91-4431-0245 Stephen Bonadies New York, NY Director Senior Conservator Denver Art Museum Bishop Museum Cincinnati Art Museum Charles Cunningham, Jr. Denver, CO Honolulu, HI $6,550 Cincinnati, OH President To support the purchase of a Hillside Corporation Roy Slade rolling floor stand and one John Dobkin Boston, MA Director set of long working distance President Cranbrook Academy of Art objectives for the Pacific Historic Hudson Valley Margaret H. Ellis Museum Regional Conservation Cen­ Tarrytown, NY Chairman, Conservation Bloomfield Hills, MI ter’s existing stereobinocular Center microscopes. 91-4431-0246 Carol Forsythe Institute of Fine Arts, New Grants Objects Conservator, York University Bishop Museum Conservation Services New York, NY ~ Denotes Grants Having Honolulu, HI $22,000 Laboratory National Impact To support conservation Detroit Institute of Arts Peter Hassrick treatment of selected items Detroit, MI Director All grants were reviewed by from the museum’s Ruff Buffalo Bill Historical Center Panel A unless otherwise Collection of Papua New Sidney M. Goldstein Cody, WY indicated. Guinea Art. 91-4431-0247 Associate Director Saint Louis Art Museum Jeanne Lakso Arkansas Arts Center Brooklyn Institute of Arts St. Louis, MO Senior Program Director Foundation and Sciences Arts Midwest Little Rock, AR $4,500 Brooklyn, NY $10,000 Walter Newman Minneapolis, MN To support a conservation To support the purchase of a Senior Conservator survey of the permanent col­ stereomicroscope, an EPI flu­ Northeast Document j. Patrice Marandel lection. 91-4431-0236 orescent attachment for a Conservation Center Curator of European polarizing microscope, and a Andover, MA Paintings Baltimore Museum of halogen light. 91-4431-0249 Detroit Institute of Arts Art, Inc. Alfred R. Shands III Detroit, MI Baltimore, MD $25,000 Brooklyn Institute of Arts Rector To support conservation and Sciences St. John’s Episcopal Church Peter P. Morrin treatment of a group of late Brooklyn, NY $20,000 Harbor Springs, MI Director 19th- and early 20th-century To support a master-appren­ Louisville, KY (residence) J. B. Speed Art Museum American and European tice internship at the Brook­ Louisville, KY posters in the museum’s col­ lyn Museum for the 1991-92 Debra S. Spencer lection. 91-4431-0210 year. 91-4431-0270 Independent Museum Mary Gardner Neill Consultant Director Bass Museum of Art Buffalo Bill Memorial New York, NY Yale University Art Gallery Miami Beach, FL $10,000 Association New Haven, CT To support the conservation Cody, WY $6,000 James M. Wright treatment of "The Tourna­ To support conservation Paintings Conservator Brenda Richardson ment," a 16th-century treatment of "The Scout" Deputy Director and Curator by Gertrude Vanderbilt

120 National Endowment for the Arts Whitney and James Earle (Overview Panel). Field Museum of Natural treatment of selected works Fraser’s "Buffalo Prayer," 91-4431-0273 History in the center’s collection of both in the Buffalo Bill Chicago, IL $20,000 video art. 91-4431-0240 Historical Center’s perma­ Columbus Museum of Art To establish a postgraduate nent collection. Columbus, OH $25,000 internship program in the Hicksville Public Schools 91-4431-0198 To support conservation conservation of ethnographic Hicksville, NY $8,800 treatment of selected works works of art. 91-4431-0162 To support conservation Buder Institute of in the museum’s newly treatment of a WPA mural American Art acquired Howard D. and Fisk University series and two oil paintings Youngstown, OH $6,700 Babette L. Sirak Collection. Nashville, TN $4,000 created for the Hicksville To support conservation 91-4431-0214 To support a conservation Middle School. treatment of selected Ameri­ survey of the gallery’s Stieg­ 91-4431-0191 can paintings in the perma­ Cornell University litz Collection of Modern nent collection. Ithaca, NY $6,000 Art. 91-4431-0176 Hunter Museum of Art 91-4431-0177 To support conservation Chattanooga, TN $3,000 treatment of selected posters Founders Society, Detroit To support conservation California State University from the Art Nouveau and Institute of Arts treatment of selected works Long Beach Foundation Arts and Crafts periods in the Detroit, MI $20,000 from the museum’s graphic Long Beach, CA $12,000 permanent collection of the To support one-year arts collection. 91-4431-0224 To support conservation Herbert F. Johnson Museum advanced internships at the treatment of the University of Art. 91-4431-0218 museum’s Conservation Huntington Museum of Art Museum’s outdoor sculp­ Services Laboratory. Art, Inc. ture collection. Corporation of the Fine 91-4431-0204 Huntington, WV $11,000 91-4431-0184 Arts Museums To support conservation San Francisco, CA $15,000 Founders Society, Detroit treatment of paintings in the Cincinnati Institute of To support conservation Institute of Arts museum’s 19th-century Fine Arts treatment of a 15th-century Detroit, MI $25,000 European art collection. Cincinnati, OH $3,500 Hispano-Moresque poly- To support conservation 91-4431-0151 To support conservation chromed wood ceiling in the treatment of selected works treatment of several Renais­ permanent collection. from the museum’s collection Intermuseum Conservation sance Limoges enamels in the 91-4431-0178 of 18th-century French and Association permanent collection of the Italian furniture. Oberlin, OH $20,000 Taft Museum. 91-4431-0154 Currier Gallery of Art 91-4431-0205 To support an advanced-level Manchester, NH $4,200 internship program at this Cincinnati Museum To support conservation Founders Sodety Detroit regional conservation labora­ Association of several sculptures in the Institute of Arts tory. 91-4431-0156 Cincinnati, OH $15,000 gallery’s permanent collec­ Detroit, MI $10,000 To support conservation tion. 91-4431-0170 To support the purchase of Intermuseum Conservation treatment of four 18th­ a vacuum hot table with a Association century French tapestries Denver Art Museum, Inc. tabletop suction device. Oberlin, OH $5,000 in the museum’s collection. Denver, CO $3,000 91-4431-0269 To support the purchase of a Reviewed by Panel B To support a conservation Molescent lighting system. (Overview Panel). survey of the museum’s col­ Friends of Recreation and 91-4431-0171 91-4431-0168 lection of East Asian paint­ Parks Corporation ings. 91-4431-0153 San Francisco, CA $20,000 Joslyn Art Museum Cincinnati Museum To support conservation Omaha, NE $7,500 Association Edmundson Art treatment of a series of To support conservation Cincinnati, OH $20,000 Foundation, Inc. murals in San Francisco’s treatment of selected paint­ To support one year of a Des Moines, IA $3,000 Coit Tower. 91-4431-0186 ings in the museum’s Ameri two-year advanced-level To support a conservation can and European collec­ internship in paintings con­ survey of the Des Moines Art Haleakala, Inc. tions. 91-4431-0227 servation at the museum. Center’s graphic arts collec­ New York, NY $6,000 Reviewed by Panel B tion. 91-4431-0223 To support conservation

1991 Annual Report 121 Kentucky Historical Society Montdair Art Museum Museum of New Mexico Panel B (Overview Panel). Frankfort, KY $6,500 Montclair, NJ $2,500 Foundation 91-4431-0152 To support conservation To support conservation Santa Fe, NM $10,000 treatment of a set of water­ treatment of two sculptures To support conservation Northeast Document colors by Kentucky artist in the permanent collection, treatment of selected works Conservation Center, Inc. Paul Sawyier in the society’s Thomas Bull’s "Christmas from the Museum of Fine Andover, MA $5,000 collection. 91-4431-0174 Morning" and Alexander Art’s collection of prints. To support the purchase of Calder’s "Naiad with a 91-4431-0209 basic conservation equipment Laguna Art Museum Mask." 91-4431-0234 for the center’s new facility. Laguna Beach, CA $12,500 Museums at Stony Brook 91-4431-0155 To support conservation Montgomery Museum of Stony Brook, NY $4,500 treatment of selected paint­ Fine Arts To support conservation Oberlin College ings in the museum’s collec­ Montgomery, AL $2,500 treatment of selected paint­ Oberlin, OH $2,400 tion. 91-4431-0239 To support a conservation ings by William Sidney To support a conservation survey of the permanent col­ Mount and Henry Smith survey of the Mien Memorial Long Beach Museum of lection. 91-4431-0248 Mount, all in the museums’ Art Museum’s sculpture col­ Art Foundation collection. 91-4431-0161 lection. 91-4431-0225 Long Beach, CA $6,500 Museum Associates To support conservation Los Angeles, CA $20,000 New York City Health and Philadelphia Museum of Art treatment of selected paint­ To support one-year, gradu­ Hospitals Corporation Philadelphia, PA $10,000 ings and mixed-media con­ ate-level internships at the New York, NY $20,600 To support technical exami­ structions in the permanent Los Angeles County To support conservation nation of the museum’s collection. 91-4431-0265 Museum’s conservation treatment of "The Develop­ Chinese Palace Hall period facilities. 91-4431-0213 ment of Medicine," a large- room. 91-4431-0189 Margaret Woodbury scale mural by WPA artist Strong Museum Museum of Fine Arts, William C. Palmer. Philadelphia Museum of Art Rochester, NY $2,500 Boston 91-4431-0242 Philadelphia, PA $10,000 To support conservation Boston, MA $12,500 To support conservation treatment of selected works To support conservation New York University treatment of Augustin in the museum’s collection treatment of selected mantles New York, NY $18,000 Pajou’s sculptural suite "Four of works on paper. from the museum’s collection To support the third year of Seasons," in the permanent 91-4431-0172 of Andean textiles. a four-year pilot project to collection. 91-4431-0190 91-4431-0216 develop a training program in Minneapolis Society of the conservation of ethno­ Pierpont Morgan Library Fine Arts Museum of Fine Arts, graphic and archaeological New York, NY $15,000 Minneapolis, MN $7,000 Boston works of art at the Institute To support conservation To support conservation Boston, MA $10,000 of Fine Arts. 91-4431-0192 treatment of selected Islamic treatment of three paintings, To support the purchase of a and Near Eastern manu­ "A Forest Pool" and "Land­ mass-selective detector for the ~r New York University scripts in the library’s collec­ scape" by Daubigny, "Land­ capillary gas chromatograph New York, NY $75,000 tion. 91-4431-0187 scape by the River Lez" by in the museum’s research lab­ To provide student stipends Bazille, and drawings by oratory. 91-4431-0235 and specialized instruction Portland Museum of Art Detaille and Gainsborough, for the Institute of Fine Arts’ Portland, ME $10,000 all in the permanent collec­ Museum of Fine Arts, art conservation program. To support conservation tion. 91-4431-0230 Boston 91-4431-0193 treatment of selected Ameri­ Boston, MA $20,000 can paintings and sculptures Mississippi Museum of To support the second year Northeast Document in the permanent collection. Art, Inc. of a two-year advanced-level Conservation Center, Inc. 91-4431-0203 Jackson, MS $5,000 internship at the museum’s Andover, MA $20,000 To support a conservation research laboratory. To support the first year of a President and Fellows of survey of the museum’s Sara 91-4431-0241 two-year internship in paper Harvard College Virginia Jones collection. conservation. Reviewed by Cambridge, MA $21,000 91-4431-0274 To support the purchase of

122 National Endowment for the Arts easels for paintings conserva­ museum professionals at the "Joining the Herd" and the Hood Museum of Art. tion, a stereo microscope, an Campbell Center. Charles Craig’s "Winter 91-4431-0164 hydraulic table lift, and an 91-4431-0243 Camp, Ute Indian." ultraviolet/visible spectropho­ 91-4431-0219 Trustees of Dartmouth tometer for the Center for Rhode Island Historical College Conservation and Technical Society Santa Barbara Museum Hanover, NH $10,000 Studies. 91-4431-0150 Providence, RI $4,500 of Art To support conservation To support a conservation Santa Barbara, CA $15,000 treatment of selected works President and Fellows of survey of the society’s paint­ To support conservation from the Hood Museum of Harvard College ings collection. treatment of selected Asian Art’s graphic arts collection. Cambridge, MA $40,000 91-4431-0179 scroll paintings and textiles in 91-4431-0165 To support the Center for the permanent collection. Conservation and Technical Rhode Island School 91-4431-0231 Trustees of Princeton Studies’ 1991-92 Advanced- of Design University Level Training Program. Providence, RI $5,000 Smith College Princeton, NJ $10,000 91-4431-0166 To support conservation Northampton, MA $2,500 To support conservation treatment of the Museum of To support a conservation treatment of a group of President and Fellows of Art’s wallpaper collection. survey of the Museum of stained glass panels in the art Harvard College 91-4431-0159 Art’s photography collection. museum’s collection. Cambridge, !VIA $10,000 91-4431-0208 91-4431-0175 To support conservation Saint Louis Art Museum treatment of selected works St. Louis, MO $16,400 Studio Museum in Trustees of the Berkshire in the university’s Busch- To support a one-year intern­ Harlem, Inc. Museum Reisinger Museum. ship in the museum’s Textile New York, NY $2,600 Pittsfield, MA $5,000 91-4431-0167 Conservation Department. To support a conservation To support conservation 91-4431-0221 survey of Richard Yarde’s treatment of selected paint Price County Forestry "Savoy," an installation piece ings and their period frames Department Saint Louis Art Museum in the museum’s permanent in the permanent collection. Phillips, WI $14,100 St. Louis, MO $4,900 collection. 91-4431-0212 91-4431-0163 To support conservation To support the purchase of treatment of 40 outdoor equipment to adapt the Textile Conservation Trustees of the Corcoran sculptures and sculptural museum’s Zeiss Standard 16 Workshop, Inc. Gallery of.Art tableaux created by American microscope for fluorescent South Salem, NY $16,000 Washington, DC $25,000 artist Fred Smith for the light microscopy. To support a one-year, mas- To support conservation Wisconsin Concrete Park. 91-4431-0222 ter-apprentice internship pro­ treatment of the gilded "bois­ 91-4431-0173 gram in textile conservation. erie" in the Salon Dore, an San Francisco Museum of 91-4431-0211 18th-century period room in ~ Research Foundation Modern Art the gallery’s permanent col­ of State University of San Francisco, CA $4,800 Toledo Museum of Art lection. 91-4431-0148 New York To support the purchase of a Toledo, OH $10,000 Albany, NY $75,000 vacuum suction table and To support conservation Trustees of the Waiters To provide fellowships for fritted disk and a color reflec­ treatment of an 18th-century Art Gallery students at the university’s tion densitometer for the English console table in the Baltimore, MD $20,000 graduate-level art conserva­ museum’s paper conservation permanent collection. To support costs associated tion training program in laboratory. 91-4431-0226 91-4431-0238 with an advanced internship Buffalo, New York. in paintings conservation. 91-4431-0157 Sangre de Cristo Arts and Trustees of Dartmouth 91-4431-0201 Conference Center, Inc. College ~r Restoration College Pueblo, CO $4,700 Hanover, NH $9,200 Trustees of the Waiters Association To support conservation To support the second phase Art Gallery Mount Carroll, IL $10,000 treatment of two paintings in of a conservation survey of Baltimore, MD $5,000 To support a four-week semi­ the center’s collection: the graphic art holdings of To support a conservation nar on collections care for William Robinson Leigh’s survey of the gallery’s portrait

1991 Annual Report 123 miniature collection. Memorial Art Gallery. sculpture, and object collec­ Amigos del Museo 91-4431-0202 91-4431-0215 tions. 91-4431-0229 del Barrio New York, NY $12,000 University of Arizona University of Rochester Yale University To support a facility survey Tucson, AZ $5,000 Rochester, NY $4,500 New Haven, CT $5,000 of the museum’s fire security To support the first stage of a To support conservation To support a conservation and environmental condi­ four- or five-part conserva­ treatment of two paintings, survey of the works on paper tions. 91-4432-0262 tion survey of the Museum of "View of the Dutch Coast" in the Yale University Art Amon Carter Museum of Art’s collection of works on by Jan van de Cappelle and Gallery’s Socldte Anonyme paper. 91-4431-0158 "Portrait of Mrs. Shake­ and Katherine Dreier collec­ Western Art speare" by John Singer tions. 91-4431-0206 Fort Worth, TX $5,300 ~ University of Delaware Sargent, in the permanent To support the construction Newark, DE $75,000 collection of the Memorial Collection of phase boxes for rehousing To provide student stipends Art Gallery. 91-4431-0217 works of art in the museum’s for the university’s graduate Maintenance photography and library col­ program in art conservation. University of Vermont lections. 91-4432-0260 91-4431-0197 Burlington, VT $6,400 To help museums preserve To support a conservation collections primarily of artis­ Birmingham Museum of Art University of Denver, survey of the paintings in the tic significance by identifying Birmingham, AL $35,000 Colorado Robert Hull Fleming Muse­ and solving problems of To support the purchase of Denver, CO $7,000 um’s permanent collection. climate control, security, object storage cabinets to To support the purchase of 91-4431-0233 and storage. upgrade housing for items in equipment for the Rocky the museum’s collection. Mountain Regional Con­ Upper Midwest 31 Grants 91-4432-0185 servation Center at the Conservation Association Program Funds: $475,000 Minneapolis, MN $8,200 Buffalo State College University of Denver. Treasury Funds: $500,000 91-4431-0237 To support the purchase of a Foundation, Inc. mobile microscope stand and Buffalo, NY $16,900 University of Illinois-­ a paper suction table. Advisory Panel To support the purchase and 91-4431-0228 installation of equipment Champaign County Panelists listed under Urbana, IL $2,500 that is critical to the preserva­ Conservation Panel A also To support conservation Vassar College tion and care of the Butch- treatment of selected paint­ Poughkeepsie, NY $10,000 reviewed grants in this field Art Center’s Charles E. category, unless otherwise ings and works on paper in To support conservation Burchfield collection. the Krannert Art Museum’s treatment of Flemish Renais­ indicated. 91-4432-0253 collection. 91-4431-0180 sance panel paintings in the collection of the Vassar Grants Cincinnati Museum University of Kansas Main College Art Gallery. Association Campus 91-4431-0188 Adirondack Historical Cincinnati, OH $10,000 Lawrence, KS $3,000 Association To support the completion of Blue Mountain Lake, NY To support conservation Wadsworth Atheneum a detailed systematic survey treatment of selected works Hartford, CT $10,000 $15,000 of the museum’s costume from the Spencer Museum of To support conservation To support the implementa­ accessories collection. treatment of approximately tion of the Adirondack Reviewed by Panel B Art’s graphic arts collection. Museum’s collection storage 91-4431-0244 80 18th-century European (Overview Panel) under porcelains in the permanent program, which will include Conservation. 91-4432-0149 University of Nebras~-~ collection. 91-4431-0220 the purchase and installation Lincoln of adjustable mobile storage Columbus Museum of Art Lincoln, NE $9,000 Wellesley College equipment in the paintings Columbus, OH TF $50,000 To support conservation Wellesley, MA $4,000 vault. 91-4432-0200 To support a security and treatment of selected works To support a conservation storage renovation project on paper in the permanent survey of the Wellesley prompted by new demands collection of the Sheldon College Museum’s painting, on these systems resulting

124 National Endowment for the Arts from the planned installation Hunter Museum of Art museum’s environmental Museum and the Arthur M. of the newly acquired Sirak Chattanooga, TN $7,000 systems and controls and its Suckler Museum. Collection. 91-4432-0254 To support the improvement security operation and sys­ 91-4432-0251 of the storage and display of tems. 91-4432-0194 *No treasury funds were oblig­ Field Museum of Natural the museum’s collection of ated during FY91. History American works on paper. Nelson Gallery Foundation Chicago, IL $16,200 91-4432-0259 Kansas City, MO $17,000 Rhode Island School To support an inventory of To support the purchase of of Design the museum’s collection of Isabella Stewart Gardner new storage cabinets and bins Providence, RI $30,000 American ethnographic Museum, Inc. to upgrade storage conditions To support the implementa­ objects and the purchase of Boston, MA TF $175,000 of the Nelson-Atkins Muse­ tion of a renovation project textile cabinets for their stor­ To support the upgrading of um of Art’s Western prints, for a primary storage area age. 91-4432-0195 a general security system and which comprise approximate­ that houses part of the Muse­ the implementation of the ly 20 percent of the muse­ um of Art’s collection. Florida International first phase of a major climate um’s holdings. 91-4432-0256 University control program. 91-4432-0183 Miami, FL $2,500 91-4432-0182 Saint Louis Art Museum To support a survey to iden­ New Mexico State St. Louis, MO $13,600 tiff! problems related to stor­ J.B. Speed Art Museum University Main Campus To support the expansion age and security due to the Louisville, KY $15,000 Las Cruces, NM $5,800 and improvement of the addition of a large number of To support a portion of a To support the purchase of museum’s textile storage works of art to the art muse­ project that will assess the equipment to improve the facilities. 91-4432-0258 um’s collection. museum’s environment; storage of prints, photo­ 91-4432-0255 building shell; and heat, ven­ graphs, and small objects in Smith College tilation, and airconditioning the University Art Gallery’s Northampton, MA $8,400 Founders Society, Detroit systems. 91-4432-0196 permanent collection. To support a thorough Institute of Arts 91-4432-0199 assessment of the Museum of Detroit, MI $25,000 Milwaukee Art Art’s environmental control To support the implementa­ Museum, Inc. Newark Museum systems. 91-4432-0252 tion of a long-range plan to Milwaukee, WI $25,000 Association upgrade and improve the To support the implementa­ Newark, NJ TF $125,000" Springfield Library and museum’s storage facilities. tion of a project to convert To support the installation of Museums Association 91-4432-0268 an unused storage space into a climate control system for Springfield, MA $16,600 a secure, controlled environ­ the Decorative Arts collec­ To support a project to Friends of Puerto Rico, Inc. ment for small-scale sculp tion. 91-4432-0267 increase storage capacity and New York, NY $2,500 ture, decorative art objects, *No funds were obligated dur­ improve storage conditions of To support the research and and folk art. 91-4432-0160 ing FY91. the Museum of Fine Arts’ documentation of the collec­ graphic arts collection. tion of Latin American Monterey Peninsula Pennsylvania Academy of 91-4432-0232 graphic works of the Muse­ Museum of Art Association the Fine Arts um of Contemporary Monterey, CA $25,000 Philadelphia, PA Textile Museum of D.C. Hispanic Art and the pur­ To support improvements in TF $100,000 Washington, DC $11,800 chase of files and a filing the storage and security sys­ To support the upgrading of To support the improvement cabinet for their storage. tems affecting the museum’s the academy’s fire detection, of security by installing a 91-4432-0275 multicultural folk, ethnic, fire suppression, and security sophisticated electronic alarm and tribal art collections. systems. 91-4432-0169 system for one of the muse­ Grand Rapids Art Museum 91-4432-0261 um’s main buildings. Grand Rapids, MI $25,000 President and Fellows of 91-4432-0181 To support the renovation of Munson-Williams-Proctor Harvard College storage areas in the museum. Institute Cambridge, MA $25,000 Toledo Museum of Art 91-4432-0250 Utica, NY $7,000 TF $50,000* Toledo, OH $50,000 To support a survey of the To support the improvement To support the modification of security in the Fogg Art of the museum’s electronic

1991 Annual Report 125 fire detection and security Judy L. Larson Marti Mayo Panel D (Special Exhibi­ systems and their integration Curator, American Art Director, Blaffer Gallery tions Panel for FYg0) into a computerized monitor­ High Museum of Art University of Houston ing system. 91-4432-0266 Atlanta, GA Houston, TX Graham W. J. Beal Director Walker Art Center, Inc. Phyllis Pious Patrick T. Murphy Joslyn Art Museum Minneapolis, MN $15,000 Curator, University Art Director, Institute of Omaha, NE To support the renovation of Museum Contemporary Art the center’s existing sculpture University of California-­ University of Pennsylvania Helen Cooper storage area. 91-4432-0257 Santa Barbara Philadelphia, PA Curator of American Santa Barbara, CA Painting and Sculpture Worcester Art Museum Nilda Peraza Yale University Art Gallery Worcester, !VIA $37,900 Eliza E. Rathbone Director New Haven, CT To support the replacement Curator Museum of Contemporary of the control mechanisms Phillips Collection Hispanic Art Holliday T. Day for the existing climate con­ Washington, DC New York, NY Curator of Contemporary trol system in 11 European Art paintings galleries. Emily J. Sano Terence R. Pitts Indianapolis Musum of Art 91-4432-0263 Deputy Director and Senior Director, Center for Creative Indianapolis, IN Curator, Non-Western Art Photography Dallas Museum of Art University of Arizona Madeleine Grynsztejn Special Dallas, TX Tucson, AZ Associate Curator Exhibitions La Jolla Museum of Rodney S. Slemmons Jock Reynolds Contemporary Art To enable museums to orga­ Associate Curator, Director, Addison Gallery of La Jolla, CA nize special exhibitions or to Photography American Art borrow exhibitions organized Seattle Art Museum Phillips Academy Douglas K.S. Hyland by other museums. Seattle, WA Andover, MA Director Birmingham Museum of Art 213 Grants Panel B David H. Steel Birmingham, AL Curator, European Art Program Funds: $4,396,180 Neal Benezra North Carolina Museum Edward Lefflngwell Treasury Funds: $1,370,000 Curator, 20th Century of Art Director, Visual Arts Painting and Sculpture Raleigh, NC Los Angeles Municipal Advisory Panel Garden Art Gallery Art Institute of Chicago Panel C Los Angeles, CA Panel A Chicago, IL Susana Torruella Leval Susana Torruella Leval Patrick H. Ela Howard Fox Curator Curator Director Curator, Contemporary Art E1 Museo del Barrio E1 Museo del Barrio Craft and Folk Art Museum Los Angeles County Museum New York, NY New York, NY Los Angeles, CA of Art Los Angeles, CA Madeleine Grynsztejn George T.M. Shackelford Rita Fraad Associate Curator Curator of European Art Collector Ann Gund San Diego Museum of Painting and Sculpture Scarsdale, NY Consultant Contemporary Art Museum of Fine Arts, Boston, MA La Jolla, CA Houston Adelheid M. Gealt Houston, TX Director Marilyn F. Hoffman Philip Verre Indiana University Art Director Deputy Director Rodney S. Slemmons Museum Currier Gallery of Art The Bronx Museum of the Associate Curator of Bloomington, IN Manchester, NH Arts Photography Bronx, NY

126 National Endowment for the Arts Seattle Art Museum tion and accompanying cata­ Reviewed by Panel A. tion and accompanying cata­ Seattle, WA logue surveying contempo­ 91-4442-0369 logue of photographers H.P. rary studio production in Robinson and P.H. Emerson, Jeffrey Wechsler craft media at the American Art Institute of Chicago organized by the Edith C. Assistant Director, Curatorial Craft Museum. Reviewed by Chicago, IL $20,000 Blum Art Institute. Reviewed Affairs Panel A. 91-4442-0350 To support the planning of by Panel A. 91-4442-0417 Jane Voorhees Zimmerli Art an exhibition of the litho­ Museum, Rutgers Amigos del Museo graphs of James McNeill Baruch College Fund University del Barrio Whistler. Reviewed by New York, NY $7,000 New Brunswick, NJ New York, NY $30,000 Panel A. 91-4442-0388 To support an exhibition at To support a touring exhibi­ the Baruch College Gallery Grants tion and accompanying cata­ Artists Space, Inc. and an accompanying cata­ logue of work by artists of New York, NY $20,000 logue of the group of artists ~ Denotes Grants Having Latin American descent To support "Projects," an known as the Indian Space National Impact whose work examines the dis­ ongoing series of small-scale, Group. Reviewed by Panel A. tortion or neglect of their his­ one-person exhibitions of 91-4442-0281 80 Langton Street, Inc. tory. Reviewed by Panel B. contemporary art, and San Francisco, CA $7,500 91-4442-0431 accompanying brochures. Beaver College To support an exhibition of Reviewed by Panel B. Glenside, PA $7,500 the work of Adrian Piper. Amon Carter Museum of 91-4442-0351 To support an exhibition at Reviewed by Panel B. Western Art the Beaver College Art Gal­ 91-4442-0446 Fort Worth, TX $90,000 Artists Space, Inc. lery and an accompanying To support a touring exhibi­ New York, NY $15,000 catalogue of work by contem­ Alexandria Museum of Art tion and accompanying cata­ To support an exhibition and porary American assemblage Alexandria, LA $5,000 logue of 19th-century Ameri­ accompanying catalogue of artists. Reviewed by Panel B. To support an exhibition and can photography. Reviewed work by emerging artists 91-4442-0357 accompanying catalogue of by Panel A. 91-4442-0335 whose work addresses gender recent work by Louisiana stereotypes. Reviewed by ~" Birmingham Museum artists Richard Johnson and Arkansas Arts Center Panel B. 91-4442-0452 of Art John Scott. Reviewed by Foundation Birmingham, AL $20,000 Panel B. 91-4442-0389 Little Rock, AR $11,000 ~r Asia Society To support a touring exhibi­ To support an exhibition and New York, NY TF $75,000 tion and accompanying Allentown Art Museum accompanying catalogue of To support a touring exhibi­ catalogue of contemporary Allentown, PA $20,000 contemporary American tion and accompanying cata­ Spanish photography. To support an exhibition and crafts. Reviewed by Panel A. logue of 18th-century art Reviewed by Panel B. catalogue of the work of 91-4442-0328 from Korea. Reviewed by 91-4442-0289 Gustav Johann Grunewald Panel A. 91-4442-0314 (1805-1878). Reviewed by Arkansas Arts Center Birmingham Museum of Art Panel A. 91-4442-0329 Foundation Baltimore Museum of Birmingham, AL $15,000 Little Rock, AR $12,000 Art, Inc. To support "Photography American Crafts Council To support an exhibition and Baltimore, MD $50,000 Birmingham," a series of New York, NY $35,000 accompanying catalogue of TF $50,000 exhibitions of contemporary To support a traveling exhi­ drawings by American artist To support a touring exhibi­ American photography, and bition and accompanying Will Barnet. Reviewed by tion and accompanying cata­ accompanying brochures. catalogue of the work of Panel A. 91-4442-0345 logue investigating the im­ Reviewed by Panel B. American fiber artist Diane pact of classicism on early 91-4442-0295 Itter at the American Craft ~" Art Institute of Chicago 19th-century American cul­ Museum. Reviewed by Chicago, IL $20,000 ture. Reviewed by Panel A. Bronx Museum of the Arts Panel A. 91-4442-0338 TF $35,000 91-4442-0358 Bronx, NY $8,000 To support a touring exhibi­ To support the planning of American Crafts Council tion and accompanying cata­ Bard College an exhibition of New York New York, NY $25,000 logue of the work of Ameri­ Annandale, NY $20,000 City WPA murals. Reviewed To support a touring exhibi­ can artist Martin Puryear. To support a touring exhibi­ by Panel A. 91-4442-0333

1991 Annual Report 127 Brooklyn Institute of Arts brochures. Reviewed by tion and accompanying cata­ Picasso. Reviewed by and Sciences Panel B. 91-4442-0439 logue of the work of Archi­ Panel A. 91-4442-0375 Brooklyn, NY $15,000 bald John Motley, Jr. Columbus Museum, Inc. To support the presentation Carnegie Institute (1891-1981). Reviewed by at the Brooklyn Museum of Pittsburgh, PA TF $100,000 Panel A. 91-4442-0367 Columbus, GA $7,500 an exhibition of the work of To support the 1991 Carne­ To support the presentation German painter Sigmar gie International exhibition Cincinnati Institute of at the Columbus Museum of Polke, organized by the San of contemporary art and an Fine Arts "Richard Pousette-Dart: A Francisco Museum of accompanying catalogue. Cincinnati, OH $30,000 Retrospective," an exhibition Modern Art. Reviewed by Reviewed by Panel B. To support a touring exhibi­ organized by the Indianapolis Panel B. 91-4442-0403 91-4442-0468 tion at the Taft Museum and Museum of Art. Reviewed by an accompanying catalogue Panel B. 91-4442-0278 Brooklyn Institute of Arts Carnegie Institute of 19th-century French anec­ and Sciences Pittsburgh, PA $15,000 dotal painting. Reviewed by Contemporary Arts Brooklyn, NY $15,000 To support "Forum," an Panel A. 91-4442-0365 Association of Houston To support planning for the ongoing series of small-scale Houston, TX $25,000 exhibition "The Origins of exhibitions of contemporary City of Irvine To support "Perspectives," an Open-Air Painting: Land­ art, and accompanying bro­ Irvine, CA $15,000 ongoing series of small-scale scape Painting in Rome, chures. Reviewed by Panel B. To support an exhibition at exhibitions of contemporary 1780-1840." Reviewed by 91-4442-0479 the Irvine Fine Art Center art and accompanying publi­ Panel A. 91-4442-0404 and an accompanying cata­ cations, organized by the ~- Center for African logue of the work of Ameri­ Contemporary Arts Museum, Buffalo Bill Memorial Art, Inc. can artists Richard Turner Houston. Reviewed by Association New York, NY $40,000 and William Short and Panel B. 91-4442-0299 Cody, WY $15,000 To support an exhibition and Vietnamese artists Hoang Vu To support the presentation accompanying catalogue and Viet Nguyen. Reviewed Contemporary Arts of the exhibition "Discovered titled "Face of the Gods: Art by Panel B. 91-4442-0402 Association of Houston Lands, Invented Places: and Altars of the Black Houston, TX $15,000 American Art and the Ameri­ Atlantic World." Reviewed Cleveland Center for To support the presentation can West," at the Buffalo Bill by Panel A. 91-4442-0315 Contemporary Art at the Contemporary Arts Historical Center. Reviewed Cleveland, OH $8,300 Museum of"Tony Cragg: by Panel B. 91-4442-0485 Center for Puppetry To support the planning of Sculpture 1975-1990," an Arts, Inc. an exhibition that will focus exhibition organized by Buffalo State College Atlanta, GA $25,000 on the relationship between the Newport Harbor Art Foundation, Inc. To support an exhibition and performance art and the Museum in Newport Beach, Buffalo, NY $8,000 accompanying catalogue of visual arts since the 1960s. California. Reviewed by To support the presentation American puppetry in the Reviewed by Panel B. Panel B. 91-4442-0300 at the Burchfield Art Center 1980s. Reviewed by Panel A. 91-4442-0286 of"Clara Sipprell: Pictorial 91-4442-0391 Contemporary Arts Center, Photographer," an exhibition Cleveland Center for Cincinnati organized by the Amon Center for the Fine Arts Contemporary Art Cincinnati, OH $20,000 Carter Museum, Fort Worth, Association, Inc. Cleveland, OH $15,000 To support a site-specific TX. Reviewed by Panel B. Miami, FL $15,000 To support a touring site- installation by contemporary 91-4442-0401 To support the planning of specific installation by con­ artist Donald Lipski and an an exhibition and accompa­ temporary artist Petah Coyne accompanying exhibition cat­ California State University nying catalogue of the work and an accompanying cata­ alogue. Reviewed by Panel B. Long Beach Foundation of visual artist Francis logue. Reviewed by Panel B. 91-4442-0339 Long Beach, CA $20,000 Picabia. Reviewed by 91-4442-0440 To support "Centric," an Panel A. 91-4442-0386 Contemporary Arts Center, ongoing series of small-scale Cleveland Museum of Art New Orleans exhibitions of contemporary Chicago Historical Society Cleveland, OH TF $60,000 New Orleans, LA $15,000 art at the University Art Chicago, IL $30,000 To support a touring exhibi­ To support an exhibition and Museum, and accompanying To support a touring exhibi­ tion of still lifes by Pablo accompanying catalogue of

128 National Endowment for the Arts work by emerging and mid- Reviewed by Panel A. and accompanying catalogue World. Reviewed by Panel B. career Los Angeles artists. *No funds were abligated dur­ of the work of contemporary 91-4442-0380 Reviewed by Panel B. ing FY91. 91-4442-0309 artist Nancy Grossman. 91-4442-0280 Reviewed by Panel B. Fort Wayne Museum of ~ DeCordova Museum 91-4442-0430 Art, Inc. Corporation of the Fine Arts and Sculpture Park Fort Wayne, IN $7,500 Museums Lincoln, MA $15,000 Fitchburg Art Museum To support a touring exhibi­ San Francisco, CA $65,000 To support a touring exhibi­ Fitchburg, MA $20,000 tion and accompanying cata­ To support an exhibition and tion and accompanying cata­ To support an exhibition and logue of sculpture and works accompanying catalogue of logue of the work of con­ accompanying catalogue of on paper by contemporary Russian avant-garde stage temporary artist Gregory Czech photography dating artist John Newman. Review­ design. Reviewed by Panel A. Amenoff. Reviewed by from 1919 to the present, to ed by Panel B. 91-4442-0326 91-4442-0484 Panel B. 91-4442-0308 be mounted simultaneously at the Fogg Art Museum, Frick Collection Craft Alliance Education Dia Art Foundation, Inc. Harvard University, and the New York, NY $40,000 Center New York, NY $25,000 Fitchburg Art Museum. To support an exhibition and St. Louis, MO $15,000 To support an exhibition and Reviewed by Panel B. accompanying brochure of To support the planning of accompanying catalogue of 91-4442-0282 the work of Nicolas Lancret an exhibition and accompa­ new work by contemporary (1690-1743). Reviewed by nying catalogue tracing the artist Robert Gober. Review­ Florida International Panel A. 91-4442-0316 nature and role of narrative ed by Panel B. 91-4442-0288 University and figurative imagery in Miami, FL $7,500 Friends of Photography American crafts throughout Dia Art Foundation, Inc. To support the presentation San Francisco, CA $15,000 the 20th century. Reviewed New York, NY $7,500 at the university Art Museum To support an exhibition by Panel A. 91-4442-0331 To support a touring exhibi­ of "Through the Path of of works by contemporary tion and accompanying cata­ Echoes: Contemporary Art in photographers who have Crocker Art Museum logue of works from the Mexico," an exhibition orga­ used their families as subjects. Association "Cold Mountain" series by nized by Independent Cura Reviewed by Panel B. Sacramento, CA $30,000 contemporary artist Brice tors Inc., New York. Review­ 91-4442-0415 To support a touring exhibi­ Marden. Reviewed by ed by Panel B. 91-4442-0400 tion and accompanying cata­ Panel B. 91-4442-0290 ~" Friends of Photography logue of work by California Florida International San Francisco, CA $20,000 artist William Allan. Review­ Drawing Center, Inc. University To support a touring exhibi­ ed by Panel B. New York, NY TF $40,000 Miami, FL $10,000 tion and accompanying cata­ 91-4442-0422 To support a touring exhibi­ To support the presentation logue of the work of contem­ tion of"Guercino Drawings in Miami of "Cuba/USA: porary photographer Reagan Currier Gallery of Art from Windsor Castle." The First Generation," an Louie. Reviewed by Panel B. Manchester, NH $15,000 Reviewed by Panel B. exhibition organized by 91-4442-0421 To support an exhibition and 91-4442-0356 Fondo del Sol Visual Arts accompanying catalogue of Center in Washington, DC. Friends of the North Dakota the work of American artist En Foco, Inc. Reviewed by Panel B Museum of Art Philip Tsiaris. Reviewed by Bronx, NY $20,000 (Overview Panel) under Grand Forks, ND $35,000 Panel A. 91-4442-0406 To support a touring exhibi­ Conservation. 91-4442-0493 To support an exhibition and tion and accompanying accompanying catalogue of ¢r Dayton Art Institute catalogue of work by contem­ Fondo Del Sol contemporary Japanese fiber Dayton, OH TF $50,000* porary, island-based, Puerto Washington, DC $35,000 art. Reviewed by Panel A. To support a touring exhibi­ Rican photographers. To support the first phase of 91-4442-0381 tion and accompanying cata­ Reviewed by Panel B. a series of exhibitions and logue titled "Theme and 91-4442-0376 accompanying catalogues of Friends of the North Dakota Improvisation: Kandinsky works of contemporary artists Museum of Art and the American Avant- Exit Art, Inc. of color in celebration of the Grand Forks, ND $15,000 Garde, 1912-1950." New York, NY $20,000 quincentennary of the arrival To support a touring exhibi­ To support an exhibition of Columbus in the New tion and accompanying

1991 Annual Report 129 catalogue of the work of titled "Encounters with between 1961 and 1991. Institute of Puerto Rican California artist Robert Paradise: Views of Hawaii Reviewed by Panel D. Culture Brady. Reviewed by Panel B. and Its People, 1778-1941." 90-4442-0369 San Juan, PR $15,000 91-4442-0467 Reviewed by Panel A. *Funds for this grant were To support an exhibition and 91-4442-0418 committed in FY90, but were accompanying catalogue of Greenville Museum of not obligated until FY91; the work of Puerto Rican Art, Inc. Houston Center for therefore, the grant appears in artist Carlos Collazo (1956­ Greenville, NC $5,000 Photography both the 1990 and1991 annu­ 1990). Reviewed by Panel B. To support the presentation Houston, TX $5,000 al reports. 91-4442-0477 of "Enduring Impressions-­ To support a touring exhibi­ Three Decades of American tion of the work of contem­ Institute of Contemporary ~ International Center of Printmaking," a traveling porary artist Margo Reece. Art, Boston Photography exhibition organized by the Reviewed by Panel B. Boston, MA $35,000 New York, NY $20,000 Huntington Museum of Art, 91-4442-0398 To support "Currents," an To support a touring exhibi­ Charleston, West Virginia. ongoing series of small-scale tion and accompanying Reviewed by Panel B. Houston Center for exhibitions of contemporary brochure of the work of 91-4442-0412 Photography art, and accompanying bro­ photographer Ruth Orkin Houston, TX $13,500 chures. Reviewed by Panel B. (1921-1985). Reviewed by Guadalupe Cultural Arts To support an exhibition and 91-4442-0310 Panel A. 91-4442-0407 Center accompanying catalogue of San Antonio, TX $12,000 the work of Asian-American Institute of Contemporary International Center of To support an exhibition of photographer Tseng Kwong- Art, Boston Photography Mexican American/Chicano Chi. Reviewed by Panel B. Boston, MA $10,000 New York, NY $30,000 artists titled "Mutual 91-4442-0399 To support the planning of To support an exhibition and Influences." Reviewed by an exhibition focusing on accompanying brochure of Panel C. 91-4442-0276 Illinois State University new art that explores the rela­ the work of photographer Normal, IL $13,800 tionship between landscape Baron Adolph de Meyer. Hamilton College Trustees To support an exhibition and as a traditional subject and Reviewed by Panel A. Clinton, NY $30,000 accompanying catalogue of contemporary issues of land 91-4442-0426 To support a touring exhibi­ works by contemporary ownership, land use, and tion and accompanying cata­ artists concerned with ecolog indigenous populations. ~ International Center of logue of the watercolors of ical issues. Reviewed by Reviewed by Panel B. Photography Charles Burchfield (1893­ Panel B. 91-4442-0323 91-4442-0311 New York, NY $35,000 1967), organized by the col­ To support a touring exhibi­ lege’s Emerson Gallery. ~ Independent Institute of Contemporary tion of the work of photogra­ Reviewed by Panel A. Curators, Inc. Art, Boston pher Roy DeCarava. 91-4442-0341 New York, NY $25,000 Boston, MA $35,000 Reviewed by Panel B. To support a touring exhibi­ To support a touring exhibi­ 91-4442-0427 Honolulu Academy of Arts tion and accompanying cata­ tion and accompanying cata­ Honolulu, HI $20,000 logue examining how the logue of the work of German Jamaica Center for the To support an exhibition and MDS epidemic is being rep­ artist Thomas Struth. Performing and Visual accompanying catalogue resented in current American Reviewed by Panel B. Arts, Inc. titled "Reuse/Refuse," featur­ art. Reviewed by Panel B. 91-4442-0312 Jamaica, NY $15,000 ing the work of contempo­ 91-4442-0307 To support an exhibition and rary artists whose work deals Institute of Puerto Rican accompanying catalogue of with environmental issues ~ Indianapolis Museum Culture work by contemporary visual and problems. Reviewed by of Art San Juan, PR $7,500 artists of various cultural Panel B. 91-4442-0408 Indianapolis, IN To support the presentation backgrounds who incorpo­ TF $75,000* in San Juan of an exhibition rate text into their work. Honolulu Academy of Arts To support a touring exhibi­ of work by Juan Sanchez, Reviewed by Panel B. Honolulu, HI $40,680 tion and an accompanying organized by Exit Art, Inc., 91-4442-0279 To support an exhibition and catalogue on the images of of New York. Reviewed by accompanying catalogue power in American culture Panel B. 91-4442-0396

130 National Endowment for the Arts Japan Society, Inc. logue of the work of contem­ Light Work’s periodical the work of French artist New York, NY $20,000 porary artist Robert Levers. Contact Sheet. Reviewed by Georges Seurat (1859-1891). To support an exhibition and Reviewed by Panel B. Panel B. 91-4442-0379 Reviewed by Panel D. accompanying catalogue of 91-4442-0319 90-4442-0339 early Japanese ukiyo-e prints Long Beach Museum of Art *Funds for this grant were dating from 1680 to 1750. Laguna Gloria Art Foundation committed in FY90, but were Reviewed by Panel A. Museum, Inc. Long Beach, CA $25,000 not obligated until FY91; 91-4442-0292 Austin, TX $15,000 To support a touring exhibi­ therefore, the grant appears in To support a touring exhibi­ tion and accompanying cata­ both the 1990 and 1991 John and Mable Ringling tion and accompanying logue of contemporary art annual reports. Museum of Art Foundation catalogue of the work of that re-examines the War Sarasota, FL $20,000 Mexican-American artist Relocation Authority’s $r Metropolitan Museum To support a touring exhibi­ Carmen Lomas Garza. internment of Japanese- of Art tion and accompanying cata­ Reviewed by Panel B. American citizens during New York, NY $40,000 logue of the work of Ameri­ 91-4442-0372 World War II. Reviewed by To support an exhibition of can sculptor Jackie Ferrara. Panel B. 91-4442-0414 work by the Spanish painter Reviewed by Panel B. Laumeier Sculpture Park Juseppe de Ribera. Reviewed 91-4442-0432 St. Louis, MO $15,000 Long Island University by Panel A. 91-4442-0370 To support an exhibition and Brookville, NY $20,000 Joslyn Art Museum an accompanying brochure of To support a touring exhibi­ Metropolitan Museum Omaha, NE $30,000 the work of contemporary tion and accompanying cata­ of Art To support "Midlands artists Patrick Dougherty and logue of the work of contem­ New York, NY $70,000 Invitational 1992: Installa­ Susan Crowder. Reviewed by porary artist Nancy Gross­ TF $55,000 tion," an exhibition and Panel B. 91-4442-0354 man, organized by the To support an exhibition of accompanying catalogue pre­ university’s Hillwood Art art and archaeological arti­ senting contemporary art of Lehman College Art Museum. Reviewed by facts from the ancient city of the region. Reviewed by Gallery, Inc. Panel B. 91-4442-0463 Susa, drawn from the collec­ Panel B. 91-4442-0283 Bronx, NY $7,500 tions of the Departement des To support an exhibition and Los Angeles Contemporary Antiquites Orientales at the Joslyn Art Museum accompanying catalogue of Exhibitions, Inc. Musee du Louvre. Reviewed Omaha, NE $10,000 the work of contemporary Los Angeles, CA $7,500 by Panel A. 91-4442-0373 To support the presentation Chilean artist Catalina Parra. To support an exhibition and of"The Landscape in 20th­ Reviewed by Panel B. accompanying catalogue of Metropolitan Museum Century American Art: Selec­ 91-4442-0377 work by contemporary artists of Art tions from the Metropolitan who use the idea of the New York, NY TF $50,000 Museum of Art," an exhibi­ ~r Leigh Yawkey Woodson museum as the subject and To support an exhibition tion being circulated by the Art Museum, Inc. structure of their work. of the work of Italian Renais­ American Federation of Arts, Wausau, WI $25,000 Reviewed by Panel B. sance painter Andrea Man­ New York. Reviewed by To support a touring exhibi­ 91-4442-0460 tegna (1431-1506). Reviewed Panel B. 91-4442-0284 tion and accompanying cata­ by Panel A. 91-4442-0395 logue exploring the use of Maryland Institute Laguna Art Museum animal imagery in American Baltimore, MD $15,000 Mexican Fine Arts Center Laguna Beach, CA $7,500 figurative art over the past To support an exhibition of Chicago, IL $25,000 To support the planning of ten years. Reviewed by contemporary art addressing To support an exhibition and an exhibition of paintings by Panel B. 91-4442-0334 the issue of terrorism. accompanying catalogue of John McLaughlin. Reviewed Reviewed by Panel B. pre-Columbian art. Reviewed by Panel B. 91-4442-0362 Light Work Visual 91-4442-0443 by Panel A. 91-4442-0318 Studies, Inc. Laguna Gloria Art Syracuse, NY $12,000 ~ Metropolitan Museum Mexican Museum Museum, Inc. To support an ongoing series of Art San Francisco, CA $20,000 Austin, TX $7,500 of small-scale exhibitions of New York, NY To support an exhibition and To support a touring exhibi­ work by emerging photogra­ TF $125,000" accompanying catalogue of tion and accompanying catao phers and the publication of To support an exhibition of the work of Mexican artist

1991 Annual Report 131 Leonora Carrington. Minnesota Center for tion and accompanying cata­ 1850." Reviewed by Panel D. Reviewed by Panel B. Book Arts logue of the work of contem­ 90-4442-0435 91-4442-0480 Minneapolis, MN $10,000 porary artist Dan Graham, *Funds for this grant were To support a touring exhibi­ organized by the Goldie committed in FY90, but were Miami-Dade Community tion and accompanying cata­ Paley Gallery at the college. not obligated until FY91; College logue of artists’ books that Reviewed by Panel B. therefore, the grant appears in Miami, FL $5,000 address issues concerning the 91-4442-0454 both the 1990 and 1991 To support the presentation environment. Reviewed by annual reports. at Miami-Dade Community Panel B. 91-4442-0473 Moore College of Art and College of the exhibition and Design Museum Associates accompanying catalogue of Minnesota Historical Philadelphia, PA $20,000 Los Angeles, CA "Pedro Mendez: In His Time Society To support an exhibition and TF $35,000* 1902 to 1990," organized by St. Paul, MN TF $25,000 accompanying catalogue of To support an exhibition of the Museo de Arte de Ponce, To support an exhibition and work by contemporary artist the work of Los Angeles Puerto Rico. Reviewed by accompanying catalogue of Pat Ward Williams, orga­ ceramist Adrian Saxe at the Panel B. 91-4442-0478 works of art that were for­ nized by the Goldie Paley Los Angeles County Museum merly in the collection of Gallery at the college. of Art. Reviewed by Panel A. ~" Milwaukee Art James J. Hill. Reviewed by Reviewed by Panel B. 91-4442-0459 Museum, Inc. Panel A. 91-4442-0471 91-4442-0455 *No funds were obligated dur­ Milwaukee, WI $35,000 ing FY91. To support a touring exhibi­ Minnesota Museum of Art Museum Associates tion and accompanying cata­ St. Paul, MN $8,000 Los Angeles, CA $75,000 Museum Associates logue of the work of contem­ To support the planning To support an exhibition at Los Angeles, CA porary artist Jac!de Winsor. phase of an exhibition of the the Los Angeles County TF $50,000* Reviewed by Panel B. work of Luigi Lucioni. Museum of Art and accom­ To support a touring exhibi­ 91-4442-0436 Reviewed by Panel A. panying catalogue examining tion and accompanying cata­ 91-4442-0374 the relationship between the logue exploring the definition Minneapolis Society of work of modern and contem­ of modernism in American Fine Arts Minnesota Museum of Art porary "mainstream" artists sculpture during the period Minneapolis, MN St. Paul, MN $10,000 and that of visionary "out­ 1890 to 1945 at the Los TF $75,000 To support the presentation sider" artists. Reviewed by Angeles County Museum of To support a touring exhibi­ in St. Paul of "Cuba/USA: Panel A. 91-4442-0387 Art. Reviewed by Panel A. tion and accompanying cata­ The First Generation," an 91-4442-0405 logue of the pictorial art of exhibition organized by ~r Museum Associates *No funds were obligated the Plains Indians at the Fondo del Sol, Washington, Los Angeles, CA $100,000 during FY91. Minneapolis Institute of Arts. DC. Reviewed by Panel B. To support a touring exhibi­ Reviewed by Panel A. 91-4442-0464 tion and accompanying cata­ Museum of Contemporary 91-4442-0368 logue titled "The American Art, Chicago Montana State Discovery of Ancient Egypt," Chicago, IL $15,000 Minneapolis Society of University organized by the Los Angeles To support "Options," an Fine Arts Bozeman, MT $5,000 County Museum of Art. ongoing series of small-scale Minneapolis, MN $10,000 To support an exhibition and Reviewed by Panel A. exhibitions of contemporary To support the planning accompanying catalogue of 91-4442-0423 art and accompanying bro­ phase of an exhibition of work by Montana sculptors, chures. Reviewed by Panel B. tramp art, a folk craft genre organized by the university’s Museum Associates 91-4442-0469 of utilitarian wooden objects Haynes Fine Arts Gallery. Los Angeles, CA produced in America be­ Reviewed by Panel B. TF $50,000* Museum of Contemporary tween 1870 and 1940, at the 91-4442-0458 To support an exhibition at Art, Los Angeles Minneapolis Institute of Arts. the Los Angeles County Los Angeles, CA $55,000 Reviewed by Panel A. ~ Moore College of Art Museum of Art and an To support an exhibition and 91-4442-0419 and Design accompanying catalogue accompanying catalogue Philadelphia, PA $35,000 titled "Dress, Art, and examining the evolution of To support a touring exhibi­ Culture in Japan, 1600­ Pop Art painting from 1955

132 National Endowment for the Arts to 1962. Reviewed by a~uent. Reviewed by exhibitions of contemporary art, organized by the univer­ Panel B. 91-4442-0450 Panel B. 91-4442-0462 art, and accompanying sity’s Visual Arts Program. brochures. Reviewed by Reviewed by Panel A. Museum of Fine Arts, Museum of New Mexico Panel B. 91-4442-0442 91-4442-0277 Boston Foundation Boston, MA $20,000 Santa Fe, NM $15,000 New England Foundation ~ Northwestern University To support the presentation To support an exhibition and for the Arts Evanston, IL $35,000 at the Museum of Fine Arts accompanying brochure fea­ Cambridge, MA $20,000 To support a touring exhibi­ of"The Drawings of Fra turing a new collaborative To support the foundation’s tion and accompanying cata­ Bartolommeo," an exhibition installation by Meridel Exhibition Touring Program logue surveying the work of drawn from and organized by Rubenstein, Steina and and accompanying brochures Austrian artists forced into the Museum Boymans-van Woody Vasulka, and Ellen and catalogues. Reviewed by exile in America by the Beuningen in Rotterdam. Zweig, organized by the Panel B (Overview Panel) annexation of Austria by Reviewed by Panel A. Museum of Fine Arts. under Conservation. Germany, organized by the 91-4442-0348 Reviewed by Panel B. 91-4442-0494 university’s Mary and Leigh 91-4442-0448 Block Gallery. Reviewed by ~r Museum of Fine Arts, New Museum of Panel A. 91-4442-0486 Houston ~r Museum of Contemporary Art Houston, TX TF $80,000 Photographic Arts New York, NY $20,000 Oakland Museum/Museum To support the touring exhi­ San Diego, CA $20,000 To support an exhibition and of California Foundation bition "Art, Arms, and To support a touring exhibi­ accompanying catalogue of Oakland, CA $15,000 Armor: Treasures from the tion and accompanying cata­ work by artists exploring To support the presentation Styrian Armory in Graz, logue of the work of photog­ developments in the field of in Oakland of"Objects of Austria," and an accompany­ rapher Josep Renan. installations concerned with Myth and Memory: Ameri­ ing catalogue. Reviewed by Reviewed by Panel B. the nature of space. Reviewed can Indian Art at the Brook­ Panel A. 91-4442-0353 91-4442-0461 by Panel B. 91-4442-0475 lyn Museum," an exhibition organized by the Brooklyn Museum of Fine Arts, National Center of Afro- New Museum of Museum. Reviewed by Houston American Artists, Inc. Contemporary Art Panel B. 91-4442-0483 Houston, TX $60,000 Boston, MA $10,000 New York, NY $30,000 To support an exhibition and To support an exhibition and To support an exhibition and Ohio State University accompanying catalogue sur­ accompanying catalogue of accompanying catalogue of Research Foundation veying the career of Arman. assemblages, mixed-media the work of Belgian artist Columbus, OH $15,000 Reviewed by Panel B. works and sculptures pro­ Marie-Jo Lafontaine. To support an installation of 91-4442-0457 duced over the last five years Reviewed by Panel B. new works by Charles Ray by black artists in the North­ 91-4442-0481 within the context of the Museum of Modern Art east. Reviewed by Panel B. Wexner Center for the Arts’ New York, NY $60,000 91-4442-0447 North Carolina Museum of 400-foot ramp corridor. To support an exhibition and Art Foundation, Inc. Reviewed by Panel B. accompanying catalogue of National Museum of Raleigh, NC $35,000 91-4442-0453 site-specific installations and Women in the Arts, Inc. To support a touring exhibi­ sculpture entitled "Dis-loca Washington, DC $20,000 tion and accompanying cata­ Philadelphia Museum of Art tions." Reviewed by Panel B. To support an exhibition and logue of the work of Ameri­ Philadelphia, PA $20,000 91-4442-0451 accompanying catalogue of can artist Jasper F. Cropsey To support a touring exhibi­ the work of contemporary (1823-1900). Reviewed by tion and accompanying cata­ ¢z Museum of Modern Art artist Carrie Mae Weems. Panel A. 91-4442-0321 logue of the work of German New York, NY $25,000 Reviewed by Panel B. photographer Albert Renger- To support a touring exhibi­ 91-4442-0371 ¢r North Carolina State Patzsch. Reviewed by tion and accompanying cata­ University Panel A. 91-4442-0303 logue of work by American Nelson Gallery Foundation Raleigh, NC $20,000 photographers whose work Kansas City, MO $20,000 To support a touring exhibi­ ~" Philadelphia Museum addresses the domestic life of To support "Horizons," an tion and accompanying cata­ of Art the middle class and the ongoing series of small-scale logue of contemporary fiber Philadelphia, PA $90,000

1991 Annual Report 133 To support the touring exhi­ ~ Pierpont Morgan Library Research Foundation a catalogue examining the bition "Loves of the Gods: New York, NY TF $85,000* of State University of formal, thematic, and sym­ French Mythological Paint­ To support an exhibition and New York bolic conjunction between ing from Watteau to David," accompanying catalogue of Albany, NY $7,500 sport, photography, and cul­ being organized in collabora­ the drawings of Sir Anthony To support an exhibition and ture in the United States, tion with the Kimbell Art van Dyck. Reviewed by accompanying catalogue of Europe, and Russia since the Museum, Fort Worth, Texas, Panel D. 90-4442-0400 the work of American artist late 19th century. Reviewed and the Reunion des Musees *Funds for this grant were Howardena Pindell, orga­ by Panel B. 91-4442-0359 Nationaux. Reviewed by committed in FY90, but were nized by the Roland Gibson Panel A. 91-4442-0304 not obligated until FY91; Gallery at SUNY College at ~ Robert W. Woodruff therefore, the grant appears in Potsdam. Reviewed by Arts Center, Inc. Philadelphia Museum of Art both the 1990 and 1991 Panel B. 91-4442-0445 Atlanta, GA TF $60,000 Philadelphia, PA annual reports. To support a touring exhibi­ TF $25,000 Rhode Island School of tion and accompanying cata­ To support an exhibition and ~ Regents of the University Design logue of the work of Max accompanying catalogue of of Michigan Providence, RI $5,000 Weber created between 1910 drawings by German artist Ann Arbor, MI $25,000 To support the presentation and 1920, organized by the Joseph Beuys (1921-1986). To support a touring exhibi­ at the Museum of Art of High Museum of Art. Reviewed by Panel B. tion and accompanying cata­ "African Improvisation: Reviewed by Panel B. 91-4442-0441 logue of the prints and draw­ Textiles from the Collection 91-4442-0364 ings of contemporary artist of the Indianapolis Museum ~r Phillips Academy Sylvia Plimack Mangold. of Art," an exhibition orga­ Robert W. WoodruffArts Andover, MA $45,000 Reviewed by Panel B. nized by the Indianapolis Center, Inc. To support a touring exhibi­ 91-4442-0482 Museum of Art. Reviewed by Atlanta, GA $10,000 tion and accompanying cata­ Panel B. 91-4442-0435 To support exhibitions and logue of American photogra­ Renaissance Society at the accompanying catalogues of phy based on the Addison University of Chicago Roanoke Museum of work by contemporary artists Gallery’s collection of 19th­ Chicago, IL $15,000 Fine Arts Jorge Tada and Barbara Ess, century motion study pho­ To support an exhibition and Roanoke, VA $5,000 organized by the High tographs by Eadweard accompanying catalogue of To support an exhibition and Museum of Art. Reviewed by Muybridge. Reviewed by the work of German artist accompanying brochure of Panel B. 91-4442-0394 Panel A. 91-4442-0287 Isa Genzken. Reviewed by the work of North Carolina Panel B. 91-4442-0465 artist Patrick Dougherty. San Antonio Museum Phoenix Art Museum Reviewed by Panel B. Association, Inc. Phoenix, AZ TF $65,000 Renaissance Society at the 91-4442-0472 San Antonio, TX $35,000 To support "The Art of University of Chicago To support a touring exhibi­ Seeing: John Ruskin and the Chicago, IL $7,500 Roanoke Museum of tion and accompanying cata­ Victorian Eye," a touring To support an exhibition and Fine Arts logue of work by contempo­ exhibition and accompanying accompanying catalogue of Roanoke, VA $8,800 rary Texas artists who use catalogue of 19th-century the still life paintings by artist To support an exhibition and appropriated materials to British art from about 1840 Gaylen Gerber. Reviewed by accompanying catalogue of transform images and objects to 1880. Reviewed by Panel B. 91-4442-0466 work by artists from Wash­ from popular culture into Panel A. 91-4442-0313 ington, DC, and Virginia visual and conceptual Renaissance Society at the who employ geometric or metaphors. Reviewed by Photographic Resource University of Chicago quasi-geometric abstract Panel B. 91-4442-0438 Center, Inc. Chicago, IL $20,000 forms in their work. Review­ Boston, MA $10,000 To support an exhibition and ed by Panel B. 91-4442-0474 San Diego Museum of To support a site-specific accompanying catalogue of Contemporary Art photographic installation by the work of California artist Robert W. WoodruffArts La Jolla, CA $25,000 Polish artist Wieslaw Maria Nordman. Reviewed Center, Inc. To support a touring exhibi­ Brzoska, otherwise known as by Panel B. 91-4442-0476 Atlanta, GA $35,000 tion and accompanying cata­ Vistan. Reviewed by Panel B. To support an exhibition at logue of work by artist 91-4442-0456 the High Museum of Art and

134 National Endowment for the Arts Robert Cumming. Reviewed San Jose Museum of Art Seattle Art Museum Trustees of Amherst College by Panel B. 91-4442-0409 Association Seattle, WA $20,000 Amherst, MA $10,000 San Jose, CA $10,000 To support an exhibition and To support the presentation San Diego Museum of To support an exhibition and accompanying brochure of at the Mead Art Museum of Contemporary Art accompanying catalogue of the work of photographers "Photography in Nineteenth- La Jolla, CA $30,000 photography by artist Larry Cristina Garcia Rodero, Century America," an exhibi­ To support "Parameters," an Sultan. Reviewed by Panel B. Graciela Iturbide, and Paz tion organized by the Amon ongoing series of exhibitions 91-4442-0384 Errazuriz. Reviewed by Carter Museum, Fort Worth, of contemporary art and Panel B. 91-4442-0429 TX. Reviewed by Panel B. accompanying brochures. San Jose Museum of Art 91-4442-0291 Reviewed by Panel B. Association Smith College 91-4442-0410 San Jose, CA $20,000 Northampton, MA $15,000 ~r Trustees of Dartmouth To support "Directions," an To support a series of instal­ College San Francisco Crafts and ongoing series of small, one- lation projects at the Hanover, NH $45,000 Folk Art Museum person exhibitions of con­ Museum of Art by contem­ To support an exhibition at San Francisco, CA $10,000 temporary art and accompa­ porary artists addressing the the Hood Museum of Art To support an exhibition of nying brochures. Reviewed historical event of Columbus’ and an accompanying cata­ Chinese household furniture by Panel B. 91-4442-0385 arrival in the Americas. logue titled "The Age of the from the late Ming and early Reviewed by Panel B. Marvelous," which will Ching dynasties. Reviewed Santa Barbara 91-4442-0324 explore the phenomenon of by Panel A. 91-4442-0366 Contemporary Arts the marvelous in the culture Forum, Inc. ~r Southeastern Center for of 16th- and 17th-century San Francisco Museum of Santa Barbara, CA $5,000 Contemporary Art Europe. Reviewed by Modern Art To support the presentation Winston-Salem, NC Panel A. 91-4442-0294 San Francisco, CA $50,000 of an exhibition of works by $60,000 To support a touring exhibi­ native American artist To support a touring exhibi­ ~r Trustees of Dartmouth tion and accompanying cata­ Jimmie Durham, organized tion and accompanying cata­ College logue of the work of contem­ by Exit Art, New York. logue of contemporary artist Hanover, NH $45,000 porary Italian artist Luciano Reviewed by Panel B. Terry Allen’s "Youth in Asia" To support a touring exhibi­ Fabro. Reviewed by Panel B. 91-4442-0392 series. Reviewed by Panel B. tion and accompanying bro­ 91-4442-0322 91-4442-0330 chure titled "Goddess and Santa Barbara Polis: The Panathenaic San Francisco Museum of Contemporary Arts Storm King Art Center Festival in Ancient Athens," Modern Art Forum, Inc. Mountainville, NY $20,000 organized by the Hood San Francisco, CA $15,000 Santa Barbara, CA $10,000 To support an exhibition and Museum of Art. Reviewed by To support the presentation To support an exhibition and accompanying catalogue of Panel A. 91-4442-0306 of an exhibition of the work accompanying catalogue of work by contemporary artist of Stuart Davis (1892-1964), several installation projects by Ursula yon Rydingsvard. Trustees of the Corcoran organized by the Metropoli­ contemporary artist Kathryn Reviewed by Panel B. Gallery of Art tan Museum of Art. Review­ Clark. Reviewed by Panel B. 91-4442-0413 Washington, DC $20,000 ed by Panel B. 91-4442-0449 91-4442-0470 To support "Gallery One," Studio Museum in an ongoing series of exhibi­ San Jose Museum of Art Santa Monica Museum Harlem, Inc. tions of contemporary art, Association of Art New York, NY $100,000 and accompanying publica­ San Jose, CA $30,000 Santa Monica, CA $5,000 To support an exhibition and tions. Reviewed by Panel B. To support a touring exhibi­ To support the presentation accompanying catalogue of 91-4442-0296 tion and accompanying cata­ of an exhibition of the work the work ofWifredo Lam logue of drawings by Ameri­ of Robert Tannen, organized (1902-1982) and his contem­ Trustees of the Corcoran can and European artists by the Contemporary Arts poraries. Reviewed by Gallery of Art of the 1970s and 1980s. Center, New Orleans. Panel A. 91-4442-0349 Washington, DC $15,000 Reviewed by Panel B. Reviewed by Panel B. To support the 42nd Bien­ 91-4442-0383 91-4442-0424 nial Exhibition of Contem­ porary American Painting

1991 Annual Report 135 and an accompanying cata­ accompanying catalogue of Reviewed by Panel A. University of Southern logue. Reviewed by Panel B. the work of artist Charmion 91-4442-0444 California 91-4442-0298 von Wiegand (1896-1983). Los Angeles, CA $20,000 Reviewed by Panel A. University of Miami To support an exhibition at University of California-­ 91-4442-0285 Coral Gables, FL $20,000 the Fisher Gallery and an Berkeley To support an exhibition and accompanying catalogue of Berkeley, CA $10,000 University of Hawaii at accompanying catalogue of work by contemporary To support the presentation Manoa the work of sculptor Deborah Leningrad artists who are at the University Art Muse­ Honolulu, HI $14,400 Butterfield organized by the known as the Friends of um of "Africa Explores: New To support a touring exhibi­ Lowe Art Museum. Reviewed Mayakovsky Club. Reviewed and Renewed Forms in 20th­ tion at the art gallery and an by Panel B. 91-4442-0437 by Panel B. 91-4442-0487 Century African Art," an accompanying catalogue of exhibition organized by the contemporary baskets by University of Missouri-- University of Utah Center for African Art, New nationally recognized fiber St. Louis Salt Lake City, UT $7,500 York. Reviewed by Panel B. artists whose work has been St. Louis, MO $10,000 To support the presentation 91-4442-0297 influenced and inspired by To support an exhibition and at the Utah Museum of Fine traditional basketry. accompanying catalogue of Arts of the "28th Ceramics University of California-­ Reviewed by Panel A. recent work by San Francisco National Exhibition," orga­ Berkeley 91-4442-0416 sculptor Alan Rath. Reviewed nized by the Everson Muse­ Berkeley, CA $35,000 by Panel B. 91-4442-0434 um of Art in Syracuse, New To support "Matrix," an University of Houston-­ York. Reviewed by Panel B. ongoing series of small-scale University Park University of Pennsylvania 91-4442-0325 exhibitions of contemporary Houston, TX $12,500 Philadelphia, PA $35,000 art, at the University Art To support the presentation To support an exhibition and ~ University of Museum. Reviewed by at the Blaffer Gallery of accompanying catalogue of a Wisconsin--Madison Panel B. 91-4442-0433 "Mike and Doug Starn new video installation titled Madison, WI $20,000 1985-1990," an exhibition "Slowly Turning Narrative," To support a touring exhibi­ University of California-­ organized by the Contem­ by American artist Bill Viola tion organized by the Elveh­ Los Angeles porary Arts Center of at the university’s Institute of jem Museum of Art and an Los Angeles, CA $7,500 Cincinnati, Ohio. Reviewed Contemporary Art. Reviewed accompanying catalogue of To support the presentation by Panel A. 91-4442-0363 by Panel A. 91-4442-0343 American color woodcut at the Wight Art Gallery of printmaking from 1890 to "Romare Bearden: A University of Illinois-­ University of South Florida 1990. Reviewed by Panel A. Retrospective," an exhibition Champaign County Tampa, FL $15,000 91-4442-0301 organized by the Studio Urbana, IL $20,000 To support an exhibition Museum in Harlem, New To support an exhibition and organized by the Contempo­ University of Wisconsin-­ York. Reviewed by Panel B. accompanying catalogue of rary Art Museum and an Madison 91-4442-0425 the work of German artist accompanying catalogue of a Madison, WI $20,000 Hans Richter (1888-1976) at new series of interior sculp­ To support an exhibition at ~ University of Georgia the Krannert Art Museum. tures and drawings by con­ the Elvehjem Museum of Art Athens, GA $35,000 Reviewed by Panel A. temporary artist Elyn and an accompanying cata­ To support a touring exhibi­ 91-4442-0332 Zimmerman. Reviewed by logue of the work of sculptor tion and accompanying cata­ Panel B. 91-4442-0340 Richard Artschwager. logue of paintings and draw­ University of Kansas Main Reviewed by Panel B. ings by Elaine de Kooning Campus University of Southern 91-4442-0302 organized by the Georgia Lawrence, KS $40,000 California Museum of Art. Reviewed by To support the publication of Los Angeles, CA $25,000 ¢r Wadsworth Atheneum Panel B. 91-4442-0355 a catalogue to accompany an To support an exhibition at Hartford, CT $30,000 exhibition titled "Les XX and the Fisher Gallery and an To support an exhibition and University of Hartford the Belgian Avant Garde: accompanying catalogue of accompanying catalogue of West Hartford, CT $12,700 Prints, Drawings, and Books, contemporary Brazilian art. the work of Richmond To support an exhibition at circa 1890," organized by the Reviewed by Panel B. Barthe. Reviewed by Panel B. the Joseloff Gallery and an Spencer Museum of Art. 91-4442-0390 91-4442-0382

136 National Endowment for the Arts Wadsworth Atheneum Posters, 1967-1990," an with the Wexner Center for Presentation of Hartford, CT $30,000 exhibition organized by the the Arts at Ohio State To support "Matrix," an Achenbach Foundation for University, Columbus. Collections ongoing series of small-scale the Graphic Arts at the Fine Reviewed by Panel B. exhibitions of contemporary Arts Museums of San 91-4442-0488 To help organizations make art, and accompanying Francisco. Reviewed by greater use of museum collec­ brochures. Reviewed by Panel B. 91-4442-0337 Worcester Art Museum tions and other resources pri­ Panel B. 91-4442-0397 Worcester, MA- $20,000 marily of artistic significance. White Columns, Inc. To support "Insights," an Walker Art Center, Inc. New York, NY $8,000 ongoing series of small-scale 49 Grants Minneapolis, MN $30,000 To support an exhibition and exhibitions of contemporary Program Funds: $1,549,300 To support an exhibition and accompanying catalogue of art, and accompanying accompanying brochure of recent abstract painting by brochures. Reviewed by Advisory Panel the work of Ann Hamilton emerging artists from around Panel B. 91-4442-0360 and David Ireland. Reviewed the country. Reviewed by Hilarie Faberman by Panel A. 91-4442-0411 Panel B. 91-4442-0317 ~ Yale University Curator, Western Art New Haven, CT University of Michigan Walker Art Center, Inc. White Columns, Inc. TF $50,000 Museum of Art Minneapolis, MN $25,000 New York, NY $8,000 To support a touring exhibi­ Ann Arbor, MI To support "Viewpoints," an To support an exhibition and tion to be organized by the ongoing series of small-scale accompanying catalogue of Yale Center for British Art Maria Morris Hambourg exhibitions of contemporary work by younger emerging and an accompanying cata­ Associate Curator, art, and accompanying artists whose work celebrates logue of British landscape brochures. Reviewed by and dramatizes the common Department of Prints and painting in watercolor from Photographs Panel B. 91-4442-0420 aspects of daily life. Reviewed 1840 to the end of the centu­ by Panel B. 91-4442-0489 ry. Reviewed by Panel A. Metropolitan Museum of Art New York, NY Washington Project for the 91-4442-0320 Arts, Inc. Whitney Museum of Washington, DC $20,000 American Art Natalie Henderson Lee Yale University Art Historian/Former To support an exhibition and New York, NY $35,000 New Haven, CT $75,000 accompanying book of the To support an exhibition of Member, Board of To support an exhibition and Trustees work of contemporary artist the work of contemporary accompanying catalogue of Dallas Art Museum Francesc Torres. Reviewed by artist Alexis Smith. Reviewed the work of Eva Hesse to be Dallas, TX Panel B. 91-4442-0361 by Panel B. 91-4442-0393 organized by the Yale Univer sity Art Gallery. Reviewed by Peter P. Morrin Whatcom Museum Williams College Panel B. 91-4442-0347 Director Society, Inc. Williamstown, MA $20,000 J. B. Speed Art Museum Bellingharn, WA $25,000 To support an exhibition at ~ Yale University Louisville, KY To support an exhibition and the Museum of Art and an New Haven, CT accompanying catalogue trac­ accompanying brochure of TF $55,000* ing the history of the Pil­ Vasundhara Prabhu installations by artists of dif­ To support an exhibition and Director, Education chuck School over the past ferent cultural backgrounds accompanying catalogue of Museum of Contemporary 20 years and assessing its who use the altar as the dom­ Richard Parkes Bonington impact on the studio glass inant format for their work. Art, Los Angeles (1802-1828) at the Yale Los Angeles, CA movement in the United Reviewed by Panel B. Center for British Art. States. Reviewed by Panel A. 91-4442-0346 Reviewed by Panel D. Beth B. Schneider 91-4442-0336 90-4442-0362 Williams College *Funds for this grant were Director, Education Whatcom Museum Williamstown, MA $20,000 committed in FY90, but were Department Society, Inc. To support an exhibition and not obligated until FY91; Museum of Fine Arts, Bellingham, WA 55,000 accompanying catalogue of therefore, the grant appears in Houston To support the presentation the work of Kiki Smith to be both the 1990 and 1991 Houston, TX of"Rupert Garcia: Prints and organized in collaboration annual reports.

1991 Annual Report 137 Hollister Sturges III of the Brooklyn Museum’s Colorado Springs Fine Arts 18th- and 19th-century Director collection ofAndean Paracas Center American paintings, draw­ Museum of Fine Arts/George textiles. 91-4446-0052 Colorado Springs, CO ings, and prints related to Walter Vincent Smith Art $45,000 Washington Irving. Museum Brooklyn Institute of Arts To support the reinstallation 91-4446-0137 Springfield, MA and Sciences of the Southwestern galleries Brooklyn, NY $90,000 of the Taylor Museum for Indianapolis Museum of Grants To support a touring exhibi­ Southwestern Studies. Art, Inc. tion, catalogue, and related 91-4446-0108 Indianapolis, IN $40,000 ~z Denotes Grants Having educational programming To support the first major National Impact drawn from the Brooklyn Columbus Museum, Inc. reinstallation of the muse­ Museum’s Stewart Culin Columbus, GA $12,000 um’s contemporary collection American Crafts Council Collection of American To support a collection-shar­ in expanded galleries. New York, NY $35,000 Indian art. 91-4446-0115 ing project between the 91-4446-0130 To support a series of exhibi­ Columbus Museum, the tions and related education Cedar Rapids Art Metropolitan Museum of ~z International Museum programs at the American Association Art in New York, and the of Photography at George Craft Museum that investi­ Cedar Rapids, IA $15,000 National Museum of Ameri­ Eastman House gate the evolution of tech­ To support a collection-shar­ can Art in Washington, DC. Rochester, NY $17,000 nique and aesthetic in con­ ing project between the 91-4446-0097 To support up to four travel­ temporary American craft. Cedar Rapids Museum of Art ing exhibitions intended to 91-4446-0114 and the Guggenheim Denver Art Museum, Inc. serve small museums, univer­ Museum. 91-4446-0107 Denver, CO $40,000 sity galleries, libraries, and Art Institute of Chicago To support the first major other suitable community Chicago, IL $14,600 Center for Puppetry exhibition of the museum’s sites nationwide. To support a series of exhibi­ Arts, Inc. contemporary collection of 91-4446-0135 tions drawn from the perma­ Atlanta, GA $15,000 paintings, sculptures, and nent collection, each high­ To support the reinstallation photographs. 91-4446-0124 Joslyn Art Museum lighting a different curatorial of the center’s international Omaha, NE $18,000 department. 91-4446-0120 collection of puppets and the Founders Society, Detroit To support the final phase publication of an accompa­ Institute of Arts of renovation of exhibition Asian Art Museum nying catalogue. Detroit, MI $30,000 galleries at the museum. Foundation of San Francisco 91-4446-0117 To support an exhibition and 91-4446-0101 San Francisco, CA $45,000 accompanying catalogue of To support the reinstallation Cincinnati Museum European ecclesiastical tex­ Mexican Museum of the museum’s Chinese gal­ Association tiles, drawn from the perma­ San Francisco, CA $25,000 leries. 91-4446-0121 Cincinnati, OH $40,000 nent collection, dating from To support an exhibition and To support a traveling exhi­ 1300 to 1900.91-4446-0099 accompanying catalogue of ~r Asian Art Museum bition and catalogue of cos­ contemporary Mexican- Foundation of San Francisco tumes in the permanent col­ Friends of Walter American artists in the San San Francisco, CA $35,000 lection from the Victorian Anderson, Inc. Francisco Bay Area. To support a touring exhibi­ and Edwardian eras. Ocean Springs, MS $35,000 91-4446-0109 tion and related educational 91-4446-0098 To support the reinstallation programming exploring the of the Walter Anderson Michigan State University fundamental components of Colonial Williamsburg Museum of Art’s collection East Lansing, MI $15,000 Asian brush painting. Foundation of paintings, prints, draw­ To support the Traditional 91-4446-0136 Williamsburg, VA $65,000 ings, furniture, and pottery Arts Program’s series of exhi­ To support the reinstallation by Walter Anderson. bitions and related educa­ Brooklyn Institute of Arts of a portion of the Abby 91-4446-0143 tional materials to travel at and Sciences Aldrich Rockefeller Folk Art low rental fees to various sites Brooklyn, NY $30,000 Center’s collection in a new Historic Hudson Valley in the Michigan area. To support the reinstallation wing of the center. Tarrytown, NY $25,000 91-4446-0106 and accompanying brochure 91-4446-0102 To support an exhibition of

138 National Endowment for the Arts Mingei International, Inc. To support a collection- To support the reinstallation of one of the center’s outdoor San Diego, CA $20,000 sharing project between the of the museum’s medieval art "green galleries." To support the organization Museum of Fine Arts and the gallery. 91-4446-0111 91-4446-0126 of a traveling exhibition of Guggenheim Museum. Palestinean embroidery and 91-4446-0129 Smith College Texas Fine Arts Association adornment. 91-4446-0112 Northampton, MA $15,000 Austin, TX $12,000 Museum of the City of To support an exhibition at To support a touring pro­ Minnesota Museum of Art New York the Smith College Museum gram of exhibitions of con­ St. Paul, MN $30,000 New York, NY $30,000 of Art of Rufino Tamayo, temporary art that will travel To support a consortium of To support an exhibition and one of the most noted Mexi­ to smaller museums and uni at least five regional museums symposium using the muse­ can painters of the 20th cen­ versity and community gal­ in the planning of a touring um’s permanent collection of tury, highlighting a mural leries in Texas. exhibition of American art Currier and Ives prints. created for the Smith College 91-4446-0095 drawn from their permanent 91-4446-0103 Art Library in 1943. collections. 91-4446-0131 91-4446-0119 Toledo Museum of Art Oregon Arts Commission Toledo, OH $95,000 Montdair Art Museum Salem, OR $12,000 Solomon R. Guggenheim To support reinstallation and Montclair, NJ $21,200 To support a program of Foundation interpretation of the muse­ To support the exhibition low-cost touring exhibitions New York, NY $40,000 um’s collection of European "The American Scene" and to serve smaller cultural insti­ To support the reinstallation art from the Middle Ages to related educational programs. tutions in the region. of the Justin K. Thannhauser the present, as well as African 91-4446-0096 91-4446-0271 Collection of Impressionist and Asian art. 91-4446-0128 and Post-Impressionist paint­ Museum of Fine Arts, Philbrook Museum of ings, sculptures, and works University of Arizona Boston Art, Inc. on paper. 91-4446-0141 Tucson, AZ $20,000 Boston, MA $125,000 Tulsa, OK $40,000 To support an exhibition of To support an exhibition and To support the reinstallation Springfield Library and photographs from the collec­ accompanying catalogue of of the museum’s Samuel Museums Association tion of Ansel and Virginia Andean textiles from the Kress collection and related Springfield, MA $20,000 Adams at the Center for permanent collection. holdings of Italian painting To support the reinstallation Creative Photography. 91-4446-0113 and sculpture dating from of the Museum of Fine Arts’s 91-4446-0134 the 14th through the 18th collection of American art Museum of Fine Arts, centuries. 91-4446-0100 dating from 1900 to 1945. University of Miami Houston 91-4446-0123 Coral Gables, FL $20,000 Houston, TX $50,000 Plains Art Museum To support a touring exhibi­ To support reinstallation of Fargo, ND $8,000 Saint Louis Art Museum tion and catalogue ofpre- the Bayou Bend Collection To support a low-cost St. Louis, MO $45,000 Columbian ceramics, textiles, of decorative arts. touring exhibition of native To support planning for the and gold and silver objects 91-4446-0139 American weaving. reinstallation of the muse­ from the Lowe Art Museum’s 91-4446-0147 um’s African, Oceanic, and permanent collection. Museum of Fine Arts American galleries. 91-4446-0105 of Saint Petersburg, Regents of the University of 91-4446-0110 Florida, Inc. Colorado University of New Mexico St. Petersburg, FL $25,000 Boulder, CO $7,500 Saint Louis Art Museum Main Campus To support a collection-shar­ To support the University St. Louis, MO $12,000 Albuquerque, NM $10,000 ing project between the Art Gallery’s organization To support the reinstallation To support an exhibition of Museum of Fine Arts and the and touring of ten exhibi­ of the museum’s medieval art 100 years ofprintmaking in Metropolitan Museum of tions at low rental fees to gallery. 91-4446-0111 New Mexico organized by Art. 91-4446-0104 outlying areas in the state. the art museum. 91-4446-0133 Storm King Art Center 91-4446-0142 Museum of New Mexico Mountainville, NY $10,000 Foundation Saint Louis Art Museum To support the reinstallation Santa Fe, NM $20,000 St. Louis, MO $12,000

1991 Annual Report 139 University of North Advisory Panel large-scale metal sculptures in Lehman College Art Carolina at Chapel Hill the park. 91-4445-0093 Gallery, Inc. Chapel Hill, NC $75,000 Panelists on the Presentation Bronx, NY $17,500 To support the first major of Collections Panel reviewed Delaware Art Museum, Inc. To support an educational reinstallation of the Ackland grants in this category. Wilmington, DE $7,500 program for Bronx high Art Museum’s permanent To support and strengthen school students that examines collection. 91-4446-0125 Grants the museum’s docent train­ issues in contemporary art ing program. 91-4445-0082 and art making. University of South Florida ~r Denotes Grants Having 91-4445-0084 Tampa, FL $30,000 National Impact Hudson River Museum To support an exhibition and Yonkers, NY $5,000 Milwaukee Art catalogue of the Contempo­ Art Institute of Chicago To support the expansion Museum, Inc. rary Art Museum’s collection Chicago, IL $10,000 and enhancement of the Milwaukee, WI $17,000 of prints published by To support the production of museum’s docent training To support an outreach pro­ Graphicstudio at the a docent training manual for program. 91-4445-0075 gram for students in Milwau­ University of South Florida. the museum’s Asian art col­ kee public schools with par­ 91-4446-0138 lection. 91-4445-0080 Hudson River Museum ticular emphasis on middle Yonkers, NY $7,000 and high school levels. ~r Walker Art Center, Inc. Art Institute of Chicago To support up to two perma­ 91-4445-0122 Minneapolis, MN $30,000 Chicago, IL $25,000 nent exhibitions that will To support an exhibition of To support a program of dra­ make the museum’s collec­ Minneapolis Society of Fluxus and Fluxus-related matic presentations to inter­ tion accessible to blind and Fine Arts objects recently acquired by pret masterworks in the per­ visually impaired audiences. Minneapolis, MN $15,000 the center. 91-4446-0140 manent collection. 91-4445-0076 To support the publication of 91-4445-0086 a brochure on the institute’s Williams College Institute of Contemporary nine period rooms of 17th-, Williamstown, MA $20,000 Baltimore Museum of Art, Boston 18th-, and 19th-century To support an exhibition at Art, Inc. Boston, MA $25,000 American and European inte­ the Museum of Art of Baltimore, MD $25,000 To support an after-school riors. 91-4445-0078 Georgia O’Keeffe’s early To support the production program for children ages 9 work, a portion of her "oeu­ and installation of an interac­ through 13 from the city’s Museum of Fine Arts, vre" largely overlooked in tive video to provide greater underserved South End area. Houston previous exhibitions, as well access to the museum’s col­ 91-4445-0079 Houston, TX $18,000 as an accompanying cata­ lection of African art. To support an in-museum logue. 91-4446-0127 91-4445-0087 Laguna Gloria Art school education program for Museum, Inc. fifth graders. 91-4445-0089 Worcester Art Museum Davenport Museum of.Art Austin, TX $12,000 Worcester, MA $20,000 Davenport, IA $11,900 To support a children’s out­ Newark Museum To support the reinstallation To support the development reach program aimed at parts Association of the museum’s classical of an educational program of the community who do Newark, NJ $25,000 gallery. 91-4446-0132 for elementary and secondary not participate in museum To support an educational school students to introduce activities because of low exhibition for children and the concepts of form and income, disability, or dis­ adults based on the home Education content in regionalist art tance. 91-4445-0073 and lifestyle of an Egyptian using the museum’s extensive craftsman living during the To help organizations make collection. 91-4445-0091 Laumeier Sculpture Park New Kingdom period. greater use of their collections St. Louis, MO $10,000 91-4445-0074 and other resources and pro­ DeCordova Museum and To support the production of vide meaningful educational Sculpture Park up to two audio tours of the Oakland Museum/Museum programs for their audiences Lincoln, MA $18,000 sculpture park’s collection. of California Foundation and community. To support a project titled 91-4445-0090 Oakland, CA $10,000 25 Grants "Heavy Metal," designed to To support a series of advanced training workshops Program Funds: $367,400 interpret a key group of

140 National Endowment for the Arts for docents to increase their Saint Louis Art Museum Grants Bishop Museum responsiveness to the muse­ St. Louis, MO $10,000 Honolulu, HI $25,000 um’s rapidly growing multi­ To support an evaluation of Amon Carter Museum of To support the preparation cultural audience. the museum’s teacher train­ Western Art of a catalogue of the Ruth 91-4445-0077 ing program. 91-4445-0081 Fort Worth, TX $30,000 E. and Wallace M. Ruff To support research and Collection of Papua New Rutgers, The State ~r Studio Museum in preparation of a catalogue of Guinea ethnographic art. University of New Jersey Harlem, Inc. the museum’s collection of 91-4444-0048 Camden Campus New York, NY $25,000 sculpture by Charles M. Camden, NJ $10,000 To support the development Russell. 91-4444-0070 Brooklyn Institute of Arts To support the Stedman Art and distribution of a compre­ and Sciences Gallery’s development of hensive slide program on Art Institute of Chicago Brooklyn, NY $30,000 interdisciplinary classroom African-American art and Chicago, IL $12,000 To support the preparation materials that focus on con­ artists since World War II. To support the publication of a catalogue of the Brook­ cepts important to both the 91-4445-0088 of a catalogue documenting lyn Museum’s Nathan visual arts and mathematics. the institute’s collection Sturges Jarvis Collection 91-4445-0083 Trustees of Dartmouth of the Katsukawa School of of native American art. College Japanese printmakers. 91-4444-0116 Saint Louis Art Museum Hanover, NH $10,000 91-4444-0054 St. Louis, MO $10,000 To support the development Chrysler Museum, Inc. To support an evaluation of of an outreach program at Asian Art Museum Norfolk, VA $12,000 the museum’s teacher train­ the Hood Museum of Art to Foundation of San Francisco To support the preparation ing program. 91-4445-0081 introduce middle and secon­ San Francisco, CA $25,000 of a catalogue of the muse­ dary school students to the To support the preparation um’s Ricau Collection of San Diego Museum of visual arts. 91-4445-0071 of a catalogue of the muse­ Neoclassic American Contemporary Art um’s early Chinese ceramics. Sculpture. 91-4444-0026 La Jolla, CA $10,000 University of California-­ 91-4444-0065 To support a series of work Berkeley Cincinnati Museum shops designed to make con­ Berkeley, CA $16,000 Baltimore Museum of Association temporary art more accessible To support the development Art, Inc. Cincinnati, OH $15,000 to elementary school chil­ and to research the effective­ Baltimore, MD $12,500 To support the documenta­ dren. 91-4445-0094 ness of a variety of new To support the publication of tion of British paintings in media that will help visitors a catalogue documenting the the permanent collection. Southern Methodist understand contemporary art museum’s collection of Chi­ 91-4444-0028 University in the University Art Muse­ nese ceramics. 91-4444-0059 Dallas, TX $12,500 um’s collection. Cincinnati Museum To support a public lecture 91-4445-0072 Bennington Museum, Inc. Association series about the permanent Bennington, VT $12,900 Cincinnati, OH $30,000 collection of the Meadows To support the publication of To support the preparation Museum. 91-4445-0092 Catalogue a catalogue documenting the of a two-volume catalogue of museum’s collection of the museum’s Herbert Greer Spertus College of Judaica To document collections or to publish catalogues or American redware and local French print collection. Chicago, IL $15,000 stoneware. 91-4444-0044 91-4444-0029 To support the development handbooks on collections. of new interpretive materials Birmingham Museum of Art Corporation of the Fine Arts for the Spertus Museum’s 47 Grants Birmingham, AL $18,000 Museums collection, which spans 3,500 Program Funds: $1,058,300 To support the publication of San Francisco, CA $44,600 years of Jewish history and a catalogue of masterworks To support the documenta­ includes visual arts and arti­ Advisory Panel from the museum’s collec­ tion of the permanent collec­ facts from around the world. tion. 91-4444-0030 tion of the museums’ Achen­ 91-4445-0085 Panelists on the Education bach Foundation for Graphic Panel also reviewed grants in Arts. 91-4444-0036 this category.

1991 Annual Report 141 Dallas Museum of Art To support documentation of a multivolume catalogue umentation of the permanent Dallas, TX $8,000 of the permanent collection. documenting the museum’s collection at the Addison To support the publication of 91-4444-0049 permanent collection. Gallery of American Art. a catalogue of selected works 91-4444-0041 91-4444-0058 from the museum’s Steven Metropolitan Museum G. Alpert Collection of of Art Museum of Fine Arts, Pierpont Morgan Library Indonesian Textiles. New York, NY $18,000 Boston New York, NY $20,000 91-4444-0042 To support a catalogue docu­ Boston, MA $65,000 To support the preparation menting the museum’s col­ To support the publication of of a catalogue documenting Dayton Art Institute lection of American drawings a catalogue documenting the the library’s Islamic manu Dayton, OH $35,000 and watercolors. museum’s collection of Eng­ script collection. To support the preparation 91-4444-0045 lish silver. 91-4444-0064 91-4444-0050 of a catalogue of the insti­ tute’s permanent collection. Metropolitan Museum Nelson Gallery Foundation Proprietors of the Boston 91-4444-0037 of Art Kansas City, MO $20,000 Athenaeum New York, NY $35,000 To support the publication Boston, MA $25,000 Florida International To support the preparation of a catalogue documenting To support a publication on University of a catalogue documenting the Nelson-Atkins Museum the development of lithogra­ Miami, FL $25,000 the museum’s collection of of Arts, collection of Ameri­ phy in Boston in the 19th To support documentation European stained glass. can paintings. 91-4444-0035 century. 91-4444-0066 of a collection recently 91-4444-0046 acquired from the now- New York Public Library Pueblo of San Ildefonso defunct Metropolitan Minneapolis Society of Astor, Lenox and Tilden Santa Fe, NM $10,000 Museum and Art Center in Fine Arts Foundation To support the documenta­ Coral Gables, Florida. Minneapolis, MN $25,000 New York, NY $40,000 tion of the permanent collec­ 91-4444-0053 To support the publication of To support computerized tion of American Indian art. a catalogue documenting the documentation of the 91-4444-0047 Honolulu Academy of Arts Institute of Fine Art’s Chi­ library’s archive of vintage Honolulu, HI $25,000 nese textile collection. photographs by Berenice Regents of the University of To support the preparation 91-4444-0038 Abbott. 91-4444-0051 Michigan of a catalogue of the acade­ Ann Arbor, MI $12,000 my’s collection of Chinese Minnesota Center for New York State Historical To support the preparation paintings. 91-4444-0057 Book Arts Association of a catalogue of the Museum Minneapolis, MN $12,000 Cooperstown, NY $30,000 of Art’s Chinese painting col­ Jacques Marchais Center of To support documentation To support the preparation lection. 91-4444-0069 Tibetan Art of the center’s permanent of a catalogue of the associa­ Staten Island, NY $15,000 collection of reference and tion’s American painting and Rutgers, The State To support the preparation archival materials. sculpture collections. University of a catalogue highlighting 91-4444-0056 91-4444-0068 New Brunswick, NJ $10,000 the most important works in To support the publication of the center’s permanent col­ Museum Associates North Carolina Museum of the second of a series of illus­ lection. 91-4444-0025 Los Angeles, CA $20,000 Art Foundation, Inc. trated checklists document­ To support the preparation Raleigh, NC $30,000 ing selected works from the Laguna Art Museum of a catalogue documenting To support travel costs for Jane Voorhees Zimmerli Art Laguna Beach, CA $10,000 the Los Angeles County the preparation of a catalogue Museum’s archive of contem­ To support improved com­ Museum’s collection of documenting the Italian porary prints. 91-4444-0039 puterized documentation of Indian paintings. paintings in the museum’s the permanent collection. 91-4444-0043 permanent collection. Rutgers, The State 91-4444-0067 91-4444-0031 University Museum of Contemporary New Brunswick, NJ $12,100 Lyman Allyn Art Art, Los Angeles Phillips Academy To support the preparation Museum, Inc. Los Angeles, CA $20,000 Andover, MA $50,000 of a catalogue documenting NewLondon, CT $32,900 To support the preparation To support research and doc­

142 National Endowment for the Arts the Jane Voorhees Zimmerli Trustees of the Walters Italian Renaissance paintings and national distribution of Art Museum’s collection of Art Gallery in the Yale University Art an educational videotape Belgian Art Nouveau posters. Baltimore, MD $31,000 Gallery’s permanent collec­ addressing the conservation 91-4444-0060 To support research for a cat­ tion. 91-4444-0063 needs of public outdoor alogue documenting the sculpture. 91-4470-0118 Rutgers, The State gallery’s Roman sculpture University collection. 91-4444-0032 Special Projects ~ President and Fellows of New Brunswick, NJ $10,300 Harvard College To support documentation Ukrainian Museum To support a limited number Cambridge, MA $40,000 of the Jane Voorhees New York, NY $15,000 of innovative projects that To support the creation of a Zimmerli Art Museum’s To support documentation will have a broad impact on visual data base for painted Riabov Collection of Russian of the museum’s collection of the museum field as a whole. Greek vases in the collections Art. 91-4444-0062 Ukrainian folk art. of the Toledo Museum of 91-4444-0040 5 Grants Art, the University of Penn­ San Antonio Museum Program Funds: $138,000 sylvania, the University of Association, Inc. University of Arizona Mississippi, and the Tampa San Antonio, TX $20,000 Tucson, AZ $10,000 Advisory Panel Museum of Art. To support the publication of To support research and doc­ 91-4470-0145 a catalogue documenting the umentation of the Museum Panelists on the Presentation Museum of Art’s Greek vase of Art’s Pfeiffer Collection of of Collection Panel also re­ The Exploratorium collection. 91-4444-0033 American Art. 91-4444-0024 viewed grants in this category San Francisco, CA $20,000* unless otherwise indicated. To support the presentation Trustees of Amherst College University of Nebraska-­ of"Art from the Exploratori­ Washington, DC $10,000 Lincoln Grants um," currently on tour in To support the publication of Lincoln, NE $25,000 Western Europe, at the a catalogue documenting the To support the research and ~r Denotes Grants Having National Technical Museum Folger Shakespeare Library’s preparation of a catalogue National Impact of Prague, Czechoslovakia. collection of paintings of documenting the Sheldon Reviewed by Special Exhibi­ Shakespearean subjects. Memorial Art Gallery’s sculp­ ~r Metropolitan Museum tions Panel B. 91-4470-0491 91-4444-0034 ture collection. of Art * See InternationalActivities. 91-4444-0061 New York, NY $10,000 Trustees of Princeton To support the preparation Vermont Museum and University Williams College of a standard manual for Gallery Mliance, Inc. Princeton, NJ $15,000 Williamstown, MA $40,000 museum signage and labels Shelburne, VT $28,000 To support the preparation To support documentation that addresses the needs of To support the first two years of a catalogue of the Prince­ of the permanent collection disabled visitors. of an eight-year Cultural ton Art Museum’s Edward at the Williams College 91-4470-0144 Heritage Fund to help pre­ Duff Balken Collection of Museum of Art. serve art and historical collec­ American paintings. 91-4444-0055 ~ National Institute for the tions housed in museums in 91-4444-0027 Conservation of Cultural Vermont. Reviewed by Yale University Property, Inc. Conservation Panel A. New Haven, CT $10,000 Washington, DC $40,000 91-4470-0272 To support the preparation To support the production of a catalogue of the early

1991 Annual Report 143 Christoph Von Dohn~nyi leads the Cleveland Orchestra, one of the large ensembles that the Music Program supported in 47 states. /[USiC 762 Grants Program Funds $10,172,600 Treasury Funds $3,900,000

The Music Program assists creative and petforming musi- Pennsylvania, Minnesota and Kansas. Through lecture­ cians of exceptional talent; poforming and presenting orga- performances, the ensemble emphasized the composer­ nizations of local, regional and national significance; and performer relationship. An early music ensemble, sup- training and service organizations of regional and national ported in its celebration of the Columbus Quincentenary, importance. explored cultural parallels between the Old World and the New. ’he program received 1,709 applications in In the area of ensemble singing, the program support­ 1991 and awarded 762 grants in all regions ed the fully professional Handel and Haydn Society in its of the country. Grants provided increased 177th season. Its schedule included four concerts of T performance opportunities for emerging major choral works at Symphony Hall in Boston and a and mid-career artists, reflected sensitivity to series of four chamber concerts in churches and other minority participation at all levels, and enhanced out- community halls. Hsewhere, the American Choral reach to diverse American audiences. Directors’ Association, the professional service organiza- In the orchestral realm, the program provided sup- tion based in Lawton, Oklahoma, received support for a port to 179 orchestras in cities as large as New York, workshop in choral leadership training and for publica- Chicago and Los Angeles, and as small as Augusta, tion of its Choral Journal. Georgia; Billings, Montana; Fargo, North Dakota; and Sixteen Composers Fellowships were awarded to sup- Johnstown, Pennsylvania. A grant to the Nashville port the writing of concerti for various solo instruments, Symphony Association supported a satellite subscription a work for amplified string quartet and live electronics, series in up to 20 communities within a 150-mile radius orchestral works, and compositions for various chamber of Tennessee’s capital city. A grant to the New Mexico ensembles. Through the Composer in Residence catego- Symphony Orchestra in Albuquerque supported ensem- ry, Samuel Jones was placed in residence with the ble performances in 100 public schools and full orchestraAmarillo Symphony in Texas where he planned to write a concerts for fourth and fifth grade students. A Creative work for the orchestra, visit high schools, participate in Project Grant to the Ann Arbor (Michigan) Symphony rehearsals of the Amarillo Symphony Youth Orchestra, Orchestra supported a minority outreach program and participate in a documentary to be filmed by a local designed to increase the number of minority students public television station. participating in local middle and high school instrumen- In the jazz area, Shirley Scott received a Special tal programs. Projects grant to prepare 90 compositions of the late The program supported tour concerts and mini-resi- Dexter Gordon in sheet music format and transcriptions dencies for a New York-based chamber ensemble making of his tenor saxophone solos. During this, the tenth year appearances in Arizona, California, Texas, Arkansas, of the American Jazz Masters subcategory, fellowships

145 were awarded to four jazz legends: Danny Barker, Buck music and musical materials of the Native Americans of Clayton, Andy Kirk and Clark Terry. The first public Jazz the Great Plains. Another supported the music portion of Masters Awards Ceremony/Concert was held in conjunc­ radio programs that introduced audiences to the work of tion with the International Association of Jazz Educators’ lesser known musicians and composers. Still another sup­ 18th Annual Conference in Washington, D.C. ported a major orchestra’s Youth Fellowship Program, a The Special Projects category continued to accommo­ training program designed to prepare promising music date an intriguing variety of unusual efforts. One such students for careers as orchestral musicians. project involved a major retrospective on the culture,

Warren Hatfield University of Massachusetts ~ Bach Aria Group Music Chairman Sunderland, MA Association, Inc. Professional South Dakota Arts Council Stony Brook, NY $4,000 Brookings, SD Howie Smith To support the fellowship aid Training Composer/Saxophonist/ program. 91-3111-0653 George Shirley Educator To foster the career develop­ ¢r Berklee College of ment of committed, talented Tenor Faculty, Cleveland State musicians through support of Faculty, University of University Music, Inc. Boston, MA $4,000 their training and education Michigan Cleveland, OH as artists. Grants are awarded Ann Arbor, MI To support the scholarship to postsecondary programs Christopher Alan Waterman aid program. 91-3111-0649 that provide outstanding Eileen Southern Faculty University of Washington ~r Boston Symphony advanced training for profes­ Musicologist sional careers in music. Professor Emeritus, Harvard Seattle, WA Orchestra, Inc. University Boston, MA $10,600 Port Charlotte, FL Grants TF $50,000 36 Grants To support the fellowship Program Funds: $280,000 Myrtle Whitcomb ~r Denotes Grants Having program at Tanglewood Treasury Funds: $200,000 Layperson National Impact. Music Center. 91-3111-0670 Acting Dean of Students, Advisory Panel Princeton University The following grants were ~ Bowdoin College Bethlehem, PA reviewed by Panel A unless Brunswick, ME $4,000 Panel A otherwise indicated. To support the scholarship Panel B aid program at the Bo~vdoin Jeffrey Babcock ~r Academy of Vocal Arts Summer Music Festival. Composer Anthony Brown Philadelphia, PA $4,000 91-3111-0652 Executive Director, New Composer/Educator/Ethno­ To support the scholarship World Symphony musicologist/Percussionist aid program. 91-3111-0675 ~ California Institute of Miami, FL Berkeley, CA the Arts ~ Aspen Music Valencia, CA $4,000 Hansonia Caldwell Willie L. Hill, Jr. Festival, Inc. To support the scholarship Dean of Humanities and Associate Dean of the New York, NY $8,200 aid program for minority stu­ Fine Arts College of Music TF $25,000 dents enrolled in the Jazz and California State University University of Colorado-­ To support the scholarship Instrumental Performance Carson, CA Boulder aid program for students programs. 91-3111-0664 Denver, CO participating in the Aspen David Cerone Festival Orchestra, the Aspen ~r Cleveland Institute of President Jeff Holmes Chamber Symphony, and the Music Cleveland Institute of Music Associate Professor, School Aspen Opera Theater Center. Cleveland, OH $12,100 Cleveland, OH of Music Reviewed by Panel B. To support the scholarship 91-3111-0657 and fellowship aid programs for undergraduate and gradu­

146 National Endowment for the Arts ate students. Reviewed by ~r Los Angeles ~r New School for Social ¢z University of Hartford Panel B. 91-3111-0658 Philharmonic Association Research West Hartford, CT $4,200 Los Angeles, CA $10,400 New York, NY $13,100 To support the scholarship ~ Curtis Institute of Music TF $25,000 To support the scholarship aid program. 91-3111-0650 Philadelphia, PA $7,900 To support the Los Angeles aid program for students par­ To support the scholarship Philharmonic Institute. ticipating in the New York ¢z University of aid program. 91-3111-0671 91-3111-0673 String Orchestra Seminar. Maryland---College Park 91-3111-0665 College Park, MD $7,900 ~- Eastern Music ~r Manhattan School of To support the scholarship Festival, Inc. Music ~r New World aid program of the National Greensboro, NC $4,000 New York, NY $5,200 Symphony, Inc. Orchestral Institute. To support the scholarship TF $15,000 Miami Beach, FL $12,900 91-3111-0662 aid program for postsecon­ To support the scholarship To support the orchestra’s dary students. aid program. 91-3111-0669 scholarship aid program. ¢r University of 91-3111-0674 Reviewed by Panel B. Massachusetts--Amherst ¢z Mannes College of Music 91-3111-0667 Amherst, MA $5,200 ~" Grand Teton Music New York, NY $4,000 To support the scholarship Festival, Inc. To support the scholarship ~ Oberlin College aid program for the 1991 Teton Village, WY $4,000 aid program. 91-3111-0679 Oberlin, OH $8,500 Jazz in July Workshop in To support the scholarship TF $10,000 Improvisation. aid program for the Grand ~r Marlboro School of To support the scholarship 91-3111-0648 Teton Orchestral Seminar. Music, Inc. aid program. 91-3111-0663 91-3111-0681 Marlboro, VT $23,100 ~r Westminster Choir TF $10,000 ~ Orchestral Association College ~ Johns Hopkins To support the scholarship Chicago, IL $17,600 Princeton, NJ $4,000 University aid program. 91-3111-0656 To support the scholarship To support the scholarship Baltimore, MD $2,800 aid program of the Civic aid program. 91-3111-0660 TF $15,000 ~ Music Academy of Orchestra of Chicago. To support the scholarship the West 91-3111-0672 ~ Yale University aid program at the Peabody Santa Barbara, CA $4,000 New Haven, CT $11,200 Institute. 91-3111-0735 To support the scholarship ~r Philharmonic-Symphony To support the scholarship aid program. 91-3111-0659 Society of New York, Inc. aid program at the Yale ~ Juilliard School New York, NY $14,000 School of Music. New York, NY $20,300 ~ Musicorda, Inc. TF $10,000 91-3111-0651 TF $15,000 South Hadley, MA $4,000 To support the Music To support the scholarship To support the scholarship Assistance Fund scholarships ¢r Yellow Barn aid program. 91-3111-0678 aid program. 91-3111-0668 and the postgraduate fellow­ Putney, VT $4,000 ship program. 91-3111-0680 To support the scholarship ¢z Kent State University ~r National Repertory aid program. 91-3111-0676 Main Campus Orchestra, Inc. ~r Regents of the University Kent, OH $10,300 Keystone, CO $4,200 of Michigan To support the scholarship To support the scholarship Ann Arbor, MI $8,700 Composers aid program at the Blossom aid program. 91-3111-0655 TF $10,000 Fellowships Music Center. 91-3111-0661 To support the scholarship ~r New England aid program. Reviewed by Includes two subcategories: ~r Kneisel Hall Conservatory of Music Panel B. 91-3111-0736 Composers Fellowships pro­ Blue Hill, ME $4,000 Boston, MA $4,700 vide for the creation or com­ To support the scholarship TF $15,000 ~ San Francisco pletion of musical works. aid program. 91-3111-0666 To support the scholarship Conservatory of Music, Inc. Collaborative Fellowships aid program and a course San Francisco, CA $4,900 are available to composers titled "Career Skills." To support the scholarship and their collaborators, 91-3111-0654 aid program. 91-3111-0677 including librettists, video artists, filmmakers, poets,

1991 Annual Report 147 or choreographers, for the Faculty, Indiana University of a collection of indepen­ and a work for chorus and creation or completion of Bloomington, IN dent pieces for string quartet. tape. 91-3112-0741 new works. 91-3112-0747 Diane Thome Speach, Bernadette M. 16 Grants Composer Dodge, Charles Brooklyn, NY $11,300 Faculty, University of Putney, VT $18,800 To support the composition Program Funds: $265,000 Washington To support the composition of a work for piano and Seattle, WA of new works for solo instru­ orchestra. 91-3112-0739 Advisory Panel ment and computer. Frederick Tillis 91-3112-0752 Thomas, Augusta Read Elinor Armer Composer Boston, MA $18,800 Composer Director, Fine Arts Center, Dzubay, David J. To support the composition Faculty, San Francisco University of Denton, TX $15,000 of a concerto for violin and Conservatory of Music Massachusetts To support the composition orchestra. 91-3112-0738 San Francisco, CA Amherst, MA of works for chamber ensem­ ble and chamber orchestra. Willey, James H. Noel DaCosta George Tsontakis 91-3112-0742 Geneseo, NY $18,000 Composer Composer/Conductor To support the composition Faculty, Rutgers University Shokan, NY La Rocca, Frank J. of a work for large orchestra. New York, NY Fremont, CA $14,200 91-3112-0744 Grants To support the composition Jean Eichelberger Ivey of a string quartet. Yarnell, Carolyn A. Composer Balada, Leonardo 91-3112-0745 New Haven, CT $22,500 Director, Electronic Music Pittsburgh, PA $25,000 To support the composition Studio, Peabody Conserva­ To support the writing of the Lansky, Paul of a trilogy of orchestral tory of Music of the Johns libretto and music for the Princeton Junction, NJ works. 91-3112-0740 Hopkins University opera Death of Columbus for $19,000 Baltimore, MD soloists, mixed chorus, and To support the composition orchestra. 91-3112-0748 of a work that will recast vari­ Jazz Fellowships Sylvia Vengilly ous kinds of blues and folk Nonmatching fellowships are Composer Barnes, Edward songs in new ways, using Faculty, Loyola University $6,800 computer technology. awarded to professional jazz Los Angeles, CA musicians for performance or New Orleans, LA To support the composition 91-3112-0737 composition and to aspiring of an opera/music-theater Robert Xavier Rodriguez Ranjbaran, Behzad jazz musicians to study with work for soloist and chamber the professional artists of Composer ensemble. 91-3112-0750 Edgewater, NJ $22,500 Faculty, University of To support the composition their choice. Fellowships also honor distinguished jazz Texas--Dallas of a concerto for violin and Brayton, Dana G. masters who have made a Executive Director, Texas Jamaica Plain, MA $7,500 orchestra. 91-3112-0751 Composers Forum significant contribution to To support the composition the art form in the African- Richardson, TX of a scherzo for chamber Rosenblum, Mathew orchestra. 91-3112-0746 Pittsburgh, PA $16,200 American tradition. Grants Belinda Shaw To support the composition are also awarded to individu­ als for innovative and exem­ Layperson Clayton, Laura of a work for woodwinds, plary projects of national or Senior Management Hancock, NH $18,800 brass, strings, and percussion. Accountant, Federal 91-3112-0749 regional significance that To support the composition benefit the field of jazz. Deposit Insurance of a work for soprano and Corporation chamber ensemble. Shatin, Judith Arlington, VA 91-3112-0743 Charlottesville, VA $23,100 55 Grants To support the composition Program Funds: $420,000 Harvey Sollberger Currier, Sebastian K. of a work for amplified string Composer/Flutist New York, NY $7,500 quartet and live electronics Cofounder, Group for To support the composition Contemporary Music

148 National Endowment for the Arts Advisory Panel Clayton, Wilbur "Buck" Dogole, Ian M. Lovano, Joseph S. Jamaica, NY $20,000 Mill Valley, CA $8,200 New York, NY $13,700 Joe Hunt 91-3113-0134 To support the costs of a To support the costs of a Percussionist five-concert series in venues concert performed in New Faculty, Berklee School Kirk, Andy throughout California, fea­ York City, featuring music of Music New York, NY $20,000 turing the applicant within a in the styles of Ellington, Mount Vernon, NY 91-3113-0135 sextet. 91-3113-0012 Monk, Parker, Mingus, Thad Jones, Ornette Coleman, and Paul Jeffrey Terry, Clark Foster, Michael J. Bob Brookmeyer, with origi­ Saxophonist Bayside, NY $20,000 Yonkers, NY $5,000 nal compositions by the Faculty, Duke University 91-3113-0133 To support the costs of three applicant. 91-3113-0003 Board Member, North performances of original Carolina State Arts Jazz Performance music that will showcase the Modir, Hafez Council applicant within the tradi­ Campbell, CA $5,000 Durham, NC Brown, Anthony L. tional jazz quartet. To support the costs of per­ Berkeley, CA $12,800 91-3113-0018 formances by the applicant Valerie Capers To support the costs of a with classical Iranian musi­ Pianist/Composer series of lecture-demonstra­ Franklin, Henry Carl cians and American jazz Faculty, Bronx Community tions titled "The History and Perris, CA $5,900 musicians, attempting a College Development of Jazz Drum- To support the costs of a broader definition of Bronx, NY set Artistry," chronicling the series of concerts in hospitals American jazz through evolution of the drumset and and homes for the aged, fea­ cross-cultural performances. James Newton musical innovations of major turing the applicant playing 91-3113-0017 Flutist/Composer artists. 91-3113-0013 string bass in duo, trio, and Faculty, California Institute quintet settings of original Stone, Richard J. of the Arts Campbell, Gary Woods music. 91-3113-0014 Brooklyn, NY $7,500 San Jose, CA Miami, FL $13,700 To support the costs of a To support the costs of con­ Hellas, Mark F. concert featuring music writ­ Noel Pointer certs in Gusman Hall at the New York, NY $10,900 ten by or associated with the Violinist/Composer University of Miami, featur­ To support the costs of a great guitarists of modern Brooklyn, NY ing original compositions series of four to six concerts jazz, as well as original com­ that are strongly rooted in in New York City, featuring positions by the applicant. Howie Smith jazz with Latin influence. the applicant performing his 91-3113-0008 Composer/Saxophonist 91-3113-0005 original compositions for Faculty, Cleveland State duos, trios, quartets, and Vitale, Richard University Cleveland, Jimmy quintets. 91-3113-0016 New York, NY $7,200 Cleveland Heights, OH Lynwood, CA $12,800 To support the costs of a To support the costs of a Kolker, Adam concert with the applicant as Christopher Man Waterman concert showcasing the appli­ Brooklyn, NY $8,300 soloist supported by a quintet Bassist/Composer cant’s performance as a group To support the costs for two and guest artist, pianist Barry Faculty, University of leader and trombonist in a concerts in New York City, Harris. 91-3113-0006 Washington nine-member jazz ensemble. featuring original music Seattle, WA 91-3113-0002 composed by the applicant. Weiskopf, Walter D. 91-3113-0015 Brooklyn, NY $11,900 Grants Cuenca, Sylvia A. To support the costs of Brooklyn, NY $4,900 Liebman, David concerts in New York City Jazz Master Awards To support the costs of a per­ Stroudsburg, PA $13,300 showcasing the applicant as formance featuring the appli­ To support the costs of two a leader and saxophonist Barker, Daniel cant as soloist and leader of a concerts of music composed within a jazz quartet. New Orleans, LA $20,000 quintet performing original for soprano saxophone, along 91-3113-0007 91-3113-0132 compositions as well as with quartet settings featur­ arrangements of jazz stan­ ing music composed by the Weiss, Michael D. dards. 91-3113-0011 applicant. 91-3113-0001 Brooklyn, NY $7,300

1991 Annual Report 149 To support the costs of a trombone, and tenor and alto White III, Andrew N. Greenberg, Mark A. concert featuring the appli­ saxophones. 91-3113-0020 Washington, DC $9,100 Granby, CT $2,000 cant as soloist with a quintet To support the cost of mech­ To support study with per­ playing lesser known compo­ Mills, Glenn J. anical fees for the reproduc­ cussionist Gary Chaffee. sitions of Thelonious Monk, Brooklyn, NY $8,300 tion of score pages (including 91-3113-0038 Bud Powell, and Charlie To support the composition piano reduction) and parts Parker. 91-3113-0009 of a four- to five-movement for "A Jazz Concerto" for alto Hammond, Orville E. work for large jazz ensemble, saxophone and youth sym­ Oberlin, OH $4,600 Williams, Charles A. including guitar, vibraphone, phony orchestra. To support study with New York, NY $13,700 and percussion. 91-3113-0019 pianist Dwike Mitchell. To support the costs of a 91-3113-0028 91-3113-0047 concert in New York City Williamson, Bruce E. featuring the applicant as Neumeister, Edward P. New York, NY $5,000 Huber, David L. soloist, supported by a quin­ Croton-On-Hudson, NY To support the composition Flint, MI $1,600 tet, a string ensemble, small $9,000 of several works for jazz To support study in theory chorus, and vocalists. To support the composition septet. 91-3113-0022 and improvisation with 91-3113-0010 of a three-movement suite saxophonist George Benson. dedicated to Thad Jones, Jazz Study 91-3113-0039 Zano, Anthony J. Billy Strayhorn and Duke Wilmington, MA $6,400 Ellington, and Bob Brook­ Blake, Ronald E. Johnson, Vashon D. To support the costs of con­ meyer. 91-3113-0021 Tampa, FL $4,500 Harvey, IL $2,300 certs featuring the applicant To support study with To support study with bassist within a trio performing jazz Panichi, David J. saxophonist Gary Bartz. Todd Coolman. standards and the applicant’s Astoria, NY $9,100 91-3113-0043 91-3113-0045 original compositions. To support the composition 91-3113-0004 of suites for big band through Brand, Valerie J. Kaczynski, Raymond A. which the composer will Brandon, FL $4,600 New Haven, CT $2,000 Jazz Composition expand his compositional To support study with bari­ To support study with per­ language rhythmically, har­ tone saxophonist Nick cussionist Keith Copeland. Ales, Brian K. monically, melodically, and Brignola. 91-3113-0032 91-3113-0034 Playa Del Rey, CA $5,500 contrapuntally. To support the composition 91-3113-0027 Chapin, Thomas D. Lipson, Annette L. of an extended work for big Jackson Heights, NY $2,000 New York, NY $3,800 band and percussion. Schaphorst, Kenneth W. To support study with To support study of jazz trap 91-3113-0026 Brooldine, MA $6,200 percussionist Louis Bauzo, drums with drummer To support the composition focusing on Afro-Caribbean Andrew Cyrille. Hemingway, Gerry of a three-movement piano music. 91-3113-0049 91-3113-0042 Long Island City, NY $6,800 concerto for 17-piece big To support the composition band. 91-3113-0023 Cion, Sarah J. Miller, Katharine V. of an extended work for ten- New York, NY $2,000 Jamaica Plain, MA $4,600 piece ensemble titled "Arcane Sussman, Richard To support study with To support study of tech­ Troubadour," using an equal Brooklyn, NY $7,300 pianist Charlie Benacos. nique, improvisation, and balance of scored material To support the composition 91-3113-0030 composition with saxophon­ and structured improvisation. of a new multimovement ist Dave Liebman. 91-3113-0025 work for jazz ensemble and Cohen, Michael H. 91-3113-0029 orchestra, each movement of Bloomfield, CT $2,800 Horiuchi, Glenn A. which will be a tribute to one To support study of improvi­ Ostermayer, Paul A. Los Angeles, CA $5,500 of the great jazz composers, sation, jazz arranging, and Baytown, TX $2,900 To support the composition including Duke Ellington, composition with saxophon­ To support study of improvi­ of a six-movement suite for Bill Evans, and Eric Dolphy. ist Jerry Bergonzi. sation, composition, and jazz octet titled "Little Tokyo 91-3113-0024 91-3113-0031 technique with saxophonist Suite," scored for piano, Dave Liebman. koto, bass, drums, trumpet, 91-3113-0040

150 National Endowment for the Arts Ramsay, John P. Special Projects Daniel Kunin with the preparation and per­ Milton, MA $2,200 Layperson formance of solo harpsichord To support study with per­ Berger, David Senior Vice President, recitals in the western and cussionist Bob Moses. New York, NY $21,000 Maxitron eastern United States in 91-3113-0035 To support the cost of the White Bear Lake, MN 1992-94.91-3114-0724 applicant’s transcription of Rich, Lisa three Duke Ellington suites Frank Little ~ Ganz, Isabelle M. Silver Spring, MD $3,600 that will be performed in Tenor Houston, TX $12,000 To support study with vocal­ the Lincoln Center for the Executive Director, The To support costs associated ist Ethel Ennis. Performing Arts 1991 Music Center of the North with residencies, including 91-3113-0048 Classical Jazz Series. Shore solo voice recitals and work­ 91-3113-0050 Winnetka, IL shops, at institutions of high­ Roberts, Kathleen M. er education throughout the Ridgewood, NJ $3,600 Carmichael, Judy L. John Van Buskirk United States in 1992-93. To support study with pian­ New York, NY $14,600 Keyboardist 91-3114-0731 ist JoAnne Brackeen. To support the cost of a Faculty, Smith College 91-3113-0033 series of presentations illus­ New York, NY Halim, Eduardus S. trating the history and devel­ New York, NY $10,500 Shipman, Anthony opment of early jazz piano to Grants To support management and Linden, NJ $4,600 high school and college audi­ other costs associated with To support study with violin­ ences from diverse social and Denotes Grants Having the preparation of solo piano ist John Blake, focusing on ethnic backgrounds. National Impact. recitals in 1992-93. playing technique and impro­ 91-3113-0051 91-3114-0730 visation. 91-3113-0037 ~r Bahmann, Michael Little Compton, RI $3,500 Halvorson, Jr., Carl M. Thompson, Robert F. Solo Recitalist To support costs associated New York, NY $10,500 Holland, MI $2,300 Fellowships with the preparation and per­ To support costs associated To support study in improvi­ formance of a series of harpsi­ with the preparation and per­ sation technique and ensem­ For awards to support spe­ chord and recorder duo formance of solo voice reci­ ble playing with trumpeter cific projects directly related recitals in the United States tals in the eastern and mid- John McNeil. 91-3113-0041 to artists’ solo or duo recital in 1992 with duo partner western United States in careers. Fellowships during Stanislava Svecova on 1992-93. 91-3114-0723 Venezia, Vincent F. fiscal 1991 were awarded to recorder. 91-3114-0727 Fairview Park, NJ $3,000 keyboard and vocal recitalists. ~r Niemann, Edmund To support study with Black, William D. New York, NY $7,500 guitarist Mike Stern. 12 Grants Cincinnati, OH $15,000 To support costs associated 91-3113-0036 To support costs associated with the preparation and per­ Program Funds: $100,000 with the performance of a formance of duo piano reci­ Wellman, Angela M. solo piano recital in New tals in the United States in Oakland, CA $2,000 Advisory Panel York City in 1992-93. 1992-93 with duo partner To support study with trom­ 91-3114-0728 Nurit Tilles. 91-3114-0733 bonist Steve Turre. Irene Gubrud 91-3113-0046 Soprano Bush, Phillip R. ~ Powell, Linton E. New York, NY New York, NY $10,500 Arlington, TX $5,000 Wood, Stephen To support costs associated To support costs associated Detroit, MI $3,100 Joyce Johnson with the performance of solo with the preparation and per­ To support study with tenor Chair, Music Department piano recitals in the north­ formance of solo organ reci­ saxophonist George Cole­ Spelman College eastern United States in tals and lecture-demonstra­ man. 91-3113-0044 Atlanta, GA 1992-93.91-3114-0732 tions and workshops at con­ ventions and universities Igor Kipnis Dupree, Jillon S. throughout the United States Harpsichordist Seattle, WA $8,000 in 1992-93 and to support West Redding, CT To support costs associated

1991 Annual Report 151 costs of a demonstration Advisory Panel Choruses Joyce Ann Pigge recording. 91-3114-0725 Layperson Panelists listed under Music To maintain or improve the Professor of Political Science, ~r Svecova, Stanislava Professional Training also Bethany College artistic and management Lindsborg, KS Little Compton, RI $3,500 reviewed grants in this cate­ quality of choruses; to To support costs associated gory. enhance opportunities for with the preparation and per­ American choral singers, Dennis Shrock Director, Choral Activities formance of a series of recor­ Grants soloists, conductors, and der and harpsichord duo accompanists; and to University of Oklahoma recitals in the United States ~r Denotes Grants Having make high-quality choral Oklahoma City, OK in 1992 with duo partner National Impact. performances more widely Michael Bahmann on harpsi­ available. Grants chord. 91-3114-0726 ~ Affiliate Artists, Inc. American Boychoir School New York, NY $25,000 39 Grants ~ Tilles, Nurit To support artists’ fees and Princeton, NJ $4,000 New York, NY $7,500 related costs for the recital Program Funds: $335,000 To support the salary of an To support costs associated and "informance" portions of Treasury Funds: $100,000 associate music director in with the preparation and per­ the Xerox Pianists Program. 1991-92.91-3121-0344 formance of duo piano reci­ 91-3115-0720 Advisory Panel tals in the United States in Baltimore Choral Arts 1992-93 with duo partner ~ Affiliate Artists, Inc. Stanley Engebretson Society, Inc. Edmund Niemann. New York, NY $16,500 Director, Choral Activities Baltimore, MD $5,100 91-3114-0734 To support the participation George Mason University To support singers’ fees in of instrumentalists in Affiliate Fairfax, VA 1991-92.91-3121-0337 ~ Weldy, Frederick R. Artists’ corporate-sponsored Palo Alto, CA $6,500 residency program. Vance George Baltimore Symphony To support costs associated 91-3115-0721 Choral Conductor Orchestra, Inc. with the preparation and San Francisco Symphony Baltimore, MD $5,900 performance of solo piano ~" Concert Artists Chorus To support fees for the recitals in the United States Guild, Inc. San Francisco, CA singers and the accompanist in 1992.91-3114-0729 New York, NY $12,000 of the Baltimore Symphony To support management Robert Harris Chorus; the costs of sight- services and artists’ fees for Faculty/Director, Choral singing/ear-training classes, Career concerts during the 1991-92 Organizations master-teacher workshops, Development season. 91-3115-0718 Northwestern University and voice lessons; and the Skokie, IL chorus director’s and general Organizations ~r Pro Musicis manager’s salaries in for Solo Foundation, Inc. Christine Jordanoff 1991-92.91-3121-0317 New York, NY $16,500 Choral Conductor Recitalists To support a recital series in Faculty, Duquesne Choral Arts Society of cities throughout the United University Philadelphia To assist organizations, other States. 91-3115-0717 Pittsburgh, PA Philadelphia, PA $4,000 than presenting organizations To support salaries in the and educational institutions, ~r Young Concert Paul Martinez 1991-92 season for the artis­ that are devoted primarily to Artists, Inc. Program Analyst tic director and singers, and the professional career devel­ New York, NY $55,000 New York State Council on fees for vocal soloists. opment of American solo To support the organization’s the Arts 91-3121-0313 recitalists. services to American solo New York, NY recitalists. 91-3115-0719 Choral Arts Society of 5 Grants William Noll Washington Washington, DC $4,000 Program Funds: $125,000 Music Director/Conductor Choral Guild of Atlanta To support vocal soloists’ fees Atlanta, GA in 1991-92.91-3121-0319

152 National Endowment for the Arts Choral Guild of Gregg Smith Singers, Inc. the 1991-92 performance To support the salaries of the Adanta, Inc. New York, NY $9,800 season. 91-3121-0323 singers of the Chicago Sym­ Atlanta, GA $4,100 To support salaries and phony Chorus during the To support singers’ salaries administrative costs related to Music of the Baroque 1991-92 performance sea­ and an increase in salary for the 1991-92 performance Concert Series son. 91-3121-0343 the assistant director in season in New York City. Chicago, IL $18,000 1991-92.91-3121-0331 91-3121-0330 TF $25,000 Oregon Repertory Singers To support singers’ and vocal Portland, OR $5,000 Columbus Symphony Handel and Haydn Society soloists’ salaries; artistic and To support the salaries of the Orchestra, Inc. Boston, MA $18,500 administrative expenses singers, conductor, and Columbus, OH $4,000 To support the chorusmas­ related to a series of runout administrator in 1991-92. To support the salaries of the ter’s salary and fees for the concerts in Hyde Park, 91-3121-0345 chorus director and accompa­ singers, vocal soloists, guest Evanston, and River Forest, nist for the chorus during the conductor, and accompanist Illinois; and an educational Performing Arts Association 1991-92 season. during the 1991-92 perfor­ outreach program in of Orange County 91-3121-0314 mance season. 91-3121-0329 1991-92. 91-3121-0316 Irvine, CA $4,200 To support vocal soloists’ fees Connecticut Choral His Majestie’s Clerkes Musica Sacra, Inc. and salaries for the artistic Artists, Inc. Evanston, IL $4,000 New York, NY $26,700 director/conductor and New Britain, CT $4,000 To support singers’ salaries in To support singers’ salaries singers of the Pacific Chorale To support singers’ salaries in 1991-92. 91-3121-0320 and vocal soloists’ fees in the during the 1991-92 season. 1991-92. 91-3121-0340 1991-92 performance sea­ 91-3121-0338 Kitka, Inc. son. 91-3121-0324 Dale Warland Singers Oakland, CA $4,000 Philadelphia Singers Minneapolis, MN $18,200 To support singers’ fees and Musical Arts Association, Philadelphia, PA $5,400 TF $25,000 the artistic director’s salary in The Cleveland Orchestra To support singers’ and other To support singers’ fees and 1991-92.91-3121-0336 Cleveland, OH $4,500 artistic staffsalaries, a guest salaries for the music director To support the accompanist’s conductor’s fee, and costs and accompanist/assistant Los Angeles Master Chorale salary, and fees and related associated with an education­ director during the 1991-92 Association expenses for the chorusmaster al outreach program titled performance season. Los Angeles, CA $5,000 and teachers/coaches for the "Choirs in Contact." 91-3121-0315 To support singers’ salaries in Cleveland Orchestra Chorus 91-3121-0328 the 1991-92 performance in 1991-92. 91-3121-0333 Dallas Symphony season. 91-3121-0321 Pomerium Musices, Inc. Association, Inc. National Choral New York, NY $4,000 Dallas, TX $4,000 Milwaukee Symphony Foundation, Inc. To support singers’ salaries To support salaries for the Orchestra, Inc. Washington, DC $5,100 for the 1991-92 season. singers, assistant chorus Milwaukee, WI $15,900 To support the Washington 91-3121-0341 director, accompanist, and To support an increased Singers’ music director’s chorus manager, and to sup­ salary for the choral director salary and singers’ fees in the Robert Page Singers and port related administrative and increased fees for the 1991-92 season. Orchestra costs during the 1991-92 singers, associate conductor, 91-3121-0350 Lakewood, OH $5,100 season for the Dallas manager, assistant manager, To support singers’ salaries, Symphony Chorus. treasurer, and personnel Oratorio Singers of vocal soloists’ fees, the gen­ 91-3121-0327 manager of the Milwaukee Charlotte eral manager’s and conduc­ Symphony Chorus in the Charlotte, NC $4,000 tor’s salaries, and related Glen Ellyn Children’s 1991-92 season. To support the executive expenses during 1991-92. Chorus 91-3121-0347 director’s salary in 1991-92. 91-3121-0325 Glen Ellyn, IL $4,000 91-3121-0326 To support outreach activi­ Minnesota Chorale Robert W. WoodruffArts ties during the 1991-92 Minneapolis, MN $10,200 Orchestral Association Center, Inc. season. 91-3121-0339 To support singers’ fees and Chicago, IL $14,800 Atlanta, GA $8,400 related administrative costs in TF $25,000 To support salaries for the

1991 Annual Report 153 artistic and administrative Santa Fe Desert Chorale can works, and jazz in its tra­ Greg Steinke staffs of the Atlanta Sym­ Santa Fe, NM $7,200 ditional or current forms. Faculty/Assistant Director phony Chorus in 1991-92 To support improved salaries Assistance is also available to School of Music, University and related administrative for the singers and conductor organizations providing ser­ of Arizona expenses for master classes in 1991-92.91-3121-0346 vices to the chamber and new Tucson, AZ for members of the chorus. music fields. 91-3121-0322 Vocal Arts Ensemble of Marian Vaflades Cincinnati 88 Grants Board Member, Maine Arts Saint Louis Symphony Cincinnati, OH $5,000 Commission Society To support singers’ salaries Program Funds: $435,000 Chief Fundraiser, Arcady Music Society St. Louis, MO $8,500 and fees in 1991-92. Advisory Panel To support salaries for the 91-3121-0332 Hampton, ME singers, chorus directors, manager, and accompanist of Simona Mien Grants Services to the Field Layperson the Saint Louis Symphony ~r Denotes Grants Having Boardmember, Winston- ~ Denotes Grants Having Chorus and to support relat­ Salem Arts Council ed administrative costs for National Impact. National Impact. performances in the 1991-92 Winston-Salem, NC season. 91-3121-0318 ~r American Choral Chamber/New Music Lyman A. Brodie Ensembles Directors Association Faculty, University of San Francisco Lawton, OK $13,000 Chanticleer, Inc. Central Florida Aeolian Chamber To support salaries and relat­ Member, Black Music San Francisco, CA $18,500 ed expenses for the editorial Players, Inc. TF $25,000 Repertory Ensemble New York, NY $3,000 staff of the American Choral Orlando, FL To support salaries for the Directors Association’s publi­ To support artists’ fees and singers, music director/singer, related costs for chamber cation ChoralJournaland for Lisa Crawford assistant conductor/singer, a secretary in the office of the music concerts during the artistic director, and execu­ Harpsicordist 1991-92 season. national headquarters. Faculty, Oberlin tive director in 1991-92. 91-3121-0335 91-3124-0562 91-3121-0334 Conservatory Oberlin, OH ~ Chorus America, Mea III, Inc. Boston, MA $3,000 San Francisco Choral Artists Association of Professional Randall Davidson San Francisco, CA $4,000 Vocal Ensembles To support artists’ fees and To support singers’ salaries in Cellist/Composer related costs for chamber Philadelphia, PA $19,200 President, Minnesota the 1991-92 performance To support ongoing services music concerts during the Composers Forum 1991-92 season. season. 91-3121-0348 in 1991-92, including an Minneapolis, MN educational outreach pro­ 91-3124-0555 San Francisco Girls gram, the annual conference, Diane Monroe Amherst Saxophone Chorus, Inc. seminars and workshops, a Violinist San Francisco, CA $8,500 newsletter, surveys, a pam­ Society, Inc. To support the artistic direc­ Faculty, Swarthmore College Buffalo, NY $5,000 phlet series, and a member Upper Darby, PA tor’s salary and fees for mas­ profile directory. To support a residency by the ter teachers and vocal soloists 91-3121-0342 Amherst Saxophone Quartet in 1991-92.91-3121-0349 Neva Pilgrim during the 1991-92 season. Soprano 91-3124-0547 San Francisco Symphony Chamber/New Faculty, Syracuse and San Francisco, CA $17,200 Music and Jazz Colgate Universities Arioso Wind Quintet To support fees for paid Syracuse, NY San Diego, CA $3,000 singers of the San Francisco Ensembles To support artists’ fees and Symphony Chorus in Lois Schaefer related costs for chamber 1991-92.91-3121-0312 To assist organizations that Flutist music concerts during the perform chamber music, Faculty, New England 1991-92 season. recent 20th-century music Conservatory of Music 91-3124-0598 with an emphasis on Ameri­ Jamaica Plain, MA

154 National Endowment for the Arts Ashmont Hill Chamber California Institute of during the 1991-92 season. Cultural Council Music, Inc. the Arts 91-3124-0612 Foundation Dorchester, MA $3,000 Valencia, CA $3,000 New York, NY $3,000 To support artists’ fees and To support artists’ fees and Chamber Music Society of To support artists’ fees and related costs for chamber related costs for a chamber Lincoln Center, Inc. related costs for chamber music concerts during the and new music concert series New York, NY $10,000 music concerts by the Chel­ 1991-92 season. by the New CaIArts Twen­ To support artists’ fees and sea Chamber Ensemble dur­ 91-3124-0575 tieth Century Players during related costs for a series of ing the 1991-92 season. the 1991-92 season. chamber music concerts 91-3124-0561 Aston Magna Foundation 91-3124-0601 during the 1991-92 season. for Music, Inc. 91-3124-0546 Cultural Council Danbury, CT $3,000 Capitol Chamber Foundation To support artists’ fees and Artists, Inc. Chestnut Brass Company New York, NY $3,000 related costs for chamber Albany, NY $3,600 Philadelphia, PA $4,900 To support artists’ fees and music performances during To support artists’ fees and To support artists’ fees and related costs for a tour by the 1991 summer season. related costs for chamber and related costs for a chamber Flute Force during the 91-3124-0609 new music concerts during music concert series during 1991-92 season, including the 1991-92 season. the 1991-92 season. performances, master classes, Atlanta Chamber 91-3124-0596 91-3124-0551 and lecture-demonstrations. Players, Inc. 91-3124-0571 Atlanta, GA $3,000 Capitol Woodwind Quintet Chicago Brass Quintet To support artists’ fees and Arlington, VA $3,000 Chicago, IL $3,000 DVQ Association related costs for chamber To support artists’ fees and To support the salary and Colorado Springs, CO music concerts during the related costs for a chamber related costs of a full-time $3,000 1991-92 season. music concert series during administrative director dur­ To support artists’ fees and 91-3124-0604 the 1991-92 season. ing the 1991-92 season. related costs for chamber 91-3124-0553 91-3124-0576 music concerts by the Boston Musica Viva, Inc. DaVinci Quartet during Boston, MA $5,500 Carnegie Chamber Players Collage, Inc. the 1991-92 season. To support artists’ fees and New York, NY $3,000 Boston, MA $3,500 91-3124-0556 related costs for chamber To support artists’ fees and To support artists’ fees and music concerts during the related costs for a chamber related costs for new music Da Capo Chamber 1991-92 season. music residency during the concerts and the distribution Players, Inc. 91-3124-0552 1991-92 season. of a newsletter during the Nexv York, NY $13,400 91-3124-0549 1991-92 season. To support artists’ fees and Brass Ring, Inc. 91-3124-0595 related costs for chamber/ New Haven, CT $4,200 Chamber Music new music tour concerts and To support artists’ fees and America, Inc. Columbia College mini-residencies during the related costs for a chamber New York, NY $42,000 Chicago, IL $7,500 1991-92 season. music concert series during To support a technical assis­ To support artists’ fees and 91-3124-0722 the 1991-92 season. tance program and costs related costs for a residency 91-3124-0617 of the quarterly magazine by the Black Music Reper­ Detroit Chamber Winds Chamber Music during the tory Ensemble during the Royal Oak, MI $3,000 California E.A.R. Unit 1991-92 season. 1991-92 season. Reviewed To support artists’ fees and Foundation 91-3124-0543 by Music Professional Train­ related costs for chamber Los Angeles, CA $3,500 ing Panel B. 91-3124-0542 music concerts during the To support artists’ fees and Chamber Music Society of 1991-92 season. related costs for a new music Grand Rapids, Inc. Contemporary Music Forum 91-3124-0593 concert series during the Grand Rapids, MI $3,000 Washington, DC $3,000 1991-92 season. To support artists’ fees and To support artists’ fees for Dinosaur Annex Music 91-3124-0583 related costs for residencies new music concerts during Ensemble, Inc. by the New World Quartet the 1991-92 season. Boston, MA $3,000 91-3124-0557 To support artists’ fees and

1991 Annual Report 155 related costs for a new music To support artists’ fees and To support artists’ fees and music during the 1991-92 concert series in the 1991-92 related costs for a concert related costs for new music season. 91-3124-0611 season. 91-3124-0613 celebrating the Columbus concerts during the 1991-92 Quincentenary. season. 91-3124-0568 New York Consort of ~r Early Music 91-3124-0566 Viols, Inc. America, Inc. Manhattan Marimba New York, NY $3,200 New York, NY $10,750 ~r Kronos Performing Arts Quartet, Inc. To support artists’ fees and To support a technical assis­ Association Brooklyn, NY $3,000 related costs for chamber tance program and the publi­ San Francisco, CA $15,500 To support artists’ fees and music concerts during the cations Historical Pe~Cor­ To support administrative related costs for chamber 1991-92 season. mance, The Journal of Early salaries and artists’ fees for music concerts during the 91-3124-0550 Music America Bulletins and chamber/new music concerts 1991-92 season. A Practical Guide to Historical during the 1991-92 season. 91-3124-0573 New York New Music Performance, Volume IL 91-3124-0574 Ensemble 91-3124-0544 Music Projects Honolulu New York, NY $9,200 L’Ensemble Du Honolulu, HI $3,000 To support artists’ fees and Early Music Musique, Inc. To support artists’ fees and related costs for chamber Foundation, Inc. Cambridge, NY $3,000 related costs for chamber music concerts during the New York, NY $3,000 To support artists’ fees music concerts by the Spring 1991-92 season. To support artists’ fees and during the 1991-92 season. Wind Quintet during the 91-3124-0563 related costs for chamber 91-3124-0578 1991-92 season. music concerts during the 91-3124-0589 New York Philomusica 1991-92 season. Lark Society for Chamber Ensemble 91-3124-0594 Chamber Music Musica Antigua de New York, NY $3,000 Portland, ME $3,400 Albuquerque, Inc. To support artists’ fees and Earplay To support artists’ fees and Albuquerque, NM $3,000 related costs for chamber Berkeley, CA $3,000 related costs for a chamber To support artists’ fees for music concerts during the To support artists’ fees for music concert series by the chamber music concerts 1991-92 season. contemporary chamber Portland String Quartet during the 1991-92 season. 91-3124-0554 music concerts during the during the 1991-92 season. 91-3124-0585 1991-92 season. 91-3124-0559 North/South 91-3124-0570 New Jersey Chamber Music Consonance, Inc. Long Island Baroque Society, Inc. New York, NY $3,000 Goliard Concerts, Inc. Ensemble, Inc. Montclair, NJ $6,200 To support artists’ fees and Astoria, NY $3,000 Locust Valley, NY $3,000 To support artists’ fees and related costs for new music To support artists’ fees and To support artists’ fees and related costs for a chamber concerts during the 1991-92 related costs for chamber related costs for chamber music concert series during season. 91-3124-0616 music concerts by the music concerts during the the 1991-92 season. Goliard Chamber Soloists 1991-92 season. 91-3124-0621 Odyssey Chamber during the 1991-92 season. 91-3124-0597 Players, Inc. 91-3124-0587 New Music Consort, Inc. New York, NY $3,000 Lyric Chamber New York, NY $12,500 To support artists’ fees and Haydn-Mozart Chamber Ensemble, Inc. To support artists’ fees and related costs for chamber Orchestra Southfield, MI $5,400 related costs for new music music concerts during the Brooklyn, NY $3,000 To support artists’ fees and concerts during the 1991-92 1991-92 season. To support artists’ fees and related costs for the perfor­ season. 91-3124-0624 91-3124-0603 related costs for chamber mance of chamber music music concerts by the Powell during the 1991-92 season. New York Chamber Performers’ Committee, Inc. Quartet during the 1991-92 91-3124-0572 Ensemble, Inc. New York, NY $5,200 season. 91-3124-0622 New York, NY $3,000 To support artists’ fees and Maelstrom Percussion To support artists’ fees for related costs for chamber and Hesperus Ensemble, Limited the performance of chamber new music concerts and Arlington, VA $4,900 Buffalo, NY $3,000 mini-residencies during the

156 National Endowment for the Arts 1991-92 season. 1991-92 season. Soundscapes Synchronia 91-3124-0577 91-3124-0588 Colorado Springs, CO St. Louis, MO $3,000 $3,000 To support artists’ fees and Philadelphia Renaissance Roxbury Chamber Players To support artists’ fees and related costs for new music Wind Band Richmond, VA $3,000 related costs for a new music performances during the Philadelphia, PA $3,000 To support artists’ fees and concert series during the 1991-92 season. To support artists’ fees and related costs for chamber 1991-92 season. 91-3124-0569 related costs for a chamber music concerts during the 91-3124-0579 music concert series during 1991-92 season. The Ensemble of the 1991-92 season. 91-3124-0590 Southwest Chamber Music Santa Fe, Inc. 91-3124-0580 Society Santa Fe, NM $3,000 S.E.M. Ensemble, Inc. Pasadena, CA $3,000 To support artists’ fees and Pittsburgh New Music Brooklyn, NY $3,000 To support artists’ fees and related costs for chamber Ensemble, Inc. To support artists’ fees and related costs for chamber music concerts during the Pittsburgh, PA $6,700 related costs for new music music concerts during the 1991-92 season. To support artists’ fees and concerts during the 1991-92 1991-92 season. 91-3124-0581 related costs for the perfor­ season. 91-3124-0560 91-3124-0558 mance of new music during Theater Chamber the 1991-92 season. San Francisco Speculum Musicae, Inc. Players, Inc. 91-3124-0618 Contemporary Music New York, NY $7,500 Washington, DC $3,500 Players To support artists’ fees and To support artists’ fees for a Present Music, Inc. San Francisco, CA $8,500 related costs for new music chamber music concert series Milwaukee, WI $3,500 To support artists’ fees and concerts during the 1991-92 during the 1991-92 season. To support artists’ fees and related costs for new music season. 91-3124-0606 91-3124-0582 related costs for new music concert series during the concerts during the 1991-92 1991-92 season. St. Luke’s Chamber Tremont String season. 91-3124-0615 91-3124-0620 Ensemble, Inc. Quartet, Inc. New York, NY $4,200 Geneseo, NY $3,200 Quintet of the San Francisco Early To support artists’ fees and To support artists’ fees and Americas, Inc. Music Society related costs for chamber related costs for chamber and New York, NY $3,000 San Francisco, CA $3,000 music concerts during the new music concerts during To support artists’ fees and To support tour concerts by 1991-92 season. the 1991-92 season. related costs for chamber and Concerto Amabile during the 91-3124-0619 91-3124-0608 new music concerts during 1991-92 season. the 1991-92 season. 91-3124-0610 St. Michael’s Episcopal Trustees of Amherst College 91-3124-0614 Church Washington, DC $7,900 Sea Cliff Chamber New York, NY $4,900 To support artists’ fees for Relache, Inc. Players, Inc. To support artists’ fees and chamber music concerts by Philadelphia, PA $4,000 Sea Cliff, NY $6,500 related costs for a chamber/ the Folger Consort for the To support artists’ fees and To support artists’ fees and new music concert series by 1991-92 concert season. related costs for new music related costs for chamber the Saturday Brass Quintet 91-3124-0607 concerts by the Relache music concerts during the during the 1991-92 season. Ensemble during the 1991-92 season. 91-3124-0565 Twentieth Century Consort 1991-92 season. 91-3124-0545 Washington, DC $5,200 91-3124-0591 Sylvan Winds, Inc. To support artists’ fees and Solid Brass Chamber Music New York, NY $3,000 related costs for a new music Rosewood Chamber Guild, Inc. To support artists’ fees and concert series during the Ensemble, Inc. Chatham, NJ $3,000 related costs for chamber 1991-92 season. Sunnyside, NY $3,000 To support artists’ fees and music concerts during the 91-3124-0599 To support artists’ fees and related costs for chamber 1991-92 season. related costs for chamber music concerts during the 91-3124-0584 Viklarbo music concerts during the 1991-92 season. Los Angeles, CA $3,000 91-3124-0600 To support artists’ fees and

1991Annual Report 157 related costs for chamber related costs for chamber Orchestra in a residency for Wade C. Harrison II concerts during the 1991-92 music concerts by Hexagon the downtown arts district Layperson season. 91-3124-0586 during the 1991-92 season. during 1992, including President, Harrison Steel 91-3124-0592 workshops and daytime and Castings Company Vineyard Theatre and evening performances. Attica, IN Workshop Center, Inc. Jazz Ensembles 91-3124-0311 New York, NY $3,000 Raymond Harvey To support artists’ fees and Music Director/Conductor Panelists listed under the Orchestras Springfield Symphony related costs for the perfor­ Jazz Presenters category mance of chamber music by Orchestra also reviewed grants in this To improve the artistic quali­ Springfield, MA Vineyardmusicke during the category. ty and management of or­ 1991-92 season. chestras in all sections of the 91-3124-0564 Florence Nelson Association for the country; to encourage orches­ Vice President Advancement of Creative tras to broaden their reper­ American Federation of Virtuosi della Rosa, Inc. Musicians, New York City toires to include not only Portland, OR $4,400 Musicians, Local 802 Chapter, Inc. works of many historical Bayside, NY To support artists’ fees and New York, NY $4,350 periods, but particularly related costs for chamber and To support concerts by music of our time with an new music concerts during Donald Roth members of the AACM col­ emphasis on American Executive Director the 1991-92 season. lective, produced in New works; to provide profes­ 91-3124-0602 Oregon Symphony Orchestra York City during 1991. sional opportunities for Portland, OR 91-3124-0310 American artists and conduc­ Voices of Change tors; and to encourage or­ Gideon Toeplitz Dallas, TX $7,000 Creative Opportunity chestras to increase and edu­ To support artists’ fees and Vice President/Managing Orchestra, Inc. cate their audiences and serve Director related costs for a subscrip­ Austin, TX $4,350 the larger community. tion series, new music con­ Pittsburgh Symphony Society To support artists’ fees for Pittsburgh, PA certs, and the "Composer’s and costs related to the Forum" lecture series during 185 Grants 1991-92 subscription series Robert Ward the 1991-92 season. and the New Jazz Music Program Funds: $5,338,000 91-3124-0567 Composer Program. 91-3124-0308 Treasury Funds: $3,500,000 Durham, NC Waverly Consort, Inc. Jazz Arts Group of Advisory Panel David Wax New York, NY $8,000 Columbus To support artists’ fees and Executive Director Columbus, OH $3,475 Bradford Buckley Houston Symphony related costs for chamber To support musicians’ fees Chairman, International music concerts during the Orchestra for the Jazz Arts Group Conference of Symphony Houston, TX 1991-92 season. Orchestra and its guest artists and Opera Musicians 91-3124-0548 during the 1991-92 perfor­ Contrabassoonist, St. Louis Catherine Weiskel mance season. 91-3124-0309 Symphony Orchestra General Manager Western Wind Vocal St. Louis, MO New Haven Symphony Ensemble, Inc. Let My Children Hear New York, NY $10,900 Orchestra Music, Inc. Raynor Carroll New Haven, CT To support artists’ fees and New York, NY $6,100 Principal Percussionist related costs for chamber To support rehearsal costs Los Angeles Philharmonic music concerts and a work­ Rachael Worby related to the orchestra’s Orchestra Music Director/Conductor shop in ensemble singing 1991-92 tour of Charles Pasadena, CA during the 1991-92 season. Wheeling Symphony Mingus’s Epitaph. Orchestra 91-3124-0605 91-3124-0307 Paul Chummers Executive Director Charleston, WV Young Concert Artists, Inc. Tucson Jazz Society, Inc. Utah Symphony New York, NY $3,000 Tucson, AZ $3,475 Salt Lake City, UT To support artists’ fees and To support the Tucson Jazz

158 National Endowment for the Arts Grants Anchorage Symphony fits and guest artists’ fees. to western New York com­ Orchestra 91-3125-0400 munities. 91-3125-0355 Artistic and Anchorage, AK $3,500 Administrative To support a full orchestra Billings Symphony Society Canton Symphony Activities runout concert to a commu­ Billings, MT $3,000 Orchestra Association nity in south central Alaska. To support the engagement Canton, OH $24,000 Mabama Symphony 91-3125-0413 of two cellists to perform To support salaries of musi­ Association David Ott’s "Concerto For cians in the string quartet, Birmingham, AL $41,150 Ann Arbor Symphony Two Cellos and Orchestra" brass quintet, woodwind To support the 1991-92 sub­ Orchestra, Inc. and related production costs. quartet, and percussion pro­ scription series of concerts. Ann Arbor, MI $3,000 91-3125-0459 gram and related costs. 91-3125-0382 To support the 1991-92 sub­ 91-3125-0356 scription series and related Binghamton Symphony and Albany Symphony costs. 91-3125-0508 Choral Society, Inc. Cayuga Chamber Orchestra, Inc. Binghamton, NY $7,000 Orchestra, Inc. Albany, NY $32,000 Arkansas Orchestra To support musicians’ sala­ Ithaca, NY $3,000 To support costs associated Society, Inc. ries and the presentation of To support musicians’ fees with the 1991-92 subscrip­ Little Rock, AR $13,700 one pair of concerts in the and costs associated with the tion series of concerts and an To support costs associated home subscription series. production of the 1991-92 associated runout series. with the presentation of 91-3125-0491 main concert series. 91-3125-0423 choral works. 91-3125-0399 91-3125-0359 Boston Symphony Amarillo Symphony, Inc. Augusta Symphony, Inc. Orchestra, Inc. Cedar Rapids Symphony Amarillo, TX $3,000 Augusta, GA $3,000 Boston, MA $100,000 Orchestra Association, Inc. To support runout concerts To support the Masterworks TF $165,500 Cedar Rapids, IA $16,500 to the Texas Panhandle, I and Masterworks II series. To support the orchestra’s To support salaries of the additional rehearsal costs, the 91-3125-0478 11 lth season, including sub­ Cedar Rapids Symphony educational program, and the scription concerts and youth String Quartet, performances engagement of American Austin Symphony Orchestra concerts in Symphony Hall. by ensembles in rural com­ guest artists and conductors. Society, Inc. 91-3125-0383 munities in eastern Iowa, and 91-3125-0442 Austin, TX $24,000 performances by the Cedar To support costs associated Brooklyn Philharmonic Rapids Symphony Chamber American Composers with the 1991-92 subscrip­ Symphony Orchestra, Inc. Orchestra. 91-3125-0492 Orchestra, Inc. tion series and the salaries of Brooklyn, NY $47,000 New York, NY $33,000 the music director, concert­ To support the 1991-92 sub­ Chamber Symphony of To support artistic and pro­ master, and string principals. scription series, family/com­ San Francisco duction fees for added 91-3125-0385 munity concerts, free sum­ San Francisco, CA $3,000 rehearsals for concerts of the mer park concerts, free To support the continued subscription series, fees for Baltimore Symphony schooltime concerts at the development of a core or­ American conductors and Orchestra, Inc. Brooklyn Academy of Music, chestra, concerts in neighbor­ soloists, and promotion and Baltimore, MD $100,000 and in-school performances ing communities, runout advertising expenses. TF $115,000 in Brooklyn and Long Island. concerts and regional tour­ 91-3125-0426 To support the 1991-92 91-3125-0500 ing, the engagement of a main subscription series of part-time promotion special­ American Symphony Celebrity, Favorites, and Buffalo Philharmonic ist, and concerts for under- Orchestra, Inc. Casuals concerts. Orchestra Society, Inc. served audiences. New York, NY $15,000 91-3125-0402 Buffalo, NY TF $120,000 91-3125-0499 To support the 1991-92 sub­ To support the 1991-92 scription series of concerts at Baton Rouge Symphony main subscription series, Champaign-Urbana Carnegie Hall. Association Community Mozart con­ Symphony 91-3125-0484 Baton Rouge, LA $11,000 certs, the world-premiere per­ Champaign, IL $4,000 To support conductors’ and formance of a commissioned To support increased remu­ musicians’ salaries and bene­ work, and runout concerts neration for musicians and

1991 Annual Report 159 gram, and regional touring music director and the Cincinnati Symphony Dallas Symphony Orchestra Association, Inc. for the Detroit Symphony engagement of a black guest Orchestra. 91-3125-0448 artist who will perform at the Cincinnati, OH $100,000 Dallas, TX $100,000 TF $110,000 TF $50,000 opening gala concert "Cele­ Duluth-Superior Symphony bration!" honoring African- To support the 1991-92 To support the 1991-92 subscription series. main subscription series, a Association American performers and Duluth, MN $10,500 composers. 91-3125-0458 91-3125-0510 summer festival, the "Super- Pops" series of classical and To support rehearsal time in preparation of subscription Charleston Symphony Colonial Symphony Society popular music, and commu­ Orchestra Madison, NJ $3,000 niry concerts. 91-3125-0364 series concerts, services for To support an orchestral the "Chamber Ensembles in Charleston, SC $12,000 the Schools" educational To support educational pro concert at a nearby high Dayton Philharmonic grams and other related costs. school. 91-3125-0378 Orchestra Association program, and related costs. 91-3125-0374 Dayton, OH $36,600 91-3125-0372 Colorado Springs Symphony To support Coffee Concerts, Charlotte Symphony Orchestra Association Casual Classics, and the El Paso Symphony Colorado Springs, CO Magic Carpet Concerts Orchestra Association Orchestra Society, Inc. $6,500 Charlotte, NC $35,000 $22,000 series. 91-3125-0517 El Paso, TX To support young people’s To support the 1991-92 To support an educational classical subscription series. program for children from concerts, Adventure Concerts Delaware Symphony the Charlotte-Mecklenburg designed for families, and Association 91-3125-0370 school system and runout showcase presentations that Wilmington, DE $16,500 explore indepth works on the To support the 1991-92 sub­ Elgin Symphony Orchestra concerts to North and South Association Carolina. 91-3125-0387 subscription series. scription series in satellite 91-3125-0362 locations in New Castle, Elgin, IL $7,300 To support increased remu­ Chattanooga Symphony and Kent, and Sussex Counties. Opera Association Columbus Symphony 91-3125-0371 neration for musicians, Chattanooga, TN $10,000 Orchestra, Inc. young people’s concerts, a Columbus, OH $82,000 Denver Chamber Orchestra series of concerts by small To support salaries of core ensembles, and additional orchestra musicians, addi­ TF $40,000 Denver, CO $3,000 tional rehearsal time for the To support the educational To support an education rehearsal time for string musicians. 91-3125-0475 preparation of subscription program and additional program for middle school concerts, and the engagement rehearsal time costs. children; the Musicians’ Eugene Symphony of American guest artists. 91-3125-0519 Apprenticeship Program; 91-3125-0464 and preconcert talks by Association, Inc. Concerto Soloists composers, guest conductors, Eugene, OR $6,000 Chicago Chamber Orchestra Philadelphia, PA $42,000 and the music director. To support runout concerts, Association To support salaries of con­ 91-3125-0392 a youth concert series for Chicago, IL $3,000 tract orchestra musicians and preschool through high To support musicians’ fees fees for assisting artists in per­ Des Moines Symphony school students, and small for additional rehearsal time. forming subscription and Association ensemble performances in 91-3125-0534 runout concerts. Des Moines, IA $12,000 schools. 91-3125-0455 91-3125-0445 To support the 1991-92 Chicago String Ensemble subscription series. Evansville Philharmonic Chicago, IL $3,000 Concordia: A Chamber 91-3125-0375 Orchestral Corporation To support the 1991-92 sub­ Symphony Endowment Fund Trust scription series in Chicago, New York, NY $3,000 Detroit Symphony Evansville, IN $14,000 repeat concerts in Elmhurst, To support the 1991-92 sub- Orchestra Hall, Inc. To support the engagement of American artists and con­ and the performance of a scription series at Mice Tully Detroit, MI $100,000 commissioned work by Hall and Avery Fisher Hall. TF $110,000 ductors, the presentation of Robert Lombardo. 91-3125-0446 To support the 1991-92 ensemble concerts in schools, 91-3125-0477 symphonic series, a summer state hospitals, and business­ series, the educational pro­ es, and the presentation of

160 National Endowment for the Arts youth concerts with com­ with the production of the tra musicians, including addi­ guest artists and’conductors; mentary by the music direc­ 1991-92 Masterworks Sub­ tional subscription, chamber, and runout concerts in Leba­ tor. 91-3125-0470 scription Series. and runout concerts; educa­ non, Lancaster, York, and 91-3125-0434 tional services; and perfor­ Carlisle, Pennsylvania. Fairbanks Symphony mances with opera and ballet 91-3125-0531 Association, Inc. Florida Symphony companies. 91-3125-0480 Fairbanks, AK $9,000 Orchestra, Inc. Hartford Symphony To support the engagement Orlando, FL $32,000 Greater Akron Musical Orchestra, Inc. of American guest artists, To support the 1991-92 Association, Inc. Hartford, CT $41,150 concerts featuring works by Masterworks Subscription Akron, OH $15,600 To support the 1991-92 sub­ American composers, Series, the Chamber Music To support Little Tikes Chil­ scription series, educational and touring of the Arctic Series, and related costs. dren’s Concerts and a family concerts, chamber activities, Chamber Orchestra in south­ 91-3125 -0422 concert. and subsidized tickets for eastern Alaska. 91-3125-0528 high school students. 91-3125-0483 Florida West Coast 91-3125-0530 Symphony Greensboro Symphony Fairfax Symphony Orchestra Sarasota, FL $5,500 Society, Inc. Honolulu Symphony Society Annandale, VA $9,500 To support salaries of core Greensboro, NC $9,000 Honolulu, HI TF $86,000 To support chamber orches­ orchestra musicians who will To support an orchestral To support the 1991-92 sub­ tra concerts for fourth grade perform with the full orches­ education program designed scription series, the Starlight students and in-school tra, chamber orchestra, and as an interdisciplinary pro­ Series at the Waikiki Shell, ensemble performances with small ensembles. gram of music education in the Oahu education program narrator for students in 91-3125-0407 the school system. of concerts and ensemble per­ kindergarten through sixth 91-3125-0391 formances, and concert tours grade. 91-3125-0503 Fort Wayne Philharmonic to the neighboring islands. Orchestra, Inc. Greenville Symphony 91-3125-0486 Fairfield Chamber Fort Wayne, IN $41,150 Association Orchestra, Inc. To support the salaries of a Greenville, SC $3,700 Houston Symphony Society Southport, CT $3,500 core group of musicians and To support the 1992 Winter Houston, TX TF $177,000 To support musicians’ and to support related artistic and Music Festival. To support the 1991-92 guest artists’ fees and related administrative expenses. 91-3125-0487 subscription series and relat­ costs in connection with the 91-3125-0363 ed costs. 91-3125-0535 1991-92 subscription series Handel and Haydn Society at Norwalk Concert Hall. Fort Worth Symphony Boston, MA $14,700 Hudson Valley 91-3125-0526 Orchestra Association, Inc. To support musicians’ fees Philharmonic Society, Inc. Fort Worth, TX $64,000 for period instrument perfor­ Poughkeepsie, NY $23,000 Fargo-Moorhead Orchestral To support the touring pro­ mances as part of the 1991­ To support the 1991-92 sub­ Association gram and local youth con­ 92 subscription series. scription series of concerts Fargo, ND $5,000 certs. 91-3125-0512 91-3125-0430 repeated in three different To support educational locations: Bardavon 1869 concerts for young audiences Fresno Philharmonic Handel Festival Orchestra Opera House in Pough­ during the 1991-92 season. Association Washington, DC $3,000 keepsie; Ulster Performing 91-3125-0393 Fresno, CA $6,000 To support expansion of the Arts Center in Kingston; and To support in-school demon­ Chamber Orchestra Series by Paramount Theater in Flint Institute of Music strations by small ensembles adding concerts. Middletown. 91-3125-0353 Flint, MI $4,000 and family runout concerts. 91-3125-0390 To support the Flint Sym­ 91-3125-0522 Illinois Philharmonic phony Orchestra’s additional Harrisburg Symphony Orchestra Association services for full orchestra. Grand Rapids Symphony Association Park Forest, IL $3,000 91-3125-0429 Society Harrisburg, PA $7,300 To support musicians’ Grand Rapids, MI $75,000 To support educational con­ salaries for school concerts Florida Orchestra, Inc. To support the core orchestra certs for preschool and ele­ and increased remuneration Tampa, FL $37,000 and increased performance mentary school students; the for musicians who perform To support costs associated opportunities for core orches­ engagement of American

1991 Annual Report 161 subscription concerts. Kalamazoo Symphony Lincoln Symphony Marin Symphony 91-3125-0507 Society, Inc. Orchestra Association Association Kalamazoo, MI $9,000 Lincoln, NE $5,000 San Rafael, CA $11,000 Indiana State Symphony To support the 1991-92 To support expenses associat­ To support the music direc­ Society, Inc. subscription series and relat­ ed with transportation to the tor’s salary and increased Indianapolis, IN $100,000 ed costs. 91-3125-0505 concert hall and subsidized remuneration for the musi­ TF $56,000 tickets for middle- and low- cians. 91-3125-0358 To support musicians’ and Kansas City Symphony income senior citizens. guest artists’ fees for the Kansas City, MO $45,000 91-3125-0435 Maryland Symphony To support Discovery and Orchestra, Inc. Indianapolis Symphony $4,600 Orchestra, production costs family concerts and related Long Beach Symphony Hagerstown, MD for the 1991-92 main sub­ costs. 91-3125-0449 Association To support additional re­ scription series, and the new Long Beach, CA $30,000 hearsal time for the prepara­ Symphony Promenade Knoxville Symphony To support orchestra musi­ tion of works that are part of Series. 91-3125-0494 Society, Inc. cians’ salaries for perfor­ the 1991-92 subscription Knoxville, TN $23,000 mances of subscription con­ series. 91-3125-0482 Island Philharmonic To support salaries and bene­ certs and education/outreach Society, Inc. fits of core orchestra musi­ programs. 91-3125-0489 Memphis Orchestral Melville, NY $15,000 cians. 91-3125-0515 Society, Inc. To support increased Los Angeles Chamber Memphis, TN $41,000 rehearsal time, costs associat­ Lake Forest Symphony Orchestra Society, Inc. To support salaries of the ed with musician auditions, Association, Inc. Los Angeles, CA $54,000 core orchestra musicians who and performances for special Lake Forest, IL $4,600 To support fees and expenses will perform ensembles and constituencies in communi­ To support the 1991-92 sub­ of American artists, increased runout, educational, and ties on Long Island. scription series, an additional rehearsal time for preparation chamber orchestra concerts. 91-3125-0417 concert in Evanston, Illinois, of American works, precon­ 91-3125-0523 educational concerts, and cert lectures, and the Family Jacksonville Symphony related costs. 91-3125-0521 Education Concert Series. Midland-Odessa Symphony Association 91-3125-0473 and Chorale, Inc. Jacksonville, FL $22,500 Lansing Symphony Midland, TX $3,000 To support educational con­ Association, Inc. Los Angeles Philharmonic To support the 1991-92 sub­ certs and free community Lansing, MI $9,000 Association scription series of concert concerts. 91-3125-0408 To support educational out­ Los Angeles, CA $100,000 pairs, increased remuneration reach programs. TF $165,500 to musicians, increased Johnstown Municipal 91-3125-0436 To support the 1991-92 rehearsal time, the engage­ Symphony Orchestra winter season activities. ment of additional string Johnstown, PA $3,000 Lehigh Valley Chamber 91-3125-0474 players, and in-school To support the employment Orchestra demonstrations by guest of additional musicians, Lehigh Valley, PA $3,000 Louisville Orchestra, Inc. artists. 91-3125 -0447 including a concertmaster, To support additional re­ Louisville, KY $75,000 and their travel expenses. hearsal time. 91-3125-0419 To support the Masterworks Milwaukee Symphony 91-3125-0623 and the Cumberland Coffee Orchestra, Inc. Lexington Philharmonic Concert series. Milwaukee, WI $100,000 Jupiter Symphony of New Society 91-3125-0454 TF $50,000 York, Inc. Lexington, KY $12,800 To support the 1991-92 sub­ New York, NY $3,000 To support chamber orches­ Macon Symphony scription series and educa­ To support the salary of a tra services and concerts, Orchestra, Inc. tional activities. bookkeeper and costs associ­ travel expenses for musicians Macon, GA $4,600 91-3125-0415 ated with the research and who live outside Lexington, To support costs associated performance of contempo­ the young people’s concerts, with performances of Ameri­ Minneapolis Chamber rary American music. and the Docent Program. can music and the presenta­ Symphony, Inc. 91-3125-0365 91-3125-0452 tion of American guest Minneapolis, MN $5,000 artists. 91-3125-0511 To support the Community

162 National Endowment for the Arts Concert Series during the Nashville Symphony tion series and runout con­ North Carolina Symphony 1991-92 season. Association certs. 91-3125-0460 Society, Inc. 91-3125-0421 Nashville, TN $30,000 Raleigh, NC $66,000 To support costs associated New Haven Symphony TF $30,000 Minnesota Orchestral with the presentation of con­ Orchestra, Inc. To support full orchestra Association, The certs within a 120-mile New Haven, CT $41,000 educational concerts and per­ Minneapolis Symphony radius of Nashville. To support the 1991-92 sub­ formances of new American Orchestra 91-3125-0461 scription series at Woolsey music. 91-3125-0409 Minneapolis, MN $100,000 Hall on the campus of Yale TF $155,000 Nassau Symphony University. 91-3125-0381 Northwest Chamber To support production costs Society, Inc. Orchestra for the 1991-92 subscription Garden City, NY $3,000 New Jersey Symphony Seattle, WA $3,000 series. 91-3125-0476 To support musicians’ Orchestra To support ensemble runout salaries, guest artists’ fees, and Newark, NJ TF $105,000 concerts and the engagement Mississippi Symphony increased rehearsal time asso­ To support the engagement of a music director, American Foundation of Jackson ciated with the production of of an associate conductor and guest artists, and American Jackson, MS $5,000 the classical series performed an educational program that guest conductors. To support musicians’ fees in Adams Playhouse at will reach children through­ 91-3125-0465 and travel costs for statewide Hofstra University in out New Jersey. touring to rural communi­ Hempstead, New York. 91-3125-0431 Northwest Indiana ties. 91-3125-0443 91-3125-0367 Symphony Society, Inc. New Mexico Symphony Munster, IN $3,000 Monterey County National Chamber Orchestra To support the preparation Symphony Association Orchestra Society, Inc. Albuquerque, NM $52,500 and promotion costs associ­ Carmel, CA $9,200 Rockville, MD $3,000 To support ensemble perfor­ ated with the performance of To support a pilot music To support performances of mances in Albuquerque pub­ two contemporary American education program that will contemporary American lic schools, full orchestra con­ works as part of the "Great include partial staff salaries music as part of the subscrip­ certs for fourth and fifth American Concerto" project. and educational kits for tion series, engagement of grade students, and touring 91-3125-0396 students. 91-3125-0493 American artists, and in­ activities. 91-3125-0532 creased rehearsal time costs. Ohio Chamber Orchestra Musical Arts Association, 91-3125-0450 New Orchestra of Society The Cleveland Orchestra Westchester, Inc. Cleveland, OH $9,200 Cleveland, OH $100,000 National Symphony Hartsdale, NY $10,500 To support the salary of a TF $165,500 Orchestra Association of To support the performance first violinist, the engagement To support educational con­ Washington, D.C. of works by women com­ of a string quartet, travel certs for third through eighth Washington, DC $100,000 posers on each of the sub­ expenses for music director grade students and the sub­ TF $105,000 scription series concerts, candidates, and related costs. scription series of daytime To support the 1991-92 sub­ additional rehearsal time, and 91-3125-0420 concerts for adult audiences, scription series. preconcert lectures. all performed at Severance 91-3125-0498 91-3125-0481 Omaha Symphony Hall. 91-3125-0524 Association Nebraska Chamber New Orleans Symphony Omaha, NE $41,000 Music of the Baroque Orchestra Society To support educational and Concert Series Lincoln, NE $3,000 New Orleans, LA $14,000 touring activities. Chicago, IL $12,000 To support the employment TF $50,000 91-3125-0369 To support orchestra musi­ of a full-time general mana­ To support additional cians’ salaries, instrumental ger. 91-3125-0360 administrative staff for sub­ Orchestra of Santa Fe, Inc. soloists’ fees, and related costs scription renewal and promo­ Santa Fe, NM $3,000 for rehearsals and concerts as New Hampshire Symphony tion. 91-3125-0472 To support performances of part of the 1991-92 sub­ Manchester, NH $10,500 American music, American scription season. To support the expansion of guest artists’ fees, and addi­ 91-3125-0506 the 1991-92 home subscrip­ tional administrative staff

1991 Annual Report 163 support salaries. Pacific Symphony cert series called "Cushion Pittsburgh Symphony 91-3125-0357 Association Concerts," and the employ­ Society Irvine, CA $20,150 ment of a full-time support Pittsburgh, PA $100,000 Orchestral Association TF $21,000 staff member. TF $155,000 Chicago, IL $100,000 To support the music direc­ 91-3125-0490 To support the 1991-92 TF $165,500 tor’s salary, additional classical subscription series of To support the Chicago rehearsal time, the engage­ Philharmonic Orchestra concerts. 91-3125 -0373 Symphony Orchestra’s ment of guest artists and of Florida 1991-92 subscription series conductors, and in-school Fort Lauderdale, FL $42,000 Portland Maine Symphony in Orchestra Hall. concerts. 91-3125-0468 TF $15,000 Orchestra 91-3125-0388 To support the Celebrity and Portland, ME $33,500 Pasadena Symphony Proms Subscription Series, To support the 1991-92 Oregon Symphony Association youth concerts, a series of subscription series and corre­ Association Pasadena, CA $18,300 chamber music concerts in sponding preconcert lectures. Portland, OR $82,000 To support the 1991-92 sub­ museums and schools, and a 91-3125-0471 TF $40,000 scription series of Saturday summer season of free park To support the "Symphony evening concerts and a family concerts. 91-3125-0527 Pro Arte Chamber Sunday" series, the "Music concert. 91-3125-0384 Orchestra of Boston, Inc. for Youth" series with its pre- Philharmonic Society of Boston, MA $9,200 and postconcert activities in Peoria Symphony Orchestra Northeastern Pennsylvania To support full and partial schools, and the engagement Peoria, IL $4,600 Avoca, PA $18,300 salaries of administrative of a full-time second violin To support the salary of a To support additional staff. 91-3125-0394 and part-time string players. full-time marketing director, rehearsal time to prepare per­ 91-3125-0509 chamber music perfor­ formances of contemporary Pro Musica Chamber mances, and small ensemble works by American com­ Orchestra of Columbus, Inc. Orpheon, Inc. programs. 91-3125-0439 posers and the engagement of Columbus, OH $5,000 New York, NY $15,000 young American soloists on To support performances of To support musicians’ fees Philadelphia Orchestra the 1991-92 subscription American music and the for additional rehearsal time, Association series. 91-3125-0418 recruitment of principal the partial salaries of the con­ Philadelphia, PA $100,000 musicians. 91-3125-0453 ductor and the director of TF $165,500 Philharmonic-Symphony education, and the full salary To support the 1991-92 Society of New York, Inc. Queens Symphony of the music assistant for the subscription series, pre- and New York, NY $100,0000 Orchestra, Inc. Little Orchestra Society of postconcert lecture series, a TF $165,500 Rego Park, NY $15,000 New York. 91-3125-0514 chamber music series, educa­ To support American artists To support the 1991-92 tional programs, and a con­ and repertoire featured as Masterworks Concert Series Orpheus Chamber cert commemorating the life part of the 1991-92 sub­ and the Family Concert Orchestra, Inc. and work of Dr. Martin scription series; outdoor con­ Series. 91-3125-0428 New York, NY $50,000 Luther King, Jr. certs in New York City, Long To support a Carnegie Hall 91-3125-0414 Island, and Westchester Redlands Symphony series, satellite and runout County; and the MAX Association concerts, regional touring, Philharmonia Baroque (Musical Arts Experience) Redlands, CA $3,500 and management initiatives. Orchestra of the West in-school and concert hall To support the employment 91-3125-0469 San Francisco, CA $16,500 presentations. 91-3125-0432 of the music director, general To support performances of manager, and office manager. Owensboro Symphony Handel’s oratorio Theodora. Phoenix Symphony 91-3125-0479 Orchestra, Inc. 91-3125-0368 Association Owensboro, KY $4,000 Phoenix, AZ $47,500 Rhode Island Philharmonic To support the Consortium Philharmonia Virtuosi TF $51,500 Orchestra Chairs program and the Corporation To support the 1991-92 Providence, RI $23,000 rehearsal and performance of Dobbs Ferry, NY $12,800 subscription series performed To support youth concerts recent works by Kentucky To support additional in Symphony Hall. and in-school ensemble composers. 91-3125 -0496 rehearsal time, a youth con­ 91-3125-0397 programs. 91-3125-0513

164 National Endowment for the Arts Richmond Symphony touring to upstate New York San Diego Chamber expenses and related costs Richmond, VA $27,500 communities. 91-3125-0441 Orchestra associated with the 1991-92 To support an extended con­ Rancho Santa Fe, CA $3,500 Masterpiece Series. cert season and salaries and Sacramento Symphony To support increased 91-3125-0502 benefits for additional core Association rehearsal time. 91-3125-0529 players. 91-3125-0525 Sacramento, CA $30,000 Shreveport Symphony To support the salaries of San Diego Symphony Society Riverside Symphony, Inc. full-time musicians, concerts Orchestra Association Shreveport, LA $15,500 New York, NY $3,000 in collaboration with local San Diego, CA TF $87,000 To support three phases of To support musicians’ fees church choirs, educational To support musician’s the educational program for for additional rehearsal time programs, and runout salaries for subscription con­ students and teachers in and costs related to the per­ concerts. 91-3125-0440 cert performances, young kindergarten through eighth formance of community people’s concerts, and record­ grade in the Louisiana par­ concerts. 91-3125-0412 Saginaw Symphony ing sessions. 91-3125-0410 ishes of Caddo, Bossier, and Association DeSoto. 91-3125-0520 Roanoke Symphony Society Saginaw, MI $5,000 San Francisco Symphony Roanoke, VA $3,000 To support the engagement San Francisco, CA $100,000 Sinfonia San Francisco To support the "ArtSounds" of principal string players TF $165,500 San Francisco, CA $3,000 concerts held in conjuction (including the concertmaster) To support the 1991-92 To support a subscription with art exhibits in the Olin and a principal oboist, and main subscription series. concert of all new American Hall Gallery of Roanoke their travel costs. 91-3125-0467 works. 91-3125-0366 College. 91-3125-0389 91-3125-0485 San Jose Symphony South Carolina Orchestra Robert W. WoodruffArts Saint Louis Symphony Association Association, Inc. Center, Inc. Society San Jose, CA $50,300 Columbia, SC $4,600 Atlanta, GA $100,000 St. Louis, MO $100,000 To support the artistic To support the engagement TF $115,000 TF $155,000 expenses associated with the of American guest artists and To support the Atlanta Sym­ To support the 1991-92 production of the 1991-92 the fees of an American com­ phony’s touring in the south­ main subscription series, the Masterworks Series. poser to present workshops eastern region, educational Chamber Music St. Louis 91-3125 -0533 and preconcert lectures. programs designed for chil­ Series, the Discovery Series, 91-3125-0466 dren from preschool through and preconcert lectures for Santa Barbara Symphony middle school classes, and the each concert of the series. Orchestra Association South Dakota Symphony presentation of American 91-3125-0488 Santa Barbara, CA $12,000 Orchestra conductors and guest artists. To support artists’ fees and Sioux Falls, SD $3,500 91-3125-0379 Saint Luke’s Chamber related costs of the Sunday To support the engagement Ensemble, Inc. Matinee Series. of American guest artists, Rochester Civic Music Guild New York, NY $13,700 91-3125-0495 performance of contempo­ Rochester, MN $3,700 To support the 1991-92 rary American repertoire, To support increased remu­ subscription series. Savannah Symphony additional concerts per­ neration for musicians. 91-3125-0504 Society, Inc. formed in underserved com­ 91-3125-0361 Savannah, GA $13,700 munities, and touring activi­ Saint Paul Chamber To support activities associat­ ties of chamber ensembles Rochester Philharmonic Orchestra Society ed with "Women in Music," and full orchestra. Orchestra, Inc. St. Paul, MN $100,600 the theme for the orchestra’s 91-3125-0376 Rochester, NY $100,000 TF $65,000 1991-92 season. TF $50,000 To support costs associated 91-3125-0380 Spokane Symphony Society To support educational con­ with the production of the Spokane, WA $21,000 certs, subscription concerts in Masterworks Series, the Seattle Symphony To support increased remu­ the Eastman Theatre, free Basically Baroque Series, and Orchestra, Inc. neration for orchestra musi­ concerts in area parks and the Morning Coffee Series. Seattle, WA $100,000 cians. 91-3125-0463 other public locations, and 91-3125-0451 TF $45,000 To support artistic salary

1991 Annual Report 165 Springfield Orchestra the Syracuse Symphony subscription series, a chamber Westmoreland Symphony Association, Inc. Youth Orchestra concerts, series, rehearsal and specialty Orchestra Springfield, MA $30,000 and educational programs for concerts, school and youth Greensburg, PA $3,000 To support youth concerts young people. 91-3125-0518 concerts, regional tours to To support an extra full by the full orchestra and southern Utah and Nevada, orchestra rehearsal for each ensembles, presentation of The Women’s Philharmonic and performances with Ballet of the subscription concerts. American guest artists, and San Francisco, CA $8,500 West and the Utah Opera. 91-3125-0395 performances of works by To support the music direc­ 91-3125-0351 American composers. tor’s salary and musicians’ Wheeling Symphony 91-3125-0424 rehearsal and performance Ventura County Symphony Society, Inc. fees for the presentation of Association Wheeling, WV $3,000 Springfield Symphony subscription concerts. Ventura, CA $6,500 To support educational out­ Orchestra 91-3125-0456 To support section players’ reach programs in the Ohio Springfield, IL $15,000 salaries. 91-3125-0438 Valley, subscription concerts, To support salaries of core Toledo Orchestra the engagement of a string orchestra musicians who per­ Association, Inc. Vermont Symphony quartet, and recording costs form subscription concerts, Toledo, OH $47,000 Orchestra Association, Inc. for concerts to be rebroadcast tour and runout concerts as To support educational Burlington, VT $18,300 over West Virginia Public the Illinois Chamber Orches­ concerts for school children To support the music direc­ Radio. 91-3125-0444 tra, and small ensemble pre­ presented by the orchestra’s tor’s salary and a residency by sentations in schools and in small ensembles and the orchestra trios in an under- Wichita Symphony the community. engagement of guest artists, served region of Vermont. Society, Inc. 91-3125-0516 conductors, or composers for 91-3125-0462 Wichita, KS $28,500 subscription series concerts. To support runout and tour Stamford Symphony 91-3125-0404 Virginia Symphony concerts throughout Kansas, Orchestra, Inc. Norfolk, VA $27,000 young people’s concerts, and Stamford, CT $7,300 Tucson Symphony Society To support children’s educa­ the employment of graduate To support a concert Tucson, AZ $23,000 tional concerts, a classical students from Wichita State featuring ensembles from To support educational con­ series performed throughout University who will perform the orchestra, "Musical certs, including a preschool the Hampton Roads area, with the orchestra and pro­ Adventures for Youth," and program, chamber orchestra and the performance of a vide ensemble performances the issuance of discounted concerts for kindergarten contemporary fanfare as a at elementary schools. and free tickets. through third grade students, prelude to each subscription 91-3125-0352 91-3125-0401 and lecture-demonstrations concert. 91-3125-0406 for students in fourth Winston-Salem Symphony Symphony Society of San through sixth grades. West Virginia Symphony Association Antonio 91-3125-0457 Orchestra, Inc. Winston-Salem, NC San Antonio, TX $18,600 Charleston, WV $5,000 $16,500 TF $50,000 Tulsa Philharmonic To support the Montclaire To support the education To support the 1991-92 Society, Inc. String Quartet and their outreach program. Symphony Series, which will Tulsa, OK $20,000 travel expenses. 91-3125-0427 include works by American To support salaries and bene­ 91-3125-0398 composers, and educational/ fits for core musicians who Young Men’s and Young outreach activities in south­ will perform subscription, Westfleld Symphony Women’s Hebrew ern Texas that will develop young people’s, family, Westfield, NJ $3,000 Association underserved audiences. chamber music, runout, park, To support an expanded edu­ New York, NY $40,000 91-3125-0354 and institutional concerts. cation program, including in- To support a portion of the 91-3125-0425 school activities, ensemble artists’ fees for the New York Syracuse Symphony programs, and master classes. Chamber Symphony’s main Orchestra, Inc. Utah Symphony Society 91-3125-0377 subscription series in Kauf­ Syracuse, NY $75,000 Salt Lake City, UT $80,000 mann Concert Hall. TF $33,000 TF $20,000 91-3125-0433 To support "Project 2000," To support the 1991-92

166 National Endowment for the Arts Youngstown Symphony teers, and conductors, and Maureen O’Neill Associated Students of Society, Inc. specialized training courses Former President of the Sacramento State College Youngstown, OH $8,000 for orchestra professionals. Board, Seattle Folk Life Sacramento, CA $6,500 To support concerts at the 91-3125-0416 Festival To support the Festival of Edward W. Powers Auditor­ Recreation District Manager, New American Music in ium. 91-3125-0497 ~r American Symphony Community Center 1991.91-3142-0159 Orchestra League Seattle, WA Washington, DC $48,000 Bach Aria Group Creative Projects To support the Orchestra A. Michelle Smith Association, Inc. Ann Arbor Symphony Management Fellowship Executive Director Stony Brook, NY $3,000 Orchestra, Inc. Program. 91-3125-0501 National Black Arts Festival To support artists’ fees at the Ann Arbor, MI $4,500 Atlanta, GA 1991 Bach Aria Festival. ~ Meet the Composer, Inc. 91-3142-0153 To support a minority out­ reach program. New York, NY $50,000 John Solum 91-3125-0437 TF $60,000 Flutist Boston Symphony To support the continuation Westport, CT Orchestra, Inc. Detroit Symphony of composer residencies in Boston, MA TF $18,100 Orchestra Hall, Inc. various symphony orchestras. Peter Susskind To support American artists’ 91-3125-0386 Assistant Conductor, Youth fees at the 1991 Tanglewood Detroit, MI $15,000 Festival. 91-3142-0151 To support the 1991-92 Activities African-American Composers San Jose Symphony Music Festivals Richmond, CA Bravo! Colorado at Forum, a project that will Vail-Beaver Creek showcase compositions of To assist organizations that Paul Traver Vail, CO $3,000 contemporary black com­ offer a series of high-quality posers. 91-3125-0403 Artistic Director, Maryland To support costs associated special music events, coordi­ Handel Festival with the 1991 Bravo! Colo­ nated within a specific period Music Director, University rado Music Festival. Services to the of time, and presented at a of Maryland Chorus 91-3142-0158 Fields centralized location. College Park, MD Cabrillo Guild of Music ~r Denotes Grants Having 43 Grants Martin Verdrager Aptos, CA $14,200 National Impact. Program Funds: $263,500 Artistic Administrator To support artists’ fees at the Treasury Funds: $100,000 Aspen Music Festival 1991 Cabrillo Music Festival. ~ Affiliate Artists, Inc. Aspen, CO 91-3142-0148 New York, NY $I00,000 Advisory Panel TF $20,000 Grants California Institute of To support the continuation Walter Heid the Arts of the Affiliate Artists/Arts Executive Director ~ Denotes Grants Having Valencia, CA $4,700 Endowment Conductors National Impact. To support artists’ fees for Eastern Music Festival the Contemporary Music Program, which sponsors res­ Greensboro, NC idencies of young American Appalachian State University Festival in 1991. conductors with American Jimmy Jenkins Foundation, Inc. 91-3142-0178 orchestras to further develop Layperson Boone, NC $3,000 and advance their careers. Chancellor, Elizabeth City To support American musi­ Caramoor Center for Music 91-3125-0411 State University cians’ fees for "An Appala­ and the Arts, Inc. Elizabeth City, NC chian Summer" in 1991. Katonah, NY $7,300 ~ American Symphony 91-3142-0163 To support artists’ fees for Orchestra League the 1991 Caramoor Festival. Susan McAdam Washington, DC $172,000 Performing Arts Coordinator Aspen Music Festival, Inc. 91-3142-0147 To support the educational Nebraska Arts Council New York, NY $15,100 programs, which include Omaha, NE To support artists’ fees at the Charles Ives Performing seminars and workshops for 1991 Aspen Music Festival. Arts Center orchestra managers, volun­ 91-3142-0140 Danbury, CT $3,000

1991Annual Report 167 To support the salary of the To support artists’ fees for Los Angeles Philharmonic OK Mozart, Inc. artistic director and artists’ the 1991 Beethoven Festival. Association Bartlesville, OK $3,000 fees for the 1991 festival of 91-3142-0145 Los Angeles, CA $4,400 To support artistic salaries the Charles Ives Performing TF $15,000 and artists’ fees for the 1991 Arts Center. 91-3142-0162 Friends of the Brattleboro To support artists’ fees and OK Mozart International Music Center, Inc. additional orchestra rehears­ Festival. 91-3142-0169 Chicago Park District Brattleboro, VT $13,400 als for the 1991 Hollywood Chicago, IL $4,100 To support the 1991 New Bowl Summer Festival. Ojai Festivals, Limited TF $17,900 England Bach Festival. 91-3142-0180 Ojai, CA $16,000 To support artists’ fees for 91-3142-0174 To support American artists’ the 1991 season of Grant Minnesota Orchestral fees for the 1991 Ojai Festi­ Park Concerts. Grand Teton Music Association, The val. 91-3142-0168 91-3142-0170 Festival, Inc. Minneapolis Symphony Teton Village, WY $13,800 Orchestra Peter Britt Gardens Music Cincinnati Symphony To support artists’ fees for Minneapolis, MN $4,100 and Arts Festival Association Orchestra the 1991 Grand Teton TF $20,000 Medford, OR $3,000 Cincinnati, OH $7,300 Music Festival. To support artists’ fees at the To support artists’ fees for To support artists’ fees for 91-3142-0160 1991 Viennese Sommerfest, the summer 1991 Peter Britt the 1991 season of the River- the summer music festival of Festival. 91-3142-0166 bend Music Center. Gregg Smith Singers, Inc. the Minnesota Orchestra. 91-3142-0149 New York, NY $3,000 91-3142-0139 Research Foundation To support artists’ fees for of State University of City of Atlanta Bureau of the 1991 Adirondack Festival Monadnock Music New York Cultural Affairs of American Music. Peterborough, NH $11,600 Albany, NY $3,000 Atlanta, GA $3,000 91-3142-0157 To support artists’ fees for To support American artists’ To support artists’ fees for the 1991 Monadnock Music fees for the 1991 North the 1991 Montreux Atlanta Jo Scott’s Center for Festival. 91-3142-0154 American New Music Fes­ International Music Festival. Cultural Developments, Inc. tival to be held in Buffalo. 91-3142-0136 Fairbanks, AK $3,000 Mozart Festival Association 91-3142-0167 To support artists’ fees for San Luis Obispo, CA $3,000 Colorado Music Festival the 1991 Fairbanks Summer To support artists’ fees for Rhode Island Arts Boulder, CO $5,600 Arts Festival. 91-3142-0150 the 1991 season of the Foundation at Newport, Inc. To support American artists’ Mozart Festival in San Luis Newport, RI $4,300 fees for the 1991 Colorado Juneau Jazz and Classics Obispo. 91-3142-0144 To support American artists’ Music Festival. Juneau, AK $3,000 fees and related costs for the 91-3142-0176 To support American artists’ Musical Arts Association, 1991 Newport Music Festi­ fees for the 1991 Juneau The Cleveland Orchestra val. 91-3142-0172 Eastern Music Festival, Inc. Jazz and Classics Festival. Cleveland, OH $1,500 Greensboro, NC $9,500 91-3142-0173 TF $14,000 Rutgers, The State To support artists’ fees for To support American artists’ University the 1991 Eastern Music Lincoln Center for the fees for the summer 1991 fes­ New Brunswick, NJ $3,000 Festival. 91-3142-0142 Performing Arts, Inc. tival at the Blossom Music To support artists’ fees for New York, NY $1,500 Center, the summer home the 1991 Rutgers Summer- Fredric R. Mann TF $15,000 of the Cleveland Orchestra. Fest. 91-3142-0161 Music Center To support American artists’ 91-3142-0165 Philadelphia, PA $3,000 fees for the 25th anniversary San Francisco Symphony To support artists’ fees for season of the Mostly Mozart New Hampshire Music San Francisco, CA $4,700 the center’s 1991 Summer Festival during the summer Festival, Inc. To support artists’ fees for Festival. 91-3142-0137 of 1991.91-3142-0138 Center Harbor, NH $3,500 the San Francisco Symphony To support artists’ fees for in a citywide festival, Friends of the Arts, Inc. the 1991 New Hampshire "Mozart and his Time." Locust Valley, NY $3,000 Music Festival. 91-3142-0164 91-3142-0152

168 National Endowment for the Arts Santa Cruz Festival of Grants featuring the works of Elliott Living Music Music Recording Carter, William Schuman, Santa Cruz, CA $3,000 To assist nonprofit organiza­ Denotes Grants Having Karel Husa, Jerzy Sapieyev­ To support artists’ fees for tions, soloists, and duo per­ National Impact. ski, Louis Moyse, William the 1991 Santa Cruz Baroque formers in the recording and Bergsma, George Rochberg, Festival. 91-3142-0179 distribution of American ~r Boriskin, Michael and Gunther Schuller. music. Danbury, CT $10,000 91-3143-0697 Santa Fe Chamber Music 35 Grants To support solo piano Festival, Limited recordings of postwar ~ Haydn-Mozart Chamber Santa Fe, NM $22,800 Program Funds: $480,000 American music for New Orchestra To support artists’ fees and World Records, featuring Brooklyn, NY $4,000 related costs for the 1991 Advisory Panel works of Harold Shapero, To support the Powell Santa Fe Chamber Music Irving Fine, Carl Ruggles, Quartet’s recording of its Festival. 91-3142-0146 Wayne Brown Gian Carlo Menotti, Aaron commissioned flute works, Executive Director Jay Kernis, and Lowell "Seance of Silver" by Charles Spoleto Festival U.S.A. The Louisville Orchestra Liebermann. 91-3143-0705 Porter and "Fantasy for Four Charleston, SC $13,800 Louisville, KY Flutes" by Ezra Laderman, To support artists’ fees for ~r Brooklyn Philharmonic for Classic Masters. chamber and jazz perfor­ Shirley Robinson Hall Symphony Orchestra, Inc. 91-3143-0685 mances for the Spoleto Layperson/Consultant Brooklyn, NY $15,000 Festival U.S.A. in 1991. Washington, DC To support the recording of ~r Jazz Composers 91-3142-0175 Colin McPhee’s "Concerto Alliance, Inc. Amelia Haygood for Piano and Wind Octet" Brooldine, MA $9,000 Swarthmore College President/Founder for MusicMasters. To support a recording of the Swarthmore, PA $3,000 Delos Records International 91-3143-0688 Jazz Composers Alliance To support American artists’ Santa Monica, CA Orchestra for Northeastern fees for the music component ~r Composers Records, featuring composi­ of the 1991 Swarthmore Lawrence Kraman Recordings, Inc. tions and guest performances Music and Dance Festival. President New York, NY $15,000 by Julius Hemphill and Sam 91-3142-0155 Newport Classics, Limited To support reissues of Rivers, and to support Providence, RI Dominick Argento’s "Post­ compositions by orchestra United Jewish Y’s of Long card from Morocco," per­ members. 91-3143-0683 Island, Inc. Robert MacPherson formed by the Center Opera Plainview, NY $3,000 Music Program Specialist of Minnesota, and "Natalie ~r Jazz in the City To support American artists’ Indiana Arts Commission Hinderas Plays Piano Music San Francisco, CA $5,000 fees for the music component Indianapolis, IN by African-American To support a recording of the of the International Jewish Composers." 91-3143-0689 International Creative Music Arts Festival in 1991. Allen Pittman Orchestra for New Albion 91-3142-0143 Founding President ~ Concordia: A Chamber Records, featuring selections Theresa Records Symphony by Lawrence "Butch" Morris, University of Oregon El Cerrito, CA New York, NY $15,000 Wayne Horvitz, and Jon Eugene, OR $14,200 To support a debut recording Raskin. 91-3143-0711 To support American artists’ Richard Totusek series for Koch International, fees for the summer 1991 Concert Pianist featuring a George Gershwin/ ~" Knoxville Symphony season of the Oregon Bach President, Spokane Local Oscar Levant release and a Society, Inc. Festival. 91-3142-0156 105, American Federation James P. Johnson release. Knoxville, TN $15,000 of Musicians 91-3143-0695 To support a recording for Vermont Mozart Festival Member, International Albany Records featuring Burlington, VT $5,600 Executive Board, American ~r Crystal Musicworks Hunter Johnson’s "Letter to To support artists’ fees for Federation of Musicians Sedro Woolley, WA $18,000 the World," Peter Mennin’s the 1991 Vermont Mozart Spokane, WA To support two Crystal "Canto for Orchestra," Festival. 91-3142-0171 Records recordings by the William Schuman’s Westwood Wind Quintet, "Credendum," and Roy

1991 Annual Report 169 Harris’ "Piano Concerto" rus, and soloists’ rehearsal Eclissi" for New World ~ San Francisco Symphony with pianist Johana Harris. and performance fees for a Records. 91-3143-0703 San Francisco, CA $20,000 91-3143-0686 recording of Richard Rodgers To support a recording for and Oscar Hammerstein’s ~ Pittsburgh New Music Decca Records of John x~ Louisville Orchestra, Inc. "Allegro" for Musicmasters. Ensemble, Inc. Harbison’s "Symphony Louisville, KY 529,000 91-3143-0693 Pittsburgh, PA $6,000 No. 2" and Roger Sessions’ To support a recording of To support a recording of "Symphony No. 2." the music of John Corigliano ~ New York Foundation David Stock’s "Tekiah" and 91-3143-0710 for the orchestra’s First for the Arts, Inc. "Yerusha" and the postpro­ Edition Recordings label. New York, NY $4,000 duction expenses for "The ~ Seattle Symphony Reviewed by Music Pro­ To support a recording for Particle Zoo" for North­ Orchestra, Inc. fessional Training Panel B. Northeastern Records featur­ eastern Records. Seattle, WA $50,000 91-3143-0682 ing saxophonist Albert Regni 91-3143-0701 To support the ongoing playing chamber music works series of contemporary music ~ Manhattan Marimba of Robert Aldridge and Roger ~ Recorded Anthology of recordings for Delos Inter­ Quartet, Inc. Bourland. 91-3143-0684 American Music, Inc. national, Inc., featuring the Brooklyn, NY $6,000 New York, NY $20,000 works of composers Howard To support a recording of ~ Oboe International, Inc. To support a recording of Hanson, Paul Creston, David contemporary American New York, NY $9,000 new works by George Tson­ Diamond, and Ernest Bloch. music compositions for To support a recording of takis and Irving Fine with the Reviewed by Music Pro­ marimba quartet, with selec­ recitalist Humbert Lucarelli American String Quartet and fessional Training Panel B. tions by Meyer Kupferman, and members of the Brook­ postproduction expenses 91-3143-0706 Philip Carlsen, Steve Reich, lyn Philharmonic performing related to a recording of new and Daniel Levitan, for contemporary oboe works works by John Harbison and ~r Sierra Wind Quintet Centaur Records. by Wayne Barlow, John Ezra Laderman with the New Las Vegas, NV $5,000 91-3143-0690 Corigliano, Tison Street, Jersey Symphony. To support a recording of and Alec Wilder for Koch 91-3143-0687 Walter Piston’s "Woodwind ~ Monadnock Music International. 91-3143-0709 Quintet," David Diamond’s Peterborough, NH $6,000" ~ Sampen, John "Partita," Elliott Carter’s To support a recording of ~ Oregon Symphony Bowling Green, OH $8,000 "Eight Etudes and a Fan­ Virgil Thomson’s opera Association To support a recording of tasy," and Gunther Schuller’s Lord Byran. 91-3143-0775 Portland, OR $20,000 saxophone music for Neuma "Suite" for Cambria Records. * Chairman’s Extraordinary To support the recording of Records, featuring "Diverti­ 91-3143-0692 Action Grant. Gian Carlo Menotti’s "Apo­ mento" by Charles Wuori­ calypse" and Norman Dello nen, "Images" by Milton ~r Sound Directions, Inc. ~ Music and Arts Programs Joio’s "Meditations on Babbitt, "Renewing the New York, NY $7,000 of America, Inc. Ecclesiastes" for Koch Inter­ Myth" by Marilyn Shrude, To support a recording for Berkeley, CA $20,000 national. 91-3143-0713 and "In Two Worlds" by Stash Records featuring origi­ To support recordings featur­ Morton Subotnick. nal works of trio members ing the Black Swan Quartet ~r Orpheon, Inc. 91-3143-0715 James Emery, John Lindberg, performing compositions by New York, NY $12,500 and Charles Burnham. Akbar Ali, Jeffrey Swan per­ To support a recording for ~ San Francisco 91-3143-0694 forming "Piano Sonata No. Musicmasters featuring Alec Contemporary Music 2" by Charles Wuorinen, and Wilder’s "Effie Suite" and Players ~r Speculum Musicae, Inc. solo pianist Monica Gaylord Nicolai Berezowsky’s "Babar San Francisco, CA $33,000 New York, NY $10,000 performing music by African- the Elephant." 91-3143-0707 To support a recording of To support the recording of American composers. John Cage’s "Quartets I-VII" George Crumb’s "Quest" 91-3143-0712 ~ Philadelphia Orchestra (1976) and "Music For..." (1989-90) and to support Association (1984) for release on the editing and postproduction ~ New York City Philadelphia, PA $15,000 Newport Classic label. expenses for the release of Opera, Inc. To support the recording of Reviewed by Music Pro­ his 1962-68 composition New York, NY $15,000 Bernard Rands’ "Canti del fessional Training Panel B. "Songs, Drones, and Refrains To support musicians’, cho­ 91-3143-0700

170 National Endowment for the Arts of Death" for Bridge Centaur Records, featuring Magazine To support professional Records. 91-3143-0698 the works of Jon Appleton, New York, NY artists’ performance fees and Larry Austin, Dexter Morrill, related travel expenses for the ~r Starobin, David and others. 91-3143-0691 William Dixon annual Presidential Jazz Great Neck, NY $4,000 Trumpeter/Composer Weekend in February 1992. To support the recording of ~ Winston-Salem Faculty, Bennington College 91-3144-0213 Volume 5 in an anthology Symphony Association Bennington, VT series "New Music with Winston-Salem, NC $5,000 Allied Arts Council Guitar" for Bridge Records, To support a recording of Felix Grant Las Vegas, NV $5,000 featuring selected works of "The Scarlet Letter" by Jazz Radio Commentator To support jazz artists’ fees Milton Babbitt, Mario Robert Ward and "Playing WDCU-FM and travel accommodations Davidovsky, Mel Powell, the Miraculous Game" by Washington, DC for a series of activities during and Roger Reynolds. Kenneth Frazelle for Bay May 1991.91-3144-0190 91-3143-0704 Cities Records. Ellis Marsalis 91-3143-0699 Pianist Artists Collective, Inc. ~r Sylvan Winds, Inc. Faculty, University of New Hartford, CT $20,000 New York, NY $5,000 ~r Young Men’s and Young Orleans To support the 1991-92 jazz To support a recording for Women’s Hebrew New Orleans, LA concert season featuring a Koch International featuring Association tribute concert with Milt the works of Bruce Adolphe, New York, NY $32,500 William McFarlin Jackson, a concert by Arthur Alvin Etler, George Tson­ To support the New York Executive Director Taylor and the Wailers, and takis, and Arthur Weisberg. Chamber Symphony’s International Association of a "Jazz in the Foyer" series 91-3143-0716 recording for Delos Inter­ Jazz Educators featuring local jazz ensem­ national of Paul Creston’s Manhattan, KS bles. 91-3144-0206 ~r Timmons, Jill "Choreographic Suite," "Two Portland, OR $4,000 Choric Dances," "Pavane Lynn Skinner Brooklyn Institute of Arts To support a recording of the Variations," and "Sadhana" Faculty, Lionel Hampton and Sciences complete solo piano works of and Stephen Albert’s "Sun’s School of Music, Brooklyn, NY $4,100 William Bergsma for Laurel Heat." Reviewed by Music University of Idaho To support artists’ fees for Records. 91-3143-0702 Professional Training Director, Lionel Hampton- summer 1991 concerts. Panel B. 91-3143-0708 Chevron Jazz Festival 91-3144-0189 ~ University of Moscow, ID California--San Diego Central Pennsylvania La Jolla, CA $9,000 Jazz Presenters James Wilson Friends of Jazz To support a commemora­ Layperson (Pharmacist) Harrisburg, PA $11,000 tive recording by the Center To assist organizations of Muncie, IN To support the 1 lth annual for Music Experiment for the highest artistic level in Jazz Festival in June 1991. CRI, featuring members of presenting jazz artists and Grants 91-3144-0185 SONOR and selected works ensembles. of university composers ~r Denotes Grants Having Charlie Parker Memorial Roger Reynolds, Will Og­ 51 Grants National Impact. Foundation don, Rand Steiger, Brian Program Funds: $560,400 Kansas City, MO $5,500 Ferneyhough, and Joji Yuasa. Afrikan Poetry Theatre, Inc. To support a clinic and con­ 91-3143-0714 Advisory Panel Jamaica, NY $5,000 cert by the Horace Silver To support a "Meet the Quintet at the Folly Theater. ~r University of North Cecil Bridgewater Composer" series of lectures 91-3144-0195 Texas Trumpeter/Composer/ and concerts during the Denton, TX $19,000 Educator 1991-92 season. Charlin Jazz Society, Inc. To support the Consortium Hempstead, NY 91-3144-0214 Washington, DC $5,700 to Distribute Computer To support the 1991-92 Music’s recording of"The Judy Carmichael Afro-American Historical concert series at the Kennedy Virtuoso in the Computer Pianist and Cultural Museum, Inc. Center and a Jazz Showcase Age II" (Volume 11) for Writer/Editor, Sheet Music Philadelphia, PA $3,600 at the Sumner Museum,

1991 Annual Report 171 featuring local musicians/ Gainesville Friends of School" program presented Koncepts Cultural Gallery ensembles. 91-3144-0204 Jazz, Inc. at Los Angeles area public Oakland, CA $4,500 Gainesville, FL $5,500 elementary and secondary To support artists’ fees, relat­ City of Atlanta Bureau of To support performance fees schools. 91-3144-0222 ed travel, and promotional Cultural Affairs and travel costs for national expenses for the Masters of Atlanta, GA $26,400 and regional guest artists International Association of Jazz Series in 1991-92, fea­ To support the 14th annual during the 1991-92 concert Jazz Educators turing local artists and Atlanta Jazz Festival in spring season. 91-3144-0199 Manhattan, KS $15,500 national artists rarely seen in 1991.91-3144-0197 To support artists’ fees and the Bay area. 91-3144-0216 Henry Street Settlement related expenses for the pre­ Cityfolk New York, NY $12,700 sentation of internationally Kuumbwa Jazz Society Dayton, OH $6,600 To support the 1991-92 jazz prominent jazz performers at Santa Cruz, CA $13,600 To support the 1991-92 Jazz concert and workshop series the association’s 1992 annual To support artists’ fees for Program, including a residen­ with national and emerging conference and music festival. the 1991-92 concert season cy program, concerts, and artists presented at the Harry 91-3144-0220 at the Kuumbwa Jazz Center. associated educational activi­ de Jur Playhouse and master 91-3144-0186 ties by artists Jimmy Hamil­ artists leading workshops in Jazz Arts Group of ton, Norris Turney, Harold jazz and Latin jazz at Henry Columbus Lake George Arts Ashby, Marcus Roberts, Street’s Louis Abrons Arts Columbus, OH $12,300 Project, Inc. Richard Davis, and Mulgrew Center. 91-3144-0208 For guest artists’ fees and Lake George, NY $7,300 Miller. 91-3144-0205 travel costs related to a jazz To support artists’ fees and Highlights in Jazz festival at Bicentennial Park promotional expenses for the DeCordova Museum and New York, NY $3,600 in July 1991.91-3144-0200 eighth annual Lake George Sculpture Park To support the 1991-92 Jazz Weekend at Shepard Lincoln, MA $3,600 subscription series presented Jazz in the City Park in September 1991. To support artists’ fees, at New York University’s San Francisco, CA $11,000 91-3144-0223 technical production, and Loeb Student Center. To support artists’ perfor­ promotional expenses for 91-3144-0219 mance fees for the 1991 San Louisiana Jazz the 1991 summer concert Francisco Jazz Festival and a Federation, Inc. series. 91-3144-0201 Inquilinos Boricuas series of spring 1992 jazz New Orleans, LA $4,500 en Accion concerts. 91-3144-0211 To support professional Detroit Renaissance Boston, MA $6,800 artists’ fees for jazz concerts Foundation To support Latin jazz con­ Jazzmobile, Inc. presented in communities Detroit, MI $7,300 certs featuring Israel New York, NY $50,000 throughout the city during To support performance and "Cachao" Lopez and Big To support the 1991 season 1991-92.91-3144-0210 clinician fees for guest artists Band and Batacumbele with of free summer mobile con­ during the 1991 Montreux percussionist Giovanni certs presented in com­ Manchester Craftsmen’s Detroit Jazz Festival. Hidalgo. 91-3144-0218 munities and public parks Guild 91-3144-0191 throughout the East Coast Pittsburgh, PA $5,000 Inter-Media Art Center, Inc. and to support master artists’ To support guest artists’ fees, Earshot Jazz Society Huntington, NY $9,000 fees for school lecture-con­ travel, and promotional of Seattle To support artists’ fees, tech­ certs during the 1991-92 expenses for the 1991-92 Seattle, WA $4,500 nical production costs, and school year. 91-3144-0198 Living Masters Subscription To support American jazz promotional expenses for the Series and Young Masters artists’ fees and related pro­ 1991-92 jazz season. Kansas City Jazz Festival Series, workshops, and a holi­ motional and production 91-3144-0215 Committee day concert presentation of expenses for public concerts Kansas City, MO $5,000 local musicians. and youth workshops during ~ International Association To support artists’ perfor­ 91-3144-0196 the 1991 season. of Jazz Appreciation mance fees and related travel 91-3144-0207 Los Angeles, CA $6,400 expenses for a two-day sum­ New Mexico Jazz To support artists’ residency mer festival in 1991. Workshop, Inc. fees and related costs for a 91-3144-0183 Albuquerque, NM $5,500 seven-week "Jazz Goes to To support the 1991-92

172 National Endowment for the Arts Guest Artist Series, including featuring Frank Morgan, Room Series and the 1992 Jazz Special Projects concerts, workshops, and a Jim Hall, Katie Webster, the Willowbrook Jazz Festival. lecture presentation at KiMo String Trio of New York, 91-3144-0184 gr Denotes Grants Having Theatre. 91-3144-0224 and Lenny Pickett and the National Impact. Borneo Horns. Wolf Trap Foundation for Northeast Ohio Jazz Society 91-3144-0187 the Performing Arts ~r American Federation of Cleveland Heights, OH Vienna, VA $13,600 Jazz Societies, Inc. $7,300 Tucson Jazz Society, Inc. To support expansion of To support artists’ fees and West Sacramento, CA Tucson, AZ $11,000 Wolf Trap’s jazz season with $7,700 related expenses for a series of To support the 1991 "Jazz a two-stage festival of con­ To support expenses associat­ presentations and educational Sundae" festival, the 1992 certs, featuring national and ed with the publication concerts during the 1991-92 "Primavera: A Celebration of emerging artists and pre­ season. 91-3144-0203 Federation News and the Women in the Arts," and mieres of new works. Block Booking Assistance related activities. 91-3144-0181 Program and to support Oakland Jazz Alliance, Inc. 91-3144-0217 Oakland, CA $5,500 promotional expenses. 91-3144-0302 To support artists’ perfor­ University of Hartford Jazz Management mance/clinician fees and trav­ West Hartford, CT $15,000 ~r American Music el accommodations for the Jazz in the City To support master artists’ Center, Inc. fourth annual Oakland Jazz fees for jazz concerts, residen­ San Francisco, CA $11,000 To support the engagement New York, NY $13,600 Festival in October 1991. cies, and a series of lectures, To support specialized ser­ 91-3144-0221 workshops, and master classes of a full-time business man­ ager. 91-3144-0295 vices for jazz artists during at the Hartt School of Music 1992-93, including publica­ Painted Bride Art during the 1991-92 academ­ tion of a descriptive directory Center, Inc. ic year. 91-3144-0182 Louisiana Jazz of jazz managers and copying Philadelphia, PA $20,000 Federation, Inc. New Orleans, LA $15,500 assistance grants to jazz com­ To support jazz program­ University of Idaho posers. 91-3144-0306 ming during the 1991-92 To support the engagement Moscow, ID $16,400 of a full-time executive direc­ season, including monthly To support guest artists’ ~ National Jazz Service concerts, educational precon­ performance and workshop tor responsible for managing the federation’s programs, Organization cert sessions between guest fees for the 24th Lionel Washington, DC $45,500 artists and public school stu­ Hampton-Chevron Jazz including a new Jazz Re­ source Center. To support the national dents, and a new marketing Festival in 1991. Technical Assistance Pro­ campaign for the jazz series. 91-3144-0192 91-3144-0298 91-3144-0193 gram, the quarterly NJSO Northeast Ohio Jazz Society Journal, continued develop­ University of Virginia ment of a centralized national Performing Arts Foundation Charlottesville, VA $5,900 Cleveland Heights, OH $5,500 jazz data base system, and of Kansas City To support the 1991-92 related activities. Kansas City, MO $4,500 To support the salary of the WTJU-FM jazz concert 91-3170-0300 To support the 12th Street series and related workshops executive director. 91-3144-0299 Jazz Series at the Folly Thea­ and lectures. 91-3144-0194 Thelonious Monk ter during the 1991-92 sea­ Institute of Jazz son, including associated Vineyard Theatre and Russian River Jazz master classes for high school Festival, Inc. Washington, DC $6,800 Workshop Center, Inc. To compile and transcribe and college students. New York, NY $4,500 Guerneville, CA $8,600 91-3144-0188 To support the engagement the works of Thelonious To support artists’ fees and Sphere Monk. 91-3144-0303 promotional expenses related of a part-time producer Portland Performing Arts responsible for managing all to the 1992 Vintage Jazz Thelonious Monk Center, Inc. Series. 91-3144-0202 production and postproduc­ Portland, ME $11,000 tion aspects of the annual Institute of Jazz To support the 1991 "Roots festival. 91-3144-0296 Washington, DC $25,000* William Paterson College To provide emergency sup­ of Jazz" series, tracing the Wayne, NJ $20,000 port covering operating evolution of the music and To support the 1991-92 Jazz expenses for a 90-day period,

1991 Annual Report 173 including salaries, consulting Michigan Council for music presentation season. 1991-92 multimusic presen­ fees, travel, and artists’ fees. the Arts 91-3145-0090 tation season. 91-3145-0113 * Chairman’s Extrabrdinary Detroit, MI Action Grant. 91-3144-0541 Candlelight Concert Contemporary Arts Center, Georgia Ryder Society, Inc. New Orleans Chair Columbia, MD $4,200 New Orleans, LA $7,600 Multimusic Norfolk Commission on the To support American artists’ To support American artists’ Presenters Arts and Humanities fees and related costs for the fees and related costs for the Norfolk, VA 1991-92 multimusic presen­ 1991-92 multimusic presen­ To assist organizations that tation season. 91-3145-0089 tation season. 91-3145-0108 present two or more of the Joseph Wheeler following genres of music: Executive Director Carnegie Hall Corporation Cornish College of the Arts chamber music or new Centrum Foundation New York, NY $70,500 Seattle, WA $3,000 music, chorus, jazz, orchestra, Port Townsend, WA To support American artists’ To support American artists’ and solo recitalists. fees and related costs for the fees for the 1991-92 multi- Grants 1991-92 multimusic presen­ music presentation season. 78 Grants tation season. 91-3145-0080 91-3145-0075 Artist Series at the Pabst Program Funds: $687,000 Milwaukee, WI $3,000 Centrum Foundation D’Addario Foundation for To support American artists’ Port Townsend, WA $8,500 the Performing Arts, Inc. Advisory Panel fees and related costs for the To support American artists’ East Farmingdale, NY 1991-92 multimusic presen­ fees and related costs for the $3,000 Martin Ashby tation season. 91-3145-0106 1991-92 multimusic presen­ To support American artists’ Director, Performing Arts tation season. 91-3145-0087 fees for the 1991-92 multi- Manchester Craftsmen’s Arts Midwest music presentation season. Guild Minneapolis, MN $15,300 City of Cleveland 91-3145-0125 Pittsburgh, PA To support the continuation Heights, Ohio of fee support to presenters in Cleveland Heights, OH District Curators, Inc. Robert Browning this nine-state region for the $3,000 Washington, DC $6,800 Artistic/Executive Director 1991-92 multimusic presen­ To support American artists’ To support American artists’ World Music Institute tation season. 91-3145-0107 fees and related costs for the fees and related costs for the New York, NY 1991-92 multimusic presen­ 1991-92 multimusic presen­ Bargemusic, Limited tation season in Cain Park. tation season. 91-3145-0085 Charles Helm Brooklyn, NY $3,800 91-3145-0094 Music Consultant To support American artists’ Dumbarton Avenue Walker Art Center fees and related costs for the City of Madison, Wisconsin Concert Series Minneapolis, MN 1991-92 multimusic presen­ Madison, WI $5,100 Washington, DC $3,000 tation season. 91-3145-0081 To support American artists’ To support American artists’ Bonnie Jo Hunt fees and related costs for the fees and related costs for the Artistic Director/President Brooklyn Academy of 1991-92 multimusic presen­ 1991-92 multimusic presen­ Artists of Indian America Music, Inc. tation season. 91-3145-0097 tation season. 91-3145-0056 Albuquerque, NM Brooklyn, NY $12,700 To support American artists’ Composers’ Forum, Inc. Emelin Theatre for the Gillian Levine fees and related costs for the New York, NY $16,700 Performing Arts, Inc. Curator/Registrar 1991-92 multimusic presen­ To support American artists’ Mamaroneck, NY $3,000 Institute of Contemporary tation season. 91-3145-0096 fees and related costs for the To support American artists’ Art 1991-92 multimusic presen­ fees and related costs for the Boston, MA Brooklyn Philharmonic tation season. 91-3145-0065 1991-92 multimusic presen­ Symphony Orchestra, Inc. tation season. 91-3145-0067 Edward Nelson Brooklyn, NY $5,900 Concert Association of Senior Client Services To support American artists’ Greater Miami, Inc. Fairbanks Symphony Representative for the Arts fees for the 1991-92 multi Miami Beach, FL $13,600 Association, Inc. Organization Support To support American artists’ Fairbanks, AK $5,900 Program fees and related costs for the To support American artists’

174 National Endowment for the Arts fees and related costs for the 1991-92 multimusic presen­ Lutheran University To support the continuation 1991-92 multimusic presen­ tation season. 91-3145-0083 Association of fee support to presenters in tation season. 91-3145-0120 Valparaiso, IN $3,000 this six-state region for the Indianapolis Museum of To support American artists’ 1991-92 multimusic presen­ Flynn Theatre for the Art, Inc. fees and related costs for the tation season. 91-3145-0071 Performing Arts, Limited Indianapolis, IN $3,000 1991-92 multimusic presen­ Burlington, VT $10,200 To support American artists’ tation season. 91-3145-0093 New School for Social To support American artists’ fees and related costs for the Research fees and related costs for the 1991-92 multimusic presen­ Market Square Concerts New York, NY $5,100 1991-92 multimusic presen­ tation season. 91-3145-0072 Harrisburg, PA $3,000 To support American artists’ tation season. 91-3145-0102 To support American artists’ fees and related costs for the John F. Kennedy Center for fees and related costs for the 1991-92 multimusic presen­ Friends of the Brattleboro the Performing Arts 1991-92 multimusic presen­ tation season. 91-3145-0129 Music Center, Inc. Washington, DC $14,400 tation season. 91-3145-0073 Brattleboro, VT $6,800 To support American artists’ Newark Community School To support American artists’ fees and related costs for the Mid-America Arts Mliance of the Arts fees and related costs for the 1991-92 multimusic presen­ Kansas City, MO $13,600 Newark, NJ $3,000 1991-92 multimusic presen­ tation season. 91-3145-0061 To support the continuation To support American artists’ tation season. 91-3145-0118 of fee support to presenters in fees and related costs for the La Jolla Chamber Music this six-state region for the 1991-92 multimusic presen­ Fund for the Borough of Society 1991-92 multimusic presen­ tation season. 91-3145-0109 Brooklyn, Inc. La Jolla, CA $3,000 tation season. 91-3145-0124 Brooklyn, NY $6,400 To support American artists’ Orange County To support American artists’ fees and related costs for the Mid-Atlantic Arts Philharmonic Society fees and related costs for the 1991-92 multimusic presen­ Foundation, Inc. Irvine, CA $3,000 1991-92 multimusic presen­ tation season. 91-3145-0127 Baltimore, MD $14,400 To support American artists’ tation season. 91-3145-0063 To support the continuation fees and related costs for the La Pena Cultural of fee support for presenters 1991-92 multimusic presen­ Haleakala, Inc. Center, Inc. in this seven-state region tation season. 91-3145-0078 New York, NY $12,700 Berkeley, CA $3,400 (including the District of To support American artists’ To support American artists’ Columbia and Virgin Orchestral Association fees and related costs for the fees and related costs for the Islands) for the 1991-92 Chicago, IL $3,900 1991-92 multimusic presen­ 1991-92 multimusic presen­ multimusic presentation sea­ To support American artists’ tation season. 91-3145-0122 tation season. 91-3145-0126 son. 91-3145-0077 fees for the 1991-92 multi- music presentation season. Hebrew Arts School Lincoln Center for the Mount Saint Mary’s College 91-3145-0131 New York, NY $11,900 Performing Arts, Inc. Los Angeles, CA $9,300 To support American artists’ New York, NY $37,400 To support American artists’ Philadelphia Chamber fees and costs related to the To support American artists’ fees and costs related to the Music Society 1991-92 multimusic presen­ fees for the 1991-92 multi- 1991-92 multimusic presen­ Philadelphia, PA $3,400 tation season. 91-3145-0116 music presentatlon season. tation season. 91-3145-0128 To support American artists’ 91-3145-0060 fees and related costs for the Helena Presents Musicians of Brooklyn 1991-92 multimusic present­ Helena, MT $3,000 Litchfield Performing Initiative ation season. 91-3145-0062 To support American artists’ Arts, Inc. Brooklyn, NY $4,300 fees and related costs for the Litchfield, CT $3,000 To support American artists’ Phillips Collection 1991-92 multimusic presen­ To support American artists’ fees and related costs for the Washington, DC $6,800 tation season. 91-3145-0117 fees and related costs for the 1991-92 multimusic presen­ To support American artists’ 1991-92 multimusic presen­ tation season. 91-3145-0058 fees and related costs for the Hudson River Museum tation season. 91-3145 -0079 1991-92 multimusic presen­ Yonkers, NY $3,000 New England Foundation tation season. 91-3145-0055 To support American artists’ for the Arts fees and related costs for the Cambridge, MA $34,000

1991 Annual Report 175 Quad City Arts, Inc. fees for the 1991-92 multi- St. Ann Center for fees and related costs for the Rock Island, IL $8,800 music presentation season. Restoration and the 1991-92 multimusic presen­ To support American artists’ 91-3145-0101 Arts, Inc. tation season. 91-3145-0054 fees and related costs for the Brooklyn, NY $3,000 1991-92 multimusic pre­ Si-Yo Music Society To support American artists’ University of Illinois-­ sentation season. Foundation, Inc. fees and related costs for the Champaign County 91-3145-0091 New York, NY $3,400 1991-92 multimusic presen­ Urbana, IL $3,000 To support American artists’ tation season. 91-3145-0123 To support American artists’ Real Art Ways, Inc. fees and related costs for the fees and related costs for the Hartford, CT $5,500 1991-92 multimusic presen­ St. Louis Classical Guitar 1991-92 multimusic presen­ To support American artists’ tation season. 91-3145-0064 Society tation season. 91-3145-0070 fees and related costs for the St. Louis, MO $3,000 1991-92 multimusic presen­ Sitka Summer Music To support American artists’ University of Iowa tation season. 91-3145-0103 Festival, Inc. fees and related costs for the Iowa City, IA $5,100 Anchorage, AK $3,000 1991-92 multimusic presen­ To support American artists’ Research Foundation To support American artists’ tation season. 91-3145-0130 fees and related costs for the of State University of fees and related costs for the 1991-92 multimusic presen­ New York 1991-92 multimusic presen­ Symphony Space, Inc. tation season. 91-3145-0074 Albany, NY $3,000 tation season. 91-3145-0086 New York, NY $3,000 To support American artists’ To support American artists’ University of fees and related costs for the Snug Harbor Cultural fees and related costs for the Massachusetts--Amherst 1991-92 multimusic presen­ Center, Inc. 1991-92 multimusic presen­ Amherst, MA $7,600 tation season on the campus Staten Island, NY $3,000 tation season. 91-3145-0098 To support American artists’ of the State University of To support American artists’ fees and related costs for the New York at Purchase. fees and related costs for the Trustees of Columbia 1991-92 multimusic presen­ 91-3145-0059 1991-92 multimusic presen­ University in the City of tation season. 91-3145-0053 tation season. 91-3145-0112 New York Rutgers, The State New York, NY $3,000 University of Washington University of New Jersey Society for the To support American artists’ Seattle, WA $3,000 New Brunswick, NJ $3,000 Performing Arts fees and related costs for the To support American artists’ To support American artists’ Houston, TX $5,900 1991-92 multimusic presen­ fees and related costs for the fees for the 1991-92 multi- To support American artists’ tation season. 91-3145-0114 1991-92 multimusic presen­ music presentation season. fees and related costs for the tation season. 91-3145-0088 91-3145-0100 1991-92 multimusic presen­ United Jewish Centers of tation season. 91-3145-0084 Metrowest Urban Institute for San Antonio Performing West Orange, NJ $6,800 Contemporary Arts Arts Association Southern Arts To support American artists’ Grand Rapids, MI $3,000 San Antonio, TX $3,000 Federation, Inc. fees and related costs for the To support American artists’ To support American artists’ Atlanta, GA $11,900 1991-92 multimusic presen­ fees and related costs for the fees and related costs for the To support the continuation tation season. 91-3145-0104 1991-92 multimusic presen­ 1991-92 multimusic presen­ of fee support to presenters in tation season. 91-3145-0082 tation season. 91-3145-0066 this nine-state region for the University Community 1991-92 multimusic presen­ Concerts, Inc. Van Cliburn Scottsdale Cultural Council tation season. 91-3145-0110 College Park, MD $5,900 Foundation, Inc. Scottsdale, AZ $3,000 To support American artists’ Fort Worth, TX $3,400 To support American artists’ Spirit Square Arts fees and related costs for the To support American artists’ fees and related costs for the Center, Inc. 1991-92 multimusic presen­ fees and related costs for the 1991-92 multimusic presen­ Charlotte, NC $3,000 tation season. 91-3145-0057 1991-92 multimusic presen­ tation season. 91-3145-0095 To support American artists’ tation season. 91-3145-0069 fees and related costs for the University of California-­ Seattle Camerata 1991-92 multimusic presen­ Berkeley Vermont Mozart Festival Seattle, WA $3,000 tation season. 91-3145-0076 Berkeley, CA $3,400 Burlington, VT $3,000 To support American artists’ To support American artists’ To support American artists’

176 National Endowment for the Arts fees and related costs for the Composer in 1991-92 multimusic presen­ Consortium Chamber/New tation season. 91-3145-0121 Commissioning Residence Music Presenters and Composer Virginia Commonwealth Advisory Panel To enable music presenting University in Residence organizations and music Richmond, VA $3,000 Panelists listed under festivals to present chamber To support American artists’ Consortium Commissioning Chamber/New Music music and recently composed fees and related costs for the grants enable consortia of Ensembles also reviewed music--with an emphasis 1991-92 multimusic presen­ performing organizations, grants in this category. on American music--of the tation season. 91-3145-0115 soloists, or presenting organi­ highest artistic level and zations, festivals, and public Grants of national or regional Walker Art Center, Inc. radio and television stations significance. Minneapolis, MN $39,000 to commission and perform Amarillo Symphony, Inc. To support American artists’ new works. The Composer Amarillo, TX $5,000 69 Grants fees for the 1991-92 multi- in Residence category pro­ To support a residency for music presentation season. vides support to establish a composer Samuel Jones to Program Funds: $318,800 91-3145-0099 collaborative working rela­ write an orchestral work. Advisory Panel tionship between a composer 91-3146-0540 Washington Performing and a music performing orga­ MaryAnn Bonino Arts Society nization that wishes to spon­ Boston Musica Viva, Inc. Founder/Artistic and Washington, DC $29,300 sor a residency. Boston, MA $9,000 Producing Director To support American artists’ To support a residency with Da Camera Society fees for the 1991-92 multi- 6 Grants composer/educator Martin LOs Angeles, CA Brody during the 1992 music presentation season. Program Funds: $200,000 91-3145-0068 season. 91-3146-0537 Alexine Clement Jackson Layperson Western States Arts Consortium Los Angeles Chamber Vice President of the Board, Federation Commissioning Orchestra Society, Inc. Washington Performing Santa Fe, NM $30,600 Los Angeles, CA $12,000 Arts Society To support the continuation Advisory Panel To support a residency with Potomac, MD of fees support to presenters composer Stephen Hartke. in this twelve-state region for ~r Denotes Grants Having 91-3146-0536 Susan Lipman the 1991-92 multimusic pre­ National Impact. Executive Director sentation season. New York New Music Chamber Music Chicago 91-3145-0119 The Consortium Ensemble Chicago, IL Commissioning grant was New York, NY $9,000 World Music Institute, Inc. reviewed by the FYg0 Music To support a residency for Mellasenah Morris New York, NY $10,800 Overview Panel. composer John Eaton, which Pianist To support American artists’ will include the commis­ Dean, School of Music, fees and related costs for the ~r Meet the Composer, Inc. sioning, rehearsals, and per­ Alabama State University 1991-92 multimusic presen­ New York, NY $160,000 formances of a new music- Montgomery, AL tation season. 91-3145-0092 To support the Meet The theater work and interactions Composer/Reader’s Digest/ with local schools and Richard Moryt Young Men’s and Young Arts Endowment Commis­ colleges. 91-3146-0538 Chairman, Music Women’s Hebrew sioning Program, which Department/Director, Association awards funds to consortia of Western Wind Vocal Graduate Studies, Western New York, NY $39,000 organizations to commission Ensemble, Inc. Connecticut State College To support American artists’ works in concert music, New York, NY $5,000 President/Artistic Director, fees for the 1991-92 multi- opera, musical theater, and To support a residency proj­ Charles Ires Center for music presentation season. jazz. 91-3146-0052 ect with composer James American Music 91-3145-0105 Bassi. 91-3146-0539 Roxbury, CT

1991 Annual Report 177 Claudia Polley related costs for the 1991 Chamber Music Chicago Chamber Music Society Founder and President, Bang On A Can Festival. Chicago, IL $9,200 of Utica Accord Foundation, U.S. 91-3147-0237 To support artists’ fees and Clinton, NY $3,000 President, Mapleshade related costs for a Resident To support artists’ fees and Records Bay Chamber Concerts Artists Series to be held at the related costs for a series of Upper Marlboro, MD Camden, ME $5,400 Chicago Historical Society chamber music concerts To support artists’ fees and during the 1991 season. during the 1991-92 season. Cynthia Siebert related costs for chamber 91-3147-0243 91-3147-0251 Founder/Executive Director music concerts during the Friends of Chamber Music 1991-92 season. Chamber Music Hawaii Charles Ives Center for Kansas City, MO 91-3147-0262 Honolulu, HI $3,000 American Music To support the position of Roxbury, CT $3,700 Sheldon Softer Boise State University business manager for the To support artists’ fees and President Boise, ID $3,000 1991-92 season. related costs for a summer Sheldon Soffer To support artists’ fees and 91-3147-0291 program in 1991. Management, Inc. related costs for a series of 91-3147-0247 New York, NY chamber music concerts Chamber Music during the 1991-92 season. Northwest, Inc. City Celebration, Inc. Larry Williams 91-3147-0252 Portland, OR $12,900 San Francisco, CA $3,700 Chair, Montana Arts Council To support artists’ fees and To support costs associated Superintendent, Great Falls Bowdoin College related costs for the presenta­ with performances by Public Schools Brunswick, ME $4,200 tion of chamber music con­ Michele Rosewoman and Great Falls, MT To support artists’ fees and certs during the 1991 sum­ her "New Yor-Uba" band. related costs for the 1991 mer festival season. 91-3147-0274 Grants Bowdoin Summer Music 91-3147-0265 Festival. 91-3147-0280 Composers Guild of New 80 Langton Street, Inc. Chamber Music Society of Jersey, Inc. San Francisco, CA $4,200 Broward’s Friends of Baltimore, Inc. Ship Bottom, NJ $3,300 To support artists’ fees and Chamber Music, Inc. Baltimore, MD $3,000 To support artists’ fees and related costs for a series of Plantation, FL $3,000 To support artists’ fees for a related costs for new music new and experimental music To support artists’ fees and series of chamber and new concerts during the 1991-92 concerts during the 1991-92 related costs for a chamber music concerts during the season. 91-3147-0227 season. 91-3147-0266 music concert series during 1991-92 season. the 1991-92 season. 91-3147-0273 Composers, Inc. Mlied Arts Foundation 91-3147-0276 Fremont, CA $5,000 Seattle, WA $3,000 Chamber Music Society of To support musicians’ fees To support artists’ fees and Buffalo Fine Arts Academy Logan, Inc. for new music concerts dur­ related costs for a series of Buffalo, NY $6,600 Logan, UT $3,000 ing the 1991-92 season. new music concerts during To support artists’ fees and To support artists’ fees and 91-3147-0239 the 1991-92 season. related costs for a series of related costs for a series of 91-3147-0271 concerts of new music at chamber music concerts Creative Time, Inc. Albright-Knox Art Gallery during the 1991-92 season. New York, NY $8,300 Alternative Center for during the 1991-92 season. 91-3147-0250 To support artists’ fees and International Arts, Inc. 91-3147-0238 related costs for new music New York, NY $3,000 Chamber Music Society of presentations during the To support artists’ fees and Center for Contemporary St. Cloud, Inc. 1991-92 season. related costs for new music Arts of Santa Fe, Inc. St. Cloud, MN $3,000 91-3147-0270 concerts during the 1991-92 Santa Fe, NM $3,300 To support artists’ fees and season. 91-3147-0278 To support artists’ fees and related costs for a series of Dance Theater related costs for a series of chamber music concerts Workshop, Inc. Bang On A Can, Inc. new music concerts during during the 1991-92 season. New York, NY $10,000 New York, NY $6,600 the 1991-92 season. 91-3147-0267 To support artists’ fees and To support artists’ fees and 91-3147-0281 related costs for the Economy

178 National Endowment for the Arts Tires Music Hall Series of 1991-92 season. League of Composers- Music at Angel Fire, Inc. new music during the 91-3147-0263 International Society Angel Fire, NM $3,000 1991-92 season. for Contemporary Music, To support artists’ fees and 91-3147-0264 improvisationalmusicco Boston Chapter related costs for a series of Allentown, PA $3,700 Somerville, MA $4,200 chamber music concerts Downtown Music To support artists’ fees and To support artists’ fees and during the 1991 season. Productions, Inc. related costs for a series of related costs for a concert 91-3147-0292 New York, NY $3,000 new music concerts during series of new music during To support artists’ fees and the 1991-92 season. the 1991-92 season. Music in Deerfield, Inc. related costs for a series of 91-3147-0231 91-3147-0233 Deerfield,’MA $3,000 chamber and new music To support artists’ fees and concerts. 91-3147-0245 Independent Composers Los Angeles Contemporary related costs for chamber Association Exhibitions, Inc. music concerts during the Elaine Summers Los Angeles, CA $5,000 Los Angeles, CA $7,900 1991-92 season. Experimental Intermedia To support artists’ fees and To support artists’ fees and 91-3147-0241 Foundation, Inc. administrative, publicity, related costs for the presenta­ New York, NY $3,000 and travel costs for a series tion of new music concerts Musica de Camara, Inc. To support artists’ fees and of new music concerts during the 1991-92 season. New York, NY $3,700 related costs for a series of during the 1991-92 season. 91-3147-0284 To support artists’ fees and new and experimental music 91-3147-0229 related costs for a presenta­ concerts during the 1991-92 Maverick Concerts, Inc. tion of new music during the season. 91-3147-0257 Intermedia Arts of Woodstock, NY $5,000 1991 season. 91-3147-0279 Minnesota, Inc. To support artists’ fees and Grand Canyon Chamber Minneapolis, MN $5,800 related costs for chamber New Music Circle Music Festival, Inc. To support artists’ fees and concerts during the 1991-92 St. Louis, MO $3,700 Grand Canyon, AZ $5,000 related costs for a new music season. 91-3147-0249 To support artists’ fees and To support artists’ fees and concert series and related related costs for a series of related costs for chamber events during the 1991-92 Minnesota Composers new music concerts during concerts presented during the season. 91-3147-0226 Forum the 1991-92 season. 1991 festival. 91-3147-0244 St. Paul, MN $11,600 91-3147-0289 Jefferson Academy of Music To support artists’ fees and Guild of Composers, Inc. Columbus, OH $4,200 related costs for a series of Pauline Oliveros Foundation New York, NY $3,000 To support artists’ fees and new music concerts during Kingston, NY $3,000 To support artists’ fees and related costs for residencies the 1991-92 season. To support artists’ fees and related costs for a series of and chamber music concerts 91-3147-0228 related costs for a series of new music concerts during during the 1991-92 season. new music performances the 1991-92 season. 91-3147-0246 Mohawk Trail during the 1991-92 season. 91-3147-0235 Concerts, Inc. 91-3147-0272 League of Composers- Greenfield, MA $3,300 Hallwalls, Inc. International Society for To support artists’ fees and Performance Space 122, Inc. Buffalo, NY $8,300 Contemporary Music, related costs for chamber New York, NY $5,800 To support artists’ fees and U.S. Section, Inc. music concerts during the To support artists’ fees for a related costs for a series of New York, NY $3,000 1991-92 season. series of new music concerts new music concerts during To support artists’ fees and 91-3147-0242 during the 1991-92 season. the 1991-92 season. related costs for a series of 91-3147-0285 91-3147-0277 new music concerts during Museum Associates the 1991-92 season. Los Angeles, CA $12,500 Pittsburgh Chamber Music Horizon Concerts, Inc. 91-3147-0232 To support artists’ fees and Society, Inc. New York, NY $3,000 related costs for a series of Pittsburgh, PA $3,000 To support costs associated chamber and new music To support the presentation with a series of chamber concerts during the 1991-92 of the Lark String Quartet music concerts during the season. 91-3147-0288 during the 1991-92 season. 91-3147-0268

1991 Annual Report 179 Puget Sound Chamber Roulette Intermedium, Inc. To support artists’ fees and the 1991-92 season. Music Society New York, NY $7,500 related costs for chamber 91-3147-0269 Seattle, WA $3,000 To support artists’ fees and music concerts during the To support artists’ fees and related costs for a series of 1991-92 season. Westfield Center for Early related costs for the presenta­ new music concerts during 91-3147-0225 Keyboard Studies, Inc. tion of the Santa Fe Chamber the 1991-92 season. Easthampton, b~l $6,200 Music Festival in Seattle and 91-3147-0282 Syracuse Society for New To support artists’ fees and other programs during the Music, Inc. related costs for a series of season. 91-3147-0258 San Francisco Conservatory Syracuse, NY $8,800 solo recitals during the 1991­ of Music, Inc. To support artists’ fees and 92 season. 91-3147-0293 Regents of the University San Francisco, CA $4,200 related costs for a series of of Michigan To support artists’ fees and new music concerts during Xavier University Ann Arbor, MI $3,000 related costs associated with the 1991-92 season. Cincinnati, OH $3,300 To support artists’ fees the presentation of the 91-3147-0234 To support artists’ fees and and related costs for a series Chamber Music West related costs for a series of of chamber and new music Festival in 1991. The.art.re.grup, Inc. piano and guitar recitals presentations during the 91-3147-0294 San Francisco, CA $4,500 during the 1991-92 season. 1991-92 season. To support costs associated 91-3147-0283 91-3147-0256 San Francisco Early with the presentation of new Music Society music performances during Yellow Barn Renaissance and Baroque San Francisco, CA $3,000 the 1991-92 season. Putney, VT $3,300 Society of Pittsburgh To support artists’ fees and 91-3147-0260 To support artists’ fees and Pittsburgh, PA $4,200 related costs for a series of related costs for a series of To support the contractual early music concerts during University of Idaho concerts and residencies dur­ fees of a manager for the the 1991-92 season. Moscow, ID $3,000 ing the Yellow Barn Music 1991-92 concert season. 91-3147-0287 To support artists’ fees and Festival in 1991. 91-3147-0261 related costs for the Audi­ 91-3147-0254 Schubert Club, Inc. torium Chamber Music Rensselaer Polytechnic St. Paul, MN $6,200 Series during the 1991-92 Institute To support artists’ fees for a season. 91-3147-0253 Services to Troy, NY $3,000 series of solo recital concerts To support artists’ fees and during the 1991-92 season. Warren Wilson College, Inc. Composers/ related costs for a series of 91-3147-0255 Swannanoa, NC $3,000 Centers for New new music concerts during To support artists’ fees and the 1991-92 season. Seatde Chamber Music related costs for a chamber Music Resources 91-3147-0275 Festival music festival during 1991. Seattle, WA $3,000 91-3147-0259 Services to Composers grants are awarded to organizations Roanoke Valley Chamber To support artists’ fees and for projects that serve com­ Music Society, Inc. related costs for the 1991 Washington Square chamber music festival. Contemporary Music posers on a national or Roanoke, VA $3,300 regional basis. Centers for To support artists’ fees and 91-3147-0248 Society, Inc. New York, NY $3,000 New Music Resources grants related costs for a series of are awarded to innovative chamber music concerts South End Musicworks, Inc. To support artists’ fees and Chicago, IL $3,000 related costs for a series of music facilities, including during the 1991-92 season. electronic music studios and 91-3147-0240 To support artists’ fees and new music concerts during related costs for performances the 1991-92 season. computer centers, to encour­ age collaboration between Rockport Art Association of new music during the 91-3147-0230 composers and other creative Rockport, MA $3,000 1991-92 season. artists. To support artists’ fees and 91-3147-0290 Western Illinois University related costs for the 1991 Macomb, IL $4,200 Rockport Chamber Music Sun City Fine Arts To support artists’ fees for 23 Grants Festival. 91-3147-0236 Society, Inc. solo recital concerts during Program Funds: $186,900 Sun City, AZ $3,000

180 National Endowment for the Arts Advisory Panel in connection with the Bow­ technical and professional expenses of the National doin Summer Music Festival. administrative consultations American Women Com­ Pablo Furman 91-3165-0637 and assistance and to support posers Resource Center Composer general operating expenses. (NAWCRC). 91-3165-0633 Coordinator, Composition California Institute of 91-3165-0632 Department, San Jose the Arts Western States Arts State University Valencia, CA $3,000 ~r Meet the Composer, Inc. Federation Dublin, CA To support composers who New York, NY $59,200 Santa Fe, NM ° $3,700 visit the Center for Art, To support the Composers To support composer appear­ Thomas J. Knab Information, and Tech­ Performance Fund/National ance fees and administrative Composer nology in conjunction with Affiliate Network, which costs for the fifth year of the Director, Electronic Music workshops and residencies. pays fees to composers for Meet the Composer/West Studios, Cleveland 91-3165-0636 performing their music. program. 91-3165-0626 Institute of Music 91-3165-0629 Cleveland, OH Charles Ives Center for Centers for New American Music Minnesota Composers Frank Lee McCarty Roxbury, CT $3,000 Forum Music Resources Composer To support administrative St. Paul, MN $7,000 Faculty, University of North and technical expenses associ­ To support the various ser­ ~r Board of Trustees of Carolina ated with the center’s twelfth vices of the forum, ranging the Leland Stanford Junior Greensboro, NC annual summer program. from information dissemina­ University 91-3165-0627 tion to residencies. Stanford, CA $4,500 Larry Polansky 91-3165-0630 To support the purchase of Composer Composers Conference and MacII and NeXT computer Faculty, Dartmouth College Chamber Music Center, Inc. New Hampshire Music equipment to upgrade and Hanover, NH Wellesley, MA $3,000 Festival, Inc. maintain the audio and com­ To support fellowships for Center Harbor, NH $5,000 puter facilities at the universi­ Carter Wailes young composers to attend To support the New Hamp­ ty’s Center for Computer Layperson the 47th Annual Composers shire Music Festival Com­ Research in Music and Attorney, Godwin, Jones & Conference. 91-3165-0631 posers Conference. Acoustics. 91-3165-0647 Wailes 91-3165-0635 Richmond, VA ~r Composers’ Forum, Inc. ~ Brooklyn College New York, NY $3,000 Relache, Inc. Foundation Grants To support the New Philadelphia, PA $6,000 Brooklyn, NY $8,200 Music/New Composers To support expenses associ­ To support the purchase of Services to series, the quarterly newslet­ ated with sponsoring com­ equipment to upgrade and ter, Network News, and The posers’ residencies that expand the capabilities of the Composers Directory. 91-3165-0628 explore various aspects of college’s Center for Com­ ensemble composition. puter Music. 91-3165-0645 Denotes Grants Having Computer Music 91-3165-0639 National Irnpact. Association, Inc. California Institute of San Francisco, CA $3,400 Telluride Institute, Inc. the Arts ~ American Music ~Fo support the development Telluride, CO $3,000 Valencia, CA $3,500 Center, Inc. of computer music resource To support the 1991 Com­ To support the purchase of New York, NY $39,900 information disseminated poser-to-Composer Festival, equipment enabling the To support Information through the association’s var­ which will involve American Center for Art, Information, Services at the center and ious services. 91-3165-0634 composers in a week-long and Technology to augment administrative expenses. seminar. 91-3165-0625 existing computer-based 91-3165-0638 Haine Summers recording, editing, synthesis, Experimental Intermedia ~r The Women’s and signal-processing work stations. 91-3165-0644 Bowdoin College Foundation, Inc. Philharmonic Brunswick, ME $3,000 New York, NY $3,000 San Francisco, CA $3,000 To support artists’ fees, To support staff time for To support administrative Harvestworks, Inc. scholarships, and related costs New York, NY $4,000

1991 Annual Report 181 To support the Studio Pass Advisory Panel Howie Smith Panel C and Listen In programs. Saxophonist 91-3165-0640 Panel A (Overview) Faculty, Cleveland State Charles Dodge University Composer Mills College MaryAnn Bonino Cleveland Heights, OH Director, Center for Oakland, CA $3,000 Founder and Artistic/ Computer Music, To support the honoraria Producing Director Eileen Southern Brooklyn College and publicity in the electron­ Da Camera Society Musicologist Brooklyn, NY ic and experimental concert Los Angeles, CA Professor Emeritus, Harvard series and the composer-in­ University Paul Lansky residence program. Robert Browning Port Charlotte, FL Composer 91-3165-0646 Artistic/Executive Director Faculty, Princeton University World Music Institute Frederick Tillis Princeton, NJ Rensselaer Polytechnic New York, NY Composer Institute Director, Fine Arts Center Herb Levy Troy, NY $5,000 Vance George University of Massachusetts Independent To support the purchase of Choral Conductor Amherst, MA Producer/Consultant high-quality recording equip­ San Francisco Symphony Seattle, WA ment for professional activity Chorus Catherine Weiskel in the iEAR Studios and San Francisco, CA General Manager Larry Polansky ongoing artist residencies. New Haven Symphony Composer 91-3165-0643 Walter Heid Orchestra Faculty, Dartmouth College Executive Director New Haven, CT Hanover, NH Trustees of Princeton Eastern Music Festival University Greensboro, NC Panel B Dorothy Rudd-Moore Princeton, NJ $3,500 Composer/Singer To support the purchase of a Alexine Jackson Nancy Clarke New York, NY new IRCAM board for use in Layperson Executive Director designing software. President/Board of Trustees, American Music Center Grants 91-3165-0641 Washington Performing Arts Society Mantle Hood ~ Denotes Grants Having University of California-­ Potomac, MD Ethnomusicologist National Impact. San Diego Faculty, University of La Jolla, CA $7,000 Joyce Johnson Maryland---Baltimore All grants were reviewed To support the upgrading of Pianist Baltimore, MD by Panel A unless otherwise a NeXT computer to func­ Faculty, Spelman College indicated. tion as a fileserver for the Atlanta, GA Herb Levy NeXT network. Independent Producer/ American Dance 91-3165-0642 William McFarlin Consultant Festival, Inc. Executive Director, Seattle, WA Durham, NC $12,000 International Association To support the music por­ Special Projects of Jazz Educators Vincent McDermott tion of a composers and Faculty, Kansas State Ethnomusicologist choreographers residency To fund innovative and University Faculty, Lewis and Clark program. 91-3170-0764 exemplary projects that have Manhattan, KS College a broad impact on the music Portland, OR Boston Symphony field but are not eligible Lois Schaefer Orchestra, Inc. under the other funding Flutist Gertrude Rivers Robinson Boston, MA $17,000 categories. Faculty, New England Composer To support the costs of com­ Conservatory of Music Faculty, Loyola Marymount missioning three works by 21 Grants Jamaica Plain, MA University the American composers Los Angeles, CA Program Funds: $178,000 John Harbison, Lukas Foss,

182 National Endowment for the Arts and Leon Kirchner. Panel B. 91-3170-0774 To support American artists’ American composers and 91-3170-0761 * See InternationalActivities fees at the International artists’ fees and other expens­ section. Music Festival in Pittsburgh es associated with the rehears­ Chamber Music Society of in September 1992. al and performance of these Lincoln Center, Inc. Goldman Memorial 91-3170-0765 works. 91-3170-0758 New York, NY $7,000 Band, Inc. To support the Chamber New York, NY $6,500 Research Foundation Theatre Development Music Beginnings, Artists at To support the 1992 season of State University of Fund, Inc. Work, Young Musicians, and of free outdoor concerts. New York New York, NY $10,000 Student Ticket Subsidy pro­ 91-3170-0763 Albany, NY $7,500 To support the music por­ grams. 91-3170-0762 To support the 1992 June in tion of the open admission National Orchestral Buffalo seminar/workshop Performing Arts Voucher ~r College Music Association, Inc. sponsored by the State Uni­ program, tickets by mail, Society, Inc. New York, NY $3,000 versity of New York at NYC/On Stage, the perform­ Missoula, MT $5,500 To support the presentation Buffalo in conjunction with ing arts hotline, and the To support artists’ fees and of concerts at Carnegie Hall Hallwalls Contemporary Art young adult audience devel­ other costs associated with performed by the National Center. 91-3170-0771 opment project. the 1991 annual meeting of Orchestral Association. 91-3170-0756 the College Music Society. 91-3170-0769 San Francisco Symphony 91-3170-0766 San Francisco, CA $18,000 University of Cincinnati National Symphony To support the costs of Foundation Contrasts in Contemporary Orchestra Association of commissioning three works Cincinnati, OH $5,000* Music, Inc. Washington, D.C. by American composers To support American repre­ New York, NY $3,000 Washington, DC $6,500 Wayne Peterson, John sentation at the International To support contemporary To support the Youth Adams, and Ronald Calta­ Rostrum of Composers in music concerts presented by Fellowship Program. biano that will be performed Paris. Reviewed by Panel C. Composers’ Showcase in 91-3170-0759 during the 1991-92 season. 91-3170-0754 New York City during the 91-3170-0757 *See International Activities 1991-92 season. ~: New World section. 91-3170-0755 Symphony, Inc. Saratoga Springs Performing Miami Beach, FL $35,000 Arts Center, Inc. WHYY, Inc. Dance Theater To support the continuation Saratoga Springs, NY $3,000 Philadelphia, PA $4,500 Workshop, Inc. of the Seaver/National To support a commission for To support the music por­ New York, NY $3,000 Endowment for the Arts Jacob Druckman to compose tion of the radio series "Fresh To support musicians’ fees Conductors Award in a chamber work to be per­ Air." 91-3170-0768 for the National Performance 1991-92.91-3170-0773 formed during the 1992 Network. 91-3170-0772 season at the Saratoga Per­ Walter W. Naumburg Norfolk Public Schools forming Arts Festival, the Foundation, Inc. Festival of Indonesia Virginia Beach, VA $3,000 Ravinia Festival, and the New York, NY $6,500 Foundation, Inc. To support free summer con­ Santa Fe Chamber Music To support a chamber music E1 Cerrito, CA $10,000" certs performed by the Tide­ Festival. 91-3170-0767 ensemble selected to appear To establish creative residen­ water Winds professional in Mice Tully Hall in 1992 cies for contemporary Indo­ concert band. 91-3170-0770 Steinway Foundation, Inc. to perform a work commis­ nesian composers in conjunc­ New York, NY $5,000 sioned specifically for the tion with the Festival of Pittsburgh New Music To support the commission­ group. 91-3170-0760 Indonesia. Reviewed by Ensemble, Inc. ing of works for piano by Pittsburgh, PA $7,000

1991 Annual Report 183 Austin Lyric Opera stages "I1 Trovatore" in Texas, one of at least 41 states that saw live opera supported by this program. Opera-Musical Theater 199 Grants Program Funds $3,441,415 Treasury Funds $2,650,000

The Opera-Musical Theater Program is committed to that make up American society, but demonstrate the supporting, strengthening and broadening throughout the growing trend among producing companies to go beyond nation opera-musical theater, which encompasses traditional the bounds of the standard repertoire of late 19th-century opera and musical theater, operetta, Broadway musical com­ European operas and traditional Broadway book edy, nontraditional music theater, and still-evolving forms. musicals. It is further committed to making available and accessible, In 1991, the Metropolitan Opera presented its first to diverse audiences across America, quality works in this new opera in a quarter century, The Ghosts of Versailles, by most complex pe~Corming art genre. John Corigliano and William Hoffman, with support from a grant awarded under the New American ’ he program funded a remarkable body of Works/Organization category. Five months earlier, new American works in 1991, enlarging the Samuel Barber’s Antony and Cleopatra, which had opened nation’s opera-musical theater oeuvre in our the Metropolitan Opera House at Lincoln Center in T own time and for posterity. These new 1965, got its second professional production in Chicago. works not only reflect the many cultures That event was part of the Lyric Opera’s artistic initiative,

184 "Toward the 21 st Century." It bears mention that The Hydrogen Jukebox combines Allen Ginsberg’s poems with Ghosts of Versailles was broadcast over the Met’s Inter­ the music of Philip Glass. Frida, based on the lives and national Radio Network and has been scheduled for tele­ works of Mexican painters Frida Kahlo and Diego Rivera, cast over "Live from the Met." The Lyric’s Antony and combines Mexican and European musical styles. The pro­ Cleopatra was also telecast. gram also supported the development of other nontradi­ Funded under the New American Works category, tional work through such organizations as the Music- two productions by the composer/librettist team of Theatre Group, INTAR and the American Music Robert Moran and Michael John LaChiusa were pre­ Theater Festival. miered. In a period of two months, Desert of Roses opened Support of broadcast projects via the program’s at the Houston Grand Opera and From the Towers of the Services to the Art category helped augment the national Moon was performed at the Minnesota Opera. That com­ opera audience. The National Public Radio series "World pany plans to take From the Towers of the Moon on a of Opera" reached more than 600,000 listeners over national tour next year. NPR’s network of independent stations. This series Away from Broadway, sustained growth and develop­ included productions of new works such as Carlisle ment of new musicals has occurred in regional musical Floyd’s epic of the Reconstruction era, The Passion of theater companies. Examples of these works were show­ Jonathan Wade, co-produced by an Endowment-aided cased at the Festival of First Stage Musicals in New York consortium of opera companies in Miami, Houston, City, which received a Special Projects catego~ grant San Diego and Seattle. The NPR series also broadcast awarded to the National Alliance of Musical Theatre Mozart’s rarely performed work, I1 repastore, produced by Producers. Glimmerglass Opera of Cooperstown, New York. The program’s support of new music theater was evi­ In the Professional Companies category, the Opera- dent in many works. Some examples: Winter Man, by a Musical Theater Program’s nationwide support of opera- Cheyenne poet, deals with the 1864 massacre at Sand musical theater institutions, both large and small, contin­ Creek, Colorado. Snow Leopard connects the Iran-Contra ues to assist the field in maintaining artistic excellence; affair with the Tibetan Book of the Dead. The Canton ]azz revitalizing the repertoire; educating future artists, admin­ Club is about the Los Angeles Chinatown night spot of istrators and audiences; and re-establishing these art the 1940s famous for its Chinese-American revues. forms’ vital connection with a changing global society.

New American Advisory Panel Ann Ewers Houston Grand Opera Stage Director/General Houston, TX Works Irene Antoniou Director Patron/Board Member Utah Opera Paul Kellogg To enable individual produc- Illinois Arts Council Salt Lake City, UT General Director ers and organizations to cre- Oakbrook, IL Glimmerglass Opera ate, develop, rehearse, and Bernard Gersten Cooperstown, NY produce contemporary Jack Beeson Executive Producer Lincoln Center Theatre Michael Korie American opera-musical the- Professor of Music/Composer New York, NY Librettist ater works; to encourage their New York, NY introduction into the stan- Columbia University New York, NY Paul Gleason dard repertory; and to make Executive Director Ted Shank audiences more aware and Wallace Chappell American Center for Musical Professor of Dramatic appreciative of them. Director Theater Arts/Director University of IowaJHancher Los Angeles, CA University of California, San 47 Grants Auditorium Diego Jim Ireland San Diego, CA Program Funds: $867,500 Iowa City, IA Producing Director

1991 Annual Report 185 William Yellow Robe by composer/librettist Eugene O’Neill Memorial International Arts Artistic Director/Playwright William Harper and direc­ Theater Center, Inc. Relations, Inc. Seattle Group Theatre tor/dramaturg Ben Krywosz. Waterford, CT $29,250 New York, NY $35,000 Seattle, WA 91-3511-0164 To support costs associated To support the creation and with the center’s 1991 development of a new con­ Organizations Brooklyn Academy of National Music Theater temporary opera by compos­ Music, Inc. Conference. 91-3511-0182 er William Harper and play­ Grants Brooklyn, NY $40,000 wright/lyricist Bernardo To support the second pro­ Free Street Theater Solano. 91-3511-0165 ~r Denotes Grants Having duction of Hydrogen Jukebox, Chicago, IL $5,000 a new music theater work by To support the creation of a Lyric Opera Center for National Impact composer Philip Glass, poet new music theater piece by American Artists Chicago, IL $15,000 American Music Theater Allen Ginsberg, and designer composer and director Doug Jerome Sirlin. 91-3511-0163 Lofstrom and lyricist Tricia To support the development, Festival, Inc. Alexander. 91-3511-0171 rehearsal, and preproduction Philadelphia, PA $20,000 of an opera by composer To support preproduction Center for Contemporary Opera George Coates Performance Bright Sheng and librettist costs relating to the mount­ New York, NY $5,000 Company Andrew Porter. ing of a new multidiscipli­ 91-3511-0159 nary work created by Hilary To support commissioning San Francisco, CA $30,000 and related costs for the cre­ To support the creation, Blecher and Migdalia Cruz, ation of an opera by compos­ development, rehearsal, and Lyric Opera of Chicago with music composed by preproduction of a new col­ Chicago, IL $50,000 Robert Rodriguez. er/librettist Scott Eyerly. 91-3511-0183 laborative George Coates To support the rehearsal and 91-3511-0178 Performance Works music preproduction of the rarely Center for Contemporary theater piece. 91-3511-0177 performed opera Antony and American Music Theater Cleopatra, by composer Festival, Inc. Opera New York, NY $5,000 Goodspeed Opera House Samuel Barber. Philadelphia, PA $5,000 Foundation, Inc. 91-3511-0184 To support commission costs To support rehearsal and preproduction costs of an East Haddam, CT $7,500 for the creation of a new opera by Leonard Lehrman To support the Goodspeed Mabou Mines Development work by playwright Mac and the late Marc Blitzstein. Opera House Foundation’s Foundation, Inc. Wellman and composer 91-3511-0185 Goodspeed-At-Chester/The New York, NY $5,000 David Van Tieghem. Norma Terris Theatre. To support the development 91-3511-0179 District Curators, Inc. 91-3511-0161 of a mixed-media music-the­ American Music Theater Washington, DC $20,000 ater work conceived and Festival, Inc. To support the development, House Foundation for directed by JoAnne Akalaitis, rehearsal, and preproduction the Arts with script by Robert Coe Philadelphia, PA $25,000 To support, in collaboration phases of The E & 0 Line, an New York, NY $15,000 and music by Rinde Eckert electronic blues opera. To support the development and Al Kryszak. with the American Repertory Theatre, the rehearsal and 91-3511-0147 of a new opera-musical the­ 91-3511-0157 preproduction of a new ater piece by Artistic Director East West Players, Inc. Meredith Monk. McCarter Theatre Company music theater work by poet/ Los Angeles, CA $10,000 91-3511-0167 Princeton, NJ $10,000 playwright Derek Walcott, To support the development To support the rehearsal and with a score composed by preproduction of an original Galt McDermot. and completion of a new Houston Grand Opera rhythm and blues musical co­ 91-3511-0181 Asian-American musical by Association, Inc. composers Nathan Wang Houston, TX $30,000 authored by Ntozake Shange and Emily Mann, with music American Ritual Theatre and Joel Iwataki, book writer To support the rehearsal and Company Dora Magwili, lyricist Tim preproduction of a new opera by Baikida Carroll. Dang, and development con­ by composer Robert Moran 91-3511-0166 Glencoe, IL $15,000 sultant Glen Chin. To support the development and librettist Michael John of a new music theater work 91-3511-0180 LaChiusa. 91-3511-0175

186 National Endowment for the Arts ~r Metropolitan Opera Music-Theatre Group, Inc. OperaDelaware, Inc. Vivian Beaumont Association, Inc. New York, NY $20,000 Wilmington, DE $15,000 Theater, Inc. New York, NY $50,000 To support the creation and To support the completion of New York, NY $40,000 To support the rehearsal and development of a new work a new opera by Conrad To support the rehearsal and preproduction of the world by performance artist and Cummings and Robert preproduction phases of the premiere of a new opera, The countertenor John Kelly. Jones. 91-3511-0153 revival of Lady in the Dark, Ghosu of Versailles, by Amer­ 91-3511-0173 by librettist Moss Hart, ican composer John Corig­ Pan Asian Repertory lyricist Ira Gershwin, and liano. 91-3511-0168 Musical Theatre Works, Inc. Theatre, Inc. composer Kurt Weill. New York, NY $7,500 New York, NY $5,000 91-3511-0154 Minnesota Opera Company To support Musical Theatre To support the development Minneapolis, MN $25,000 Works’ three-part develop­ of a new opera by Louis Vivian Beaumont To support development, mental reading program. Stewart, composer, and Theater, Inc. rehearsal, and preproduction 91-3511-0149 Ernest Abuba, librettist. New York, NY $20,000 of a new opera by composer 91-3511-0160 To support the creation and Morton Subotnick. New Dramatists, Inc. development of a new music 91-3511-0186 New York, NY $11,000 Performance Community theater piece by director/ To support New Dramatists’ Chicago, IL $5,000 choreographer Jerome Rob­ Minnesota Opera Company Composer-Librettist Studio. To support New Tuners bins and composer Douglas Minneapolis, MN $5,000 91-3511-0156 Theatre’s Making Tuners Wieselman. To support the completion Workshop. 91-3511-0150 91-3511-0198 and development of a newly New York Theatre commissioned work by Workshop, Inc. Playwrights Horizons, Inc. Walker Art Center, Inc. Robert Moran and Michael New York, NY $5,000 New York, NY $23,000 Minneapolis, MN $5,000 John LaChiusa. To support, in collaboration To support Playwrights To support commissioning 91-3511-0169 with the Walker Art Center Horizons’ Musical Theatre costs for the creation of a and the University of Iowa, Development Program. new music theater work by Minnesota Opera Company the creation of a full-length 91-3511-0162 composer Pat Irwin and Minneapolis, MN $25,000 musical theater piece by librettist William Burroughs. To support rehearsal and pre­ composer Rinde Eckert and Reich Music Foundation 91-3511-0151 production costs of the New playwright Shelley Berc. New York, NY $30,000 Music-Theater Ensemble’s 91-3511-0158 To support rehearsal and pre­ Individuals as production of Snow Leopard, production costs of a new by composer William Harper Northlight Theatre documentary music theater Producers and writer Roger Nieboer. Evanston, IL $15,000 work by composer Steve 91-3511-0170 To support rehearsal and pre­ Reich and video artist Beryl Grants production costs relating to Korot. 91-3511-0152 Minnesota Opera Company the world premiere of The Gordon, Peter Minneapolis, MN $29,250 Tale of Madame Zora, a blues Tango Productions Brooklyn, NY $12,000 To support Minnesota musical about the life of Company To support the creation and Opera’s New Music-Theater African-American folklorist New York, NY $25,000 development of Tragedies of Ensemble. 91-3511-0174 Zora Neale Hurston. To support the development, Utopia, by composer Peter Gordon and video artist Kit 91-3511-0155 rehearsal, and production of Music-Theatre Group, Inc. a French/English opera con­ Fitzgerald. 91-3512-0189 New York, NY $20,000 Ohio State University ceived, written, and com­ To support the creation and Research Foundation posed by Mardi-Ellen Hill, Kirck, Robin development of a new full- Columbus, OH $10,000 with visual imagery by Berkeley, CA $28,000 length opera by jazz musi­ To support the development Daniele Rochon and musical To support the creation and cian/composer/writer of a musical theater work by direction by Roger Ames. development of a music the­ Hannibal Marvin Peterson. Terry Allen at the Wexner 91-3511-0148 ater work by composer Paul 91-3511-0172 Center for the Visual Arts. Dresher, writer/performer 91-3511-0176 Rinde Eckert, and video artist John Sanborn. 91-3512-0188

1991 Annual Report 187 Lorwin, Liza Advisory Panel Roberto Sierra To support the 1991-92 Brooklyn, NY $10,000 Composer-in-Residence production season. To support the creation of an Robert Bailey Milwaukee Symphony 91-3521-0055 opera by composer Bob Tel­ General Director Orchestra son and librettist Lee Breuer, Portland Opera Company Milwaukee, WI Arizona Opera Company based on Breuer’s original Portland, OR Tucson, AZ $5,000 poem, "Red Beads." Thomson Smillie To support the 1991-92 pro­ 91-3512-0191 Anne Bogart General Director duction season. Director Kentucky Opera 91-3521-0043 Maguire, Matthew Providence Theater Louisville, KY New York, NY $19,000 Company Atlanta Opera Guild, Inc. To support the creation and Providence, RI Anne Tomfohrde Atlanta, GA $5,000 development of Chaos, an Director To support the 1991 season original opera by composer Robert Chauls Houston Opera Center of productions. Michael Gordon and libret­ Composer/Artistic Director Houston, TX 91-3521-0054 tist Matthew Maguire. Valley Opera 91-3512-0190 Sherman Oaks, CA Laurel Ann Wilson Augusta Opera General Manager Association, Inc. Rhodes, Nancy Alice Coulombe The Piano Lesson Augusta, GA $5,000 New York, NY $10,000 Volunteer Coordinator/ New York, NY To support the 1991-92 To support the creation and Board Member 25th anniversary season of development of The Glass Los Angeles Music Center/ Grants production. 91-3521-0078 Woman, a new opera by Music Center Opera ~r Denotes Grants Having Sorrel Hays, Sally Ordway, Pasadena, CA and Nancy Rhodes. National Impact Austin Lyric Opera 91-3512-0192 Charles Gray Austin, TX $5,000 Executive Director/General AMAS Repertory To support the 1991-92 Teirstein, Andy J. Manager Theatre, Inc. season of productions. Brooklyn, NY $21,000 Pittsburgh Civic Light Opera New York, NY $6,750 91-3521-0197 To support the creation and Pittsburgh, PA To support the musical the­ development of Winter Man, ater portion of the 1991-92 Baltimore Opera by composer Andy Teirstein Robert Heuer season. 91-3521-0068 Company, Inc. and Cheyenne poet Lance General Manager Baltimore, MD $9,500 Henson. 91-3512-0187 Greater Miami Opera American Music Theater To support the 1991-92 Association Festival, Inc. season of productions. Miami, FL Philadelphia, PA $22,750 91-3521-0069 Professional TF $20,000 Companies C. Bernard Jackson To support the 1991-92 Boston Lyric Opera Artistic Director/Co-Founder production season. Company For opera and musical theater Inner City Cultural Center 91-3521-0060 Boston, MA $5,000 companies to improve their Los Angeles, CA To support the 1991-92 artistic quality and adminis­ American Repertory Theatre production season. trative skills, reach new audi­ Linda Jackson Cambridge, MA $14,750 91-3521-0051 General Director TF $8,000 ences, and broaden their To support the development Casa Manana Musicals, Inc. repertoire to include more Chautauqua Opera Chautauqua, NY of new music and music the­ Ft. Worth, TX $5,000 works by American artists. ater works during the 1991 To support the musical the­ Charles Rogers production season. ater portion of the 1991 106 Grants Executive Director 91-3521-0048 summer production season. Program Funds: $1,735,000 Texarkana Regional Arts and 91-3521-0046 Anchorage Civic Opera Treasury Funds: $2,650,000 Humanities Council Texarkana, TX Association, Inc. Anchorage, AK $7,500

188 National Endowment for the Arts Center Theatre Group of Cincinnati Opera ater portion of the 1991-92 Kentucky Opera Los Angeles Association production season. Association, Inc. Los Angeles, CA $19,250 Cincinnati, OH $20,500 91-3521-0073 Louisville, KY $21,500 TF $10,000 TF $10,000 TF $7,OOO To support the musical the­ To support the 1991-92 George Street To support the 1991-92 ater portion of the 1991-92 season of productions. Playhouse, Inc. production season. season. 91-3521-0081 91-3521-0062 New Brunswick, NJ $5,000 91-3521-0098 To support the musical the­ Central City Opera House Civic Light Opera ater portion of the 1991-92 Knoxville Opera Company Association Association production season. Knoxville, TN $5,000 Denver, CO $13,750 Pittsburgh, PA $17,000 91-3521-0092 To support the 1991-92 TF $10,000 To support the 1991-92 production season. To support the engagement season of productions. Glimmerglass Opera, Inc. 91-3521-0049 of administrative, artistic, 91-3521-0088 Cooperstown, NY $18,750 and support personnel and TF $5,000 Lime Kiln Arts, Inc. to support the Apprentice Connecticut Opera To support the 1992 summer Lexington, VA $9,500 Program during the 1991 Association, Inc. production season. To support the musical the­ festival production season. Hartford, CT $5,000 91-3521-0087 ater portion of the 1991 91-3521-0066 To support the 1991-92 summer production season. season of productions. Goodspeed Opera House 91-3521-0058 Chamber Opera of Chicago 91-3521-0075 Foundation, Inc. Chicago, IL $5,000 East Haddam, CT $19,500 Long Beach Civic Light To support the 1991-92 Dallas Opera TF $87,000 Opera Association production season. Dallas, TX $35,500 To support production ex­ Long Beach, CA $9,500 91-3521-0057 TF $90,000 penses during the 1991-92 To support the 1991-92 To support the 1991-92 fall/ performance season. season of productions. Chautauqua Institution winter production season. 91-3521-0045 91-3521-0047 Chautauqua, NY $17,000 91-3521-0093 To support the 1991 Hawaii Opera Theatre Long Beach Opera production season at the Dayton Opera Association Honolulu, HI $5,000 Long Beach, CA $11,500 Chautauqua Opera. Dayton, OH $5,000 To support the 1991-92 To support the 1991-92 fall/ 91-3521-0082 To support the 1991-92 season of productions. spring production season. season of productions. 91-3521-0094 91-3521-0085 Chicago Opera Theater 91-3521-0064 Chicago, IL $18,750 Houston Grand Opera Lyric Opera Cleveland TF $5,000 Des Moines Metro Association, Inc. Cleveland, OH $5,000 To support the 1991-92 Opera, Inc. Houston, TX $93,500 To support artists’ fees season of productions. Indianola, IA $11,500 TF $225,000 during the 1991 summer 91-3521-0067 To support the 1991-92 To support the 1991-92 season. 91-3521-0071 season of productions. mainstage season of opera Children’s Theater 91-3521-0050 productions in the Wortham Lyric Opera of Chicago Company and School Theater Center, the annual Chicago, IL $108,000 Minneapolis, MN $14,250 Florentine Opera Spring Opera Festival, and TF $22O,OOO To support the musical the­ Company, Inc. related promotional activities. To support the 1991-92 ater portion of the 1991-92 Milwaukee, WI $5,000 91-3521-0089 performance season. production season, including To support the 1991-92 91-3521-0097 the engagement of produc­ production season. International Arts tion and artistic personnel. 91-3521-0090 Relations, Inc. Lyric Opera of Kansas 91-3521-0196 New York, NY $10,500 City, Inc. George Coates Performance To support the 1991-92 Kansas City, MO $9,500 Company mainstage musical theater To support mainstage pro­ San Francisco, CA $8,500 production season. ductions during the 1991-92 To support the musical the­ 91-3521-0079

1991 Annual Report 189 performance season. season of productions. tural Awareness Program. season of musical theater 91-3521-0052 91-3521-0059 91-3521-0096 productions. 91-3521-0116

Lyric Theatre of Municipal Theatre New England Lyric Operetta Opera Association of Oklahoma, Inc. Association of St. Louis Company, Inc. Central Ohio Oklahoma City, OK $5,000 St. Louis, MO $9,500 Stamford, CT $5,000 Columbus, OH $9,500 To support the 1991-92 To support the 1991-92 To support the 1991-92 To support the 1991-92 season of summer musicals. musical theater season of pro­ production season. production season. 91-3521-0200 ductions. 91-3521-0072 91-3521-0042 91-3521-0108

Mad River Theater Works Music Center Opera New Jersey June Opera Opera Carolina West Liberty, OH $5,000 Association Festival Charlotte, NC $7,500 To support the 1991-92 resi­ Los Angeles, CA $41,000 Princeton Junction, NJ To support the 1991-92 dent season of original music TF $35,000 $5,000 mainstage production season theater works. 91-3521-0053 To support artistic and pro­ To support the 1991 produc­ and education/outreach duction expenses and related tion season. 91-3521-0091 programs. 91-3521-0113 ~ Metropolitan Opera costs for the 1991-92 perfor­ Association, Inc. mance season. 91-3521-0084 New Orleans Opera Opera Colorado New York, NY $174,000 Association Denver, CO $15,250 TF $647,000 Music Theatre of New Orleans, LA $5,000 To support the 1991-92 To support the 1991-92 Wichita, Inc. To support the 1991-92 production season of opera­ 25th anniversary season Wichita, KS $5,000 production season. in-the-round, including the of the Opera House at To support musical theater 91-3521-0056 engagement of artistic, ad­ Lincoln Center. productions and related semi­ ministrative, and production 91-3521-0099 nars and workshops during New York City Opera, Inc. personnel. 91-3521-0146 the 1991 performance sea­ New York, NY $65,750 Michigan Opera Theatre son. 91-3521-0080 TF $130,000 Opera Company of Detroit, MI $22,000 To support rehearsal and Philadelphia TF $35,OOO Music-Theatre Group, Inc. performance fees of soloists Philadelphia, PA $9,500 To support the 1991-92 New York, NY $21,750 to be engaged during the To support productions dur­ mainstage production season. TF $42,0O0 1991 summer/fall production ing 1991-92 performance 91-3521-0061 To support the 1991-92 season. 91-3521-0105 season. 91-3521-0115 season of musical theater Mill Mountain Playhouse productions. 91-3521-0063 North Shore Community Opera Guild of Greater Company Arts Foundation, Inc. Miami, Inc. Roanoke, VA $5,750 Musical Theatre Works, Inc. Beverly, MA $5,000 Miami, FL $40,000 To support the musical the­ New York, NY $7,500 To support the musical TF $95,000 ater portion of the 1991-92 To support the 1991-92 theater portion of the To support the 1991-92 season of productions. production season of musical 1991-92 production season. season of productions. 91-3521-0077 theater activities. 91-3521-0126 91-3521-0130 91-3521-0095 Minnesota Opera Northlight Theatre Opera Pacific Company Nevada Opera Association Evanston, IL $5,000 Costa Mesa, CA $18,000 Minneapolis, MN $24,000 Reno, NV $5,000 To support the musical the­ To support the 1991-92 TF $50,000 To support the 1991-92 ater portion of the 1991-92 production season. To support production performance season. production season. 91-3521-0134 expenses for the 1991-92 91-3521-0070 91-3521-0124 performance season. Opera San Jose, Inc. 91-3521-0076 New Cleveland Opera Odyssey Theatre San Jose, CA $5,000 Company Foundation To support production and Mobile Opera, Inc. Cleveland, OH $16,750 Los Angeles, CA $5,000 related costs during the Mobile, AL $5,750 TF $7,000 To support the 1991-92 1991-92 performance sea­ To support the 1991-92 To support the Multi-Cul­ son. 91-3521-0129

190 National Endowment for the Arts Opera Theatre at Wildwood Playwrights Horizons, Inc. San Francisco Opera Spanish Theatre Repertory Little Rock, AR $5,750 New York, NY $7,500 Association Company, Limited To support the 1991-92 TF $4O,OOO San Francisco, CA $63,500 New York, NY $11,500 season of productions. To support the musical TF $250,000 To support the mounting of 91-3521-0127 theater portion of the 1991­ To support artists’ fees for music theater productions 92 production season. the 1991-92 season of pro­ during the 1991-92 season Opera Theatre of 91-3521-0109 ductions. 91-3521-0086 of performances. Saint Louis 91-3521-0103 St. Louis, MO $25,250 Portland Opera San Jose Civic Light Opera TF $85,000 Association, Inc. Association, Inc. Spoleto Festival U.S.A. To support the 1991-92 Portland, OR $15,750 San Jose, CA $6,750 Charleston, SC $17,000 season of productions. TF $7,000 To support the engagement TF $20,000 91-3521-0104 To support the 1991-92 of a full-time artistic associate To support the 1991 produc­ performance season. during the 1991-92 produc­ tion season. 91-3521-0114 Opera/Omaha, Inc. 91-3521-0122 tion season. 91-3521-0144 Omaha, NE $13,000 Summer Opera Theatre TF $6,000 Robert W. Woodruff Arts Santa Fe Opera Association Company, Inc. To support the 1991-92 Center, Inc. Santa Fe, NM $58,750 Washington, DC $5,000 season of productions. Atlanta, GA $5,000 TF $135,000 To support the 1991 summer 91-3521-0141 To support the musical the­ To support the 1991-92 production season. ater portion of the 1991-92 production season. 91-3521-0111 OperaDelaware, Inc. season. 91-3521-0044 91-3521-0145 Wilmington, DE $6,750 Syracuse Opera To support the 1991-92 Sacramento Opera Sarasota Opera Company, Inc. season. 91-3521-0102 Association Association, Inc. Syracuse, NY $5,000 Sacramento, CA $5,000 Sarasota, FL $9,500 To support the 1991-92 Orlando Opera To support the 1991-92 To support the 1991-92 season of productions. Company, Inc. production season. season of productions. 91-3521-0137 Orlando, FL $5,000 91-3521-0125 91-3521-0140 To support the 1991-92 Theatre Under the season. 91-3521-0118 San Diego Civic Light Seattle Opera Stars, Inc. Opera Association, Inc. Association, Inc. Houston, TX $11,500 Paper Mill Playhouse San Diego, CA $5,000 Seattle, WA $46,750 To support the musical the­ Millburn, NJ $18,000 To support the 1991-92 TF $110,000 ater portion of the 1991-92 TF $39,000 performance season. To support the 1991-92 production season. To support the musical 91-3521-0138 season of productions. 91-3521-0135 theater portion of the 1991­ 91-3521-0136 92 production season. San Diego Opera Theatre de la Jeune Lune 91-3521-0132 Association Skylight Opera Theatre Minneapolis, MN $7,500 San Diego, CA $22,500 Corporation To support the musical the­ Pennsylvania Opera Theater TF $65,000 Milwaukee, WI $9,500 ater portion of the 1991-92 Philadelphia, PA $9,500 To support the 1992 Inter­ To support the 1991-92 production season. To support the 1991-92 national Season opener, Der production season. 91-3521-0112 performance season. Rosenkavalier. 91-3521-0133 91-3521-0123 91-3521-0139 Theatreworks/USA Corp. Solvang Theaterfest New York, NY $6,750 Pittsburgh Opera San Francisco Mime Santa Maria, CA $5,000 To support the musical Theater, Inc. Troupe, Inc. To support the musical the­ theater portion of the 1991­ Pittsburgh, PA $13,250 San Francisco, CA $14,250 ater artists-in-residence dur­ 92 production season. TF $20,000 To support the 1991-92 sea­ ing the 1991-92 production 91-3521-0083 To support the 1991-92 son of musical theater pro­ season. 91-3521-0117 production season. ductions. 91-3521-0131 91-3521-0100

1991 Annual Report 191 Washington Drama American Theater Arts for Minnesota Opera Company Tri-Cities Opera Minneapolis, MN $7,500 Company, Inc. Society, Inc. Youth, Inc. Binghamton, NY $9,500 Washington, DC $15,250 Philadelphia, PA $7,500 To support the 1991-92 To support Arena Stage’s To support the 1991-92 touring season. To support the 1991-92 91-3542-0037 production season. 1991-92 season of musical touring production season. 91-3521-0120 theater productions. 91-3542-0027 91-3521-0101 Musical Traditions, Inc. Arts Midwest San Francisco, CA $10,000 Tulsa Opera, Inc. To support the 1991-92 Tulsa, OK $15,500 Washington Opera Minneapolis, MN $9,750 TF $15,000 Washington, DC $48,500 To support fee assistance touring season of the Paul TF $115,000 during the 1991-92 season Dresher Ensemble. To support the 1991-92 91-3542-0023 production season. To support the 1991-92 to nonprofit organizations in 91-3521-0106 production season. Illinois, Indiana, Iowa, 91-3521-0107 Michigan, Minnesota, North New York City Opera, Inc. University of Utah and South Dakota, Ohio, New York, NY $18,000 To support touring and relat­ Salt Lake City, UT $5,000 Wolf Trap Foundation for and Wisconsin. the Performing Arts 91-3542-0024 ed costs during the 1991-92 To support the musical production season. theater portion of Pioneer Vienna, VA $6,750 Memorial Theater’s 1991-92 To support costs associated Des Moines Metro 91-3542-0028 production season. with the 1991 summer sea­ Opera, Inc. 91-3521-0128 son of the Wolf Trap Opera Indianola, IA $7,500 Opera de Camara, Inc. Company. 91-3521-0142 To support the 1991-92 Old San Juan, PR $10,000 Utah Opera Company touring production season of To support expenses for tour­ Salt Lake City, UT $5,000 OPERA Iowa. 91-3542-0029 ing throughout the island To support the 1991-92 Regional Touring during the 1991-92 produc­ tion season. 91-3542-0240 season of productions. Early.Music 91-3521-0143 To enable professional non­ Foundation, Inc. profit opera or musical the­ New York, NY $7,500 Opera/Omaha, Inc. ater companies to tour in To support the 1991-92 Omaha, NE $7,500 Vineyard Theatre and multistate regions. Workshop Center, Inc. touring season of the En­ To support the 1991-92 semble for Early Music. touring season. New York, NY $7,500 91-3542-0065 To support the musical 22 Grants 91-3542-0033 theater portion of the 1991­ Program Funds: $345,000 Mad River Theater Works Pittsburgh Opera 92 performance season. Theater, Inc. 91-3521-0121 Advisory Panel West Liberty, OH $7,500 To support the 1991-92 Pittsburgh, PA $7,500 To support touring during Virginia Opera Panelists listed under the touring season to small com­ munities throughout the the 1991-92 season. Association, Inc. Professional Companies cate­ 91-3542-0036 Norfolk, VA $14,000 gory also reviewed grants in Midwest. 91-3542-0022 TF $5,000 this category. Michigan Opera Theatre San Francisco Mime To support the 1991-92 Troupe, Inc. production season. Grants Detroit, MI $8,000 91-3521-0110 To support the 1991-92 San Francisco, CA $15,000 Amalgamated Producers, touring season of the Opera­ To support touring during Vivian Beaumont in-Residence Program. the 1991-92 season. Playwrights, Lyricists, and 91-3542-0030 Theater, Inc. Entertainers, Inc. 91-3542-0026 New York, NY $ 5,000 Louisville, KY $7,500 To support the musical Mid-America Arts Mliance Skylight Opera Theatre To support promotional Corporation theater portion of the 1991­ costs associated with the Kansas City, MO $7,500 To support performances of Milwaukee, WI $7,500 92 production season. 1991 touring production To support a tour of the 91-3521-0119 season. 91-3542-0031 opera productions during the 1991-92 touring season. upper Midwest during the 91-3542-0021

192 National Endowment for the Arts 1992 production season. during the 1991-92 produc­ tive agreement, the Opera- Public Library’s Theatre on 91-3542-0032 tion season. 91-3542-0039 Musical Theater Programs’ Film and Tape archive applicant site evaluation pro­ (TOFT). 91-3565-0009 Texas Commission on Services to gram for the year beginning the Arts November 1, 1990 through ";:r OPERA America, Inc. Austin, TX $17,000 the Art October 31, 1991. Washington, DC $79,000 To support, in cooperation DCA 91-09 To support OPERA with state and local arts orga­ To assist organizations that America’s programs and nizations in Texas and provide services to the opera- Lyric Opera Center for services to its member Louisiana, performances and musical theater field as a American Artists companies. 91-3565-0002 residencies of Texas Opera whole or a sector of it. Chicago, IL $15,750 Theater during the 1991-92 To support the center’s train­ ~r OPERA America, Inc. touring season. 16 Grants ing program for young sing­ Washington, DC $51,250 91-3542-0025 Program Funds: $421,415 ers. 91-3565-0014 To support the administra­ tion of the George London/ Texas Opera Theater, Inc. Advisory Panel Lyric Opera of Chicago William Matheus Sullivan Houston, TX $80,500 Chicago, IL $6,250 Foundation Grants to Singers To support administrative, To support the company’s program. 91-3565-0003 rehearsal, and preparation Panelists listed under the Professional Companies cate­ composer-in-residence pro­ costs of the 1991-92 touring gram. 91-3565-0015 ~ OPERA America, Inc. season. 91-3542-0040 gory also reviewed grants in this category. Washington, DC $23,750 ~ Metropolitan Opera To support the Opera For A Theatreworks/USA Grants Association, Inc. New America (OFANA) Corporation New York, NY $8,000 program. 91-3565-0005 New York, NY $7,500 ¢r Denotes Grants Having To support the Young Artist To support the 1991-92 National Impact Development Program. San Frandsco Opera touring production season. 91-3565-0012 Association 91-3542-0041 ~r Affiliate Artists, Inc. San Francisco, CA $24,250 New York, NY $5,000 ~" National Alliance of To support San Francisco Virginia Opera Musical Theatre Producers Opera Center’s Adler Association, Inc. To support residencies for singers during the 1991-92 New York, NY $15,750 Fellowship program. Norfolk, VA $7,500 To support the National season. 91-3565-0011 91-3565-0004 To support touring during Alliance of Musical Theatre the 1991-92 production sea­ Producers’ artistic, manage­ Santa Fe Opera Association son. 91-3542-0035 ~ American Music Center, Inc. ment, and information Santa Fe, NM $5,000 services to its member New York, NY $5,500 To support Santa Fe Opera’s Western Opera Theater, Inc. companies. 91-3565-0006 apprentice program for San Francisco, CA $73,000 To support the American Music Center’s opera-musical young American singers and To support the 25th anniver­ ~ National Public theater technicians. sary season in 1991-92 of theater information services. 91-3565-0001 Radio, Inc. 91-3565-0013 productions touting small Washington, DC $23,750 and medium-sized rural and Houston Grand Opera To support the production ¢r Theatre Development urban communities in the and national distribution of Fund, Inc. western states. 91-3542-0034 Association, Inc. Houston, TX $19,750 programs of American opera New York, NY $5,000 as part of NPR’s annual To support activities that Western States Arts To support the Houston Opera Studio’s advanced "World of Opera" series. serve the opera-musical the­ Federation 91-3565-0008 ater field. 91-3565-0010 Santa Fe, NM $13,750 training program for young artists. 91-3565-0007 To provide fee support for ¢r New York Public Library nonprofit organizations in 12 Special Projects Institute for Nonprofit Astor, Lenox and Tilden western states presenting the Foundation Western Opera Theater and Management and Training For organizations and indi­ Washington, DC $121,415 New York, NY $12,000 the Opera Center Singers To support the New York viduals to pursue outstand­ To administer, by coopera­ ing, exemplary ideas that

1991 Annual Report 193 Producers’ 1991 Festival advance the forms of opera Accord Associates, Inc. Carnegie Hall Corporation Cleveland, OH $5,000 New York, NY $5,000 of First Stage Musicals. and musical theater. Concert 91-3570-0193 opera projects, artistic associ­ To support the Blake Project, To support a concert opera ates, and producing appren­ a community educational production of Cole Porter’s program that involves the Gay Divorce. 91-3570-0018 Opera Orchestra of New tices are also funded under York, Inc. this category. preparation and production of Blake, a new American Concert Royal, Inc. New York, NY $15,000 New York, NY $5,000 To support the 1991-92 sea­ 8 Grants opera set in the South with music by composer Leslie To support concert opera son of concert opera perfor­ Program Funds: $72,500 Adams and libretto by Daniel productions in the 1991-92 mances and the Young Artists Mayers. 91-3570-0199 season. 91-3570-0019 Program. 91-3570-0020 Advisory Panel Mwine, Robert C. Goodspeed Opera House ~r United States Institute Panelists listed under the New York, NY $7,500 Foundation, Inc. for Theatre Technology, Professional Companies and To support the apprentice­ East Haddam, CT $10,000 Inc. the New American Works ship of Robert Alwine as a To support the engagement New York, NY $10,000" categories also reviewed producing apprentice work­ ofAlbin Konopka as an artis­ To support the United States grants in this category. ing with Michael David in tic associate and related costs. exhibit at the 1991 Prague developing a new American 91-3570-0017 Quadrennial of Scenic and Grants musical based on the book Costume Design. Panama by David McCul­ ~ National Alliance of 91-3570-0195 gr Denotes Grants Having lough, with music by Robert Musical Theatre Producers * The Theater Program con­ National Impact Telson. 91-3570-0194 New York, NY $15,000 tributed an ad~litional $5,000 To support the National for this grant. See Internation­ Alliance of Musical Theatre al Activities section.

194 National Endowment for the Arts Minnesota’s Guthrie Theater, a regular recipient of Theater Program support, presents William Shakespeare’s classic "Richard II." Theater 316 Grants Program Funds $9,411,050

To serve audiences and artists nationwide, the Theater such essentials as publications, conservatory training and Program encourages the advancement and excellence of the- management resources. ater arts. Supporting performances of quality and distinc­ tion, the program assists professional theater companies by n 1991, the program received requests for grants providing aid for innovative single projects and for entire from 396 professional companies, and saw an production seasons. It also supports individual artists includ- increase in the number of grant requests from ing playwrights, designers and poformers. Finally, the pro- artists working outside of institutions. The energy gram assists service organizations that provide support in on all fronts is invigorating and inspiring.

195 Seasonal support, through the Professional Theater Post Road Stage Company in Connecticut, and they Companies category, is the Theater Program’s keystone. worked on a new music drama and some shorter works, Assistance goes largely toward the collaborations, perfor­ including Confession, which was scheduled for publica­ mances and productions of individual artists. Seasonal tion by Actors Theatre of Louisville. Through residency support also often helps outreach efforts such as news­ funds attached to the grant, Bishop and Fuller established letters, post-performance discussions to enhance audience a continuing collaboration with New City Theater in appreciation, and other innovative programming Washington State, working on improvisation, readings activities. and staging experiments for another production of For example, a grant to Cornerstone Theater Tapdancer. In residence at the Mark Taper Forum in Los Company bore fruit this year. The touring company Angeles, they conducted workshops and completed yet works mainly in rural areas such as Norcatur, Kansas; another new play, Last Days of the Lost & Found. In all Port Gibson, Mississippi; Marmath, North Dakota; these ways, Bishop and Fuller used their joint fellowship Marfa, Texas; Schurz, Nevada; Eastport, Maine; Long to develop new works and take advantage of unique resi­ Creek, Oregon; and Montgomery, West Virginia. dency experiences. In turn, their work benefitted audi­ Cornerstone actors settle in for several months to create ences in California, Colorado, Washington and Massa­ an entirely new piece and leave a new theater behind chusetts, and enlarged the American repertory for future when they move on. Adapting classical plays to specific generations. rural American contexts, they incorporate local commu­ The program’s National Resources category benefits nity concerns into scripts, emphasize local style in design, audiences who see the work of more highly trained actors cast local actors in many roles, and in so doing introduce and productions informed by expert criticism. Grants to new audiences to theatrical literature. In 1991, Corner­ professional conservatories ensure the cultivation of stone presented an entirely new version of Shakespeare’s emerging talent by the finest teachers. Professional jour­ The Ircqnter’s 7~lewith actors from 13 rural communities. nals, documentation and preservation efforts, and confer­ The production, featuring an ethnically and geographi­ ences all ameliorate the isolation that many artists experi­ cally diverse company, combined rural imagery with ence outside of major cities. American archetypes such as Superman, Uncle Sam and For example Alternate ROOTS of Atlanta, a coalition Elvis Presley. The play toured all 13 participating com­ of 200 performing artists and ensembles in the southeast, munities as well as to New York, Boston, Miami and presented the acclaimed Critics’ Component at the sixth Washington, D.C., as a part of"ATT Onstage." Some 50 Biennial Performance Festival, which offered 48 ensem­ performances in 10 states culminated in a final perfor­ bles and solo performers through showcases in free com­ mance on the Mall in front of the Capitol. munity performances. The Critics’ Component illumi­ The Support to Individuals category invests in the nates the creative process for theater critics and establishes long-term cultivation of diverse theatrical talent. While critical dialogue in evaluating original, community-based emerging designers and directors are rarely supported by work. Critics from local, regional and national media met private grants, Endowment fellowships facilitate the entry with each performer or ensemble to discuss work they of these young professionals into the field. Fellowships for had viewed. Artists gained benefitted from outside critical playwrights and solo performers allow time for writing, review, while the critics gained new appreciation of the rehearsal and investigation to produce work of increasing artistic process. This appreciation will continue to influ­ richness and quality. ence critics and inform audiences throughout the nation. For example, this year the playwriting team of Artistic Advancement grants support organizations Conrad Bishop and Hizabeth Fuller completed a full- and individuals attempting projects outside of their nor­ length play, Tapdancer, which was produced by The mal scope. Typically, theaters apply for special commis­ Independent Eye in their home state, Pennsylvania. They sions and translations; coproductions of significant scale also rewrote another play, Okiboji, which was produced are encouraged as are innovative activities that increase or by the Denver Center Theatre in Colorado and Boston enhance audience appreciation. Here too, companies seek

196 National Endowment for the Arts support for special international activities or collabora­ speech, "theater magic" and makeup. A production of The tions. In all cases, projects benefit the field as a whole and Taming of the Shrew, with postproduction discussions, was inspire growth of the art form. By encouraging expansive performed for more than 250 elementary, middle and visions, this category represents an investment in the high school students from the neighborhoods around the long-term development of the theatrical form. amphitheater. This year the Shakespeare Theatre at the Folger in Additional programs explored the process that brings Washington, D.C., received a grant to support a a classical play "from the page to the stage" and featured "Shakespeare Free For All" festival at the Carter Barron presentations by four Washington high schools of their Amphitheater. The festival brought exceptional theater to own adaptations of scenes from The Merry Wives of new audiences, particularly people of color and those who Windsor. Musicians from culturally diverse neighbor­ traditionally had not attended classical theater or were hoods joined the festivities, showcasing local performing under-served by live performing artists. More than arts groups and introducing them to new audiences. Latin 30,000 people attended 12 free performances of The American, Caribbean and African music groups per­ Merry Wives of Windsor and participated in education formed, as did students from the Duke Ellington School programs. for the Performing Arts and the Davis School for the Arts. In conjunction with the festival the Folger imple­ These programs introduced the work of an outstanding mented an audience development plan that emphasized classical theater to a wholly new and culturally diverse community participation. Education and cultural pro­ audience and reintroduced the historic Carter Barron grams introduced young people to live performance. Amphitheater as a site for performances by other Backstage tours and workshops explained stage combat Washington area arts groups. (fencing, jousting, hand-to-hand fighting, etc.), voice and

Artistic Benny Ambush Judith Mitoma Guthrie Theatre Foundation Associate Artistic Director Fellow Minneapolis, MN $125,000 Advancement: American Conservatory The Rockefeller Foundation To support the fifth year of Ongoing Theater New York, NY ongoing ensembles activities, San Francisco, CA which provides further in- Ensembles Roche Schulfer creases in artists’ compensa- Peter Donnelly Producing Director tion. 91-3221-0401 To help existing theater com- President Goodman Theatre panies create or strengthen Corporate Council for Chicago, IL continuing relationships with the Arts Artistic artists through the format of Seattle, WA Grants Advancement: resident ensembles. Gall Grate ~ Denotes Grants Having Special Projects 2 Grants Actress National Impact Arena Stage To respond to innovative and Program Funds: $149,000 Washington, DC ~: A Traveling Jewish exemplary projects that ad­ Theatre vance the art form and are Artistic Advancement Greg Leaming San Francisco, CA $24,000 outside an applicant organi- Advisory Panel Associate Artistic Director To support the fifth year of zation’s normal scope of Hartford Stage Company ongoing ensemble activity, activities and financial Marie Acosta-Colon Hartford, CT providing increased artists’ capabilities. Executive Director compensation and benefits, Mexican Museum Emily Mann enlargement of the perma- 13 Grants San Francisco, CA Artistic Director nent ensemble, and engage- Program Funds: $278,500 McCarter Theater ment ofa director/dramaturg Princeton, NJ for creation of new work. 91-3221-0402

1991 Annual Report 197 Reza Abdoh’s The Hip-Hop Pan Asian Repertory Advisory Panel Waltz of Eurydice at the Theatre, Inc. ~ Denotes Grants Having Festival of the Americas in New York, NY $25,000 Panel A National Impact Montreal. 91-3270-0400 To support a collaboration that will translate and adapt a Barbara Field Mabama Shakespeare Mabou Mines Development traditional Chinese tale for Playwright Festival, Inc. Foundation, Inc. young audiences and will Minneapolis, MN Montgomery, AL $24,500 New York, NY $40,000 engage in a creative process To support the Theatre for To support touring and edu­ that will result in a new act­ Judy Finelli Southern Youth project, cational outreach programs ing vocabulary. Director, Circus School which involves the solicita­ associated with the coproduc­ 91-3270-0421 Pickle Family Circus tion of scripts and the selec­ tion between Mabou Mines San Francisco, CA tion and commissioning of and Via Theater of Brechts’ Shakespeare Theatre at the writers to create or adapt a In the Jungle of Cities, which Folger Library David Frank play for young audiences Anne Bogart will direct. Washington, DC $10,000" Artistic Director based on Alabamian and 91-3270-0424 To support expenses associat­ Studio Arena Theater regional folktales. ed with a rehearsal period in Buffalo, NY 91-3270-0425 Milwaukee Repertory preparation for the opening Theater, Inc. of "Shakespeare Free for All," Charles Gordon (Oyamo) Berkeley Repertory Theatre Milwaukee, WI $23,500 a program of free Shake­ Playwright Berkeley, CA $23,000 To support a presentation speare performances at the Ann Arbor, MI To support expenses for a that is part ofa multicompo­ Carter Barton Amphitheater. workshop on "The Woman nent exchange program * Chairman’s Extraordinary Barry Grove Warrior," an epic adaptation between the company and Action Grant. 91-3270-0399 Managing Director by playwright Deborah the Omsk State Academic Manhattan Theater Club Rogin of two narratives by Drama Theater of Siberia. United States Institute of New York, NY Maxine Hong Kingston The 91-3270-0419 Theatre Technology Woman Warrior and China New York, NY $5,000* Marsha Jackson Men. 91-3270-0420 Movement Theatre To support the United States Co-Artistic Director International, Inc. exhibit at the Prague Qua­ Jomandi Productions, Inc. ~ Cornerstone Theater Philadelphia, PA $32,000" drennial of Scenic and Cos­ Atlanta, GA Company To support "New Mime: A tume Design in June 1991. New York, NY $14,000 Tribute to Etienne Decroux." * The Opera-Musical Theater Rob Orchard To support the expenses *See International Activities Program contributed an addi­ Managing Director tional $1 O, O00 for this grant. associated with a national section. 91-3270-0470 American Repertory Theatre tour of A Winter’s Tale:An See International Activities sec­ Cambridge, MA Interstate Adventure. New City Theatre tion. 91-3570-0195 91-3270-0468 Seattle, WA $44,000 Sharon Ott To support the commission, Professional Artistic Director ~r Henson Foundation rehearsal, and production of Berkeley Repertory Theater New York, NY $12,500" a new play by Richard Theater Berkeley, CA To support a one-day con­ Foreman. 91-3270-0423 Companies ference, "The Theatrical Suzanne Sato Inanimate," to be held in Northlight Theatre To assist nonprofit theater Associate Director for Arts conjunction with the Inter­ Evanston, IL $20,000 companies that produce work and Humanities national Festival of Puppet To support a residency of Dr. at the highest artistic level Rockefeller Foundation Theater. 91-3270-0469 Endesha Ida Mae Holland to and are of national and New York, NY *See International Activities refine and develop her new regional significance. section. play Hamebound. Ruben Sierra Artistic Director 91-3270-0422 225 Grants Los Angeles Theatre Center The Group Theater Los Angeles, CA $5,000 Program Funds: $7,227,000 Company To support the production of Seattle, WA

198 National Endowment for the Arts Russell Vandenbroucke Jon Nakagawa Adaptors, Inc. tions. Reviewed by Panel B. Artistic Director Managing Director Brooklyn, NY $13,200 91-3226-0115 Northlight Theater Vineyard Theatre To support the expenses of Evanston, IL New York, NY the 1991-92 season of pro­ American Repertory Theatre ductions. Reviewed by of Cincinnati Paul Zimet Harry Newman Panel A. 91-3226-0199 Cincinnati, OH $7,500 Artistic Director Playwright To support production Talking Band New York, NY Addison Centre expenses for the ArtReach New York, NY Theatre, Inc. Touring Theatre during the Sam Woodhouse Addison, TX $8,500 1991-92 season. Reviewed Panel B Producing Director To support increases in by Panel B. 91-3226-0080 San Diego Repertory Theater artists’ compensation and the Jane Campbell San Diego, CA development of multicultural American Stage Managing Director projects and productions dur­ Company, Inc. Honolulu Theater for Youth Garland Wright ing the 1991-92 season. St. Petersburg, FL $7,500 Honolulu, HI Artistic Director Reviewed by Panel A. To support staged readings, a The Guthrie Theater 91-3226-0392 mainstage series, regional Rodrigo Duarte Clark Minneapolis, MN school tours, a free outdoor Artistic Director Mabama Shakespeare theater festival, theater class­ El Teatro de la Esperanza Grants Festival, Inc. es, and outreach programs San Francisco, CA Montgomery, AL $11,000 during the 1991-92 season. Denotes Grants Having To support the expenses asso­ Reviewed by Panel B. Dudley Cocke National lmpact ciated with the 1991-92 pro­ 91-3226-0215 Director duction season. Reviewed by Roadside Theater A Contemporary Panel B. 91-3226-0163 ~r Appalshop, Inc. Whitesburg, KY Theatre, Inc. Whitesburg, KY $55,000 Seattle, WA $45,000 Mice B. Theatre Association To support touring, artists’ John Dillon To support the expenses of Seattle, WA $10,000 training, and new play devel­ Artistic Director the 1991-92 season of pro­ To support the expenses asso­ opment during the 1991-92 Milwaukee Repertory ductions. Reviewed by ciated with the 1991-92 pro­ season at Roadside Theatre. Theater Panel B. 91-3226-0270 duction season. Reviewed by Reviewed by Panel A. Milwaukee, WI Panel B. 91-3226-0181 91-3226-0101 ¢r A Traveling Jewish Marian Godfrey Theatre Alley Theatre Arizona Theatre Company Arts Officer San Francisco, CA $15,000 Houston, TX $38,000 Tucson, AZ $55,000 PEW Charitable Trusts To support the 1991-92 sea­ To support the expenses of To support the expenses Philadelphia, PA son of productions. Reviewed the 1991-92 season of pro­ of the 1991-92 season of by Panel B. 91-3226-0374 ductions. Reviewed by productions. Reviewed by Marguerite Mathews Panel B. 91-3226-0309 Panel A. 91-3226-0102 Artistic Director Actors Theatre of Pontine Movement Theater Louisville, Inc. American Conservatory Associated YM-YWHAs of Portsmouth, NH Louisville, KY $135,000 Theatre Foundation Greater New York, Inc. To support the expenses of San Francisco, CA $110,000 New York, NY $7,500 Keryl McCord the 1991-92 season of pro­ To support salaries for the To support expenses of the Executive Director ductions, including classical, 1991-92 season of produc­ Jewish Repertory Theatre’s League of Chicago Theaters contemporary, and new tions of classics and new 1991-92 season of produc­ Chicago, IL works; outreach and educa­ works. Reviewed by Panel B. tions. Reviewed by Panel A. tional programs; staged read­ 91-3226-0118 91-3226-0108 Ben Moore ings; the Classics in Context Producing Director program; and related costs. American Repertory Theatre Association for Seattle Repertory Theater Reviewed by Panel B. Cambridge, MA $215,000 Development of Dramatic Seattle, WA 91-3226-0049 To support expenses of the Arts, Inc. 1991-92 season of produc­ New York, NY $8,500

1991 Annual Report 199 "lF" ill il m~ il II I~

Church of the To support the expenses asso­ the 1991-92 season of pro­ ~" Center for Puppetry ciated with the 1991-92 sea­ ductions. Reviewed by Arts, Inc. Heavenly Rest $7,500 son of production of the Jean Panel B. 91-3226-0133 Atlanta, GA $111,750 New York, NY Cocteau Repertory. Reviewed To support the 1991-92 To support the expenses asso­ by Panel A. 91-3226-0380 Budapest New York Theatre season of activities, including ciated with the 1991-92 sea­ Arts Foundation, Inc. productions, the New son of the York Theatre Attic Theatre, Inc. New York, NY $5,000 Directions Series, workshops, Company. Reviewed by Detroit, MI $10,000 To support space rental and touring, and museum and Panel B. 91-3226-0078 To support the expenses of preseason production costs education programs. the 1991-92 season, includ­ for the 1991-92 season of ’ Reviewed by Panel A. Cincinnati Playhouse in ing production work, a con­ productions of Squat 91-3226-0185 the Park servatory program, a writers’ Theatre. Reviewed by Cincinnati, OH $7,500 unit, and an arts-in-educa­ Panel A. 91-3226-0259 Charlotte Repertory Theatre To support actors’ compensa­ tion program for students. Charlotte, NC $7,500 tion in the 1991-92 season Reviewed by Panel B. CSC Repertory, Limited To support the expenses of of productions. Reviewed by 91-3226-0347 New York, NY $15,000 the 1991-92 season of pro­ Panel B. 91-3226-0016 To support the 1991-92 sea­ ductions. Reviewed by Available Potential son of productions. Reviewed Panel A. 91-3226-0306 ~r Circle Repertory Theatre Enterprises, Limited by Panel A. 91-3226-0369 Company, Inc. Northampton, MA $17,600 Chicago Theatre New York, NY $90,000 To support the expenses of Capital Repertory Company Group, Inc. To support the expenses asso­ the 1991-92 season of pro­ Albany, NY $13,200 Chicago, IL $142,500 ciated with the 1991-92 sea­ ductions of the NO Theater. To support the expenses of To support the 1991-92 sea­ son of productions. Reviewed Reviewed by Panel A. the 1991-92 season of pro­ son of productions at the by Panel A. 91-3226-0256 91-3226-0316 ductions. Reviewed by Goodman Theatre. Reviewed Panel B. 91-3226-0136 by Panel B. 91-3226-0234 Circle in the Square, Inc. Berkeley Repertory Theatre New York, NY $17,600 Berkeley, CA $100,000 Carter Family Puppet ¢r Child’s Play Touring To support the expenses asso­ To support the expenses of Theater Theatre ciated with the 1991-92 pro­ the 1991-92 season of pro­ Seattle, WA $5,000 Chicago, IL $8,500 duction season. Reviewed by ductions. Reviewed by To support the expenses of To support expenses of the Panel A. 91-3226-0385 Panel B. 91-3226-0333 the 1991-92 season of pro­ 1991-92 season of produc­ ductions. Reviewed by tions, including two full-time Circus Arts Foundation of Berkeley Shakespeare Panel B. 91-3226-0213 touring companies presenting Missouri Festival original works adapted from St. Louis, MO $7,500 Berkeley, CA $8,500 Center Stage Associates, Inc. the writings of children. To support the 1991-92 pro­ To support the expenses of Baltimore, MD $132,000 Reviewed by Panel A. duction season of Circus the 1991-92 season of pro­ To support expenses during 91-3226-0038 Flora. Reviewed by Panel B. ductions. Reviewed by the 1991-92 production sea­ 91-3226-0317 Panel B. 91-3226-0111 son. Reviewed by Panel B. ~ Children’s Theater 91-3226-0120 Company and School City Lit Theatre Company Blake Street Hawkeyes Minneapolis, MN $67,500 Chicago, IL $7,500 San Rafael, CA $7,500 Center Theatre Group To support the expenses of To support artists’ fees, To support expenses of the of Los Angeles the 1991-92 production sea­ salaries, and production costs 1991-92 season of produc­ Los Angeles, CA $230,000 son. Reviewed by Panel A. in the 1991-92 season. tions. Reviewed by Panel B. To support new play devel­ 91-3226-0389 Reviewed by Panel A. 91-3226-0372 opment activities and artists’ 91-3226-0236 compensation during the ~r Childsplay, Inc. Bloomsburg Theatre 1991-92 production season Tempe, AZ $7,500 City Theatre Ensemble, Inc. of the Mark Taper Forum. To support the 1991-92 Company, Inc. Bloomsburg, PA $7,500 Reviewed by Panel A. season of public perfor­ Pittsburgh, PA $7,500 To support the expenses of 91-3226-0207 mances for young audiences. To support the expenses asso­ Reviewed by Panel A. ciated with the 1991-92 sea­ 91-3226-0225

200 National Endowment for the Arts son of productions. Reviewed Court Theatre Fund tions. Reviewed by Panel A. To support expenses associat­ by Panel A. 91-3226-0384 Chicago, IL $7,500 91-3226-0123 ed with the 1991-92 season To support expenses of the of productions. Reviewed by Cleveland Play House 1991-92 season of produc­ Dell’Arte, Inc. Panel A. 91-3226-0176 Cleveland, OH $25,000 tions. Reviewed by Panel A. Blue Lake, CA $21,000 To support the 1991-92 91-3226-0205 To support artists’ and ad­ El Teatro Campesino season of productions. ministrative salaries and relat­ San Juan Bautist, CA Reviewed by Panel B. Cricket Theatre Corporation ed project costs during devel­ $28,0OO 91-3226-0051 Minneapolis, MN $8,800 opment, performance, and To support expenses associat­ To support the expenses of touring of original work by ed with the 1991-92 produc­ Coconut Grove the 1991-92 production sea­ the ensemble in the 1991-92 tion season. Reviewed by Playhouse State Theatre son. Reviewed by Panel B. season. Reviewed by Panel B. Panel A. 91-3226-0398 of Florida Corporation 91-3226-0248 91-3226-0221 Miami, FL $7,500 El Teatro de la Esperanza To support artistic, technical, Crossroads, Inc. Denver Center for the San Francisco, CA $13,200 and production expenses New Brunswick, NJ $80,000 Performing Arts To support expenses of the of mainstage and Encore To support the expenses asso­ Denver, CO $55,000 1991-92 season of produc­ Room Theatre productions ciated with the 1991-92 pro­ To support the expenses dur­ tions. Reviewed by Panel A. during the 1991-92 season. duction season, including ing the 1991-92 production 91-3226-0273 Reviewed by Panel B. adaptations, new plays, and season of the Denver Center 91-3226-0327 the New Play Rites Program. Theatre, featuring a resident ~r Emmy Gifford Children’s Reviewed by panel B. season, a new play program, Theater Coney Island, USA 91-3226-0242 and a theater festival. Review­ Omaha, NE $7,500 Coney Island, NY $7,500 ed by Panel B. 91-3226-0391 To support artists’ compensa­ To support the expenses asso­ Cultural Council tion for the 1991-92 season ciated with the 1991-92 Foundation ~" Double Edge Theatre of productions. Reviewed by season. Reviewed by Panel A. New York, NY $5,000 Productions Inc. Panel B. 91-3226-0383 91-3226-0219 To support the expenses of Allston, MA $5,000 the 1991-92 season of pro­ To support the development Empty Space Association Connecticut Player’s ductions of the Cucaracha and production of new work Seattle, WA $40,000 Foundation, Inc. Theatre. Reviewed by in the 1991-92 season, To support expenses associat­ NewHaven, CT $143,000 Panel B. 91-3226-0159 including United States and ed with the 1991-92 season To support the expenses European tours. Reviewed of productions. Reviewed by associated with the 1991-92 Dallas Theater Center by Panel A. 91-3226-0339 Panel B. 91-3226-0197 season of productions of Dallas, TX $91,100 the Long Wharf Theatre. To support the expenses asso­ Downtown Art En Garde Arts, Inc. Reviewed by Panel A. ciated with the 1991-92 pro­ Company, Inc. New York, NY $12,500 91-3226-0203 duction season. Reviewed by New York, NY $7,500 To support artists’ compensa­ Panel B. 91-3226-0079 To support the expenses of tion and development of new Contemporary Arts Center, the 1991-92 season of pro­ work performed at site-spe­ New Orleans Das Puppenspiel Puppet ductions. Reviewed by cific locations during the New Orleans, LA $8,500 Theatre, Inc. Panel A. 91-3226-0354 1991-92 season. Reviewed To support the expenses Westfield, NY $11,000 by Panel A. 91-3226-0062 associated with the 1991-92 To support the expenses of Drama Board of the theater season. Reviewed by the 1991-92 season of pro­ Bathhouse Theatre Ensemble Studio Panel A. 91-3226-0319 ductions. Reviewed by" Seattle, WA $7,500 Theatre, Inc. Panel A. 91-3226-0308 To support the expenses of New York, NY $11,900 ~ Cornerstone Theater the 1991 summer season of To support salaries and artis­ Company Deep Ellum Theatre Group productions. Reviewed by tic fees for the 1991-92 New York, NY $7,500 Dallas, TX $12,500 Panel A. 91-3226-0217 season. Reviewed by Panel A. To support the 1991-92 sea­ To support artists’ fees and 91-3226-0122 son. Reviewed by Panel B. artistic staff salaries in the East West Players, Inc. 91-3226-0263 1991-92 season of produc­ Los Angeles, CA $7,500

1991 Annual Report 201 ~ Eugene O’Neill the 1991-92 season. Review­ Great Lakes Theater ences. Reviewed by Panel B. Memorial Theater ed by Panel A. 91-3226-0100 Festival, Inc. 91-3226-0335 Center, Inc. Cleveland, OH $17,600 Waterford, CT $90,000 Friends Mime Theatre-­ To support artistic and Hippodrome Theatre To support expenses associat­ London Theatre Workshop, administrative salaries and Workshop, Inc. ed with the Playwrights’ Limited travel and housing costs for Gainesville, FL $7,500 Conference in the 1991-92 Milwaukee, WI $7,500 the 1991-92 season of pro­ To support expenses of the production season. Reviewed To support artists’ fees, sala­ ductions. Reviewed by 1991-92 season. Revie~ved by Panel B. 91-3226-0068 ries, and benefits for the 1991 Panel A. 91-3226-0128 by Panel A. 91-3226-0249 production season. Reviewed Eureka Theatre, Inc. by Panel B. 91-3226-0227 ~" Group I Acting Honolulu Theatre for Youth San Francisco, CA $18,000 Company, Inc. Honolulu, HI $34,000 To support artists’ fees, G.A.L.A., Inc. New York, NY $77,500 To support expenses associat­ salaries, and expenses for the Washington, DC $7,500 To support the expenses of ed with the 1991-92 produc­ 1991-92 season. Reviewed To support the expenses of the 1991-92 season of pro­ tion season. Reviewed by by Panel A. 91-3226-0191 the 1991-92 production sea­ ductions, including produc­ Panel A. 91-3226-0341 son. Reviewed by Panel A. tion and touring of classic Fairmount Theatre of 91-3226-0023 and contemporary plays. Horse Cave Theatre 76, Inc. the Deaf Reviewed by Panel B. Horse Cave, KY $7,500 Cleveland, OH $7,500 Genesee Valley Arts 91-3226-0178 To support expenses of To support the expenses of Foundation, Inc. development and production the 1991-92 season of pro­ Rochester, NY $7,500 Guadalupe Cultural of new Kentucky plays ductions. Reviewed by To support expenses of the Arts Center during the 1991-92 season. Panel A. 91-3226-0214 1991-92 production season San Antonio, TX $8,800 Reviewed by Panel B. of the GeVa Theatre. To support production costs 91-3226-0167 Figures of Speech Theatre Reviewed by Panel B. associated with the 1991-92 Freeport, ME $7,500 91-3226-0045 theater season of Los Actores Huntington Theatre To support expenses associat­ de San Antonio. Reviewed by Company, Inc. ed with the 1991-92 season, George Coates Performance Panel B. 91-3226-0103 Boston, MA $15,000 including the development of Company To support expenses of the new work and national tour­ San Francisco, CA $32,000 Guthrie Theatre Foundation 1991-92 season of produc­ ing of work for children in To support the 1991-92 sea­ Minneapolis, MN $259,600 tions. Reviewed by Panel A. schools and adult work. son. Reviewed by Panel B. To support the expenses of 91-3226-0072 Reviewed by Panel B. 91-3226-0081 the 1991-92 season of pro­ 91-3226-0033 ductions. Reviewed by ~ Imago, The Theatre George Street Panel A. 91-3226-0286 Mask Ensemble gr Fiji Theater Company, Playhouse, Inc. Portland, OR $10,000 Inc. New Brunswick, NJ $7,500 Hartford Stage Company To support the expenses of New York, NY $30,000 To support expenses of the Hartford, CT $167,500 the 1991-92 season of pro­ To support artists’ fees and 1991-92 season of produc­ To support expenses associat­ ductions. Reviewed by production costs during the tions. Reviewed by Panel B. ed with the 1991-92 season Panel A. 91-3226-0272 development of a new work 91-3226-0015 of productions. Reviewed by in the 1991-92 season. Panel A. 91-3226-0240 Independent Eye, Ltd. Reviewed by Panel B. Gloucester Stage Lancaster, PA $12,500 91-3226-0036 Company, Inc. Heart of the Beast To support the expenses of Gloucester, MA $9,000 Theatre, Inc. the 1991-92 production sea­ Foundation of the To support the 1991-92 sea­ Minneapolis, MN $7,500 son, including the develop­ Dramatists Guild, Inc. son of productions, including To support the expenses of ment of new works in the New York, NY $21,550 development and production the 1991-92 season of pro­ Freedom Series. Reviewed by To support artists’ compensa­ of new plays, an educational ductions, including the devel­ Panel B. 91-3226-0228 tion and production costs for program, and related costs. opment and production of Reviewed by Panel B. new work for young audi­ 91-3226-0302

202 National Endowment for the Arts Indiana Repertory ductions. Reviewed by Magic Theatre Foundation Mettawee Theatre Theatre, Inc. Panel A. 91-3226-0296 Omaha, NE $43,000 Company, Inc. Indianapolis, IN $14,000 To support expenses associat­ Salem, NY $15,400 To support expenses of the Los Angeles Theatre Center ed with the 1991-92 produc­ To support expenses asso­ 1991-92 season of produc­ Los Angeles, CA $75,000 tion season. Reviewed by ciated with the 1991-92 sea­ tions. Reviewed by Panel A. To support artists’ compensa­ Panel B. 91-3226-0396 son of productions. Reviewed 91-3226-0375 tion in the 1991-92 season, by Panel B. 91-3226-0117 including increased compen­ Magic Theatre, Inc. International Arts sation to actors. Reviewed by San Francisco, CA $27,700 Milwaukee Repertory Relations, Inc. Panel B. 91-3226-0239 To support the expenses asso­ Theater, Inc. New York, NY $18,000 ciated with the 1991-92 sea­ Milwaukee, WI $129,000 To support the expenses ~r Louisville Children’s son of productions. Reviewed To support the expenses of associated with the 1991-92 Theatre Stage One by Panel B. 91-3226-0275 the 1991-92 season of pro­ production season. Reviewed Louisville, KY $8,800 ductions. Reviewed by by Panel B. 91-3226-0330 To support the expenses asso­ Make a Circus, Inc. Panel A. 91-3226-0060 ciated with the 1991-92 sea­ San Francisco, CA $7,500 Intiman Theatre son of productions. Reviewed To support expenses asso­ ~r Missouri Repertory Seattle, WA $7,500 by Panel A. 91-3226-0059 ciated with the 1991-92 sea­ Theatre, Inc. To support expenses asso­ son of productions. Reviewed Kansas City, MO $11,000 ciated with the 1991-92 sea­ Mabou Mines Development by Panel B. 91-3226-0223 To support the expenses of son of productions. Reviewed Foundation, Inc. the 1991-92 season of pro­ by Panel A. 91-3226-0293 New York, NY $80,000 Manhattan Theatre ductions. Reviewed by To support the expenses of Club, Inc. Panel B. 91-3226-0093 ~r Jomandi Productions, the 1991-92 season of pro­ New York, NY $70,000 Inc. ductions, including new To support expenses asso­ Mixed Blood Theatre Atlanta, GA $35,000 works and touring. Reviewed ciated with the 1991-92 pro­ Company To support expenses of the by Panel B. 91-3226-0088 duction season. Reviewed by Minneapolis, MN $19,000 1991-92 season of produc­ Panel B. 91-3226-0315 To support the expenses of tions. Reviewed by Panel B. Mad Horse Theatre the 1991-92 season of pro­ 91-3226-0073 Company McCarter Theatre Company ductions. Reviewed by Portland, ME $5,000 Princeton, NJ $39,600 Panel A. 91-3226-0397 ~r Junebug Productions, To support the expenses of To support the expenses of Inc. the 1991-92 season of pro­ the 1991-92 season of pro­ ~r Musical Traditions, Inc. New Orleans, LA $9,000 ductions. Reviewed by ductions. Reviewed by San Francisco, CA $7,500 To support expenses of the Panel B. 91-3226-0218 Panel A. 91-3226-0198 To support the expenses of 1991-92 season of produc­ the 1991-92 season of the­ tions. Reviewed by Panel A. Mad River Theater Works Merrimack Repertory ater productions by the Paul 91-3226-0267 West Liberty, OH $7,500 Theatre, Inc. Dresher Ensemble. Reviewed To support the expenses asso­ Lowell, MA $11,000 by Panel A. 91-3226-0114 La Mama Experimental ciated with the 1991-92 sea­ To support the expenses asso­ Theatre Club, Inc. son, including the develop­ ciated with the 1991-92 sea­ National Black Theatre New York, NY $165,000 ment of new work. Reviewed son of productions, including Workshop, Inc. To support the expenses asso­ by Panel B. 91-3226-0161 classics, contemporary plays, New York, NY $7,500 ciated with the 1991-92 the­ and community outreach To support expenses asso­ ater production season. Madison Repertory programs. Reviewed by ciated with the 1991-92 pro­ Reviewed by Panel A. Theatre, Inc. Panel A. 91-3226-0173 duction season. Reviewed by 91-3226-0195 Madison, WI $7,500 Panel A. 91-3226-0311 To support expenses associat­ ~" Metro Theater Circus Lime Kiln Arts, Inc. ed with the 1991-92 produc­ St. Louis, MO $17,500 ~ National Theatre of the Lexington, VA $11,900 tion season. Reviewed by To support the expenses of Deaf, Inc. To support the expenses of Panel B. 91-3226-0276 the 1991-92 season of pro­ Chester, CT $38,000 the 1991-92 season of pro­ ductions. Reviewed by To support the expenses of Panel A. 91-3226-0362 the 1991-92 season of pro­

1991 Annual Report 203 ductions. Reviewed by To support expenses asso­ Oakland Ensemble Theatre ~r Padua Hills Playwrights Panel A. 91-3226-0150 ciated with the 1991-92 sea­ Oakland, CA $12,500 Workshop Festival son of productions. Reviewed To support artists’ compensa­ Los Angeles, CA $5,000 ~ Negro Ensemble by Panel A. 91-3226-0222 tion and related costs during To support the expenses of Company, Inc. the 1991-92 season. Review­ the 1991 summer festival. New York, NY $47,250 New York School for ed by Panel A. 91-3226-0304 Reviewed by Panel A. To support the expenses of Circus Arts 91-3226-0314 the 1991-92 season of pro­ New York, NY $45,000 Odyssey Theatre ductions. Reviewed by To support artistic salaries Foundation Pan Asian Repertory Panel A. 91-3226-0141 and production costs for per­ Los Angeles, CA $27,700 Theatre, Inc. formances at Lincoln Center To support artists’ fees and New York, NY $18,000 New City Theatre during the 1991-92 season salaries in the 1991-92 pro­ To support the development Seattle, WA $10,000 of the Big Apple Circus. duction season. Reviewed by of new work during the To support artists’ salaries, Reviewed by Panel A. Panel B. 91-3226-0177 1991-92 season. Reviewed costs, and fees during the 91-3226-0131 by Panel B. 91-3226-0042 1991-92 season. Reviewed Old Globe Theatre by Panel A. 91-3226-0365 New York Theatre San Diego, CA $177,500 Paper Bag Players, Inc. Workshop, Inc. To support expenses associat­ New York, NY $30,000 New Conservatory New York, NY $11,000 ed with the 1991-92 produc­ To support expenses during San Francisco, CA $7,500 To support the expenses of tion season. Reviewed by the 1991-92 season of pro­ To support expenses for the the 1991-92 season of pro­ Panel A. 91-3226-0149 ductions. Reviewed by 1991-92 season of produc­ ductions. Reviewed by Panel A. 91-3226-0057 tions. Reviewed by Panel B. Panel B. 91-3226-0044 Olney Theatre Corporation 91-3226-0332 Olney, MD $7,500 Passage Theatre Next Theatre Company To support the expenses of Company, Inc. ~r New Dramatists, Inc. Evanston, IL $11,000 the 1991-92 season of pro­ Trenton, NJ $7,500 New York, NY $19,800 To support artists’ fees and ductions. Reviewed by To support the expenses To support artists’ fees, artistic salaries in the Panel A. 91-3226-0076 associated with the 1991-92 salaries, and related costs 1991-92 season of contem­ production season. Reviewed in the 1991-92 season. porary and classic work. Ontological-Hysteric by Panel A. 91-3226-0326 Reviewed by Panel B. Reviewed by Panel B. Theatre, Inc. 91-3226-0155 91-3226-0165 New York, NY $43,475 Penumbra Theatre To support the expenses St. Paul, MN $12,500 New Federal Theatre, Inc. North Carolina Black associated with the creation To support the expenses of New York, NY $30,800 Repertory Company, Inc. and production of a new the 1991-92 season of pro­ To support expenses asso­ Winston-Salem, NC $7,500 work in the 1991-92 season. ductions. Reviewed by ciated with the 1991-92 sea­ To support the expenses of Reviewed by Panel B. Panel B. 91-3226-0394 son of productions. Reviewed the 1991-92 season of pro­ 91-3226-0377 by Panel B. 91-3226-0021 ductions. Reviewed by People’s Light and Theatre Panel B. 91-3226-0138 Oregon Shakespeare Festival Company New Hampshire Mime Association Malvern, PA $25,000 Company Northlight Theatre Ashland, OR $47,500 To support the expenses asso­ Portsmouth, NH $7,900 Evanston, IL $26,400 To support artists’ salaries, ciated with the 1991-92 sea­ To support the expenses To support the expenses asso­ fees, and travel for the son of productions. Reviewed associated with the 1991-92 ciated with the 1991-92 sea­ 1991-92 season. Reviewed by Panel A. 91-3226-0160 season of productions of the son of productions, including by Panel A. 91-3226-0232 Pontine Movement Theatre. increases in artists’ compensa­ Perseverance Theatre, Inc. Reviewed by Panel A. tion, rehearsal time, and the Otrabanda Company Douglas, AK $30,800 91-3226-0186 number of artists employed. New York, NY $15,400 To support expenses of the Reviewed by Panel B. To support expenses of the 1991-92 season of produc­ New Mexico Repertory 91-3226-0183 1991-92 production season. tions. Reviewed by Panel A. Theatre, Inc. Reviewed by Panel A. 91-3226-0382 Albuquerque, NM $11,500 91-3226-0109

204 National Endowment for the Arts Philadelphia Drama Guild To support expenses of the Ridge Street Theatre, Inc. ofmainstage productions of Philadelphia, PA $7,500 1991-92 season of produc­ New York, NY $5,000 the Lorraine Hansberry To support the expenses of tions, including classical and To support the expenses of Theatre. Reviewed by the 1991-92 season of pro­ contemporary works, devel­ the 1991-92 season of pro­ Panel B. 91-3226-0343 ductions. Reviewed by opmental work, new Ameri­ ductions. Reviewed by Panel A. 91-3226-0137 can plays, and related costs. Panel A. 91-3226-0107 SOON 3 Theatre Reviewed by Panel B. San Francisco, CA $7,500 ¢r Pickle Family Circus, Inc. 91-3226-0379 Ridiculous Theatrical To support expenses associat­ San Francisco, CA $56,425 Company, Inc. ed with the 1991-92 produc­ To support expenses asso­ Puerto Rican Traveling New York, NY $58,900 tion season. Reviewed by ciated with the 1991-92 sea­ Theatre Company, Inc. To support production costs Panel B. 91-3226-0243 son of productions. Reviewed New York, NY $22,000 for the 1991-92 season. by Panel B. 91-3226-0281 To support the expenses of Reviewed by Panel B. Salt Lake Acting Company the 1991-92 season of pro­ 91-3226-0077 Salt Lake City, UT $11,900 Pittsburgh Public Theater duction. Reviewed by To support artists’ compensa­ Corporation Panel A. 91-3226-0206 River Arts Repertory tion during the 1991-92 sea­ Pittsburgh, PA $15,850 Company, Inc. son of productions. Reviewed To support artists’ fees, Puppet Showplace, Inc. Woodstock, NY $11,900 by Panel A. 91-3226-0376 salaries, and travel costs dur­ Brookline, MA $7,500 To support expenses associat­ ing the 1991-92 season of To support the expenses of ed with the 1991-92 produc­ San Diego Repertory productions. Reviewed by the 1991-92 season of pro­ tion season. Reviewed by Theatre, Inc. Panel A. 91-3226-0147 ductions, including develop­ Panel A. 91-3226-0386 San Diego, CA $52,800 ment of new work, lecture To support the expenses of University of North demonstrations, touring, and Robert W. WoodruffArts the 1991-92 season of pro­ Carolina--Chapel Hill presentations of other master Center, Inc. ductions. Reviewed by Chapel Hill, NC $7,500 puppet artists. Reviewed by Atlanta, GA $15,000 Panel A. 91-3226-0342 To support the expenses of Panel A. 91-3226-0340 To support expenses associat­ the 1991-92 season of ed with the 1991-92 produc­ ~: San Francisco Mime productions by Haymakers Red Eye Collaboration tion season of the Alliance Troupe, Inc. Repertory Company. Minneapolis, MN $12,500 Theatre Company. Reviewed San Francisco, CA $52,500 Reviewed by Panel B. To support expenses during by Panel B. 91-3226-0083 To support the expenses of 91-3226-0050 the development of new the 1991-92 season of work in the 1991 season, Roundabout Theatre productions. Reviewed by Playwrights Horizons, Inc. including a Works-In-Pro­ Company, Inc. Panel B. 91-3226-0361 New York, NY $110,000 gress Series and the produc­ New York, NY $7,500 To support expenses associat­ tion of an original script. To support expenses in the Seattle Children’s Theatre ed with the 1991-92 produc­ Reviewed by Panel B. 1991-92 season of classical Association tion season. Reviewed by 91-3226-0246 and contemporary works. Seattle, WA $12,500 Panel A. 91-3226-0075 Reviewed by Panel A. To support costs of the Remains Theatre 91-3226-0255 1991-92 season of produc­ Playwrights’ Center, Inc. Chicago, IL $7,500 tions. Reviewed by Panel B. Minneapolis, MN $17,500 To support expenses associat­ S.U. Theatre Corporation 91-3226-0284 To support the 1991-92 sea­ ed with the 1991-92 season Syracuse, NY $7,500 son, including developing of productions. Reviewed by To support the expenses of Seattle Repertory Theatre new scripts and providing Panel B. 91-3226-0313 the 1991-92 season of pro­ Seattle, WA $175,000 services such as workshops ductions of the Syracuse To support the expenses of and staged readings to play­ Repertory Theatre of Stage. Reviewed by Panel A. the 1991-92 season of pro­ wrights. Reviewed by St. Louis 91-3226-0378 ductions. Reviewed by Panel B. 91-3226-0353 St. Louis, MO $15,000 Panel A. 91-3226-0058 To support expenses of the SEW Productions, Inc. Portland Stage 1991-92 season of produc­ San Francisco, CA $7,500 Second Stage Theatre, Inc. Company, Inc. tions. Reviewed by Panel A. To support actors’ salaries New York, NY $24,200 Portland, ME $12,500 91-3226-0158 during the 1991-92 season To support expenses associat­

1991AnnualReport 205 ed with the 1991-92 season South Coast Repertory, Inc. Steppenwolf Theatre theater for young audiences, of productions. Reviewed by Costa Mesa, CA $115,000 Chicago, IL $36,000 mainstage productions, and Panel B. 91-3226-0388 To support expenses of the To support expenses associat­ residency workshops. 1991-92 production season. ed with the 1991-92 produc­ Reviewed by Panel A. Seven Stages, Inc. Reviewed by Panel A. tion season. Reviewed by 91-3226-0086 Atlanta, GA $17,000 91-3226-0035 Panel B. 91-3226-0318 To support artists’ compensa­ The Group tion, travel, and production Southern Utah State College Studio Theatre School Seattle, WA $8,800 costs of the 1991-92 season. Cedar City, UT $7,500 Corporation To support expenses during Reviewed by Panel A. To support the engagement Buffalo, NY $28,000 the 1991-92 production sea­ 91-3226-0395 of a stage director and travel To support artistic fees and son. Reviewed by Panel B. expenses for the 1991-92 salaries for the 1991-92 91-3226-0212 Shakespeare Repertory season of productions at the season of productions of the Chicago, IL $7,500 Utah Shakespeare Festival. Studio Arena Theatre. The Living Theatre, Inc. To support the expenses of Reviewed by Panel A. Reviewed by Panel B. New York, NY $9,000 the 1991-92 season of 91-3226-0348 91-3226-0349 To support productions of productions. Reviewed by new works during the Panel A. 91-3226-0208 ~r Spanish Theatre ~ Sundance Institute for 1991-92 season. Reviewed Repertory Co., Ltd. Film and Television by Panel A. 91-3226-0145 Shakespeare Theatre at the New York, NY $152,500 Sundance, UT $13,850 Folger Library To support the 1991-92 sea­ To support artists’ fees, The Road Company Washington, DC $37,500 son, including classic Spanish salaries, and related costs for Johnson City, TN $19,000 To support expenses associat­ and contemporary Hispanic the Playwrights Lab in the To support the development ed with the 1991-92 produc­ plays, touring, and related 1991 season. Reviewed by of new work and a tour in tion season. Reviewed by costs. Reviewed by Panel B. Panel A. 91-3226-0367 the 1991-92 season. Panel B. 91-3226-0070 91-3226-0135 Reviewed by Panel B. Talking Band, Inc. 91-3226-0094 Shatterhand, Inc. Springfield Theatre Arts New York, NY $14,000 New York, NY $8,800 Association, Inc. To support the artists’ fees Theatre Gael, Ltd. To support artists’ fees and Springfield, MA $11,900 and salaries and production Atlanta, GA $5,000 expenses associated with the To support expenses associat­ expenses associated with the To support the expenses of 1991-92 production season. ed with programs and pro­ 1991-92 season. Reviewed the 1991-92 season of pro­ Reviewed by Panel A. ductions in StageWest’s by Panel B. 91-3226-0387 ductions. Reviewed by 91-3226-0030 1991-92 season. Reviewed Panel A. 91-3226-0022 by Panel A. 91-3226-0052 Teatro Avante, Inc. Skysaver Productions, Inc. Miami, FL $7,500 ~r Theatre Grottesco North New York, NY $9,500 St. Louis Black Repertory To support the expenses of America, Inc. To support expenses associat­ Company, Inc. the 1991-92 season of pro­ Detroit, MI $5,000 ed with the 1991-92 season. St. Louis, MO $7,500 ductions. Reviewed by To support the expenses of Reviewed by Panel A. To support increased fees to Panel B. 91-3226-0331 the 1991-92 season of pro­ 91-3226-0089 directors for the 1991-92 ductions. Reviewed by season of productions. Teatro del Sesenta, Inc. Panel A. 91-3226-0355 Soho Repertory Theatre, Reviewed by Panel A. San Juan, PR $12,500 Inc. 91-3226-0071 To support artists’ fees and Theatre IV New York, NY $7,900 production expenses in the Richmond, VA $14,500 To support the expenses of Stages, Inc. 1991-92 season of produc­ To support expenses associat­ the 1991-92 production sea­ Los Angeles, CA $7,500 tions. Reviewed by Panel B. ed with the 1991-92 produc­ son, including a new focus To support the expenses of 91-3226-0244 tion season of plays for young on works by emerging the 1991-92 production audiences and increased American playwrights with season. Reviewed by Panel A. The Coterie, Inc. artists’ compensation. an emphasis on non-natural­ 91-3226-0210 Kansas City, MO $8,500 Reviewed by Panel B. istic style. Reviewed by To support the 1991-92 sea­ 91-3226-0184 Panel A. 91-3226-0253 son, including the creation of

206 National Endowment for the Arts Theatre Moves, Inc. Reviewed by Panel B. Trustus, Inc. Vivian Beaumont Queens, NY $7,500 91-3226-0357 Columbia, SC $7,500 Theater, Inc. To support expenses associat­ To support artists’ compensa­ New York, NY $90,000 ed with the creation of new Theatre for a New tion in the 1991-92 season To support the expenses asso­ work, touring, and collabora­ Audience, Inc. of productions. Reviewed by ciated with the 1991-92 pro­ tions in the 1991-92 season. New York, NY $7,500 Panel B. 91-3226-0390 duction season and fees and Reviewed by Panel B. To support the expenses in salaries for artists. Reviewed 91-3226-0134 the 1991-92 season of pro­ Underground Railway by Panel A. 91-3226-0085 ductions. Reviewed by Puppets and Actors, Inc. Theatre Rhinoceros, Inc. Panel B. 91-3226-0106 Arlington, MA $7,500 Washington Drama San Francisco, CA $7,500 To support expenses associat­ Society, Inc. To support actors’ compensa­ Theatre for the New City ed with the 1991-92 season, Washington, DC $231,000 tion in the 1991-92 season Foundation, Inc. including residencies in To support the expenses of of productions. Reviewed by New York, NY $16,000 schools, touring, develop­ the 1991-92 season of activi­ Panel B. 91-3226-0371 To support the expenses of ment of new work, and relat­ ties by the Arena Stage and the 1991-92 season of pro­ ed expenses. Reviewed by Living Stage companies. Theatre Three, Inc. ductions. Reviewed by Panel A. 91-3226-0182 Reviewed by Panel B. Dallas, TX $7,500 Panel B. 91-3226-0393 91-3226-0028 To support salaries for artistic Unicorn Theatre and technical personnel in Theatre in the Square, Inc. Kansas City, MO $7,500 Williamstown Theatre the 1991-92 season of pro­ Marietta, GA $7,500 To support expenses during Foundation, Inc. ductions. Reviewed by To support the 1991-92 sea­ the 1991-92 production sea­ Williamstown, MA $9,900 Panel B. 91-3226-0119 son, including increased son. Reviewed by Panel A. To support expenses asso­ artists’ compensation, a pro­ 91-3226-0194 ciated with the 1991 season Theatre X, Inc. gram of theater for youth, of productions. Reviewed by Milwaukee, WI $24,200 and the development of new Victory Gardens Theater Panel A. 91-3226-0061 To support artists’ salaries works. Reviewed by Panel B. Chicago, IL $12,500 and fees for the 1991-92 sea­ 91-3226-0336 To support expenses during Wilma Theater son of productions, including the 1991-92 production Philadelphia, PA $15,400 expanded dramatic program­ TheatreWorks season. Reviewed by Panel A. To support expenses associat­ ming and guest artist affilia­ Palo Alto, CA $7,500 91-3226-0235 ed with the 1991-92 produc­ tions. Reviewed by Panel A. To support the expenses of tion season. Reviewed by 91-3226-0224 the 1991-92 season of pro­ Vigilante Players, Inc. Panel A. 91-3226-0097 ductions. Reviewed by Bozeman, MT $9,500 Theatre and Arts Panel B. 91-3226-0151 To support artists’ compensa­ Women’s Interart Foundation of San Diego tion during the 1991-92 Center, Inc. County Thunder Bay Ensemble, Inc. production season. Reviewed New York, NY $7,500 La Jolla, CA $80,000 New York, NY $7,500 by Panel B. 91-3226-0168 To support the expenses of To support expenses associat­ To support the expenses of the 1991-92 season of pro­ ed with the 1991-92 season the 1991-92 season, includ­ Vineyard Theatre and ductions, including a mix of of theater productions at the ing development and produc­ Workshop Center, Inc. new works and plays by con­ La Jolla Playhouse. Reviewed tion of a new theater work. New York, NY $8,800 temporary writers. Reviewed by Panel A. 91-3226-0209 Reviewed by Panel A. To support expenses associat­ by Panel B. 91-3226-0312 91-3226-0280 ed with the 1991-92 season Theatre de la Jeune Lune of productions. Reviewed by Women’s Project and Minneapolis, MN $37,800 Trinity Repertory Company Panel A. 91-3226-0140 Productions, Inc. To support artists’ compensa­ Providence, RI $153,000 New York, NY $7,500 tion, fees and expenses, and To support the expenses asso­ Virginia Stage Company To support expenses associat­ production costs during the ciated with the 1991-92 sea­ Norfolk, VA $8,800 ed with the 1991-92 season 1991-92 season, including son of productions. Reviewed To support expenses associat­ of productions. Reviewed by development of new work by Panel B. 91-3226-0381 ed with the 1991-92 season Panel A. 91-3226-0040 and adaptations of classics. of productions. Reviewed by Panel B. 91-3226-0046

1991 Annual Report 207 Woolly Mammoth Theatre Zachary Scott Theatre Company Zimet, Paul $16,500 Company Center New Brunswick, NJ New York, NY Washington, DC $8,500 Austin, TX $7,500 To support artists’ fees and To support the expenses John Schneider Support to artistic salary increases during associated with the 1991-92 Artistic Director Individuals: the 1991-92 production production season. Reviewed Theatre X season. Reviewed by Panel A. by Panel B. 91-3226-0063 Milwaukee, WI Director 91-3226-0297 Fellowships Support to Suzan Zeder Wooster Group, Inc. Playwright Lutz, FL To provide individual stage New York, NY $77,500 Individuals: directors of exceptional To support the expenses of Fellowships for Grants talent, who work in the the 1991-92 season of pro­ Playwrights American not-for-profit ductions. Reviewed by theater, with financial sup­ Panel A. 91-3226-0142 Babb, Roger To encourage the develop­ New York, NY $14,000 port and creative opportuni­ ment of professional play­ ties to further their artistic Working Theatre development. Company, Inc. wrights of exceptional talent Brown, Michael H. New York, NY $5,000 to enable them to set aside Bronx, NY $14,000 To support the expenses of time for writing, research, 1 Cooperative Agreement the 1991-92 season of pro­ travel, and other activities Budbill, David Program Funds: $115,000 ductions, including full- that will enhance their Wolcott, VT $16,500 length plays, a festival of artlStlC vision. ~ Denotes Grants Having one-act plays, and the com­ Conboy, Roy National Impact missioning of new works. 14 Grants Garden Grove, CA $10,000 Reviewed by Panel A. Program Funds: $200,000 ~ Theatre Communications 91-3226-0237 Drexler, Rosalyn Group, Inc. Advisory Panel Newark, NJ $16,500 New York, NY $115,000 Workshop of the Players Art For a cooperative agreement Foundation, Inc. Egloff, Elizabeth H. to administer Round VI of Anne Cattaneo Brooklyn, NY $10,000 New York, NY $13,850 Literary Manager the Director Fellows Pro­ To support artists’ compensa­ gram, which assists excep­ Lincoln Center Theatre Evans, Karen L.B. tion in the 1991-92 produc­ New York, NY tionally talented stage direc­ tion season, including devel­ Washington, DC $10,000 tors in their early career opment of new work and Rick Davis development by awarding support to emerging writers. Margulies, Donald B. $15,000 grants and observer- Resident Dramaturg New Haven, CT $14,000 Reviewed by Panel A. Center Stage ships, and by arranging 91-3226-0156 Baltimore, MD mentor relationships with Mullins, Brighde K. master stage directors. New York, NY $14,500 Yale University David Kranes DCA 91-50 NewHaven, CT $145,200 Artistic Director, Playwrights To support the expenses O’Neal, Jr., John M. Laboratory New Orleans, LA $16,500 Support to associated with the 1991-92 Sundance Institute theater production season, Salt Lake City, UT Individuals: including new play develop­ Parks, Susan Lori Syracuse, NY $16,500 Fellowships for ment, the exploration of Eduardo Machado classics, international cultural Solo Performance Playwright Vogel, Paula A. exchanges, and increased New York, NY Theater Artists compensation to artists. Providence, RI $16,500 Reviewed by Panel B. Sydn~ Mahone To assist the work and cre­ 91-3226-0065 Yellow Robe, Jr., William S. Literary Manager/Resident Havre, MT $14,500 ative growth of exceptionally Dramaturg talented professional theater Crossroads Theater

208 National Endowment for the Arts artists working as solo per- Joan Schirle Sturz, Lisa Aimee Tom Hall formers, independent of Founding Member/ Los Angeles, CA $5,OOO Managing Director professional mime companies Co-Artistic Director Old Globe Theater and working as theater per- Dell’Arte Players Company Tierney, Hanne San Diego, CA formance artists, storytellers, Blue Lake, CA New York, NY $8,000 monologists, clowns, and Gregory Hicks new vaudevillians. Grants Wise, Nina Professor of Law San Rafael, CA $5,0OO University of Washington 19 Grants Aold, Brenda Wong Jean School of Law San Francisco, CA $8,000 Zaloom, Paul Seattle, WA Program Funds: $125,000 New York, NY $8,000 Bass, Eric Ming Cho Lee Advisory Panel Pumey, VT $8,000 Theater Designer Support to New Haven, CT Vince Anthony Farabough, Laura Individuals: Founder/Executive Director San Francisco, CA $5,000 Philip Thomas Center for Puppetry Arts Distinguished President/Artistic Director Atlanta, GA Galloway, Terry Theater Artist Carter G. Woodson Tallahassee, FL $6,000 Fellowships Foundation Linda Bailey Newark, NJ Executive Artistic Director Goodman, Hazelle A. To recognize individuals Carpetbag Theater Flushing, NY $6,000 George Thorn Knoxville, TN who, in the course of distin­ guished careers, are making Theater Consultant Higbie, Sandra K. extraordinary contributions Blacksburg, VA Wickham Boyle Bolinas, CA $5,000 Producing Director to American not-for-profit theater. Danitra Vance Under One Roof Hoyle, Geoffrey Actress New York, NY San Francisco, CA $5,000 2 Grants New York, NY Paul Vincent Davis Hughes, Holly Program Funds: $50,000 Sam Woodhouse Artistic Director New York, NY $8,000 Producing Director Puppet Showplace Theater Advisory Panel San Diego Repertory Theater Brookline, MA Miller, Tim San Diego, CA Santa Monica, CA $8,000 Vince Anthony Bill George Founder/Executive Director Grants Producing Director O’Callahan, Edward James Center for Puppetry Arts Touchstone Theatre Marshfield, MA $8,000 Atlanta, GA LeCompte, Elizabeth A. Bethlehem, PA New York, NY $25,000 Paska, Roman Dudley Cocke In support of her continuing John Jesurun New York, NY $8,000 Director and extraordinary contribu­ Artistic Director Roadside Theater tion to American not-for­ Shatterhand Pope l, William Whitesburg, KY profit professional theater. New York, NY Lewiston, ME $8,000 91-3218-0471 Zelda Fichandler John Killacky Roth, Beatrice Producing Director Tipton, Jennifer Director of Performing Arts New York, NY $6,000 Arena Stage New York, NY $25,000 Walker Arts Center Washington, DC In support of her continuing Minneapolis, MN Sherman, Stuart and extraordinary contribu­ Brooklyn, NY $5,000 Barry Grove tion to American not-for­ Beverly Robinson Managing Director profit professional theater. Scholar in Residence Smythe, Robert J. Manhattan Theater Club 91-3218-0472 Grinnell College West Chester, PA $5,000 New York, NY Grinnell, IA

1991 Annual Report 209 Gross School for the Arts sional directors. master teachers. National 91-3211-0428 91-3211-0431 Resources: New Brunswick, NJ Professional Howard Stein ~r New York University National Past Chairman, Oscar New York, NY $17,500 Theater Hammerstein II Center for To support the salaries of Resources: Training Theater Studies master teachers in the Grad­ Professional Columbia University uate Acting Program at the Theater To encourage ongoing Stamford, CT Tisch School of the Arts. efforts to raise professional 91-3211-0426 Presenters standards by assisting pro­ Philip Thomas fessional training of future President/Artistic Director ~r Research Foundation To support the presentations theater artists. Carter G. Woodson of State University of of professional theater com­ Foundation New York panies and solo theater artists 10 Grants Newark, NJ Albany, NY $10,000 (current grantees of the To support the salaries of Theater Program) to areas Program Funds: $212,500 Miriam Colon Valle master teachers and guest and audiences that are under- President/Director/Producer/ artists in the Professional served and to provide aesthet­ National Resources Actress Actor Training Program in ic diversity where perfor­ Advisory Panel Puerto Rican Traveling Purchase. 91-3211-0433 mance opportunities may Theater Company, Inc. already exist. Eileen Blumenthal New York, NY ~r University of Professor, Theater Criticism California--San Diego 16 Grants Rutgers University Grants La Jolla, CA $20,000 New York, NY To support apprentice fees Program Funds: $286,550 ~ Denotes Grants Having and administrative and Frank Jacobson National Impact master teachers’ salaries for Grants President/CEO the Professional Theatre Scottsdale Cultural Council ~ American Conservatory Residency Program, operated Mternate ROOTS, Inc. Scottsdale, AZ Theatre Foundation in cooperation with the Atlanta, GA $35,000 San Francisco, CA $30,000 La Jolla Playhouse. To support fees for profes­ Baylor Landrum To support salaries of master 91-3211-0430 sional theater artists and President teachers. 91-3211-0432 companies that present activ­ Landrum Consulting Services ~r University of Iowa ities throughout the South Louisville, KY ~r American Repertory Iowa City, IA $15,000 during the 1992-93 season. Theatre To support the salaries of 91-3241-0417 Donovan Marley Cambridge, MA $10,000 master artists and related Artistic Director To support the salaries and costs for the Iowa Play­ ~r Appalshop, Inc. Denver Center Theatre fees of master teachers. wrights Workshop. Whitesburg, KY $30,000 Company 91-3211-0427 91-3211-0434 To support theater artists’ Denver, CO fees during the 1992-93 sea­ ~r Dell’Arte, Inc. ~r University of North son for festivals presenting Victoria Nolan Blue Lake, CA $10,000 Carolina at Chapel Hill selected artists who illumi­ Managing Director To support the salaries for Chapel Hill, NC $10,000 nate the experience of four Indiana Repertory Theater master teachers, fees, and To support the salaries and distinct cultures: African- Indianapolis, IN related costs for the ongoing fees of master teachers and American, Appalachian, internship program. guest artists in the Profes­ Latin American, and Jewish Harold Scott 91-3211-0463 sional Actor Training American. 91-3241-0409 Director, Professional Program. 91-3211-0429 ~r Juilliard School Arts Midwest Theater Training Program New York, NY $40,000 ~ Yale University Minneapolis, MN $39,550 Rutgers University, Mason To support the salaries of New Haven, CT $50,000 To support theater artists’ master teachers and profes­ To support the salaries of fees for performances by pro­

210 National Endowment for the Arts fessional theater companies solo theater artists during the Su Teatro, Inc. To support the administra­ and solo theater artists who 1992-93 performance sea­ Denver, CO $3,000 tion, coordination, and mon­ will tour throughout the son. 91-3241-0411 To support theater artists’ itoring of site visits, through Midwest during the 1992-93 fees for presentations of out­ a cooperative agreement, to performance season. Mole End Puppetry of-state professional theater professional theater compa­ 91-3241-0406 Productions, Inc. companies during the nies, professional theater Springfield, MA $4,000 1992-93 special events training programs, and solo Center for Puppetry To support artists’ fees for season. 91-3241-0414 theater artists in the United Arts, Inc. presentations of Theater States during the 1991-92 Atlanta, GA $5,000 Program-supported profes­ Western States Arts production season and to To support theater artists’ sional theater companies Federation support the coordination of fees for the 1992-93 touring during the 1992-93 season. Santa Fe, NM $40,000 play manuscript screening. program. 91-3241-0412 91-3241-0404 To support artists’ fees for DCA 91-12 theater companies and solo ¢z Dance Theater Movement Theatre theater artists during the ~r Drama League of New Workshop, Inc. International, Inc. 1992-93 performance sea­ York, Inc. New York, NY $12,000 Philadelphia, PA $3,000 son. 91-3241-0413 New York, NY $7,500 To support theater artists’ To support artists’ fees for To support the Directors fees for professional theater solo theater artists during the National Project and related costs. companies and solo theater 1992-93 performance sea­ 91-3265-0459 artists throughout the coun­ son. 91-3241-0410 Resources: try during the 1992-93 Services to the ~r International Theatre season. 91-3241-0415 Newark Performing Arts Institute of the United Corporation Field States, Inc. Flynn Theatre for the Newark, NJ $5,000 New York, NY $25,000 Performing Arts, Limited To support artists’ fees for To assist organizations that To support expenses associat­ Burlington, VT $10,000 Theater Program-supported provide services to the theater ed with providing services to To support theater artists’ professional theater compa­ field on a national scale. American theater artists and fees for the 1992-93 theater nies to perform at the Ameri­ Grants in this category were companies in the U.S. and presenting season. can Theatre Festival during reviewed by the National abroad. 91-3265-0462 91-3241-0416 the 1992 season. Resources Panel, with the 91-3241-0407 exception of Panelist Harold ~" Literary Managers and ~ Henson Foundation Scott. Dramaturgs of America, Inc. New York, NY $10,000 Painted Bride Art New York, NY $3,000 To support theater artists’ Center, Inc. 14 Grants To support expenses associat­ fees for the 1992-93 Philadelphia, PA $5,000 Program Funds: $767,500 ed with programs serving the International Festival of To support artists’ fees for dramaturgical and literary Puppetry to be held in New presentations of professional staffs of the not-for-profit York City. 91-3241-0418 theater companies and solo Grants professional theater nation­ artists for the 1992-93 ally. 91-3265-0458 Mid-America Arts Mliance season. 91-3241-0403 ~r Denotes Grants Having Kansas City, MO $25,000 National Impact ~r Movement Theatre To support theater artists’ Southern Arts International, Inc. fees for theater touring Federation, Inc. ~" ASSITEJ-USA Inc. Philadelphia, PA $15,000 programs during the Adanta, GA $25,000 New York, NY $8,000 To support expenses associat­ 1992-93 performance To support artists’ fees for To support the editing, pub­ ed with support services to season. 91-3241-0405 performances by Theater lication, and related costs of movement theater artists. Program-supported artists journals important to the 91-3265-0456 Mid-Atlantic Arts throughout the South during field of theater for young Foundation, Inc. the 1992-93 performance audiences. 91-3265-0466 ~" New York Public Library Baltimore, MD $35,000 season. 91-3241-0408 Astor, Lenox and Tilden To support fees for profes­ ~r BHKArts Consultants Foundation sional theater companies and Washington, DC $325,000 New York, NY $60,000

1991 Annual Report 211 To support expenses related salaries for activities fostering Theatre Development To support the expenses asso­ to the programs of the awareness of nontraditional Fund, Inc. ciated with the oversight and Theatre on Film and Tape casting. 91-3265-0455 New York, NY $2,000 management of the Atlanta Archive. 91-3265-0457 To support expenses of the Theater Consortium and the ~ Theatre Communications Costume Collection. North Carolina Theater ¢g New York University Group, Inc. 91-3265-0460 Consortium by Arts Action New York, NY $2,000 New York, NY $275,000 Research. 91-3265-0465 To support expenses related To support comprehensive ~- UNIMA-U.S.A., Inc. to the publication of The activities that address the Hyde Park, NY $2,000 ~ Yale University Drama Review. artistic and managerial con­ To support publication New Haven, CT $3,000 91-3265-0454 cerns of not-for-proflt the­ expenses for A Propos and To support expenses associat­ aters, as well as institutional­ related costs. 91-3265-0464 ed with the publication and ~r Non-Traditional Casting ly-based and freelance artists, distribution of Theater maga­ Project, Inc. managers, and trustees Virginia Tech zine. 91-3265-0467 New York, NY $5,000 nationwide. 91-3265-0461 Foundation, Inc. To support administrative Blacksburg, VA $35,000

212 National Endowment for the Arts A

Michael Platt examines his own work, Metro News, in a temporary show at Washington Project for the Arts in the nation’s capital. Visual Arts 292 Grants Program Funds $5,292,860

The Visual Arts Program fund~ the creation of new work by and media are supported by the Fellowships category. American artists of proven talent and the presentation of new Grants are awarded to painters, sculptors, photographers, works to wider audiences. The program focuses on nurturing crafts people, printmakers, drawing artists, conceptual excellence through grants to individuals and providing sup- artists and visual artists working in video and perfor­ port for exemplary activities to organizations. mance. Public access to the work and ideas of contempo­ rary artists is supported through artist-run organizations ’ he oldest of documented art forms, visual as well as through forums for discussion of visual art art has evolved over the millennia from pre- issues, exemplary public art projects and special projects. historic paintings on cave walls to new gen- Visual Artists Fellowships continue to be the pro- T res involving the latest technology. Artists gram’s first priority. In FY 91, some 5,158 applications working across a wide spectrum of styles were received from artists all across the country, and 105

213 grants of $20,000 each were awarded to artists in all communities. In many cities, VAOs exist as the primary regions. This two-percent funding ratio makes the cate­ showcase for contemporary work. Besides exhibiting cur­ gory one of the most competitive at the Endowment. rent work by artists living in an area, many arrange These grants, awarded to professional artists of exception­ exchange shows with organizations from other regions, al talent and demonstrated ability, support the fellows’ thereby exposing audiences to new work from outside creative development by providing financial means to sus­ their own communities. Particularly in crafts, photogra­ tain them while they pursue their work. This year, fellow­ phy and printmaking, some VAOs provide artists with ships went to artists working in the media of painting, access to equipment that is prohibitively expensive for works on paper (which includes printmaking, drawing, individual owners. Many of the organizations also con­ and artists books), and new genres (which include video, duct extensive educational outreach programs with their conceptual and performance work based in the visual local school systems. arts). Visual Artists’ Forums promote discourse about the Regional Fellowships complement the national pro­ visual arts and are a crucial venue for outreach to the gram by extending the benefits to specified regions of the American public. Many lecture series at colleges and uni­ country. In FY 91 six regional organizations received versities are supported as well as nonprofit publications grants of $125,000 each. They will provide up to 20 fel­ that discuss issues in contemporary art. Particularly im­ lowships of $5,000 each to visual artists working in the portant to rural campuses and colleges away from major areas of painting and works on paper. Application dead­ cities, visiting artist programs were supported in Colora­ lines will alternate with those at the national level, do, New Mexico and Utah. Publications that cover enabling artists to apply for grants on an annual basis regional visual arts events received grants in the Midwest regardless of where they live and work. Endowment funds (Dialogue and Artpaper), the Northwest (Reflex), and the are matched one-to-one by each region, thereby multiply­ Southeast (Art Papers). An innovative residency program ing the amount of federal dollars available for visual funded through the Mid-Atlantic Arts Foundation gave artists. This year, when Visual Arts funds for Regional over 100 visual artists, critics and curators the opportuni­ Fellowships were reduced, monies were augmented by the ty to spend time at art centers throughout the nine-state State and Regional Program. region creating new work and discussing it with the Visual Artists Organizations (VAOs) exhibit new public. works by contemporary American artists, provide access Art in Public Places projects were supported in a wide to facilities, supply equipment for the creation of new range of communities and sites this year. Commissions work and offer a range of artists’ services. These alterna­ went to artists for projects at a museum sculpture park in tives to museums and commercial galleries exist in major Massachusetts, an airport in Louisiana, a public pier in cities and in mid-sized communities such as Austin, southern California, a transit station in St. Louis, a col­ Texas; Charlotte, North Carolina; Portland, Oregon; lege building in Nebraska, and a neighborhood park for Grand Rapids, Michigan; and Birmingham, Alabama. senior citizens in Philadelphia. Endowment funds gener­ Characteristically, these groups were founded by artists ally account for only a fraction of a project’s total costs; and are run by artists with strong support from their most of the fundraising is done at the local level.

Visual Artists artists working in photogra- ed will make $5,000 fellow- National phy, sculpture, and crafts. ships available in 1992 to Fellowships-­ Fellowships Regional Fellowships are artists living in participating administered by regional arts states who work in painting Painting Fellowships were awarded in organizations through coop­ or works on paper. 1991 to artists working in erative agreements with the Advisory Panel new genres, painting, and Endowment. Programs fund- 111 Grants works on paper. In 1992, fel­ Graham Beal lowships will be offered to Program Funds: $2,725,000 Director

214 National Endowment for the Arts Joslyn Art Museum Belinoff, Deanne Frankel, Sara L. Liu, Hung Omaha, NE Los Angeles, CA Honolulu, HI Oakland, CA

Janet Fish Blosser, Nicholas D. Freeman, Jeffrey V. Marcus, Marcia Visual Artist (Painting) Chehalis, WA Vermillion, SD New York, NY Rutland, VT Bowling, Katherine J. Friese, Nancy Marlene Marshall, Kerry J. Tressa Miller New York, NY Cranston, RI Chicago, IL First Vice President and Director, Cultural Affairs Burko, Diane Goodman, Brenda J. Masback, Dennis R. Security Pacific Corporation Philadelphia, PA New York, NY New York, NY Los Angeles, CA Carswell, Rodney T. Grenon, Gregory M. Moore, John J. Robert Moskowitz Oak Park, IL Portland, OR Boston, MA Visual Artist (Painting) New York, NY Christensen, Don B. Gross, Julie A. Oropallo, Deborah New York, NY New York, NY San Francisco, CA Gladys Nilsson Visual Artist (Painting) Cutajar, Mario N. Hagin, Nancy J. Rabinovich, Raquel Wilmette, IL Pasadena, CA New York, NY Red Hook, NY

Andrew Spence Daniels, Linda L. Hall, Michael D. Reed, David F. Visual Artist (Painting) New York, NY Salt Lake City, UT New York, NY New York, NY Desiderio, Vincent G. Hamar, Diana tC Roth, Richard Masami Teraoka New York, NY Juneau, AK Columbus, OH Visual Artist (Painting) Waimanalo, HI Donohue, Geralyn Harder, Rodney D. Rubin, Sandra M. New York, NY New York, NY Boonville, CA Grants Doolin, James L. Heller, Susanna Sade, Shuli Each recipient was awarded Los Angeles, CA Brooklyn, NY New York, NY $20,000. Drasher, Katherine J. Hess, F. Scott Sapien, Darryl R. Allain, Rene Pierre New York, NY Los Angeles, CA San Francisco, CA Brooklyn, NY Dubinskis, Anda K. Hill, Charles C. Shimomura, Roger Y. Applebroog, Ida Morrill, ME Venice, CA Lawrence, KS New York, NY Ellis, Stephen M. Kane, Bill Slonem, Hunt Arends, Smart D. New York, NY Brooklyn, NY New York, NY Roswell, NM Facey, Martin K. Krebs, Patsy Smith, Cary C. Arnitz, Rick Albuquerque, NM Inverness, CA Farmington, CT San Francisco, CA Fellows, Mice C. Laufer, Susan R. Spencer, Jeffrey P. Azaceta, Luis C. Santa Monica, CA New York, NY Omaha, NE Ridgewood, NY Flanagan, Michael C. Lemieux, Annette R. Stephan, Gary Bahc, Mo New York, NY Brookline, MA New York, NY Brooklyn, NY Ford, Walton W. Ligon, Glenn K. Storey, David New York, NY Brooklyn, NY New York, NY

1991 Annual Report 215 Stephen Prina Leavitt, William W. Landfall Press/University of Suggs, Don Illinois--Chicago Los Angeles, CA Visual Artist (Concep­ Los Angeles, CA tual/Installation) Chicago, IL Los Angeles, CA Lundberg, William A. Thomson, Colin H. Windfred Lutz New York, NY Austin, TX Grants Visual Artist (Printmaking, Sculpture)/Instructor of Li Munoz, Celia A. Trincere, Painting New York, NY Each recipient was awarded Arlington, TX $20,000. Tyler School of Art at True, David F. Perlman, D. Hirsch Temple University New York, NY Andres, Jo Chicago, IL Philadelphia, PA New York, NY Sabina Ott Viner, Frank Lincoln Silver, Shelly A. Valley Cottage, NY B, Beth New York, NY Visual Artist (Painting, New Yor~, NY Printmaking) National Simkin, Phillips M. Los Angeles, CA Birnbaum, Dara Philadelphia, PA Fellowships-­ New York, NY David True New Genres Smith, Michael A. Visual Artist (Painting)/ Bolton, Richard L. New York, NY Faculty Advisory Panel Cambridge, MA Cooper Union Sonfist, Alan New York, NY Lawrence Andrews Cokes, Anthony G. New York, NY Visual Artist New York, NY Grants (Video)/Educator National San Francisco, CA DeMarinis, Paul M. Fellowships-­ Each recipient was awarded San Francisco, CA $20,000. Michael Auping Works On Paper Chief Curator dos Santos, Jonas A. Antokal, Gale R. Albright-Knox Art Gallery Philadelphia, PA Advisory Panel Berkeley, CA Buffalo, NY Finley, Jeanne C. David Bates Bapst, Sarah Bonnie Clearwater Oakland, CA Visual Artist (Painting) Cambridge, MA Editor and Publisher Dallas, TX Grassfield Press Fraser, Andrea R. Brett, Nancy H. North Miami Beach, FL New York, NY Ruth Fine New York, NY Visual Artist (Painting, Cecelia Condit Hatch, Connie E. Drawing, Printmaking)/ Crotty, William R. Visual Artist (Video)/ Los Angeles, CA Curator of Modern Prints Los Angeles, CA Associate Professor and Drawings of Video and Film Hershman, Lynn L. National Gallery of Art Edmunds, Allan L. University of Wisconsin San Francisco, CA Washington, DC Philadelphia, PA Milwaukee, WI Jonas, Joan Manuel Gonzalez Fujita, Kenji Annette Lemieux New York, NY Vice President Brooklyn, NY Visual Artist (New Genres) Chase Manhattan Bank Brooldine, MA Klonarides, Carole Ann and New York, NY Goldsleger, Cheryl Owen, Michael Athens, GA Pat Oleszko New York, NY Jack Lemon Visual Artist (Performance) Master Printer/Proprietor/ Gonzalez, Juan J. New York, NY Lamb, Gina C. Faculty New York, NY Inglewood, CA

216 National Endowment for the Arts Hauptman, Susan A. Dakota, or Wisconsin. * This cooperative agreement 127 Grants Venice, CA DCA 91-43 was jointly funded with the Program Funds: $1,875,000 * This cooperative agreement State and Regional Program Kalina, Richard S. was jointly funded with the at a total of $125, 000. Advisory Panel New York, NY State and Regional Program at a total of $150, 000. Southern Arts Federation Annette Carlozzi Lee, Bing Atlanta, GA $100,000" Executive Director New York, NY Mid-America Arts Mliance For a cooperative agreement Kansas City, MO $100,000" Contemporary Arts Center to support a regional fellow­ New Orleans, LA Mancillas, Aida M. For a cooperative agreement ship program for artists Solana Beach, CA to support a regional fellow­ working in painting or works Al Harris F. ship program for artists on paper who are legal Visual Artist (Sculpture)/ Paulson, Michael J. working in painting or works residents of Alabama, Director, Bridge Center Greenbush, MI on paper who are legal resi­ Florida, Georgia, Kentucky, for Contemporary Art dents of Arkansas, Kansas, Louisiana, Mississippi, North E1 Paso, TX Provisor, Janis L. Missouri, Nebraska, Okla­ Carolina, South Carolina, or New York, NY homa, or Texas. DCA 91-49 Tennessee. DCA 91-45 Susana Leval * This cooperative agreement * This cooperative agreement Curator Rossman, Michael L. was jointly funded with the was jointly funded with the El Museo del Barrio Philadelphia, PA State and Regional Program State and Regional Program New York, NY at a total of $125, 000. at a total of $125, 000. Seborovski, Carole A. William Maxwell Ojai, CA Mid Atlantic Arts Western States Arts Visual Artist (Sculpture) Foundation Federation Boulder, CO Spector, Buzz Baltimore, MD $100,000" Santa Fe, NM $100,000" Los Angeles, CA For a cooperative agreement For a cooperative agreement Mary Roehm to support a regional fellow­ to support a regional fellow­ Visual Artist (Ceramics)/ Stackhouse, Robert ship program for artists ship program for artists Executive Director New York, NY working in painting or works working in painting or works Pewabic Pottery on paper who are legal resi­ on paper who are legal resi­ Detroit, MI Regional dents of Delaware, Maryland, dents of Alaska, Arizona, New Jersey, New York, California, Colorado, Fellowships Tad Savinar Pennsylvania, Virginia, West Hawaii, Idaho, Montana, Visual Artist (Painting, Virginia, the District of Nevada, New Mexico, Advisory Panel Sculpture, New Genres) Columbia, or the Virgin Oregon, Utah, Washington, Portland, OR Islands. DCA 91-44 or Wyoming. DCA 91-46 Panelists on the Special * This cooperative agreement * This cooperative agreement Projects Panel also reviewed Louise Shaw was jointly funded with the was jointly funded with the Executive Director Regional Fellowships State and Regional Program State and Regional Program applications. Nexus Contemporary Art at a total of $125, 000. at a total of $125, 000. Center Atlanta, GA Grants New England Foundation for the Arts Visual Artists Arts Midwest May Sun Cambridge, MA $100,000" Organizations Visual Artist (Performance, Minneapolis, MN $125,000" For a cooperative agreement For a cooperative agreement To enable organizations orig­ Installation) to support a regional fellow­ Los Angeles, CA to support a regional fellow­ ship program for artists inated by or for artists to ship program for artists conduct a variety of activities working in painting or works Emily Todd working in painting or works on paper who are legal resi­ that encourage the artistic on paper who are legal resi­ growth of individual visual Program Director dents of Connecticut, Maine, Andy Warhol Foundation dents of Illinois, Indiana, Massachusetts, New Hamp­ artists. Iowa, Michigan, Minnesota, for the Visual Arts shire, Rhode Island, or New York, NY North Dakota, Ohio, South Vermont. DCA 91-48

1991 Annual Report 217 Heather Tunis Alternative Center for Artists Alliance, Inc. Bridge Center for Visual Arts Director International Arts, Inc. Tampa, FL $5,000 Contemporary Art Mid Atlantic Arts (Alternative Museum) To support exhibitions of E1 Paso, TX $12,500 Foundation New York, NY $32,500 new work, lectures, work­ To support solo and group Baltimore, MD To support solo and thematic shops, a newsletter, and a exhibitions, performances, group shows by mid-career slide registry. 91-4121-0032 and public art projects. Grants artists in the Main Gallery 91-4121-0108 and installations by emerging Artists Mliance, Inc. Denotes Grants Having and under-recognized artists Lafayette, LA $5,000 Bronx Council on the National Impact in the Matrix Gallery. To support visual arts exhibi­ Arts, Inc. (Longwood 91-4121-0044 tions and installations. Arts Project) 80 Langton Street, Inc. 91-4121-0052 Bronx, NY $15,000 (New Langton Arts) Alternative Worksite, Inc. To support a series of exhibi­ San Francisco, CA $50,000 Omaha, NE $12,500 Artists Space, Inc. tions, catalogues, and related To support visual arts instal­ To support a residency pro­ New York, NY $45,000 performances. 91-4121-0091 lations, exhibitions, perfor­ gram for artists working in all To support exhibitions in all mances and lectures, and an media. 91-4121-0056 visual arts media, catalogues Capp Street Project annual catalogue for the and illustrated brochures, and San Francisco, CA $30,000 1991-92 program year. Arlington Arts Center a computerized slide registry. To support the creation and 91-4121-0071 Arlington, VA $5,000 91-4121-0028 presentation of new visual To support solo and group artwork in various locations 80 Langton Street, Inc. exhibitions and related pro­ Artists’ Television Access in the city and to support (New Langton Arts) grams in the center’s galleries. San Francisco, CA $5,000 education programs. San Francisco, CA $50,000 91-4121-0045 To support the production 91-4121-0017 To support visual arts instal­ and exhibition of experimen­ lations, exhibitions, perfor­ Armory Center for the Arts tal work by visual artists Center for Book Arts, Inc. mances and lectures, and an Pasadena, CA $7,500 working in alternative media. New York, NY $5,000 annual catalogue for the To support the presentation 91-4121-0006 To support working facilities, 1992-93 program year. of exhibitions, installations, exhibition opportunities, and Reviewed by the Special and videos by visual artists. Asian American Arts services for book artists. Projects Panel. 91-4121-0094 Center, Inc. 91-4121-0042 91-4121-0288 New York, NY $5,000 Art Awareness, Inc. To support exhibitions of Center for Contemporary 1078 Gallery, Inc. Lexington, NY $7,500 artists from diverse cultural Arts of Santa Fe, Inc. Chico, CA $5,000 To support the creation and backgrounds. 91-4121-0019 Santa Fe, NM $20,000 To support solo and group exhibition of visual artwork. To support exhibitions and exhibitions of contemporary 91-4121-0111 Blatent Image/Silver Eye related lectures and cata­ visual art in this rural com­ Pittsburgh, PA $5,000 logues, performance art munity. 91-4121-0039 Art in General, Inc. To support photography events, installations, and New York, NY $15,000 exhibitions, lectures, and a video screenings. 1708 East Main, Inc. To support exhibitions and quarterly publication. 91-4121-0037 Richmond, VA $10,000 installations, performances, 91-4121-0122 To support solo and group and education projects. Center for Education and exhibitions, performances, 91-4121-0002 Brandywine Graphic Communication, Inc. and artist services. Workshop, Inc. (The Space) 91-4121-0004 ~r Art Institute of Chicago Philadelphia, PA $5,000 Boston, MA $5,000 (Video Data Bank) To support a visiting artists To support the creation and Aljira, Inc. Chicago, IL $30,000 program that makes print- presentation of new visual Newark, NJ $10,000 To support the production, making facilities available to artwork through public art To support linked thematic presentation, and distribu­ visual artists. 91-4121-0079 projects, temporary installa­ exhibitions and related lec­ tion of video artists’ work. tions, and residencies. tures, panel discussions, and 91-4121-0065 91-4121-0124 workshops. 91-4121-0030

218 National Endowment for the Arts Center for Exploratory and recognized Chicano, Mexi­ mances, and related public lication of a newsletter, a Perceptual Arts,Inc. cano, and native American programming. 91-4121-0123 photographers’ slide registry, Buffalo, NY $27,000 artists. 91-4121-0092 and "Intercambio," a pro­ To support exhibitions of ~r Craft Emergency Relief gram that brings American contemporary art in gallery Centro Cultural de la Fund, Inc. mainland photographers to and satellite locations, tem­ Raza, Inc. Washington, DC $5,000 Puerto Rico for seminars and porary installations in public San Diego, CA $20,000 To support services offered to workshops. 91-4121-0068 transit areas, lectures, residen­ To support exhibitions for craft artists who have experi­ cies, and artist publications. the 1992-93 program year enced emergencies that have Exit Art, Inc. 91-4121-0024 by regionally and nationally interrupted their work. New York, NY $15,000 recognized Chicano, Mexi­ 91-4121-0085 To support visual arts exhibi­ ~r Center for Occupational cano, and native American tions, publications, and re­ Hazards, Inc. (Center for artists. Reviewed by the Creative Time, Inc. lated projects. 91-4121-0102 Safety in the Arts) Special Projects Panel. New York, NY $45,000 New York, NY $10,000 91-4121-0289 To support the creation and Fabric Workshop, Inc. To support research on presentation of new work by Philadelphia, PA $25,000 health hazards in the arts and Chinese American Arts visual artists in public spaces To support an artist-in-resi­ the education of visual artists Council, Inc. throughout New York City. dence program in the textile about the hazards of and pre­ New York, NY $5,000 91-4121-0059 arts and related exhibitions. cautions for materials and To support solo and group 91-4121-0066 processes. 91-4121-0050 exhibitions of the work of Detroit Focus Asian-American visual artists. Detroit, MI $7,500 Film in the Cities, Inc. Center for Photography at 91-4121-0106 To support multimedia exhi­ St. Paul, MN $15,000 Woodstock, Inc. bitions, exhibition catalogues, To support photography Woodstock, NY $15,000 Cincinnati Artists’ Group and the publication of Detroit exhibitions, lectures, residen­ To support exhibitions, Effort, Inc. Focus Quarterly. cies, and a resource center workshops, lectures, and ser­ Cincinnati, OH $15,000 91-4121-0027 for photographers. vices for artists working in To support multimedia exhi­ 91-4121-0036 photography and related bitions, performances, win­ Dieu Donne Papermill, Inc. media. 91-4121-0013 dow installations, film/video New York, NY $5,000 Fondo Del Sol programs, lectures, and sym­ To support a working facility Washington, DC $5,000 Center for Women and posia. 91-4121-0084 for artists using handmade To support exhibitions and Their Work, Inc. paper as a visual art medium. related programming de­ Austin, TX $20,000 Clay Studio 91-4121-0058 signed to explore the diverse To support exhibitions, edu­ Philadelphia, PA $10,000 cultural roots of American cation programs, and services To support solo and group DiverseWorks, Inc. art. 91-4121-0088 for artists and arts organiza­ exhibitions of the work of Houston, TX $25,000 tions. 91-4121-0121 national and regional ceramic To support exhibitions, lec­ Foundation for Art artists. 91-4121-0077 tures, video programs, a per­ Resources, Inc. Center on Contem­ formance series, a slide Los Angeles, CA $5,000 porary Art Contemporary Art for San registry, and an artists’ book­ To support a critical forum Seattle, WA $20,000 Antonio store. 91-4121-0113 for the presentation of issues To support exhibitions and San Antonio, TX $15,000 in contemporary art. related performances, lec­ To support exhibitions, relat­ Drawing Center, Inc. 91-4121-0112 tures, and publications. ed publications, lectures, and New York, NY $5,000 91-4121-0097 educational programming. To support thematic and Foundation for Today’s 91-4121-0053 group exhibitions and ser­ Art/Nexus Centro Cultural de la vices to visual artists. Philadelphia, PA $5,000 Raza, Inc. Contemporary Arts Center 91-4121-0062 To support exhibitions, semi­ San Diego, CA $20,000 New Orleans, LA $35,000 nars, performances, and ser­ To support exhibitions for To support visual arts exhibi­ En Foco, Inc. vices to visual artists. the 1991-92 program year tions, installations, perfor­ Bronx, NY $15,000 91-4121-0095 by regionally and nationally To support exhibitions, pub­

1991 Annual Report 219 Franklin Furnace To support visual arts exhibi­ accompanied by artists’ lec­ photographic forms, lectures, Archive, Inc. tions and performances, relat­ tures. 91-4121-0048 and publications. New York, NY $40,000 ed catalogues, and public 91-4121-0010 To support the presentation programs. 91-4121-0063 Intermedia Arts of of visually based performance Minnesota, Inc. Los Angeles Contemporary art, exhibitions, and tempo­ Hand Workshop, Inc. Minneapolis, MN $12,500 Exhibitions, Inc. rary installations. Richmond, VA $5,000 To support visual arts exhibi­ Los Angeles, CA $35,000 91-4121-0075 To support an exhibition tions and related catalogues To support exhibitions, per­ program that will present and public programs. formances, public programs, Friends of Puerto Rico, Inc. regional and national craft 91-4121-0014 services, publications, and an (Museum of Contemporary artists in solo and group artists’ bookstore. Hispanic Art) shows. 91-4121-0116 International Arts 91-4121-0109 New York, NY $7,500 Relations, Inc. To support exhibitions, Headlands Center for New York, NY $25,000 Lower East Side monthly lectures, services, the Arts To support exhibitions of Printshop, Inc. and publications. Sausalito, CA $20,000 work by emerging and mid- New York, NY $5,000 91-4121-0083 To support visual artists’ resi­ career visual artists with To support a working facility dencies, open studios, lec­ diverse cultural backgrounds. and technical assistance for Galeria Studio 24 tures, workshops, publica­ 91-4121-0054 printmakers. 91-4121-0096 (Galeria de La Raza) tions, presentations, and San Francisco, CA $15,000 installations. 91-4121-0034 Intersection Maryland Art Place, Inc. To support exhibitions, relat­ San Francisco, CA $5,000 Baltimore, MD $7,500 ed programs, and services for Houston Center for To support visual arts exhibi­ To support exhibitions, spe­ Chicano and Latino artists. Photography tions and associated lectures. cial projects, artists’ fees, and 91-4121-0114 Houston, TX $15,000 91-4121-0026 services. 91-4121-0025 To support exhibitions, lec­ ~r Glass Art Society, Inc. tures and workshops, ser­ Kenkeleba House, Inc. Mattress Factory Seattle, WA $12,000 vices, and publications in New York, NY $7,500 Pittsburgh, PA $17,500 To support a national confer­ photography and related To support solo exhibitions To support residencies result­ ence for visual artists working media. 91-4121-0100 by emerging and established ing in the creation and exhi­ in glass, publications, and artists from multicultural bition of site-specific installa­ membership services. Hull House Association backgrounds. 91-4121-0012 tions. 91-4121-0060 91-4121-0031 (Beacon Street Gallery) Chicago, IL $7,500 Light Factory Mayor’s Advisory Com­ Guadalupe Cultural To support an exhibition Charlotte, NC $5,000 mittee on Art and Culture Arts Center program and performance To support photography (School 33 Art Center) San Antonio, TX $5,000 series for visual artists. exhibitions, related programs, Baltimore, MD $12,500 To support visual arts exhibi­ 91-4121-0080 and services. 91-4121-0073 To support exhibitions and tions, working facilities pro­ related public programs. gramming, and services to Images Images Images, Inc. Light Work Visual 91-4121-0001 local artists. 91-4121-0046 Cincinnati, OH $5,000 Studies, Inc. (Light Work) To support photography Syracuse, NY $30,000 Mexic-Arte Haleakala, Inc. exhibitions, related public To support photography Austin, TX $10,000 (The Kitchen) programs, and services to exhibitions, residencies, pub­ To support exhibitions, New York, NY $7,500 photographers. lications, and a working facil­ performance art, an annual To support a performance 91-4121-0064 ity. 91-4121-0015 publication, and services. series that features works by 91-4121-0022 visual artists, both emerging Institute for Design and Los Angeles Center for and established. Experimental Art Photographic Studies Minneapolis Society of 91-4121-0033 Sacramento, CA $5,000 Los Angeles, CA $15,000 Fine Arts (Minnesota Artists To support site-specific and To support exhibitions in Exhibition Program) Hallwalls, Inc. collaborative installations traditional and experimental Minneapolis, MN $12,000 Buffalo, NY $30,000 To support exhibitions, film

220 National Endowment for the Arts and video screenings, lec­ Nexus, Inc. (Nexus tures, workshops, publica­ To support a working facility tures, and the production Contemporary Art tions, and services in photog­ for hand papermaking, print- and presentation of perfor­ Center) raphy and related media. making, and the book arts. mance art. 91-4121-0089 Atlanta, GA $37,500 91-4121-0057 91-4121-0009 To support exhibitions in Mobius, Inc. Nexus Gallery, artists’ book Pilchuck Glass School Randolph Street Boston, MA $5,000 projects of Nexus Press, and Seattle, WA $10,000 Gallery, Inc. To support installations, services to artists. To support residencies for Chicago, IL $30,000 group exhibitions, a perfor­ 91-4121-0119 visiting artists working in To support exhibitions, inter­ mance art series, and panel glass. 91-4121-0003 disciplinary performance and discussions. 91-4121-0078 Nine One One Con­ media art presentations, temporary Arts and ~ Printed Matter, Inc. temporary public art projects, Movimiento Artistico del Resource Center New York, NY $27,500 and related activities. Rio Salado, Inc. Seattle, WA $5,000 To support the distribution 91-4121-0093 Phoenix, AZ $10,000 To support exhibitions, of artists’ publications and To support a visiting artists installations, and related related services. Real Art Ways, Inc. program, exhibitions, and programs and services. 91-4121-0126 Hartford, CT $17,500 related activities. 91-4121-0018 To support exhibitions, 91-4121-0029 Pro Arts installations, and related Opera de Camara, Inc. Oakland, CA $5,000 activities. 91-4121-0021 N.A.M.E. Gallery (Casa Candina) To support exhibitions and Chicago, IL $5,000 Old San Juan, PR $5,000 related activities. San Francisco Camera- To support exhibitions, per­ To support solo and group 91-4121-0067 work, Inc. formances, lectures, video exhibitions of contemporary San Francisco, CA $25,000 screenings, and panel discus­ ceramics by Puerto Rican Project Artaud To support exhibitions in sions. 91-4121-0038 artists. 91-4121-0023 (Southern Exposure) photography and related San Francisco, CA $5,000 media, lectures, a quarterly ~r National Association of Oregon Center for the To support exhibitions, publication, and other artist Artists’ Organizations, Inc. Photographic Arts, Inc. installations, lectures, and services. 91-4121-0070 Washington, DC $27,500 Portland, OR $12,500 related activities. To support regional confer­ To support photography 91-4121-0041 Santa Barbara ences, related publications, exhibitions, lectures, and Contemporary Arts and membership services. publications at Blue Sky Public Art Fund, Inc. Forum, Inc. 91-4121-0074 Gallery. 91-4121-0115 New York, NY $20,000 Santa Barbara, CA $12,500 To support temporary public To support exhibitions and ~r National Council on Painted Bride Art art projects and related ser­ related performances, lec­ Education for the Center, Inc. vices. 91-4121-0035 tures, video presentations, Ceramic Arts Philadelphia, PA $7,500 and publications. Bandon, OR $12,000 To support exhibitions, Public Art Works 91-4121-0082 To support an annual confer­ installations, and related San Rafael, CA $10,000 ence for ceramic artists, a programs. 91-4121-0087 To support temporary public Santa Monica Museum journal to document the pro­ art installations. of Art ceedings, and other services. Pewabic Society, Inc. 91-4121-0055 SantaMonica, CA $10,000 91-4121-0076 Detroit, MI $17,500 To support exhibitions, site- To support exhibitions, Pyramid Arts Center, Inc. specific installations, perfor­ New York Experimental workshops, lectures, and Rochester, NY $17,500 mances, and commissioned Glass Workshop, Inc. residencies in the ceramic To support exhibitions, artists’ projects. New York, NY $30,000 arts. 91-4121-0103 installations, residencies, 91-4121-0105 To support working facilities lectures, forums, and services. for glass artists, exhibitions, Photographic Resource 91-4121-0020 Sculpture Center, Inc. and related services. Center, Inc. New York, NY $7,500 91-4121-0104 Boston, MA $30,000 Pyramid Adantic, Inc. To support exhibitions, To support exhibitions, lec­ Riverdale, MD $12,500 installations, publications,

1991 Annual Report 221 and related costs. Social and Public Art other materials. White Columns, Inc. 91-4121-0081 Resource Center 91-4121-0125 New York, NY $20,000 Venice, CA $10,000 To support group and solo Sculpture Space, Inc. To support a mural resource Sushi, Inc. exhibitions, commissioned Utica, NY $12,500 center, information services, San Diego, CA $10,000 installations, and related To support a working facility and an exhibition series. To support exhibitions, programs. 91-4121-0069 and residencies for artists 91-4121-0099 performances, installations, working in sculpture. and forums. 91-4121-0110 Women’s Studio 91-4121-0007 ~r Society for Photographic Workshop, Inc. Education, Inc. Textile Arts Centre Rosendale, NY $10,000 Sculpture Space, Inc. Boulder, CO $12,000 Chicago, IL $5,000 To support a working facility Utica, NY $12,500 To support a national confer­ To support exhibitions, for printmaking, handmade To support a working facility ence, regional conferences, working facilities, and ser­ paper, and book arts. and residencies for artists publications, and services. vices for textile artists. 91-4121-0016 working in sculpture. 91-4121-0101 91-4121-0040 Reviewed by the Special Zone Art Center Projects panel. ~ Society of North The.art.re.grup, Inc. Springfield, MA $5,000 91-4121-0287 American Goldsmiths San Francisco, CA $7,500 To support a series of exhibi­ Bloomington, IN $7,500 To support performances, tions, video screenings, per­ Second Street Gallery, Inc. To support an annual confer­ video presentations, and formances, and related activi­ Charlottesville, VA $7,000 ence, regional workshop pro­ installations by visual artists. ties. 91-4121-0098 To support exhibitions and gram, and an annual mem­ 91-4121-0051 related educational program­ bership directory for visual Art in Public ming, including lectures, artists working in metal. Urban Institute for residencies, and publications. 91-4121-0008 Contemporary Arts Places 91-4121-0011 Grand Rapids, MI $7,500 Space One Eleven, Inc. To support exhibitions, site- To enable city and state gov­ Self-Help Graphics and Birmingham, AL $5,000 specific installations, and ernments, educational insti­ Arts, Inc. To support thematic exhibi­ residencies. 91-4121-0047 tutions, and other organiza­ Los Angeles, CA $10,000 tions of local and regional tions to commission works of To support the Atelier pro­ visual artists. 91-4121-0090 Visual Studies art as permanent features of gram, collaborative print- Workshop, Inc. such sites as parks, plazas, making residencies for cultur­ Spaces Rochester, NY $35,000 waterfronts, airports, sub­ ally diverse artists at different Cleveland, OH $20,000 To support an artists’ press ways, and public buildings. career levels. 91-4121-0107 To support exhibitions, per­ program, exhibitions, lec­ Also funded are short-term formances, video screenings, tures, residencies, and related installations of experimental Sheboygan Arts and public forums. services. 91-4121-0118 works that demonstrate Foundation, Inc. 91-4121-0061 further potential for art in (Kohler Arts Center) Washington Project for the public places. Sheboygan, WI $30,000 Storefront for Art and Arts, Inc. To support solo and group Architecture, Inc. Washington, DC $40,000 14 Grants exhibitions with related doc­ New York, NY $12,500 To support a series of exhibi­ Program Funds: $283,000 umentation and residencies, To support exhibitions, tions, an artists’ bookstore, and artists’ access to working installations, and related and related programming. Advisory Panels facilities. 91-4121-0120 activities. 91-4121-0043 91-4121-0072 Panel A Snug Harbor Cultural ~ Surface Design Wheaton Historical Association Association (Creative Center, Inc. Mathieu Gregoire Staten Island, NY $7,500 Los Angeles, CA $5,000 Glass Center) $8,000 Visual Artist (Sculpture)/ To support exhibitions and To support an annual confer­ Millville, NJ Public Art Consultant related programs at the New- ence and publications for To support a working facility San Diego, CA house Center for Contem­ visual artists working in for glass artists. porary Art. 91-4121-0117 surface design on fabric and 91-4121-0049

222 National Endowment for the Arts Catherine Howett Buster Simpson Cultural Council New York Foundation for Landscape Architect/ Visual Artist (Sculpture) Foundation (Art and the Arts, Inc. Professor, School Seattle, WA Knowledge Workshop) New York, NY $20,000 of Environmental Design New York, NY $10,000" To support a commission to University of Georgia Cesar Trasobares To support the planning artist Beth B to create a pub­ Athens, GA Former Director, Art in phase for a collaborative lic installation titled "A Day Public Places Program design project for the South of Hope." Reviewed by Andrew Leicester Metro-Dude County Bronx Academy of Art. Panel A. 91-4141-0138 Visual Artist (Sculpture) Miami, FL Reviewed by Panel A. Minneapolis, MN 91-4141-0134 San Diego Museum of Grants * The Design Arts Program is Contemporary Art Pallas Lombardi providing an additional La Jolla, CA $10,000" Public Art Director Bi-State Development $1 O, 000 toward this grant. To support an artist/designer Cambridge Arts Council Agency collaboration for the design Cambridge, MA St. Louis, MO $15,000 DeCordova Museum and of a satellite for the museum To support a temporary work Sculpture Park in downtown San Diego. Mary Miss by artist Phil Simkin at the Lincoln, MA $13,000 Reviewed by Panel A. Visual Artist (Sculpture) site of a future rapid transit To support a commission to 91-4141-0174 New York, NY station. Reviewed by Panel B. artist Allan Wexler for a * The Design Arts Program is 91-4141-0127 site-specific project in the providing an additional Bruce Nauman museum’s sculpture park. $15,000 toward this grant. Visual Artist (Sculpture) Cambridge Arts Reviewed by Panel A. Pecos, NM Council Fund 91-4141-0128 Stuart Foundation Cambridge, MA $20,000 La Jolla, CA $30,000 Emily Pulitzer To support a site-specific art­ Lafayette Regional Airport To support a commission to Collector/Arts Patron work by artist Mierle Lader­ Commission artist George Trakas for the St. Louis, MO man Ukeles for the city’s Lafayette, LA $25,000 redesign of Pepper Canyon Mayor Thomas W. Danehy To support a commission to on the campus of the Susana Torre Park. Reviewed by Panel B. artist Herb Parker at the pri­ University of California-­ Architect/Chair, 91-4141-0135 mary public entrance to the San Diego. Reviewed by Environmental Design airport. Reviewed by Panel A. Panel B. 91-4141-0136 Department Carnegie Institute 91-4141-0133 Parsons School of Design Pittsburgh, PA $10,000 University of Nebraska New York, NY To support a temporary, site- Lowell Office of Cultural at Omaha specific sculpture by artist Affairs, Inc. Omaha, NE $25,000 Panel B Douglas Hollis for the Three Lowell, MA $25,000 To support a commission Rivers Arts Festival at Point To support a commission to to artist Andrew Leicester for Mice Aycock State Park in the center of artist Michael Singer for a an outdoor amphitheater on Visual Artist (Sculpture) Pittsburgh. Reviewed by site-specific work on the campus adjacent to architect New York, NY Panel A. 91-4141-0140 Northern Canal Walkway Malcolm Holzman’s new above the rapids of the Fine Arts EducationBuilding. Constance Glenn City of San Buenaventura, Merrimack River. Reviewed Reviewed by Panel B. Faculty/Director, Art California by Panel A. 91-4141-0129 91-4141-0131 Museum Ventura, CA $25,000 California State University-­ To support a commission to Natural Heritage Trust Village of Arts and Long Beach artist Ned Kahn for work on Lewiston, NY $30,000 Humanities, Inc. Long Beach, CA the historic Ventura Pier, To support a series of tempo­ Philadelphia, PA $25,000 slated for restoration as a rary public art installations at To support commissions to Richard Posner public and commercial gath­ Artpark during summer artists Lily Yeh, Lisa Becker, Visual Artist (Sculpture)/ ering place. Reviewed by 1991. Reviewed by Panel A. Angelo Ciotti, and Alejandro Educator Panel A. 91-4141-0137 91-4141-0139 Lopez for the design and Los Angeles, CA construction of a neighbor­ hood park for senior citizens

1991 Annual Report 223 David Hickey John Yau artists of color. Reviewed by in north Philadelphia. Panel A. 91-4142-0172 Reviewed by Panel A. Writer/Critic/Curator Art Critic/Poet/Faculty 91-4141-0130 University of North Texas School of the Visual Arts, Denton, TX New York City Exit Art, Inc. New York, NY New York, NY $3,500 Visual Artists Thomas McEvilley To support the publication Forums Contributing Editor/ Grants of The First World/El Primer Critic/Faculty Mundo, a book of commis­ ~r Denotes Grants Having To enable artists and other ArtForum/Rice University sioned letters by artists, visual arts professionals to New York, NY National Impact critics, scholars, and writers. communicate with peers and Reviewed by Panel A. the public about visual arts Amy Sandback ~ Astro Artz 91-4142-0155 ideas and issues or to pursue President/Publisher/ SantaMonica, CA $15,000 projects that create and pre­ Consulta nt/Trustee To support publication of the Fabric Workshop, Inc. sent new work in a context P.P. Rindge, Limited quarterly journal High Philadelphia, PA $7,000 that stimulates discussion (publisher) Performance. Reviewed by To support artists’ residencies about contemporary art. Rindge, NH Panel A. 91-4142-0163 resulting in site-specific Grants support visiting artist installations at the Pennsyl­ programs, conferences and Hollis Sigler Atlanta Art Papers, Inc. vania Academy of Fine Arts, symposia, and publications Visual Artist (Painting)/ Atlanta, GA $20,000 Beaver College, and Swarth­ that contribute to the Faculty To support publication of more College. Reviewed by national dialogue on con­ Columbia College Art Papers, a bimonthly jour­ Panel A. 91-4142-0149 temporary art. Chicago, IL nal that focuses on contem­ porary visual art activity in ~ Forecast Minneapolis, MN $5,000 34 Grants Charles Wright the Southeast. Reviewed by Exhibitions Curator Panel B. 91-4142-0144 To support the publication of Program Funds: $288,500 Hallwalls Public Art Review, a semian­ Buffalo, NY Cambridge Arts nual journal focusing on Advisory Panels Council Fund public art issues and projects Panel B Cambridge, MA $16,000 across the nation. Reviewed Panel A To support the creation of a by Panel A. 91-4142-0157 Susan Dickson storefront multimedia art Nayland Blake Coordinator, Individual installation by Richard Guadalupe Cultural Arts Visual Artist (Sculpture) Artists Program Bolton that will incorporate Center San Francisco, CA Ohio Arts Council text, images, and participato­ San Antonio, TX $5,000 Columbus, OH ry components. Reviewed by To support "Chicano Deborah Bright Panel A. 91-4142-0158 Art/Mexican Art: Mutual Visual Artist (Photography)/ Claire Peeps Influences," a public panel Critic/Faculty Program Director Dialogue, Inc. discussion on the relationship Rhode Island School of Los Angeles Festival Columbus, OH $4,000 between Chicano and Design Los Angeles, CA To support publication of Mexican art. Reviewed by Providence, RI Dialague, a bimonthly jour­ Panel A. 91-4142-0159 Robert Pincus nal that promotes discourse Jacqueline Crist Art Critic on the contemporary arts in ~r Houston Center for Director, Visual Arts San Diego Union the Midwest. Reviewed by Photography Program San Diego, CA Panel A. 91-4142-0175 Houston, TX $6,000 Idaho Commission on To support the publication of the Arts Tim Rollins ~ En Foco, Inc. Spot, a triannual journal of Boise, ID Visual Artist (Painting, Bronx, NY $8,000 photography and related Drawing)/Educator To support publication of media. Reviewed by Panel A. Glenn Harper South Bronx Division of Nueva Luz, a photographic 91-4142-0153 Art Writer/Editor Special Education journal devoted to work by A rt Papers Bronx, NY Atlanta, GA

224 National Endowment for the Arts Indiana University-Purdue which visual artists, writers, of critical writing and artists’ ~" San Francisco Artspace University at Indianapolis and theorists will address work serving the central San Francisco, CA $9,000 Indianapolis, IN $5,000 issues in contemporary art. southern region. Reviewed by To support the publication To support a series of lectures Reviewed by Panel A. Panel A. 91-4142-0162 of Shift, a quarterly magazine titled "Interconnections: Text 91-4142-0171 focusing on contemporary and Images," which will ~r October Magazine, art. Reviewed by Panel A. focus on the relationship Mid Atlantic Arts Limited 91-4142-0156 between language, writing, Foundation, Inc. New York, NY $10,000 and the contemporary visual Baltimore, MD $10,000 To support publication of Snug Harbor Cultural arts. Reviewed by Panel A. To support a visual arts resi­ October, a quarterly journal ¯ Center, Inc. 91-4142-0169 dency program that funds presenting critical essays, Staten Island, NY $8,000 interstate residencies for interviews, reviews, and To support a series of resi­ Institute of Contemporary artists and critics at arts translations of articles about dencies in which artists will Art, Boston organizations within the the theory and practice of work with senior citizens Boston, MA $5,000 mid-Atlantic region. contemporary art. Reviewed from the local community to To support one-week resi­ Reviewed by Panel A. by Panel A. 91-4142-0150 create new work. Reviewed dencies for artists/critics/ 91-4142-0147 by Panel A. 91-4142-0160 curators Jimmie Durham Photographic Resource and Amalia Mesa-Bains. Midmarch Associates, Inc. Center, Inc. ~r Society for Photographic Reviewed by Panel A. (Artists Talk on Art) Boston, MA $8,000 Education, Inc. 91-4142-0164 New York, NY $5,000 To support the publication of Boulder, CO $5,000 To support a series of discus­ Views, a triannual journal To support exposure, a quar­ Intermedia Arts of sions by visual artists, critics, based in New England that terly journal of photographic Minnesota, Inc. and curators who represent addresses a broad range of arts, history, criticism, and Minneapolis, MN $8,000 diverse aesthetic and cultural issues pertaining to photogra­ education. Reviewed by To support a series of public voices within the art commu­ phy and related media. Panel A. 91-4142-0141 lectures titled "Vital Signs: nity. Reviewed by Panel A. Reviewed by Panel A. Native Perspectives on 91-4142-0145 91-4142-0148 University of New Mexico 1492." Reviewed by Panel A. Main Campus (New 91-4142-0151 ~r New Observations, Regents of the University Mexico, University of) Limited of Colorado (Colorado, Albuquerque, NM $5,000 Long Island University New York, NY $15,000 University of) To support a visiting artists Brookville, NY $8,000 To support publication of Boulder, CO $8,000 lecture series that will focus To support the creation and New Observations, an artist- To support the 20th year of on non-European cultures installation of site-specific run journal presenting the the Visiting Artist Program in America. Reviewed by works in a variety of locations work and ideas of contempo­ during the 1991-92 academ­ Panel A. 91-4142-0170 on and offthe campus. rary artists and art writers. ic year. Reviewed by Panel A. Reviewed by Panel A. Reviewed by Panel A. 91-4142-0168 Visual Arts Information 91-4142-0166 91-4142-0165 Service Robert W. WoodruffArts St. Paul, MN $15,000 ~r Los Angeles Center for Newton Arts Center, Inc. Center, Inc. To support the publication Photographic Studies Newtonville, MA $5,000 (Atlanta College of Art) ofArtpaper, a monthly jour­ Los Angeles, CA $6,000 To support the creation of Atlanta, GA $7,000 nal focusing on visual arts To support the publication of temporary, seasonally evolv­ To support a two-part public activity in the upper Mid­ issues of the center’s journal, ing artworks in a natural lecture series of evening pro­ west. Reviewed by Panel A. Frame-Work. Reviewed by environment and related grams featuring national visu­ 91-4142-0143 Panel A. 91-4142-0167 public forums. Reviewed by al artists, curators, and critics Panel A. 91-4142-0173 and lunchtime programs fea­ ~r Visual Studies Los Angeles Contemporary turing regional participants. Workshop, Inc. Exhibitions, Inc. NUMBER: Inc. Reviewed by Panel A. Rochester, NY $18,000 Los Angeles, CA $5,000 Memphis, TN $8,000 91-4142-0161 To support the publication of To support a series of lectures To support the publication of critical, theoretical, and and panel discussions in Number, a quarterly journal scholarly writing about pho­

1991 Annual Report 225 tography and independent Special Projects M Harris F. create and install a series of visual arts publishing in the Visual Artist (Sculpture)/ works that will function as an Gallery Director, Center orientation and navigation journal Afterimage. Reviewed To support a limited number by Panel A. 91-4142-0146 for Research in system for visually impaired of model projects that assist Contemporary Art visitors to the museum. artists in innovative ways and University of Texas 91-4170-0282 Weber State College are not eligible under the Ogden, UT $5,000 other categories. Arlington, TX To support a visiting artists La Napoule Art Foundation Judith Shea New York, NY $27,500 lecture series, "Issues in 6 Grants Contemporary Art," which Visual Artist (Sculpture) To support travel, living will explore a variety of Program Funds: $121,360 New York, NY expenses, and related costs approaches to the theory for up to six American visual and practice of contemporary Advisory Panel Grants artists participating in the art. Reviewed by Panel A. United States/France 91-4142-0142 Bonnie Clearwater ~ Denotes Grants Having International Exchange Editor and Publisher National Impact Program. 91-4170-0284 ¢r WhiteWalls Grassfield Press Chicago, IL $9,000 North Miami Beach, FL ~ Mliance for the Arts, Inc. Nevada State Council To support the publication of New York, NY $25,000 on the Arts Whitewalls, a journal that Joseph Deal To support the production Reno, NV $10,000" explores relationships Visual Artist (Photography)/ and distribution of a pam­ To support the Honeymoon between language, visual Dean, School of Fine Arts phlet about estate planning Project, a series of public art arts, and contemporary cul­ Washington University for artists. 91-4170-0285 events created by the artist ture. Reviewed by Panel A. St. Louis, MO Miralda, taking place in Las 91-4142-0152 American Center for Vegas during February 1992. Susan Dickson Students and Artists 91-4170-0290 Xelfer Coordinator, Individual (American Center in Paris) *See International Activities Seattle, WA $12,000 Artists Program Paris, France $24,920 section. To support the publication of Ohio Arts Council To support travel, living Reflex magazine, a bimonthly Columbus, OH expenses, and related costs ~ Spirit Square Arts journal covering contempo­ for American visual artists’ Center, Inc. rary visual arts activity in the Jennifer Dowley residencies at the Cite Charlotte, NC $10,000 Northwest. Reviewed by Executive Director Internationale des Arts in To support the production Panel A. 91-4142-0154 Headlands Center for Paris. 91-4170-0286 and distribution of a directo­ the Arts ry of public and private Sausalito, CA Exploratorium printmaking facilities across San Francisco, CA $23,940 the country. 91-4170-0283 To support the commission of sculptor Will Nettleship to

226 National Endowment for the Arts Wilma Banks in Arthur Miller’s The Crucible at Le Petit Theatre, one beneficiary of a 1991 grant to the New Orleans Arts Council. Challenge 76 Grants 1 Cooperative Agreement Challenge Funds $26,583489* Program Funds $249,061

The Challenge III Program is designed to stimulate increased The Challenge III Program, initiated in FY 89, has provid­ support for projects of the highest quality that can move the ed such capital and has enabled institutions in each field nation forward in achieving excellence in the arts by improv­ served by the Endowment to approach new horizons. ing access to the arts or augmenting appreciation of the arts. Since most arts organizations must devote the bulk of avail­ hallenge III applications are reviewed on the able funds to current operations, there has been a vital need basis of the quality and potential long-term for "venture capital" to underwrite bold project initiatives. impact of the proposed project, as well as *This includes $7,167,238 in unobligated commitments which will appear in on the ability of the applicant to carry it out subsequent annual reports as the funds are obligated. Cand raise the required matching funds. 227 Grants range in size from $50,000 to $1 million and served areas and minority communities, or other ideas must be matched at least three-to-one with new or that bring quality arts experiences to larger and broader increased contributions or appropriations. audiences. Challenge III supports four types of projects: ¯ Appreciation. Projects that embody new or substan­ ¯ Artistry. Projects that explore new or substantially tially increased approaches to classroom arts instruction, expanded approaches to commissioning, production, pre­ curriculum development, training or professional devel­ sentation/exhibition, conservation/preservation, profes­ opment of arts teachers, arts interpretation, educational sional training or development, development of signifi­ materials, educational media programs, outreach pro­ cant new work, exploration of the creative potential of grams, or educational programs in nonacademic new technology, or other ideas that can enhance excel­ settings. lence in the arts. ¯ Support Systems. Projects that offer new or substan­ ¯ Access. Projects that represent new or substantially tially expanded approaches to grantmaking, technical amplified approaches to exhibition or performance tour­ assistance, resource sharing and other programs of region­ ing, recording, distribution, marketing or broadcasting; al, state or local arts agencies, arts service organizations or proposed solutions to special problems of access in under- other organizations.

Challenge Review North Carolina Arts Council Telecommunications opment during rehearsal with Committee Raleigh, NC Cambridge, MA specialized coaches, flexible rehearsal lengths, music, and Petra Barreras del Rio Peter Perret Challenge III larger casts; and commit Executive Director Music Director and technical and material sup­ E1 Museo del Barrio Conductor Grants port equal to the mastery of New York, NY Winston-Salem Symphony the artists involved. This pro­ Orchestra ~r Denotes Grants Having ject is a vital component of Ian Campbell Winston-Salem, NC National Impact ACT’s mission to provide a General Director rich artistic home for play­ San Diego Opera Association Barton Phelps Federal funds may be obli­ wrights and to support the San Diego, CA Principal gated at any time during a full breadth of their vision. Barton Phelps & Associates/ multiyear Challenge grant. $33,030 of this grant was Wallace Chappell Architects and Planners Unless otherwise indicated, obligated during FY91. Director, Hancher Au- Los Angeles, CA the following funds were 91-4622-0011 ditorium obligated in FY 1991. University of Iowa Vasundhara Prabhu Alabama State Council on Iowa City, IA Director, Education A Contemporary the Arts Los Angeles Museum of Theatre, Inc. Montgomery, AL $250,000 Penny Dannenberg Contemporary Art Seattle, WA $200,000 To implement the long-term Director, Artist Fellowships Los Angeles, CA To create and sustain a col­ expansion of operations and New York Foundation for laborative environment for program development of the the Arts John Roche playwrights, theater’s primary Alabama Center for Tradi­ New York, NY Board Member generative artists. The pro­ tional Culture, a major state­ Film Society of Lincoln ject’s long-term investments wide arts initiative. The Ala­ Peter Donnelly Center in selected playwrights will bama Center for Traditional New York, NY President provide a comprehensive Culture, scheduled to relo­ Corporate Council for range of resources to support cate to a restored mid-19th the Arts Bradford Spear new plays. It will support century Italianate antebellum Seattle, WA Director, Development and prerehearsal development, mansion, provides an institu­ Sponsored Research commissions, workshops, and tional programming vehicle, Jean McLaughlin Massachusetts Corporation residencies; offer an enhanced proactively supporting the Director, Visual Arts for Educational artistic pool to nurture devel­ state’s traditional culture and

228 National Endowment for the Arts artists. Through research, broad spectrum of arts orga­ museum, 2) a structured pro­ California Institute of publications, touring exhibi­ nizations in the metropolitan gram providing opportunities the Arts tions, media productions, New Orleans area by match­ for research and interdiscipli­ Valencia, CA $175,000 concerts and festivals, school ing funds raised through the nary curriculum development To support collaborative programs, and symposia, the newly created, corporately for city teachers, and 3) pro­ activities with artists and art center serves as an ongoing supported Metropolitan Arts vision of essential visual ma­ organizations serving multi­ vehicle for folk arts program­ Fund. The purpose of this terials for the classroom. By cultural populations. The ming. It also acts as a partner, project is to provide arts or­ opening up the world of art project---codesigned with collaborator, and resource ganizations with an expanded to school children and teach­ Plaza de la Raza, Watts to colleges and universities, base of private contributions ers and by raising their aware­ Towers Center, Social and local arts agencies, libraries, in the form of both operating ness that the visual world Public Resources Center schools, museums, and other and endowment support; to around them can be interpre­ (SPARC), and individual cultural organizations strengthen the management ted and enjoyed, this pro­ artists--will lead to long- throughout the state of capacity and organizational gram will help to educate a term, mutually beneficial Alabama. This is a model effectiveness of arts organiza­ viewing public to be conver­ relationships, advancing the initiative in state arts agen­ tions through technical assis­ sant in the language of visual foremost priorities of the cies’ support of the folk arts. tance, consultation, and images. 91-4622-0028 community-based arts orga­ $215,000 of this grant was training; and to identify and nizations and providing their obligated during FY91. meet special cultural needs of Brooklyn Philharmonic constituencies--primarily 91-4622-0031 the community through spe­ Symphony Orchestra, Inc. young people--with visual cific initiatives. Challenge Brooklyn, NY $500,000 and performing arts training H American Federation of funds will be used to leverage To revitalize the symphonic of the highest professional Arts, Inc. this private sector support repertoire through the com­ calibre. Concurrently, these New York, NY $200,000 and to regrant to a variety of missioning of new works and activities will contribute to To support a traveling exhi­ arts organizations, many of new realizations of works fundamental changes in the bition titled The Birth of which have had little access from earlier periods and to curriculum, goals, and pur­ Hollywood." Early Features. to corporate and foundation win new audiences for orches­ poses of CalArts. This project The exhibit will include 12 funds. No funds were oblig­ tral performances. The Brook­ will forge a model and set feature-length films. The ated during FY91. lyn Philharmonic Symphony new standards for arts train­ project will involve a national 91-4622-0013 Orchestra has entered a new ing and community involve­ planning convocation where era in its history under the ment. 91-4622-0005 host sites will be screened by Baltimore Museum of artistic leadership of Dennis scholars; creation of new cir­ Art, Inc. Russell Davies and through a City of Charleston, South culating prints; publication of Baltimore, MD $400,000 unique affiliation with the Carolina a catalogue, program guides, To support the Close Encount­ Brooklyn Academy of Music. Charleston, SC $200,000 and marketing materials to ers initiative in the Baltimore The Challenge artistic initia­ To support a major site-spe­ be used by host sites; a wall- City Public Schools. This tives will open new areas of cific exhibition featuring con­ mounted photo essay to be program, tied to the school musical exploration and ex­ ceptual works and installa­ used at each site; and inten­ curriculum, will expand the pand the orchestra’s audience tions by 25 to 30 artists par­ sive work with representatives visual understanding of stu­ with alternative approaches ticipating in the 1991 Spole­ of each of the six initial tour dents through direct personal to the commissioning and to Festival. This exhibition, sites to ensure proper presen­ experience of the thousands development of significant organized by the city of tation of the films. The of great works of art in the new work; innovative pro­ Charleston, Spoleto Festival exhibit is slated to premiere museum’s collection. It will gramming and the creative U.S.A., and the Gibbes in New York in 1993. give students and teachers the presentation of diverse works Museum of Art is scheduled $25,000 of this grant was tools and practice to look from all eras; the provision of to open on May 23, 1991 in obligated during FY91. analytically at their visual new artistic opportunities for conjunction with the 15th 91-4622-0018 environment. This will be orchestral musicians; and the annual Spoleto Festival accomplished through: 1) an development of lively interac­ U.S.A. The exhibition will Arts Council of New expanded sequential learning tions among composers, feature the work of interna­ Orleans program for fourth grade musicians, and audiences. tionally recognized artists New Orleans, LA $440,000 classes focused on ways of 91-4622-0033 who will create "place specif­ To increase support for a looking, in and out of the ic" installations at historic

1991 Annual Report 229 the new works have repeat venues throughout the city of an unusual opportunity to Dance Bay Area Charleston, South Carolina. seek answers to problems San Francisco, CA $100,000 performances by requiring Charleston’s resources--his­ faced by museums across the To support the Bay Area each partner to present the torical and cultural subjects country, particularly those in Fund for Dance, a juried co-commissioned artist. In as well as extraordinary 18th-, active seismic zones. Such commissioning project that addition, the Special Under­ 19th-, and 20th-century concerns include questions of distributes grants of $5,000 writing, Research, and buildings and outdoor sites-­ earthquake preparedness for or less to Bay Area choreogra­ Frontier Fund (SURFF) will enable primary sponsors to make it an exceptional envi­ existing structures, program phers. The project grants ronment in which to stage needs versus limited expan­ funds to pay for production enhance the interaction such an exhibition. Rather sion possibilities, and archi­ costs associated with the cre­ between artist and communi­ than designing works for a tectural and environmental ation of new dance works, in ty by supporting special out­ location from a primarily aes­ integrity. 91-4622-0009 all dance styles and aesthetics, reach programs and collabo­ thetic point of view, as with which are to be completed rations with organizations much site-specific public art, Cunningham Dance and performed publicly with­ outside the NPN. SURFF will be a means to connect these projects will draw their Foundation, Inc. in the ten-county Bay Area the matter of art, its ideas inspiration and conception NewYork, NY $1,000,000 region. As an alternative to from the unique qualities of To support a four-year transi­ traditional funding sources, and sensibilities, to the every­ their location. Curator Mary tion period during which the fund encourages works by day experiences of a place Jane Jacob has chosen artists time Merce Cunningham choreographers working and its people. 91-4622-0004 will explore a number of either independently or for who represent diverse cultur­ Edmundson Art al, ethnic, and national back­ artistic initiatives that are of companies with annual bud­ grounds and who share a immediate interest: expand­ gets under $100,000, which Foundation, Inc. concern for the use of con­ ing the Repertory Under­ because of their small budget Des Moines, IA $350,000 ceptual reference in their study Group; hiring addi­ size or unincorporated/inde­ To support the development work. A series of accompany­ tional choreographer’s assis­ pendent status are often ineli­ of a park for environmental tants to work with the under­ gible for funding elsewhere. sculpture, extending the per­ ing year-long educational manent collection beyond programs is being organized studies and facilitate more of This Challenge III project by the Gibbes Museum, the his choreographic works responds to a need inherent museum walls. The project includes commissioning site- College of Charleston, the being mounted on American to the geographic and cul­ Spoleto Festival, and the city dance companies; increasing tural diversity of Dance Bay specific works by internation­ of Charleston. 91-4622-0025 the size of the company and Area’s constituency. The ally recognized American the number of rehearsal fund fills a niche by effec­ artists. These sculptures will ~g Corporation of the Fine weeks for creating new work; tively drawing upon resources encourage active participa­ Arts Museums increasing the number of from the field and Dance Bay tion by the public. The San Francisco, CA $850,000 weeks dedicated to his film/ Area’s capacity to administer sculpture park gives recogni­ tion to the importance of To support a comprehensive video creations; and design­ such a program as an arts ser­ earthquake preparedness and ing a plan of action for future vice organization serving the developing large-scale site- renovation program at the activities of the company, fu­ second largest dance commu­ specific sculpture and of California Palace of the Le­ ture distribution of his chore­ nity in the country. $86,068 including such works in a gion of Honor. The program, ographic works and archives, was obligated during FY91. museum collection. which includes an under­ and the teaching of his tech­ 91-4622-0021 $243,200 of this grant was ground addition to the build­ nique. At a time when Mr. obligated during FY91. ing, integrates seismic rein­ Cunningham is at the height ~ Dance Theater 91-4622-0038 forcement, expansion, and of his creative output, this Workshop, Inc. renovation and disseminates project will enable him to New York, NY $255,000 Grand Center, Inc. $500,000 information about this pro­ conserve his energy, to make To expand the pilot Creation St. Louis, MO ject to other museums and more work, and to continue Fund, which provides prima­ To transform a late 19th-cen­ professionals. The project not in new ways. $450,000 of ry sponsors and presenters tury church into a 400-seat only preserves the collections this grant was obligated dur­ who are not members of the performing arts theater, loca­ and ensures the safety of visi­ ing FY91.91-4622-0024 National Performance Net­ ted in the heart of the revital­ tors to the Legion of Honor, work (NPN) with partner­ ized arts district. Grand Cen­ it also gives the Fine Arts ship funds to co-commission ter, Inc., was established to Museums of San Francisco artists. The fund ensures that revitalize the arts and enter­

230 National Endowment for the Arts tainment district in the St. staffto build skills through a will feature original adapta­ and educational impact of Louis metropolitan area variety of projects ranging tions of classic stories per­ the exhibitions, the program through the development of from workshops and semi­ formed by a young company utilizes "traveling trunks"-­ facilities, programs, and tech­ nars to staged readings and of multicultural actors work­ kits with audiovisual materi­ nical support services related the creation of new works. ing with senior director/ als, objects, hands-on work­ to the visual and performing The expertise developed designer teams to create shop materials and teacher/ arts. The project will enable through laboratory work, galvanizing theatrical experi­ docent guidebook---in coop­ local professional theater including the exploration of ences. Scheduling, ticket eration with the local school companies, including the texts and the cultivation of a price, story content, dura­ districts. Exhibitions are Saint Louis Black Repertory "company voice," greatly tion, and performance style comprised of works from the Company, to achieve higher enhances the mainstage audi­ of the productions will be five main areas of the perma­ production values because of ence’s theater-going experi­ designed with a 9-to-14-year­ nent collection of the muse­ the technical capabilities of ence and reinforces the old audience in mind; in all um: Prc-Hispanic, Colonial, the renovated facility. It will Guthrie’s commitment to artistic respects, the produc­ Folk, Mexican, and also enable the companies to artistic excellence. $400,000 tions will be treated with the Chicano/Mexican-American attract new audiences by of this grant was obligated quality of professionalism art. 91-4622-0020 bringing their performances during FY91.91-4622-0006 accorded to all of IRT’s pro­ to the district. 91-4622-0002 ductions. Long-range plans Michigan Council for Houston Grand Opera for the program include tour­ the Arts Greater Tacoma Association, Inc. ing productions to satellite Detroit, MI $350,000 Community Foundation Houston, TX $1,000,000 municipal theaters in cities To address the need for Tacoma, WA $420,000 To redefine the repertory at the far ends of the state of increased support for small, To support the expansion of and, as a consequence, the Indiana, as well as eastern professional arts producing the existing Pantages Centre audience constituency of a Illinois and northern organizations of the highest into a three-theater, centrally major American opera com­ Kentucky. 91-4622-0007 artistic quality, including located performing arts dis­ pany by dramatically broad­ dance companies, music trict that will provide a ening its work to include new ~" Mexican Museum ensembles, theaters, artists choice of affordable and tech­ and/or nontraditional works San Francisco, CA $110,000 co-ops, and composers, nically efficient venues for that draw upon the musical To support the initiation of a through the Arts Organi­ local performing artists and styles and cultural milieu of national biennial touring zation Development pro­ supplement arts programs in the diverse peoples that make program beginning in 1991. gram. The program also pro­ the schools. The new 299­ up Houston. Specifically, the The Traveling Exhibitions vides increased support for seat Broadway Theater will program will focus energy, Program at the Mexican creative artists and recogni­ be constructed to house the expertise, and financial re­ Museum was created to tion of the cultural diversity award-winning Tacoma Ac­ sources to create and produce expose the public to art creat­ of Michigan’s art organiza­ tors Guild, Pierce County’s pieces outside the European ed by Mexican and Chicano/ tions and artists. The first resident professional theater cultural tradition that will Mexican-American peoples. phase of the program sup­ company. No funds were serve as the basis for perma­ The Challenge project targets ports a one-year intensive obligated during FY91. nent bridges to and partner­ areas with a high concentra­ planning phase for up to ten 91-4622-0001 ships with audience groups tion of Latinos and intro­ organizations to develop not traditionally associated duces the exhibitions to strategic and long-range orga­ Guthrie Theatre Foundation with opera in America. mainstream museums and nizational plans. Phase II Minneapolis, MN $500,000 91-4622-0015 smaller institutions in metro­ provides up to $60,000 To support the expansion of politan areas. Each exhibition annually for four years to the Guthrie’s Laboratory Indiana Repertory includes educational materi­ selected organizations to Program and to eficourage Theatre, Inc. als, catalogues, and marketing implement the comprehen­ community support for the Indianapolis, IN $85,000 materials in Spanish and sive plan developed in the Laboratory Program’s perma­ To support Indiana Reper­ English with the purpose of first phase. The intention of nent endowment. Through tory Theatre’s (IRT) Junior reaching Latinos as well as the Arts Organization Devel­ the lab, the Guthrie stimu­ Works program, a new edu­ the general population. To opment program is to estab­ lates the creative growth of its cational programming initia­ enhance the understanding lish a firm organizational and artists, providing opportuni­ tive based in IRT’s Upper- financial base for these small­ ties for the theater’s artistic stage Theatre. Junior Works er organizations’ future devel­

1991 Annual Report 231 opment. No funds were obli­ tium members are the Art theater while attempting to and marketing strategies will gated during FY91. Institute of Chicago, the educate a broader base of the be formulated within a com­ 91-4622-0030 Brooklyn Museum, the Mus­ general public and increase prehensive three-year plan to eum of Fine Arts/Boston, the their appreciation of experi­ recruit, hire, and retain pro­ ~ Museum of Modern Art Metropolitan Museum of mental music theater. fessional and experienced New York, NY $825,000 Art, the Museum of Modern 91-4622-0014 personnel, while integrating To support a major project to Art/New York, the National marketing considerations upgrade, expand, and relo­ Gallery of Art, and the Phila­ ~ National Public into all aspects of the organi­ cate the museum’s renowned delphia Museum of Art. As it Radio, Inc. zation’s operations. State-of­ film collection and accompa­ continues its joint efforts to Washington, DC $750,000 the-art techniques will greatly nying maintenance, cata­ design and distribute pro­ To create a new radio "Hot­ enhance earned income and loging, and retrieval systems grams making the vast visual house Unit" within National service delivery. through a new moving image resources of the arts univer­ Public Radio’s cultural pro­ 91-4622-0010 preservation and storage cen­ sally accessible, the consor­ gramming division. The ter. The project will ensure tium will also expand its mission of NPR’s cultural New Haven Symphony the preservation of acquired national membership. programming in the 1990s is Orchestra, Inc., in collabora­ and restored film and video $15,000 of this grant was to present an inclusive vision tion with the Hartford materials and double the obligated during FY91. of American culture. To Symphony Orchestra, Inc. museum’s capacity to provide 91-4622-0037 accomplish this goal, the NewHaven, CT $200,000 access to these materials to an "Hothouse Unit" will initiate To provide multicultural array of institutions and indi­ Musical Traditions, Inc. a coordinated approach to musical programs to rural viduals. Scheduled to coin­ San Francisco, CA $100,000 program development, lead­ and smaller metropolitan cide with the 100th anniver­ To develop a new music the­ ing creators within and out­ towns in Connecticut by sary of film, the project ater work that will explore side the public radio system using a unified approach to includes a customized com­ the dynamics in the age old in nurturing new program expand the geographical base puter catalog, bar-code story of women versus men ideas and taking the best of each orchestra to reach inventory control and storage from the man’s point of view. ideas through a process of 900,000 residents. The pro­ system, and conservation Set partly in a fantasy that piloting, evaluating, and test­ grams will educate and devel­ cleaning and inspection includes romanticism and the ing--ultimately resulting in op audiences beyond the abil­ equipment--all requisite history of love and contrasted new programs reaching new ity of either orchestra indi­ systems for state-of-the-art with the reality of arguments, realms and new audiences. vidually. The three-part pro­ archival management and money trouble, and love-on­ The "Hothouse" will have a gram will begin with youth access. 91-4622-0034 the-rocks, each song will have strong engineering and tech­ education concerts in each a matching media compo­ nical component, assuring area, followed by a commu­ ~" Museum of Modern nent like a music-video-style that artistic and production nity concert featuring a cus­ Art/Museum Education commentary. Created in creativity are closely linked tom-composed fanfare for the Consortium three formats (live perfor­ with the rapidly advancing community. Two concluding New York, NY $400,000 mance, video and audio audio "palette" of new concerts will be held, one at To develop new applications recording), the three versions technology. No funds were each of the symphony’s hails, of media and technology for will be used to test new mar­ obligated during FY91. including high school chorus use in museums as well as for keting strategies that could 91-4622-0035 participation and a commis­ reaching new audiences in serve as national models. sioned work from a minority schools, colleges, libraries, Specifically the non-arts­ New Freedom Theatre, Inc. composer. No funds were and homes. Three years ago attending listener of avant Philadelphia, PA $500,000 obligated during FY91. seven major art museums garde music will be intro­ To encourage new audiences 91-4622-0026 entered into a collaboration duced to the work initially in low-income and minority that has created several proto­ through radio and television communities, including New Museum of type programs using the tech­ in geographical areas where seniors, young adults, and Contemporary Art nology of interactive video performances are to take children, for theater at an New York, NY $275,000 innovatively designed for a place. The formats will be affordable price. Building on To initiate an innovative variety of educational pur­ designed so that the presenter nearly 25 years of performing three-part education project poses suitable for new meth­ can better market the live arts services, Freedom The­ that emphasizes multicultural ods of learning. The consor­ performance of new music atre audience development perspectives in content, staff,

232 National Endowment for the Arts and audience. Components comprehensive professional York, NY), Roadside Theater for the creation of new works include expansion of the training program for young, (Whitesburg, KY), Junebug by artistic director Helgi High School Art Criticism talented musicians from Theatre Project (New Or­ Tomasson and by choreogra­ Program, teacher training throughout the country. This leans, LA), El Teatro de la phers chosen by Mr. Tomas­ programs, and a curriculum program includes private Esperanza (San Francisco, son. Dancers and audiences guide. The High School Art lessons, master classes, audi­ CA), Liz Lerman and the alike need to be challenged Criticism Program will dou­ tion preparation seminars, Dance Exchange (Wash­ continually to grow artistical­ ble the number of schools it rehearsals, concerts, and ington, DC), and Francisco ly and to engage in an ongo­ reaches, focusing on public chamber music programs Gonzalez y su Conjunto ing educational process. With schools that serve students at directed by the world’s lead­ (Santa Barbara, CA). The premiere works by Mr. risk of dropping out. This is ing conductors. The Chal­ goals are to strengthen and Tomasson and other world- being planned and developed lenge grant will assist minori­ stimulate the culture of the class choreographers, San with the Office of Alternative ty and nationwide recruit­ communities where the Francisco Ballet will continue High Schools of the Board of ment. 91-4622-0032 exchanges take place, to sup­ to provide a stimulating artis­ Education. Students and port the consortium of artists tic environment where teachers work with museum Pacific Public Radio, Inc. and presenters involved in dancers, choreographers, and educators and artists in indi­ Long Beach, CA $50,000 the project, and to demon­ audiences can experience the vidually designed programs To double access to jazz radio strate the impact of this language of dance. These that include visits to artists’ service in the nation’s largest model through documenta­ works will not only enhance studios, museums, and gal­ metropolitan area through tion and educational pro­ the company’s technical leries. Students develop criti­ the installation of a new grams. 91-4622-0012 strength and versatility, but cal thinking skills through transmitter to increase will also foster a broader writing and studio art pro­ KLON’s power from 1,200 ~ Public Television understanding of the art form jects. Teacher training will be to 8,000 watts. Public radio Playhouse, Inc. in both existing and future expanded to include monthly station KLON-FM 88.1 is NewYork, NY $1,000,000 audiences. No funds were seminars throughout the the only full-time jazz service. To produce at least ten out­ obligated during FY91. school year. A two-week Commercial broadcaster Saul standing independent feature 91-4622-0023 summer institute for high Levine has contributed his films that will serve the needs school teachers in all disci­ entire jazz record library of American independent San Francisco Museum of plines will be added to (some 10,000 LPs and 2,000 filmmakers for additional Modern Art (SFMOMA) enhance understanding of CDs) to KLON, making resources with which to real­ San Francisco, CA$750,000" contemporary art. The muse­ KLON’s the pre-eminent ize their individual artistic To create an exemplary, um’s curriculum guide on jazz collection in southern vision. Public television audi­ museum-based curatorial contemporary art will be California and perhaps the ences nationwide will be ex­ program in the media arts, published professionally and U.S. KLON has also ac­ posed to an unusually diverse encompassing video, film, distributed nationally. No quired an association with range of feature films when projection, radio, sound, such guide for contemporary United Video, making its jazz they are aired as part of the computer technologies, and art currently exists, and few music available in about 30 "American Playhouse" series. developing forms. The Bay resources are available with markets nationally via cable. "American Playhouse’ has Area is home to a diverse and multicultural perspectives. 91-4622-0019 already produced some of the influential community of These programs are being most highly acclaimed feature media artists, presenters, and developed as national models ~r Painted Bride Art films of the past several years, industries. SFMOMA estab­ for schools and museums Center, Inc. including "Stand and De­ lished the mission and core and are expected to have a Philadelphia, PA $90,000 liver," "The Thin Blue Line," staff for a media arts depart­ long-term impact on art To develop, present, and sus­ "Smooth Talk," and "Long­ ment in 1987. The Challenge education. $33,500 of this tain the impact of communi­ time Companion." No funds grant will strengthen the grant was obligated during ty-based cultural exchanges as were obligated during F¥91. department through new ini­ FY91.91-4622-0027 part of the American Festival 91-4622-0017 tiatives in commissioning, Project. Integral to the pro­ touring, film, lectures, sym­ ~ Orchestral Association ject are collaborations with San Francisco Ballet posia, and artists-in-resi­ Chicago, IL $750,000 the Gaudalupe Cultural Arts Association dence. The program will To assist an endowment to Center (San Antonio, TX), San Francisco, CA $750,000 further broad public appreci­ support recruitment for a Urban Bush Women (New To establish an endowment ation and advance standards

1991 Annual Report 233 for museum-based preserva­ the arts. The new support Trisha Brown Dance Cooperative tion of the media arts. system would encourage col­ Company, Inc. Agreement Matching funds will form an laborative efforts between New York, NY $200,000 endowment to sustain the artists and arts organizations To engage in a series of long- ArtsMarket Consulting, Inc. program in a new, larger to increase arts programming term residencies that will Marion, MA $249,061 museum facility designed by in underserved areas. An allow Trisha Brown to devel­ For a cooperative agreement Mario Botta and scheduled ongoing pool of state funds op new choreography in a to evaluate the fundraising to open in 1994. $310,500 would be earmarked by the theater environment, provid­ capacity, management and of this grant was obligated Arts Commission to benefit a ing the resources necessary to board strength, financial during FY91.91-4622-0036 variety of art forms and activ­ fully realize new directions in position, likely grant impact, ities, including literature, her choreography. These resi­ and application readiness for Santa Barbara media, contemporary crafts, dencies will also include bold Challenge III grant appli­ Contemporary Arts folk arts, performance art, and interactive outreach cants. DCA 91-15 Forum, Inc. temporary art installations, activities between Ms. Brown Santa Barbara, CA $60,000 jazz, and blues. The require­ and her collaborators, and Denotes Grants Having To support a series of visual ments will help achieve the the artists, scholars, and resi­ National Impact arts programs designed to objectives of the program dents of each area. In addi­ encourage and expand the while allowing the constitu­ tion, the company will con­ The following Challenge III interaction between art and ents to achieve their artistic vene an evaluation and search grants were announced dur­ the community through the and financial goals. No funds committee composed of pro­ ing previous fiscal years. The exploration of particular were obligated during FY91. fessionals in the fields of arts amounts listed below ~vere social or community issues. 91-4622-0005 management, business, law, obligated during FY91. Des­ This project will develop real estate development, and criptions of these grants may three major traveling exhibi­ Theatre de la Jeune Lune architecture who will study be found in previous annual tions focused on the themes Minneapolis, MN $450,000 the impact and effectiveness reports. of "Addictions," "The Life To purchase, renovate, and of these residencies on an Cycle: Aging, Childbirth, equip the historic Minnea­ annual basis, while initiating ArtsConnection and Parenting," and "Aliena­ polis Van and Warehouse a search to identify a theater New York, NY $240,567 tion/Assimilation/Identity." Company building into a in which Ms. Brown can Each exhibition is to be cura­ permanent theater. The work on an ongoing basis.. gr Bay Area Women’s ted by two individuals: one of building will contain open, 91-4622-0022 Philharmonic stature in the art community dynamic, and flexible perfor­ San Francisco, CA $13,705 and one an expert with mance spaces, as well as re­ Utah Arts Council strong involvement and pub­ hearsal, shop, and office Salt Lake City, UT $750,000 Carnegie Hall Corporation lic identification with the spaces. Within this space To establish a fund for state­ New York, NY $450,000 issue to be addressed by that Theatre de la Jeune Lune will wide perpetual support for exhibition. One quarter of work architecturally, incorpo­ the broad spectrum of Utah City of Walnut Creek, the total funds raised for this rating elements of the space art. Interest from Challenge California project will be set aside in an into sets and staging produc­ III Endowment Funds will Walnut Creek, CA $350,000 endowment to create seed tions to include the audience. provide stability by allowing money for the continuity of Through expanded collabora­ arts organizations to receive a ~ DanceWorks, Inc. this project beyond the initial tion with other artists, made steady income. Focused New York, NY $300,000 three exhibitions. possible by year-round access funding will assist ethnic 91-4622-0016 to the theater, new work will artists and organizations to Downtown Community develop organically, enhanc­ work in their art forms, and Television Center, Inc. Tennessee Arts Commission ing its vitality, energy, and services will be provided for New York, NY $200,000 Nashville, TN $105,000 impact. This Theatre ~vill individual artists. Endow­ To support the development allow Jeune Lune to rededi­ ment funds will enhance the John F. Kennedy Center for of a subgrant program to cate the space as a public power of the arts, promote the Performing Arts expand available funds for square for the city. excellence, and improve Washington, DC $450,000 91-4622-0008 access for the benefit of the people. 91-4622-0029

234 National Endowment for the Arts Metropolitan Arts Museum of Fine Arts, The Cleveland KCET/Community Council, Inc. Houston Foundation, Inc. Television of Southern Omaha, NE $175,000 Houston, TX $250,000 Cleveland, OH $125,000 California Los Angeles, CA $800,000 Metropolitan Dade County North Carolina Museum of University of California-­ 89-4621-0041 Cultural Affairs Council Art Foundation, Inc. Berkeley Miami, FL $300,000 Raleigh, NC $250,000 Berkeley, CA $100,000 Philharmonic Orchestra of Florida Mid-America Arts Alliance Opera Theatre of Saint ~r WGBH Educational Ft. Lauderdale, FL $300,000 Kansas City, MO $200,000 Louis Foundation 89-4621-0053 St. Louis, MO $450,000 Boston, MA $309,102 Mississippi Museum of South Carolina Educational Art, Inc. People’s Light and Theatre Washington Drama Society, Television Commission Jackson, MS $367,000 Company Inc./Arena Stage Columbia, SC $750,000 Malvern, PA $500,000 Washington, DC $346,599 89-4621-0027 Monadnock Music Peterborough, NH $17,200 River City Brass Band, Inc. Challenge II University of Arizona/ Pittsburgh, PA $110,780 KUAT Museum of Contemporary Grants Tucson, AZ $150,000 Art, Los Angeles San Francisco Symphony To support the establishment Los Angeles, CA $250,000 San Francisco, CA of an endowment fund. $1,000,000 Art Institute of Chicago Chicago, IL $500,000 89-4621-0090 Wisconsin Public Broad­ Spanish Theatre Repertory casting Foundation, Inc. Co., Limited Madison, WI $400,000 New York, NY $100,000 89-4621-0049

1991 Annual Report 235 I i Advancement 46 Phase I Participants 51 Phase II Grants 2 Cooperative Agreements Program Funds $1,212,090" Treasury Funds $2,617,265’

The Advancement Program annually assists up to 50 emerg- expansion arts organizations were accepted in two con­ ing arts organizations of the highest caliber to achieve im- secutive years. proved levels of financial and administrative stability. The The Advancement Program is remarkably complex program has two phases. Phase L" For a 15-month period despite the simplicity of its purpose which is to improve of technical assistance, management consultants retained the health and stability of emerging arts organizations. through an independent contract by the Endowment help This complexity derives from the varied patterns of devel­ organizations develop strategies to eliminate deficiencies in opment of participating organizations, their disparate organizational management practices and to take carefully sizes, differing artistic philosophies, and varying degrees planned steps toward long-range goals. Phase IL" Following of readiness for strategic planning. Many organizations of completion of the first phase, participating organizations artistic significance are in critical stages of development. may apply for an Advancement grant of up to $75,000. Management issues aside, these organizations typically This grant supports the strategies developed during the tech- have gained recognition through their commitment to a nical assistance phase and must be matched on at least a unique artistic vision. They are important as fonts of new three-to-one basis. Since its inception in 1983, the Advance- creative directions, as training grounds for artists, and in ment Program has served more than 200 organizations. some instances as seedbeds from which new institutions may grow to serve changing needs. n 1991, applications for Phase I were accepted Most small folk arts organizations, literary programs from the fields of arts in education, design arts, and organizations deeply rooted in inner-city, rural or inter-arts, museums, music and theater. Concur- iribal communities, as well as newer, smaller organiza­ I rently, Phase II grants were awarded in these fields tions in all disciplines, fit the characteristics of emerging as well as in expansion arts. (In 1992, applications organizations and face common obstacles. To support will be accepted from the fields of dance, expansion arts, their continued development, these organizations often folk arts, literature, media arts, opera-musical theater need to strengthen basic planning skills for both their and visual arts.) Due to a change in the cycle of funding, artistic vision and organizational goals, to develop im­ * Cooperative Agreements proved governance systems, to adopt more sophisticated ~"This figure includes $469,509 in unobligatcd commitments which will approaches to fundraising and/or to secure adequate appear in subsequent annual reports as the funds are obligated. facilities and working capital.

237 JoAnne Hoover California Lawyers National Building Museum FT91 Executive Director for the Arts Washington, DC Advancement Levine School of Music San Francisco, CA Washington, DC National Orchestral Phase I Chicago Architecture Association Foundation New York, NY Advisory Panel Deborah Karasov Assistant Education Director Chicago, IL Walker Arts Center New City Theater and Rachel Bellow Minneapolis, MN Chinatown History Arts Center Program Associate Museum Seattle, WA Mellon Foundation Theodore McDaniel New York, NY New York, NY Professor of Jazz and African- New Mexico Repertory American Music/Director, Circus Arts Foundation/ Theatre Jocelyn Bolle University Jazz Lab Circus Flora Albuquerque, NM Executive Director Ensemble St. Louis, MO Monadnock Music New York Theatre Peterborough, NH Ohio State University Columbus, OH City Theatre Company Workshop, Inc. Pittsburgh, PA New York, NY Bruce Browne Ron Nakahara Head, Voice Depart­ Cleveland Center for North Carolina State ment/Director, Choral Senior Artist Pan Asian Repertory Theatre Contemporary Art University Arts Program Activities Cleveland, OH Raleigh, NC Portland State University New York, NY Portland, OR Catherine Rudinsky Columbus Museum Philadelphia Theatre Senior Management Columbus, GA Company Jackie Calderone Philadelphia, PA Consultant/Curator Consultant ARTS, Inc. Dale Warland Singers Third Street Performance Los Angeles, CA Minneapolis, MN Pickle Family Circus Space San Francisco, CA Columbus, OH David Wagner Emmy Gifford Children’s Museum Director Theater Present Music Kathie deNobriga Omaha, NE Milwaukee, WI Executive Director Colorado Springs Fine Arts Alternate ROOTS Center Colorado Springs, CO Eugene Symphony Renaissance Society at the Atlanta, GA Orchestra University of Chicago Phase I Participants Eugene, OR Chicago, IL John Eaton Executive Director Mliance of Resident Friends of Photography Roanoke Museum of Georgia Volunteer Lawyers San Francisco, CA Fine Arts for the Arts Theatres/New York New York, NY Roanoke, VA Atlanta, GA Headlands Center American Stage Company for the Arts Salt Lake Acting Company Olga Garay Sausalito, CA Salt Lake City, UT Director, Cultural Affairs St. Petersburg, FL Miami-Dude Community Anchorage Symphony Illinois Alliance for Arts San Francisco Craft and College Wolfson Orchestra Education Folk Art Museum Campus Chicago, IL San Francisco, CA Miami, FL Anchorage, AK Austin Children’s Museum Mad River Theater Works Sea Cliff Chamber Players William Hennessey Austin, TX West Liberty, OH Sea Cliff, NY Director, Museum of Art University of Michigan Banchetto Musicale Monterey Peninsula Southern Theater Ann Arbor, MI Cambridge, MA Museum of Art Foundation Monterey, CA Minneapolis, MN

238 National Endowment for the Arts Springfield Symphony/ Curtis Carter William Terry ~r American Music Illinois Chamber Orchestra Director Arts Consultant/Musician Center, Inc. Springfield, IL Patrick and Beatrice New York, NY New York, NY $48,000 Haggerty Museum of Art To support a reduction in the St. Ann Center for Milwaukee, WI Cheryl Yuen deficit; the research, develop­ Restoration and the Independent Con- ment, and implementation Arts, Inc. Richard Cisek sultant/Manager of the first national electronic Brooklyn, NY President and Managing Chicago, IL information network for new Director music; and the marketing of Studio Theatre Minnesota Orchestra Grants the center’s programs and Washington, DC Minneapolis, MN services to the field. $19,262 Denotes Grants Having of this grant was obligated Theater Artaud Bill Conner National lmpact during FYgl. 91-4723-0014 San Francisco, CA Executive Director The Children’s Theater Federal funds may be obli­ Association of Hispanic Theatre for a New Audience Company gated at any time during a Arts, Inc. New York, NY Minneapolis, MN multiyear Advancement New York, NY $57,500 grant. Unless otherwise indi­ To support the development Trustus, Inc. John Eaton cated, the following funds of a comprehensive data col­ Columbia, SC Executive Director were obligated in FY 1991. lection, maintenance, and Georgia Volunteer Lawyers dissemination system and to University of Arizona for the Arts Albany Institute of History support organizational devel­ Museum of Art Atlanta, GA and Art opment. 91-4723-0023 Tucson, AZ Albany, NY $43,000 Susie Farr To support two curatorial Brandywine Graphic University of Wisconsin-- Executive Director staffpositions, to implement Workshop, Inc. Whitewater, Cultural Affairs Association of Performing a computerized record of all Philadelphia, PA $57,500 Program Arts Presenters collections, to plan and To support salaries of the Whitewater, WI Washington, DC mount a major exhibition artistic director, assistant coinciding with the 200th artistic director, and gallery Very Special Arts New Richard Linzer anniversary of the institute, director and to support the Mexico Management and Fund- and to start a capital fund renovation of the Firehouse Albuquerque, NM raising Consultant drive. No funds were obligat­ Gallery Space and Archives, Seattle, WA ed during FY91. which will serve as the orga­ Washington University/ 91-4723-0005 nization’s new headquarters. Edison Theatre Lawrence Moore 91-4723-0026 St. Louis, MO Manager, Public and Mternate ROOTS, Inc. Community Relations Atlanta, GA $72,500 Chamber Music Chicago Young Audiences/New York Motorola Government To support the establishment Chicago, IL $43,000 New York, NY Electronics Group of a community arts pro­ To support the elimination Phoenix, AZ gram, the publishing of An of debt, salaries for adminis­ FY91 Anthology of Southeastern trative staff, and costs related Greg Rowe Plays, a feasibility study for to the DejAvant and South­ Advancement General Manager potential development of an ern Exposure series. Phase II People’s Light and Theatre artist colony, and administra­ 91-4723-0008 Company tive and artistic costs. Advisory Panel Philadelphia, PA $20,009 of this grant was Dayton Contemporary obligated during FY91. Dance Guild, Inc. Marie Acosta-Colon Dean Stein 91-4723-0011 Dayton, OH $72,500 Executive Director Executive Director To support an increase in Mexican Museum Chamber Music America salaries for dancers, the San Francisco, CA New York, NY acquisition of choreography, the expansion of performance

1991 Annual Report 239 Oakland Youth Chorus and touring opportunities, sound supplies, set and prop La Pena Cultural and the implementation of a supplies, and image supplies. Center, Inc. Oakland, CA $72,500 marketing plan. 91-4723-0037 Berkeley, CA $72,500 To support staff salaries and 91-4723-0036 To support salaries for fringe benefits, payments to Honolulu Theatre for Youth administrative, technical, singers for the study and per­ Dell’Arte, Inc. Honolulu, HI $57,500 and support staffand the formance of music, and the Blue Lake, CA $72,500 To support staffand artistic establishment of a computer­ establishment of a cash To support the annual sala­ salaries and the enhancement ized financial management reserve. 91-4723-0009 ries of three artistic directors, of the company’s production system. 91-4723-0031 medical benefits for full-time and education activities. Odyssey Theatre 91-4723-0039 La Raza Graphics Foundation employees, the establishment $43,000 of a marketing coordinator Center, Inc. Los Angeles, CA To support the implementa­ position, the renovation of Huntington Museum San Francisco, CA $48,000 the facility, and the establish­ of Art, Inc. To support an increase in tion of a three-year market­ ment of a cash reserve. Huntington, WV $28,500* staffsalaries, the establish­ ing campaign; the salaries of 91-4723-0038 To support part-time staff, ment of a cash reserve, the marketing director, subscrip­ the maintenance of the per­ upgrading of typesetting tion manager, and publicist DuSable Museum of African manent collections, the pro­ equipment, the elimination positions; and the payment of American History, Inc. duction of a development of debt, and the initiation of fees for advertising, printing, Chicago, IL $33,500 video, staff training and a desktop publishing postage, and telemarketing. To support the salaries of the development, and the component. No funds were No funds were obligated dur­ executive director and operat­ upgrading of the museum’s obligated during FY91. ing FY91.91-4723-0019 ing manager, the costs of computer system and the on­ 92-4723-0018 consultant training services, line system for the library. Palmetto State Orchestra and the establishment of a 91-4723-0021 Levine School of Music Association, Inc. comprehensive marketing * Chairman’s Extraordinary Washington, DC $57,500 (South Carolina Orchestra) plan. 91-4723-0045 Action Grant. To support a capital cam­ Columbia, SC 48,000 paign for the purpose of pur­ To support the establishment Florida International Intermedia Arts of chasing a permanent building of a case reserve, the reduc­ University Minnesota, Inc. for the school. 91-4723-0029 tion of a deficit, and a restric­ Miami FL $72,500 Minneapolis, MN $57,500 ted endowment fund. No To support the administra­ To support the development Musical Traditions, Inc. funds were obligated during tive costs of improving the of an accredited education San Francisco, CA $57,500 FY91.91-4723-0020 art museum’s financial man­ program, the improvement of To support the salaries and agement, curating exhibitions galleries, and the elimination fringe benefits of staff mem­ Philadelphia Festival of international significance of debt. $30,300 of this grant bers and fees for artists and Theatre for New Plays as part of the nation’s Col­ was obligated during FY91. technical specialists and to Philadelphia, PA $48,000 umbian quincentennial, and 91-4723-0007 support the creation of mar­ To support the Playwrights expanding the art museum’s keting kits. 91-4723-0044 Development Program and community outreach and LA Arts the Previewers Program, an marketing efforts. No funds Lewiston, ME $28,500 New Hampshire Music expanded mainstage season, were obligated during FY91. To support school residencies Festival, Inc. and the salary of the manag­ 91-4723-0001 and increased artists’ fees, Center Harbor, NH ing director. 91-4723-0035 brochures and marketing tool $33,500 George Coates Performance development, new office To support the augmentation Red Eye Collaboration Company space in an unfinished office of an existing endowment Minneapolis, MN $72,500 San Francisco, CA $72,500 building, and partial salaries fund, an increase in salary To support staff salaries, To support artistic, adminis­ of the executive and associate and benefits for the music expenses for the touring pro­ trative and production sala­ directors. 91-4723-0012 director, and payment of gram, and related administra­ ries; the first two full seasons musicians’ fees and fringe tive costs. $61,920 of this of programming in Perfor­ benefits for the orchestra and grant was obligated during mance Works; and the pur­ chamber ensemble members. FY91.91-4723-0034 chase of costumes, music, 91-4723-0006

240 National Endowment for the Arts San Francisco Seven Stages, Inc. Texarkana Regional obligated during FY91. Chanticleer, Inc. Atlanta, GA $48,000 Arts and Humanities 91-4723-0015 San Francisco, CA $57,500 To support administrative Council, Inc. To support the expansion of and artistic salaries, a feasibil­ Texarkana, TX $57,500 Williamstown Regional the core group from eight to ity study for the possible pur­ To support the establishment Art Conservation twelve full-time singers, the chase of a facility, the reduc­ of a cash reserve, partial Laboratory, Inc. gradual increase of artistic tion of notes payable, and salaries and fringe benefits in Williamstown, MA salaries, and costs related to related costs. 91-4723-0022 the visual arts and education $48,000 touring. 91-4723-0025 programs, the purchase of To support the establishment Southern California Asian permanent equipment, fees of an endowment, from San Francisco Girls American Studies Central for consultants, publication which annual earnings will Chorus, Inc. Los Angeles, CA $48,000 expenses, and artists’ fees. be used for training, educa­ San Francisco, CA $72,500 To support administrative 91-4723-0033 tion, research, and staffdevel­ To support the renovation of and artistic staffsalaries, fees opment. 91-4723-0010 a new facility, the replace­ for film-to-tape transfers, Thalia Spanish Theatre, Inc. ment of permanent equip­ printing materials related to Sunnyside, NY $57,500 Women and Their ment, the establishment of a the publication In Focus, and To support the salaries of a Work, Inc. marketing plan, the develop­ monographs and exhibitions. full-time, bilingual marketing Austin, TX $48,000 ment of artistic program­ No funds were obligated dur­ director and a technical direc­ To support increased artists’ ming, and the hiring of a new ing FY91.91-4723-0017 tor/stage manager; fees to fees, maintenance of a new staff position. 91-4723-0027 artists for rehearsal time; and gallery space, a marketing St. Louis Black Repertory an advertising campaign. plan to increase audiences San Francisco Company, Inc. 91-4723-0043 and visibility, an increase in Performances, Inc. St. Louis, MO $33,500 administrative staff, and the San Francisco, CA $57,500 To support the salary of the Theatre Rhinoceros, Inc. establishment of a cash To support marketing and general manager, an increase San Francisco, CA $43,000 reserve. 91-4723-0002 public relations activities and in salary for the marketing To support an increase in salaries, and the replenish­ director, and the reduction of artistic and administrative Wooster Group, Inc. ment and building of a cash a deficit. 91-4723-0028 staff salaries, the establish­ New York, NY $72,500 reserve. 91-4723-0016 ment of a cash reserve, and To support the salaries for Taller Puertorriqueno, Inc. the reduction of a deficit. the production supervisor Santa Barbara Symphony Philadelphia, PA $48,000 91-4723-0013 and plant operations posi­ Orchestra Association To support the stabilization tions and to support major Santa Barbara, CA $33,500 of staff, the hiring of a graph­ The Women’s Philharmonic renovations to the company- To support the increase in ic design coordinator, and San Francisco, CA $72,500 owned Performing Garage. programming of the Lobero the purchase of video and To support marketing and 91-4723-0032 Chamber Series, Pops graphic design equipment. public relations campaigns Concerts, and Matinee 91-4723-0030 relating to the orchestra’s Workshop of the Players Art Concerts. 91-4723-0040 name change to Women’s Foundation, Inc. Teatro del Sesenta, Inc. Philharmonic, the hiring of New York, NY $43,000 Second Stage Theatre, Inc. San Juan, PR $57,500 additional staff, and increased To support the purchase of New York, NY $43,000 To support salaries for the clerical support. the Chelsea Playhouse, the To support the establishment marketing and artistic direc­ 91-4723-0024 theater’s long-time home, the of a cash reserve, feasibility tors, administrative assistant, reduction of a deficit, and the studies and site surveys for a public relations director, and University of South Carolina establishment of a cash new facility, fees for financial general manager positions McKissick Museum reserve. 91-4723-0003 consultants for mounting a and to support fees for legal Columbia, SC $48,000 capital campaign, and the and accountant services. To support the establishment Wustum Museum Art establishment of a marketing 91-4723-0041 of an endowment, the reno­ Association, Inc. campaign. 91-4723-0042 vation of the McKissick Racine, WI $72,500 building, and production of To support the salary of an material about the museum’s assistant curator and an programs. No funds were increase in the endowment

1991 Annual Report 241 from which funds are used Institute of Puerto Rican Cooperative M. Melanie Beene and for the exhibition, education, Culture Associates Agreements Sausalito,CA $1,100,000 and marketing programs and San Juan, PR $40,000 for staffing needs. For a cooperative agreement University of Southern to manage and direct the 91-4723-0004 Los Angeles Center for Maine Photographic Studies work of Advancement con­ Portland, ME $112,090 sultants in connection with The following Advancement Los Angeles, CA $14,078 For a cooperative agreement Grants were awarded in pre­ Phase I technical assistance to design and implement a activities for FY91 Advance­ vious years and were partially New York Landmarks process for assessing the obligated in FY91. Conservancy, Inc. ment participants in the readiness of up to 80 panel- fields of arts in education, New York, NY $25,000 recommended FY91 appli­ Astro Artz design, museums, music and cants in the field of arts in theater. SantaMonica, CA $30,000 Randolph Street education, design, museums, Gallery, Inc. music, and theater. Dean Dance and Music Chicago, IL $72,500 Foundation, Inc. New York, NY $4,187

242 National Endowment for the Arts Ricky Smith, a mime, enchants his audience of one in a Nebraska school. The Education Program serves children in every state. Arts ¯ Education¯ 112 Grants Program Funds $6,498,024

The Arts in Education Program offers leadership and support funds went to state arts agencies under two categories: for arts education programs nationwide through the develop­ State Arts in Education Grants and Arts in Schools Basic ment, implementation and evaluation of education programs Education Grants. This was the final year for the two sep­ in schools and cultural institutions. A major goal is to help arate categories, which will merge next year to reflect make the arts as integral in education as English, math and changes in the growth and complexity of state programs. science J~om pre-kindergarten through 12th grade. The states use Arts in Education Grant funds to sup­ port the cornerstone of their arts education programs: rts in Education activities were furthered artist residencies. The state agencies ensure that quality this year through a combination of grant artists who work in the schools provide direct service to programs and expanded Endowment lead­ students in ways that supplement what arts specialists A ership initiatives for a diverse constituency teach. They also help teachers learn new ways to integrate including state arts agencies, arts and edu­ arts instruction into their classes. Other components of cation organizations, artists, teachers, administrators, par­ these programs include teacher in-service workshops, ents and policymakers. About 75 percent of the program’s artist residency handbooks, conferences and grant pro­

243 grams to encourage arts education planning and projects Special Projects grants, support went to a variety of arts at the local level. Each year between 9,000 and 10,000 and education organizations to support projects in cur­ artists in all fields reach about 4 million students, teachers riculum and resource development, advocacy and staff and administrators. development. For example, with a Special Projects grant, For example, with Arts in Education Grants support St. Paul’s Film in the Cities developed instructional mod­ and aid from a private corporation, the Vermont Council els for video, computer graphics and audio production on the Arts supported five 20-day curriculum develop­ for physically challenged students. The Minnesota pro­ ment residencies to help integrate the arts into class­ gram included production workshops and curriculum rooms. Projects included creating a two-semester dance planning for teachers. Another Special Projects grant curriculum for high schools and adding a playwriting helped the High Museum of Art in Atlanta to sponsor a component to a middle school’s theater and English cur­ workshop on "Multiple Perspectives: The African- ricula. In Kansas, professional artists are involved in American Presence in Art Education and Museums" at school residencies from kindergarten to twelfth grade as the National Art Education Association meeting. The well as in cultural and social institutions. An annual ori­ program focused on the integration of African-American entation conference instructs artists, teachers, coordina­ content into kindergarten through twelfth grade pro­ tors and representatives from the state department of edu­ grams and teacher in-service courses. cation about implementing successful residencies. The year also saw the start of the new Arts Education Arts in Schools Basic Educations Grants encourage Collaboration Initiative. Funds help arts organizations state arts agencies to be catalysts for change in arts educa­ collaborate with local schools or school systems to inte­ tion. These agencies work in partnership with state and grate dance, opera or theater education into the school. local education agencies, arts organizations and other Multiyear awards are made to help encourage stronger advocates to develop and implement arts education committed partnerships. For instance, the Metro Theatre action plans that suit each state. More than 40 states and Company of St. Louis won support for a three-year pro­ special jurisdictions have engaged in statewide planning ject to collaborate with Maryville College and local public to make the arts a basic part of education. For example, schools to develop theater curricula for teachers and for with the support of grants in this category, the South college students studying to be teachers. The project Dakota Arts Council selected three schools representing embraces history, esthetics, criticism and theater arts. urban, rural and tribal communities in which to develop The Music Center of Los Angeles received funds for a sequential kindergarten through twelfth grade arts curric­ three-year project to support comprehensive multicultural ula. These curricula frameworks will all be available to programming in dance and opera-musical theater educa­ other South Dakota schools. With support from the same tion in two elementary schools. Professional development grants category, Florida’s Division of Cultural Affairs, the activities are planned for teachers, parents and other com­ state education agency, local arts agencies and major cul­ munity members. tural institutions are developing a three-year plan to iden­ Support was also awarded to the Council for Basic tify ways in which local cultural resources can be used Education to develop and implement a "teachers of the and integrated into the schools. arts" fellowship program. The first fellowships will be In this the final year of one category of general awarded for the summer of 1992.

artist residencies in a variety 54 Grants Boston English High School State Arts in Boston, MA of educational settings and Program Funds: $3,624,583 Education Grants other projects designed to help make the arts as basic a Advisory Panels Robert Duncan Available to the state arts part of education as any other Chairman/President agencies, grants in this cate- subject from kindergarten Panel A Nebraska Arts gory support projects that through 12th grade. Council/Duncan Aviation build upon existing arts edu­ Fernadina Chan Lincoln, NE cation programs that include Faculty/Dancer

244 National Endowment for the Arts John Firman Dianne Damro Mabama State Council Arts and Humanities Executive Director Arts in Education on the Arts Section, Division of Culture Washington State Arts Coordinator Montgomery, AL $60,000 and History, West Virginia Commission Kansas Arts Commission To support artist residency Department of Education Olympia, WA Lawrence, KA projects and other projects and the Arts that emphasize the broader Charleston, WV $18,800 Sue Heath Nelle Elam role of the arts in education. To support artist residency Arts-in-Education Curriculum Coordinator for Reviewed by Panel A. projects and other projects Coordinator Fine Arts/Art Teacher 91-5152-0059 that emphasize the broader Utah Arts Council Starkville High School role of the arts in education. Salt Lake City, UT Starkville, MS Maska State Council Reviewed by Panel A. on the Arts 91-5152-0031 Mildred Howard Derek Gordon Anchorage, AK $62,100 Artists Coordinator Executive Director To support artist residency ~r ArtsMarket Consulting The School in the Commonwealth of projects and other projects Marion, MA $24,583 Exploratorium Pennsylvania Arts Council that emphasize the broader To support the development San Francisco, CA Harrisburg, PA role of the arts in education. and facilitation of a technical Reviewed by Panel A. assistance program in pro­ Jack Kreitzer Concetta Morales 91-5152-0079 gram evaluation for the state Poet/Artist-in-Residence Artist-in-Residence/Assistant arts agencies. Reviewed by a Rapid City, SD Professor American Samoa Council specially constituted panel of Iowa Arts Council/College of on Arts, Culture, and state arts agency directors and Pamela Loving Art and Design, Iowa State Humanities arts in education coordina­ School Board Member University Pago Pago, AS $22,400 tors: Carol Shiffman and Flint Community Schools Des Moines, IA To support artist residency Andrea Temkin, California Flint, MI projects and other projects Arts Council; David Mar­ Stephen Scott that emphasize the broader shall, Connecticut Commis­ Sherrill Pendergast Director of Education/ role of the arts in education. sion on the Arts; Kay Swan, Director, Arts in Education Artistic Associate Reviewed by Panel B. Iowa Arts Council; Vern Programs International Theater Festival 91-5152-0077 Goodin, North Dakota Arts Greater Augusta Arts Council of Chicago/Goodman Council. DCA 91-24 Martinez, GA Theater Arizona Commission Chicago, IL on the Arts California Arts Council Scott Sanders Phoenix, AZ $127,000 Sacramento, CA $168,000 Executive Director Ascension Delgado Smith To support artist residency To support artist residency South Carolina Arts Principal projects and other projects projects and other projects Commission Caddo Parish High School that emphasize the broader that emphasize the broader Columbia, SC Shreveport, LA role of the arts in education. role of the arts in education. Reviewed by Panel A. Reviewed by Panel B. Panel B Larry Williams 91-5152-0081 91-5152-0078 Chairman, Montana Arts Ludy Biddle Council/Superintendent Arkansas Arts Council Colorado Council on the Executive Director of Public Schools, Great Little Rock, AR $27,000 Arts and Humanities Crossroads Arts Council Falls, MT To support artist residency Denver, CO $23,300 Rutland, VT Bozeman, MT projects and other projects To support artist residency that emphasize the broader projects and other projects Shelley Cohn Grants role of the arts in education. that emphasize the broader Executive Director Reviewed by Panel A. ~r Denotes Grants Having role of the arts in education. Arizona Commission on 91-5152-0060 Reviewed by Panel B. the Arts National lmpact 91-5152-0076 Phoenix, AZ

1991 Annual Report 245 Commonwealth of Georgia Council for the Arts Reviewed by Panel A. projects and other projects Pennsylvania Council Tucker, GA $77,300 91-5152-0054 that emphasize the broader on the Arts To support artist residency role of the arts in education. Harrisburg, PA $45,600 projects and other projects Kansas Arts Commission Reviewed by Panel B. To support artist residency that emphasize the broader Topeka, KS $84,500 91-5152-0049 projects and other projects role of the arts in education. To support artist residency that emphasize the broader Reviewed by Panel B. projects and other projects Minnesota State Arts Board role of the arts in education. 91-5152-0056 that emphasize the broader St. Paul, MN $122,000 Reviewed by Panel A. role of the arts in education. To support artist residency 91-5152-0038 Idaho Commission Reviewed by Panel A. projects and other projects on the Arts 91-5152-0053 that emphasize the broader Connecticut Commission Boise, ID $32,100 role of the arts in education. on the Arts To support artist residency Kentucky Arts Council Reviewed by Panel A. Hartford, CT $44,500 projects and .other projects Frankfort, KY $100,000 91-5152-0048 To support artist residency that emphasize the broader To support artist residency projects and other projects role of the arts in education. projects and other projects Mississippi Arts that emphasize the broader Reviewed by Panel B. that emphasize the broader Commission role of the arts in education. 91-5152-0073 role of the arts in education. Jackson, MS $24,500 Reviewed by Panel B. Reviewed by Panel B. To support artist residency 91-5152-0075 Illinois Arts Council 91-5152-0051 projects and other projects Chicago, IL $97,300 that emphasize the broader Delaware Division of To support artist residency Maine Arts Commission role of the arts in education. the Arts projects and other projects Augusta, ME $78,200 Reviewed by Panel A. Wilmington, DE $25,000 that emphasize the broader To support artist residency 91-5152-0047 To support artist residency role of the arts in education. projects and other projects projects and other projects Reviewed by Panel A. that emphasize the broader Missouri State Council that emphasize the broader 91-5152-0055 role of the arts in education. on the Arts role of the arts in education. Reviewed by Panel A. St. Louis, MO $31,800 Reviewed by Panel B. Indiana Arts Commission 91-5152-0072 To support artist residency 91-5152-0058 Indianapolis, IN $84,200 projects and other projects To support artist residency Maryland State Arts Council that emphasize the broader Division of Cultural Affairs, projects and other projects Baltimore, MD $10,000 role of the arts in education. Florida Department of State that emphasize the broader To support artist residency Reviewed by Panel A. Tallahassee, FL $38,100 role of the arts in education. projects and other projects 91-5152-0046 To support artist residency Reviewed by Panel A. that emphasize the broader projects and other projects 91-5152-0080 role of the arts in education. Montana Arts Council that emphasize the broader Reviewed by Panel B. Helena, MT $35,100 role of the arts in education. Institute of Puerto Rican 91-5152-0050 To support artist residency Reviewed by Panel B. Culture projects and other projects 91-5152-0057 San Juan, PR $10,600 Massachusetts Cultural that emphasize the broader To support artist residency Council role of the arts in education. Division of the Arts, projects and other projects Boston, MA $81,000 Reviewed by Panel A. Louisiana Department of that emphasize the broader To support artist residency 91-5152-0070 Culture, Recreation, and role of the arts in education. projects and other projects Tourism Reviewed by Panel A. that emphasize the broader Nebraska Arts Council Baton Rouge, LA $83,200 91-5152-0037 role of the arts in education. Omaha, NE $108,000 To support artist residency Reviewed by Panel B. To support artist residency projects and other projects Iowa Arts Council 91-5152-0071 projects and other projects that emphasize the broader Des Moines, IA $102,000 that emphasize the broader role of the arts in education. To support artist residency Michigan Council for Arts role of the arts in education. Reviewed by Panel A. projects and other projects and Cultural Affairs Reviewed by Panel B. 91-5152-0052 that emphasize the broader Detroit, MI $84,000 91-5152-0045 role of the arts in education. To support artist residency

246 National Endowment for the Arts Nevada State Council on that emphasize the broader South Dakota Arts Council projects and other projects the Arts role of the arts in education. Sioux Falls, SD $63,600 that emphasize the broader Reno, NV $20,000 Reviewed by Panel B. To support artist residency role of the arts in education. To support artist residency 91-5152-0042 projects and other projects Reviewed by Panel B. projects and other projects that emphasize the broader 91-5152-0065 that emphasize the broader North Dakota Council on role of the arts in education. role of the arts in education. the Arts Reviewed by Panel B. Vermont Council on Reviewed by Panel A. Fargo, ND $65,500 91-5152-0035 the Arts 91-5152-0069 To support artist residency Montpelier, VT $31,500 projects and other projects State Arts Council of To support artist residency New Hampshire State that emphasize the broader Oklahoma projects and other projects Council on the Arts role of the arts in education. Oklahoma City, OK that emphasize the broader Concord, NH $52,500 Reviewed by Panel B. $72,700 role of the arts in education. To support artist residency 91-5152-0041 To support artist residency Reviewed by Panel A. projects and other projects projects and other projects 91-5152-0063 that emphasize the broader Ohio Arts Council that emphasize the broader role of the arts in education. Columbus, OH $170,000 role of the arts in education. Virgin Islands Council on Reviewed by Panel A. To support artist residency Reviewed by Panel A. the Arts 91-5152-0068 projects and other projects 91-5152-0039 St. Thomas, VI $15,000 that emphasize the broader To support artist residency New Jersey State Council on role of the arts in education. State Foundation on Culture projects and other projects the Arts Reviewed by Panel A. and the Arts that emphasize the broader Trenton, NJ $130,800 91-5152-0040 Honolulu, HI $36,100 role of the arts in education. To support artist residency To support artist residency Reviewers: Ludy Biddle, projects and other projects Oregon Arts Commission projects and other projects Femadina Chan, Shelley that emphasize the broader Salem, OR $96,200 that emphasize the broader Cohn, Dianne Damro, Nelle role of the arts in education. To support artist residency role of the arts in education. Elam, Derek Gordon, Reviewed by Panel B. projects and other projects Reviewed by Panel B. Pamela Loving, Stephen 91-5152-0044 that emphasize the broader 91-5152-0074 Scott, and Larry Williams. role of the arts in education. 91-5152-0093 New Mexico Arts Division Reviewed by Panel B. Tennessee Arts Commission Santa Fe, NM $75,000 91-5152-0066 Nashville, TN $100,000 Virginia Commission for To support artist residency To support artist residency the Arts projects and other projects Rhode Island State Council projects and other projects Richmond, VA $21,000 that emphasize the broader on the Arts that emphasize the broader To support artist residency role of the arts in education. Providence, RI $64,800 role of the arts in education. projects and other projects Reviewed by Panel B. To support artist residency Reviewed by Panel B. that emphasize the broader 91-5152-0067 projects and other projects 91-5152-0034 role of the arts in education. that emphasize the broader Reviewed by Panel B. New York State Council on role of the arts in education. Texas Commission on 91-5152-0032 the Arts Reviewed by Panel A. the Arts New York, NY $183,400 91-5152-0064 Austin, TX $57,000 Washington State Arts To support artist residency To support artist residency Commission projects and other projects South Carolina Arts projects and other projects Olympia, WA $59,000 that emphasize the broader Commission that emphasize the broader To support artist residency role of the arts in education. Columbia, SC $120,000 role of the arts in education. projects and other projects Reviewed by Panel A. To support artist residency Reviewed by Panel B. that emphasize the broader 91-5152-0043 projects and other projects 91-5152-0033 role of the arts in education. that emphasize the broader Reviewed by Panel B. North Carolina Arts Council role of the arts in education. Utah Arts Council 91-5152-0062 Raleigh, NC $50,500 Reviewed by Panel B. Salt Lake City, UT $103,000 To support artist residency 91-5152-0036 To support artist residency Wisconsin Arts Board projects and other projects Madison, WI $65,500

1991 Annual Report 247 To support artist residency Derek Gordon Arts Office Illinois Alliance for Arts projects and other projects Executive Director Carlsbad, CA Education that emphasize the broader Commonwealth of Chicago, IL role of the arts in education. Pennsylvania Arts Council Glenn Connor Reviewed by Panel B. Harrisburg, PA Principal Vonnie Sanford 91-5152-0030 Ames School District Arts in Education Wade Hobgood Ames, IA Coordinator Wyoming Arts Council Associate Dean/Professor Ohio Arts Council Cheyenne, WY $39,300 of Art Wade Hobgood Columbus, OH To support artist residency Winthrop College Associate Dean/Professor projects and other projects Rock Hill, SC of Art Grants that emphasize the broader Winthrop College role of the arts in education. Carol Huxley Rock Hill, SC Arts and Humanities Reviewed by Panel B. Deputy Commissioner for Section, Division of Culture 91-5152-0061 Cultural Education Carol Huxley and History, West Virginia New York State Education Deputy Commissioner for Department of Education Department Cultural Education and the Arts Arts in Schools Albany, NY New York State Education Charleston, WV $150,000 Basic Education Department To support, through a three- Michael Lacapa Albany, NY year grant, activities resulting Grants (AISBEG) Painter/Printmaker from the findings and recom­ Flagstaff, AZ Gerald Kohn mendations of the state’s Available to the state arts Superintendent of Schools AISBEG planning grant agencies, grants in this cate­ Jo-Anna Moore Triton Regional School study. Reviewed by Panel A. gory support state arts agency District 91-5153-0028 collaboration with state and Executive Director Maine Alliance for Arts Byfield, MA local education agencies in Colorado Council on the developing a strong commit­ Education Portland, ME Lawrence Moore Arts and Humanities ment to making the arts a Manager of Public and Denver, CO $150,000 basic part of education, from Lawrence Moore Community Relations To support, through a three- kindergarten through 12th Manager of Public and Motorola Government year grant, the Colorado Arts grade, through comprehen­ Community Relations Electronics Group Education Equity Network, sive planning and implemen­ Motorola Government Phoenix, AZ which is committed to ensur­ tation of sequential arts edu­ ing arts programming for stu­ cation. Collaborative efforts Electronics Group Phoenix, AZ Jo Ann Pottorff dents regardless of geographic bring greater investment and State Legislator location, race, ethnicity, gen­ commitment to arts educa­ Vita Saavedra Kansas House of der, or disability. Reviewed tion at both the state and Representatives by Panel A. 91-5153-0025 local levels. Principal Longfellow Elementary Topeka, KS School Commonwealth of 17 Grants Albuquerque, MN Anthony Radich Pennsylvania Council on Program Funds: $1,244,950 Executive Director the Arts Vonnie Sanford Missouri Arts Council Harrisburg, PA $50,000 Advisory Panels Arts in Education St. Louis, MO To support, for one year of a Coordinator three-year plan, activities that Panel A Ohio Arts Council Furahaa Saba promote the arts as a basic Columbus, OH Professor, Human part of education. Reviewed William Aguado Communication by Panel B. 91-5153-0086 Executive Director Panel B Salisbury State University Bronx Council on the Arts Hebron, MD Delaware State Division of Bronx, NY Constance Beardsley the Arts Mangager Nadine Saitlin Wilmington, DE $20,000 Executive Director To support a two-phase sur­

248 National Endowment for the Arts vey to determine the status of other related activities that South Dakota Arts Council are also used for Endowment arts education within the make the arts basic to educa­ Sioux Falls, SD $50,000 leadership initiatives to help state and to support a state­ tion. Reviewed by Panel B. To support, through a one- improve arts education. wide conference to report the 91-5153-0089 year grant, continuation of survey findings. Reviewed by pilot site, curriculum devel­ 41 Grants Panel A. 91-5153-0022 New York State Council on opment, and teacher training the Arts activities. Reviewed by Program Funds: $1,628,491 Division of Cultural Affairs, New York, NY $50,000 Panel B. 91-5153-0085 Florida Department of State To support the Aesthetic Advisory Panels Tallahassee, FL $135,000 Evaluation Study, interdisci­ State Arts Council of To support, through a three- plinary arts education pro­ Oklahoma Panel A year grant, activities to begin grams, and other activities Oklahoma City, OK to implement the state’s com­ that make the arts basic to $10,000 Carolyn Blackmon prehensive arts education education. Reviewed by To support activities that Museum Educator plan. Reviewed by Panel B. Panel B. 91-5153-0088 respond to new challenges to Field Museum 91-5153-0092 arts education posed by Chicago, IL Oregon Arts Commission Oklahoma’s 1991 education Kentucky Arts Council Salem, OR $20,000 reform legislation. Reviewed Scott Brandon Frankfort, KY $15,000 To support the commission by Panel B. 91-5153-0087 Program Director To support an examination in its assistance to school dis­ Lincoln Center Institute of statewide arts education tricts in implementing arts Washington State Arts New York, NY policy and programs in light curriculum requirements and Commission of the Kentucky Education to develop a statewide arts Olympia, WA $100,000 Libby Chiu Reform Act of 1990. education advocacy network. To support, for two years of a Deputy Director Reviewed by Panel B. Reviewed by Panel A. three-year project, an arts Massachusetts Cultural 91-5153-0090 91-5153-0024 education public awareness Council campaign; to disseminate a Boston, MA Maine Arts Commission Rhode Island State Council state model of arts education Augusta, ME $135,000 on the Arts program standards; and to Cynthia Colbert To support in-service work­ Providence, RI $39,950 support other related activi­ Professor/Associate Director, shops, the publication of the To support the council’s ties. Reviewed by Panel B. Elementary and Early Arts Every Day journal, and efforts to make the arts a 91-5153-0084 Childhood Art Education other activities that make the basic part of education in University of South Carolina arts basic to education. Rhode Island through its Wisconsin Arts Board Lexington, SC Reviewed by Panel B. Partnership for Literacy in Madison, WI $50,000 91-5153-0091 the Arts. Reviewed by Panel To support field testing of Gail B. Dellapiana A. 91-5153-0026 Wisconsin’s Comprehensive Professor, Architecture and Mississippi Arts Arts Education Plan in ten Design Commission South Carolina Arts culturally and geographically Miami University of Ohio Jackson, MS $20,000 Commission diverse sites. Reviewed by Oxford, OH To support two publications Columbia, SC $150,000 Panel A. 91-5153-0029 and a symposium, all focused To support, through a three- Gale Gomez-Bjelland on the arts, education, quali­ year grant, activities intended Art Teacher ty of life, and economic to maintain the Arts in Basic Special Projects Upland High School development. Reviewed by Curriculum leadership coali­ Upland, CA Panel A. 91-5153-0023 tion, to secure adequate sup­ These grants and cooperative port and legislation to imple­ agreements are available to a Leon Jones New Jersey State Council ment the plan, to develop wide range of nonprofit arts Principal on the Arts arts curricula, and to train and education organizations West Elementary School Trenton, NJ $100,000 teachers. Reviewed by for projects that advance St. George, UT To support, for two years of a Panel A. 91-5153-0027 progress toward the arts three-year project, the Arts becoming a basic part of edu­ Luke Kahlich for Every Kid program and cation, from kindergarten Executive Director through 12th grade. Funds

1991 Annual Report 249 National Dance Association State Foundation on Culture Alabama State Council To support the research and Reston, VA and the Arts on the Arts design of strategies for the Honolulu, HI Montgomery, AL proactive, national dissemi­ Jack Kreitzer nation of examples of excel­ Poet H. German Wilson Luke Kahlich lent arts in education projects Rapid City, SD Artistic Director Executive Director and programs. DCA 91-16 Venture Theater National Dance Association Jane Polin Philadelphia, PA Reston, VA ~ American Association of Comptroller/Program Theatre for Youth Manager Panel C (Overview) Michael Lacapa (American Alliance for Human Service Painter/Printmaker/ Theater and Education) Contributions Charles Ansbacher Artist-in-Residence Tempe, AZ $50,000 GE Foundation Chair/Principal Conductor Taylor, AZ To undertake a multisite, and Music Director extended classroom instruc­ Donald L. Proffit, Jr. Cblorado Council on the A. Craig Phillips tion and in-service curricu­ Arts Education Coordinator Arts and Humanities/ Former State Superintendent lum study of kindergarten Lawrenceville Schools Colorado Springs of Public Instruction, through 12th grade students Lawrenceville, NJ Symphony Orchestra North Carolina and teachers to improve the­ Denver, CO Middleburg, NC ater literacy. Reviewed by Beth Rudolph Panel A. 91-5170-0016 Executive Director Richard Bell Scott Sanders Very Special Arts New National Executive Director/ Executive Director ~ American Council for Mexico Executive and Artistic South Carolina Arts the Arts, Inc. Albuquerque, NM Director Commission New York, NY $20,000 Young Audiences/Theatre Columbia, SC To support operations of Panel B Institute at Storm King the National Coalition for New York, NY Martin J. Skomal Education in the Arts. This Jo Campbell Arts in Education grant was reviewed by the Principal Gloria Cabe Coordinator AISBEG Panel B. Conestoga Elementary Former Member of the Nebraska Arts Council 91-5170-0094 School Arkansas Legislature/Special Omaha, NE Gillette, WY Advisor on State ~ ArtsMarket Consulting Education Policy Jane Piirto Marion, MA $2,000 Elizabeth Rectanus Little Rock, AR Associate Professor, School of To amend a cooperative Executive Director, Center Education/Director, agreement awarded in FY for Dance Education Shirley Trusty Corey Gifted Education 1990 to complete an evalua­ Boston Ballet Executive Director Ashland College tion of the MSBEG pro­ Boston, MA Arts Council of New Orleans Ashland, OH grams of the state arts agen­ New Orleans, LA cies that received planning Jane Remer Klare E. Shaw or implementation grants Arts in Education Consultant Gale Gomez-Bjelland Consultant, Program during FYs 1987 to 1990. New York, NY Art Teacher Development DCA 90-34 Upland High School Boston Globe Foundation Neill Archer Roan Upland, CA Boston, MA gr Bernadette Colley Director, Marketing and West Roxbury, MA $1,460 Programming Derek Gordon Grants To amend a cooperative Hult Center for the Executive Director agreement awarded in FY Performing Arts Pennsylvania Council on ~r Denotes Grants Having 1989 to complete an update Eugene, OR the Arts National lmpact to a "how to" handbook for Harrisburg, PA the state arts agencies’ arts in Wendell Silva gr Mliance for Arts education coordinators. Executive Director Mbert B. Head Education DCA 89-24 Executive Director Washington, DC $50,000

250 National Endowment for the Arts Boston Chamber Music bring quality dance experi­ al television broadcast of will be developed that in­ Society, Inc. ences to schools and commu­ "The Dance Project" in the cludes dance instruction Boston, MA $37,430 nities, provide workshops for fall of 1992. Reviewed by supplemented with Mexican- To support a multidiscipli­ teachers to help them meet Panel A. 91-5170-0010 American cultural and histor­ nary video approach to music needs outlined in Utah’s ical education. Subject to education that teaches stu­ dance core curriculum, and Ellington Fund meeting specific goals devel­ dents about classical music prepare a guide for teaching Washington, DC $10,000 oped by the Arts Endowment using local architecture and dance instruction in elemen­ To support artists’ fees and and the theatre, the coopera­ design. Reviewed by Panel A. tary school classrooms. administrative costs of pilot- tor will be eligible for fund­ 91-5170-0003 Reviewed by Panel B. phase activities associated ing for two more years. DCA 91-39 with the Duke Ellington Reviewed by Panel B. Boston Latin School School of the Arts’ partner­ DCA 91-40 Boston, MA $25,000 ~r Council for Basic ship with the Smithsonian To amend a cooperative Education Institution’s National Muse­ Henry Street Settlement agreement to support Phase Washington, DC $50,000 um of American History. New York, NY $36,000 III of a three-phase project To support the development Reviewed by the following To develop staff training that began with the develop­ and implementation of a pro­ members of Panel A: instructional models for ment and implementation of gram that will award up to Chui, Jones, Kahlich, Polin, teachers of the visual arts a secondary school curricula 25 fellowships for excellent and Profflt. 91-5170-0083 for students in kindergarten intended as an introduction teachers of the arts to pursue through second grade. to the arts. Funds for Phase 4 to 8 weeks of independent Film in the Cities, Inc. Reviewed by Panel A. III will be used for further study on topics of their St. Paul, MN $41,290 91-5170-0006 piloting and evaluation of the choice during the summer of To support a teacher training curricula and to develop a 1992. DCA 91-11 and curriculum development Lab School of Washington dissemination plan that project for a multiyear pilot Washington, DC $30,000* makes resources available to Dell’Arte School of program bringing electronics To support the creation of a school interested in adapting Physical Theatre media education to physically products and services depart­ or adopting the curricula. Humboldt, CA $25,000 challenged students. ment to develop and market DCA 91-56 To support education in the Reviewed by Panel A. staff-created materials and theater arts of children, 91-5170-0017 services pertaining to the Center for Arts in the Basic teachers, and community education of learning dis­ Curriculum, Inc. members in the rural Blue Fitchburg Art Museum abled children through Washington, DC $9,600* Lake Union School District Fitchburg, MA $50,000 the arts. 91-5170-0095 To support a two-week through active participation To support the implementa­ * Chairman’s Extraordinary teacher training project in physical theater (e.g., tion of a collaborative pro­ Action Grant. designed to show teachers maskmaking, miming, story­ gram that infuses the study of techniques for incorporating telling, acting, and move­ museum objects and art Metro Theatre Company the arts into their classrooms ment) and to support the activities across the curricu­ St. Louis, MO $55,000 and to introduce them to development of a curriculum. lum in all of the city’s third To support, in collaboration local cultural resources. Subject to meeting specific grade classes and to initiate with Maryville College and 91-5170-0096 goals developed by the Arts pilot programs for additional local public schools, a three- * Chairman "s Extraordinary Endowment and the theater, grades. Reviewed by Panel A. year project to assist teachers Action Grant the cooperator will be eligible 91-5170-0004 and college students studying for funding for two more to be teachers to view theater Children’s Dance Theatre years. Reviewed by Panel B. Guadelupe Cultural as integral to the curriculum Salt Lake City, UT $150,000 DCA 91-38 Arts Center at all levels and to develop an To support, in collaboration San Antonio, TX $25,000 approach to theater educa­ with the Repertory Dance ~ Educational Broadcasting To support the Danza Folk­ tion that encompasses his­ Theatre, the Ririe-Woodbury Corporation lorico San Antonio project for tory, aesthetics, criticism, and Dance Company and the New York, NY $50,000 five schools in disadvantaged the practice of theater arts. Utah Alliance for Arts and To design, print, and distrib­ socio-economic communities Reviewed by Panel B. Humanities Education, a ute a curriculum package to in the San Antonio school DCA 91-37 three-year project that will accompany WNET’s nation­ district. A dance curriculum

1991 Annual Report 251 Metropolitan Museum schools in Los Angeles Orpheon, Inc. or adopting the curricula. of Art County. Professional devel­ New York, NY $8,020 DCA 89-58 New York, NY $44,874 opment activities are planned To support the expanded To support the development for teachers, and workshops evaluation of the collabora­ Ririe-Woodbury Dance of evaluation designs and will be held for parents and tive early childhood arts in Foundation assessment techniques appro­ other community members. education project originally Salt Lake City, UT $50,800 priate for use with programs Reviewed by Panel B. sponsored by the Little Or­ To support the final phase of bringing children to art DCA 91-37 chestra Society and New a video dance education pro­ museums. Reviewed by York City’s Harlem District ject for secondary and univer­ Panel A. 91-5170-0007 National Assembly of State V. Reviewed by Panel A. sity-level teachers and stu­ Arts Agencies 91-5170-0015 dents. Reviewed by Panel A. Metropolitan Opera Washington, DC $73,792 91-5170-0002 Association, Inc. To support the development Prince George’s County New York, NY $50,000 and organization of a Public Schools Robert W. WoodruffArts To establish regional centers national conference and a Upper Marlboro, MD Center, Inc. (High Museum for the Met’s Creating Ori­ special preconference for state $25,000 of Art) ginal Opera teacher work­ arts agency arts in education To amend a cooperative Atlanta, GA $8,785 shop series. Reviewed by coordinators for the purpose agreement awarded in FY To support a preconference Panel A. 91-5170-0005 of exchanging information 1989 to support Phase III of on "Multiple Perspectives: related to arts education in a three-phase project that The African-American Museum of Fine Arts, their states. DCA 91-22 began with the development Presence in Art Education Boston and implementation of a sec­ and Museums" at the 1991 Boston, MA $31,590 New Jersey Public ondary school curriculum National Art Education To support research based on Broadcasting Authority intended as an introduction Association meeting. the museum’s recently devel­ Trenton, NJ $12,400 to the arts. Funds for Phase Reviewed by Panel A. oped high school curriculum To support a collaborative III will be used for further 91-5170-0008 materials related to its collec­ effort and related activities piloting and evaluation of tion of Greek, Etruscan, and that will place the issues of curricula and to develop a Robert W. WoodruffArts Roman art. Reviewed by arts literacy on the agenda of dissemination plan that Center, Inc. (High Museum Panel A. 91-5170-0019 local leaders through an arts makes resources available to of Art) advocacy forum. Reviewed schools interested in adapting Atlanta, GA $25,000 Museum of Modern Art by Panel A. 91-5170-0021 or adopting the curricula. To plan, pilot, evaluate, pro­ New York, NY $35,000 DCA 89-57 duce, and disseminate a 55­ To support the second phase Opera Theatre of St. Louis page curriculum handbook of a muhiyear study that St. Louis, MO $120,000 Princeton Independent addressing critical issues per­ examines the evaluation of To support a three-year School District taining to the teaching of teacher training as it relates project to help make opera Princeton, MN $25,000 African art through the to the study of museum and musical theater integral To amend a cooperative museum’s collection of sub- objects. Reviewed by to the curriculum in the St. agreement awarded in FY Saharan art. Reviewed by Panel A. 91-5170-0013 Louis schools. The company 1989 to support Phase III of Panel A. 91-5170-0009 will introduce OPERA a three-phase project that Music Center of Los Angeles America’s textbook series began with the development San Francisco Education Education Division MUSIC!WORDS!OPERA! to and implementation of a sec­ Fund Los Angeles, CA $125,000 students in kindergarten ondary school curricula San Francisco, CA $49,960 To support a three-year proj­ through eighth grade, pro­ intended as an introduction To increase the quality and ect of comprehensive multi­ vide summer institutes for to the arts. Funds for Phase quantity of arts education in cultural programming in teachers, and expand its III will be used for further San Francisco public schools dance and opera-musical Artist in Training project piloting and evaluation of the through the San Francisco theater education through for ninth through twelfth curricula and to develop a Arts Project, a collaborative artist residencies and live per­ graders. Reviewed by dissemination plan that effort of the Education formances for kindergarten Panel B. DCA 91-36 makes resources available to Fund and the San Francisco through seventh grade stu­ school interested in adapting dents in two elementary

252 National Endowment for the Arts Unified School District. Reviewed by Panel A. University of Arizona To support a pilot project to Reviewed by Panel A. 91-5170-0012 Tucson, AZ $32,990 develop a model for evaluat­ 91-5170-0014 To support a two-week sum­ ing the impact of arts educa­ Starkville High School mer institute for music teach­ tion on student problem- Southern Arts Starkville, MS $25,000 ers in high schools with a sig­ solving skills. Reviewed by Federation, Inc. To amend a cooperative nificant proportion of His­ Panel A. 91-5170-0020 Atlanta, GA $25,000 agreement awarded in FY panic students. Reviewed by To support the activities of 1989 to support Phase III of Panel A. 91-5170-0018 the federation’s Arts Educa­ a three-phase project that West Virginia Department tion Task Force. This grant began with the development Urban Gateways of Education was reviewed by the Arts in and implementation of a sec­ Chicago, IL $50,000 Charleston, WV $35,500 Schools Basic Education ondary school curricula To provide, in collaboration To support the development Grants Panel A. intended as an introduction with the Chicago Symphony of resource materials and in- 91-5170-0082 to the arts. Funds for Phase Orchestra, music training, service training to assist all III will be used for further workshops, and educational West Virginia art teachers St. Norbert College piloting and evaluation of the materials for classroom teach­ and administrators to De Pere, WI $30,000 curricula and to develop a ers in inner-city Chicago improve instruction in art To support access to the arts dissemination plan that schools. Reviewed by history, aesthetics, and criti­ through augmented comput­ makes resources available to Panel A. 91-5170-0011 cism in kindergarten to 12th er technology for young peo­ schools interested in adapting grade. Reviewed by Panel A. ple with communication dis­ or adopting the curricula. Very Special Arts New 91-5170-0001 orders and children who are DCA 89-58 Mexico physically challenged. Albuquerque, NM $27,000

1991 Annual Report 253 Performing on Arts Day in Albany, N.Y., EBA Dance Theatre is one of myriad groups to get Endowment aid via local arts agencies. Locals 33 Grants Program Funds $2,328,590 Treasury Funds $20,000

The Locals Program supports projects that strengthen local gram collaborates with local and state arts agencies; this cultural development in communities across America. It fos­ proves to be an effective way to serve the arts at the com­ ters expansion of public support for the arts in localities and munity level. Data gathered by the National Association improves the effectiveness of local arts agencies, thus encour­ of Local Arts Agencies show that in our 50 biggest cities aging greater awareness of and participation in the arts at (excluding New York City), 89.5 percent of the dollars the local level. received by local arts agencies reached artists, arts organi­ zations and audiences. Barely 10.5 percent was spent on ccess" remains the watchword for this pro­ administration. gram: access to the arts for the citizens of Support of this program’s initiatives by local govern­ communities ranging from villages to ments is impressive. Grants in the Local Government neighborhoods in major cities. Making the Incentive Category require a two-to-one match by local arts vital elements in people’s lives, the pro­ (city and/or county) governments. In 1991, the projected

254 match was 4.8 new public dollars for each Endowment Twenty-six Technical Assistance grants funded more dollar. The total match of local dollars to Locals Program than 30 on-site management projects and consultancies. dollars was projected at 5.5 to 1. Grants in this category Thirty-one conferences and workshops were slated for will serve 1,356 local arts organizations in 135 communi­ areas not previously served. Local arts agency staff mem­ ties in 11 states. Thirty-eight percent of these agencies are bers in 12 states, including Alabama, Texas and Oregon, in rural areas. received travel assistance to attend conferences important The Local Arts Agency Development Category has to their professional development. Fourteen statewide two primary aims: to encourage planning for community assemblies of local arts agencies received funding for cultural development, and to improve the quality and cal­ newly created executive director positions. Heven grants iber of local arts agency administrators and board mem­ for Basic Salary Assistance provided 46 local arts agencies bers through leadership and management training. with support to hire first-time, full-time professional Through Planning and Professional Staff grants, the pro­ directors. Locals Program grantees come from through­ gram increased its focus on the importance of community out the country and undertake diverse projects. Some cultural planning, and the number of applications in­ examples: creased by 44 percent. This grants category stressed the In Florida, the Broward Cultural Affairs Council value of access and communication between the local arts received a three-year grant to develop Artserve, which will agency and other elements of the community. Business, offer support to 6,000 Broward County artists and 340 education, government and human and social service not-for-profit cultural organizations. Artserve will provide leaders participated in planning projects, as did artists and consultant services, access to computer equipment and arts organizations and their administrators, volunteers and office services, shared office and storage space, and tech­ board members. By raising community awareness about nical assistance in key management areas. This project the role and value of the arts, the projects also heightened will be developed in conjunction with the Business community involvement in and ownership and support Volunteers for the Arts and the Ft. Lauderdale Chamber of its cultural resources. Nineteen grants were funded in of Commerce Cultural Task Force. Two locations will be communities such as Lafayette, Louisiana; the Bronx, developed for this project in areas where downtown New York; Jasper, Indiana; and Eureka, California. development and commitment from city officials and Through Leadership Training and Services, the pro­ the arts communities have helped create pivotal points gram supported activities at the regional and national lev­ for the arts. els that focused on professional development of local arts The Milwaukee Arts Board received a three-year agency administrators. Activities included technical assis­ grant to develop two programs that support its broad tance and leadership workshops. Grants also supported public agenda of neighborhood development. These pro­ continued development of national and regional services grams represent different methods of focusing communi­ such as the National Assembly of Local Arts Agencies’ aid ty arts activities on the need for better cultural and racial to local arts agencies around the country through eco­ diversification. The Neighborhood Arts Program sup­ nomic impact studies, publications, information packets ports grassroots groups working to become stable, neigh- for administrators and workshops. borhood-based arts providers. It concentrates on provid­ For the first time, grants were available in 1991 to ing technical and financial support at the neighborhood state arts agencies under a new category developed in level. High Impact Projects grants are available to all keeping with the congressional mandate that the established arts organizations in the city. The latter grants Endowment assist developing local arts agencies in rural, support projects aimed at diversifying staff, board, audi­ inner-city and under-served areas. These new set-aside ence or program. These two programs represent the first funds went to 41 states and two special jurisdictions to local public programs in Milwaukee planned by represen­ provide assistance to local arts agencies for Technical tatives of the arts community and were developed as the Assistance and Basic Salary Assistance to better reach result of a community cultural planning process. under-served communities. The Vermont Council on the Arts was awarded a

1991 Annual Report 255 three-year grant to develop decentralized, community- will also have the opportunity to develop staff and board based arts planning and services at local and regional lev­ leadership. Since many people attend arts events outside els. This project, supported by eight state legislators and their immediate communities, this grant will have impact mayors, involves local arts agencies in five diverse, rural beyond the five participating regions. regions, and has a long-term goal of helping to build a In the bi-state Kansas City region, the Kaw Valley statewide arts service network over the next decade. The Arts Council will work in cooperation with the Mid- council will assist local arts agencies in achieving long- America Regional Council, a voluntary association of term funding from local governments. The quality of and local cities and counties, to conduct a needs assessment access to cultural facilities will be improved; broader and cultural planning effort. While many cities and access to arts activities for youth and marketing outlets counties conduct such activities independently, this pro­ for artists will be provided. Training and financial support ject represents a collaborative effort by city and county for small arts groups will be offered and groups will be governments and communities in two states. able to purchase and share equipment. Local arts agencies

Marion Andrus McCollam Victoria Sharpley Michael Marsicano Local Executive Director Executive Director Executive Director Government Cultural Arts Council The Association of American Arts and Science Council of Incentive of Houston Cultures Charlotte/Mecklenburg Houston, TX Washington, DC Charlotte, NC Category Karen Olson Chris Van Antwerp Diane M. Martuscello 9 Grants Board Member Arts Education Consultant Executive Director Kalamazoo Valley Inter­ Mliance of New York State Program Funds: $1,600,000 South Dakota Arts Council Rapid City, SD mediate School District Arts Councils Grand Rapids, MI New Windsor, NY Advisory Panels Harvey Rose Panel B Marion Andrus McCollam Panel A City Manager City of Steamboat Springs Executive Director Steamboat Springs, CO Lynn Barnett Arts Council of New Orleans Lynda Burkel New Orleans, LA Artistic Director Executive Director Abilene Cultural Affairs Lynda Martha Dance Daniel Salazar Filmmaker/Director, Council William P. Moskin Company Arts Consultant Evanston, IL Individual Artist Program Abilene, TX Colorado Council on the Sacramento, CA Arts and Humanities Christine D’Arcy Joseph Golden Denver, CO Executive Director James Perron President Alaska State Council on Mayor Spirit Square Center for Harriet Sanford the Arts Elkhart, IN the Arts Anchorage, AK Charlotte, NC Executive Director Fulton County Arts Council Madeline Murphy Rabb Executive Director Elizabeth Kennedy Atlanta, GA Don Jones Arts Consultant Chicago Office of Fine Arts Independent Arts Consultant Chicago, IL E1 Segundo, CA Cynthia Schaal Saratoga, CA Executive Director Daniel Salazar Gregory Kunesh Lynchburg Fine Arts Center Gregory D. Kunesh Richmond, VA Professor/Director, School Filmmaker/Director, Professor/Director, School Individual Artist of Drama of Drama Barbara Schaffer-Bacon University of Oklahoma Program University of Oklahoma Norman, OK Colorado Council on the Norman, OK Arts Consultant Amherst, MA Arts and Humanities Denver, CO

256 National Endowment for the Arts Cynthia Schaal City of Milwaukee, tia of local arts agencies for agency plans. Grants to state Regional Coordinator Wisconsin/Milwaukee support and development of arts agencies support plan­ Virginia Commission for Arts Board the arts within local commu­ ning and technical assistance the Arts Milwaukee, WI $150,000 nities. These grants must be programs for local arts agen­ Richmond, VA To support development of matched 1:1 with new state cies and increased communi­ the Milwaukee Arts Board’s arts agency appropriations, ty development staffat the Local Grants Neighborhood Arts Program and these combined federal- state level. and its High Impact Pro­ state dollars must be matched Grants are awarded to local gram. Reviewed by Panel A. 1 : 1 with new local public Grants arts agencies, councils or 91-6242-0028 dollars over a three-year commissions for three-year period. Acadiana Arts Council, Inc. projects that support and Rock Hill Arts Council, Inc. Lafayette, LA $30,000 Rock Hill, SC $150,000 Grant develop the arts within a city, To support the development county, or multicounty To support the creation of an of a community cultural plan region. Grants must be arts center for the city of Vermont Council on for Lafayette, Louisiana. matched by at least Rock Hill, South Carolina. the Arts Reviewed by Panel B. 2:1 with new local public Reviewed by Panel A. Montpelier, VT $300,000 91-6252-0019 dollars. 91-6242-0025 To support the Vermont Council on the Arts and local Arts Council of Grants San Francisco Arts arts agencies with a commu­ Richmond, Inc. Commission nity arts development initia­ Richmond, VA $30,000 Mlied Arts Fund of Greater San Francisco, CA $150,000 tive designed to strengthen To support the development Chattanooga To support the implementa­ services to each community. of a comprehensive cultural Chattanooga, TN $200,000 tion of San Francisco’s Arts Reviewed by Panel A. plan for the city of Rich­ To support the implementa­ Policy Plan. Reviewed by 91-6243-0029 mond. Reviewed by Panel B. tion of components of Panel A. 91-6242-0030 91-6252-0009 Chattanooga’s Cultural Local Arts Agency Action Plan. Reviewed by Seattle Arts Commission Bronx Council on the Panel A. 91-6242-0024 Seattle, WA $200,000 Development Arts, Inc. To support the implementa­ Category Bronx, NY $17,400 Broward County Board of tion of new initiatives from To support the position of County Commissioners/ the Seattle Arts Commis­ director of the Community sion’s long-range plan. Broward Cultural Affairs 24 Grants Arts Development Network. Council Reviewed by Panel A. Reviewed by Panel B. Fort Lauderdale, FL 91-6242-0027 Program Funds: $728,590 91-6252-0014 $150,000 Treasury Funds: $20,000 To support Artserve, which United Arts Council Broward County Board of will develop administrative of Raleigh and Wake Planning and County Commissioners/ support services for emerging County, Inc. Professional Staff Broward Cultural Affairs artists and arts organizations Raleigh, NC $150,000 Council in Broward County. To support implementation Grants Fort Lauderdale, FL $16,500 Reviewed by Panel A. of the recommendations To support a professional 91-6242-0031 in the Arts Resources Devel­ To provide grants to both staffposition to develop a opment Plan for Wake local and state arts agencies. program of advanced techni­ City of Elkhart, Indiana/Arts County. Reviewed by Grants enable local arts agen­ cal assistance for local artists and Humanities Council Panel A. 91-6242-0026 cies to permanently increase and arts organizations. Elkhart, IN $150,000 and improve their planning Reviewed by Panel B. To support implementation State-Local and administrative capabili­ 91-6252-0006 of the city’s cultural action Partnership Grants ties by securing permanent plan, the Genesis Program. professional planning and Cambridge Arts Council administrative staff, conduct­ Reviewed by Panel A. Grants are awarded to state Fund 91-6242-0023 ing community-wide cultural Cambridge, MA $20,000 arts agencies representing planning, or developing To support the position of local arts agencies or consor­

1991 Annual Report 257 coordinator of education pro­ To support the position of Community Arts Agencies, Memorial Award to honor grams and the costs of the assistant director for pro­ a comprehensive statewide individuals who have made "Tet Ansam/Arts Education" gramming. Reviewed by survey of the needs and important contributions to pilot program for ethnically Panel B. 91-6252-0022 resources of existing local local arts. Reviewed by diverse students in Cam­ arts agencies. Reviewed by Panel A. 91-6265-0033 bridge public schools. Lincoln Community Panel B. 91-6252-0015 Reviewed by Panel B. Arts Council ~ National Assembly of 91-6252-0008 Lincoln, NE $12,500 Palm Beach County Council Local Arts Agencies To support the position of of the Arts Washington, DC $200,000 Greater Knoxville Council program coordinator. West Palm Beach, FL To support services to local for the Arts, Inc. Reviewed by Panel B. $24,400 arts agencies, including pub­ Knoxville, TN $25,000 91-6252-0018 To support the development lications, an annual confer­ To develop a community of a comprehensive commu­ ence, technical assistance and cultural plan for the greater Massachusetts Cultural nity cultural plan for Palm management workshops, the Knoxville metropolitan area. Council Beach County, Florida. Locals Data Project, and Reviewed by Panel B. Boston, MA $30,000 Reviewed by Panel B. related costs. Reviewed by 91-6252-0010 To develop a component 91-6252-0007 Panel B. 91-6265-0002 agency plan for the newly Humboldt Arts Council formed Massachusetts Cul­ Salt Lake Arts Council National Assembly of Local Eureka, CA $15,000 tural Council to address spe­ Foundation Arts Agencies To support the development cific needs of local arts agen­ Salt Lake City, UT $15,000 Washington, DC $60,000 of a community cultural cies in the state. Reviewed by To provide support for the To support a series of three plan. Reviewed by Panel B. Panel B. 91-6252-0011 position of community affairs regional meetings of rural 91-6252-0016 director. Reviewed by local arts agencies, attended Miami Valley Arts Council Panel B. 91-6252-0013 by rural artists and arts lead­ Huntington Arts Dayton, OH $30,000 ers as well as local arts agency Council, Inc. To support a community- Leadership Training representatives. Reviewers: Huntington, NY $15,000 based cultural planning and Services Grants Burkel, Kunesh, Rose, To support the position of process in Montgomery Salazar, Schaffer-Bacon, and Sharpley. DCA 91-42 marketing director. Reviewed County, Ohio. Reviewed by Grants are awarded to by Panel B. 91-6252-0004 Panel B. 91-6252-0020 service organizations and ~r National Assembly of educational institutions that Jasper Community Arts Missouri State Council on Local Arts Agencies provide: 1) specific training Washington, DC $5,000* Commission the Arts programs for professional Jasper, IN $30,000 St. Louis, MO $30,000 To amend a cooperative development of local arts agreement to support a To assist up to ten local arts To conduct a statewide local agency staff, and 2) national agencies in Indiana withcom­ arts agency planning project national meeting on rural arts or regional services such as in Jackson, Mississippi. munity cultural planning. in partnership with the publications, research, or spe­ Reviewed by Panel B. Missouri Association of * Chairman "s Extraordinary cial projects aimed at profes­ Grant. DCA 90-56 91-6252-0021 Community Arts Agencies. sional development for local Reviewed by Panel B. arts agencies. Kaw Valley Arts 91-6252-0012 Mississippi Arts Commission Council, Inc. Grants Kansas City, KS $30,000 New Mexico Arts Division Jackson, MS $20,000 To conduct a needs assess­ Santa Fe, NM $27,500 To support training of local ~ Denotes Grants Having arts administrators to enable ment and develop a cultural To support the position of National Impact plan for the bi-state, metro­ local arts agency coordinator them to develop agency plans, missions, and objec­ politan Kansas City area. for New Mexico. Reviewed ~ National Assembly of Reviewed by Panel A. by Panel B. 91-6252-0005 tives. Reviewed by Panel A. Local Arts Agencies DCA 91-13 91-6252-0034 Washington, DC Ohio Arts Council TF $20,000 Kaw Valley Arts Columbus, OH $30,000 To support the establishment Council, Inc. To conduct, in conjunction ofa Selina Roberts Ottum Kansas City, KS $15,290 with the Alliance of Ohio

258 National Endowment for the Arts Touring Maska’s coastal communities, the Arctic Chamber Orchestra travels as it must, by ship, with help from the Maska State Council on the Arts, one of the Endowment’s perennial partners. State arts agencies receive a major portion of Endowment funds. State and Regional

86 Grants Program Funds $31,499,070

The State and Regional Program administers those he activities of state and regional arts agen- Endowment program funds at least 25percent in FY cies advance the Endowment’s mission of 1991--reserved for state arts agencies. Through grants to fostering cultural development and public individual SAAs in every state and to their regional organi- T access to the arts while supporting excel- zations, the goal is to help these agencies support projects that lence, diversity and vitality in the arts. In address locally determined arts priorities. This program also particular, state agencies promote excellence through pro- administers some of the program fund~ set aside for projects ject support, operating support and services to arts insti­ in under-served communities. tutions of every size as well as through grants and services

259 to artists. These agencies increase access through support areas. The first round of grants aided 28 projects that rep­ for touring and presenting of performances and exhibi­ resented a tremendous variety of activities, including arts tions, through arts education and through development programs in inner-city churches, social clubs and schools of local arts agencies. State and regional agencies are par­ in Connecticut; the development of a traditional ticularly effective in reaching smaller communities; in Chamorro folk arts village in Guam; dance camps con­ 1991 nearly one-third of state arts agency grants went to ducted by the Alvin Ailey Company for disadvantaged groups located in rural areas. youth in Baltimore; collaborations between Arizona’s arts Seven regional organizations augment the work of the organizations and groups based in rural, inner-city and state arts agencies in multistate regions. They offer sup­ ethnic neighborhoods; public/private partnerships in port for presentations and exhibitions, assistance to indi­ Milwaukee; and a joint tour through northeast North vidual artists and other initiatives tailored to individual Carolina by Roadside Theater and John O’Neil and regions. These organizations constitute a national net­ Junebug Productions which are based, respectively, in work that delivers programs and services on a coordinated Appalachian traditions and southern black culture. basis to all parts of the country. Further, they have proven This program, through its Collaborative Initiatives their ability to supplement state and federal funds with category, continues to foster partnerships between state private donations and earned income. and regional arts agencies and Endowment discipline This year the program developed and implemented programs. This year Collaborative Initiatives included a new grants category, Arts Projects in Under-Served the Regional Visual Arts Fellowship program and Dance Communities, in response to a congressional mandate to on Tour in cooperation with the Dance and Inter-Arts assist state projects in rural and inner-city under-served programs.

David Fraher Jo Bunton-Keel Alden Wilson Basic State Executive Director Executive Director, Eulipions Executive Director Grants Arts Midwest Cultural Center Maine Arts Commission Minneapolis, MN Member, Colorado Council Augusta, ME To provide basic support to on the Arts and state arts agencies. Mary Hays Humanities Grants Executive Director Denver, CO 56 Grants New York State Council on Alabama State Council the Arts Marvin Cohen on the Arts Program Funds: $26,265,000 New York, NY Attorney, Sacks, Tierney, Montgomery, AL $480,000 & Kasen Reviewed by Panel B. Advisory Panel Pamela Parziale Chair, Arizona Commission 91-6141-0038 Chair on the Arts Panel A West Virginia Arts Phoenix, AZ Maska State Council on Commission the Arts John Batiste Kearneysville, WV John Haworth Anchorage, AK $441,000 Executive Director Assistant Commissioner for Reviewed by Panel B. Texas Commission on Cultural Institutions 91-6141-0015 the Arts Barbara Robinson Chair New York City Department Austin, TX Ohio Arts Council of Cultural Affairs American Samoa Cleveland, OH New York, NY Council on Arts, Culture, Susie Farr and Humanities Executive Director Panel B Lonny Kaneko Pago Pago, AS $201,000 Association of Performing Member Reviewed by Panel B. Arts Presenters Ramona Baker Washington State Arts 91-6141-0021 Washington, DC Executive Director Commission The Arts Council, Inc. Olympia, WA Huntsville, AL

260 National Endowment for the Arts Arizona Commission on Reviewed by Panel A. Institute of Puerto Rican Missouri State Council the Arts 91-6141-0035 Culture on the Arts Phoenix, AZ $476,000 San Juan, PR $476,000 St. Louis, MO $493,000 Reviewed by Panel A. District of Columbia Reviewed by Panel A. Reviewed by Panel A. 91-6141-0007 Commission on the Arts 91-6141-0055 91-6141-0011 and Humanities Arkansas Arts Council Washington, DC $441,000 Iowa Arts Council Montana Arts Council Little Rock, AR $461,000 Reviewed by Panel B. Des Moines, IA $466,000 Helena, MT $444,000 Reviewed by Panel A. 91-6141-0054 Reviewed by Panel B. Reviewed by Panel B. 91-6141-0005 91-6141-0009 91-6141-0020 Division of Cultural Affairs, Arts and Humanities Florida Department of State Kansas Arts Commission Nebraska Arts Council Section, Division of Culture Tallahassee, FL $581,000 Topeka, KS $463,000 Omaha, NE $452,000 and History, West Virginia Reviewed by Panel A. Reviewed by Panel A. Reviewed by Panel A. Department of Education 91-6141-0041 91-6141-0028 91-6141-0060 and the Arts Charleston, WV $455,000 Division of the Arts, Kentucky Arts Council Nevada State Council on Reviewed by Panel B. Louisiana Department Frankfort, KY $477,000 the Arts 91-6141-0042 of Culture, Recreation, Reviewed by Panel B. Reno, NV $448,000 and Tourism 91-6141-0045 Reviewed by Panel B. California Arts Council Baton Rouge, LA $482,000 91-6141-0031 Sacramento, CA $771,000 Reviewed by Panel A. Maine Arts Commission Reviewed by Panel B. 91-6141-0049 Augusta, ME $448,000 New Hampshire State 91-6141-0019 Reviewed by Panel A. Council on the Arts Georgia Council for the Arts 91-6141-0043 Concord, NH $447,000 Colorado Council on the Tucker, GA $508,000 Reviewed by Panel A. Arts and Humanities Reviewed by Panel A. Maryland State Arts Council 91-6141-0061 Denver, CO $472,000 91-6141-0053 Baltimore, MD $489,000 Reviewed by Panel A. Reviewed by Panel A. New Jersey State Council 91-6141-0016 Guam Council on the Arts 91-6141-0047 on the Arts and Humanities Trenton, NJ $522,000 Commonwealth Council for Agana, GU $201,000 Massachusetts Cultural Reviewed by Panel A. Arts and Culture Reviewed by Panel B. Council 91-6141-0058 Saipan, CM $201,000 91-6141-0004 Boston, MA $503,000 Reviewed by Panel B. Reviewed by Panel A. New Mexico Arts Division 91-6141-0006 Idaho Commission on 91-6141-0056 Santa Fe, NM $452,000 the Arts Reviewed by Panel B. Commonwealth of Boise, ID $446,000 Michigan Council for Arts 91-6141-0017 Pennsylvania Council Reviewed by Panel A. and Cultural Affairs on the Arts 91-6141-0010 Detroit, MI $540,000 New York State Council on Harrisburg, PA $570,000 Reviewed by Panel B. the Arts Reviewed by Panel A. Illinois Arts Council 91-6141-0033 New York, NY $637,000 91-6141-0036 Chicago, IL $565,000 Reviewed by Panel B. Reviewed by Panel B. Minnesota State Arts Board 91-6141-0032 Connecticut Commission 91-6141-0051 St. Paul, MN $485,000 on the Arts Reviewed by Panel B. North Carolina Arts Council Hartford, CT $472,000 Indiana Arts Commission 91-6141-0018 Raleigh, NC $510,000 Reviewed by Panel A. Indianapolis, IN $498,000 Reviewed by Panel A. 91-6141-0044 Reviewed by Panel B. Mississippi Arts 91-6141-0048 91-6141-0078 Commission Delaware Division of Jackson, MS $464,000 North Dakota Council on the Arts Reviewed by Panel A. the Arts Wilmington, DE $442,000 91-6141-0039 Fargo, ND $442,000

1991 Annual Report 261 Reviewed by Panel B. Utah Arts Council Advisory Panel Reviewed by Panel A. 91-6141-0001 Salt Lake City, UT $454,000 91-6142-0022 Reviewed by Panel B. Panelists listed under Basic Ohio Arts Council 91-6141-0003 State Grants Panels A and B Western States Arts Columbus, OH $558,000 also reviewed grants in this Federation Reviewed by Panel B. Vermont Council on subcategory. Santa Fe, NM $910,000 91-6141-0040 the Arts To support Regional Arts Montpelier, VT $441,000 Grants Programming grant activities. Oregon Arts Commission Reviewed by Panel A. Reviewed by Panel A. Salem, OR $467,000 91-6141-0050 Arts Midwest 91-6142-0024 Reviewed by Panel B. Minneapolis, MN $630,000 91-6141-0008 Virgin Islands Council To support Regional Arts Collaborative on the Arts Programming grant activities. Rhode Island State Council St. Thomas, VI $201,000 Reviewed by Panel B. Initiatives on the Arts Reviewed by Panel A. 91-6142-0059 Providence, RI $446,000 91-6141-0057 To support initiatives reflect­ Reviewed by Panel A. Consortium for Pacific Arts ing a high level of collabora­ 91-6141-0046 Virginia Commission for and Cultures tion in both development the Arts Honolulu, HI $210,000 and implementation between South Carolina Arts Richmond, VA $505,000 To support Regional Arts state and regional arts agen­ Commission Reviewed by Panel A. Programming grant activities. cies and Arts Endowment Columbia, SC $474,000 91-6141-0034 Reviewed by Panel B. discipline programs. Reviewed by Panel A. 91-6142-0026 91-6141-0051 Washington State Arts 20 Grants Commission Mid-America Arts Mliance Program Funds: $1,043,770 South Dakota Arts Council Olympia, WA $490,000 Kansas City, MO $420,000 Sioux Falls, SD $442,000 Reviewed by Panel A. To support Regional Arts Grants Reviewed by Panel B. 91-6141-0014 Programming grant activities. 91-6141-0002 Reviewed by Panel B. Arts Midwest Wisconsin Arts Board 91-6142-0027 Minneapolis, MN $25,000* State Arts Council of Madison, WI $490,000 For a cooperative agreement Oklahoma Reviewed by Panel B. Mid-Atlantic Arts to support a regional fellow­ Oklahoma City, OK 91-6141-0088 Foundation, Inc. ship program for artists $470,000 Baltimore, MD $630,000 working in painting or works Reviewed by Panel B. Wyoming Arts Council To support Regional Arts on paper who are legal resi­ 91-6141-0030 Cheyenne, WY $440,000 Programming grant activities. dents of Illinois, Indiana, Reviewed by Panel B. Reviewed by Panel B. Iowa, Michigan, Minnesota, State Foundation on 91-6141-0029 91-6142-0025 North Dakota, Ohio, South Culture and the Arts Dakota, or Wisconsin. Honolulu, HI $447,000 Regional Arts New England Foundation Reviewed by the Visual Arts Reviewed by Panel B. for the Arts Special Projects Panel. 91-6141-0012 Programming Cambridge, MA $420,000 DCA 91-43 Grants To support Regional Arts * This cooperative agreement Tennessee Arts Commission Programming grant activities. was jointly funded with the Nashville, TN $490,000 For regional groups of two or Reviewed by Panel A. Visual Arts Program at a total Reviewed by Panel A. more state arts agencies to 91-6142-0023 of $15o, ooo. 91-6141-0037 support arts programs planned and implemented Southern Arts Commonwealth Council for Texas Commission on on a multistate basis. Federation, Inc. Arts and Culture the Arts Atlanta, GA $630,000 Saipan, CM $15,000" Austin, TX $628,000 7 Grants To support Regional Arts To support artists’ fees and Reviewed by Panel B. Programming grant activities. related costs for a residency 91-6141-0013 Program Funds: $3,850,000 of Dances We Dance Com­

262 National Endowment for the Arts pany. Reviewed by the Dance Visual Arts Program at a total related administrative costs. 91-5442-0248 on Tour Panel listed under of $125,0oo. Reviewed by the Dance on * This is a Dance on Tour the Inter-Arts Program. Tour Panel listed under the grant fi¢nded collaboratively 91-5442-0004 Mid-Atlantic Arts Inter-Arts Program. with the Inter-Arts and Dance * This is a Dance on Tour Foundation 91-5442-0254 programs. grant funded collaboratively Baltimore, MD $25,000* * This is a Dance on Tour with the Inter-Arts and Dance For a cooperative agreement grant funded collaboratively South Carolina Arts programs. to support a regional fellow­ with the Inter-Arts and Dance Commission ship program for artists programs. Columbia, SC $5,000* Delaware Division of working in painting or works To support the initial opera­ the Arts on paper who are legal resi­ Minnesota State Arts Board tional phase for a South Wilmington, DE $9,000* dents of Delaware, Maryland, St. Paul, MN $28,000* Carolina design arts program. To support the planning and New Jersey, New York, To support performances and Reviewed by the Design execution of a series of resi­ Pennsylvania, Virginia, West residencies of the American Advancement: Organiza­ dencies by the Pilobolus Virginia, the District of Indian Dance Theatre at a tional Project Grants Institute. Reviewed by the Columbia, or the Virgin number of locations in the Panel A. 91-4241-0055 Dance on Tour Panel listed Islands. Reviewed by the state. Reviewed by the Dance * This grant was cofunded with under the Inter-Arts Visual Arts Special Projects on Tour Panel listed under the Design Arts Program for a Program. 91-5442-0246 Panel. DCA 91-44 the Inter-Arts Program. total of $2Z 035. * This is a Dance on Tour * This cooperative agreement 91-5442-0247 grant funded collaboratively was jointly funded with the * This is a Dance on Tour South Carolina Arts with the Inter-Arts and Dance Visual Arts Program at a total grant funded collaboratively Commission programs. of $125,000. with the Inter-Arts and Dance Columbia, SC $10,000" programs. To support activities Iowa Arts Council Mid-Atlantic Arts designed to improve the Des Moines, IA $15,000" Foundation, Inc. New England Foundation quality of dance presentation To support needs assessment Baltimore, MD $173,240" for the Arts and audience appreciation to build upon initial pro­ To support artists’ fees to Cambridge, MA $25,000* during the 1992-93 season. gramming efforts of Iowa’s presenters throughout the For a cooperative agreement Reviewed by the Dance on design arts initiative. District of Columbia, to support a regional fellow­ Tour Panel listed under the Reviewed by the Design Delaware, Maryland, New ship program for artists Inter-Arts Program. Advancement: Organiza­ Jersey, New York, Pennsyl­ working in painting or works 91-5442-0249 tional Project Grant Panel A. vania, Virginia, the Virgin on paper who are legal resi­ * This is a Dance on Tour 91-4241-0094 Islands, and West Virginia dents of Connecticut, Maine, grant funded collaboratively * This is a Design Arts for dance presentations dur­ Massachusetts, New Hamp­ with the Inter-Arts and Dance grant funded by the State ing the 1991-92 season. shire, Rhode Island, or programs. and Regional Program. Reviewed by the Dance on Vermont. Reviewed by the Tour Panel listed under the Visual Arts Special Projects Southern Arts Mid-America Arts Mliance Inter-Arts Program. Panel. DCA 91-48 Federation, Inc. Kansas City, MO $25,000* 91-5442-0019 * This cooperative agreement Atlanta, GA 143,750" For a cooperative agreement * This is a Dance on Tour was jointly funded with the To support artists’ fees to to support a regional fellow­ grant funded collaboratively Visual Arts Program at a total presenters throughout ship program for artists with the Inter-Arts and Dance of $125,ooo. Alabama, Florida, Georgia, working in painting or works programs. Kentucky, Louisiana, Missis­ on paper who are legal resi­ Ohio Arts Council sippi, North Carolina, South dents of Arkansas, Kansas, Mid-Atlantic Arts Columbus, OH $20,000* Carolina, and Tennessee for Missouri, Nebraska, Okla­ Foundation, Inc. To support the Presenter the presentation of dance homa, or Texas. Reviewed Baltimore, MD $210,230" Development Project (PDP) companies during the 1991­ by the Visual Arts Special For the support of artists’ fees and the Community Part­ 92 season and to support Projects Panel. DCA 91-49 for presenters throughout the nership Project (CPP). related costs. Reviewed by * This cooperative agreement member states for dance Reviewed by the Dance on the Dance on Tour Panel was jointly funded with the presentations during the Tour Panel listed under the listed under the Inter-Arts 1992-93 season and for Inter-Arts Program. Program. 91-5442-0006

1991 Annual Report 263 * This is a Dance on Tour To support residencies by on paper who are legal resi­ Advisory Panel grant funded collaboratively out-of-state ballet, modern, dents of Alaska, Arizona, with the Inter-Arts and Dance and ethnic dance companies California, Colorado, Panelists listed under Basic programs. and to support a technician Hawaii, Idaho, Montana, State Grant Panel B also contracted to assist presenters Nevada, New Mexico, Ore­ reviewed grants in this sub­ Southern Arts Federation and companies. Reviewed by gon, Utah, Washington, or category. Atlanta, GA $25,000* the Dance on Tour Panel Wyoming. Reviewed by the For a cooperative agreement listed under the Inter-Arts Visual Arts Special Projects Grants to support a regional fellow­ Program. 91-5442-0253 Panel. DCA 91-46 ship program for artists * This is a Dance on Tour * This cooperative agreement Denotes Grants Having working in painting or works grant funded collaboratively was jointly funded with the National lmpact on paper who are legal with the Inter-Arts and Dance Visual Arts Program at a total residents of Alabama, progra~’ns. of ~125,ooo. g~ National Assembly of Florida, Georgia, Kentucky, State Arts Agencies Louisiana, Mississippi, North Western States Arts Wisconsin Arts Board Washington, DC $281,000 Carolina, South Carolina, or Federation Madison, WI $23,000* To support NASAA’s arts Tennessee. Reviewed by the Santa Fe, NM $196,550" To support residencies and policy development, leader­ Visual Arts Special Projects To support artists’ fees to commissioning and produc­ ship and communications Panel. DCA 91-45 presenters throughout Alaska, tion expenses during a resi­ development, and adminis­ * This cooperative agreement Arizona, California, Colo­ dency of the David Parsons tration/governance programs. was jointly funded with the rado, Hawaii, Idaho, Mon­ Dance Company. Reviewed 91-6165-0092 Visual Arts Program at a total tana, Nevada, New Mexico, by the Dance on Tour Panel of S125,000. Oregon, Utah, Washington, listed under the Inter-Arts ~ National Assembly of and Wyoming for the presen­ Program. 91-5442-0250 State Arts Agencies State Arts Council of tation of dance companies * This is a Dance on Tour Washington, DC $3,300 Oklahoma during the 1991-92 season. grant funded collaboratively To amend cooperative agree­ Oklahoma City, OK Reviewed by the Dance on with the Inter-Arts and Dance ment DCA 90-24 to provide $30,000* Tour Panel listed under the programs. additional funding for an To support a program con­ Inter-Arts Program. ongoing program of site visits sultant, a design conference, 91-5442-0005 State Support to state arts agencies and and related costs in an effort * This is a Dance on Tour regional organizations in an to develop a statewide design grant funded collaboratively Services effort to enhance the Endow­ arts program for Oklahoma. with the Inter-Arts and Dance ment State and Regional Reviewed by the Design programs. To support costs of services Program Panel’s evaluation of Advancement: Organiza­ provided on a national basis agency operating procedures, tional Project Grants Western States Arts to state arts agencies and plans, and grant applications. Panel A. 91-4241-0054 Federation regional groups. * This is a Design Artsgrant Santa Fe, NM $25,000* "~ National Assembly of For a cooperative agreement 2 Cooperative Agreements State Arts Agencies funded by the State and 1 Grant Regional Program. to support a regional fellow­ Washington/,, DC $56,000 ship program for artists Program Funds: $340,300 To support a cooperative State Foundation on Culture working in painting or works agreement to provide infor­ and the Arts mation services to the state Honolulu, HI $15,000" arts agencies and the Endow­ ment. DCA 91-35

264 National Endowment for the Arts Master fiddler Johnny Bruce plays traditional music with apprentice Patricia Spainhour in Bosworth, Missouri. Under-Served Communities Set-Aside 133 Grants Program Funds $6,232,854

The Endowments 1990 reauthorization legislation requires programs participated in set-aside efforts this year: Expansion that 5percent of the agency’s program funds be awarded to Arts, Folk Arts, Locals, and State and Regional. state arts agencies and regional arts organizations to support projects in rural, inner-city and other artistically under- hrough the combined efforts of these four served areas. The goals of these projects are to raise the artistic programs, support reached most states, spe­ capabilities of developing arts organizations, stimulate artis- cial jurisdictions, and a number of regional tic activity and awareness, and broaden public access to the T arts organizations. In total, $6.2 million was arts. Thus, the Under-Served Communities Set-Aside offers awarded to projects in under-served com­ competitive program grants to state arts agencies and regional munities in FY 91; $3.9 million (64 percent) was award- arts organizations to help artistically under-served communi- ed to rural communities. Consequently, both artists and ties meet their particular needs and goals. Four Endowment citizens in rural, inner-city and other under- served areas

265 willbe afforded a wider range of artistic opportunities. with set-aside funds, the Folk Arts Program is undertak­ These multiprogram initiatives do not constitute the ing groundbreaking work with populations and in only new efforts the agency has made to reach under- regions that have been previously under-served. The Folk served communities. For example, the Endowment and Arts Organizations category supports the presentation of, the National Assembly of Local Arts Agencies began documentation of, and assistance to folk artists. Folk Arts planning for a series of regional meetings over the next Apprenticeships allow state agencies to apply for match­ two years to help rural communities maximize their ing funds to assist apprenticeships between senior tradi­ resources in support of arts activities. In addition, we are tional artists or artisans and talented mid-level learners. launching a pilot program to bring emerging chamber This year the Folk Arts Program a~varded 43 grants music ensembles to rural communities for nine-month totaling $863,600 in set-aside funds that directly reached performing and teaching residencies. As for the four pro­ 25 states and two special jurisdictions. In addition, grants grams’ set-aside activities: to two regional arts organizations indirectly supported Expansion Art: Many rural arts organizations have projects in a number of states. considerable potential to develop artistically and adminis­ Locals: Set-aside funds continue to be used for the tratively. The Expansion Arts Program initiated a pilot Locals Program’s Assistance to Developing Local Arts Rural Arts Initiative in FY 89 to respond to their needs. It Agencies in Rural, Inner-City and Other Under-Served seeks to identify and strengthen emerging rural arts orga­ Areas category. Two types of grants are available within nizations that have the capacity to improve the quality of this category: 1) Technical Assistance grants, which pro­ their work and to reach wider audiences. Matching grants vide opportunities for staff development and technical of up to $40,000 per year have been awarded to state arts assistance through state arts agencies working alone or in agencies for regranting to rural arts groups. conjunction with statewide assemblies of local arts agen­ The initiative, funded this year through the Under- cies; 2) Basic Salary Assistance grants, which serve as cata­ Served Communities Set-Aside, continues to be adminis­ lysts for establishing and stabilizing professional leader­ tered by Expansion Arts. Eleven states have participated ship in developing local arts agencies ready to move from in the initiative to date: Alabama, Alaska, Iowa, Louisi­ volunteer to professional status through the hiring of pro­ ana, Montana, New Mexico, North Carolina, North fessional, full-time executive directors. Dakota, Pennsylvania, South Carolina and Wisconsin. For example, a grant of $50,000 to the Institute of For example, a grant to the South Carolina Arts Commis­ Puerto Rican Culture in San Juan supported technical sion supported a subgranting program to six exemplary assistance to local arts agencies in rural areas of Puerto rural arts organizations with institutional development Rico. The project will provide administrative and market­ potential. In each case, funds will be used to add staff ing training workshops to staffs of local arts agencies in positions to assist in the enhancement of artistic quality five community arts centers in culturally under-served and the improvement of organizational stability. The six mountain municipalities. The workshops will focus on South Carolina organizations involved are Camp Basker­ improving arts management skills and increasing access to ville of Pawleys Island; Williamsburg County Arts the arts in isolated communities. Council of Kingstree; Penn Center, Inc., of St. Helena State and Regional." A new program category, Arts Pro­ Island; McCormick Arts Council at the Keturah in jects in Under-Served Communities, allows each appli­ McCormick; Committee for African-American History cant the flexibility to work with under-served communi­ Observance in Georgetown; and the McClellanville Arts ties to develop projects tailored to their particular needs. Council. Competitive grants are available for projects that promote Folk Arts: The Folk Arts Program channeled set-aside the arts in under-served communities by improving the moneys through its Folk Arts Organizations and State artistic and managerial capabilities of developing arts Arts Apprenticeships categories, thus allowing the pro­ organizations and/or stimulating artistic activity and gram to use more fully the nationwide infrastructure of awareness and broadening public access to the arts. state folk arts coordinators. Through this network and During the first year of operation, this Under-Served

266 National Endowment for the Arts Communities Set-Aside category received 77 applications communities. Projects that build linkages between artists for projects with total costs of $8.7 million. Twenty-nine or arts groups and other types of community organiza­ proposals were awarded support totaling $2.9 million and tions, such as schools, churches, neighborhood centers serving 32 states. Eleven projects focused primarily on and community development agencies, will be encour­ rural communities, nine focused on inner-city communi­ aged. In addition, participating organizations will be able ties and another nine involved both rural and inner-city to request assistance in organizational assessment and under-served communities. strategic planning to enhance their artistic and adminis­ For example, the Wisconsin Arts Board received trative capabilities. $100,000 to support a pilot grants program, "Access to Special Projects/Presenting and Touring: This year a the Arts in Under-Served Communities," in partnership Special Projects category supported a range of touring with the Milwaukee Foundation and the Greater and presenting activities by state arts agencies and region­ Milwaukee Educational Trust. The program will provide al arts organizations. These continuing efforts will be for- substantial and sustained support to several developing realized and consolidated by the agency in FY 93 through arts-producing, arts education, or community cultural a separate category that will provide support to regional organizations that show promise and are firmly rooted in arts organizations and will fund eligible grants under the the culture of artistically under-served communities. The state component of Dance on Tour. A Special Projects program will emphasize support to Milwaukee’s inner- category will be retained elsewhere to accommodate city groups as a complement to the Arts Board’s success­ innovative projects that are eligible for funding through ful Rural Arts Initiative, which targets under-served rural the set-aside, but not under established categories.

Folk Arts Reviewed by Panel A. Maska State Council on Reviewed by Panel A. 91-5533-0045 the Arts 91-5533-0014 43 Grants Anchorage, AK $24,000 Alabama State Council on To support the hiring of a Commonwealth of Program Funds: $863,600 the Arts native/folk arts director and Pennsylvania Council on Montgomery, AL $25,200 related costs to develop and the Arts Advisory Panel To support a radio series of manage the Native Arts Pro- Harrisburg, PA $22,900 documentaries on Alabama gram. Reviewed by Panel B. To support a folk arts survey Panelists listed under Folk folk art. Reviewed by 91-5533-0131 and documentation project Arts Organization Panels A Panel A. 91-5533-0046 in the Pennsylvania Northern and B also reviewed set-aside Arts and Humanities Tier. Reviewed by Panel B. grants for both Folk Arts Alabama State Council on Section, Division of Culture 91-5533-0132 Organizations and State the Arts and History, West Virginia Apprenticeships. Montgomery, AL $23,000 Department of Education Kentucky Arts Council To support a minority and the Arts Frankfort, KY $22,200 Folk Arts internship position at the Charleston, WV $27,400 To support the state folk arts Organizations council. Reviewed by To support second-year coordinator position and Panel A. 91-5533-0048 activities of the folk arts related costs. Reviewed by program in West Virginia. Panel B. 91-5533-0129 Alabama State Council on Maska State Council on Reviewed by Panel B. the Arts the Arts Maine Arts Commission Montgomery, AL $19,200 91-5533-0185 Anchorage, AK $29,800 Augusta, ME $10,200 To support a concert series To support a catalog to Colorado Council on the To support an exhibition on and arts education workshops accompany an exhibition of Arts and Humanities Micmac basketry, which will for school children at the Alabama Center for Tradi­ Alaskan native art titled Denver, CO $15,000 be accompanied by a public tional Culture and Old Ala­ "Tradition, Innovation, and To support the western forum on the endangered Continuity." Reviewed by regional folk arts coordinator black ash tree. Reviewed by bama Town, a historic village Panel A. 91-5533-0096 position and related costs. Panel B. 91-5533-0128 in central Montgomery.

1991 Annual Report 267 Mississippi Arts New York State Council on sacred harp singing. Guam. Reviewed by Panel A. Commission the Arts Reviewed by Panel B. 91-5534-0095 Jackson, MS $25,000 New York, NY $21,600 91-5534-0197 To support the state folk arts To support a minority Idaho Commission on coordinator position and internship and related costs Maska State Council on the Arts related costs. Reviewed by at the council’s Folk Arts the Arts Boise, ID $21,600 Panel B. 91-5533-0172 Program. Reviewed by Anchorage, AK $10,000 To support a folk arts Panel B. 91-5533-0139 To support a folk arts apprenticeship program in Nevada State Council on apprenticeship program in Idaho. This program sup­ the Arts Ohio Arts Council Alaska. Reviewed by Panel A. ports apprenticeships within Reno, NV $21,500 Columbus, OH $4,000 91-5534-0090 the five Idaho tribes: Koo­ To support a survey of the To support meetings of all tenia, Paiute, Shoshone- traditional arts in the ethnic current and past master and American Samoa Council on Bannock, Nez Perce, and and folk communities of Las apprentice artists from the Arts, Culture and the Coeur d’Alene. Reviewed by Vegas culminating in a con­ throughout the state to plan Humanities Panel B. 91-5534-0194 cert exhibit and a countywide and evaluate their work and Pago Pago, AS $17,400 cultural plan. Reviewed by to discuss how this program To support a folk arts Iowa Arts Council Panel A. 91-5533-0039 might develop further. apprenticeship program in Des Moines, IA $25,000 Reviewed by Panel A. American Samoa. Reviewed To support a folk arts New England Foundation 91-5533-0042 by Panel B. 91-5534-0193 apprenticeship program in for the Arts Iowa. Reviewed by Panel A. Cambridge, MA $10,000 South Carolina Arts Colorado Council on the 91-5534-0088 To support a series of techni­ Commission Arts and Humanities cal assistance workshops and Columbia, SC $19,200 Denver, CO $30,000 Kansas Arts Commission related costs to assist native To support a long-range To support a folk arts Topeka, KS $30,000 American traditional crafts statewide folk arts plan. apprenticeship program in To support a folk arts people in New England in Reviewed by Panel B. Colorado. Past apprentice­ apprenticeship program in developing artistic portfolios 91-5533-0182 ships have included saddle- Kansas. Reviewed by and educational and interpre­ making, native American Panel A. 91-5534-0091 tive materials. Reviewed by Western States Arts regalia-making, and Hispanic Panel A. 91-5533-0050 Federation weaving. Reviewed by Kentucky Arts Council Santa Fe, NM $24,500 Panel B. 91-5534-0197 Frankfort, KY $20,000 New England Foundation To support a consultant- To support a folk arts for the Arts designed and -executed study District of Columbia apprenticeship program in Cambridge, MA $39,900 of the folk arts programs and Commission on the Arts Kentucky. Reviewed by To support a tour of tradi­ services in 12 western states. and Humanities Panel B. 91-5534-0188 tional Caribbean music and Reviewed by Panel B. Washington, DC $20,000 dance. Reviewed by Panel B. 91-5533-0144 To support a folk arts Maine Arts Commission 91-5533-0158 apprenticeship program in Augusta, ME $9,200 State Arts the District of Columbia, To support a folk arts New England Foundation including Jubilee and gospel apprenticeship program in for the Arts Apprenticeships quartet singing, North Indian Maine, including French- Cambridge, MA $17,000 music, Indonesian music and American fiddling and sing­ To support a showcase event Alabama State Council on dance, Afro-Cuban lucumi ing, Passamaquoddy and in Lowell, MA, to introduce the Arts drumming, and Anharle kr’ar Micmac basketmaking, and New England’s presenting Montgomery, AL $20,000 (lyre) playing. Reviewed by traditional woodcarving. organizations to the diversity To support a folk arts Panel B. 91-5534-0198 Reviewed by Panel B. of traditional performing arts apprenticeship program in 91-5534-0186 in the region. Reviewed by Alabama, including Cam­ Guam Council on the Arts Panel B. 91-5533-0159 bodian split-cane weaving, and Humanities Maine Arts Commission banjo playing, African- Agana, Guam $10,000 Augusta, ME $11,100 American quilting, and To support a folk arts To support an amendment of apprenticeship program in grant # 90-5534-0101 to

268 National Endowment for the Arts provide funds to cover the Montana. Reviewed by To support a folk arts To support a subgranting salary of a Maine folk arts Panel A. 91-5534-0092 apprenticeship program in program for exemplary rural coordinator position. Washington. Reviewed by arts organizations with insti­ Reviewed by Panel A. Nevada State Council on Panel B. 91-5534-0189 tutional potential. the Arts 91-5370-0433 Minnesota Arts Board Reno, NV $10,000 Wisconsin Arts Board St. Paul, MN $30,000 To support a folk arts Madison, WI $13,000 Division of the Arts, To support a folk arts apprenticeship program in To support a folk arts Louisiana Department apprenticeship program in Nevada. Reviewed by apprenticeship program in of Culture, Recreation, Minnesota, featuring Ger­ Panel A. 91-5534-0089 Wisconsin. Reviewed by and Tourism man, African-American, and Panel A. 92-5534-0085 Baton Rouge, LA $40,000 Norwegian artists, as well as New Mexico Arts Division To support the third year of the more recent Cambodian, Santa Fe, NM $24,600 a three-year subgranting pro­ Laotian, and Hmong immi­ To support a folk arts Expansion Arts gram for exemplary rural arts grant artists. Reviewed by apprenticeship program in organizations with institu­ Panel B. 91-5534-0191 New Mexico. Reviewed by 11 Grants tional potential. Panel A. 91-5534-0094 Program Funds: $397,500 91-5370-0439 Mississippi Arts Commission Rhode Island State Council Advisory Panel Iowa Arts Council Jackson, MS $10,000 on the Arts Des Moines, IA $40,000 To support a folk arts Providence, RI $29,200 Panelists listed under the To support the third year of a apprenticeship program in To support a folk arts Expansion Arts Program’s three-year subgranting pro­ Mississippi, including blues, apprenticeship program in Community Foundation gram for rural arts organiza­ white oak basketry, Choctaw Rhode Island. Reviewed by Initiatives Panel A also tions with institutional cane basketry and regalia- Panel A. 91-5534-0084 reviewed the following potential. 91-5370-0434 making, and string band grants. music. Reviewed by Panel B. State Arts Council of Montana Arts Council 91-5534-0195 Oklahoma Grants Helena, MT $40,000 Oklahoma City, OK To support a subgranting Missouri Arts Council $19,900 Alabama State Council on program for exemplary rural St. Louis, MO $20,000 To support a folk arts the Arts arts organizations with insti­ To support a folk arts apprenticeship program in Montgomery, AL $40,000 tutional potential. apprenticeship program in Oklahoma that will focus on To support the third year of a 91-5370-0432 Missouri. Reviewed by the state’s native American three-year subgranting pro­ Panel A. 91-5534-0093 population. Reviewed by gram for exemplary rural arts New Mexico Arts Division Panel B. 91-5534-0192 organizations with institu­ Santa Fe, NM $40,000 Montana Arts Council tional potential. To support the third year of a Helena, MT $10,000 State Foundation on Culture 91-5370-0437 three-year subgranting pro­ To support a folk arts and the Arts gram for rural arts organiza­ apprenticeship program to Honolulu, HI $20,000 Alaska State Council on tions with institutional address the artistic needs of To support a folk arts the Arts potential. 91-5370-0435 Montana’s native American apprenticeship program in Anchorage, AK $12,500 population, representing Hawaii. Past apprenticeships To support the third year of a North Carolina Arts Council eleven tribes, seven reserva­ have included Hawaiian hula three-year subgranting pro­ Raleigh, NC $40,000 tions, and 55,000 people. and chant, flower and feather gram for rural arts organiza­ To support the second year Reviewed by Panel B. lei-making, slack key guitar tions involved in contempo­ of the Rural Arts Initiative 91-5534-0196 playing, quilting, and Japan­ rary and traditional native Program, which provides ese music and dance. Review­ cultural arts. 91-5370-0436 grants for exemplary rural Montana Arts Council ed by Panel B. 91-5534-0200 arts organizations with insti­ Helena, MT $21,000 Commonwealth of tutional potential. To support a folk arts Washington State Arts Pennsylvania Council on 91-5370-0438 apprenticeship program in Commission the Arts Olympia, WA $30,000 Harrisburg, PA $40,000

1991 Annual Report 269 North Dakota Council on John Haworth Jessica Stickney To support the enhancement the Arts Assistant Commissioner for Former Chairperson of the council’s three-tiered Fargo, ND $25,000 Cultural Institutions Montana State Council "Strategies for Success" pro­ To support the second year New York City Department on the Arts gram. 91-6144-0086 of a three-year subgranting of Cultural Affairs Miles City, MT program for exemplary New York, NY Connecticut Commission rural arts organizations with Grants on the Arts institutional potential. Charlotte Heth Hartford, CT $150,000 91-5370-0441 Chairperson, Ethnomusic­ Arizona Commission on To support inner-city cultur­ ology Department the Arts al development projects in South Carolina Arts University of California-­ Phoenix, AZ $150,000 Bridgeport, New Haven, and Commissiofi Los Angeles To support exhibitions, per­ Hartford. 91-6144-0069 Columbia, SC $40,000 Los Angeles, CA formances, and educational To support the third year of a activities that will promote District of Columbia three-year subgranting pro­ William Kornrich genuine collaboration Commission on the Arts and gram to exemplary rural arts Director between rural, inner-city, Humanities organizations with institu­ Rose Center and Council for and ethnic cultural groups Washington, DC $100,000 tional potential. the Arts and other leading arts organi­ To support a grant program 91-5370-0440 Morristown, TN zations in the state. that targets Wards 6, 7, and 91-6144-0070 8, which are the most cultur­ Wisconsin Arts Board Joan Lolmaugh ally under-served areas of the Madison, WI $40,000 Former Executive Director Arts Midwest city. 91-6144-0066 To support the second year Idaho Commission on Minneapolis, MN $150,000 ofa subgranting program for the Arts To support a cultural devel­ Guam Council on the Arts exemplary rural arts organiza­ Springfield, IL opment program to strength­ and Humanities tions with institutional en and expand a network of Agana, Guam $43,000 potential. 91-5370-0442 Mice Lovelace community-based cultural To assist the development of Executive Director organizations that focuses on the rural Chamorro village of Southeast Community preserving and sharing the Inarajan as a traditional folk State And Cultural Center, Inc. cultures of African-American, arts village. 91-6144-0075 Regional Atlanta, GA native American, Asian- American, and Latino com­ Illinois Arts Council 28 Grants Ellen Lovell munities. 91-6144-0091 Chicago, IL $110,000 Former Executive Director To support an institutional Program Funds: $2,826,000 Vermont State Council on Colorado Council on the and professional development the Arts Arts and Humanities initiative for arts organiza­ Advisory Panel Washington, DC Denver, CO $75,300 tions deeply rooted in and To support an urban neigh­ reflecting the cultures of peo­ Ramona Baker Barbara Nicholson borhood arts development ple of color and inner-city, Director Former Mayor’s Advisor for program. 91-6144-0084 rural, tribal, and other under- The Arts Council, Inc. Cultural Affairs/Executive served populations. Huntsville, AL Director Colorado Council on the 91-6144-0064 District of Columbia Com­ Arts and Humanities Libby Chiu mission on the Arts and Denver, CO $74,700 Indiana Arts Commission Former Deputy Director Humanities To support stabilization pro­ Indianapolis, IN $57,500 Massachusetts State Council Washington, DC jects for four inner-city mul­ To support the second year on the Arts and ticultural institutions. of the "Arts: Rural and Humanities Marcia Erickson Noebels 91-6144-0085 Multicutural" program. West Roxbury, MA Former Executive Director 91-6144-0078 New England Foundation Commonwealth of Eduardo Garcia for the Arts Pennsylvania Council Maine Arts Commission Arts Administrator Houston, TX on the Arts Augusta, ME $150,000 Plainsboro, NJ Harrisburg, PA $100,000 To support community­

270 National Endowment for the Arts based arts projects for programming in rural and Council’s ACCESS grants Wisconsin Arts Board Maine’s Franco-American native American communi­ program for under-served Madison, WI $100,000 community and to support ties. 91-6144-0065 communities. 91-6144-0074 To support a pilot grants activities in rural communi­ program titled "Access to the ties where residents lack Nevada State Council Oregon Arts Commission Arts in Under-Served Com­ access to the arts for both on the Arts Salem, OR $75,000 munities," in partnership geographic and economic Reno, NV $100,000 To support community- with the Milwaukee Founda­ reasons. 91-6144-0081 To support a three-year pro­ based traditional arts projects tion and the Greater Mil­ gram to upgrade arts pro­ in cooperation with the Ore­ waukee Educational Trust. Maryland State Arts Council gramming in Nevada’s rural gon Folk Arts Program. 91-6144-0088 Baltimore, MD $66,000 communities. 91-6144-0095 91-6144-0072 To support dance camps pro­ vided by the Alvin Alley New Jersey State Council Rhode Island State Council Locals American Dance Theatre for on the Arts on the Arts disadvantaged and artistically Trenton, NJ $50,000 Providence, RI $75,000 38 Grants under-served youths in Balti­ To support the second phase To support the enhancement Program Funds: $1,917,854 more City. 91-6144-0073 of a minority arts initiative. of the council’s Expansion 91-6144-0079 Arts Project. 91-6144-0071 Michigan Council for Advisory Panel the Arts New Jersey State Council South Carolina Arts Lynda Burkel Detroit, MI $110,000 on the Arts Commission To provide technical assis­ Artistic Director Trenton, NJ $50,000 Columbia, SC $125,000 Lynda Martha Dance tance to community-based To support phase two of the To support rural arts devel­ traditional and ethnic arts Company Southern New Jersey Arts opment in South Carolina, Evanston, IL organizations in under-served Initiative. 91-6144-0080 building upon the findings areas. 91-6144-0089 and recommendations of the Judith Chalker North Carolina Arts Council state’s 1990 Rural Arts Task Multi-Arts Coordinator Mid-Atlantic Arts Raleigh, NC $50,000 Force. 91-6144-0083 Foundation, Inc. Ohio Arts Council To promote arts activities in Columbus, OH Baltimore, MD $135,000 North Carolina’s culturally Vermont Council on To support a three-year ini­ isolated and economically the Arts tiative that will build a net­ Joseph Golden depressed northeastern region Montpelier, VT $150,000 President work of not-for-profit jazz through community residen­ To support "In Our Own presenters. 91-6144-0090 Spirit Square Center for cies involving Roadside Voices," a collaboration with the Arts Theater and John O’Neil Vermont’s Agency for Charlotte, NC Mississippi Arts and Junebug Productions. Human Services, to bring Commission 91-6144-0076 after-school artist residencies Jackson, MS $150,000 Elizabeth Kennedy in nonschool settings to rural Independent Arts Consultant To award six to ten grants North Carolina Arts Council youth. 91-6144-0068 to increase arts leadership, Raleigh, NC $100,000 El Segundo, CA presentation, and education To strengthen and support West Virginia Arts and Marion Andrus McCoHam in under-served communities the organizational and artistic Humanities Section and to expand Mississippi’s Executive Director development of approximate­ Charleston, WV $100,000 Cultural Arts Council of "Arts Festival Presenters ly 20 arts organizations based To support a special under- Houston Network." 91-6144-0082 in and focused on African- served communities arts ini­ Houston, TX American, Asian-American, tiative to develop new arts Montana Arts Council Hispanic, or native American programs to benefit rural and Harvey Rose Helena, MT $119,500 communities. 91-6144-0077 culturally diverse artists and To support a two-year multi­ City Manager audiences and to improve City of Steamboat Springs disciplinary project enabling North Dakota Council on access to state and national Steamboat Springs, CO nine statewide arts service the Arts arts resources. 91-6144-0094 organizations to cooperate on Fargo, ND $110,000 Harriet Sanford a project to enhance their To support expansion of the Executive Director

1991 Annual Report 271 Councils, with technical assistance projects for the Montana Arts Council Fulton County Arts Council Helena, MT $5,000 Atlanta, GA assistance programs for rural state’s rural local arts agen­ arts agencies. 91-6252-0042 cies. 91-6252-0043 To support the 1991 local Cynthia Schaal arts agency training confer­ Executive Director Commonwealth of Illinois Arts Council ence, "Art Beyond Bound­ Lynchburg Fine Arts Center Pennsylvania Council on Chicago, IL $50,000 aries V: Creative Alliance for Richmond, VA the Arts To support the council’s the ’90s." 91-6265-0032 Harrisburg, PA $50,000 technical assistance projects To support the development to rural and inner-city local Montana Arts Council Victoria Sharpley Helena, MT $50,000 Executive Director of a comprehensive technical arts agencies. 91-6252-0049 The Association of American assistance initiative for rural, To support the Montana Arts inner-city, and under-served Institute of Puerto Rican Council with technical assis­ Cultures tance to rural local arts agen­ Washington, DC local arts agencies in Pennsyl­ Culture vania. 91-6252-0039 San Juan, PR $50,000 cies. 91-6252-0040 Chris Van Antwerp To support the institute with District of Columbia technical assistance to local New York State Council on Arts Education Consultant the Arts Kalamazoo Valley Commission on the Arts and arts agencies. 91-6252-0050 Intermediate School District Humanities New York, NY $12,835 To support the council with Grand Rapids, MI Washington, DC $50,000 Michigan Council for Arts To support a technical assis­ and Cultural Affairs the development of a techni­ tance project to conduct a Detroit, MI $50,000 cal assistance program for Technical Assistance community cultural assess­ To support a technical assis­ emerging !ocal arts agencies ment for the District of tance program for rural and serving rural areas of the Grants Columbia. 91-6252-0074 inner-city local arts agencies. state. 91-6252-0060 91-6252-0056 Alabama State Council on Division of Cultural Affairs, North Carolina Arts Council the Arts Florida Department of State Minnesota State Arts Board Raleigh, NC $50,000 Montgomery, AL $8,610 Tallahassee, FL $49,796 St. Paul, MN $44,800 To support the council with To support the Alabama To support the Division of To support the board with implementation of a compre­ State Council on the Arts Cultural Affairs, in conjunc­ technical assistance programs hensive management/techni­ with technical assistance tion with the Florida Asso­ for rural and inner-city local cal assistance program for support to a group of rural ciation of Local Arts Agen­ arts agencies. 91-6252-0041 rural and inner-city local arts arts councils in Alabama. cies, in developing technical agencies. 91-6252-0046 91-6252-0055 assistance programs for rural Mississippi Arts and inner-city local arts agen­ Commission Oregon Arts Commission California Arts Council cies. 91-6252-0047 Jackson, MS $50,000 Salem, OR $50,000 Sacramento, CA $50,000 To support a three-part tech­ To support the commission To support technical assis­ Division of the Arts, nical assistance program for with technical assistance to tance projects to be formulat­ Louisiana Department rural local arts agencies. developing rural and inner- ed and implemented in col­ of Culture, Recreation, 91-6252-0059 city local arts agencies laboration with the Califor­ and Tourism throughout the state. nia Assembly of Local Arts Baton Rouge, LA $24,920 Missouri State Council on 91-6252-0057 Agencies to strengthen rural To support a technical assis­ the Arts and inner-city local arts agen­ tance program for rural and St. Louis, MO $50,000 South Carolina Arts cies. 91-6252-0054 inner-city local arts agencies. To support the Missouri Arts Commission 91-6252-0051 Council, in conjunction with Columbia, SC $30,000 Colorado Council on the the Missouri Association of To support the commission, Arts and Humanities Idaho Commission on Community Arts Agencies, in cooperation with the Denver, CO $34,500 the Arts with the development of a South Carolina Arts Alliance, To support the Colorado Boise, ID $30,200 new technical assistance pro­ with technical assistance to Council on the Arts and To support the Idaho Com­ gram for rural arts agencies. rural local arts agencies. Humanities, in conjunction mission on the Arts with the 91-6252-0045 91-6252-0061 with the Colorado Consor­ development of technical tium of Community Arts

272 National Endowment for the Arts South Dakota Arts Council Wisconsin Arts Board project for a first-time paid support for local arts agen­ Sioux Falls, SD $20,000 Madison, WI $20,000 professional director in rural cies. 91-6252-0073 To support the council, in To support the board with local arts agencies. cooperation with the Com­ the expansion of technical 91-6252-0069 Washington State Arts munity Arts Council Net­ assistance to rural and inner- Commission work, with the development city local arts agencies. Montana Arts Council Olympia, WA $100,000 of a technical assistance pro­ 91-6252-0052 Helena, MT $17,566 To support the commission gram for rural local arts agen­ To support the council with with salary assistance for cies. 91-6252-0048 Wyoming Arts Council basic salary support subgrants under-served local arts agen­ Cheyenne, WY $13,027 for local arts agencies in rural, cies. 91-6252-0063 State Arts Council of To support the council with inner-city, and under-served Oklahoma technical assistance programs areas. 91-6252-0071 Oklahoma City, OK to rural local arts organiza­ Special Projects $50,000 tions. 91-6252-0053 New Mexico Arts Division To support the council, in Santa Fe, NM $100,000 13 Grants cooperation with the Assem­ Salary Assistance To support the division’s Program Funds: $227,900 bly of Community Arts Basic Salary Assistance pro­ Councils of Oklahoma, with California Arts Council ject. 91-6252-0072 Dance on Tour the development of technical Sacramento, CA $100,000 assistance programs for rural To support subgrants to local New York State Council on and inner-city local arts agen­ the Arts Advisory Panel arts agencies in rural, inner- cies. 91-6252-0062 city, and under-served areas New York, NY $46,000 To support the council with Panelists listed under the to enable them to hire first- Dance on Tour Panel also Tennessee Arts Commission time professional directors basic salary support to first- Nashville, TN $50,000 time directors of local arts reviewed grants in this and/or increase part-time category. To support the commission director positions to full- agencies in under-served areas with expansion of technical time. 91-6252-0068 of New York. 91-6252-0070 assistance to rural and inner- Grants city local arts agencies. South Carolina Arts Commonwealth of Maine Arts Commission 91-6252-0058 Pennsylvania Council Commission Columbia, SC $94,500 Augusta, ME $20,000 Texas Commission on on the Arts To support the commission To support costs associated Harrisburg, PA $100,000 with two three-week commu­ the Arts To support subgrants to local with the development of a Austin, TX $50,000 basic salary assistance pro­ nity residencies by Stephen arts agencies in rural, inner- gram for emerging local arts Kopolowitz and members of To support the commission city, and under-served areas with the development of edu­ agencies in under-served his company 91-5442-0251. cation and technical assis­ to enable them to fund first- areas. 91-6252-0064 time, full-time professional Mississippi Arts tance programs to develop directors and to make part- local arts agencies in rural, Utah Arts Council Commission time director positions full- Jackson, MS $8,000 under-served, and inner-city time. 91-6252-0066 Salt Lake City, UT $100,000 areas of Texas. 91-6252-0038 To support the council with To support costs for a dance presenters seminar planned in Idaho Commission on basic salary support for the Washington State Arts development of new full-time conjunction with the annual the Arts Governor’s Conference for Commission Boise, ID $93,600 executive directors of rural Olympia, WA $50,000 local arts agencies. the Arts in the fall of 1991. To support the commission 91-5442-0015 To support the commission with funding for salary assis­ 91-6252-0065 with the implementation of a tance grants to local arts Virgin Islands Council on New Hampshire State technical assistance package agencies. 91-6252-0067 focusing on rural and inner- the Arts Council on the Arts Concord, NH $16,000 city local arts agencies. Kansas Arts Commission St. Thomas, VI $22,500 91-6252-0044 To support the council with To support artists’ fees and Topeka, KS $100,000 the development of salary related costs for a one-week To support the commission residency by Liz Lerman/ with a basic salary assistance

1991 Annual Report 273 Dance Exchange and Grants Inter-Arts Mid-Atlantic Arts Dancers of the Third Age. Foundation 91-5442-0011 Arts Midwest Advisory Panel Baltimore, MD $5,000 Minneapolis, MN $39,600 To support honoraria, New Mexico Arts Division To support the 1991-92 Jazz Panelists listed under the administrative and promo­ tional costs, and travel subsi­ Santa Fe, NM $25,000 Master Awards, publication Services to Presenting Organ­ To support costs associated of Jazz Letter and Jazz izations Panel also reviewed dies associated with an with the SRO/DANCE Calendar, a computerized grants in this category. expansion of services to (Support Residency Opera­ jazz referral service, and a presenters in the nine-state tion/Dance) project, which series of technical assistance Grants member region during the encourages extended and workshops. 91-3144-0301 1991-92 season. expanded residencies for out­ Arts Midwest 91-5442-0135 of-state dance companies. New England Foundation Minneapolis, MN $8,800 91-5442-0003 on the Arts To support honoraria and New England Foundation Cambridge, MA $7,900 administrative and promo­ Cambridge, MA $11,000 North Carolina Arts Council To support expenses related tional expenses for two new To support honoraria, administrative and promo­ Raleigh, NC $25,000 to a series of jazz seminars, a presenters initiatives, and To support artists’ fees and semiannual jazz newsletter, travel subsidies for six minor­ tional costs, and travel subsi­ related costs for two out-of­ and a jazz radio network. ity and rural presenters to dies associated with the state dance companies in a 91-3144-0304 attend the Mid-West Arts Presenters Development residency project during the Conference. 91-5442-0136 Program. 91-5442-0134 1991-92 season. Southern Arts Federation 91-5442-0002 Atlanta, GA $30,800 Mid-America Arts Mliance Western States Arts To support the 1991-92 Kansas City, MO $17,600 Federation series of jazz projects, includ­ To support honoraria and Santa Fe, NM $13,200 Music ing the JazzSouth quarterly, a administrative and travel To support honoraria, administrative and promo­ Advisory Panel "Southern Tracks" radio pro­ expenses associated with pre­ gram, and a jazz seminar for senter programs designed to tional costs, and travel performing arts presenters. increase professional skills, expenses associated with the Panelists listed under the Western State Presenter Jazz Presenters Panel also 91-3144-0305 strengthen networks, expand programming, and develop Incentive Project for presen­ reviewed grants in this ters in WESTAF’s 13-state category. audiences in the six-state member region. member region. 91-5442-0137 91-5442-0159

274 National Endowment for the Arts Office of Policy; Planning, Research & Budget

The Office of Policy Planning, Research & Budget (OPPRB) funding for promoting accessibility to the arts for older coordinates the development and review of policy issues that and disabled people and those living in institutions affect the Endowments various disciplinary and partnership through its Office for Special Constituencies. As part of programs, using information derived~om policy and OPPRB’s planning interest, it supports the professional research analysis. It then develops recommendations that development of arts managers through the Fellowship enable the agency to manage effectively its support of and Program for Arts Administrators, managed by the Office access to excellence in the arts through integrated planning of the Deputy Chairman for Management. and budgeting processes. To serve better the policymaking needs of the Endowment and to provide more integrated and effective rucial to policy development and program services, OPPRB was restructured in 1991. This office evaluation are the policy and research activ­ assumed oversight responsibility for the Budget Office to ities funded by this office through its ensure that the agency’s planning and budgeting are more C Policy Planning and Research Divisions. closely linked and that the internal allocation of funds Consistent with the agencys mission, reflects the policies and priorities of the agency’s leader- OPPRB also provides education, technical support and ship as articulated through the planning process.

275 Myrtle Carvalho tells a story as other "Pearls of Wisdom" listen in a program recognizing the varied artistic girls of older Americans. Specl "al ons C tituenc i es 3 Projects Funds $49,119

n 1991 the Office devoted considerable effort to The Office for Special Constituencies engages in public infor­ mation and technical assistance activities in behalf of oMer helping major arts service groups promote access, Americans, disabled persons and those living in institutions. in part by educating them on the newly enacted As part of this work, it develops projects to help artists and I Americans with Disabilities Act which is revitaliz- arts administrators make the arts more accessible to these ing access efforts for disabled people throughout people. the country. For example, the office made presentations

276 National Endowment for the Arts at 13 conferences during the year, including meetings and Disabled Americans was established to stimulate sponsored by the College Art Association, American focused and coordinated efforts throughout the Endow­ Association for State and Local History, American ment in behalf of these important constituents. The Association of Museums, National Association of State working group began review of all agency guidelines to Arts Agencies and National Association of Artists’ increase recognition of older and disabled artists and Organizations. sought ways to highlight model programs addressing the In addition to cooperative projects with NASAA and cultural needs of older and disabled persons. the Southern Arts Federation, the office developed a joint The office received two awards recognizing the effort with the Design Arts Program to promote "univer­ Endowment’s work in behalf of improved accessibility. sal design." This is a constellation of architectural philos­ The American Foundation for the Blind honored the ophy, designer methodology and functional products that agency’s work for those with visual impairments, while a serves all people regardless of age or abilities. The project Special Ella T. Grasso Award acknowledged the is administered by Design Access in Washington, D.C. Endowment’s "pivotal role" in developing the first profes­ This year an intra-agency Working Group on Older sional arts program in an American hospice.

nizations and other arts To plan, develop, and imple­ mation on the Endowment’s Projects groups; and to plan addition­ ment the first phase of a 504 Regulations. al efforts to assist state and regional symposium to assist ¢g Denotes Grants Having regional arts organizations in state arts agencies and other ~ Technical Access Activities National Impact. making their activities more grantees in making their accessible to disabled and activities available to people Washington, DC $9,119 To support seminars and ¢g National Assembly of older individuals and in edu­ with disabilities and to older adults. The October 1992 panels on accessible pro­ State Arts Agencies cating their constituents on these important issues. symposium will include pan­ gramming for older adults Washington, DC $10,000 and people with disabilities To support a project coordi­ Recommendations for the els and workshops on model project came from the July efforts by arts organizations at conferences of arts service nator who will organize and organizations, including the convene two planning meet­ 1990 access conference that and presentations by groups was sponsored by the Mid and individuals representing American Association of ings comprised of regional Museums, the National directors, state arts agencies Atlantic Arts Foundation special constituencies. Other and the Endowment. workshops will focus on Association of Artists staff, and disability consul­ design solutions, access train­ Organizations, the Wyoming tants; to develop an access Arts Council, and the manual for arts service orga­ ~" Southern Arts Federation ing for grantees, and infor­ Atlanta, GA $30,000 Midwest Arts Conference.

Research 4 Projects Funds $295,804

ongress, the cultural community and mation necessary to inform cultural policy processes by administration policymakers depend on examining the cultural needs of the public, identifying consistent and reliable data for cultural ways to enhance access to cultural opportunities, studying C policy assessment and formulation. The the effects of the economy on cultural activities and Research Division helps develop the infor- documenting the value of arts education to the nation’s

1991 Annual Report 277 educational system. for positioning the arts as a cultural industry and detail­ This year OPPRB contracted Kultural Economet­ ing the general dimensions of this comprehensive arts rics International, the National Conference of State industry. Legislatures, Partners for Livable Places and Professor The Division also continued development of national Anthony of the Missouri Arts Council to develop a and local surveys of public participation in the arts report on the arts in the economy. The report will and preparation for a biennial update of the Sourceboak contribute to the development of a conceptual framework of Arts Statistics.

Projects book of Arts Statistics will be analysis will compare the individual state and regional the third in a series that number, location, and economies will also be made. began with the 1987 source­ expenses and revenues of arts Information will be gathered ~r Denotes Grants Having book produced through the organizations as reported in on numerous revenue sources National Impact. Research Division. The the 1977, 1982, and 1987 for the arts, including public soucebook provides a sum­ censuses. These data provide (federal, state, and local), ~r Bureau of the Census mary of available information a comprehensive look at the private (corporate and foun­ Washington, DC $216,000 on arts audiences, organiza- growth of arts organizations dation), and earned income. To support the second of tions, and artists. The first such as symphony orchestras, This study will also include a three phases of the 1992 volume was used for the first dance companies, theaters, review and assessment of the nationwide Survey of Public state-of-the-arts report The and opera companies. The results of over 100 economic Participation in the Arts Arts in America, delivered to data base is unique because it impact studies conducted (SPPA). The 1992 SPPA is Congress in October 1988. is derived from a national over the last 20 years. Finally, the third in a series ofnationo That sourcebook was up- census of industries that can the role of the arts in com­ wide surveys (1982 and 1985 dated in 1989 in preparation be subdivided by state. The munity economic develop­ being the first two) that for the 1990 state-of-the­ universe surveyed includes all ment will be examined, measure arts participation arts report. The update will arts organizations filing FICA including issues regarding the across various subgroups of provide an up-to-date source- reports or federal tax forms. role of the arts in downtown the population. This second book for the 1992 state-of­ revitalization efforts, business phase of the 1992 SPPA the-arts report. The source- ¢z Report on the Arts and location decisions, and over­ will include the following: book is not only an impor­ the Economy $40,011 all urban planning and design 1) the cost of testing and tant reference for the state­ To prepare a comprehensive schemes. Data from the com­ implementing the SPPA of-the-arts report, but also report that describes the sig­ pleted report will be used by Computer-Assisted Tele­ for arts administrators, ser- nificance of the arts to the the Endowment in preparing phone Instrument (CATI); vice organization staff, nation’s economy, including the 1992 congressional report 2) the cost of monthly data arts researchers, and others the size of the arts industry on the state-of-the-arts in collection operations for the interested in data on the arts. and labor force compared to America. Additionally, the first nine months of 1992; other industrial sectors in the report will provide policy- and 3) the clerical processing ~r Mary G. Peters economy. It will also discuss makers, in both the public costs for the first nine Washington, DC $14,800 the contribution of the arts to and private sectors, and the months of the survey. To support the analysis of national competitiveness in field with information need­ data on revenue and expendi­ world markets and to the ed to inform policy discus­ ~ Westat, Inc. tures of arts organizations enhancement of human sions and decisions. Rockville, MD $24,993 based on the tabulations pre- capital. Efforts to compile The updating of A Source- pared from the 1987 Census estimates comparing the size of Service Industries. The of the arts industry within

278 National Endowment for the Arts Arts am n strat on Fellows 45 Grants Program Funds $201,937

The Arts Administration Fellows Program offers to promis­ n Fiscal 1991, this program, based at Endowment ing arts managers the opportunity to get acquainted with headquarters in Washington, provided 45 fellow­ the policies and operations of the Endowment and to gain ships lasting 13 weeks. Each fellow worked in an an overview of arts activities around the country. The I agency office or grants program and participated program promotes increased communication and under­ in a variety of activities. Fellows also got a general standing between the Endowment and the arts organiza­ introduction to the political, cultural and government- tions represented by the fellows. oriented organizations in the nation’s capital.

Grants Couch, Stephen Folkers, Cynthia D. Hinand, Marcelle L. Dallas, TX $4,600* Ithaca, NY $4,390 Boston, MA $4,400 Anabo, Elizabeth To participate as a Fellow in To participate as a Fellow in To participate as a Fellow Long Beach, CA $4,790 the Office of Program Coor­ the Theater Program during in the Literature Program To participate as a Fellow in dination during the summer the fall session. during the spring session. the Expansion Arts Program session. during the fall session. * Chairman "s Extraordinary Griffin, Carolyn H. Ijams, Brenda Action Grant. Atlanta, GA $4,500 Tucson, AZ $4,585 Birman, Robert A. To participate as a Fellow in To participate as a Fellow in Berwyn, PA $4,150 Deutsch, James I. the Visual Arts Program the Opera-Musical Theater To participate as a Fellow in Washington, DC $4,000 during the spring session. Program during the fall the Music Program during To participate as a Fellow in session. the fall session. the Folk Arts Program during Grooms, Tony the fall session. Atlanta, GA $4,267 Ijams, Rex B. Blim, John M. To participate as a Fellow in Tucson, AZ $4,585 Evanston, IL $4,500 Dorsett, Lea Evelyn the Literature Program dur­ To participate as a Fellow To participate as a Fellow in Columbia, SC $4,400 ing the fall session. in the Arts in Education the Theater Program during To participate as a Fellow Program during the fall the spring session. in the Arts in Education Guralnick, June session. Program during the spring Lumberton, NC $4,400* Bruck, Patricia D. session. To participate as a Fellow in Johnson, Cheryl Anne Boulder, CO $4,700* the Theater Program during Atlanta, GA $4,500* To participate as a Fellow in Evans, Patricia S. the summer session. To participate as a Fellow in the Media Arts Program dur­ Kansas City, MO $4,500 * Chairman’s Extraordinary the Folk Arts Program during ing the summer session. To participate as a Fellow in Action Grant. the summer session. * Chairman’s Extraordinary the Research Division during * Chairman "s Extraordinary Action Grant. the spring session. Hill, Scott Action Grant. Davis, CA $4,790 Collins, Russell B. Fiske, Anne Powell To participate as a Fellow in Killeen, Donald J. Ann Arbor, MI $4,500 Seattle, WA $4,790 the Research Division during Honolulu, HI $5,130 To participate as a Fellow in To participate as a Fellow in the fall session. To participate as a Fellow the Media Arts Program dur­ the Locals Program during in the Office of Policy and ing the spring session. the fall session. Planning during the fall session.

1991 Annual Report 279 La Farge, Louisa Mitchell, Jean * Chairman’s Extraordinary Stillger, Nancy San Francisco, CA $4,700* Washington, DC $4,000* Action Grant. Los Angeles, CA $4,790 To participate as a Fellow in To participate as a Fellow in To participate as a Fellow in the Arts in Education the Locals Program during Rouse, Sherry J. the Visual Arts Program dur­ Program during the summer the summer session. Bloomington, IN $4,500 ing the fall session. session. * Chairman’s Extraordinary To participate as a Fellow in * Chairman’s Extraordinary Action Grant. the States Program during Szczesny, Barry G. Action Grant. the spring session. Huntington Woods, MI Moore, Elisabeth S. $4,500* Levidow, Nancy Washington, DC $4,000* Schuett, Jacqulyn R. To participate as a Fellow in San Francisco, CA $4,790 To participate as a Fellow in St. Paul, MN $4,600* the Office of the General To participate as a Fellow in the Design Arts Program To participate as a Fellow in Counsel during the summer the International Activities during the summer session. the Inter-Arts Program dur­ session. Office during the fall session. * Chairman’s Extraordinary ing the summer session. * Chairman’s Extraordinary Action Grant. * Chairman’s Extraordinary Action Grant. Machida, Linda Lee Action Grant. Los Angeles, CA $4,700* Morrill, Janice Tate-Canterna, Patricia To participate as a Fellow in Decatur, GA $4,500 Shanken, Edward Allen Laramie, WY $4,500 the Dance Program during To participate as a Fellow in New York, NY $4,200 To participate as a Fellow in the summer session. the Folk Arts Program during To participate as a Fellow in the Dance Program during * Chairman’s Extraordinary the spring session. the Music Program during the spring session. Action Grant. the spring session. Nassif, Audrey Tomasini Pares, Juan B. Mayfield, Misa L. Dallas, TX $4,600 Shrum, Christopher Mayaguez, PR $4,600 Durham, NC $4,500* To participate as a Fellow in New York, NY $4,200* To participate as a Fellow in To participate as a Fellow in the Locals Program during To participate as a Fellow in the Expansion Arts Program the Music Program during the spring session. the Research Division during during the spring session. the summer session. Nunes, George H. the summer session. * Chairman’s Extraordinary Keyes, CA $4,790 * Chairman’s Extraordinary Young, Rebecca Action Grant. To participate as a Fellow in Action Grant. Dallas, TX $4,600* the Dance Program during To participate as a Fellow in McDowell, Peter F. the fall session. Smith, Sherry the State and Regional Pro­ Madison, WI $4,600* Washington, DC $4,000 gram during the summer To participate as a Fellow in Perez, Michelle To participate as a Fellow session. the Opera-Musical Theater New York, NY $4,200 in the Inter-Arts Program * Chairman’s Extraordinary Program during the summer To participate as a Fellow during the fall session. Action Grant. session. in the Challenge and * Chairman’s Extraordinary Advancement Program Starcher, Lisa D. Zimmerman, James K. Action Grant. during the fall session. Clarksburg, WV $4,390 Washington, DC $4,000 To participate as a Fellow To participate as a Fellow in McMillin, Dee A. Rafols, Alberto P. in the State and Regional the Challenge and Advance­ Sylmar, CA $4,600 Murray, KY $4,600* Program during the fall ment Program during the To participate as a Fellow in To participate as a Fellow in session. spring session. the Inter-Arts Program dur­ the International Activities ing the spring session. Office during the summer session.

280 National Endowment for the Arts International¯ _&CtlVltles " " " 1 Cooperative Agreement 5 Grants Funds $325,000

The International Office helps American artists and arts have sorry consequences for American artists, arts organizations reap the benefits of international interchange. organizations and audiences. Through information-sharing and modest grant-making, the To address these issues, the International Office Office seeks to encourage collaboration between diverse works with other Endowment programs on modest American and foreign arts organizations, expose more grantmaking activities. Through International Fellow­ Americans to the international influences within American ships and Residencies, we support creative development culture, and ensure that the excellence, diversity and vitality fellowships for American artists abroad in interaction of the arts in the U.S. are represented internationally. with host communities. We also help U.S. arts organiza­ tions host a foreign artist (or arts administrator) and he Endowment has always recognized that undertake projects that benefit both parties. involvement in international projects offers The International Projects Initiative provides modest important benefits and opportunities to funding for international cultural projects that enrich T American artists, arts organizations and foreign interchange, deepen understanding of the diverse audiences. International exposure can have cultures of the United States, and encourage greater profound positive effects on an artist’s or organization’s access for all American artists, arts organizations and artistry and public appeal, which in turn can improve its audiences to high-quality international activities. Some economic stability. exemplary ! 991 grants follow: International cultural events both at home and We supported the artistic director of the African abroad foster public education and cultural literacy. They American Dance Ensemble in Durham, North Carolina, enrich the cultural life of inner-city and rural audiences, on a tour of the Gambia and Zimbabwe to interview vil­ who often have had little opportunity to see cultural lage elder dancers and document the dance styles of their offerings from abroad. They help Americans of some youth. The research will be made available to institutions 170 different ethnic legacies explore their own cultures throughout the United States. The Vermont Council as well as others. on the Arts has begun the Vermont/Quebec Cultural While more American artists and organizations have Exchange to extend and deepen understanding of begun to work internationally, funding for international French-Canadian culture and heritage in Vermont and activities is extremely limited. The deep interest in this of Vermont culture and heritage in Canada. Young area dramatically outpaces the financial resources. In fact, Aspirations/Young Artists (YA/YA) of New Orleans support from foreign governments has been key to the established "YA/YA Abroad," a project linking young appearance of American artists abroad. Many foreign inner-city design artists trained by YA/YA with their governments provide substantial funding for Americans counterparts in communities in Europe. to appear in their countries and subsidize appearances Our Partnership activities support projects that of their artists in the U.S. as well. Continued low levels stimulate increased resources for international arts inter­ of federal support of international cultural interchange change or assist organizations to facilitate international threatens to undermine foreign funding. This would programming. The Fund for U.S. Artists at International

1991 Annual Report 281 Festivals and Exhibitions is a unique public/private Deaf of Cleveland participated in the First International partnership of the Endowment, USIA, the Rockefeller Theatre Festival in its sister city in the USSR, Volgograd. Foundation and The Pew Charitable Trusts. In 1991 The company performed for SRO audiences in English the Fund made available more than $1 million to help and American Sign Language simultaneously. Donald American performers invited to international festivals, as Jaeger, music director and conductor of the Midland- well as to support American representation at important Odessa Symphony and Chorale of Midland, Texas, contemporary visual art exhibitions around the world. attended the San Luis International Festival in Argentina In the performing arts, such major American groups and served as guest conductor of the festival orchestra in as the Houston Grand Opera, the Nikolais and Murray a program that featured works by American composers. Louis Dance Company, and the Kronos Quartet partici­ In the visual arts in 1991, the fund supported an pated in key festivals abroad with fund support in 1991. installation by Ann Hamilton for the Sao Paulo Bienal, Smaller and less well-known organizations have also as well as group exhibitions for the Cuenca (Ecuador) benefitted. For example, the Fairmont Theatre of the and Ljubljana (Yugoslavia) biennials.

Grants was also used to continue a To support an exhibition in ~ Facets-Multimedia, Inc. similar Leningrad, USSR, Prague of internationally Chicago, IL $5,000* Denotes Grants Having linkage. 91-3370-0287 renowned architect John To support research investi­ National lmpact. * This grant was funded by the Hejduk, dean of Cooper gating the possibilities of pre­ Dance Program. Union’s Irwin S. Chanin senting works by American ~ African-American Dance School of Architecture. media artists in Central and Ensemble, Inc. ~r British American Arts 91-4251-0123 Eastern Europe. Durham, NC $2,835* Association US, Inc. * This grant was funded by the 91-3421-0204 To support expenses for London, England $25,000* Design Arts Program. * This grant was funded by the Artistic Director Chuck To support fellowships to Media Arts Program. Davis and support staff to American arts administrators ~ Country Roads, Inc. interview and videotape vil­ for participation in the Boston, MA $15,000" Festival of Indonesia lage elder dancers in the British American Advanced To support an exhibition of Foundation, Inc. Gambia and Zimbabwe. Mr. Administrator Training Soviet Armenian traditional El Cerrito, CA $10,000" Davis will develop video doc­ Institute. 91-5442-0244 crafts to tour to United States To establish creative residen­ umentation of these dance * This grant was funded by the communities where signifi­ cies for contemporary Indo­ styles and make the tapes Inter-Arts Program. cant Armenian populations nesian composers in conjunc­ widely available as a resource reside. 91-5533-0209 tion with the Festival of for other choreographers. Citizen Exchange * This grant was funded by the Indonesia. 91-3170-0774 91-3052-0050 Council, Inc. Folk Arts Program. * This grant was funded by the * The Dance Program can­ New York, NY $5,500 Music Program. tributed an additional $5,668 To support, in collaboration ~ Dance Theater for this grant. with Exit Art, New York, Workshop, Inc. ~ Henson Foundation NY, an International Arts New York, NY $35,000* New York, NY $12,500" ~ American Dance Fellowship for Alla Mitro­ To support the North Amer­ To support a one-day confer­ Festival, Inc. fanova, a Soviet curator and ica Project, a cooperative ence, "The Theatrical Inani­ Durham, NC $15,000" arts administrator represent­ effort between the National mate," to be held in conjunc­ To begin a linkage/exchange ing the Contemporary Art Performance Network, Can­ tion with the International program with Czechoslovakia Research Center of St. adian presenters, artists, the Festival of Puppet Theater. that brought three dancer/ Petersburg, USSR. Canada Council on the Arts, 91-3270-0469 choreographers from Prague 91-3052-0048 and Canada’s Ministry of * This grant was funded by the to the Festival for six-week External Affairs. Theater Program. residencies and sent two Cooper Union for the 91-5442-0172 American modern dance Advancement of Science * This grant was funded by the ~ International Film teachers Prague. The grant and Art Inter-Arts Program. Seminars, Inc. New York, NY $15,000" New York, NY $5,000*

282 National Endowment for the Arts To support the participation To support "New Mime: A The Exploratorium works in participating of foreign filmmakers at the Tribute to Etienne Decroux." San Francisco, CA $20,000* nations. 91-3170-0754 1991 Robert Flaherty 91-3270-0470 To support the presentation * This grant was funded by the Seminar. 91-3421-0205 * This grant was funded by the of"Art from the Explora­ Music Program. * This grant was funded by the Theater Program. torium," currently on tour Media Arts Program. in Western Europe, at the Vermont Council on Nevada State Council National Technical Museum the Arts ~" Jacob’s Pillow Dance on the Arts of Prague, Czechoslovakia. Montpelier, VT $5,000* Festival, Inc. Reno, NV $10,000" 91-4470-0491 To support a meeting to plan Lee, MA $15,000" To support the Honeymoon * This grant was funded by the the implementation of the To bring twelve dancers from Project, a series of public art Museum Program. Vermont/Quebec Cultural leading Soviet ballet acade­ events created by the Spanish Exchange, a project designed mies to the U.S. to learn artist Antoni Miralda, taking Trisha Brown Dance to extend and deepen under­ from important American place in Las Vegas during Company, Inc. standing of French-Canadian choreographers and dancers February 1992. New York, NY $10,000 culture, heritage, and contri­ and subsequently to tour 91-4170-0290 To support the development butions to Vermont. with their American counter­ * Thisgrant was funded by the of a new work by Trisha 91-5442-0245 parts in several cities in the Visual Arts Program. Brown and her company * This grant was funded by the USSR. 91-3370-0288 in collaboration with the Inter-Arts Program. * This grant was funded by the ~ Radio Bilingue, Inc. Dominique Bagouet Com­ Dance Program. Fresno, CA $5,000* pany headquartered in Young Aspirations/Young To support performance and Montpellier, France, and to Artists, Inc. ~r Japan-U.S. Friendship radio broadcast of a concert support costs associated with New Orleans, LA $5,000* Commission by Mexican traditional mari­ a US residency of the To support "YMYA Washington, DC $63,950 achi musicians. Bagouet Company. Abroad," a project linking To support partial funding 91-5533-0211 91-3052-0047 young inner-city design for the FY91 United States/ * This grant was funded by the artists trained by YA/YA with Japan Friendship Program, Folk Arts Program. United States Institute for youth and young profession­ jointly administered and Theatre Technology, Inc. als in communities in Milan funded in the United States ~r Resolution, Inc. New York, NY $15,000" and Paris. 91-5370-0445 by the Arts Endowment and San Francisco, CA $14,500" To support the United * This grant was funded by the the Japan-U.S. Friendship To support the introduc­ States exhibit that won the Expansion Arts Program. Commission. This grant pro­ tion of the best of the Festi­ gold medal for special theme vides five mid-career artists val Pan-African du Cinema at the 1991 Prague Quad­ ~: Arts International each year with an opportuni­ Ouagadougou 1991 (FESPA­ rennial of Scenic and Cos­ New York, NY $235,215 ty to work and study in CO 91) to American audi­ tume Design. 91-3570-0195 To support a subgranting Japan. Interagency transfer ences at film festivals, media * This grant was cofanded by program for the Fund for of funds. arts centers, public libraries, the Theater Program and the U.S. Artists at International and colleges. 91-3421-0203 Opera-Musical Theater Festivals and Exhibitions. Memory of African Culture * This grant was funded by the Program. The fund provides grants for Washington, DC $7,500 Media Arts Program. individual performing artists To support the participation ~ University of Cincinnati and performing arts organiza­ of Artistic Director Djimo The.art.re.grup, Inc. Foundation tions invited to participate in Kouyate and the Memory of San Francisco, CA $10,000" Cincinnati, OH $5,000* festivals abroad. DCA 91-10 African Culture Performing To support costs associated To support WGUC, Cin­ Company in the second with "Crossing Boundaries: cinnati, in representing Arts International annual Festival Internationale Moscow to San Francisco," America at the International Subgranting Activity des Kora in Sedieu, Senegal, a series of events featuring a Rostrum of Composers in West Africa. 91-3052-0049 broad range of contemporary Paris, a meeting convened Alhambra Spanish and Soviet artists. 91-5442-0161 annually to identify the best Sephardic Music Ensemble Movement Theatre * This grant was funded by the new works by composers Houston, TX $4,000 International, Inc. Inter-Arts Program. worldwide and to ensure To perform traditional Philadelphia, PA $32,000’ their broadcast on radio net­ Sephardic music at the First

1991 Annual Report 283 International Festival of land-Odessa Symphony and Jill Becker, Donald Fleming, Theater Festival, Amsterdam, Jewish Art Music in Vilnius, Chorale. and David Zambrano the Netherlands. Lithuania. Middlebury, VT $3,300 Bill T. Jones/Arnie Zane To support participation in Chico MacMurtrie American Boychoir School New York, NY $15,000 the Tampereen International San Francisco, CA $3,000 Princeton, NJ $10,000 To support participation in Theater Festival in Tampere, To present large, computer- To represent the United the Festival Madrid en Finland. and radio-controlled mech­ States at the sixth triennial Danza, Spain. anical sculptures at the World Festival of Boys Kei Takei International Performance Choirs in Pozan, Poland. Douglas Dunn and Dancers New York, NY $8,000 Festival in Prague, New York, NY $7,000 To support production of Czechoslovakia. Crossings To support two performances 24 Hours of Light at the New York, NY $4,000 of Gondolages with guest Theater der Welt interna­ Mary Street Dance Theater To support concert perfor­ artists Jean Guizerix and tional theatre festival in Miami, FL $6,500 mances of"Soundshape," fea­ Wilfride Piollet at the Sao Essen, Germany. To present "Still Heat," turing ceramic instruments, Paulo Bienal in Brazil. likened to a Tennessee voice, and movement at the Kipos Williams drama in its move­ Edinburgh and Aldeburgh Elizabeth Streb Ringside New York, NY $1,400 ment, at the XIII Festival festivals in the United New York, NY $12,503 To support teaching work­ Internacional de Teatro in Kingdom. To perform four works that shops and performances of Manizales, Columbia, the explore movement within modern dance at two festi­ theme of which was dramati­ Dallas Black Dance Theater and beyond physical bound­ vals: International Dance zation of literary works. Dallas, TX $2,000 aries at the Sao Paulo Bienal Week ’91 in Chania, Greece, To perform eight works from in Brazil. and the second International Monica Levy Performance the theater’s repertory at the Festival of Contemporary Group American Black Festival in Fairmont Theater of Dance and Expression in Brooklyn, NY $2,000 Palermo, Italy. the Deaf Prague, Czechoslovakia. To support participation Cleveland, OH $7,500 in the Budapest Spring Fes­ Detroit/Mexico Cultural To present works simultane­ Kronos Quartet tival and the International Exchange ously in English and Ameri­ San Francisco, CA $5,000 Contemporary Dance Festi­ Detroit, MI $13,000 can Sign Language at the To support participation in val in Budapest, Hungary. To support participation First International Theatre Bath and Prague Spring by 20 Detroit area jazz, tap, Festival in Volgograd, Russia. International Music festivals, National Black Touring and other artists in the sixth where newly commissioned Circuit annual International Cultural PS 122 Field Trips works by composers from New York, NY $5,000 Festival in Zacatecas, Mexico. New York, NY $8,000 various parts of the world To support presentations of To support participation at were performed. "Williams and Walker," a Donald Byrd/The Group the Mickery Spring Inter­ musical about the careers of New York, NY $5,000 national Theater Festival, Kulintang Arts two turn-of the-century black To support performances at Amsterdam, The Nether­ Oakland, CA $6,500 vaudeville actors at the Edin­ music festivals in Budapest, lands, and the Brighton To support performances of burgh Festival, Scotland and Hungary, and in Arnheim, Festival, England. Philippine-rooted kulintang "I Have a Dream," a gospel- Eindhoven, and The Hague, music at the Clusone Jazz musical drama about Dr. Netherlands. Houston Grand Opera Festival in Clusone, Italy. Martin Luther King, at the Houston, TX $20,000 NIA festival in Manchester, Donald Th. Jaeger To support a European tour Los Angeles Poverty England. Midland, TX $1,000 of Atlas: an opera in three Department Theater To support participation as parts, a new work by Mere­ Los Angeles, CA $10,000 Nikolais and Murray Louis guest conductor at the San dith Monk presented at festi­ To support participation in Dance Co. Luis International Festival vals in Berlin, Paris, and the London International New York, NY $5,000 in San Luis, Argentina. Mr. Avignon. Festival of Theater and the To support participation in Jaeger is the music director Mickery Spring International the India International and conductor of the Mid

284 National Endowment for the Arts Dance Festival, New Delhi, Paul Taub Rod Rogers Dance Leicester International Dance India. Seattle, WA $2,057 Company Festival in England and the To support participation in New York, NY $8,000 Vernier Festival in Paul Dresher Ensemble the Leningrad Musical To support participation in Switzerland. Berkeley, CA $6,000 Spring Festival, Leningrad, the Conseil Mondial des To present collaborative Russia. Organization Panafrique Voyageur Puppet Theater works with other San Fran­ (Festival Sankofa Masianoke), Cincinnati, OH $1,240 cisco area dancers and dance Rachel Rosenthal Cotonous, Benin. To perform and conduct companies at the US Art Los Angeles, CA $7,500 workshops on the theme Time festival in Ghent, To support participation in Stephen Petronio Dance Co. "The Children of the World" Belgium. the Time Festival, Ghent, New York, NY $8,000 at the Fiestas de Octubre de Belgium. To support presentation of Guadalajara, Mexico. their innovative dance at the

1991 Annual Report 285 A young Alaskan gets a taste of music-making under the smiling eyes of a visiting musician on tour with Arts Endowment assistance. Overview ¯ Panels

Arts in Education Magnet School LaGuardia High School for Illinois Alliance for Arts Carson, CA the Arts Education Advancement New York, NY Chicago, IL Jeffrey Patchen Kim Crabb State Arts Consultant Gail Dellapiana Executive Director Indiana Department of Associ.ate Professor, Depart­ Kids Make Movies Education ment of Architecture Charles Ansbacher Galveston, TX Indianapolis, IN Miami University of Ohio Music Director Oxford, OH Colorado Springs Symphony Constance Gray Sheila Wright Orchestra Grants and Technical Arts in Education Virginia Gembica Colorado Springs, CO Assistance Analyst Administrator Principal Oakland Cultural Arts North Carolina Arts Council Center Street School Richard Bell Division Raleigh, NC Manhattan Beach, CA National Executive Director Oakland, CA and Artistic Director Challenge David Hudson Young Audiences/The Joanne Hoover Executive Director Theatre Institute Director Vern Bennett The Arts Council, Inc. New York, NY Levine School of Music Superintendent Winston-Salem, NC Washington, DC Fargo Public Schools Gloria Cabe Fargo, ND Judy Madden-Bryant Special Advisor, State Stuart Kestenbaum Art Specialist, Curriculum Education and Policy Director Ann Brubaker Development and Services Issues Haystack Mountain School Director, Education Portland Public Schools State of Arkansas of Crafts Nelson-Atkins Museum of Portland, OR Little Rock, AR Deer Isle, ME Art Kansas City, MO Nadine Saidin Shirley Trusty Corey Daniel Lawson Executive Director Executive Director Principal Edith Del Valle Arts Council of New Orleans Ambler Avenue/Ambler Assistant Principal New Orleans, LA

287 Gale Gomez-Bjelland Coordinator Brooklyn Academy of Music Leigh Dillard Art Teacher/Chairperson, Art Nebraska Arts Council Brooklyn, NY Former Artistic Director Department Omaha, NE New Dance Ensemble Bell High School Judy Madden-Bryant Minneapolis, MN Los Angeles, CA Challenge Art Specialist, K-8 Portland Public Schools Senta Driver Derek Gordon Overview Portland, OR Artistic Director Executive Director HARRY’S Foundation, Inc. Commonwealth of Mary Lea Bandy John E. Marshall III New York, NY Pennsylvania Arts Council Director, Film Department Trustee Harrisburg, PA Museum of Modern Art Kresge Foundation Margaret King Stanley New York, NY Birmingham, MI Executive Director Albert Head San Antonio Performing Arts Executive Director Deborah Borda Michael Marsicano Association Alabama State Council on President/Managing Director President/CEO San Antonio, TX the Arts Minnesota Orchestra Arts and Science Council of Montgomery, AL Minneapolis, MN Charlotte/Mecklenburg, Garth Tate Inc. Director, Communication Luke Kahlich Cora Cahan Charlotte, NC National Assembly of State Executive Director President, The New 42nd Arts Agencies National Dance Association Street, Inc. Roy Slade Washington, DC Reston, VA Vice President, Original Artist (Painter)/President/ Ballets Foundation Director Edward Villella Michael Lacapa Vice President, Joyce Theater Cranbrook Academy Of Art Artistic Director Painter and Printmaker Foundation Bloomfield Hills, MI Miami City Ballet Flagstaff, AZ New York, NY Miami, FL Louise Stevens A. Craig Phillips Ian Campbell President Patricia Wilde Former State Superintendent General Director ArtsMarket Consulting, Inc. Artistic Director of Public Instruction San Diego Opera Association Marion, MA Pittsburgh Ballet Theatre State of North Carolina San Diego, CA Pittsburgh, PA Middleburg, NC David White Peter Culman Executive Director/Producer Jerry Willis Jane Piirto Managing Director Dance Theater Workshop Public Events Manager Associate Professor of Center Stage New York, NY California Institute of Education Baltimore, MD Technology Ashland College Charles Zucker Pasadena, CA Ashland, OH Amina Dickerson Senior Director, Community Director, Elizabeth F. Assistance Initiative Overview Scott Sanders Cheney Center for American Institute of Executive Director Education and Public Architects Ella Baff South Carolina Arts Programs Washington, DC Program Director, Cal Commission Chicago Historical Society Performances Columbia, SC Chicago, IL Dance University of California-­ Berkeley Klare Shaw Sam Grabarski Challenge Berkeley, CA Consultant, Program Musician/Executive Director Development Division Minnesota State Arts Board Penny Dannenberg Chuck Davis Boston Globe Foundation St Paul, MN Director, Artists’ Fellowships Artistic Director Boston, MA New York Foundation for African American Dance Karen Hopkins the Arts Ensemble Marty Skomal Executive Vice President/ New York, NY Durham, NC Arts in Education Managing Director

288 National Endowment for the Arts Susan Dickson Design Arts Nancye Green Zimmer Gunsul Frasca Coordinator, Individual Principal Partnership Artists Program Advancement Donovan & Green Portland, OR Ohio Arts Council New York, NY Columbus, OH Deborah Abele Raymond Huff Historic Preservation Officer Natalie Hala Principal David Gordon City of Phoenix Executive Director Ray HuffArchitects, P.A. Artistic Director Phoenix, AZ Iowa Arts Council Charleston, SC Pick-Up Performance Des Moines, IA Company Juan Carrillo Nellie Longsworth New York, NY Deputy Director Lawrence Kirkegaard President California Arts Council Architectural Acoustics Preservation Action Suzanne Carbonneau Sacramento, CA Consultant Washington, DC Critic/Historian Downers Grove, IL Washington, DC Mildred Constantine Don Lyndon Graphic Design Consultant Patricia M. O’Donnell Principal Cynthia Mayeda New York, NY Principal Lyndon/Buchanan Associates Chair LANDSCAPES Berkeley, CA Dayton Hudson Foundation Deborah Karasov Westport, CT Minneapolis, MN Assistant Education Director Jean McLaughlin Walker Art Center Barton Phelps North Carolina Arts Council Samuel Miller Minneapolis, MN Principal Raleigh, NC Executive Director Barton Phelps Architects Jacob’s Pillow Dance Festival Philip Morris Los Angeles, CA Bill Moggridge Lee, MA Executive Director Principal Southern Living Magazine Susana Torre ID Two Darlene Neel Birmingham, AL Principal San Francisco, CA Manager Susana Torte and Associates Lewitzky Dance Company Patricia O’Donnell New York, NY Samina Quraeshi Los Angeles, CA Principal Principal LANDSCAPES Overview Shepard & Quraeshi Sukanya Rahman Westport, CT Associates Dancer/Choreographer Adele Bacow Chestnut Hill, MA Orr’s Island, ME Charles Zucker Arts Consultant Senior Director, Community Boston, MA Kent Schuette Rebecca Terrell Assistance Initiative Professor of Landscape Executive Director American Institute of Ellen Beasely Architecture Florida Dance Association Architects Preservation Planning Purdue University Miami Beach, FL Washington, DC Consultant Lafayette, IN Galveston, TX Edward Villella Challenge Expansion Arts Artistic Director Max Bond Miami City Ballet James F. Barker Principal Challenge Miami, FL Dean, School of Architecture Davis, Brody & Associates Clemson State University New York, NY Petra Barreras del Rio Barbara Weisberger Clemson, SC Executive Director Director Will Fleissig El Museo del Barrio Carlisle Project Robert Giebner Principal New York, NY Carlisle, PA Professor, College of Martin Devcon Properties Architecture Milpitas, CA Anne Edmunds University of Arizona Arts Administrator/ Tucson, AZ Robe~ Frasca Consultant Partner Philadelphia, PA

1991 Annual Report 289 Ruby Lerner Williams College Smithsonian Institution Inter-Arts Executive Director Williamstown, MA Washington, DC IMAGE Film/Video Center Advancement Atlanta, GA Carlos Gutierrez-Solana William S. Kornrich Consultant/Visual Artist Director Jackie Calderone Terezita Romo New York, NY Rose Center and Council for Consultant/Curator Program Manager, Organi­ the Arts Third Street Performance zational Grant Program Cynthia Hardy Morristown, TN Space California Arts Council Consultant Columbus, OH Sacramento, CA Columbus, OH James Leary Folklore Consultant John Eaton Overview I Joyce Lew Mount Horeb, WI Executive Director Director, Allocations Georgia Volunteer Lawyers Cynthia Hardy United Way of Southeastern Dorothy Lee for the Arts Consultant Michigan Administrator/Ethno-musi­ Atlanta, GA Columbus, OH Detroit, MI cologist, Archives of Traditional Music Ken Foster Patricia Johnson Carlton Molette Indiana University Director, Center for the Executive Director Vice President for Academic Bloomington, IN Performing Arts Jamaica Center for the Affairs Pennsylvania State University Performing and Visual Arts Coppin State College R. Carlos Nakai University Park, PA New York, NY Baltimore, MD Musician/Educator Tucson, AZ Olga Garay Mice Lovelace Donna Porterfield Director of Cultural Affairs Writer Managing Director Jose Reyna Miami-Dade Community Atlanta, GA Roadside Theater Chairman, Foreign Language College Wolfson Whitesburg, KY Department Campus Donna Porterfleld California State University Miami, FL Managing Director FolkArt Bakersfield, CA Roadside Theater Eric Hayashi Whitesburg, KY Challenge j. Sanford Rikoon Artistic Director Research Professor, Depart­ Asian American Theater Alyce Sadongei Martha Ellen Davis ment of Rural Sociology Company Curriculum Manager Ethnomusicologist University of Missouri San Francisco, CA Smithsonian Institution Indiana University Columbia, MO Washington, DC Bloomington, IN John Moore David Roche President Maynmi Tsutakawa Barbara Hampton Musician/Ethnomusicologist African Continuum Theatre Manager, Cultural Resources Director, Graduate Program Festival of the Lake Coalition Division in Ethnomusicology Point Richmond, CA Washington, DC King County Arts City University of New York Commission New York, NY Thomas Vennum, Jr. Garth Tate Seattle, WA Senior Ethnomusicologist, Program Officer for the Atts Al Head Office of Folklife Programs Dayton-Hudson Foundation Overview II Executive Director Smithsonian Institution Minneapolis, MN Alabama State Council on Washington, DC Tomas Benitez the Arts Christine Tebes Development Consultant Montgomery, AL Charles Zug Executive Director Los Angeles, CA Professor, Folklore Program Arts Council of Buffalo Richard Kennedy University of North Carolina Buffalo, NY Sandra Burton Folklife Curator, Office of Chapel Hill, NC Professor of Dance Folklife Programs

290 National Endowment for the Arts Challenge Paul Dresher Overview--Services University of Iowa Composer/Performer Iowa City, IA Judith F. Baca Berkeley, CA Melanie Beene Artistic Director President Percival Everett Social and Public Arts Susie Farr Beene and Associates Fiction Writer/Visiting Resource Center (SPARC) Executive Director Consultants Professor, Department of Venice, CA Association of Performing San Francisco, CA English Arts Presenters University of Notre Dame Sharon Combs Washington, DC John Clauser South Bend, IN Associate Director of Grants Director for the Arts Kenneth Fischer Yellow Springs Institute Lynn Hejinian San Francisco Hotel Tax Director Chester Springs, PA Poet/Translator Fund University Musical Society at Berkeley, CA San Francisco, CA the University of Michigan Jane Delgado Ann Arbor, MI Arts Consultant Rolando Hinojosa Clement Price New York, NY Fiction Writer/Director, Scholar in Residence John Gingrich Texas Center for Writers Bloomfield College President Kathie deNobriga University of Texas at Austin Bloomfield, NJ John Gingrich Management Executive Director Austin, TX New York, NY Alternate ROOTS Robert Stearns Atlanta, GA Josephine Humphreys Director Colleen Jennings- Fiction Writer Wexner Center for the Arts Roggensack Cynthia Hardy Charleston, SC Columbus, OH Director, Programs, Hopkins Consultant Center Columbus, OH Paule Marshall Philip Bither Dartmouth College Fiction Writer/Essayist/ Director, Programming Hanover, NH Ricardo Hernandez Professor of English and Flynn Theatre Visual Arts Coordinator/ Creative Writing Burlington, VT John Killacky Artist (Crafts) Virginia Commonwealth Director, Performing Art Texas Commission On University Anne Focke Walker Art Center The Arts Richmond, VA Project Director Minneapolis, MN Austin, TX ARTS WIRE Deborah Mcgill Seattle, WA Cora Mirikitani John Humlecker Editor/Director, Literature Director, Performing Arts Independent Arts North Carolina Council on A. Michelle Smith Japan Society Management Consultant the Arts Executive Director New York, NY Minneapolis, MN Durham, NC National Black Arts Festival, Inc. Pedro Rodriguez Naomi Larkin Sheila Murphy Atlanta, GA Executive Director Administrative Assistant to Literature Program Officer Guadalupe Cultural Center California Director Lila Wallace-Reader’s Digest Andrew Sun San Antonio, TX El Paso Natural Gas Fund Manager, Corporate Company New York, NY Relations Ralph Sandier San Francisco, CA Anheuser-Busch Companies Arts Consultant Naomi Shihab Nye St. Louis, MO Queens, NY Literature Poet/Translator San Antonio, TX Overview--Presenting Suzanne Sato Overview (Professional Associate Director, Arts and Development) Primus St. John Roberto Bedoya Humanities Poet/Professor of English Consultant/Writer/Curator Rockefeller Foundation Marvin Bell Portland State University San Francisco, CA New York, NY Poet/Essayist/Professor of Portland, OR English

1991 Annual Report 291 Lawrence Venuti James P. Perron Marion McCollam Media Ats Translator/Writer/Associate Mayor Executive Director Professor of English City of Elkhart Cultural Arts Council of Challenge Temple University Elkhart, IN Houston Philadelphia, PA Houston, TX Jean Firstenberg Madeline Murphy Rabb Director Dallas Wiebe Executive Director Karen Olson American Film Institute Fiction Writer/Poet/Coeditor Chicago Office of Fine Arts Board Member Washington, DC Cincinnati Poetry Review Chicago, IL South Dakota Arts Council Cincinnati, OH Rapid City, SD Eric Freisen Daniel Salazar Executive Director, Locals Filmmaker/Director, Harvey Rose RadioMusicWorks Individual Artist Program City Manager American Public Radio Challenge Colorado Council on the City of Steamboat Springs St. Paul, MN Arts and Humanities Steamboat Springs, CO Lynn Barnett Denver, CO Pamela Holt Executive Director Daniel Salazar Deputy Director Abilene Cultural Affairs Cynthia Schaal Filmmaker/Director, District of Columbia Council Regional Coordinator Individual Artist Program Commission on the Arts Abilene, TX Virginia Commission for the Colorado Council on the and Humanities Arts Arts and Humanities Washington, DC Christine D’Arcy Richmond, VA Denver, CO Executive Director John Roche Alaska State Council on Overview Harriet Sanford President the Arts Executive Director Business Research Anchorage, AK Lynda Burkel Fulton County Arts Council Publications Artistic Director Atlanta, GA New York, NY Don Jones Lynda Martha Dance Arts Consultant Company Cynthia Schaal Suzanne Weil Saratoga, CA Evanston, IL Executive Director Executive Director Lynchburg Fine Arts Center Sundance Institute Gregory D. Kunesh Judith Chalker Richmond, VA Sundance, UT Professor/Director, School Multi-Arts Coordinator of Drama Ohio Arts Council Barbara Schaffer-Bacon Museum University of Oklahoma Columbus, OH Arts Consultant Normal, OK Amherst, MA Advancement Joseph Golden Michael Marsicano President Victoria Sharpley Vishaka Desai President Spirit Square Center for the Executive Director Director Arts and Science Council Arts The Association of American Asia Society Galleries of Charlotte/Mecklenburg, Charlotte, NC Cultures New York, NY Inc. Washington, DC Charlotte, NC Hizabeth Kennedy Becky Duval-Reese Independent Arts Consultant Chris Van Antwerp Acting Director Diane Mataraza Martuscello E1 Segundo, CA Arts Education Consultant Archer M. Huntington Art Executive Director Kalamazoo Valley Intermedi­ Gallery Alliance of New York State Gregory Kunesh ate School District University of Texas Austin Arts Councils Professor/Director, School of Grand Rapids, MI Austin, TX New Windsor, NY Drama University of Oklahoma Patrick H. Ela Bill Moskin Norman, OK Director Arts Consultant Craft and Folk Art Museum Sacramento, CA Los Angeles, CA

292 National Endowment for the Arts Joy L. Gordon Vasundhara Prabhu Mary Gardner Neill Benjamin Greene Director Director, Education Director Executive Vice President and Guild Hall Museum Museum of Contemporary Yale University Art Gallery Managing Director Easthampton, NY Art New Haven, CT Florida Symphony Orchestra Los Angeles, CA Winter Park, FL William J. Hennessey Brenda Richardson Director, Museum of Art Beth B. Schneider Assistant Director for Art Theodore McDaniel University of Michigan Director, Education Baltimore Museum of Art Professor of Jazz and African- Ann Arbor, MI Museum of Fine Arts, Baltimore, MD American Music/Director, Houston University Jazz Lab Jane Loeffler Houston, TX Thomas Seligman Ensemble Doctoral Student, American Deputy Director Ohio State University Studies/Architectural Ovelwiew Fine Arts Museums of San Columbus, OH Design Francisco George Washington Kinshasha H. Conwill San Francisco, CA Carol Plantamura University Director Soprano/Chairperson, Music Washington, DC The Studio Museum in Lewis I. Sharp Department Harlem Director University of California-­ Dahlia Morgan New York, NY Denver Art Museum San Diego Director, Art Museum Denver, CO San Diego, CA Florida International Charles C. Cunningham, Jr. University President Roy Slade Judith Rubin Miami, FL Hillside Corporation Director Layperson Boston, MA Cranbrook Academy of Art Commissioner, Mayor’s David J. Wagner Museum Commission for Protocol Director Margaret Holben Ellis Bloomfield Hills, MI New York, NY Colorado Springs Fine Arts Chairman, Conservation Center Center Music James Wierzbicki Colorado Springs, CO Institute of Fine Arts, New Music Critic York University Advancement St. Louis Post Dispatch Challenge New York, NY St Louis, MO James Bolle Andrea Miller-Keller Peter H. Hassrick Composer Challenge Curator of Contemporary Director Music Director, Monadnock Art Buffalo Bill Historical Center Music Festival and New Uri Barnea Wadsworth Atheneum Cody, WY Hampshire Symphony Music Director/Conductor Hartford, CT Orchestra Billings Symphony Orchestra Jeanne Lakso Francestown, NH Billings, MT Natalie H. Lee Senior Program Director Board of Trustees Arts Midwest Jean Boone Lauren Generette Dallas Museum of Art Minneapolis, MN Manager of Community Assistant Director, Education Dallas, TX Affairs Cleveland Orchestra J. Patrice Marandel Baltimore Symphony Cleveland, OH Alexander Lee Nyerges Curator, European Paintings Orchestra Executive Director Detroit Institute of Arts Baltimore, MD Shirley Robinson Hall Mississippi Museum of Art Detroit, MI Layperson/Independent Jackson, MS Bruce Brown Consultant Peter Morrin Director, Choral Activities/ Washington, DC David Nelson Director Chairman, Voice Depart­ Executive Director J. B. Speed Art Museum ment Montana Arts Council Louisville, KY Portland State University Helena, MT Portland, OR

1991 Annual Report 293 Peter Perret William McFarlin Great Lakes Theater Festival Linda Jackson Music Director/Conductor Executive Director, Inter­ Cleveland, OH General Director Winston-Salem Symphony national Association of Jazz Chautauqua Opera Orchestra Educators Nick Muni Chautauqua, NY Winston-Salem, NC Faculty, Kansas State Artistic Director University Tulsa Opera Michael Korie Jean Story Manhattan, KS Tulsa, OK Librettist Administrative Director New York, NY Cultural Arts Council of Lois Schaefer Peter Russell Houston Flutist Administrative Director Roberto Sierra Houston, TX Faculty, New England Wolf Trap Opera Company Composer in Residence Conservatory of Music Vienna, VA Milwaukee Symphony Rachael Worby Jamaica Plain, MA Orchestra Music Director/Conductor Ashton Springer Milwaukee, WI Wheeling Symphony Howie Smith Producer Orchestra Saxophonist New Rochelle, NY Anne Tomfohrde Charleston, WV Faculty, Cleveland State Director University Overview Houston Opera Center/ Overview Cleveland Heights, OH Houston Grand Opera Irene Antoniou Houston, TX Mary Ann Bonino Eileen Southern Patron/Board Member Founder and Artistic/Produc­ Musicologist Illinois Arts Council State and Regional ing Director Professor Emeritus, Harvard Oakbrook, IL Da Camera Society University Challenge and Los Angeles, CA Port Charlotte, FL Mice Coulombe Overview Volunteer Coordinator Robert Browning Frederick Tillis Los Angeles Music Center Ramona A. Baker Artistic/Executive Director Composer Pasadena, CA Director World Music Institute Director, Fine Arts Center, The Arts Council, Inc. New York, NY University of Massachu­ Ann Ewers Huntsville, AL setts Stage Director/General Vance George Amherst, MA Director John Paul Batiste Choral Conductor Utah Opera Executive Director San Francisco Symphony Catherine Weiskel Salt Lake City, UT Texas Commission on the Chorus General Manager Arts San Francisco, CA New Haven Symphony Paul Gleason Austin, TX Orchestra Executive Director Walter Heid New Haven, CT American Center for Musical R. Jo Bunton-Keel Executive Director Theater Member Eastern Music Festival Opera-Musical Los Angeles, CA Colorado Council on the Greensboro, NC Arts Theater Charles Gray Denver, CO Alexine Jackson Executive Director and Layperson Challenge General Manager Marvin Cohen President/Board of Trustees, Pittsburgh Civic Light Opera Chairman Washington Performing Ian Campbell Association Arizona Commission on the Arts Society General Director Pittsburgh, PA Arts Potomac, MD San Diego Opera Phoenix, AZ San Diego, CA Robert Heuer Joyce Johnson General Director Susan Farr Pianist Gerald Freedman Greater Miami Opera Director Faculty, Spelman College Artistic Director Association Atlanta, GA Miami, FL

294 National Endowment for the Arts Association of Performing Phil Esparza Tisa Chang Gregory Hicks Arts Presenters Producer/Administrative Artistic Producing Director Professor of Law Washington, DC Director Pan Asian Repertory Theatre University of Washington El Teatro Campesino New York, NY School of Law David Fraher San Juan Bautista, CA Seattle, WA Executive Director Peter Donnelly Arts Midwest Tomas Hernandez President Ming Cho Lee Minneapolis, MN Director, Performing Arts Corporate Council for the Stage Designer Arizona Commission on the Arts New Haven, CT John Haworth Arts Seattle, WA Assistant Commissioner for Phoenix, AZ Philip Thomas Cultural Institutions Roche Schulfer President and Artistic New York City Department David Madson Producing Director Director of Cultural Affairs Development Director Goodman Theatre Carter G. Woodson New York, NY University of Minnesota Chicago, IL Foundation Minneapolis, MN Newark, NJ Mary Hays Stan Wojewodski Executive Director Keryl McCord Artistic Director George Thorn New York State Council on Executive Director Center Stage Theater Consultant the Arts League of Chicago Theatres Baltimore, MD Blacksburg, VA New York, NY Chicago, IL Danitra Vance Lonny Kaneko Ron Nakahara Actress Member Senior Artist Vincent Anthony New York, NY Washington State Arts Pan Asian Repertory Theater Founder and Executive Commission New York, NY Director Sam Woodhouse Vashon, WA Center for Puppetry Arts Producing Director Greg Rowe Atlanta, GA San Diego Repertory Theater Pamela Parziale General Manager San Diego, CA Chairperson People’s Light and Theatre Anne Bogart West Virginia Commission Company Stage Director Suzan Zeder on the Arts Philadelphia, PA New York, NY Playwright Kearneysville, WV Lutz, FL Caroline Turner Dudley Cocke Barbara S. Robinson Managing Director Director Visual Arts Chairperson Portland Stage Company Roadside Theater Ohio Arts Council Portland, ME Whitesburg, KY Challenge Cleveland, OH Challenge Zelda Fichandler Roberto Juarez Alden C. Wilson Artistic Director Visual Artist (Painter) Executive Director Marie Acosta-Colon The Acting Company Miami, FL Maine Arts Commission Executive Director New York, NY Augusta, ME Mexican Museum Mark Klett San Francisco, CA Barry Grove Visual Artist (Photography)/ Theater Managing Director Studio Manager, Visual Joan Allen Manhattan Theater Club Arts Research Institute Advancement Actor New York, NY Arizona State University New York, NY Tempe, AZ Kathie deNobriga Tom Hall Executive Director Benny Sato Ambush Managing Director Jean McLaughlin Alternate ROOTS Producing Director Old Globe Theater Visual Arts Program Director Atlanta, GA Oakland Ensemble Theatre San Diego, CA North Carolina Arts Council Oakland, CA Raleigh, NC

1991 Annual Report 295 Rita Starpattern Susan Dickson Joseph Deal Andrew Leicester Visual Artist (Sculpture)/ Coordinator, Individual Visual Artist (Photography)/ Visual Artist (Sculpture) Art in Public Places Coor­ Artists Program Dean of School of Fine Minneapolis, MN dinator Ohio Arts Council Arts City of Austin Columbus, OH Washington University Susana Leval Austin, TX St. Louis, MO Independent Scholar/Curator Jennifer Dowley El Museo del Barrio Stan Trecker Director Susan Dickson New York, NY Director Headlands Center for the Coordinator, Individual Photographic Resource Arts Artists Program Stephen Prina Center Sausalito, CA Ohio Arts Council Visual Artist Boston, MA Columbus, OH (Conceptual/Installation) Al Harris F. Los Angeles, CA Julia Brown Turrell Visual Artist (Sculpture)/ Jennifer Dowley Director Gallery Director, Center Director Emily Pulitzer Des Moines Art Center for Research in Contem­ Headlands Center for the Collector/Arts Patron Des Moines, IA porary Art Arts St. Louis, MO University of Texas Sausalito, CA Challenge/Special Arlington, TX Amy Sandback Projects Glenn Harper Publisher/Editor/President Judith Shea Editor P. P. Rindge, Limited Bonnie Clearwater Visual Artist (Sculpture) Atlanta Art Papers Rindge, NH Editor and Publisher New York, NY Atlanta, GA Grassfield Press Judith Shea North Miami Beach, FL Overview M Harris F. Visual Artist (Sculpture) Visual Artist (Sculpture)/ Housatonic, MA Joseph Deal Graham Beal Gallery Director, Center Visual Artist (Photography)/ Director for Research in Contem­ Fred Wilson Dean of School of Fine Joslyn Art Museum porary Art Visual Artist (Sculpture)/ Arts Omaha, NE University of Texas Director, Longwood Arts Washington University Arlington, TX Project St. Louis, MO Bronx Council on the Arts New York, NY

296 National Endowment for the Arts Financial Summary

Summary of Funds Available Fiscal Year 1991

Appropriation: Regular Program Funds 2,3 $124,632,816 Appropriation: Treasury Funds (to match nonfederal gifts) 12,931,712 Appropriation: Challenge Grant Funds (to match nonfederal gifts) 14,921,206 Appropriation: Policy, Planning, and Research ~,4 871,860

Total Federal Appropriations $153,357,594

Nonfederal Gifts 1 2,595 Unobligated Balance, Prior Year I 13,146,863

Total Funds Available $166,507,052

1 Excludes administrative operating funds. 2Not less than 25 percent for support of state arts agencies and regional arts groups. 3Not less than 5 percent for support through the Under-Served Communities Set-Aside. 4Administrative funds (see Office of Policy, Planning, and Research section).

Fiscal Year 1991 Challenge Grant Funds Obligated Obligations Commitments/Obligations 6

Dance $8,477,672 $2,840,359 Design Arts 3,715,500 -­ Expansion Arts 5,918,600 886,479 Folk Arts 2,955,200 -­ Inter-Arts 3,861,997 1,165,000 Literature 4,576,587 -­ Media Arts 11,784,850 5,597,800 Museum 11,328,000 3,875,000 Music 14,072,600 3,341,685 Opera-Musical Theater 6,091,415 1,650,000 Theater 9,411,050 2,906,599 Visual Arts 5,292,860 760,000

Arts in Education 6,498,024 640,567 Locals 2,348,590 1,265,000 State and Regional 31,499,070 1,655,000 Under-served Communities Set-Aside 6,232,854 -­

Advancement 3,359,846 Challenge 249,0615[note] Policy, Planning, and Research 1,4 871,860 Total Funds Obligated 7 $138,545,636 $26,583,489

5 Challenge Grants are shown in the column to the right. 6 Of the $26,583,489 committed, $19,416,251 was obligated in Fiscal Year 1991. 7 Program obligations reflect Fiscal Year 1991 transactions and, in some cases, may differ from final allocations due to variations in the obligation of two-year monies or receipt of girls and funds from other agencies.

297 History of Authorizations and Appropriations Arts a~ts Administrative Authorization Appropriation Funds

Fiscal 1966 Program Funds $5,000,000 $2,500,000 $727,000 a Treasury Funds b 2,250,000 34,3O8 Total Funds for Programming $7,250,000 $2,534,308

Fiscal 1967 Program Funds $5,000,000 $4,000,000 $1,019,500 a State Arts Agencies (block) 2,750,000 2,000,000 (Subtotal--Program Funds) (7,750,000) (6,000,000) Treasury Funds b 2,250,000 1,965,692 Total Funds for Programming $10,000,000 $7,965,692

Fiscal 1968 Program Funds $5,000,000 $4,500,000 $1,200,000 a State Arts Agencies (block) 2,750,000 2,000,000 (Subtotal--Program Funds) (7,750,000) (6,500,000) Treasury Funds b 2,250,000 674,291 Total Funds for Programming $10,000,000 $7,174,291

Fiscal 1969 Program Funds $6,000,000 $3,700,000 $1,400,000 a State Arts Agencies (block) 2,000,000 1,700,000 (Subtotal--Program Funds) (8,000,000) (5,400,000) Treasury Funds b 3,375,000 2,356,875 Total Funds for Programming $11,375,000 $7,756,875

Fiscal 1970 Program Funds $6,500,000 $4,25O,O00 $1,610,000 a State Arts Agencies (block) 2,500,000 2,000,000 (Subtotal--Program Funds) (9,000,000) (6,250,000) Treasury Funds b 3,375,000 2,000,000 Total Funds for Programming $12,375,000 $8,250,000

Fiscal 1971 Program Funds $12,875,000 $8,465,000 $2,660,000 a State Arts Agencies (block) 4,125,000 4,125,000 (Subtotal--Program Funds) (17,000,000) (12,590,000) Treasury Funds b 3,000,000 2,500,000 Total Funds for Programming $20,000,000 $15,090,000 Fiscal 1972 Program Funds $21,000,000 $20,750,000 $3,460,000 a State Arts Agencies (block) 5,500,000 5,500,000 (Subtotal--Program Funds) (26,500,000) (26,250,000) Treasury Funds b 3,500,000 3,500,000 Total Funds for Programming $30,000,000 $29,750,000 298 National Endowment for the Arts History of Authorizations and Appropriations continued Arts Arts Administrative Authorization Appropriation Funds

Fiscal 1973 Program Funds $28,625,000 $27,825,000 $5,314,000 a State Arts Agencies (block) 6,875,000 6,875,000 (Subtotal--Program Funds) (35,500,000) (34,700,000) Treasury Funds b 4,500,000 3,500,000 Total Funds for Programming $40,000,000 $38,200,000

Fiscal 1974 Program Funds $54,OOO,O0O $46,O25,OOO $6,500,000 a State Arts Agencies (block) 11,000,0oo 8,250,000 (Subtotal--Program Funds) (65,000,000) (54,275,000) Treasury Funds b 7,500,000 6,500,000 Total Funds for Programming $72,500,000 $60,775,000

Fiscal 1975 Program Funds c $90,000,000 $67,250,000 $10,783,000a Treasury Funds b 10,000,000 7,500,000 Total Funds for Programming $100,000,000 $74,75O,OOO

Fiscal 1976 Program Funds c $113,500,000 $74,500,000 $10,910,000 a Treasury Funds b 12,500,000 7,500,000 Total Funds for Programming $126,000,000 $82,000,000

Transition Quarter July 1, 1976~September 30, 1976 Program Funds c $33,437,OOO $2,727,000 a Treasury Funds b 500,000 Total Funds for Programming $33,937,OOO Fiscal 1977 Program Funds ~ $93,5OO,OOO $77,500,000 $11,743,000 a Treasury Funds b 10,000,000 7,500,000 Challenge Grants b 12,000,000 9,000,000 Photo/Film Projects 4,000,000 Total Funds for Programming $119,500,000 $94,000,000

Fiscal 1978 Program Funds c $105,000,000 $89,100,000 Treasury Funds b 12,500,000 7,500,000 Challenge Grants b 18,000,000 18,000,000 Photo/Film Projects 2,000,000 Subtotal $137,500,000 $114,600,000 Administrative Funds suchsumsasnecessary 9,250,000

Total Funds $123,850,000 1991 Annual Report 299 History of Authorizations and Appropriations continued Al’tS Arts Administrative Authorization Appropriation Funds

Fiscal 1979 Program Funds c $102,160,000 Treasury Funds b 7,5OO,OOO Challenge Grants b 30,000,000 Administrative Funds 9,925,OOO Total Funds such sums as necessary $149,585,000

Fiscal 1980 Program Funds c $97,000,000 Treasury Funds b 18,500,000 Challenge Grants b 26,900,000 Administrative Funds 12,210,000 Total Funds such sums as necessary $154,610,000

Fiscal 1981 Program Funds c $115,500,000 $113,960,000 Treasury Funds b 18,500,000 19,250,000 Challenge Grants t, 27,000,000 13,450,000 Administrative Funds 14,000,000 12,135,000 Total Funds $175,000,000 $158,795,000

Fiscal 1982 Program Funds c $103,330,000 Treasury Funds b 14,400,000 Challenge Grants b 14,400,000 Administrative Funds 11,326,000 Total Funds $119,300,000 $143,456,000

Fiscal 1983 Program Funds c $101,675,000 Treasury Funds b 11,200,000 Challenge Grants b 18,400,000 Administrative Funds 12,600,000 Total Funds $119,300,000 $143,875,000

Fiscal 1984 ,i Program Funds c $128,500,000 $119,000,000 Treasury Funds b 10,000,000 9,000,000 Challenge Grants I~ 28,000,000 21,000,000 Administrative Funds 17,000,000 13,223,000 Total Funds $183,500,000 $162,223,000

300 National Endowment for the Arts History of Authorizations and Appropriations continued al’t$ Arts Administrative Authorization Appropriation Funds

Fiscal 1985 Program Funds c $118,678,000 Treasury Funds b 8,820,000 Challenge Grants b 20,580,000 Administrative Funds 15,582,000 "Fotal Funds such sums as necessary $163,660,000

Fiscal 1986 Program Funds c $121,678,000 $115,747,932 Treasury Funds b 8,820,000 8,389,600 Challenge Grants b 20,580,000 19,577,000 Administrative Funds 15,982,000 14,822,508 Subtotal $167,060,000 $158,537,040 Arts and Artifacts Indemnity Funds such sums as necessary 285,200 Total Funds $158,822,240 e

Fiscal 1987 Program Funds c $123,425,120 $120,761,000 Treasury Funds b 9,172,800 8,420,000 Challenge Grants l, 21,403,200 20,000,000 Administrative Funds 16,205,280 16,100,000 Total Funds $170,206,400 $165,281,000

Fiscal 1988 Program Funds c $128,362,125 $122,171,000 Treasury Funds b 9,539,712 9,000,000 Challenge Grants b 22,259,328 19,420,000 Administrative Funds 16,853,491 17,140,000 Total Funds $177,014,656 $167,731,000

Fiscal 1989 Program Funds c $123,450,000 Treasury Funds b 9,000,000 Challenge Grants ~ 18,200,000 Administrative Funds 18,440,000 Total Funds such sums as necessary $169,090,000

Fiscal 1990 Program Funds c $124,255,000 Treasury Funds b 12,000,000 Challenge Grants t, 15,150,000 Administrative Funds 19,850,000 Total Funds such sums as necessary $171,255,000

1991Annual Report 301 History of Authorizations and Appropriations continued Arts Arts Administrative Authorization Appropriation Funds

Fiscal 1991 Program Funds f’g 125,800,000 $124,632,816 Treasury Funds b 13,000,000 12,931,712 Challenge Grants b 15,000,000 14,921,206 Administrative Funds 21,200,000 21,595,003 Total Funds $175,000,000 $174,080,737 h

Fiscal 1992 Program Funds f’g -­ $122,990,544 Treasury Funds b -­ 17,279,500 Challenge Grants b -­ 12,836,200 Administrative Funds -­ 22,848,436 Total Funds such sums as necessary $175,954,680 i

a These funds were jointly provided to the National Endowment for the Arts and the National Endowment for the Humanities until the two agencies were administratively separated in 1978. b Federal funds appropriated by Congress to match nonfederal donations to the Endowment. c Not less than 20 percent of Program Funds were required to go to state arts agencies and regional arts groups. d Authorization reflects adjustment per P.L.98-306. e Appropriation reflects reduction of $7,123,000 pursuant to Public Law 99-177, the Balanced Budget and Emergency Deficit Control Act of 1985. f Not less than 25 percent of Program funds are required to go to state arts agencies and regional arts groups. g Not less than 5 percent of Program funds are required to go to the Under-Served Communities Set-Aside. h Appropriation reflects reductions of $917,000 pursuant to Public Law 101-512 and $2,263 pursuant to Public Law 99-177, the Balanced Budget and Emergency Deficit Control Act of 1985, and approved reprogramming. i Appropriation reflects reduction of $2,245,320 pursuant to Public Law 102-154.

302 National Endowment for the Arts Credits

Images from Our Cultural Archives Rafael Trelles works on a figure based on Francisco Oller’s 1893 painting El Velorio (Vigil Over the Deceased) for the Puerto Rico Community Foundation’s Permanent Fund for the Arts Program. Outside Covers Photo by Rafael Ramirez.

Timeless moment--a dancer at the bar. Choristers sing in Boston’s Handel & Haydn Society--for the Photo by Karl Howard, Ballston Lake, NY. 177th season. Photo by Michael Romanos. Front cover insets (left to right) Members of a young audience expand their horizons in Tide page (left to right) New Orleans. In California the Altazor quartet sings nueva canci6n, "the new Photo: Metropolitan Arts Fund song" of Latin America, at places like Berkeley’s La Pena Cultural Mark Morris Dance Group performs New Love Song Waltzes. Center. Photo by Tom Brazil. Photo by Irene Young.

Sourdough Slim performs at the Cowboy Poetry Gathering in Young instrumentalists play Leopold Mozart’s Toy Symphony for an audience of peers from 72 Philadelphia public schools. The per­ Elko, Nevada. formers are children of Philadelphia Orchestra musicians. Photo by Sue Rosoff. Photo by Jean E. Brubaker. A woodwind trio of the US International Orchestra plays during a Dorland Mountain Arts Colony open house. A souvenir of TonyAward winner Melba Moore’s 1989 gig in Langston Hughes’ Simply Heaven at Philadelphia’s Freedom Photo by Elliot Frama n. Theatre displays students’ joie de vivre and the open smile of the Back cover insets (left to right) theater’s late founder, John E. Allen Jr. (right).

At Minnesota’s Guthrie Theatre, Henry Vfeatures Barton Tirapp, Published by Brenda Wehle and Jacqueline Kim. Photo by Michael Daniel. National Endowment for the Arts Nancy Hanks Center A bass player from the touring Arctic Chamber Orchestra demon­ 1100 Pennsylvania Avenue NW strates his instrument during a school visit. Washington, D.C. 20506 Photo by Eric Troyer. Philip Kopper, Director of Publications Pomo basketmaker Abbie Burke instructs a child who might Karen Spear, Project Editor now be the teacher’s age. The 1930s picture was unearthed for California’s annual Festival at the Lake. Visually or learning impaired people may obtain a cassette record­ Photo: California State Library. ing of this report by contacting the Endowment’s Office for Special Constituencies at the above address. Phone: (202) 682-5532; Voice/TT (202) 682-5496. Inside front cover (clockwise from upper left)

Denyse Graves plays Giulietta and Alan Held is Coppelius in Production and Design Les Contes d’Hoffrnann at Spoleto. Photo by William Struhs. Tom Suzuki, Inc. Falls Church, Virginia Poet Jena Osman, winner of a 1991 Endowment poetry fellow­ ship, helps an eager young New Yorker in a writing program spon­ Tom Suzuki, Art Director sored by Teachers & Writers Collaborative. Katherine G. Allen, Constance D. Dillman, Associate Designers The audience gets a good laugh at a western arts festival. Photo by Sue Rosoff.

1991 Annual Report 303