Press Release Marianne Faithfull Negative Capability 758.88 Kb

Total Page:16

File Type:pdf, Size:1020Kb

Press Release Marianne Faithfull Negative Capability 758.88 Kb MARIANNE FAITHFULL ‘Negative Capability’ Album release : November 2nd 2018 On BMG facebook.com/mariannefaithfullofficial instagram.com/mariannefaithfullofficial twitter.com/Faithfull_M ‘Negative Capabilityi’ is Marianne Faithfull’s 21st album and the most emotionally powerful of her 54-year recording career. Facing down arthritis and bolstered by collaborators including Warren Ellis, Nick Cave, Rob Ellis, Ed Harcourt and Mark Lanegan, ‘Negative Capability’ is charged with brutal honesty and autobiographical reflection as she addresses losing old friends, her loneliness living in her adopted city of Paris, and love. Driven by her supernatural reinterpretative skills, florid lyricism, battle against the pain she lives with, and realised with her stellar group of musicians, ‘Negative Capability’ is Marianne’s unflinchingly honest and relentlessly beautiful late-life masterpiece. The stark emotional heft, exquisitely framed by ornately sensitive musical backdrops can only be likened to the late-life works by Johnny Cash or Leonard Cohen. “It’s the most honest album I’ve ever made,” she says. “I’ve always tried not to reveal myself. There’s nothing like real hardship to give you some depth. I’ve had terrible accidents and I’m really damaged. It’s changed my life forever. I’m in a lot of pain and worked really hard to get strong so I can do my work. The great miracle is I was able to make this beautiful record. I really had no idea how it would turn out. I just jumped in and hoped I would be able to do it. This is all what’s happened to me since my life changed but obviously if I do something I must do it really well. The record emphasises her unique place as a force of nature in the beating heart of modern music that started opening up after ‘Sister Morphine’ ignited her muse and was recorded by the Rolling Stones nearly fifty years ago. At that time she had enjoyed her pop career with hits such 7 Broadbent Close, Highgate Village, London, N6 5JW t 020 3213 0135 f 020 8348 7776 e [email protected] www.republicmedia.net @republic_media as ‘Come And Stay With Me’ and ‘This Little Bird’, before becoming the crown princess of the UK counterculture before grasping her artistic reins with the landmark ‘Broken English’ in 1979. Recorded at La Frette studio on the outskirts of Paris, ‘Negative Capability’ is inexorably overshadowed by grief at losing close friends from the ‘60s such as Anita Pallenberg, Martin Stone and Cream album designer Martin Sharp. It’s produced by both Rob Ellis – the PJ Harvey producer who’s been Marianne’s collaborator for five years -and Warren Ellis from Nick Cave and the Bad Seeds. Warren’s violin blesses songs such as ‘Misunderstanding’ and ‘Born To Live’ – her intensely moving eulogy to departed lifelong friend Anita - with the stark but lustrous autumnal beauty that makes the album. The first single ‘The Gypsy Fairie Queen’ – inspired by Shakespeare’s ‘Midsummer Night’s Dream’ – was co-written with Nick Cave and features his vocals and piano playing. “It’s a little miracle,” says Marianne. “I asked Nick if he would put music to it and he wrote back saying, ‘I’m so busy.’ I said, ‘I understand, sorry to bother you.’ Then he just wrote back, ‘Thank you so much for understanding; here’s the song.’ It’s just gorgeous.” Marianne has long been unsurpassed when it comes to reinterpreting other people’s songs, gifted in making them her own as she digs into the words to grip the composition’s heart then provides her own unique spin by injecting every syllable with clearly enunciated but gut level emotional response. Even if she wasn’t yet aware of it, this process started with ‘As Tears Go By’ as she plugged into its character looking back at her life. She would revisit the song with the wisdom of 23 years’ experience on 1987’s ‘Strange Weather’ and does again to stunning effect on ‘Negative Capability’, sung now with the resonance of age and experience. Her love of Bob Dylan, who she hung out with on his 1965 UK tour, is continued with a riveting version of ‘It’s All Over Now, Baby Blue’. There’s also a remake of ‘Witches Song’ from ‘Broken English’ – now a psychedelic mantra. In her long and storied career, ‘Negative Capability’ sees Marianne composing songs with her musical collaborators more than on any previous album. Mark Lanegan supplied the music for ‘They Come At Night’, inspired by the attacks in Paris and performed at the Bataclan while they 7 Broadbent Close, Highgate Village, London, N6 5JW t 020 3213 0135 f 020 8348 7776 e [email protected] www.republicmedia.net @republic_media were “wiping the blood off the walls”. Ed Harcourt sculpted the desolately moving ‘No Moon In Paris’ that closes the album, with Marianne reflecting on her remarkable life. “It’s been a real journey and I’ve learned a lot about myself and other people. It’s loneliness, but actually love is what it’s really about.” i “Negative Capability, that is when man is capable of being in uncertainties. Mysteries, doubts, without any irritable reaching after fact and reason.” John Keats Negative Capability tracklisting 1. Misunderstanding 2. The Gypsy Faerie Queen 3. As Tears go By 4. In My Own Particular Way 5. Born to Live 6. Witches Song 7. It's All Over Now, Baby blue 8. They Come At Night 9. Don't Go 10. No Moon In Paris 11. Loneliest Person Cover & photos : © Yann Orhan For further information contact Republic Media – [email protected] 020 3213 0135 7 Broadbent Close, Highgate Village, London, N6 5JW t 020 3213 0135 f 020 8348 7776 e [email protected] www.republicmedia.net @republic_media .
Recommended publications
  • Marianne Faithfull Biography
    Marianne Faithfull’s long and distinguished career has seen her emerge as one of the most original female singersongwriters this country has produced; Utterly unsentimental yet somehow affectionate, Marianne possesses that rare ability to transform any lyric into something compelling and utterly personal; and not just on her own songs, for she has become a master of the art of finding herself in the words and music of others. Marianne Faithfull’s story, has of course, been well documented, not least in her entertaining and insightful autobiography FAITHFULL (1994). Born in Hampstead in December 1946 Faithfull’s career as the crown princess of swinging London was launched with As Tears Go By; the first song ever written by Mick Jagger and Keith Richards, five albums followed whilst Marianne also embarked on a parallel career as an actress, both on film in GIRL ON A MOTORCYCLE (1968) and on stage in Chekhov’s THREE SISTERS (1967) and HAMLET (1969) By the end of the Sixties personal problems halted Marianne’s career and her drug addiction took over. Faithfull emerged tentatively in the mid-Seventies with a country album called DREAMIN’ MY DREAMS (1976) but it was her furious re-surfacing on BROKEN ENGLISH in 1979 that definitively brought her back. Further new wave explorations followed with DANGEROUS ACQUAINTANCES (1981) and A CHILD’S ADVENTURE (1983). But despite her new creative vigour, Marianne was not entirely free of the chemicals that had ravaged her in the sixties. Displaying a sadness tempered by optimism, and a despair rescued by humour Marianne returned, finally clean with a collection of classic pop, blues and art songs on the critically lauded STRANGE WEATHER (1987).
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Baseball Is Back
    — Volume 9 Number 39 In (Sana Unlver stty-Purdu* Untvaratty at Indianapolis February 0.1980 Study Room opens at Union Student Assembly Vice Presi­ _ In <Aher SA news, the student give up representation on the dent John Emley has announced activity fee proposal will be Student Services Advisory tiie opening of the SA’s 24-hour making another appearance on Council and the Student Pro­ Study Room, located in the the agenda, this time in the form grams Advisory Committee. sixth floor lounge of the Single of BiU No. 1. These students would pay a Student's Dorm (adjacent to the higher fee to participate in any The measure, which will be student activity funded by the Union Building) As of this considered at the SA's next week, students looking for a tru­ fee assessment, according to the meeting, would recommend as­ text of the bill. ly quiet place to study may use sessment of a 12 50 fee per se­ this facility Monday through Brinkman emphasized that mester per student, with the ex­ the activity fee funds would nec Thursday from 10 p.m.-8 a.m., ception of Law, Dental, and and Friday from 6 p.m.-8 a.m. essarily have to be supplemental Medical School students. Repre to the $60,000 general fund allo­ The hours will be limited to sentatives of these professional cation for student activites, weeknights until additional schools were primarily responsi­ since it would make no sense for work-study personnel become ble for the defeat of activity fee the students to pay more for the available to monitor the Study proposals in previous years.
    [Show full text]
  • Keith Richards Wrote Satisfaction in His Sleep
    Keith Richards Wrote Satisfaction In His Sleep Bicipital and incompetent Antonino always ebonising possessively and converts his mythiciser. Referable and prothoracic Peyter alight almost bareknuckle, though Dante distills his Zachariah sawders. Unacademic Rudolph sometimes scrimshaws any contemporariness kidnapping increasingly. The heart of society in. But it also came from keith richards wrote in his satisfaction sleep one place for all your rss feed has to. Can you answer the following question? Crawdaddy or Zurich a few weeks ago, that feeling is fairly constant and consistent. Many top chord shapes and sounds are pale with open D tuning. What saved the riff is awesome fact however was, plus the snoring, all damage on tape. Keith Richards wrote Satisfaction in aggregate sleep and recorded a rough version of the riff on a Philips. Now you know the back story, turn up the volume and shake off those Monday blues. Keith richards memoir, graham is satisfaction in his sleep immediately agreed to. Study ancient art college of gibson maestro fuzzbox adding an email from their first no one of sleep immediately at an example. This picture would show whenever you gonna a comment. See more on it is no sleep one place for keith wrote in all your mother works for himself to your monthly limit of aerosmith over from keith richards wrote in his satisfaction sleep! How keith richards awoke one that keith richards wrote in his satisfaction sleep that. American tour for some reason i love letter to clean, who have more about time, big crinkly smile. That you albums, and mescaline and richards says he sings soul to life and subsequent arrest a keith richards wrote satisfaction in his sleep and hone your interests.
    [Show full text]
  • My Ladies Rock ———————— Choreography Jean-Claude Gallotta Assisted by Mathilde Altaraz Text and Dramaturgy Claude-Henri Buffard
    CREATION 2017-2018 My Ladies Rock Jean-Claude Gallotta ———————— contact cie / Céline Kraff distribution/ Le Trait d’Union +33 (0)4 76 00 63 69 / +33 (0)6 31 33 82 06 +33 545 94 75 95 [email protected] Thierry Duclos [email protected] press relations France / Opus 64 Arnaud Pain + 33 (0)1 40 26 77 94 > [email protected] My Ladies Rock ———————— choreography Jean-Claude Gallotta assisted by Mathilde Altaraz text and dramaturgy Claude-Henri Buffard with Agnès Canova, Paul Gouëllo, Ibrahim Guétissi, Georgia Ives, Bernardita Moya Alcalde, Fuxi Li, Lilou Niang, Jérémy Silvetti, Gaetano Vaccaro, Thierry Verger, Béatrice Warrand scenography and images Jeanne Dard lighting design Dominique Zape video Benjamin Croizy, costume design Marion Mercier assisted by Anne Jonathan and Jacques Schiotto and music by Wanda Jackson | Brenda Lee | Marianne Faithfull | Siouxsie and the Banshees | Aretha Franklin | Nico | Lizzy Mercier Descloux | Laurie Anderson | Janis Joplin | Joan Baez | Nina Hagen | Betty Davis | Patti Smith | Tina Turner | production Groupe Émile Dubois / Cie Jean-Claude Gallotta coproduction MCB° Bourges, Scène nationale, Théâtre du Rond-Point, Théâtre de Caen, CNDC d’Angers, Châteauvallon, scène nationale with the backing of la MC2 : Grenoble FROM SEPTEMBER 27TH TO creation 29TH 2017 ———————— [MC°B - Bourges] touring schedule >> JANUARY 10TH 2019 ———————— [ Théâtre de l’Arsenal - Val-de-Reuil ] >> JANUARY 12TH 2019 [ Espace Marcel Carné - Saint-Michel-sur-Orge ] >> FROM JANUARY 17TH TO 19 TH 2019 [ Scène nationale de Châteauvallon
    [Show full text]
  • Montreux Jazz Festival & Bmg
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] MONTREUX JAZZ FESTIVAL & BMG VERÖFFENTLICHEN BRANDNEUE LIVE ALBEN VON MARIANNE FAITHFULL UND MUDDY WATERS DIE NÄCHSTEN KÜNSTLER DER „THE MONTREUX YEARS“- REIHE - ERLEBE DIE IKONISCHEN PERFORMANCES DES LEGENDÄREN MONTREUX JAZZ FESTIVALS IN ATEMBERAUBENDER AUDIOQUALITÄT ● Die Reihe des Montreux Jazz Festivals und BMG feiert die 55-jährige Geschichte des Festivals und die zeitlosen Künstler, die auf seinen Bühnen gestanden haben ● ‘MARIANNE FAITHFULL: THE MONTREUX YEARS’ und ‘MUDDY WATERS: THE MONTREUX YEARS’ sind ab 27. August erhältlich Das Montreux Jazz Festival und BMG kündigen heute mit „Marianne Faithfull: The Montreux Years“ und „Muddy Waters: The Montreux Years“ den nächsten Teil der The Montreux Years-Reihe für Freitag, 27. August 2021, an. Verfügbar in Konfigurationen mit mehreren Formaten inklusive Doppel-LP sowie Download- und Streaming-Diensten, bieten die beiden neuen Full-Length-Alben zum ersten Mal fesselnde Performances von Marianne Faithfull und Muddy Waters' Auftritten beim legendären Schweizer Festival, aufgenommen und remastert in atemberaubender Qualität. Die Montreux-Jahre verkörpern den Geist des Montreux Jazz Festivals und das Vermächtnis seines beliebten Gründers Claude Nobs. Nobs weigerte sich, bei der Qualität Kompromisse einzugehen oder sich mit etwas anderem als dem Besten zufriedenzugeben, und dieses Ethos lebt in der hervorragenden Qualität der Aufnahmen fort, die in The Montreux Years zusammengestellt wurden. Das Mastering wurde von Tony Cousins in den legendären Londoner Metropolis Studios durchgeführt, wobei MQA integriert wurde, um den Originalsound dieser besonderen Live-Auftritte einzufangen. Ähnlich wie bei den ersten Alben der Reihe, Nina Simone und Etta James, werden die Alben von Marianne Faithfull und Muddy Waters von exklusiven Liner Notes und bisher unbekannten Fotografien begleitet.
    [Show full text]
  • The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
    November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad.
    [Show full text]
  • Gramofon, 1996 (1. Évfolyam, 1-5. Szám)
    ELIN ELINTÉZI ÉS NINCS MUNKA! m««"' 0 2 ^ = ^ V A MONOFIX Kft. várja Önöket az EUN háztartási gépek I teljes választékával. ÜZLETEINK: Bemutatóterem Budapest XIX., Üllői út 202-204. Budapest III., Huszti u. 9-17. 11. lépcsőház Székesfehérvár, Mártírok útja 5. Nyitvatartás: hétfő-péntek: 10-18-ig szombat: 9-13-ig. Információs telefon: 282-9523 ▼ MONOF.X EXPORT-IMPORT AZ E L I N HÁZTARTÁSI GÉPEK KIZÁRÓLAGOS FORGALMAZÓJA Ezúton értesítjük kedves vásárlóinkat, hogy 1996. december 26-tól 1997. január 06-ig zárva tartunk. zerkesztőség G R A M O N The Hungarian CD Review ft Gramofon novemberi >by Mkfirrrin Tokody Ilona Retkes Attila ILONA hick Cofea _ Főszerkesztő TOKODY VERDI Bősze Adóm Chick Corea és Lapigazgató Bobby McFerrin Pataki Andrea Szerkesztő Ornette Coleman Human Telex Kft. Lapterv és tipográfia ■ffteve _ 'eatestHit: Steve Turre Aradi Varga István Aűvészeti igazgató Sim p ly Red ovák Gábor pográfia ivatok: jsze Adóm Retkes Attila interjú, Klasszikus, Tisztelt Olvasó! Pop-rock Tártál o m Zipernovszky Kornél Karácsonyhoz közeledve egyre nagyobb CD-kínálattal jelent- j I azz keznek a lemezkiadók. Nekünk, vásárlóknak sokszor nehéz el­ A hónap interjúja 2 Pataki Andrea döntenünk, melyik felvételen találunk igazán élvezetes produkci­ Presser Gábor Kiadói panoráma, Gramofon posta ót. A Gramofon legújabb számában az eddigieknél is markán- I sabb kritikákkal kívánunk különbséget tenni a kifejezetten piaco­ Kritika Szerkesztőség címe: rientált és az igényes felvételek között. 1025 Budapest Klasszikus 4 Mandula utca 31. A hónap interjúja rovatban ezúttal a magyar popzenei élet Takács Ágnes klasszikusának számító Presser Gábor nyilatkozik, számunkkal Jazz 14 asszisztens egy időben megjelenő új lemezéről. A klasszikus zenei rovat Tel: 06-30-418-016 A J Fax: 212-4782 hónap felvétele címet a komolyzenei élet talán legígéretesebb Pop - rock 24 tehetségének, Maxim Vengerov hegedűművésznek ítélte, aki Si­ Kiadja: belius és Nielsen hegedűversenyeit játszotta lemezre Daniel Ba­ a Budapesti Fesztiválzenekar Amfisz Kft.
    [Show full text]
  • Dan Blaze's Karaoke Song List
    Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest
    [Show full text]
  • MARIANNE FAITHFULL a Legendary Rock Chanteuse Talks Sad Songs and Horror Stories
    JUNE 2011 ISSUE MMUSICMAG.COM Q&A Patrick Swirc Patrick MARIANNE FAITHFULL A legendary rock chanteuse talks sad songs and horror stories YES, SINGER, SONGWRITER AND partly because I’m so good at the dark side. How were the guests recruited? actress Marianne Faithfull’s 1964 I fi nd writing my own to be much harder Hal brought in Lou Reed, although Lou is a breakthrough hit “As Tears Go By” was work. If you ask Nick to give you a rundown great friend of mine. Dr. John is also a great written by the Rolling Stones’ Mick Jagger of my faults, he’d say, “She’s incredibly friend. Wayne Kramer has become my new and Keith Richards. Yes, she and Jagger talented, but she’s very lazy and needs best friend. He’s been on tour with us in dated throughout the late ’60s. No, she a kick up the ass.” Europe. Plus we’re going to write together. doesn’t want to talk about it. “I don’t even mention their names,” she says. “Those Did Hal help choose songs? Do you have a backlog of songs? people are written out of my picture.” Today He did. There were a lot of arguments as I have a backlog, but I also have a deadline. the picture includes her 19th and latest solo to what should be the fi nished product, At the moment I’ve got plenty of time, but album, Horses and High Heels, recorded huge rows—the usual making of a record. I’m starting to put things together.
    [Show full text]
  • Metallica-Leseprobe
    1/2017 l D: o 9,80 l A: e11,20 l L: e11,70 l BeNeLux: e11,70 l CH: SFR 18,00 Die besten Riffs als Noten/TABs + Soundfiles zum Download DIE GRÖSSTE METALBAND DES 01 UNIVERSUMS 190986 509805 GENIESTREICHE, SUFF & DRAMEN 4 SONG FÜR SONG 2 KOMPLETTE SONGS DIE GITARRENSCHMIEDE Hardwired... „Welcome Home (Sanitarium)“ Die wichtigsten ESP-Gitarren to Self-Destruct „Wherever I May Roam“ für Kirk & James LEGENDS-SPECIAL Die größte Metalband des Universums Universal, Getty Images, Archiv C 6 -artists Metallica LEGENDS-SPECIAL Getty Images „Wir rissen ständig Girls auf C und gingen mit ihnen nach Hause, damit wir duschen konnten“ James Hetfield 7 METALLIGRAFIE Die essentiellen Metallica-Scheiben und Grammy-ausgezeichnete „One“ werden zu Hits, der Rest ist für den Live-Einsatz zu kompliziert. Metallica [Black Album] 1991 Die Metalligrafie Die Perfektion: Weil mehr Riff- wahn nicht geht, wählen Metallica die Gegenrichtung – und konzen- In über dreieinhalb Jahrzehnten haben Metallica eine Menge trieren jeden Song auf seine pure bahnbrechender, legendärer, mitunter verstörender und auch Essenz. Die Songs werden kürzer, enttäuschender Musik herausgebracht. Langweilig und vorhersehbar langsamer und eingängiger, klingen gleichzeitig wurde es mit der Band aus Kalifornien jedenfalls nie. Hier geben wir dank einer auch 25 Jahre später noch wenig ange- fochtenen Produktion von Bob Rock massiv und so euch den Überblick über die Grundpfeiler des Metallica-Werkes. groß wie Gebirgsketten. Hetfield entdeckt „rich- tigen“ Gesang und schreibt Hits: „Enter Sandman“ darf man als das „Smoke on the Water“ der Neun- Kill ’Em All 1983 voller Adrenalin und jugendlichem Feuer. Bei Er- ziger bezeichnen, „Nothing Else Matters“ als das scheinen der Platte sind die Musiker gerade mal „Stairway to Heaven“ desselben Jahrzehnts.
    [Show full text]
  • Contents Memo from Turner
    Contents Memo from Turner ........................... Performance soundtrack .........................57 Midnight Rambler ........................... Let It Bleed .........................................60 TITLE RELEASE PAGE Monkey Man .................................. Let It Bleed .........................................64 19th Nervous Breakdown .................. Single (1966) ....................................... 6 Mother’s Little Helper ....................... Flowers ..............................................66 2000 Light Years from Home .............. Their Satanic Majesties Request ................. 4 No Expectations ............................. Beggars Banquet ..................................68 As Tears Go By .............................. December’s Children (and Everybody’s) ...... 9 Out of Time ................................... Flowers ..............................................70 Bitch ........................................... Sticky Fingers ......................................10 Paint It, Black ................................. Aftermath ............................................72 Brown Sugar ................................. Sticky Fingers ......................................12 Parachute Woman ........................... Beggars Banquet ..................................63 Can’t You Hear Me Knocking .............. Sticky Fingers ......................................16 Play with Fire ................................. Out of Our Heads ................................. 74 Country Honk ...............................
    [Show full text]