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“He Was One of Us” – Joseph Conrad As a Home Army Author
Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 17–29 doi: 0.4467/20843941YC.18.002.11237 “HE WAS ONE OF US” – JOSEPH CONRAD AS A HOME ARMY AUTHOR Stefan Zabierowski The University of Silesia, Katowice Abstract: The aim of this article is to show how Conrad’s fiction (and above all the novelLord Jim) influenced the formation of the ethical attitudes and standards of the members of the Polish Home Army, which was the largest underground army in Nazi-occupied Europe. The core of this army was largely made up of young people who had been born around the year 1920 (i.e. after Poland had regained her independence in 1918) and who had had the opportunity to become acquainted with Conrad’s books during the interwar years. During the wartime occupation, Conrad became the fa- vourite author of those who were actively engaged in fighting the Nazi regime, familiarizing young conspirators with the ethics of honour—the conviction that fighting in a just cause was a reward in itself, regardless of the outcome. The views of this generation of soldiers have been recorded by the writers who were among them: Jan Józef Szczepański, Andrzej Braun and Leszek Prorok. Keywords: Joseph Conrad, World War II, Poland, Polish Home Army, Home Army, Warsaw Uprising 1 In order to fully understand the extraordinary role that Joseph Conrad’s novels played in forming the ethical attitudes and standards of those Poles who fought in the Home Army—which was the largest underground resistance army in Nazi-occupied Europe—we must go back to the interwar years, during which most of the members of the generation that was to form the core of the Home Army were born, for it was then that their personalities were formed and—perhaps above all—it was then that they acquired the particular ethos that they had in common. -
Discourse of Heresy in Polish Post-WWII Literature Herling╎s
ACTA UNIVERSITATIS LODZIENSIS Folia Litteraria Polonica 4(55) 2019 http://dx.doi.org/10.18778/1505-9057.55.21 Margreta Grigorowa* https://orcid.org/0000-0003-4416-371X Discourse of heresy in Polish post-WWII literature Herling’s and Herbert’s heretics Heretics, stakes, and inquisitors invaded Polish literature of the second half of the 20th century. That was visible in the outputs of renowned Polish authors who en- dured the apocalypse of World War II and the dictatorships of the last century: Gustaw Herling-Grudziński (1919–2000), a prisoner of the Gulag in Yertsevo, combatant in the Warsaw Uprising, as well as Andrzej Szczypiorski (1928–2000), a prisoner of the Lager in Sachsenhausen, Zbigniew Herbert (1924–1998), a young poet in occupied Lviv, or those who survived Soviet occupation, e.g. Czesław Miłosz (1911–2004) and Jerzy Andrzejewski (1909–1983). What heretics can be found in their works? Jacques de Molay, a Knight Tem- plar burnt at the stake together with 36 other “relentless brothers”, Albigensians, Cathars, the related Bulgarian Bogomils in Herbert’s essays in the Barbarzyńca w ogrodzie1 volume: Obrona templariuszy and O albigensach, inkwizytorach i tru- badurach. Herling-Grudziński’s short stories featured the heretic Giordano Bruno and his spiritual ally the artist Caravaggio, e.g. in the short story Głęboki cień, the mysterious heretic from Bolsena in the short story Drugie przyjście, and the legendary St. Aaron, a former heretic, stealer of the Host, who by God’s miracle was saved from the stake in the short story Legenda o nawróconym pustelniku. Giordano Bruno was also featured in one of Miłosz’s key poems from 1943 entitled Campo di Fiori (Herling-Grudziński referred to it in his texts on Giordano Bruno), where the historical parallel became vivid during the nightmare with the burning * Professor, University of Veliko Turnovo St Cyril and St. -
Zbigniew Herbert Zestawienie Bibliograficzne
Zbigniew Herbert zestawienie bibliograficzne Zestawienie bibliograficzne odnotowuje zbiory Pedagogicznej Biblioteki Wojewódzkiej w Gdańsku w wyborze za lata 2000-2018 oraz aktualne źródła elektroniczne. Podzielone jest ze względu na rodzaj dokumentów na 5 części: książki, artykuły z książek, artykuły z czasopism, źródła internetowe oraz multimedia. W ich obrębie publikacje uszeregowano alfabetycznie według tytułu publikacji. Książki 1. Akropol i cebula : o Zbigniewie Herbercie / Janusz Drzewucki. – Warszawa : TIKKUN, 2004. – ISBN 83-85683-36-4 Sygn. 174351 2. Herbert / Jacek Łukasiewicz. – Wrocław : Wydaw. Dolnośląskie, 2001. – ISBN 83-7023-889-0 Sygn. 165394 3. Herbert : poetyka, wartości i konteksty / red. Eugeniusz Czaplejewicz, Witold Sadowski; [aut. Krystyna Ruta-Rutkowska et al.]. – Warszawa : DiG, 2002. – ISBN 83-7181-24-X Sygn. 167898 4. Korespondencja / Zbigniew Herbert, Czesław Miłosz. – Warszawa : Fund. Zeszytów Literackich, 2006. – ISBN 83-60046-75-1 Sygn. 178113 5. Król mrówek : prywatna mitologia / Zbigniew Herbert; [il. Zbigniew Herbert]. – Kraków : a5, 2001. – ISBN 83-85568-49-2 Sygn. 164342 6. Labirynt nad morzem / Zbigniew Herbert. – Warszawa : Fund. Zeszytów Literackich, cop. 2000. – ISBN 83-911068-3-7 Sygn. 163607 7. Pan od poezji : o Zbigniewie Herbercie / Joanna Siedlecka. – Warszawa : Prószyński, 2002. – ISBN 83-7337-175-3. Sygn. 167697 8. Poeci czytają Herberta / zebrał, oprac. Andrzej Franaszek. – Kraków : a5, 2009. – ISBN 978-83-61298-13-7 Sygn. 184208 9. Poeta, czyli człowiek zwielokrotniony : szkice o Zbigniewie Herbercie / Bohdan Urbankowski. – Radom : Pol. Wydaw. Encyklopedyczne, 2004. – ISBN 83-88822-93-4 Sygn. 174171 10. "Poezje" Zbigniewa Herberta / oprac. Urszula Lementowicz. – Lublin : Biblioteka Wysyłkowa, 2000. – ISBN 83-86581-62-X Sygn. 192726 11. Poznawanie Herberta. [Cz.] 2 / oprac. Andrzej Franaszek. – Kraków : Wydaw. -
Revisiting Andrzej Wajda's Korczak (1990)
Studia Filmoznawcze 39 Wroc³aw 2018 Marek Haltof Northern Michigan University THE CASUALTY OF JEWISH-POLISH POLEMICS: REVISITING ANDRZEJ WAJDA’S KORCZAK (1990) DOI: 10.19195/0860-116X.39.4 Emblematic of Wajda’s later career is Korczak (1990), one of the most important European pictures about the Holocaust. Steven Spielberg1 More interesting than the issue of Wajda’s alleged an- ti-Semitism is the question of Korczak’s martyrdom. East European Jews have suffered a posthumous violation for their supposed passivity in the face of the Nazi death machine. Why then should Korczak be exalted for leading his lambs to the slaughter? It is, I believe, because the fate of the Orphan’s Home hypostatizes the extremity of the Jewish situation — the innocence of the victims, their utter abandonment, their merciless fate. In the face of annihilation, Janusz Korczak’ tenderness is a terrifying reproach. He is the father who did not exist. J. Hoberman2 1 S. Spielberg, “Mr. Steven Spielberg’s Support Letter for Poland’s Andrzej Wajda,” Dialogue & Universalism 2000, no. 9–10, p. 15. 2 J. Hoberman, “Korczak,” Village Voice 1991, no. 6, p. 55. Studia Filmoznawcze, 39, 2018 © for this edition by CNS SF 39.indb 53 2018-07-04 15:37:47 54 | Marek Haltof Andrzej Wajda produced a number of films dealing with the Holocaust and Polish-Jewish relationships.3 His often proclaimed ambition had been to reconcile Poles and Jews.4 The scriptwriter of Korczak, Agnieszka Holland, explained that this was Wajda’s “obsession, the guilt.”5 Given the above, it should come as no surprise that he chose the story of Korczak as his first film after the 1989 return of democracy in Poland. -
Austen Belano Burke Bussani Butler Marrone Orlando Pavolini
Novembre 2010 Anno XXVJI-N. 11 Austen Belano Marrone Burke Orlando Bussani Pavolini Butler Roché Starnone Dumas Tatafiore Tellkamp Van Niekerk LIBRO DEL MESE: quel rissoso, trasversale, onnivoro OdB INTELLIGENCE: chi racconta e chi manipola, di FABIO MINI Quando la LINGUA ferisce e discrimina Come un REGIME blandisce gli INTELLETTUALI www. Un di ceonì ine. co m MENSILE D'INFORMAZIONE - POSTE ITALIANE s.p.a SPED. N ABB POST. DI. 353/2003 (conv in L 27/02/2004 n" 46] art. I, comma ì, DCB Torino ISSN'0393-3903 Editoria Come nasce un caso letterario A partire da questo di ottobre (cfr. "L'Indice" numero dell'"Indice" il di- 2010, n. 10, p. I), scriveva di Gian Carlo Ferretti segno di Franco Matticchio (tra tante possibili e amene qui a fianco segnalerà le attività...) "preferisco con- n best seller, un "caso" e, ricerca recente già nel suo titolo: recensioni o gli articoli che frontare la mia intelligenza Uin generale, un successo li- Non è un caso che sia successo. potranno essere commenta- - se ne ho - con quella di brario o letterario, sono sempre Storie editoriali di best seller ti sul sito. Non è una novità qualcuno che ha dato segni difficili da spiegare. Si incontra- (pp. 144, € 8, Educatt, Milano assoluta, perché in realtà di averla". Questa semplice no e scontrano in proposito in- 2010). Titolo brillante, giocato molti lettori già scrivevano affermazione sintetizza l'in- terpretazioni diverse e opposte. sulla implicita possibilità-neces- ai recensori attraverso la tento di questa operazione, Anche questo primo articolo (al sità di non considerare il succes- mail pubblicata in calce ai ma a ben vedere incarna so (e il caso) come indecifrabile loro testi, ma si è trattato di anche il senso profondo di quale ne seguirà un altro nel questo giornale da sempre. -
MEDNARODNI DNEVI ODDELKA ZA PIHALA, TROBILA in TOLKALA CIP - Kataložni Zapis O Publikaciji Narodna in Univerzitetna Knjižnica, Ljubljana
Od 3. novembra 2019 do 8. maja 2020 Akademija za glasbo UL MEDNARODNI DNEVI ODDELKA ZA PIHALA, TROBILA IN TOLKALA CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 780.641/.645(082) MEDNARODNI dnevi Oddelka za pihala, trobila in tolkala (2019-2020 ; Ljubljana) [Programska knjižica] / Mednarodni dnevi Oddelka za pihala, trobila in tolkala, od 3. novembra 2019 do 8. maja 2020 ; [uredila Karolina Šantl Zupan]. - V Ljubljani : Akademija za glasbo, 2019 ISBN 978-961-6393-25-6 1. Šantl Zupan, Karolina COBISS.SI-ID 302538240 Spoštovani! V jubilejnem letu praznovanja 80-letnice Akademije za glasbo Univerze v Ljubljani bodo potekali Mednarodni dnevi Oddelka za pihala, trobila in tolkala, v okviru katerih pripravljamo seminarje, predavanja in koncerte. Pred vami je programska knjižica, v kate- ri predstavljamo delovanje Oddelka v preteklosti in sedanjosti ter pomembnejše osebnosti, zaslužne za njegov razvoj. Vsebuje tudi napoved prihajajočih dogodkov in kratko predstavitev gostujočih profesorjev, ki so se prijazno odzvali našemu povabilu. Iskrena hvala skladatelju Tilnu Slakanu za delo Wind Capriccio, napisano za Oddelek za pihala, trobila in tolkala ob častitljivem jubileju Akademije za glasbo. Skladba bo prvič izvedena na kon- certu z naslovom Preplet generacij, ki bo v sredo, 13. novembra 2019 v Slovenski filharmoniji. Na umetniških dogodkih bodo sodelovali profesorji, alumni in štu- dentje Akademije za glasbo, vsem iskrena hvala. Lepo vabljeni, da nas počastite z obiskom. Prof. dr. Karolina Šantl Zupan Predstojnica Oddelka za pihala, trobila in tolkala Oddelek za pihala, trobila in tolkala Akademije za glasbo univerze v Ljubljani Zgodovinski razvoj visokošolskega glasbenega izobraževanja na Slo- venskem sega v leto 1872, ko je bilo v Ljubljani uradno ustanovljeno dru- štvo Glasbena matica, katerega namen je bil vsestransko podpirati in gojiti slovensko nacionalno obarvano glasbo. -
Introduction Making, Experiencing and Managing Difference in a Changing Germany
Introduction Making, Experiencing and Managing Difference in a Changing Germany Jan-Jonathan Bock and Sharon Macdonald In late August and early September 2015, thousands of asylum seekers from the Middle East were stranded in Hungary’s capital, Budapest. Many complained about heavy-handed mistreatment by the authorities, who also set up new ‘detention centres’ at the country’s southeastern border (Haraszti 2015; Kallius et al. 2016). When thousands of migrants left Budapest to march on a motorway towards Austria – and Germany – the German Chancellor, Angela Merkel, and her Austrian counterpart, Werner Faymann, took a far-reaching decision. Bypassing the ordinary rules of the EU’s shared asylum system, both leaders agreed to permit asylum seekers entry into their countries to process applications for pro- tection and combat human trafficking. Only two weeks previously, the discovery of seventy-one dead bodies in a locked van on the A4 motorway in Austria – the victims of trafficking – had illustrated the fatal conse- quences of Europe’s insufficient protection schemes for those fleeing con- flict elsewhere (den Heijer et al. 2016). The pressure on European leaders to act further increased after the highly publicized death of a young boy, Alan Kurdi, who drowned on his way to Europe. Images of his lifeless body, washed up on a Turkish beach, shocked the world.1 According to the EU’s Dublin Regulation, asylum seekers ought to apply for protection in the first EU country they reach. In most cases, these are Greece or Italy – two countries that, in the mid 2010s, struggled with unemployment and austerity, and from which asylum seekers sought to continue northwards (Lucht 2012; Redattore Sociale 2015; Trauner 2016). -
Eatre Theatre
EATRE THEATRE logne in Polanil rtensuelle du Centre Polonais de l'Institut International du Théâtre et de l'Agence des Auteur ithly Magazine of the Poilsh Centre of the International Théâtre Institute and the Authors' Agenc; Varsovie Janvier 197) Contents L'importance de Boy-Zelenski dans la Boy-Zeleûski's Rôle in 20th Century culture polonaise du XXe siècle — Polish Culture. — Jerzy Lisowski . Georges Lisowski 3 Portrait d'un acteur. Wojciech Pszo- Pen-PoTtrait of an Actor. Wojciech niak — Maria Czanerle .... 11 Pszoniak — Maria Czanerle . i: Le Théâtre Juif en Pologne Populaire 25 Years of the Jewish State Théâtre a 25 ans — Marta Fik 18 in People's Poland — Marta Fik . 2 Livres sur le théâtre Books on the Théâtre Les Voies de la création théâtrale IV — Les Voies de la création théâtrale IV — A. G 24 A. G 2 Au fil de la presse — E. W. 27 Around the Press — E. W. 2 Chronique 32 Reports ^ Actualités polonaises dans le monde 36 Polish News from Abroad ... 3 Premières théâtrales 45 First Nights 4 No 1 (20 XVIIIe Annt ATRE AEATRE Cne in Polaml nsuelle du Centre Polonais de l'Institut International du Théâtre et de l'Agence des Auteurs ily Magazine of the Polish Centre of the International Théâtre Institute and the Authors' Agency Varsovie Février 1976 Sommaire Contents Konrad Swinarski — Marta Fik . 3 Konrad Swinarski Marta Fik 1( Evénements de la vie théâtral^ Theatricol Events •«La Punaise»^ de Vladimir Maïakovski, "The Bed-Bug" hy Vladimir Mayakov- mise en scène de Konrad Swinarski, sky, produced at the Teatr Narodowy of scénographie d'Ewa Starowieys.ka, musi Warsaw by Konrad Swinarski, stage que de Rafal Augustyn, au Tectr Na- design by Ewa Starowieyska, music by rodowy de Varsovie — Elibieta Wy- Rafal Augustyn — Elzbieta Wysinska siùska 18 Konrad Swinarski's Letter to Lili Erik Lettre de Konrad Swinarski à Lili Erik 25 •"Hamlet>^ de Konrad Swinarski — Jan Konrad Swinarski's "Hamlet" — Jan Pawel Gawlik Pawel Gawlik 26 Au fil de la presse — E. -
Title Japonisme in Polish Pictorial Arts (1885 – 1939) Type Thesis URL
Title Japonisme in Polish Pictorial Arts (1885 – 1939) Type Thesis URL http://ualresearchonline.arts.ac.uk/6205/ Date 2013 Citation Spławski, Piotr (2013) Japonisme in Polish Pictorial Arts (1885 – 1939). PhD thesis, University of the Arts London. Creators Spławski, Piotr Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Japonisme in Polish Pictorial Arts (1885 – 1939) Piotr Spławski Submitted as a partial requirement for the degree of doctor of philosophy awarded by the University of the Arts London Research Centre for Transnational Art, Identity and Nation (TrAIN) Chelsea College of Art and Design University of the Arts London July 2013 Volume 1 – Thesis 1 Abstract This thesis chronicles the development of Polish Japonisme between 1885 and 1939. It focuses mainly on painting and graphic arts, and selected aspects of photography, design and architecture. Appropriation from Japanese sources triggered the articulation of new visual and conceptual languages which helped forge new art and art educational paradigms that would define the modern age. Starting with Polish fin-de-siècle Japonisme, it examines the role of Western European artistic centres, mainly Paris, in the initial dissemination of Japonisme in Poland, and considers the exceptional case of Julian Żałat, who had first-hand experience of Japan. The second phase of Polish Japonisme (1901-1918) was nourished on local, mostly Cracovian, infrastructure put in place by the ‘godfather’ of Polish Japonisme Żeliks Manggha Jasieski. His pro-Japonisme agency is discussed at length. -
Immigration, Ueberfremdung, and Cultural Chauvinism in German Far-Right Partisan Discourse
Imagined Identity: Immigration, Ueberfremdung, and Cultural Chauvinism in German Far-Right Partisan Discourse Paul A. Harris, Ph.D. Augusta State University Abstract In recent years, issues of an imagined ethno-cultural identity and revived nationalism have received renewed attention in German partisan public discourse. Initially, this came as a shock to both Germans and non- Germans. Both inside and outside of Germany the rise of right-wing partisan rhetoric has evoked fearful memories of the Nazi past. Yet, given the political parties responsible for bringing this nationalist, xenophobic and anti-semitic discourse to the forefront, most notably the Die Republikaner (REP) , Deutsche Volksunion (DVU), and Nationaldemokratische Partei Deutschlands (NPD)such reactions should hardly be surprising. The radical right’s adherence to racist ideology is both openly xenophobic and anti-Semitic and centers around the threat of elimination of the German kulturnation. This article addresses this right-extremist rhetoric in light of Germany’s liberal post-War immigration policies. I first undertake a historical examination of German immigration policy which has contributed to Germany’s multi-cultural milieu. I then examine German far right partisan discourse and its attack on Germany’s expansive immigration policies. My ultimate goal is to expose the illusory and fallacious character of the far right’s racist arguments in light of Germany’s post-War status as a true immigration country. Since the end of World War II Germany has witnessed changes in the demographic makeup of immigrants entering its borders. Whereas in the immediate post-War years co-ethnics from throughout Central and Eastern Europe dominated the immigrant landscape, since the 1960s a multi-ethnic and multi-cultural mix of peoples from throughout Eastern German Policy Studies/Politikfeldanalyse, 1(3), 2001, pp. -
“The Eccentrics”
“THE ECCENTRICS” “ON THE SUNNY SIDE OF THE STREET” A film by JANUSZ MAJEWSKI SYNOPSIS “Eccentrics” is an incredible story of a jazzman Fabian(Maciej Stuhr) who comes back to Poland from England at the end of the 1950ies. With a group of eccentric musicians he starts a swing big-band. Modesta (Natalia Rybicka) becomes the star of the band and they become very successful. The musician quickly falls head over hills in love with the femme fatale singer. They soon start an affair. As king and queen of swing they start touring Poland and their life takes a colourful turn. Will their feelings last? ABOUT THE FILM End of 1950ies. Fabian (Maciej Stuhr), a war immigrant and jazzman decides to come back to Poland from England. He played the trombone on a Polish transatlantic ship before the war. He comes to see his sister Wanda (Sonia Bohosiewicz) in Ciechocinek, in order to play swing again. What he doesn’t know though is that is bound to find love too. From both professional and amateur musicians he forms a swing big band. They are a group of very eccentric people whose mutual meeting brings out many funny and unexpected situations. We have a music- hater piano- tuner named Zuppe who sees a homosexual in every musician ( Awarded for Best Actor at the Gdynia Film Festival - Wojciech Pszoniak), a distinguished doctor Mr Vogt (Jerzy Schejbal), a clarinet amateur (Adam Ferency), a police officer who played the trumpet before the war (Wiktor Zborowski) and a group of young beatniks (Wojtek Mazolewski and his musicians). -
Torbicka Pszoniak Kutz Bellocchio
BRZEŻA GŁOS Torbicka Pszoniak Kutz Bellocchio DWU OFICJALNY MAGAZYN 13. FESTIWALU sobota, FILMU I SZTUKI DWA BRZEGI 27 lipca W KAZIMIERZU 2019 DOLNYM I JANOWCU NAD WISŁĄ 2 27 lipca 2019, nr 1 www.dwabrzegi.pl GŁOSOficjalny magazyn Festiwalu Filmu i Sztuki DWA BRZEGI w Kazimierzu Dolnym i Janowcu nad Wisłą DWU-Adres redakcji: Miasteczko Festiwalowe, ul. Nadwiślańska 9, 24-120 Kazimierz Dolny; e-mail: [email protected]; Pierwszy brzeg: Paulina Litwinow; Drugi brzeg: Marcin Radomski; Łączenie brzegów: Radosław Bućko; BRZEŻAFotografowanie brzegów: Joanna Kurdziel-Mortko, Krzysztof Wójcik OFICJALNY MAGAZYN 13. FESTIWALUSkład FILMU nurtu: I SZTUKI Monika Pietras, Julia Smyk, Marta Biskup, Adam Lewandowski, Mateusz Chról, Kacper Rogalewski DWA BRZEGI W KAZIMIERZU DOLNYM I JANOWCU NAD WISŁĄ Grażyna Torbicka: Dwa Brzegi to niekonwencjonal- ny festiwal, dlatego u nas „13” to szczęśliwa liczba Marcin Radomski: Czy boisz się 13. edycji Dwóch Brze- gów? Grażyna Torbicka: Nie bardziej niż każdej poprzedniej, w tym sensie, że chcę, żeby wszystko się udało i widzowie oraz goście byli zadowoleni... Uznajmy, że 13 jest szczęśliwa i przez najbliższy ty- dzień wydarzą się wyłącznie pozytywne niespodzianki. Cieszę się, że udało się zrealizować 13. edycję Dwóch Brzegów, bo przecież jeszcze niedawno nie było wiadomo, czy zgromadzimy fundusze. W tym roku utrzymujemy poziom, do jakiego przyzwyczailiśmy widzów. Mamy więcej zagranicznych gości niż w poprzednich la- tach. Do Kazimierza przyjadą: Claudio Giovannesi – reżyser filmu „Piranie”, Martina Apostolova – aktorka z „Iriny”, Veit Helmer – reżyser i scenarzysta filmów „Staniczek” i „Tuvalu”, Mitko Pa- nav – twórca filmu „Świadek” oraz wielu polskich twórców, m.in.: Wojciech Pszoniak – bohater retrospektywy „I Bóg stworzył akto- zobaczyłam na festiwalu w Bari i postanowiłam go ściągnąć do ra…”, Janusz Gajos – tegoroczny jubilat i Daniel Olbrychski, który Kazimierza.