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Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
A Less Than Perfect Game, in a Less Than Perfect Place: the Rc Itical Turn in Baseball Film Marshall G
Boise State University ScholarWorks Communication Faculty Publications and Department of Communication Presentations 1-1-2013 A Less Than Perfect Game, in a Less Than Perfect Place: The rC itical Turn in Baseball Film Marshall G. Most Robert Rudd Boise State University Publication Information Most, Marshall G.; and Rudd, Robert. (2013). "A Less Than Perfect Game, in a Less Than Perfect Place: The rC itical Turn in Baseball Film". The Cooperstown Symposium on Baseball and American Culture, 2011-2012, 180-195. From The Cooperstown Symposium on Baseball and American Culture, 2011 -- 2012, © 2013. Edited by William M. Simons, used by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandpub.com. A Less Than Perfect Game, in a Less Than Perfect Place: The N Critical Turn in Baseball Film o N I Marshall G. Most and Robert Rudd He can't speak much English, but that's the beauty of baseball. If he can go to his right and hit the broad side of a barn, that'll do all his talking for him. - Big Leaguer, 1953 This reassuring voice-over, in reference to New York Giants minor league prospect Chuy Ramon Santiago Aguilar, sums up nicely a fundamental tenet of baseball ideology: race, ethnicity, and cultural heritage do not matter. All are welcome to participate in the national pastime. All will be treated equally. All that matters is how one plays the game. Such has been the promise of Amer- ica, as well, articulated in the values and aspirations of this, its national pas- time. Of course, this has not been baseball's true history, nor America's. -
Sarah Mercey Director | Actress | Storyboardist | Animation —————
Sarah Mercey Director | Actress | Storyboardist | Animation ————— FILMOGRAPHY Unannounced | 2021 Feature film, animation Storyboard artist Blue Sky Studios (Fox Animation) — Lucky | 2020 Skydance Animations (Skydance Media) — Nimona | 2020 Feature film, animation Storyboard artist Blue Sky Studios (Fox Animation) — Spies in Disguise | 2017 Feature film, animation Storyboard artist Blue Sky Studios (Fox Animation) — Ferdinand | 2017 Feature film, animation Storyboard artist Blue Sky Studios (Fox Animation) AWARDS Oscar nominee (Academy Awards), Best Animated Feature Film – USA, 2018 2 nominations at the Golden Globes, Best Motion Picture – Animated, Best Original Song – Motion picture, USA, 2018 — Angry Birds | 2016 Feature film, animation Storyboard artist Rovio — Rio 2 | 2014 Feature film Story Blue Sky Studios (Fox Animation) — Magic Hockey Skates | 2012 Holiday special Director, Art Director, Co-Writer Amberwood Entertainment / Canadian Broadcast Corporation AWARD Canadian Screen Award 2014 – Best Direction in an Animated Program or Series & In nomination for Best Animated Series — Ice Age Christmas Special | 2011 Feature film Story Blue Sky Studios (Fox Animation) — Toy Story 3 | 2009 Feature film Character Design Pixar Animation Studios AWARDS Oscar winner (Academy Awards), Best Animated Feature Film of the Year– USA, 2011 Golden Globe winner, Best animated Film of the Year 2011 — WALL-E | 2008 Feature film Animation Pixar Animation Studios AWARDS Oscar winner (Academy Awards), Best Animated Feature Film of the Year– USA, 2009 Golden -
Cinema Em Aula De Língua Estrangeira: Um
Resumo: Este artigo tem como objetivo analisar as CINEMA EM AULA DE LÍNGUA representações do povo brasileiro na animação Rio ESTRANGEIRA: UM ESTUDO A (2011), dirigida por Carlos Saldanha, a partir das discussões desse conceito levadas a cabo por diferentes PARTIR DAS REPRESENTAÇÕES DE linhas teóricas (LUSTOSA, 2013; WITOSLAWSKI, 2005). A partir dessa análise, propomos algumas possibilidades BRASILIDADE NO FILME RIO* de uso desse tipo de discussão como material em aulas de Português como Língua Estrangeira (PLE), sobretudo pensando em questões como a reprodução, propagada CINEMA IN A FOREIGN LANGUAGE pela mídia nacional e internacional, de estereótipos que se referem ao imaginário sobre a identidade brasileira CLASS: A STUDY FROM THE BRAZILIAN pelos alunos desses cursos, ou seja, os possíveis interessados em conhecer a cultura brasileira para REPRESENTATIONS IN THE MOVIE RIO fins ou turísticos, ou acadêmicos, ou, não incomum, profissionais. Diogo Simão 1 Palavras-chave: Cinema. Ensino. Línguas Estrangeiras Júlio Cezar Marques da Silva 2 Modernas. Brasilidade. Abstract: This article aims to analyze the representations of the Brazilian people in the animation Rio (2011), directed by Carlos Saldanha, from the discussions of this concept carried out by different theoretical lines (LUSTOSA, 2013; WITOSLAWSKI, 2005). From this analysis, we propose some possibilities of using this type of discussion as material in Portuguese as a Foreign Language (PLE) classes, especially thinking about issues such as the reproduction, propagated by national and international media, of stereotypes that refer to the imaginary about the Brazilian identity by the students of these courses, that is, those interested in knowing Brazilian culture for tourism or academic purposes, or, not uncommonly, professionals. -
Imaginário, Cinema E Turismo: Uma Viagem Por Clichês Culturais Associados Ao Brasil, No Filme Rio 2
Rosa dos Ventos ISSN: 2178-9061 [email protected] Universidade de Caxias do Sul Brasil Imaginário, Cinema e Turismo: Uma Viagem por Clichês Culturais Associados ao Brasil, no Filme Rio 2 LOPES, RAFAEL DE FIGUEIREDO; NOGUEIRA, WILSON DE SOUZA; BAPTISTA, MARIA LUIZA CARDINALE Imaginário, Cinema e Turismo: Uma Viagem por Clichês Culturais Associados ao Brasil, no Filme Rio 2 Rosa dos Ventos, vol. 9, núm. 3, 2017 Universidade de Caxias do Sul, Brasil Disponível em: https://www.redalyc.org/articulo.oa?id=473552033016 DOI: https://doi.org/10.18226/21789061.v9i3p377 PDF gerado a partir de XML Redalyc JATS4R Sem fins lucrativos acadêmica projeto, desenvolvido no âmbito da iniciativa acesso aberto RAFAEL DE FIGUEIREDO LOPES, et al. Imaginário, Cinema e Turismo: Uma Viagem por Clichês Culturais ... Artigos Imaginário, Cinema e Turismo: Uma Viagem por Clichês Culturais Associados ao Brasil, no Filme Rio 2 Imaginary, Movies and Tourism: A Travel trough Cultural Stereotypes Associated with Brazil in the Movie Rio 2 RAFAEL DE FIGUEIREDO LOPES DOI: https://doi.org/10.18226/21789061.v9i3p377 Universidade Federal do Amazonas, Brasil Redalyc: https://www.redalyc.org/articulo.oa? rafafl[email protected] id=473552033016 WILSON DE SOUZA NOGUEIRA Universidade Federal do Amazonas, Brasil [email protected] MARIA LUIZA CARDINALE BAPTISTA Universidade de Caxias do Sul, Brasil [email protected] Recepção: 02 Setembro 2016 Aprovação: 23 Junho 2017 Resumo: O artigo busca refletir acerca de clichês associados ao imaginário sobre o Brasil, especialmente, ao Rio de Janeiro e à Amazônia, a partir de cenas do filme de animação Rio2 (Carlos Saldanha, 2014). -
WF BASE Notes -ND.Indd
FEB. 26-28, 2021 | WINSTON-SALEM, N.C. | DAVID F. COUCH BALLPARK SCHEDULE & RESULTS FEBRUARY 19 NORTHEASTERN W, 8-6 20 NORTHEASTERN W, 9-0 VS 21 NORTHEASTERN L, 14-11 WAKE FOREST NOTRE DAME 23 COASTAL CAROLINA L, 4-1 26 NOTRE DAME* 4:00 DEMON DEACONS FIGHTING IRSH 27 NOTRE DAME* 4:00 Record: 2-2 | ACC: 0-0 Probable Starters Record: 0-0 | ACC: 0-0 28 NOTRE DAME* 1:00 Friday- 4:00 p.m. MARCH Head Coach: Tom Walter WAKE: So. RHP Ryan Cusick (0-0) Head Coach : Link Jarrett 3 WESTERN CAROLINA 6:00 Season: 12th ND: LHP Tommy Sheehan (0-0) Season: 2nd 5 BOSTON COLLEGE* 4:00 Saturday- 4:00 p.m. Home Record: 2-2 Home Record: 0-0 6 BOSTON COLLEGE* 4:00 Away Record: 0-0 WAKE: Jr. RHP William Fleming (1-0) Away Record: 0-0 ND: LHP John Michael Betrand (0-0) 7 BOSTON COLLEGE* 1:00 Neutral Record: 0-0 Sunday- 1:00 p.m. Neutral Record: 0-0 9 at Elon 4:00 National Rank: 16 (D1 Baseball) WAKE: R-So. RHP Shane Smith (0-0) National Rank: N/A 12 at Miami* 7:00 Runs Scored/Game: 7.3 ND: TBD Runs Scored/Game: 0.0 13 at Miami* 6:00 Runs Allowed/Game: 6.0 Runs Allowed/Game: 0.0 14 at Miami* 1:00 16 CHARLOTTE 6:00 WAKE FOREST VS. NOTRE DAME 19 GEORGIA TECH* 6:00 THE MATCHUP 20 GEORGIA TECH* 4:00 • No. 16 Wake Forest opens Atlantic Coast Conference play with a three-game series at The Couch against Notre 21 GEORGIA TECH* 1:00 Dame on Feb. -
A Amazônia Animada: Uma Análise Pós-Colonialista Do Filme Rio 2 the Animated Amazon Forest: a Postcolonial Analysis of the Movie Rio 2
A Amazônia animada: uma análise pós-colonialista do filme Rio 2 The animated Amazon forest: a postcolonial analysis of the movie Rio 2 Luciana Maira de Sales Pereira1 Resumo: A Amazônia é constantemente representada nas produções cinematográficas nacionais e internacionais. Entretanto, sua representação sígnica audiovisual é construída a partir do olhar, da cultura e da ideologia de quem a descreve. Considerando a animação fílmica Rio 2, de Carlos Saldanha, um artefato cultural que apresenta um dado discurso sobre a Floresta Amazônica, este artigo tem por objetivo analisar de que modo a produção discursiva, verbal e imagética, da animação reproduz imagens estereotipadas sobre a região amazônica. Palavras-chave: Amazônia; Cinema; Animação; Colonialismo. Abstract: The Amazon is constantly represented in national and international cinematographic productions. However, its audiovisual representation is based on the viewpoint, culture and ideology of the person who describes it. Considering the film animation Rio 2, by Carlos Saldanha, a cultural artifact that presents a discourse about the Amazon Rainforest, this article aims to analyze how the verbal and imaginary discursive production of Saldanha’s animation reproduces stereotyped images about the Amazon region. Keywords: Amazon; Cinema; Animation; Colonialism. Introdução Desde os primórdios da descoberta do Brasil, dada sua magnitude, diversidade de fauna e flora, o contorno e a extensão de seus rios, a Amazônia tem sido objeto de estudo e admiração para muitos historiadores, cientistas, escritores e cineastas. Por esse motivo, a grande floresta tropical localizada na região Norte do Brasil não é apenas um importante bioma, mas uma grande construção cultural e simbólica, representada inúmeras vezes por diversos signos, linguísticos e visuais, entre eles relatórios de viagens, obras literárias, pinturas e filmes2, transitando entre o real e o imaginário. -
9781474410571 Contemporary
CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
Show Your Community That You Appreciate Them by Hosting a Movie Night That’S Fun for the Whole Family
2016 FAMILY FRIENDLY MOVIE CATALOGUE Show your community that you appreciate them by hosting a movie night that’s fun for the whole family.. It’s as easy as 1- 2 - 3! www.criterionpic.com YOUR COMPLETE MOVIE LICENSING COMPANY FOR YOUR MOVIE SCREENINGS! Criterion Pictures is one of the largest non-theatrical providers of feature films in North America. In Canada, we have exclusive relationships with some of Hollywood’s largest film studios and licence their movies for public screenings. We offer a variety of licensing rights, in order to provide tailored programming options to maximize the suc- cess of your event. Whether you’re showing a movie for camps, an after school program or even a birthday party, we have a large catalogue of family friendly films. Whatever your budget, we can help make your next movie night a big success! WE HAVE EVERYTHING YOU NEED TO MAKE YOUR PROGRAM A SUCCESS From the best selection of box office hits, animated movies and family classics, we licence exclusive movies from 20th Century Fox, Fox Searchlight, Warner Brothers, Paramount Pictures, DreamWorks and Entertainment One and more... We proudly offer our titles ahead of the DVD date and our entire catalogue is available all year long, which means no summer black-out dates! AN EXPERIENCED SALES & SERVICE TEAM THAT’S JUST ONE PHONE CALL AWAY We work with our customers to deliver content by all available means and strive to meet their individual needs. Contact us today for more information! We also offer a large collection of socially conscious films. -
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013) -
The Perfect Game: a Novel Free Download
THE PERFECT GAME: A NOVEL FREE DOWNLOAD J. Sterling | 310 pages | 25 Jun 2013 | Amazon Publishing | 9781477808672 | English | Seattle, United States PDF Download Can Cassie move on with her life, start over, and learn to love again all a new The Perfect Game: A Novel away from Jack? Maybe it was because she didn't have a penis. Patrick Goldstein of the Los Angeles Times said he felt that "the film did a nice job of telling the story The Perfect Game: A Novel the surprise upset when a youth ball team from Monterrey, Mexico, won the Little League World Series. The Perfect Game Read online. God, I wish I never read this awful book. Who would grieve? As Lauren hurried alongside the gurney The Perfect Game: A Novel a trauma bay, she knew she should be assessing injuries, triaging by order of urgency. He swung the bats around like a windmill, stretching his shoulders. Lauren cleaned the gaping wound and carefully began stitching it up. But now that they're face to face again, he doesn't know how to admit that her online admirer is really him--or how to convince her that he's offering her a job for her incredible skills, not her sex appeal. But it worked on me. But still. Cassie meet Jack, Jack meet Cassie The night they slept together for the first time was not how I had imagined it would be. Jack glanced up from the field and directly into my eyes. After two years of general education, I applied to three universities in Southern California and was accepted at all of them. -
A ÉTICA AMBIENTAL NOS FILMES DE ANIMAÇÃO: REFLEXÕES SOBRE “RIO” E “RIO 2”1 Rivanna Maria Figueredo De Matos2 RESUMO
RELICI A ÉTICA AMBIENTAL NOS FILMES DE ANIMAÇÃO: REFLEXÕES SOBRE “ RIO ” E “ RIO 2 ” 1 Rivanna Maria Figueredo De Matos 2 RESUMO O presente trabalho objetiva analisar alguns aspectos sobre a representação da natureza nos filmes Rio e Ri o 2, animações que abordam temáticas ambientais importantes, tais como o tráfico de animais silvestres e o desmatamento na floresta amazônica. Salienta - se a importância das animações na conscientização ambiental, atribuída ao seu alca nce aos mais diversos públicos. Palavras - chave : F ilmes de animação; Ética ambiental; T ráfico de animais; D esmatamento. ABSTRACT The present work aims to analyze some aspects on the representation of the nature in the movies Rio and Rio 2, animated films that board important environmental themes, such as the traffic of wild animals and the deforestation in the Amazonian forest. The importance of the animated films is pointed out in the environmental awareness attributed to their re ach to the most different people . Key words : Animated films ; E nvir onmental ethics; A nimals traffic; D eforestation. INTRODUÇÃ O Os filmes de animação integram uma indústria cinematográfica cada vez mais sofisticada e lucrativa, principalmente se tratando das produções norte - americanas. Além do faturamento advindo das salas de cinema, tornou - se comum a venda de suvenires (roupas, sapatos, brinquedos, artigo s para festa, papelaria, 1 Recebido em 26/07/2018. 2 Universidade Estadual De Santa Cruz . E - mail: [email protected]. Revista Livre de Cinema, v. 6 , n. 1 , p. 1 22 - 135 , jan - abr , 201 9 ISSN: 2357 - 8807 RELICI 123 móveis , etc.) inspirados nos filmes de grande sucesso e que se tornam objetos de desejo de crianças e adolescentes.