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William Shakespeare, Page 1 William Shakespeare (1564 WILLIAM SHAKESPEARE (1564-1616): by Don L. F. Nilsen English Department Arizona State University Tempe, AZ 85287-0302 ( [email protected] ) Anderson, Linda. A Kind of Wild Justice--Revenge in Shakespeare's Comedies. Newark, DE: University of Delaware Press, 1987. Bamber, Linda. Comic Women, Tragic Men: A Study of Gender and Genre in Shakespeare. Stanford, CA: Stanford University Press, 1982. Barber, Charles Laurence. Shakespeare's Festive Comedy. New York, NY: Meridian, 1963. Barker, Clive. "Contemporary Shakespearean Parody in British Theatre." Shakespeare Jahrbuch. 105 (1969): 104-120. Bean, John C. "Comic Structure and the Humanizing of Kate in The Taming of the Shrew." The Woman's Part: Feminist Criticism of Shakespeare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene and Carol Thomas Neely. Chicago, IL: University of Illinois Press, 1983, 65-78. Bell, Robert H. "The Anatomy of Folly in Shakespeare's `Henriad.'" HUMOR: International Journal of Humor Research 14.2 (2001): 181-202. Berger, Arthur Asa. "Twelfth Night: Comedic Techniques and Social Considerations." An Anatomy of Humor. New Brunswick, NJ: Transaction, 1993, 133-143. Berry, Edward. Shakespeare's Comic Rites. New York, NY: Cambridge University Press, 1984. Berry, Ralph. "Discomfort in The Merchant of Venice." Thalia: Studies in Literary Humor 1.3 (1979): 9-16. Bly, Mary. "Imagining Consummation: Women's Erotic Language in Comedies of Dekker and Shakespeare." Look Who's Laughing: Gender and Comedy. Ed. Gail Finney. New York, NY: Gordon and Breach, 1994. 35-52. Boose, Lynda E. "Scolding Brides and Bridling Scolds: Taming the Woman's Unruly Member." Shakespeare Quarterly Summer, 1991: 179-213. Borthwick, E. Kerr. "'So Capital a Calf': The Pun in Hamlet, III.ii.105." Shakespeare Quarterly 35 (Summer, 1984): 203-204. Browne, Thomas. "Mercutio as Mercury: Trickster and Shadow." Upstart Crow 9 (1989): 40-51. Bryant, Joseph Allen. Shakespeare and the Uses of Comedy. Lexington, KY: University Press of Kentucky, 1986. Burt, Richard A. "A Charisma, Coercion, and Comic Form in The Taming of the Shrew." Criticism 26 (1984): 295-311. Campbell, Oscar James. Shakespeare's Satire. New York, NY: Gordian Press, 1971. Cowling, George. "Shakespearean Comedy." Shelley and Other Essays. Freeport: Books for Libraries Press, 1936. Delabastita, Dirk. "Cross-Language Comedy in Shakespeare." HUMOR: International Journal of Humor Research 18.2 (2005): 161-184. Delabastita, Dirk. There's a Double Tongue: An Investigation into the Translation of Shakespeare's Wordplay, with Special Reference to "Hamlet". Amsterdam, Holland: Rodopi, 1993. Derks, Peter L. "Clockwork Shakespeare: The Bard Meets the Regressive Imagery Dictionary." Empirical Studies of the Arts 12.2 (1994): 131-139. WILLIAM SHAKESPEARE, PAGE 1 Derks, Peter L. "Pun Frequency and Popularity of Shakespeare's Plays." Empirical Studies of the Arts 7.1 (1989): 23-31. Desai, Chintamani. Shakespearean Comedy. New York: AMS, 1975. Drew, Anne Marie. "A Sigh into a Looking Glass: The Trickster in The Winter's Tale and Happy Days." Comparative Literature Studies 26.2 (1989): 93-114. Farnham, Willard. "Falstaff and the Grotesque." Falstaff. Ed. Harold Bloom. New York, NY: Chelseq House, 1992. Fleissner, Robert F. "Sherlock Holmes and Shakespeare's Second Most Famous Soliloquy: The Adventure of Hamlet's Polluted Flesh." Thalia: Studies in Literary Humor 10.1 (1989): 43-47. Hartwig, Joan. Parody as Structural Syntax: Shakespeare's Analogical Scene. Lincoln: Univ of Nebraska Press, 1983. Hartwig, Joan. Shakespeare's Tragicomic Vision. Baton Rouge, LA: Louisiana State Univ Press, 1972. Hillman, Richard. Shakespearean Subversions: The Trickster and the Play-Text. New York, NY: Routledge, 1992. Hogan, Robert. Comedy from Shakespeare to Sheridan. New York, NY: Associated University Press, 1986. Jacobs, Henry E., and Claudia D. Johnson. An Annotated Bibliography of Shakespearean Burlesques, Parodies, and Travesties. New York: Garland, 1976. Jagendorf, Zvi. The Happy End of Comedy: Jonson, Molière, and Shakespeare. Newark: Univ of Delaware Press, 1984. Jameson, Anna. Comic Characters of Shakespeare. London: G. Bell and Sons, 1913. Jensen, Ejner J. Shakespeare and the Ends of Comedy. Bloomington, IN: Indiana University Press, 1991. Jha, Amarantha. Shakespearean Comedy. Allahabad, India: Indian Press, 1930. Kaiser, Walter Jacob. Praisers of Folly: Erasmus, Rabelais, Shakespeare. Cambridge, MA: Harvard University Press, 1963. Kern, Edith. "Falstaff: A Trickster Figure." Upstart Crow 5 (1984): 135-142. Klingspon, Ron. "Play and Interplay in the Trial Scene of The Merchant of Venice." Thalia: Studies in Literary Humor 9.1 (1986): 36-47. Latimer, Kathleen. "The Communal Action of The Winter's Tale." The Terrain of Comedy. Ed. Louise Cowan. Dallas, TX: Dallas Inst of Humanities, 1984, 125-42. Lever, J. W., ed. Shakespeare's "A Midsummer Night's Dream". Essex, England: Longman, 1992. McCollom, William G. "The Role of Wit in Much Ado About Nothing." Twentieth Century Interpretations of Much Ado About Nothing. Ed. Walter C. Davis. Englewood Cliffs, NJ: Prentice-Hall, 1969. MacDonald, Ronald R. William Shakespeare: The Comedies. New York, NY: MacMillan, 1992. McHenry, Robert W. Jr. "Mannerist Comedy in Shakespeare's Measure for Measure. Thalia: Studies in Literary Humor 21.1-2 (2004): 51-64. Mahood, Molly M. Shakespeare's Wordplay. London: Methuen, 1979. Makaryk, Irene Rima. Comic Justice in Shakespeare's Comedies. Salzburg, Austria: Institut fur Anglisk und Amerikanistik, Universitat Salzburg, 1980. Mangan, Michael. A Preface to Shakespeare's Comedies. London, England: Longman, 1996. Markels, Julian. "Shakespeare's Confluence of Tragedy and Comedy." Shakespeare 400. New WILLIAM SHAKESPEARE, PAGE 2 York, NY: Holt, Rinehart, and Winston, 1964, 75-88. Martz, William. Shakespeare's Universe of Comedy. New York: David Lewis, 1971. Muir, Kenneth. Shakespeare's Comic Sequence. New York, NY: Barnes and Noble, 1979. Muir, Kenneth, ed. Shakespeare: The Comedies. Englewood Cliffs, NJ: Prentice Hall, 1965. Neely, Carol Thomas. "Women and Men in Othello: What should such a fool / Do with so good a woman?'" The Woman's lPart: Feminist Criticism of Shakespeare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene and Carol Thomas Neely. Chicago, IL: University of Illinois Press, 1983, 211-239. Nevo, Ruth. Comic Transformations in Shakespeare. New York, NY: Methuen, 1980. Nilsen, Don L. F. "William Shakespeare." Humor in British Literature: From the Middle Ages to the Restoration. Westport, CT: Greenwood, 1997, 74-115. Novy, Marianne L. "Patriarchy and Play in The Taming of the Shrew." Modern Critical Interpretations: The Taming of the Shrew. Ed. Harold Bloom. New York, NY: Chelsea House, 1988, 13-27. Ornstein, Robert. Shakespeare's Comedies: From Roman Farce to Romantic Mystery. Newark: Univ of Delaware Press, 1986. Palmer, J. Comic Charactgers of Shakespeare. London, England: MacMillan, 1946. Palmer, John. Comic Characters of Shakespeare. London, England: Macmillan, 1949. Parrott, Thomas. Shakespearean Comedy. New York: Oxford Univ Press, 1949. Partridge, Eric. Shakespeare's Bawdy. London, England: Routledge, and Kegan Paul, 1968. Phialas, Peter G. Shakespeare's Romantic Comedies. Durham, NC: Seeman, 1966. Rayner, Alice. Comic Persuasion: Moral Structure in British Comedy from Shakespeare to Stoppard. Berkeley: Univ of California Press, 1987. Richmond, Hugh M. Shakespeare's Sexual Comedy: A Mirror for Lovers. New York, NY: The Bobbs-Merrill Co., 1971. Riemer, A. P. Antic Fables: Patterns of Evasion in Shakespeare's Comedies. New York: St. Martin's, 1980. Rubenstein, Frankie. A Dictionary of Shakespeare's Sexual Puns and Their Significance. New York, NY, 1995. Rubenstein, Frankie. Sexual Puns in Shakespeare. London, England: MacMillan, 1984. Schoenbaum, Marilyn. A Shakespeare Merriment. New York, NY: Garland, 1988. Slavitt, David R. Get Thee to a Nunnery: A Pair of Shakespearean Divertimentos, North Haven, CT: Catbird Press, 1999. Smidt, Kristian. Unconformities in Shakespeare's Early Comedies. New York: St. Martin's, 1986. Smith, Emma. Shakespare's Comedies. Mahwah, NJ: Lawrence Erlbaum, 2003. Snyder, Susan. The Comic Matrix of Shakespare's Comedies. Princeton, NJ: Princeton University Press, 1979. Snyder, Susan. "Romeo and Juliet: Comedy into Tragedy." Romeo and Juliet Critical Essays. Ed. John Andrews. New York, NY: Garland, 1993, 73-83. Spevack, Marvin. "Shakespeare's Early Use of Wordplay: Love's Labor Lost." Festschrift für Edgar Mertner. Eds. Bernard Fabian and Ulrich Suerbaum. Munich: Wilhelm Fink, 1969, 157-68. Tillyard, E. Shakespeare's Early Comedies. London, England: Athlone Press, 1965. Traversi, Derek. Shakespeare: The EArly Comedies. London, England: Longmans, Green, and Co., 1960. WILLIAM SHAKESPEARE, PAGE 3 Turell, Maite. "Some Humorous Speech-Acts in Twelfth Night." Literary and Linguistic Aspects of Humour. Barcelona, Spain: Univ of Barcelona Dept of Languages, 1984, 251-56. Watson, Donald G. "The Dark Comedy of the Shakespeare's Henry VI Plays." Thalia: Studies in Literary Humor 1.2, 11ff. Weiss, John. Wit, Humor, and Shakespeare. Boston, MA: Folcroft Brothers, 1889. West, Gilian. "Falstaff's Punning." English Studies 69.6 (1988): 541-558. Westlund, Joseph. Shakespeare's Reparative Comedies. Chicago, IL: University of Chicago Press, 1984. White, R. S. "The Spirit of Yorick, Or, The Tragic Sense of Humour in Hamlet." Hamlet Studies Volume 7. Ed. R. W. Desai. New Delhi, India: Printsman, 1985, 9-26. Wilson, Elkin C. Shakespeare, Santayana, and the Comic. Birmingham, AL: University of Alabama Press, 1973. Wilson, John Dover. Shakespeare's Happy Comedies. Evanston, IL: Northwestern University Press, 1962. WILLIAM SHAKESPEARE, PAGE 4 .
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