William Shakespeare a Documentary Volume
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Object Like Theirs Is Self-Perpetuation
Lehigh Preserve Institutional Repository Mapping significance : geographical musings on the three "hoe" plays Blaisdell, Theodore A. 1997 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. Blaisdell, Ted , Mapping Significance Geographical Musings on the Three "Hoe" Plays. June 1, 1997 ' Mapping Significance . Geographical Musings on the three "Hoe" Plays by Ted Blaisdell J A Thesis Presented to the Graduate and Research Committee of Lehigh University in Candid.acy for the Degree of Master ofArts in English Lehigh University April, 1997 TABLE OF CONTENTS ... Abstract Page 1 Text -- "Mapping Significance" Page 2 Bibliography Page 39 11 Abstract for "Mapping Significance" This study examines the use oftopography as a stylistic device in the Jacobean City Comedies. Beginningwith an examination ofthe critical history of this device and its relevance to current New Historical approaches to literary criticism, the paper then focuses specific attention on Westward Hoe, Eastward Hoe, and Northward Hoe, three collaborative City Comedies whose geographic· sensitivity with respect to the London river trade is revealed in their titles. The authors' employed the language ofposition and direction to provide relevance and depth to their plots and their characterizations. The authors portray London as a hub ofvirtue surrounded by the relative "viciousness" ofthe Suburbs and the Liberties. This characterization ofLondon as the center ofvirtue rests on a set of values valorizing the capitalistic principles offree trade and private property. -
The Moral Basis of Family Relationships in the Plays of Shakespeare and His Contemporaries: a Study in Renaissance Ideas
The Moral Basis of Family Relationships in the plays of Shakespeare and his Contemporaries: a Study in Renaissance Ideas. A submission for the degree of doctor of philosophy by Stephen David Collins. The Department of History of The University of York. June, 2016. ABSTRACT. Families transact their relationships in a number of ways. Alongside and in tension with the emotional and practical dealings of family life are factors of an essentially moral nature such as loyalty, gratitude, obedience, and altruism. Morality depends on ideas about how one should behave, so that, for example, deciding whether or not to save a brother's life by going to bed with his judge involves an ethical accountancy drawing on ideas of right and wrong. It is such ideas that are the focus of this study. It seeks to recover some of ethical assumptions which were in circulation in early modern England and which inform the plays of the period. A number of plays which dramatise family relationships are analysed from the imagined perspectives of original audiences whose intellectual and moral worlds are explored through specific dramatic situations. Plays are discussed as far as possible in terms of their language and plots, rather than of character, and the study is eclectic in its use of sources, though drawing largely on the extensive didactic and polemical writing on the family surviving from the period. Three aspects of family relationships are discussed: first, the shifting one between parents and children, second, that between siblings, and, third, one version of marriage, that of the remarriage of the bereaved. -
Playwright and Minister
PLAYWRIGHT AND MAN OF GOD: RELIGION AND CONVENTION IN THE COMIC PLAYS OF JOHN MARSTON by Blagomir Georgiev Blagoev A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Blagomir Georgiev Blagoev (2010) PLAYWRIGHT AND MAN OF GOD: RELIGION AND CONVENTION IN THE COMIC PLAYS OF JOHN MARSTON Blagomir Georgiev Blagoev Doctor of Philosophy Graduate Department of English University of Toronto 2010 ABSTRACT John Marston’s literary legacy has inevitably existed in the larger-than-life shadows of his great contemporaries William Shakespeare and Ben Jonson. In the last two centuries, his works were hardly taken on their own terms but were perceived instead in overt or implicit comparison to Shakespeare’s or Jonson’s. As a result, Marston’s plays acquired the lasting but unfair image of haphazard concoctions whose cheap sensationalism and personal satire often got them in trouble with the authorities. This was the case until recently, especially with Marston’s comic drama. Following revisionist trends, this study sets out to restore some perspective: it offers a fresh reading of Marston’s comic plays and collaborations—Antonio and Mellida, What You Will, Jack Drum’s Entertainment, The Dutch Courtesan, The Malcontent, Parasitaster, Eastward Ho, and Histrio-Mastix—by pursuing a more nuanced contextualization with regard to religious context and archival evidence. The first central contention here is that instead of undermining political and religious authority, Marston’s comic drama can demonstrate consistent conformist and conservative affinities, which imply a seriously considered agenda. This study’s second main point is that the perceived failures of Marston’s comic plays—such as tragic ii elements, basic characterization, and sudden final reversals—can be plausibly read as deliberate effects, designed with this agenda in mind. -
Going Commercial: Agency in 17Th Century English Drama
GOING COMMERCIAL: AGENCY IN 17TH CENTURY ENGLISH DRAMA by KARL F. MCKIMPSON A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2016 DISSERTATION APPROVAL PAGE Student: Karl F. McKimpson Title: Going Commercial: Agency in 17th Century English Drama This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Dianne Dugaw Chairperson George Rowe Core Member Ben Saunders Core Member Alexandre Albert-Galtier Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2016 ii © 2016 Karl F. McKimpson This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Karl F. McKimpson Doctor of Philosophy Department of English March 2016 Title: Going Commercial: Agency in 17th Century English Drama This dissertation’s aim is to reveal how essential economic mechanics were to playwrights when it came to depicting agency. Rising commercialization in the seventeenth century prompted playwrights to appropriate market behaviors in London as a new discourse for agency. Commerce serves as a metaphor for every part of daily life, and a new kind of “commercial” agency evolves that predicates autonomy upon the exchange networks in which a person participates. Initially, this new agency appears as a variation on the trickster. By the end of the century, playwrights have created a new model for autonomy and a new kind of hero to employ it: the entrepreneur. -
Finding Refuge in King Lear: from Brexit to Shakespeare's European
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 19 (34), 2019; http://dx.doi.org/10.18778/2083-8530.19.07 ∗ Stephen O’Neill Finding Refuge in King Lear: From Brexit to Shakespeare’s European Value Abstract: This article considers how Shakespeare’s King Lear has become a Brexit play across a range of discourses and media, from theatre productions and journalism to social media. With its themes of division and disbursement, of cliff edges and tragic self- immolation, Lear is the Shakespearean play that has been turned to as metaphor and analogy for the UK’s decision following the 23 June 2016 referendum to leave the European Union. Reading this presentist application of Shakespeare, the article attends to Shakespeare as itself a discourse through which cultural ideas, both real and imaginary, about Brexit and the EU are negotiated. It asks how can we might remap Lear in this present context―what other meanings and histories are to be derived from the play, especially in Lear’s exile and search for refuge, or in Cordelia’s departure for and return from France? Moving from a consideration of a Brexit Lear to an archipelagic and even European Lear, this article argues that Shakespeare is simultaneously a site of supranational connections and of a desire for values of empathy and refuge that reverberate with debates about migration in Europe. Keywords: Shakespeare; Brexit; EU; Maps; Archipelago; Presentism; Refuge. Give me the map there. (Shakespeare, King Lear, Act 1, Scene 1, line 35)1 This is like a Shakespearean tragedy where everyone is trying to do what is right. -
The Eroticisation of Religious and Nationalistic Rhetoric in Early-Modern England
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details i ‘Harlots and Harlotry’: The Eroticisation of Religious and Nationalistic Rhetoric in Early Modern England Catherine Anne Parsons Submitted for the qualification of Doctor of Philosophy in English Literature University of Sussex September 2010 ii I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. Signature iii I would like to acknowledge the help and support of my supervisor, Dr Margaret Healy in the task of researching this thesis. Thanks are also due to Dr Paul Quinn, a source of consistent help and advice, and a number of my fellow Doctoral Students at the University of Sussex, notable amongst them Barbara Kennedy and Janis Darvill. iv University of Sussex Catherine Anne Parsons Submitted for the examination for Doctor of Philosophy in English Literature ‘Harlots and Harlotry’: The Eroticisation of Religious and Nationalistic Rhetoric in Early-Modern England Summary This thesis explores gendered embodiment in early-modern England as a „semiotic field‟ onto which were transcribed anxieties about the contingent nature of individual and national „masculine‟ identity in an era of social and religious change and flux. -
Final Thesis
Courtly Mirrors: The Politics of Chapman’s Drama Shona McIntosh, M.A. (Hons), M.Phil. Submitted in fulfilment of the degree requirements for a Doctorate in Philosophy to the University of Glasgow Department of English Literature, Faculty of Arts November 2008 2 Contents Abstract .................................................................................................. 4 Acknowledgements.................................................................................. 5 Author’s declaration ................................................................................ 6 Abbreviations .......................................................................................... 7 Chapter 1................................................................................................ 8 ‘Spirit to Dare and Power to Doe’: George Chapman at the Jacobean Court ............................................................................................................... 8 Modern Literary Criticism and George Chapman’s Drama .................. 14 General Studies of Chapman’s Drama............................................. 14 Chapman’s Ethics and Philosophy .................................................. 19 Political Readings of Chapman’s Work............................................. 27 Court Masques and Court Politics ................................................... 35 Themes of Sexuality and Gender in Chapman Criticism .................. 36 Text and Canon: Authorship, Dating and Source Material ............... 38 Radical -
The Absence of America on the Early Modern Stage by Gavin R. Hollis A
The Absence of America on the Early Modern Stage by Gavin R. Hollis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2008 Doctoral Committee: Professor Valerie J. Traub, Chair Professor Michael C. Schoenfeldt Associate Professor Susan M. Juster Associate Professor Susan Scott Parrish © Gavin Hollis 2008 To my parents ii Acknowledgements In an episode of The Simpsons, Marge urges Bart not to make fun of graduate students because “they’ve just made a terrible life choice.” This may be true, but one of the many advantages of this “life choice” is that I have met, been inspired by, and become firm friends with an array of people on both sides of the pond. The first debt I owe is to my advisors at the University of Michigan, who have seen this project through its many stages of confusion and incoherence. Mike Schoenfeldt, Scotti Parrish, and Sue Juster have been supportive, critical, rigorous, inventive, and excellent company. My biggest debt of gratitude is owed however to Valerie Traub, the chair of my dissertation committee, whose influence on this project and has been, and I hope will continue to be, immense. I’m also indebted to faculty at Trinity Hall, Cambridge and at The Shakespeare Institute who have shaped me as a scholar before I made it these shores. I am especially grateful to Peter Holland, who, it is no exaggeration to say, taught me how to read Shakespeare. Thank you also to John Jowett, Drew Milne, and John Lennard. -
Post-Shakespeare 1900-2010 Chronology
1 Post-Shakespeare Chronology 1900-2010 History of Shakespeare-Catholic/Protestant interpretations, with chart of significant events in Protestant/Catholic relations (small print). Including American Contexts Continental Contexts Irish Contexts Asian, South American Contexts Home Page: Shakespeare and Religion Chronology by Dennis Taylor, Boston College Unedited notes, Revised March, 2013 **1900** William Gildea, “The Religion of Shakespeare” (American Catholic Quarterly Review), cites Bowden, on grace, King John, Catholic clerics, Henry VIII, Henry V’s piety. Mrs. Humphrey Ward’s Eleanor, redoing Helbeck plot, this time Puritan Lucy marries Lord Manisty (a disbeliever who argues for Catholicism, reflecting Chateaubriand), while Eleanor, Manisty’s soul mate, performs the ultimate self-sacrifice, a Catholic Pauline equivalent, of surrendering her own claim (forecast James’s Wings of the Dove). Chateaubriand praised for “re- creating a church, and regenerating a literature.” Gasquet, The Eve of the Reformation: Erasmus regretted Lutheranism as blocking reform within Catholic church; “part of the price paid [for the Reformation] was the destruction of a sense of corporate unity and common brotherhood, which was fostered by the religious unanimity of belief and practice in every village in the country, and which, as in the mainspring of its life and the very central point of its being, centred in the Church with its rites and ceremonies” (“if it is perilous to accept Gasquet noncritically, it is foolish utterly to neglect or despise him” -- David Knowles) (“now seems remarkably prescient,” N. Tyacke 1998). Wilfrid Ward letter to wife: “I have been reading a great deal of Dante ... I feel in him that independence of thought combined with reverence for the Church which the habits fostered by post-reformation Scholasticism have done much to destroy.” Sinn Fein (Ourselves Alone) founded by Arthur Griffiths (Catholic) (in 1905 started United Irishman newspaper), replacing Home Rule movement with Independence movement, signaling nationalist revival, i.e. -
Read an Excerpt
AFull-Length Play The Other Shakespeare By LAURAANNAWYNSHAMAS THE DRAMATIC PUBLISHING COMPANY © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** TIle amateur and stock acting rights to this work are controlled exclusively by TIlE DRAMATIC PUBliSHING COMPANY without wha;e permission in writing no performance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty mll'it be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBUSIllNG P. o. Box 129, Woodstock, Illinois 60098. COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT W MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living fium the royalties they receive fium book sales and fium the performance of their work. Conscientious observance of oopyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations, dele tions or suh;titutiOllS may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanical, including photocopy, recording, vide otape, film, or any information storage and retrieval system. without pennission in writing fium the publisher. It may not be performed either by professionals or amateurs without payment of royalty. -
The Mother in the Riddle of Father-Authority in Shakespeare's Final Plays
THE MOTHER IN THE RIDDLE OF FATHER-AUTHORITY IN SHAKESPEARE'S FINAL PLAYS By KATHLEEN BROOKFIELD, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University April, 1989 ; - MASTER OF ARTS (1989) McMASTER UNIVERSITY Hamilton, Ontario TITLE: The Mother in the Riddle of Father-Authority in Shakespeare's Final Plays AUTHOR: Kathleen Brookfield B.A. (University of Guelph) SUPERVISOR: Dr. Joan Coldwell NUMBER OF PAGES: v, 133 i i •••. , 1"" ABSTRACT Shakespeare's final plays turn from the tragic outcome of King Lear to centre on romantic resolutions to family conflict for ruling figures. Pericles, Cymbeline, The Winter's ~, The Tempest, and King Henry V111 restore faith in the concept of authority as a loving father of a national family. The metaphor places female identity in a patriarchical riddle: woman as mother is taken up and cast out in an alternating sequence that confirms and rejects her place in patriarchical societies. This thesis explores the alternating presence and absence of mother figures, potential and realized, in the lives of authority figures to examine the ways in which the female image is figured and disfigured to restore faith in patriarchal and monarchical authority. In each of the plays listed, continuity for the ruling family is dependent on a female heir and, with the exception of Elizabeth in King Henry Vlll, her potential motherhood. But the mothers of the heirs are alternatively acknowledged and ignored in the chronological sequence of the plays. Detailed analysis is limited to the first three plays, but the sequence continues in the final two plays where faith in a benevolent authority figure is firmly re-established. -
J16 Redux.Pdf
I JONES (LANCE GEORGE EDWARD). - -- Negro schools in the southern states. Oxford, 1928. .37197(73) Jon. - -- The training of teachers in England and Wales: a critical survey. [The Garton Foundation.] Oxford, 1924. .3707(42) Jon. JONES (LAURENCE WALTER). - -- The population of Borneo; a study of the peoples of Sarawak, Sabah and Brunei. Lond., 1966. Geog. Lib. JONES (Sir LAWRENCE EVELYN) Bart. - -- An Edwardian youth. Repr. Lond., 1956. ,9Q ä.te1! J - -- Georgian afternoon. Lond., 1958. .92 Jon. <Me 9! Jam . JONES (LAWRENCE G.). - -- The contextual variants of the Russian vowels. See HALLE (MORRIS). The sound pattern of Russian, etc. JONES (LELAND V.). - -- See EHRLICH (S.G.) and J.(L.V.) JONES (LEO MEYER). - -- Veterinary pharmacology and therapeutics. Q'. ir..b. Lib. 9,1a ari AMPS, 'pura, 1957 Vatr -Lib__ --- 2nd ed. Repr. Ames, Iowa, 1959. Vet. Lib. (F.S.) - -- 3rd ed., in collaboration with N.H. Booth, D.K. Detweiler, etc. Ames, Iowa, 1965. Vet. Lib. ADDITIONS JONES (LAWRENCE G.). - -- See JAKOBSON (ROMAN) and J. (L.G.) JONES (LEON). - -- comp. From Brown to Boston; desegregation in education, 1954 -1974. 2 vols. Metuchen, N.J., 1979. Ref. .37197(73)016 Jon. 1. Articles and books. 2. Legal cases and indexes. JONES (LEONARD AUGUSTUS). - -- An index to legal periodical literature. Boston, 1888. Ref. .3405016 Jon. - -- An index to legal periodical literature. 6 vols. Law Lib. [1.] To 1886. Probably a later photographic reproduction of this 1888 ed. 2. 1887 -1899. go 5ta,1, 1 `S`q , Probably a later photographic reproduction of this 1899 ed. 3. 1898-1908. By F.E. Chipman.