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Bible Translation and Language Elaboration: the Igbo Experience
Bible Translation and Language Elaboration: The Igbo Experience A thesis submitted to the Bayreuth International Graduate School of African Studies (BIGSAS), Universität Bayreuth, in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy (Dr. Phil.) in English Linguistics By Uchenna Oyali Supervisor: PD Dr. Eric A. Anchimbe Mentor: Prof. Dr. Susanne Mühleisen Mentor: Prof. Dr. Eva Spies September 2018 i Dedication To Mma Ụsọ m Okwufie nwa eze… who made the journey easier and gave me the best gift ever and Dikeọgụ Egbe a na-agba anyanwụ who fought against every odd to stay with me and always gives me those smiles that make life more beautiful i Acknowledgements Otu onye adịghị azụ nwa. So say my Igbo people. One person does not raise a child. The same goes for this study. I owe its success to many beautiful hearts I met before and during the period of my studies. I was able to embark on and complete this project because of them. Whatever shortcomings in the study, though, remain mine. I appreciate my uncle and lecturer, Chief Pius Enebeli Opene, who put in my head the idea of joining the academia. Though he did not live to see me complete this program, I want him to know that his son completed the program successfully, and that his encouraging words still guide and motivate me as I strive for greater heights. Words fail me to adequately express my gratitude to my supervisor, PD Dr. Eric A. Anchimbe. His encouragements and confidence in me made me believe in myself again, for I was at the verge of giving up. -
Object Like Theirs Is Self-Perpetuation
Lehigh Preserve Institutional Repository Mapping significance : geographical musings on the three "hoe" plays Blaisdell, Theodore A. 1997 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. Blaisdell, Ted , Mapping Significance Geographical Musings on the Three "Hoe" Plays. June 1, 1997 ' Mapping Significance . Geographical Musings on the three "Hoe" Plays by Ted Blaisdell J A Thesis Presented to the Graduate and Research Committee of Lehigh University in Candid.acy for the Degree of Master ofArts in English Lehigh University April, 1997 TABLE OF CONTENTS ... Abstract Page 1 Text -- "Mapping Significance" Page 2 Bibliography Page 39 11 Abstract for "Mapping Significance" This study examines the use oftopography as a stylistic device in the Jacobean City Comedies. Beginningwith an examination ofthe critical history of this device and its relevance to current New Historical approaches to literary criticism, the paper then focuses specific attention on Westward Hoe, Eastward Hoe, and Northward Hoe, three collaborative City Comedies whose geographic· sensitivity with respect to the London river trade is revealed in their titles. The authors' employed the language ofposition and direction to provide relevance and depth to their plots and their characterizations. The authors portray London as a hub ofvirtue surrounded by the relative "viciousness" ofthe Suburbs and the Liberties. This characterization ofLondon as the center ofvirtue rests on a set of values valorizing the capitalistic principles offree trade and private property. -
Playwright and Minister
PLAYWRIGHT AND MAN OF GOD: RELIGION AND CONVENTION IN THE COMIC PLAYS OF JOHN MARSTON by Blagomir Georgiev Blagoev A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Blagomir Georgiev Blagoev (2010) PLAYWRIGHT AND MAN OF GOD: RELIGION AND CONVENTION IN THE COMIC PLAYS OF JOHN MARSTON Blagomir Georgiev Blagoev Doctor of Philosophy Graduate Department of English University of Toronto 2010 ABSTRACT John Marston’s literary legacy has inevitably existed in the larger-than-life shadows of his great contemporaries William Shakespeare and Ben Jonson. In the last two centuries, his works were hardly taken on their own terms but were perceived instead in overt or implicit comparison to Shakespeare’s or Jonson’s. As a result, Marston’s plays acquired the lasting but unfair image of haphazard concoctions whose cheap sensationalism and personal satire often got them in trouble with the authorities. This was the case until recently, especially with Marston’s comic drama. Following revisionist trends, this study sets out to restore some perspective: it offers a fresh reading of Marston’s comic plays and collaborations—Antonio and Mellida, What You Will, Jack Drum’s Entertainment, The Dutch Courtesan, The Malcontent, Parasitaster, Eastward Ho, and Histrio-Mastix—by pursuing a more nuanced contextualization with regard to religious context and archival evidence. The first central contention here is that instead of undermining political and religious authority, Marston’s comic drama can demonstrate consistent conformist and conservative affinities, which imply a seriously considered agenda. This study’s second main point is that the perceived failures of Marston’s comic plays—such as tragic ii elements, basic characterization, and sudden final reversals—can be plausibly read as deliberate effects, designed with this agenda in mind. -
Design and Crisis
MATERIA ARQUITECTURA #06 Dossier Design and Crisis Gui Bonsiepe Although the word crisis began to I am even less given to accept the conflictive question of redistribution appear on the media headlines only in reassuring aspect of a discourse that (Mouffe 2008, page 119). 2008 (as a consequence of the financial intends relativizing the seriousness cataclysm), the symptoms of a wider of this generalized crisis, calling it a It might be tempting to follow the and deeper crisis were evident years simple cyclic phenomenon, after which poetic-surrealistic inventions of the before. Seen from the Center, these better times will come, a new global and neo-language, whose promoters reveal crises have been called “The four digital belle époque; likewise, I reject the an overflowing creativity to construct a riders of the Apocalypse”. Slavoj Zizek threatening side of this same discourse, harmonizing image of a reality which is names them: the environmental crisis, which wants to install a climate of fear not harmonic at all, for example, when the consequences of the biogenetic finally ending in unbalancing actions the uncomfortable concept of “recession” revolution, the unbalance within the against those who rebel against the is replaced by the delightful term of system (above all the exploitation of hegemonic discourse. “negative rate of economic growth” natural resources) and the explosive (Escolar 2011), a term which is part of growth of exclusion (Zizek 2010, page A crisis offers the opportunity, and the cannon of the hegemonic thinking of 520). Seen from the Periphery, a fifth imposes an obligation, to review the financial-monetary type that has settled rider should be added: the hegemonic dominant reference frameworks in which in the last three decades in the Centre interests that crush the local needs of one has moved up to this moment. -
Going Commercial: Agency in 17Th Century English Drama
GOING COMMERCIAL: AGENCY IN 17TH CENTURY ENGLISH DRAMA by KARL F. MCKIMPSON A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2016 DISSERTATION APPROVAL PAGE Student: Karl F. McKimpson Title: Going Commercial: Agency in 17th Century English Drama This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Dianne Dugaw Chairperson George Rowe Core Member Ben Saunders Core Member Alexandre Albert-Galtier Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2016 ii © 2016 Karl F. McKimpson This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Karl F. McKimpson Doctor of Philosophy Department of English March 2016 Title: Going Commercial: Agency in 17th Century English Drama This dissertation’s aim is to reveal how essential economic mechanics were to playwrights when it came to depicting agency. Rising commercialization in the seventeenth century prompted playwrights to appropriate market behaviors in London as a new discourse for agency. Commerce serves as a metaphor for every part of daily life, and a new kind of “commercial” agency evolves that predicates autonomy upon the exchange networks in which a person participates. Initially, this new agency appears as a variation on the trickster. By the end of the century, playwrights have created a new model for autonomy and a new kind of hero to employ it: the entrepreneur. -
Baixa Descarrega El
Annual Review 4 2019 ― Journal on Culture, Power and Society Power ― Journal on Culture, Special Issue Managerialism and its influence on the contemporary world: analysis and reflections Contributions Antonio Santos Ortega, David Muñoz-Rodríguez, María Inés Landa, Gustavo Blázquez, Cecilia Castro, Fernando Ampudia de Haro, Maria Medina-Vicent, Luis Enrique Alonso, Carlos J. Fernández Rodríguez, Ferran Giménez Azagra Special Issue Culture and Populism in the Global South Contributions Stefan Couperus, Pier Domenico Tortola, Judith Jansma, Luis Martín-Estudillo, Dora Vrhoci, Carlos del Valle-Rojas, Juan Antonio Rodríguez del Pino, Juli Antoni Aguado i Hernàndez, Adrián Scribano, Zhang Jingting DEBATS — Journal on Culture, Power and Society Annual Review 4 2019 Annual Review, 4 2019 President of the Valencia Provincial Council [Diputació de València] Antoni Francesc Gaspar Ramos Vice president Maria Josep Amigó Laguarda Director of The Institution of Alfonso The Magnanimous: The Valencian Centre for Research and Investigation (IAM–CVEI) [Institut Alfons el Magnànim. Centre Valencià d’Estudis i d’Investigació] Vicent Flor The opinions expressed in papers and other texts published in Debats. Revista de cultura, poder i societat [Debats. Journal on Culture, Power, and Society] are the sole responsibility of their authors and do not necessarily reflect the views of Debats or IAM–CVEI/the Valencia Provincial Board. The authors undertake to abide by the Journal’s ethical rules and to only submit their own original work, and agree not to send the same manuscripts to other journals and to declare any conflicts of interest that may result from these manuscripts or articles. While Debats does its utmost to ensure good practices in the journal and to detect any bad practices and plagiarism, it shall not be held liable in any way, shape, or form for any disputes that may arise concerning the authorship of the articles and/or papers it publishes. -
Rassegna Iberistica Rassegna RASSEGNA IBERISTICA ISSN 2037-6588
Rassegna iberistica RASSEGNA IBERISTICA ISSN 2037-6588 38 (104) Vol. 38 – Num. 104 Edizioni 2015 Dicembre 2015 Ca’Foscari Rassegna iberistica ISSN 2037-6588 Rivista diretta da Enric Bou Edizioni Ca’ Foscari - Digital Publishing Università Ca’ Foscari Venezia Dorsoduro 3246 30123 Venezia http://edizionicafoscari.unive.it/riv/dbr/7/RassegnaIberistica Rassegna iberistica Rivista semestrale Fondatori Franco Meregalli; Giuseppe Bellini Direzione scientifica Enric Bou (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Raul Antelo (Universidade Federal de Santa Catarina, Brasil) Luisa Campuzano (Universidad de La Habana; Casa de las Américas, Cuba) Ivo Castro (Universidade de Lisboa, Portugal) Pedro Cátedra (Universidad de Salamanca, España) Luz Elena Gutiérrez (El Colegio de México) Hans Lauge Hansen (Aarhus University, Danmark) Noé Jitrik (Universidad de Buenos Aires, Argentina) Alfons Knauth (Ruhr-Universität Bochum, Deutschland) Dante Liano (Università Cattolica del Sacro Cuore Milano, Italia) Antonio Monegal (Universitat Pompeu Fabra, Barcelona, España) José Portolés Lázaro (Universidad Autónoma de Madrid, España) Marco Presotto (Università di Bologna, Italia) Joan Ramon Resina (Stanford University, United States) Pedro Ruiz (Universidad de Córdoba, España) Silvana Serafin (Università degli Studi di Udine, Italia) Roberto Vecchi (Università di Bologna, Italia) Marc Vitse (Université Toulouse-Le Mirail, France) Comitato di redazione Vincenzo Arsillo (Università Ca’ Foscari Venezia, Italia) Florencio del Barrio (Università Ca’ Foscari -
ED395142.Pdf
DOCUMENT RESUME ED 395 142 CE 071 556 AUTHOR Preston, Christina TITLE 21st Century A to Z Literacy Handbook. Linking Literacy with Software: A Handbook for Education and Training. INSTITUTION London Univ. (England). Inst. of Education. REPORT NO ISBN-0-85473-426-0 PUB DATE 95 NOTE 169p. AVAILABLE FROM Project Miranda, 10 Manor Way, South Croydon, Surrey, United Kingdom CR2 7BQ ($30). PUB TYPE Guides Non-Classroom Use (055) EDRS PRICE MFOI/PC07 Plus Postage. DESCRIPTORS Adult Basic Education; *Adult Literacy; Check Lists; Classroom Techniques; *Computer Assisted Instruction; *Computer Uses in Education; Courseware: English (Second Language); Foreign Countries; Inservice Education; Internet; *Literacy Education; Online Systems; Professional Development; Reference Services; Resource Materials; Second Language Instruction; Teacher Improvement; Teaching Methods; *Telecommunications; Word Processing IDENTIFIERS *Great Britain; *Telematics ABSTRACT This book, which is designed for nonspecialist literacy teachers and lecturers, provides an overview of the role of computers in literacy, language, and communication. The preface includes selected views regarding the relationship betweenliteracy, culture, and change and the essay "Domains of Literacy" byGunther Kress. Discussed next are the role of telematics in literacy, software/hardware for inservice education, and online professional development and recreational activities for teachers. Thefollowing topics are examined in a section titled "A to Z of literacy": academic writing, adventures and -
Les Drapeaux Des Langues Construites
Les Drapeaux des Langues Construites Patrice de La Condamine Résumé Depuis toujours, les hommes oscillent entre la préservation de leurs identités particulières et leur besoin d’appartenance à des communautés globales. L’idée d’universel et de recherche de la “fusion des origines” hante leur cœur. Dans cet esprit, des langues construites ont été élaborées. Qu’elles soient à vocation auxiliaire ou internationale, destinées à de vastes aires culturelles ou à but strictement philosophique. Des noms connus comme Volapük, Espéranto, Ido, Bolak, Interlingua, Occidental. Mais aussi Glosa, Kotava, Lingua Franca Nova, Atlango. Ou encore Folskpraat, Slovio, Nordien, Afrihili, Slovianski, Hedšdël. Sans parler du langage philosophique Lojban1. Le plus intéressant est de constater que toutes ces langues ont des drapeaux qui traduisent les messages et idéaux des groupes en question! La connaissance des drapeaux des langues construites est primordiale pour plusieurs raisons: elle nous permet de comprendre que tous les drapeaux sans exception délivrent des messages d’une part; que l’existence des drapeaux n’est pas forcément liée à l’unique notion de territoire d’autre part. Le drapeau est d’abord et avant tout, à travers son dessin et ses couleurs, un “territoire mental”. Après avoir montré et expliqué ces différents drapeaux2, nous conclurons avec la présentation du drapeau des Conlang, sorte d’ONU des Langues construites! Folkspraak Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 1 Sélection de noms parmi d’autres. 2 Une trentaine environ. 175 LES DRAPEAUX DES LANGUES CONSTRUITES introduction A nous tous qui sommes réunis ici pour ce XXIVème Congrès International de la vexillologie à Washington, personne n’a plus besoin d’expliquer la nécessité vitale qu’ont les hommes de se représenter au moyen d’emblèmes, et nous savons la place primordiale qu’occupent les drapeaux dans cette fonction. -
Lidepla - Omegawiki: Multilingual Dictionary
Lidepla - OmegaWiki: Multilingual Dictionary http://www.omegawiki.org/index.php?title=Expression:Lidepla&explan... Lidepla Other languages:English Language: Lingwa de Planeta [Edit] ▼ Lingwa de Planeta : A constructed language based on the most widely sp… ▼ Definition Language Text English A constructed language based on the Lingwa de planeta most widely spoken languages of the world, including English, German, French, Spanish, Portuguese, Chinese, Russian, Hindi, Arabic, and Persian. French Langue construite basée sur les langues les plus parlées dans le monde, incluant l'anglais, l'allemand, le français, l'espagnol, le portugais, le chinois, le russe, l'hindi, l'arabe et le persan. Lingwa de Jengun-ney helpalingwa kel es basi-ney Planeta on zuy muhim lingwas de nuy planeta. ▼ Synonyms and translations Expression Language Spelling Annotation English Lidepla show ▼ English Lingwa de Planeta show ▼ German Lingwa de Planeta show ▼ Lingwa de Planeta Lingwa de Planeta show ▼ ► Semantic annotations ► Collection membership Retrieved from "http://www.omegawiki.org/Expression:Lidepla" 1 of 1 6/26/2014 11:13 AM Lingwa de planeta 1 Lingwa de planeta Lingwa de planeta (Lidepla) Created by D.Ivanov, A.Lysenko and others Date 2010 Setting and International auxiliary language usage [1] Users more than 50 (date missing)Wikipedia:Citation needed Purpose constructed language • International auxiliary language • Lingwa de planeta (Lidepla) Writing system Latin Sources Vocabulary from ten representative languages such as English, Spanish, Portuguese, French, German, Russian, Arabic, Hindi, Chinese, Persian. Language codes ISO 639-3 None (mis) Lingwa de planeta (also Lidepla, LdP) is a constructed international auxiliary language, whose development began in 2006 in Saint-Petersburg, Russia, by a group of enthusiasts, with Dmitri Ivanov being the project leader. -
Caryl Churchill …………………………………
UNIVERSITÀ DEGLI STUDI DI VERONA DIPARTIMENTO DI CULTURE E CIVILTÀ SCUOLA DI DOTTORATO DI SCIENZE UMANISTICHE DOTTORATO DI RICERCA IN STUDI FILOLOGICI, LETTERARI E LINGUISTICI XXXI CICLO / 2015 TITOLO DELLA TESI DI DOTTORATO A Map of the World The 4-Way Street of British Political Theatre 1968-1985 S.S.D. L-ART/05 DISCIPLINE DELLO SPETTACOLO Coordinatore: Prof. Paolo Pellegrini Tutore: Prof. Nicola Pasqualicchio Dottorando: Dott. Carlo Vareschi Contents Abstract ……………………………………………………….. p. 3 Introduction .....……………………………………………….. p. 5 Chapter 1 CAST ……………………………………………… p. 17 1.1 In the Beginning there was CAST (p. 18); 1.2 Rebels with a Cause (p. 21); 1.3 Revolutionaries on a State Pay-Roll (p. 49); 1.4 The Rise and Fall (p. 82); 1.5 The End (p. 93) Chapter 2 David Edgar ……………………………………… p. 107 2.1 Public Theatre in a Private Age (p. 108); 2.2 A Belief in Collaborative Production (p. 109); 2.3. An Aspiration to a Wider Audience (p. 113); 2.4 An Open Attitude to Form (p. 115); 2.5 A Concern with the Public World (p. 120); 2.6 Unlike Arnold Wesker or Brendan Behan (p. 123); 2.7 Unlike Bond, Arden and Brecht (p. 124); 2.8 Unlike Shaw (p. 125); 2.9 Dick Deterred (p. 127); 2.10 Destiny (p. 144); 2.11 Our Own People (p. 155) Chapter 3 Caryl Churchill ………………………………….. p. 173 3.1 Far from the Madding Crowd (p. 178); 3.2 Churchill’s Newspeak (p. 188); 3.3 Sometimes it’s Hard to be a Woman (p. 192); Snakes and Ladders (p. 211) Chapter 4 Howard Barker …………………………………. -
Final Thesis
Courtly Mirrors: The Politics of Chapman’s Drama Shona McIntosh, M.A. (Hons), M.Phil. Submitted in fulfilment of the degree requirements for a Doctorate in Philosophy to the University of Glasgow Department of English Literature, Faculty of Arts November 2008 2 Contents Abstract .................................................................................................. 4 Acknowledgements.................................................................................. 5 Author’s declaration ................................................................................ 6 Abbreviations .......................................................................................... 7 Chapter 1................................................................................................ 8 ‘Spirit to Dare and Power to Doe’: George Chapman at the Jacobean Court ............................................................................................................... 8 Modern Literary Criticism and George Chapman’s Drama .................. 14 General Studies of Chapman’s Drama............................................. 14 Chapman’s Ethics and Philosophy .................................................. 19 Political Readings of Chapman’s Work............................................. 27 Court Masques and Court Politics ................................................... 35 Themes of Sexuality and Gender in Chapman Criticism .................. 36 Text and Canon: Authorship, Dating and Source Material ............... 38 Radical