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2018 I GIORNI DELLA RIVOLTA GUERRA, XXII FESTIVAL RIVOLUZIONE DEL DIALOGO E RISCATTO INTERRELIGIOSO ROMA 11 - 15 dicembre 2018 Film Fest 2018 I GIORNI DELLA RIVOLTA GUERRA, XXII FESTIVAL RIVOLUZIONE DEL DIALOGO E RISCATTO INTERRELIGIOSO ROMAROMA 1111 - 15- 15 dicembre dicembre 2018 2018 CINEMA TREVI Vicolo del Puttarello, 25 - Roma FILMOTECA VATICANA Palazzo San Carlo Città del Vaticano (ingresso P.zza del Sant’Uffizio) Film Fest 2018 Fondazione Ente dello Spettacolo Tertio Millennio Film Fest Comitato Interreligioso Catalogo Delegati Comunità cattolica, Alessandra Orlacchio protestante, ebraica, musulmana, Grafica Film Fest ortodossa 2018 Marco Micci Paolo Ruffini Studio grafico Migual Prefetto Dicastero per la Presidente Roma 11-15 dicembre 2018 Sottotitoli Comunicazione della Santa Sede Mons. Davide Milani Cinema Trevi - Cineteca Nazionale Luca Persiani Filmoteca Vaticana Card. Gianfranco Ravasi Consiglio di amministrazione Sito ufficiale Presidente Pontificio Mons. Davide Milani Presidente www.tertiomillenniofilmfest.org Consiglio della Cultura Presidente Mons. Davide Milani Antonio Vaiano Antonio Ammirati Fabrizio Capanni Livia Fiorentino Direzione artistica Paolo Buzzonetti Delegato Pontificio Marina Sanna Traduzioni Nicola Claudio Consiglio della Cultura Gianluca Arnone Laura Frantellizzi Elisabetta Soglio Claudia Di Giovanni Organizzazione Fotografo Collegio revisori conti Delegato Filmoteca Vaticana Caterina Cabra Karen Di Paola Paolo Forti don Ivan Maffeis Contest Ufficio Stampa Presidente Direttore dell’Ufficio Nazionale Noi ci siamo - Giovani, Gian Luca Pisacane Luigi Felli per le comunicazioni sociali voglia di partecipazione Italo Arturo Muci della CEI Digital media communication e ricerca di senso Fabrizio Caligiuri Giacomo d’Alelio Gianna Urizio Presidente INTERFILM Italia Progetto grafico Premio Opera Prima e immagine coordinata Luca Baratto Federico Pontiggia Adriano Attus e Marco Mezzadra Valerio Sammarco Delegato Associazione Giacomo d’Alelio Protestante Cinema Segreteria “Roberto Sbaffi” Maria D’Amico Coordinamento RdC Awards Valerio Sammarco Ambra Tedeschi Supporto progettuale Direttore Il Pitigliani e organizzativo Centro Ebraico Italiano Valeria Buzzonetti Mariaroberta Cioce Sira Fatucci Delegato Il Pitigliani Amministrazione Centro Ebraico Italiano e UCEI Mauro Notari Franco Leggiero Lafram Yassine Presidente UCOII Sponsor Massimo Meoni Yahya Sergio Yahe Pallavicini Presidente COREIS Yahya Abd al-Ahad Zanolo Delegato COREIS Leonide Ebralidze Delegato Chiesa ortodossa georgiana Alexey Maksimov Delegato Chiesa ortodossa russa 2 Film Fest 2018 GIURIA TERTIO MILLENNIO GIURIA CONTEST NOI CI SIAMO - GIOVANI, VOGLIA DI PARTECIPAZIONE E RICERCA DI SENSO Claudia Di Giovanni Delegato Filmoteca Vaticana Costanza Quatriglio Presidente Regista Presidente Ali Ben Mohamed Delegato UCOII - Unione delle Comunità Islamiche d’Italia Jacopo Balliana Takoua Ben Mohamed Sira Fatucci Andrea Bencivenga Delegato Il Pitigliani - Centro Ebraico Italiano Francesca Romana Bianchini e UCEI - Unione delle Comunità Ebraiche Italiane Valeria Milano Mustafa Martino Roma Elena Ribet Delegati Comunità cattolica, protestante, ebraica, musulmana Delegato Associazione Protestante Cinema “Roberto Sbaffi” Filippo Riva Delegato Dicastero per la Comunicazione della Santa Sede Yahya Abd al-Ahad Zanolo Delegato COREIS - Comunità Religiosa Islamica Italiana Pavel Zelinski Delegato Chiesa ortodossa 3 Film Fest 2018 Alla XXII edizione del Tertio Millennio Film Fest è stata conferita la Medaglia del Presidente della Repubblica Con il patrocinio DICASTERIUM PRO COMMUNICATIONE Con il sostegno di Media partner Partner culturali e tecnici 4 Film Fest 2018 Un ringraziamento speciale a Dicastero per la Comunicazione della Santa Sede Pontificio Consiglio della Cultura Filmoteca Vaticana Conferenza Episcopale Italiana - Ufficio Nazionale per le comunicazioni sociali Chiesa ortodossa russa Chiesa ortodossa georgiana Il Pitigliani - Centro Ebraico Italiano UCEI - Unione delle Comunità Ebraiche Italiane COREIS - Comunità Religiosa Islamica Italiana UCOII - Unione delle Comunità Islamiche d’Italia Associazione Internazionale Protestante Cinema INTERFILM Associazione Protestante Cinema “Roberto Sbaffi” Regione Lazio Comune di Roma, Assessorato alla Crescita culturale Centro Sperimentale di Cinematografia - Cineteca Nazionale Centro Nazionale del Cortometraggio Rai Cinema Avvenire TV2000 SIR Sapienza Università di Roma - Dipartimento di Lettere e Culture Moderne Sapienza Università di Roma - Dipartimento di Studi Europei, Americani e Interculturali Università Carlo IV di Praga Università Comenius di Bratislava Istituto slovacco a Roma Centro Ceco di Milano Ambasciata della Repubblica Ceca a Roma Ambasciata della Repubblica Slovacca in Italia Istituto Giapponese di Cultura I Wonder Pictures Popoli e Religioni – Terni Film Festival Religion Today Film Festival Fabio Falzone Pedram Mohammadi Giovanni Raspini Med Store Harry’s Bar Trevi 5 Film Fest 2018 6 Film Fest 2018 I giorni della rivolta, come recita il sottotitolo che abbiamo scelto per la 22ma edizione del Tertio Millennio Film Fest, sono tutto per noi fuorché giorni tribolati. Mai come quest’anno ci apprestiamo a vivere quest’appuntamento con l’eccitazione di chi sa di aver cucinato un piatto ambizioso e non vede l’ora di farlo assaggiare ai commensali. Il piatto è un programma di film di altissimo livello, tutti inediti in Italia, provenienti dai cinque continenti. Nove film in concorso (di cui tre prime mondiali, tre internazionali, due europee e una italiana), dieci tra opere prime e seconde, tre proiezioni evento in Vaticano, due grandi firme d’autore per l’apertura e la chiusura del festival (Shinya Tsukamoto e Olivier Assayas), un gioiellino che se non è un inedito poco ci manca: il quasi invisibile La cotta di Ermanno Olmi. Film di finzione e documentari, opere d’autore e di genere. Raccontano di forme di resistenza in un tempo ostile (Mother Fortress e In the Claws of a Century Wanting), di occasioni di riscatto (A Blubird in My Heart, Doubtful e Kairos), di sconvolgimenti esistenziali e morali (Dayan), di rapporti di convivenza difficili (Heaven Without People), di esperienze di educazione tormentate (Lysis) o addirittura tragicamente fallite (Fatwa). Eventi speciali, come Burning Bush di Agnieszka Holland, con la regista polacca che terrà una masterclass tra cinema e storia sul 50° della Primavera di Praga e la figura di Jan Palach; o come la serata dedicata a Sergio Leone, che il prossimo anno sarà oggetto di diverse celebrazioni per i 90 anni della nascita e i 30 anni della morte. Noi proponiamo in anteprima italiana il documentario spagnolo Sad Hill Unearthed, ambientato nelle location de Il buono, il brutto, il cattivo, con interviste a Ennio Morricone, Clint Eastwood, Joe Dante. A ricordarlo ci sarà Carlo Verdone. E poi incontri, che partono dal film per allargare lo sguardo sull’attualità: Alganesh di Lia e Marianna Beltrami sull’italo-eritrea Alganesh Fessaha, 62 anni, che ha deciso di dedicare la sua vita a salvare i migranti; Il fattore umano, lo spirito del lavoro di Giacomo Gatti, un viaggio in una quindicina di eccellenze italiane, diversissime per storia e settore ma unite da un filo invisibile, quello della responsabilità; Il mondo addosso di Costanza Quatriglio, che proprio qui a Tertio venne presentato in anteprima dieci anni fa e che costituisce l’esperienza umana e creativa alla base del suo ultimo bellissimo lungometraggio, Sembra mio figlio. Costanza Quatriglio è anche presidente di giuria del contest Noi ci siamo - Giovani, voglia di partecipazione e ricerca di senso, un concorso di cortometraggi promosso dalla Fondazione Ente dello Spettacolo in collaborazione con le Comunità religiose che aderiscono al Tertio Millennio Film Fest. Da quest’anno la famiglia si è allargata: UCOII, UCEI, la Chiesa ortodossa russa e georgiana, hanno voluto intraprendere il nostro stesso cammino. La rivolta è iniziata. Piccola, silenziosa, nascosta. Come un seme di speranza. Mons. Davide Milani Presidente Fondazione Ente dello Spettacolo 7 2018 Drammatico Giappone; 2018 DCP; col. 80’ V.O. con sottotitoli in italiano ZAN (KILLING) EVENTO SPECIALE di Shinya Tsukamoto FILM D’APERTURA con il patrocinio dell’Istituto Giapponese di Cultura INTERPRETI: Sosuke Ikematsu Mokunoshin, Yu Aoi Yu, Tatsuya Nakamura Genda, Shinya Tsukamoto Sawamura | SCENEGGIATURA: Shinya Tsukamoto | FOTOGRAFIA: Shinya Tsukamoto, Satoshi Hayashi | MONTAGGIO: Shinya Tsukamoto | MUSICA: Chu Ishikawa | SUONO: Masaya Kitada | COSTUMI: Harue Miyamoto | PRODUZIONE: Shinya Tsukamoto per Kaijyu Theater SINOSSI Giappone, metà del XIX secolo. Dopo in subbuglio per via dei disordini civili guirlo per andare a combattere. L’arrivo circa 250 anni di pace, i guerrieri samurai scatenati dalla presenza di un ufficiale di un gruppo di fuorilegge capeggiati si sono impoveriti e molti hanno lasciato statunitense, giunto nel Paese del Sol dal terribile Sezaemon Genda, spingerà i loro padroni per diventare ronin erranti. Levante per stimolare il commercio con Ichisuke a sfidarli cambiando drastica- Mokunoshin Tsuzuki è uno di questi che, gli Stati Uniti, e Yu è preoccupata per- mente la vita di tutti. per sopravvivere, aiuta i contadini di un ché sente che presto Mokunoshin par- villaggio. E si allena quotidianamente tirà per combattere. I timori della ragaz- Un film di samurai pacifista. Mai visto con Ichisuke, che ha una sorella, Yu, se- za sembrano avverarsi quando in paese prima. gretamente attratta dal samurai. La vita giunge Jirozaemon Sawamura,
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    This article was downloaded by: [University of California Santa Cruz] On: 30 March 2012, At: 10:45 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Quarterly Review of Film and Video Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/gqrf20 An Interview with Agnieszka Holland: The Politics of Ambiguity John C. Tibbetts Available online: 20 Feb 2008 To cite this article: John C. Tibbetts (2008): An Interview with Agnieszka Holland: The Politics of Ambiguity, Quarterly Review of Film and Video, 25:2, 132-143 To link to this article: http://dx.doi.org/10.1080/10509200601074751 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Quarterly Review of Film and Video, 25: 132–143, 2008 Copyright © Taylor & Francis Group, LLC ISSN: 1050-9208 print / 1543-5326 online DOI: 10.1080/10509200601074751 An Interview with Agnieszka Holland: The Politics of Ambiguity JOHN C.