The Pavilions at the Alhambra's Court of the Lions: Graphic Analysis Of

Total Page:16

File Type:pdf, Size:1020Kb

The Pavilions at the Alhambra's Court of the Lions: Graphic Analysis Of sustainability Article The Pavilions at the Alhambra’s Court of the Lions: Graphic Analysis of Muqarnas Antonio Gámiz-Gordo 1,* , Ignacio Ferrer-Pérez-Blanco 2 and Juan Francisco Reinoso-Gordo 3,* 1 Architectural Expression Graphic Department, University of Seville, 41012 Seville, Spain 2 Laboratory of Digital Culture for Architectural Projects, École Polytechnique Fédérale de Lausanne, 1015 Lausanne, Switzerland; ignacio.ferrer@epfl.ch 3 Architectural and Engineering Graphic Expression Department, University of Granada, 18071 Granada, Spain * Correspondence: [email protected] (A.G.-G.); [email protected] (J.F.R.-G.) Received: 16 July 2020; Accepted: 11 August 2020; Published: 13 August 2020 Abstract: This research documents and graphically analyzes the pavilions muqarnas at the Court of the Lions in the Alhambra in Granada, a World Heritage Site. In order to cast some light on the understanding and preservation of these 14th century architectural elements, after a brief report of historical data on catastrophes and restorations, a novel methodology for the case study based on three complementary graphic analyses is presented here: First, there is a review of outstanding images ranging from the 17th to the 20th centuries; subsequently, new CAD (computer-aided design) drawings from pavilions muqarnas testing the theoretic principles from their geometric grouping are accomplished for the first time; and finally, a 3D laser scanner is used to understand the precise present-day state from the point cloud obtained. Comparing drawings allows us to assess the muqarnas relevance while proving, for the first time, that the muqarnas of both pavilions have distinct configurations and different amounts of pieces. Besides, this process reveals geometric deformations existing in the original Nasrid muqarnas compositions, identifying small pieces hitherto unknown, plus additional deformations resulting from adjustments after important threats that both pavilions and their muqarnas overcame for centuries, despite their fragile construction. Keywords: muqarnas; Alhambra; graphic analysis; drawings; 3D laser scanner; historical images; cultural heritage; UNESCO; Spain 1. Introduction 1.1. Background. Brief Historical Data on Catastrophes and Restorations in the Court of the Lions The study target in this research is located at the Alhambra Royal House in Granada (southern Spain), a Medieval urban complex -Alhambra, Generalife and Albayzín- included by UNESCO in the World Heritage List taken into account several reasons, particularly the outstanding criterion IV [1]: “The Alhambra and Generalife bear exceptional testimony to Muslim Spain the 13th and 15th centuries. They form a remarkable example of the palatine residences of medieval Islam, neither destroyed nor changed by the vicissitudes of time, as with the examples in Maghreb. The attributes contained in the inscribed property justify their exceptional position in the Islamic architectural tradition of the Early Middle Ages, and they express the authenticity in a reliable way. Since its conception as a palatine city, its architecture began from a proportional system, following the principles of area compartmentalization, no exteriorization and the typical acclimatized design of the Islamic culture. Together with this, it comes to fruition in a decorative program based upon geometry, epigraphy and vegetable decoration that attain its most characteristic expression in Mocárabe [muqarnas] vaults”. Sustainability 2020, 12, 6556; doi:10.3390/su12166556 www.mdpi.com/journal/sustainability Sustainability 2020, 12, x FOR PEER REVIEW 2 of 18 Sustainability 2020, 12, 6556 2 of 18 epigraphy and vegetable decoration that attain its most characteristic expression in Mocárabe [muqarnas] vaults”. No other place in the the Alhambra Alhambra is is as as interesting interesting as as the the Lions Lions Palace Palace and and its its famous famous courtyard, courtyard, a amasterpiece masterpiece of of Nasrid Nasrid and and Islam Islam art art in in Spain, Spain, bu builtilt during during the the reign reign of of Muhammad Muhammad V (1354–1359 and 1362–1391)1362–1391) [[2].2]. TheThe groupingsgroupings of of muqarnas muqarnas pieces pieces used used in in this this environment environment are are undoubtedly undoubtedly one one of the of mostthe most outstanding outstanding features features of its of architectural its architectural identity. identity. The CourtThe Court of the of Lions the Lions has a has rectangular a rectangular plan measuring 28.50 15.70 m and formed by two perpendicular axes. Its elegant perimeter gallery rests plan measuring 28.50× × 15.70 m and formed by two perpendicular axes. Its elegant perimeter gallery onrests 124 on white 124 white marble marble columns columns with ringed with shaftsringedthat shafts are that grouped are grouped in subtle in compositional subtle compositional rhythms (Figurerhythms1). (Figure 1). Figure 1. Owen Jones; Jules Goury. 1842. “Plan of the Roya Royall Arabian Palace in the ancient fortress of the Alhambra” (red squares mark the Pavilions in thethe Court of Lions; top of the image facing North) [Plans, elevations,elevations, sections,sections, andand detailsdetails ofof thethe AlhambraAlhambra Vol.Vol. 1,1, plateplate 3].3]. In the the middle middle of of the the smaller smaller sides sides of the of thepatio patio stand stand out two out almost two almost square-shaped square-shaped temples temples which whichare considered are considered authentic authentic masterpieces masterpieces of the ofNa thesrid Nasrid art (Figure art (Figure 2a,b).2a,b). Above Above their their columns columns and andabacuses abacuses there there are arebrick brick pillars pillars covered covered with with fine fine plaster plaster decoration, decoration, which which support support the the beams on which eaveseaves andand roofsroofs rest.rest. This lintel-based layout freed the arcs from aa structuralstructural oror load-bearingload-bearing function, andand facilitated the inclusion of a beautiful openwork ornamentation that allows the passage of light and the incorporation of sophisticatedsophisticated compositionscompositions ofof muqarnas,muqarnas, thethe targettarget ofof thisthis study.study. The pavilions’spavilions's inner floor floor is ma madede of marble and covered with stunning hemispherical wooden domes, which are oneone ofof thethe finestfinest examplesexamples ofof 14th14th centurycentury carpentrycarpentry worksworks inin Granada.Granada. Plaster muqarnas pendentives, which are also a target of thisthis study, were designeddesigned as a transition from the square planplan toto thethe domesdomes circularcircular plan.plan. SustainabilitySustainability 20202020,, 1212,, x 6556 FOR PEER REVIEW 3 3of of 18 18 (a) (b) FigureFigure 2. 2. PicturesPictures from from the the Court Court of of the the Lions Lions [taken [taken by by the the authors]: authors]: ( (aa)) View View to to the the western western Pavilion Pavilion (2004);(2004); ( (bb)) view view to to the the eastern eastern Pavilion Pavilion (2018). (2018). TheThe Nasrid Nasrid dynasty dynasty carefully carefully chose chose locations locations for for their their fortresses fortresses and and foundations, foundations, taking taking into into accountaccount the the important important seismic seismic activity activity in inits itskingdom kingdom and and particularly particularly in the in citadel the citadel of Granada. of Granada. The AlhambraThe Alhambra underground, underground, called called“Formación “Formaci Alhambraón Alhambra”” by current by currentGeology Geology experts is experts quite suitable is quite tosuitable reduce to seismic reduce risk. seismic Both risk. site Bothand geological site and geological disposition disposition have been have crucial been factors crucial for factors the Palace's for the conservationPalace’s conservation thus far [3,4]. thus A far hist [3,4orical]. A historicaldocument document [5] reported [5] reportedthe flood theof the flood river of Darro the river on Darro5 March on 16005 March that 1600affected that the aff ectedbase of the the base Alhambra of the Alhambrahill, leading hill, to leadingsignificant to significantlandslides in landslides what is nowadays in what is knownnowadays as ‘Tajo known de San as ‘Tajo Pedro’, de San an Pedro’,area which an area keep whichs a part keeps of the a partmonument of the monument at geological at geological risk. risk. TheThe risk risk of of ruin ruin threatened threatened the the Court Court of of the the Lions Lions many many times, times, as as indicated indicated by by the the historical historical data data outlinedoutlined below. AccordingAccording to to the the most most prominent prominent Alhambra Alhambra curator curator architect, architect, Leopoldo Leopoldo Torres Torres Balbás, Balbás,the Nasrid the Nasrid decadence decadence had a turning had a turning point onpoint 27 Juneon 27 1431, June when1431, when a major a major earthquake earthquake collapsed collapsed some somewalls walls and towers, and towers, a few a days few afterdays the after entrance the entrance of John of II John of Castile II of Castile II in the II Vega in the de Vega Granada de Granada starting startingthe Battle the of Battle La Higueruela of La Higueruela [6]. [6]. RepairsRepairs have have been been incessant incessant in in the the Court Court of of the the Lions Lions since since both both town town and and landmark landmark passed passed into into ChristianChristian hands hands in in 1492 1492 [7]. [7]. In In documents documents from from
Recommended publications
  • Programa 337A Administración Del Patrimonio Histórico
    PROGRAMA 337A ADMINISTRACIÓN DEL PATRIMONIO HISTÓRICO NACIONAL 1. DESCRIPCIÓN Los objetivos y las actuaciones básicas del Consejo de Administración del Patrimonio Nacional para el ejercicio 2014, al igual que en los anteriores, vienen determinados por su propia Ley 23/1982, de 16 de junio, Reguladora del Patrimonio Nacional y por su Reglamento, aprobado por Real Decreto 496/1987, de 18 de marzo, modificado por los Reales Decretos 694/1989, de 16 de junio, 2208/1995, de 28 de diciembre, y 600/2011, de 29 de abril, que ha modificado la estructura orgánica del Organismo, en lo referente a las Unidades dependientes de la Gerencia. De acuerdo con lo previsto en el artículo primero de la Ley 23/1982, son fines del Consejo de Administración del Patrimonio Nacional la gestión y administración de los bienes y derechos del Patrimonio Nacional. En virtud del artículo segundo de dicha Ley, tienen la calificación jurídica de bienes del Patrimonio Nacional los de titularidad del Estado afectados al uso y servicio del Rey y de los miembros de la Familia Real para el ejercicio de la alta representación que la Constitución y las leyes les atribuyen. Además se integran en el citado Patrimonio los derechos y cargas de Patronato sobre las Fundaciones y Reales Patronatos a que se refiere la citada Ley. Y conforme prevé el artículo tercero de la Ley 23/1982, en cuanto sea compatible con la afectación de los bienes del Patrimonio Nacional, a la que se refiere el artículo anterior, el Consejo de Administración adoptará las medidas conducentes al uso de los mismos con fines culturales, científicos y docentes.
    [Show full text]
  • Patio Design Has Photos from Real Homes and Yards Across the Paci C Northwest
    NW HOME & YARD IDEA BOOK Clay & Concrete Pavers PATIO Permeable Pavers Slate & Patio Stones DESIGN Architectural Slabs At Mutual Materials, we are proud of what we do and are inspired to see our products chosen by professionals to build communities. Our products build beauty that lasts through hospitals, schools, stadiums, businesses, family homes, public parks, and backyards. Mutual Materials has long served a professional network of architects, interior designers, builders, masons, and landscape design professionals. Today we also serve residential homeowners, both through our professional networks and through our retail branch locations. A Message from our President Have you ever spent time looking at your local sports stadium, or your child’s school, or even your neighbor’s backyard and wondered where the products come from that put it all together? Well, that’s what Mutual Materials does – we have been part of building beauty that lasts over one hundred years. Since 1900, we have been providing masonry and hardscape products to customers in the Paci c Northwest to help them create inviting communities that stand the test of time. Our products are used to create schools, stadiums, public landscapes, business parks, family homes and gardens, and much more. Mutual Materials is also a family business and we locally manufacture the products we Kendall Anderegg sell. From humble beginnings with one brick plant in 1900, we have grown today into a President, Mutual Materials major regional employer operating more than 10 manufacturing plants and 16 branch o ces across Washington, Oregon, Idaho, Montana, and British Columbia. Our Idea Book for Patio Design has photos from real homes and yards across the Paci c Northwest.
    [Show full text]
  • Safety Barrier Guidelines for Residential Pools Preventing Child Drownings
    Safety Barrier Guidelines for Residential Pools Preventing Child Drownings U.S. Consumer Product Safety Commission This document is in the public domain. Therefore it may be reproduced, in part or in whole, without permission by an individual or organization. However, if it is reproduced, the Commission would appreciate attribution and knowing how it is used. For further information, write: U.S. Consumer Product Safety Commission Office of Communications 4330 East West Highway Bethesda, Md. 20814 www.cpsc.gov CPSC is charged with protecting the public from unreasonable risks of injury or death associated with the use of the thousands of consumer products under the agency’s jurisdiction. Many communities have enacted safety regulations for barriers at resi- dential swimming pools—in ground and above ground. In addition to following these laws, parents who own pools can take their own precau- tions to reduce the chances of their youngsters accessing the family or neighbors’ pools or spas without supervision. This booklet provides tips for creating and maintaining effective barriers to pools and spas. Each year, thousands of American families suffer swimming pool trage- dies—drownings and near-drownings of young children. The majority of deaths and injuries in pools and spas involve young children ages 1 to 3 and occur in residential settings. These tragedies are preventable. This U.S. Consumer Product Safety Commission (CPSC) booklet offers guidelines for pool barriers that can help prevent most submersion incidents involving young children. This handbook is designed for use by owners, purchasers, and builders of residential pools, spas, and hot tubs. The swimming pool barrier guidelines are not a CPSC standard, nor are they mandatory requirements.
    [Show full text]
  • Instruction Av 04/2020 Issued by the Management Of
    INSTRUCTION AV 04/2020 ISSUED BY THE MANAGEMENT OF PATRIMONIO NACIONAL ESTABLISHING SPECIAL TEMPORARY CONDITIONS FOR PUBLIC VISITS TO THE PATRIMONIO NACIONAL PALACES AND MONASTERIES, AND MONUMENTS FOUNDED UNDER ROYAL PATRONAGE. The present instruction updates the special temporary conditions and reduction in admission charges for visitors to the Patrimonio Nacional palaces and monasteries, and monuments founded under Royal Patronage: CONDICIONES PARA LA VISITA PÚBLICA 1. Opening hours for the different monuments: The opening hours valid as from Monday 26 October 2020 are shown below: OPENING HOURS TIME Mon Tue Wed Thu Fri Sat Sun 10 to 11 11 to 12 12 to 13 13 to 14 ROYAL PALACE OF MADRID 14 to 15 AND ROYAL KITCHEN 15 to 16 16 to 17 17 to 18 Paid admission Free admission NOTE: It is not possible to visit the Royal Kitchen during free admission times. OPENING HOURS TIME Mon Tue Wed Thu Fri Sat Sun PALACE OF LA ALMUDAINA 10 to 11 PALACE OF ARANJUEZ + BARGE MUS. 11 to 12 MONASTERY OF El ESCORIAL 12 to 13 VALLEY OF THE FALLEN 13 to 14 PALACE OF LA GRANJA 14 to 15 PALACE OF RIOFRIO 15 to 16 MONASTERY OF YUSTE 16 to 17 EL PARDO 17 to 18 Paid admission Free admission Página 1 de 6 OPENING HOURS TIME Mon Tue Wed Thu Fri Sat Sun 10:00 to 10:30 10:30 to 11 11 to 12 12 to 13 CONVENT OF SANTA MARIA LA REAL HUELGAS 13 to 14 14 to 15 CONVENT OF SANTA CLARA TORDESILLAS 15 to 16 16 to 17 17 to 18 18 to 18:30 Paid admission Free admission The Casas del Príncipe (at El Pardo and El Escorial), Casa del Infante (at El Escorial) and Casa del Labrador (at Aranjuez) will not be open.
    [Show full text]
  • 2022 Standard
    EGYPT Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh Egypt AFRICA & ASIA PACIFIC | Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh Season: 2022 Standard 10 DAYS 25 MEALS 22 SITES Take an epic Adventures by Disney vacation to Egypt, where you’ll marvel at the gilded treasures of King Tutankhamun and the Great Pyramids at Giza, explore the sprawling capital of Cairo, visit magnificent destinations along the Nile River and bask on the beaches at Sharm El Sheikh along the Red Sea. You’ll be awed by the storied history of the people, places and cultures of this ancient country. EGYPT Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh Trip Overview 10 DAYS / 9 NIGHTS ACCOMMODATIONS 5 LOCATIONS The Nile Ritz-Carlton, Cairo Cairo, Aswan, Nile River M/S Tulip Cruise, Luxor, Sharm El Sheikh Coral Sea Sensatori Resort AGES FLIGHT INFORMATION 25 MEALS Minimum Age: 6 Arrive: Cairo International 9 Breakfasts, 8 Lunches, 8 Suggested Age: 8+ Airport (CAI) Dinners Adult Exclusive: Ages 18+ Return: Cairo International Airport (CAI) All Internal Flights Included EGYPT Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh DAY 1 CAIRO Activities Highlights: No Meals Included Arrive in Cairo The Nile Ritz-Carlton, Cairo Arrive in Cairo ‘Ahlaan Wasahlaan Bikum! Upon your arrival at Cairo International Airport, Adventures by Disney Guests will be escorted to a VIP lounge while your passports are processed and your luggage is reclaimed. You will then be taken to your waiting vehicles for transfer to the hotel, The Nile Ritz-Carlton, Cairo. The Nile Ritz-Carlton, Cairo Bask in the elegance that surrounds you in this luxury hotel that offers world-class services and amenities that are fit for a pharaoh.
    [Show full text]
  • Cosmic Architecture Kozmička Arhitektura
    je značio nešto poput ‘univerzuma, reda i ornamenta’. [...] Za stare Grke riječ ‘Kosmos’ stavljena je u opreku s riječi ‘Chaos’. Kaos je prethodio nastanku svijeta kakvog poznajemo, ali ga Kozmička je naslijedio Kozmos koji je simbolizirao apsolutni red svi- jeta i ukupnost njegovih prirodnih fenomena. [...] Stari grčki ‘Kosmeo’ znači ‘rasporediti, urediti i ukrasiti’, a osoba Kosmése arhitektura (ukrašava) sebe kako bi svoj Kozmos učinila vidljivim.2 kako ¶ Ornament ima gramatiku. Ornament bi trebao posje- dovati prikladnost, proporcije, sklad čiji je rezultat mir... onaj mir koji um osjeća kada su oko, intelekt i naklonosti zadovo- Cosmic ljeni.3 ¶ Vjerujem, kao što sam rekao, da se može projektirati izvrsna i lijepa zgrada koju neće krasiti nikakvi ornamenti; ali jednako čvrsto vjerujem da se ukrašenu građevinu, skladno zamišljenu, dobro promišljenu, ne može lišiti njezinog sustava architecture ornamenata, a da se ne uništi njezina individualnost.4 ¶ Tipičan postupak drevne arhitekture je dodavanje idealnih aspekata ili idealnih struktura površini zgrade. [...] Cijepanje ili klizanje stvarne površine zida u izražajnu površinu je čin transfor- macije. ¶ Govori li nepravilna evolucija kamena o nevjerojat- noj gotičkoj priči o ljudskom životu? Ili je to usputna pojava nevažnih činjenica iscrpljenih kamenoloma i klesara? Ili je to pustolovina vremena? 5 gdje ¶ Ornament je svjesna zanatska intervencija u proi- napisao fotografije Arhiva / Archive Alberto Alessi (aaa) zvodnji polugotovih proizvoda, prije nego što budu montirani written by photographs by Arhiva / Archive Alinari (aa) na gradilištu. Ornament stvara sidrenu točku protiv homo- Ruskin Library, University of Lancaster (rl) genizacije i uniformnosti suvremene građevinske produkcije. Ornamentacija omogućuje izravan odgovor na lokalne uvjete proizvodnje, na geografske ili kulturne osobitosti.
    [Show full text]
  • Vacuum Appropriation Strategies Between Patio and Pavilion Archetypes Hybridization in Two Classical Masters Works of Modern Architecture
    Athens Journal of Architecture - Volume 4, Issue 1– Pages 7-30 Vacuum Appropriation Strategies between Patio and Pavilion Archetypes Hybridization in Two Classical Masters Works of Modern Architecture By Simone Solinas Patio and pavilion, understood as archetypes, may appear as opposing principles in the construction of space. However, we can see through the analysis of some of the proposed cases that the overlap of these principles takes place very frequently, because they both arise from the need to delimit the vacuum by giving to it the character of space. The vacuum is not space, although space may be empty. The vacuum exists without us, whereas space does not. The architect, in designing enclosed space, encapsulates a portion of the vacuum, indistinct and formless, understood as Nature. This is a fragment of Paradise that everyone has right to possess, by binding an idea to the image of the patio and pavilion. From their combined use, there are several cases in which these elements take shape in architectural projects. In some projects, one principle dominates the other, but it is evident that there are a large variety of mixed proposals between the two extremes. The two principles do not exclude one another and can coexist together in a complementary way by appearing in the same project. The two figures as archetypes are taken as the main reference points of different poles that seem to be conflicting and irreconcilable ideas, but that instead build together the complexity of architecture. Full | empty, outside | inside, empty space | full-space, stereotomic | tectonic, vertical | horizontal, centrifugal | centripetal, works together to build space.
    [Show full text]
  • Museológica: Tendencias E Diccionario Deldibujoylaestampa Instrumentos Léxicosdeinterés,Comoel Definitiva
    ARTE GRÁFICO Y LENGUAJE1 Javier Blas José Manuel Matilla Calcografía Nacional Real Academia de Bellas Artes de San Fernando tendencias l empleo de una terminología adecuada relativa al arte gráfico no es una E cuestión irrelevante para el profesional de museos. Precisar el uso de las palabras que integran el vocabulario técnico de la estampa, es decir, atender a su valor semántico, no es sólo una necesidad sino también una exigencia por sus implicaciones en la valoración social museológica: del grabado y procedimientos afines. El debate sobre el vocabulario del arte gráfico sigue abierto, ya que la normalización lingüística en este campo del conocimiento aún no ha sido presentada de manera definitiva. No obstante, hoy se dispone de instrumentos léxicos de interés, como el Diccionario del dibujo y la estampa2, cuyos Lámina. Entintado de la lámina planteamientos ofrecen una línea argumental Francisco de Goya, Volaverunt razonada y son la expresión de una tendencia en el uso de la terminología avalada por las fuentes históricas. Al margen del modelo que propone ese repertorio, cualquier otra alter- nativa de normalización podría ser aceptable. Lo que no resulta admisible es la dispersión de criterios para la definición de idénticos procesos y productos gráficos. 122 museológica. tendencias El uso indebido del lenguaje ha Precisar el uso de las Directamente relacionada con la perpetuado algunas conductas poco citada jerarquía de los medios afortunadas, entre ellas la igualación palabras que integran gráficos se encuentra una cuarta del campo semántico en significantes el vocavulario técnico constatación: el menosprecio genera- de muy distinta procedencia histórica lizado hacia las técnicas introducidas y etimológica.
    [Show full text]
  • Guide of Granada
    Official guide City of Granada 3 Open doors To the past. To the future. To fusion. To mix. To the north. To the south. To the stars. To history. To the cutting edge. To the night. To the horizon. To adventure. To contemplation. To the body. To the mind. To fun. To culture. Open all year. Open to the world. Welcome The story of a name or a name for history 5TH CENTURY B.C.: the Turduli founded Elybirge. 2ND CENTURY B.C.: the Romans settled in Florentia Iliberitana. 1ST CENTURY: according to tradition, San Cecilio, the patron saint of the city, Christianised Iliberis. 7TH CENTURY: the Visigoths fortified Iliberia. 8TH CENTURY: the Arabs arrived in Ilvira. 11TH CENTURY: the Zirids moved their capital to Medina Garnata. 15TH CENTURY: Boabdil surrendered the keys of Granada to the Catholic Monarchs. Today, we still call this city GRANADA which, over its 25 century–history, has been the pride of all those who lived in it, defended it, those who lost it and those who won it. 25 centuries of inhabitants have given the city, apart from its different names, its multicultural nature, its diversity of monuments, religious and secular works of art, its roots and its sights and sounds only to be found in Granada. Iberians, Romans, Arabs, Jews and Christians have all considered this Granada to be their own, this Granada that is today the embodiment of diversity and harmonious coexistence. Since the 19th century, Granada has also been the perfect setting for those romantic travellers that had years on end free: the American Washington Irving, with his Tales of the Alhambra (1832), captivated writers, artists and musicians of his generation, telling them about that “fiercely magnificent” place that also fascinated Victor Hugo and Chateaubriand.
    [Show full text]
  • Manifiesto De La Alhambra English
    Fernando Chueca Goitia and others The Alhambra Manifesto (1953) Translated by Jacob Moore Word Count: 2,171 Source: Manifiesto de la Alhambra (Madrid, Dirección General de Arquitectura, 1953). Republished as El Manifiesto de la Alhambra: 50 años después: el monumento y la arquitectura contemporánea, ed. Ángel Isac, (Granada: Patronato de la Alhambra y Generalife, Consejería de Cultura, Junta de Andalucía : Tf Editores, 2006) 356-375. We, the signers of this Manifesto, do not want to be pure iconoclasts, for we are already too weary of such abrupt and arbitrary turns. So people will say: “Why the need for a Manifesto, a term which, almost by definition, implies a text that is dogmatic and revolutionary, one that breaks from the past, a public declaration of a new credo?” Simply put, because reality, whose unequivocal signs leave no room for doubt, is showing us that the ultimate traditionalist posture, which architecture adopted after the war of Liberation, can already no longer be sustained and its tenets are beginning to fall apart. […] Today the moment of historical resurrections has passed. There is no use denying it; just as one cannot deny the existence of the Renaissance in its time or that of the nineteenth century archaeological revivals. The arts have tired of hackneyed academic models and of cold, lifeless copies, and seek new avenues of expression that, though lacking the perfection of those that are known, are more radical and authentic. But one must also not forget that the peculiar conditions implicit in all that is Spanish require that, within the global historical movement, we move forward, we would not say with a certain prudence, but yes, adjusting realities in our own way.
    [Show full text]
  • EGYPT – PRIVATE ADVENTURE Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh
    EGYPT – PRIVATE ADVENTURE Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh Egypt – Private Adventure AFRICA & ASIA PACIFIC | Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh Season: 2021 10 DAYS 25 MEALS 22 SITES Take an epic Adventures by Disney Private Adventure to Egypt, where you’ll marvel at the gilded treasures of King Tutankhamun and the Great Pyramids at Giza, explore the sprawling capital of Cairo, visit magnificent destinations along the Nile River and bask on the beaches at Sharm El Sheikh along the Red Sea. You’ll be awed by the storied history of the people, places and cultures of this ancient country. EGYPT – PRIVATE ADVENTURE Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh Trip Overview 10 DAYS / 9 NIGHTS ACCOMMODATIONS 5 LOCATIONS The Nile Ritz-Carlton, Cairo Cairo, Aswan, Nile River M/S Tulip Cruise, Luxor, Sharm El Sheikh Coral Sea Sensatori Resort AGES FLIGHT INFORMATION 25 MEALS Minimum Age: None Arrive: Cairo International 9 Breakfasts, 8 Lunches, 8 Airport (CAI) Dinners Return: Cairo International Airport (CAI) All Internal Flights Included EGYPT – PRIVATE ADVENTURE Cairo, Aswan, Nile River Cruise, Luxor, Sharm El Sheikh DAY 1 CAIRO Activities Highlights: No Meals Included Arrive in Cairo The Nile Ritz-Carlton, Cairo Arrive in Cairo ‘Ahlaan Wasahlaan Bikum! Upon your arrival at Cairo International Airport, Adventures by Disney Guests will be escorted to a VIP lounge while your visa and passports are processed and your luggage is reclaimed. You will then be taken to your waiting vehicle for transfer to the hotel, The Nile Ritz-Carlton, Cairo. Note: A visa is provided to each Guest upon arrival and does not need to be secured in advance of departing for Egypt.
    [Show full text]
  • The Mars Pentad Time Pyramids the Quantum Space Time Fractal Harmonic Codex the Pentagonal Pyramid
    The Mars Pentad Time Pyramids The Quantum Space Time Fractal Harmonic Codex The Pentagonal Pyramid Abstract: Early in this author’s labors while attempting to create the original Mars Pentad Time Pyramids document and pyramid drawings, a failure was experienced trying to develop a pentagonal pyramid with some form of tetrahedral geometry. This pentagonal pyramid is now approached again and refined to this tetrahedral criteria, creating tetrahedral angles in the pentagonal pyramid, and pentagonal [54] degree angles in the pentagon base for the pyramid. In the process another fine pentagonal pyramid was developed with pure pentagonal geometries using the value for ancient Egyptian Pyramid Pi = [22 / 7] = [aPi]. Also used is standard modern Pi and modern Phi in one of the two pyramids shown. Introduction: Achieved are two Pentagonal Pyramids: One creates tetrahedral angle [54 .735~] in the Side Angle {not the Side Face Angle}, using a novel height of the value of tetrahedral angle [19 .47122061] / by [5], and then the reverse tetrahedral angle is accomplished with the same tetrahedral [19 .47122061] angle value as the height, but “Harmonic Codexed” to [1 .947122061]! This achievement of using the second height mentioned, proves aspects of the Quantum Space Time Fractal Harmonic Codex. Also used is Height = [2], which replicates the [36] and [54] degree angles in the pentagon base to the Side Angles of the Pentagonal Pyramid. I have come to understand that there is not a “perfect” pentagonal pyramid. No matter what mathematical constants or geometry values used, there will be a slight factor of error inherent in the designs trying to attain tetrahedra.
    [Show full text]