Guide of Granada
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Best Local History & Culture in Granada
"Best Local History & Culture in Granada" Erstellt von : Cityseeker 5 Vorgemerkte Orte El Palacio de los Olvidados "Retelling Jewish History" Palacio de los Olvidados documents the rough history of Sephardic Jews (the Jewish community of Spain), their exile from the country, or the choice of losing lives over exile. The chronology is well-presented, and the display spurs strong emotions. The museum also hosts other forms of story-telling, such as the Spanish Flamenco dance, dramatically by Jebulon demonstrating the skirmish of the bygone era. There are also musical concerts and and plays. Palacio de los Olvidados is worth a visit for a glance in this historic time. +34 958 10 0840 palaciodelosolvidados.co palaciodelosolvidados@gm Cuesta de Santa Inés 6, m/ ail.com Granada Museo de la Alhambra "Art from the Alhambra" Come here directly after visiting the Nasrid Palaces on your tour of the Alhambra. It'll help you to bring the place to life. You'll find an interesting collection of furniture, pottery, money, clothing, scientific instruments and other objects that were used as part of daily life in the palaces during the 13th, 14th and 15th centuries. The fabulous blue and gold ceramic Jarre by dailyinvention las Gacelas, or Alhambra Vase, is the showpiece item. You'll find it on the ground floor of Palacio de Carlos V (Carlos V's Palace). +34 958 027 971 www.alhambra-patronato.es/index. Calle de Real de Alhama, (Palacio de php/Museo-de-la-Alhambra/68/0/ Carlos V), Granada Casa Museo Manuel de Falla "Visit the Composer's House" For 20 years the internationally famous composer, Manuel de Falla lived and worked in this lovely old Moorish-style house in the Antequeruela district, on the eastern slopes of the Alhambra hill. -
Turismo De Granada
of Granada of l, 95, Granada 95, l, a bi a Ar lle a C 22, Granada 22, - 20 en, rg i V la de era r Car . n io t o m o pr is h t n i g n cipati i t r pa l a bi a Ar l a ci r Come o r Cent Street Map Map Street S. D BRAN 3.000 THAN MORE AND l Genil l a ci r Come o r Cent s s ment t ar p de d n a s n io t c ri t s e r er h t o r o f e tor S in ck e Ch acilities F e r o t In-S , HEAD, NIKE... HEAD, , T A ABOL B AS, D ADI Granada D UN F RE L A G U T R PO & N I A P S , , ER IG F L I H Y OMM T UREN, A L RALPH , K HAR S & UL A P Ciudad de de Ciudad AX S E R O T S T N E M T R A P E D T A D ORS, K MICHAEL OEWE, L TE, S O C A L Plano Plano S, S, S BO HUGO , T CKET A H S, S GUE A, D A C ES VIN KLEIN, CHANEL, DIOR, DIOR, CHANEL, KLEIN, VIN L A C ARMANI, s e . es l ng ei t r co l e . w ww 3 Bars and Restaurants and Bars hases c r pu wing o oll f e r o-measu t made- Men´s our our y in lance a b the edeem r and shopping A N S R E V O L G N I P P O H S R O F our our y f o lue a v the f o 10% e t ccumula A e g han c de eau r Bu ents v e ailor-made T ogram r p ery v Deli D AR W RE 0 1 ff a st l a Multilingu % ee shopping ee r Handsf A GR S CE I V R E S ARE C D ORE L I A T . -
Manifiesto De La Alhambra English
Fernando Chueca Goitia and others The Alhambra Manifesto (1953) Translated by Jacob Moore Word Count: 2,171 Source: Manifiesto de la Alhambra (Madrid, Dirección General de Arquitectura, 1953). Republished as El Manifiesto de la Alhambra: 50 años después: el monumento y la arquitectura contemporánea, ed. Ángel Isac, (Granada: Patronato de la Alhambra y Generalife, Consejería de Cultura, Junta de Andalucía : Tf Editores, 2006) 356-375. We, the signers of this Manifesto, do not want to be pure iconoclasts, for we are already too weary of such abrupt and arbitrary turns. So people will say: “Why the need for a Manifesto, a term which, almost by definition, implies a text that is dogmatic and revolutionary, one that breaks from the past, a public declaration of a new credo?” Simply put, because reality, whose unequivocal signs leave no room for doubt, is showing us that the ultimate traditionalist posture, which architecture adopted after the war of Liberation, can already no longer be sustained and its tenets are beginning to fall apart. […] Today the moment of historical resurrections has passed. There is no use denying it; just as one cannot deny the existence of the Renaissance in its time or that of the nineteenth century archaeological revivals. The arts have tired of hackneyed academic models and of cold, lifeless copies, and seek new avenues of expression that, though lacking the perfection of those that are known, are more radical and authentic. But one must also not forget that the peculiar conditions implicit in all that is Spanish require that, within the global historical movement, we move forward, we would not say with a certain prudence, but yes, adjusting realities in our own way. -
Spain & Portugal Highlights
New Castle Chamber of Commerce presents Spain & Portugal Highlights Featuring Madrid, Seville, Granada & Lisbon Highlights • Madrid City Tour • Madrid Royal Palace • Cordoba • Mezquita • Granada City Tour • Alhambra Palace & Generalife • Seville City Tour • Cathedral of Seville • Evora • Lisbon City Tour • Fado Farewell Dinner Inclusions • Roundtrip Airfare from Philadelphia (PHL) • Int’l Air Departure Taxes/Fuel • 11 Meals: 8 Breakfasts & 3 Dinners • Professional Tour Director • Motorcoach Transportation • Hotel Transfers • Admissions per Itinerary 10 days October 14, 2014 • Comprehensive Sightseeing • Baggage Handling Tour Pricing $2999* per person/double $550 single supplement Accommodations *Please see itinerary for details and registration information • 8 Nights First Class Hotels 2 Nights - NH Principe de Vergara, Madrid For more information contact: 1 Night - Corona de Granada, Granada New Castle Chamber of Commerce 2 Nights - Novotel Hotel, Seville Attn: Barbara Weiss • Phone: (302) 294-2068 3 Nights - Acores Hotel, Lisbon 12 Penns Way • New Castle, DE 19720 Itinerary and hotels are subject to change. E-mail: [email protected] Tour Itinerary Day 1: Overnight Flight - Arrive Madrid Day 7: Seville - Evora - Lisbon Board your overnight flight to Europe. Today enjoy the scenery enroute to Lisbon, Portugal. Make a stop in Evora, a UNESCO World Heritage site fea- Day 2: Arrive Madrid - Sightseeing turing a Roman Temple and a well-preserved old town Welcome to Spain! Arrive in Madrid and meet your Tour Di- center still partially enclosed by medieval walls. This -af rector. This afternoon enjoy a Madrid City Tour including ternoon arrive in Lisbon for a three night stay. Check in to the Puerta del sol, Plaza Espana, the Parliament, Cibeles your hotel and enjoy the evening at leisure. -
Bioclimatic Devices of Nasrid Domestic Buildings
Bioclimatic Devices of Nasrid Domestic Buildings Luis José GARCÍA-PULIDO studies in ARCHITECTURE, HISTORY & CULTURE papers by the 2011-2012 AKPIA@MIT visiting fellows AKPIA@MIT 2 The Aga Khan Program for Islamic Architecture at the Massachusetts Institute of Technology 3 2011-2012 CONTENTS 1. INTRODUCTION 6.1.A.1. Control of Spaces and Natural Light 6.1.A.2. Reflecting Surfaces 2. CLIMATIC CHANGES IN THE PAST AND THEIR INFLUENCES 6.1.A.3. North-South Orientation 6.1.A.4. Microclimate Provided by Courtyards IN SOCIETIES 6.1.A.5. Spatial Dispositions around the Courtyard. The 2.1. The Roman Climatic Optimum Sequence Patio-Portico-Qubba/Tower 2.2. The Early Medieval Pessimum 6.1.B. Indirect Methods of Passive Refrigeration (Heat 2.3. The Medieval Warm Period Dissipation) 2.4. The Little Ice Age 6.1.B.1. Ventilation 6.1.B.2. Radiation 6.1.B.3. Evaporation and Evapotranspiration 3. BUILDING AGAINST A HARSH CLIMATE IN THE ISLAMIC WORLD 7. BIOCLIMATIC DEVICES IN OTHER ISLAMIC REGIONS 3.1. Orientation and Flexibility WITH COMPARABLE CLIMATOLOGY TO THE SOUTHEAST 3.2. Shading IBERIAN PENINSULA 3.3. Ventilation 7.1 The North West of Maghreb 7.1.1. The Courtyard House in the Medinas of North Maghreb 4. COURTYARD HOUSES 7.2 The Anatolian Peninsula 4.1. The Sequence from the Outside to the Courtyard 7.2.1. Mediterranean Continental Climate 4.2. Taming the Climate 7.2.2. Mediterranean Marine Climate 7.2.3. Mediterranean Mountainous Climate 5. NASRID HOUSE TYPOLOGY 7.2.4. Dry and Hot Climate 7.2.5. -
Von Baena Nach Granada
Von Baena nach Granada - 119 - sche Ursprung der Stadt, Granada Ġarnāṭa al-Yahūd, gelegen haben. Der heutige Name dieses Stadtviertels ist ein Hybrid aus dem lateinischen regalis („königlich") und dem arabischen raḥal („Heerlager“).[3] Die letzten 1,6 km der Strecke des Darro bis zu seiner Mün- dung in den Genil sind seit dem 19. Jahrhundert durch die Plaza Nueva, die Calle Reyes Católicos und die Acera del Darro überbaut, bei der Kirche Santa Ana y San Gil verschwindet der Fluss im Untergrund. Namen Iliberra als eine von entwickelt hat. Robert Pock- Infrastruktur Phöniziern und Iberern be- lington sieht darin das roma- ist die Hauptstadt der Pro- wohnte Siedlung erstmals nische Farbadjektiv granat vinz Granada in Südspanien Granada liegt als Kernstadt um 500 v. Chr. erwähnt. ('rot') wiedergegeben. Der und liegt in einem Ballungs- Aufgrund der geschützten Mittelalterarchäologe An- gebiet der Vega de Granada. in einem Ballungsgebiet, der Stadtregion von Granada, Lage zwischen den umlie- tonio Malpica Cuello Die Stadt zählt ca. 234.000 genden Bergen sowie der (Universität Granada) lehnt Einwohner, von denen die Das Ballungsgebiet wird von außergewöhnlich fruchtba- allerdings die Gleichsetzung meisten in der Verarbeitung ren Erde ist eine frühere von Illiberis mit Granada ab. landwirtschaftlicher Produk- den Autobahnen A-44 (Bailén - La Gorgoracha Besiedlung anzunehmen. Ihm zufolge fehle es an den te oder im Tourismus arbei- Nach der Eroberung der für eine römische Stadt not- ten. Motril) und A-92 (Sevilla - Almería) durchquert, die iberischen Halbinsel durch wendigen Strukturen die Römer (siehe Hispanien; (Forum, Theater etc.), jede Geographie nördlich von Granada ein Autobahnkreuz bilden. Di- lat. -
La Alhambra Y El Generalife De Granada
Artigrama, núm. 22, 2007, 187-232 — I.S.S.N.: 0213-1498 La Alhambra y el Generalife de Granada JOSÉ MIGUEL PUERTA VÍLCHEZ* Resumen Se ofrece aquí una síntesis sobre el conjunto monumental de la Alhambra y el Generalife atendiendo a su evolución histórica y a sus principales características constructivas, decorati- vas y simbólicas, a partir de las aportaciones de la tradicional y reciente historiografía, y pres- tando especial atención a los textos árabes nazaríes y a los nuevos datos toponímicos, históri- cos, poéticos y funcionales que de algunos importantes espacios alhambreños han aparecido recientemente. A synthesis about the monumental site of the Alhambra and Generalife is given here, according to its historical evolution and its main constructive, decorative and symbolic cha- racteristics. The article takes the contributions of traditional and recent historiography as a starting point, paying special attention to Nasrid Arabic texts and the new toponymical, his- torical, poetic and functional data recently arisen about some important spaces of the Alham- bra. * * * * * El derrumbamiento del estado almohade y la subsecuente creación del reino nazarí de Granada por parte de Muhammad b. Yusuf b. Nasr Ibn al-Ahmar, conlleva el desarrollo de una nueva y postrera actividad edi- licia islámica en el reducido territorio de al-Andalus, que brillará con luz propia hasta la actualidad por haber creado el excepcional conjunto monumental de la Alhambra y el Generalife, síntesis y culminación de la gran arquitectura andalusí, hoy Patrimonio de la Humanidad y uno de los sitios con mayor poder de atracción sobre multitud de personas de todas las geografías. -
La Alhambra in Granada, One of the Most Beautiful and Admired Monuments in the Wold
La Alhambra in Granada, one of the most beautiful and admired monuments in the wold. An old legend says that the Alhambra was built by night, in the light of torches. Its reddish dawn did believe the people of Grenada that the color was like the strength of the blood. The Alhambra, a monument of Granada for Spain and the world. La Alhambra was so called because of its reddish walls (in Arabic, («qa'lat al-Hamra'» means Red Castle ). It is located on top of the hill al-Sabika, on the left bank of the river Darro, to the west of the city of Granada and in front of the neighbourhoods of the Albaicin and of the Alcazaba. The Alhambra is one of the most serenely sensual and beautiful buildings in the world, a place where Moorish art and architecture reached their pinnacle. A masterpiece for you to admire, and it is in Granada, a city full of culture and history. Experience the beauty and admire this marvel of our architectural heritage. Let it touch your heart. Granada is the Alhambra and the gardens, the Cathedral, the Royal Chapel, convents and monasteries, the old islamic district Albayzin where the sunset is famous in the world or the Sacromonte where the gypsies perform flamenco shows in the caves where they used to live...Granada is this and many more things. The Alhambra is located on a strategic point in Granada city, with a view over the whole city and the meadow ( la Vega ), and this fact leads to believe that other buildings were already on that site before the Muslims arrived. -
Andalucía Flamenca: Music, Regionalism and Identity in Southern Spain
Andalucía flamenca: Music, Regionalism and Identity in Southern Spain A thesis submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Matthew Machin-Autenrieth © Matthew Machin-Autenrieth 2013 Tables of Contents Table of Contents i List of Plates iv List of Examples iv List of Figures v Conventions vi Acknowledgments viii Abstract x Introduction 1 PART ONE Chapter One: An Overview of Flamenco 6 The Identities of Flamenco 9 The Materials of Flamenco 12 The Geographies of Flamenco 19 The Scholars of Flamenco 25 Chapter Two: Music, Regionalism and Political Geography 36 Political Geography and Music 37 Region, Regionalisation and Regionalism 43 Regionalism and Music 51 The Theoretical Framework 61 Conclusions 68 Chapter Three: Methodology 70 Virtual Ethnography: In Theory 70 Virtual Ethnography: In Practice 79 Field Research in Granada 86 Conclusions 97 Chapter Four: Regionalism, Nationalism and Ethnicity in the History of Flamenco 98 Flamenco and the Emergence of Andalucismo (1800s–1900s) 99 Flamenco and the Nation: Commercialisation, Salvation and Antiflamenquismo 113 Flamenco and Political Andalucismo (1900–1936) 117 Flamenco during the Franco Regime (1939–75) 122 Flamenco since the Transition to Democracy (1975 onwards) 127 Conclusions 131 i Chapter Five: Flamenco for Andalusia, Flamenco for Humanity 133 Flamenco for Andalusia: The Statute of Autonomy 134 Flamenco for Humanity: Intangible Cultural Heritage 141 The Regionalisation of Flamenco in Andalusia 152 Conclusions 169 PART -
Read That Her Talisman Was Actually Under an Evil Spell Cast by Her Mother Than That of the Caliph
ALBAICÍN AND SACROMONTE ALBAICÍN AND SACROMONTE GRAS Y GRANOLLERS MUSEUM 3 the Academia and Court of Christ association and the magazine El bien, which Together with the Daughters of Christ King Teaching Institute he edited for more than fifty years. Callejón de la Alberzana, 1 The museum holds many works by the editor of such publications as • Tel: 958 291 806 Barcelona’s Catholic Spain, Madrid’s Regeneration, Soldier of Christ (1865), • www.cescristorey.com Europe and its progress with the Church and its dogmas (1863), Church and • E-mail: [email protected] • Visit by appointment, arranged with Sister Carmen María Domínguez Revolution (1869), The Court of the King of Heaven (1870), The Saviour of • Entry free the peoples (1872), and The Daughters of Christ, social apostolate for women (1885). The silent museum keeps alive the memory of this Catalan who made Granada his home and showcases the dedication of José Gras y Granollers: priest, theologian, Catholic writer and journalist. The secret n 1993, in commemoration of the 75th museum anniversary of his death, in his house in of a scholarly IAlbaicín, where he lived until his death, a small and unknown museum was opened, priest displaying, among other items, his desk, his reclining chair and many of Father José’s personal objects. “An educator, journalist and writer above all, José Gras y Granollers established the Daughters of Christ the King religious order. The nuns from the neighbouring college offer guided tours of the museum, recounting the most important moments of the life of this man of faith. In the two rooms that comprise this space, one can appreciate the atmosphere in which Gras y Granollers worked and studied. -
Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory Maria M
Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory Maria M. Delgado Theatre Journal, Volume 67, Number 2, May 2015, pp. 177-196 (Article) Published by Johns Hopkins University Press DOI: 10.1353/tj.2015.0042 For additional information about this article http://muse.jhu.edu/journals/tj/summary/v067/67.2.delgado.html Accessed 1 Sep 2015 22:22 GMT Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory Maria M. Delgado In the midst of the search for the body of Federico García Lorca, funded by Andalu- sia’s regional government in 2009, journalist Emilio Silva wrote of “the silent bones of Federico García Lorca and the skeleton of our democracy.”1 Contrasting the circulating images of the burial of Chilean folk singer Víctor Jara with the secrecy accompanying the exhumation of Lorca’s supposed grave, Silva, cofounder and president of the Aso- ciación para la Recuperación de la Memoria Histórica (Association for the Recovery of Historical Memory, or ARMH)—a national organization assisting in the location and exhumation of the graves of Spain’s desaparecidos, or disappeared, during the Spanish Civil War and its aftermath—praised the “demonstration of the democratization of democracy that those who suffered the Pinochet dictatorship have managed to create.” Jara’s funeral was conducted in the public eye, with his widow, Joan Turner, sharing the stage with the Chilean president, Michelle Bachelet, who spoke of the funeral as “an act of love and pain for all our dead.”2 Catalan singer Joan Manuel Serrat, who had been prohibited by the Franco regime from singing in his native language when chosen to represent Spain in the 1968 Eurovision Song Contest, offered his own homage to Jara: “[t]o those who say: let the dead rest in peace, I reply: are the dead at peace? Are we at peace with them? . -
The Decline of Infant and Child Mortality Among Spanish Gitanos Or Calé (1871−2005): a Microdemographic Study in Andalusia
DEMOGRAPHIC RESEARCH VOLUME 36, ARTICLE 33, PAGES 945-988 PUBLISHED 28 MARCH 2017 http://www.demographic-research.org/Volumes/Vol36/33/ DOI: 10.4054/DemRes.2017.36.33 Research Article The decline of infant and child mortality among Spanish Gitanos or Calé (1871−2005): A microdemographic study in Andalusia Juan F. Gamella Elisa Martín Carrasco-Muñoz © 2017 Juan F. Gamella & Elisa Martín Carrasco-Muñoz. This open-access work is published under the terms of the Creative Commons Attribution NonCommercial License 2.0 Germany, which permits use, reproduction & distribution in any medium for non-commercial purposes, provided the original author(s) and source are given credit. See http:// creativecommons.org/licenses/by-nc/2.0/de/ Contents 1 Introduction 946 1.1 The death of Gitano children 947 1.2 Objectives 948 1.3 A gap in Romani studies 949 2 Methods and data sources 950 2.1 Gitano identity and identification processes 951 2.2 The study area 952 2.3 Problems with the reconstitution data 955 2.4 Variables considered and methods of calculation 956 3 Results 957 3.1 The decline of infant mortality 960 3.1.1 Neonatal mortality 962 3.2 The decline of child (1 to 4 years of age) mortality 963 3.3 A sort of summary: Childhood (under-5) mortality 965 3.4 Changes in the causes of child deaths 967 4 Discussion of the results 970 4.1 The major periods of the childhood mortality decline 971 4.1.1 The crucial pre-transitional period: 1936−1946 972 4.1.2 The onset of the infant and child mortality decline: 1947−1959 972 4.1.3 Consolidation and convergence: 1959-1975, the years of 974 desarrollismo 4.1.4 The completion of the Gitano demographic transition, 1976−2005 974 4.2 The evolution of causes of death 975 4.3 Demographic processes and long term transformations 976 5 Acknowledgements 977 References 978 Appendix 985 Demographic Research: Volume 36, Article 33 Research Article The decline of infant and child mortality among Spanish Gitanos or Calé (1871−2005): A microdemographic study in Andalusia Juan F.