Paul De Man Papers MS.C.004
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Modern Criticism and Theory
MODC_C15.qxd 12/13/07 1:52 PM Page 280 15 Michel Foucault Introductory note Michel Foucault (1926–84) was, at the time of his death, Professor of the History of Systems of Thought at the Collège de France in Paris, a title that succeeds (or fails) as much as any other single phrase in the effort to encapsulate his unique, inter-disciplinary field of research. He has been variously described as philo- sopher, social scientist, and historian of ideas. He was certainly one of the most powerful and influential figures in a remarkable galaxy of intellectual stars who shone in Paris in the 1960s and 70s. Foucault was often at pains to deny that he was a ‘structuralist’, but he may legitimately be described as a post-structuralist. Structuralism ignored or dis- trusted the superficial appearances or commonsense view of cultural phenomena in its efforts to grasp the conditions of their possibility. Foucault did the same, but where the structuralists, like Lévi-Strauss, or the early Barthes, used language and linguistics as their methodological model or tool, Foucault used the history of social and political institutions and discourses. As one of his commentators (Paul Robinow) has said, ‘Foucault is highly suspicious of claims to universal truths. He doesn’t refute them; instead his consistent response is to historicize grand abstrac- tions.’ His example has had a powerful effect upon the writing of literary history in Britain and America. The essay ‘What is an Author?’ is typical of this historicizing approach. Foucault shows that the idea of the author, which we tend to take for granted, as a timeless, irreducible category, is, rather, a ‘function’ of discourse which has changed in the course of history. -
Romantic Love, Absence and Jealousy in Roland Barthes’
“ “Affective emotions”: Romantic love, absence and jealousy in Roland Barthes’ Fragments d’un discours amoureux Léonie A. J. Mol 5884780 rMA Cultural Analysis Final thesis Supervisor : J. G. C. de Bloois University of Amsterdam June 17, 2016 Table of contents Introduction: “Shimmerings”: Barthes, Romantic Love and Affect ....................................................... 3 Barthes, romantic love, affect .............................................................................................................. 3 Methodology ....................................................................................................................................... 9 Organization of the thesis .................................................................................................................. 12 Chapter One: Love as absence .............................................................................................................. 16 The Discourse of the Absent: Barthes’ Analysis of Absence, Discourse and Love .......................... 17 Truth and Absence ............................................................................................................................. 19 The Knight of Resignation: Romantic Love as Self-Containment .................................................... 21 An Encounter between Me and the Other: Kierkegaard and Levinas ............................................... 23 Splendid Isolation and Absence ....................................................................................................... -
French Theory
FLUSSER STUDIES 31 Martha Schwendener Flusser and French Theory “Saussure did not impress me.”1 So wrote Flusser in the 1969 essay “In Search of Meaning (Philosoph- ical Self-portrait),” before he returned to Europe and settled for the last decades of his life in France. Rather than Francophone writers – and particularly Saussure, the linguist and figurehead of a strain of language philosophy that would guide French thought in the twentieth century – Flusser acknowledged a host of other thinkers: Kant, Camus, José Ortega y Gasset, Nietzsche, Cassirer, Cohen, Hartmann, the entire Marburg School, the Viennese School, Bertrand Russell, Wittgenstein, and Heidegger, Joyce, Pound, Eliot, Goethe, Thomas Mann, and particularly Kafka and Rilke. In other words, practically anything but French writers. However, the last two decades of Flusser’s life brought him in close con- tact with French thinkers, from Abraham Moles to Jean Baudrillard. Moreover, his increasing contact with German media theory and the U.S. art world, which was besotted with French “theory” (a desig- nation I will explain in a moment) were crucial to his legacy. Paradoxically, even though Flusser’s reception lagged in France, I would argue that his importance is in large part due to the avenues opened up by French theory and the “model” – one of Flusser’s favorite terms – for his own visionary thinking. First, French “theory.” Anaël Lejeune, Olivier Mignon, and Raphaël Pirenne write that French theory refers “roughly to the structuralist and post-structuralist thought that developed in France from the 1960s to the 1980s” and which should be differentiated from “French thought.”1 French theory, as opposed to French thought, offered a degree of heterogeneity and intellectual freedom – which is why it was largely adopted by radical thinkers, in the vein of Flusser. -
By ROLAND BARTHES
ROLAND BARTHES by ROLAND BARTHES , \) Translate^Jyy Richard Howard >!)• IP /i I UNIVERSITY OF CALIFORNIA PRESS Berkeley • Los Angeles University of California Press Berkeley and Los Angeles, California Translation © 1977 by Farrar, Straus and Giroux, Inc. \ Originally Published in French as Roland Barthes par Roland Barthes \ * © 1975 Éditions du Seuil \ All rights reserved Published by arrangement with Hill and Wing, a division of Farrar, Straus &_ Giroux, Inc. Printed in the United States of America First California printing, 1994 Library of Congress Cataloging-in-Publication Data Barthes, Roland. [Roland Barthes. English] Roland Barthes /by Roland Barthes ; translated by Richard Howard, p. cm. ISBN 978-0-S20-08783-S I. Barthes, Roland. 2. Semiotics. 1. Title. P8S.B33A3 1994 MO'.92—dc20 [B] 94-7S4S CIP 08 07 10 9 8 The paper used in this publication is both acid-free and totally chlorine-free (TCF). It meets the minimum requirements of ANSI/ NISO Z39.48-1992 (R 1997) (Permanence of Paper). © My thanks to the friends who have kindly helped me in the preparation of this book: Jean-Louis Bouttes, Roland Havas, François Wahl, for the text; Jacques Azanza, Yousseff Baccouche, Isabelle Bardet, Alain Benchaya, Myriam de Ravignan, Denis Roche, for the pictures. ft must all be considered as if spoken by a character in a novel. j / To begin with, some images: they are the author's treat to himself, for finishing his book. His pleasure is a matter of fascination (and thereby quite selfish). I have kept only the images which enthrall me, without my knowing why (such ignorance is the very nature of fascination, and what I shall say about each image will never be anything but . -
Assembling the Assemblage: Developing Schizocartography in Support of an Urban Semiology
humanities Article Assembling the Assemblage: Developing Schizocartography in Support of an Urban Semiology Tina Richardson School of Design, University of Leeds, Leeds LS2 9JT, UK; [email protected] Received: 7 June 2017; Accepted: 6 July 2017; Published: 10 July 2017 Abstract: This article looks at the formulation of a methodology that incorporates a walking-based practice and borrows from a variety of theories in order to create a flexible tool that is able to critique and express the multiplicities of experiences produced by moving about the built environment. Inherent in postmodernism is the availability of a multitude of objects (or texts) available for reuse, reinterpretation, and appropriation under the umbrella of bricolage. The author discusses her development of schizocartography (the conflation of a phrase belonging to Félix Guattari) and how she has incorporated elements from Situationist psychogeography, Marxist geography, and poststructural theory and placed them alongside theories that examine subjectivity. This toolbox enables multiple possibilities for interpretation which reflect the actual heterogeneity of place and also mirror the complexities that are integral in challenging the totalizing perspective of space that capitalism encourages. Keywords: psychogeography; schizocartography; semiology; Situationist International; place-making; postmodern geography; subjectivity; aesthetics; desire 1. Introduction The ways that we develop methods to help us understand, critique, and express our responses to urban space are as dynamic and ever-changing as the geographical space is that we are presented with as our object of study. The built environment can often operate on our psyches in a subliminal fashion, such that its changes—even when this involves substantial developments—become incorporated into our spatial awareness quickly and subtly. -
(Partial) Michael Sprinker Bibliography
A (Partial) Michael Sprinker Bibliography Books: 1. "Counterpoint of Dissonance": The Aesthetics and Poetry of Gerard Manley Hopkins. Baltimore: The Johns Hopkins University Press, 1980. 2. Imaginary Relations: Aesthetics and Ideology in the Theory of Historical Materialism. London: Verso/NLB, 1987. 3. History and Ideology in Proust: ''A la recherche du temps perdu" and the Third French Republic. Cambridge: Cambridge University Press, 1994 Edited Collections: 1. (with Mike Davis) Reshaping the U.S. Left. London: Verso/NLB, 1988. 2. (with Mike Davis, et al.) The Fire in the Hearth. London: Verso/NLB, 1990. 3. (with E. Ann Kaplan) Crosscurrents: Recent Trends in Humanities Research. London: Verso/NLB, 1990. 4. Edward Said: A Critical Reader. Oxford: Blackwell Publishers, 1993. 5. (with E. Ann KapIan) The Althusserian Legacy. London: Verso/NLB, 1993. 6. (with E. Ann Kaplan and Román de la Campa) Late Imperial Culture. London: Verso/NLB, 1995. 7. Ghostly Demarcations: A Symposium on Jacques Derrida's "Specters of Marx." London: Verso/NLB, 1999. Articles and Essays: 1. "'The hoax that joke bilked': Comedy in The Ordeal of Richard Feverel." Mosaic 10 (1976): 133-45. 2. "'The Intricate Evasions of As': Meredith's Theory of Figure." Victorian Newsletter 53 (Spring 1978): 9-12. 3. "Ruskin on the Imagination." Studies in Romanticism 18 (Spring 1979): 115-39. 4. "Gerard Manley Hopkins on the Origin of Language." Journal of the History of Ideas 41 (January-March 1980): 113-28. 5. "Fictions of the Self: The End of Autobiography," in Autobiography: Essays Theoretical and Critical, ed. James Olney. Princeton: Princeton University Press, 1980. 6. -
Postmodern Temptations
Book Reviews Postmodern Temptations Fredric Jameson, Postmodernism,or, The CulturalLogic of Late Capital- ism. Durham: Duke University Press, 1991. Pp. xxii, 438. $34.95 (cloth), $19.95 (paper). Robert Post Pereat mundus, fiat philosophia,fiat philosophus, fiam! Fredric Jameson has long been among our most sophisticated and influential cultural critics. Combining Marxism2 and structuralism, 3 Jameson's persistent effort has been to locate and fix the social dimen- sions of structural cultural patterns. In his most recent book, Postmodernism, or, The Cultural Logic of Late Capitalism, Jameson applies this perspective to the important phenomenon of postmodern- 1. FRIEDRICH NIETZSCHE, ON THE GENEALOGY OF MORALS (Francis Golflng trans., 1956) 243. 2. FREDRIC JAMESON, MARXISM AND FORM: TWENTIETH-CENTURY DIALECTICAL THEORIES OF LITERATURE (1971); FREDRIC JAMESON, LATE MARXISM: ADORNO, OR, THE PERSISTENCE OF THE DIALECTIC (1990). 3. FREDRIC JAMESON, THE PRISON-HOUSE OF LANGUAGE: A CRITICAL ACCOUNT OF STRUCTURALISM AND RUSSIAN FORMALISM (1972). 4. FREDRIC JAMESON, THE POLITICAL UNCONSCIOUS: NARRATIVE AS A SOCIALLY SYMBOLIC ACT (1981). Yale Journal of Law & the Humanities, Vol. 4, Iss. 2 [1992], Art. 9 Yale Journal of Law & the Humanities [Vol. 4: 391 ism.5 The book ought to be required reading for the many legal academ- ics who have greeted the advent of postmodernism with unrestrained enthusiasm. Jameson, through close attention to the actual cultural manifestations of postmodernism, tells a far darker tale. Postmodernism, Jameson tells us, expresses "an inverted millenarian- ism in which premonitions of the future, catastrophic or redemptive, have been replaced by senses of the end of this or that."6 The postmodern condition defines itself through its interrogation of the great movements of the past, especially of modernism. -
Review Article Reading (Deconstructing) J. Hillis Miller: Humanist and Pluralist Daniel R
Review Article Reading (Deconstructing) J. Hillis Miller: Humanist and Pluralist Daniel R. Schwarz Cornell University Miller, J. Hillis. Communities in Fiction. New York: Fordham UP, 2015. 303 Pp. xvi+313. In his day, J. Hillis Miller, now in his eighty-eighth year, was one of the most influen- tial of literary scholars, among the leaders in introducing phenomenology and, later, deconstruction to an Anglo-American audience. His early books The Disappearance of God (1963), Poets of Reality (1965), and The Form of Victorian Fiction (1968) were greatly influenced by Georges Poulet and the Geneva school. Fiction and Repetition (1982) was written under the umbrella of Derridean Deconstruction. All four were required reading for a generation of graduate students. I wrote a full chapter on what we might now call Miller’s early work and what was certainly his most influential period in my The Humanistic Heritage: Theories of the English Novel from James to Hillis Miller; here I discussed his relationship to the Anglo-American tradition. I cannot say that I have kept up with all of his more than thirty books. In 2005, Stanford University Press thought he had enough of a following to publish The J. Hillis Miller Reader, bringing together examples of his work with commentary by others on his work. With some regret, I wonder if a major press would do such a volume in 2015 or whether his place in the firmament has somewhat faded. I saw Miller on occasion when I still went to MLA and at times when he still lived on the East Coast, and found him a generous colleague, which meant a great deal to me as young aspiring scholar working my way through the ranks. -
Literary Theory, Literature by Women, Medieval, Modern British, Nineteenth- Century British, Renaissance, and Restoration/Eighteenth Century
University of Saskatchewan Department of English Ph.D. Field Examination Ph.D. candidates take this examination to establish that they have sufficient understanding to do advanced research and teaching in a specific field. Field examinations are conducted twice yearly: in October and May. At least four months before examination, students must inform the Graduate Chair in writing of their intention to sit the examination. Ph.D. students are to take this examination in May of the second year of the program or October of the third. The examination will be set and marked by three faculty specialists in the area that has been chosen by the candidate. The following lists comprise the areas in which the Department of English has set readings for Ph.D. candidates: American, Commonwealth/Postcolonial, English- Canadian, Literary Theory, Literature by Women, Medieval, Modern British, Nineteenth- Century British, Renaissance, and Restoration/Eighteenth Century. Each candidate is either to select one of the areas listed here or to propose an examination in an area for which a list is not already set. The set lists themselves are not exhaustive; each is to be taken as two-thirds of the reading to be undertaken for the examination, the final third to be drafted by the candidate in consultation with the supervisor. At least three months before examination, this list will be submitted to the candidate’s Examining Committee for approval. A candidate may choose to be examined in an area for which there is no list. Should this option be chosen, the candidate (in consultation with the supervisor) will propose an area to the Graduate Committee at least six months before the examination is to be taken. -
Hegel Contra Schlegel; Kierkegaard Contra De Man Ayon Roy
124.1 ] Hegel contra Schlegel; Kierkegaard contra de Man ayon roy Irony as the negative is the way; it is not the truth but the way. —Søren Kierkegaard, The Concept of Irony1 RONY IS A peRMANENT PARABASIS.” ThiS CRYptic decLARAtiON “ was made in 1797 by Friedrich Schlegel, the German Romantic Iwriter who inaugurated modern discourse on irony.2 In an- cient Greek drama, parabasis is the moment when the continuity of the dramatic narrative is disrupted by the sudden intrusion of the playwright. By bringing the dramatic device of parabasis into vio- lent confrontation with the rhetorical trope of irony, Schlegel forces both concepts to exceed their respective parameters. In Schlegel’s hands, irony explodes its rhetorical confines, widening into a philo- sophical and existential category.3 Irony as a permanent parabasis, then, seems to be nothing less than the abyssal operation by which any claim to stability or continuity—be it artistic, philosophical, or existential—is incessantly undermined. Indeed, as Schlegel empha- sized in “On Incomprehensibility,” his 1800 metaessay on irony, one of irony’s basic features is its permanently disruptive force: its refusal to be neatly defined or circumscribed, its uncanny tendency to pro- AYON ROY is a PhD candidate in English at liferate endlessly into further ironies. At the essay’s climax, he gave the University of California, Berkeley. This voice to a question that has lost none of its urgency more than two essay derives from his dissertation, “The centuries after it was first posed: “What gods will be able to rescue After of Art: Kant, Hegel, and the Dialec- us from all these ironies?”4 tics of Aesthetic Irony.” His articles on po- Recent critics have devoted inordinate attention to Schlegel’s etry and philosophy have appeared or are forthcoming in the Journal of the History of theory of irony not least because of its startling resonances with some Ideas, the Wallace Stevens Journal, Arizona of the central concerns of postmodernity. -
Gadamerian Hermeneutics and Irony: Between Strauss and Derrida Robert J
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Philosophy Faculty Research and Scholarship Philosophy 2008 Gadamerian Hermeneutics and Irony: Between Strauss and Derrida Robert J. Dostal Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/philosophy_pubs Part of the Philosophy Commons Custom Citation Dostal, Robert J., "Gadamerian Hermeneutics and Irony: Between Strauss and Derrida," Research in Phenomenology 38:2, (2008): 247-269. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/philosophy_pubs/6 For more information, please contact [email protected]. Robert J. Dostal Bryn Mawr College GADAMERIAN HERMENEUTICS AND IRONY: BETWEEN STRAUSS AND DERRIDA 1. Introduction There is a well-known and well-founded, if somewhat oversimple, distinction between the hermeneutics of trust (or good will) and the hermeneutics of suspicion. Commentators on Gadamer, I among them, have counted Gadamer’s hermeneutics as a “hermeneutics of trust” and contrasted it with the hermeneutics of suscipion. 1 As is well-known, this latter phrase, “hermeneutics of suspicion,” was coined by Paul Ricoeur in his book on Freud. 2 The 19 th century masters of such a hermeneutics are Freud and Marx. It goes without saying that they have had much influence on contemporary hermeneutics. Gadamer himself devoted an essay to the hermeneutics of suspicion, which, for whatever reason, Gadamer did not publish in German. 3 In this essay Gadamer names Nietzsche as the “inaugurator” of radical suspicion, whose “most striking instances” are to be found in the critique of ideology and psychoanalysis. -
The Ethics of Criticism: J. Hillis Miller and the Metaphysics of Reading Russell Dubeau Lynde Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ethics of criticism: J. Hillis Miller and the metaphysics of reading Russell DuBeau Lynde Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Lynde, Russell DuBeau, "The thice s of criticism: J. Hillis Miller and the metaphysics of reading" (1995). Retrospective Theses and Dissertations. 16256. https://lib.dr.iastate.edu/rtd/16256 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The ethics of criticism: J. Hillis Miller and the metaphysics of reading by Russell DuBeau Lynde A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Literature) Approved: In Charge of Major Work For the Major Department For the Graduate College Iowa State University Ames/Iowa 1995 ii TABLE OF CONTENTS INTRODUCTION TO MILLER'S CAREER 1 THEORETICAL DEVELOPMENT 14 THE "ETHICS PROJECT" 32 THE READING OF CRITICISM 53 CONCLUSION 72 BIBLIOGRAPHY 74 1 INTRODUCTION TO MILLER'S CAREER J. Hillis Miller's contribution to the field of literary studies is considerable. He received his undergraduate degree from Oberlin College, earned. his Ph.D. from Harvard, served as English Department chair at Yale and Johns Hopkins Universities, acted as president of the Modem Language Association, and is currently the Distinguished Critic of Comparative Literature at University of California at Berkeley.