DOCSLIB.ORG

Read Ebook {PDF EPUB} Lyudi by Mikhail Zoshchenko Jul 22, 2010 · Lyudi Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} Lyudi by Mikhail Zoshchenko Jul 22, 2010 · Lyudi Book Read Ebook {PDF EPUB} Lyudi by Mikhail Zoshchenko Jul 22, 2010 · Lyudi book. Read reviews from world’s largest community for readers. Mikhail Zoshchenko, 1895-1958, was a great Soviet humorist. His works give a unique ... Jan 26, 2012 · Lyudi [Zoshchenko, Mikhail] on Amazon.com. *FREE* shipping on qualifying offers. Lyudi Mikhail Zoshchenko, 1895–1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924... Mikhail Zoshchenko, 1895-1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924.Author: Mikhail ZoshchenkoLyudi (1967 edition) | Open Libraryhttps://openlibrary.org/books/OL5533581M/LyudiLyudi by Mikhail Zoshchenko, 1967, Cambridge U.P. edition, in Russian / Русский язык Lyudi by Mikhail Zoshchenko, Hector Blair, Militsa Greene, 2012, Cambridge University Press edition, in English Lyudi by Mikhail Zoshchenko. New; Condition New ISBN 10 0521158516 ISBN 13 9780521158510 Seller. Books Express. Seller rating: This seller has earned a 2 of 5 Stars rating from Biblio customers. Kittery, Maine. 30 Day Return Guarantee; Item Price: More Shipping Options. Add to cart Buy Now Find many great new & used options and get the best deals for Lyudi by Mikhail Zoshchenko (2012, Trade Paperback) at the best online prices at eBay! Free shipping for many products! Lyudi first appeared in 1924. It is a long short story about the loss of gross illusions, about despair and decay, the struggle for existence, the animal in man. The language is a splendid mixture of colloquial speech, official jargon, and inflated style. ... See more Lyudi by Mikhail Zoshchenko (Paperback, 2012) The The Short Stories of Mikhail Zoshchenko Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and quizzes written by community members like you. Mikhail Mikhailovich Zoshchenko ( Russian: Михаи́ л Миха́йлович Зо́щенко; August 9 [ O.S. July 28] 1894 – July 22, 1958) was a Soviet author and satirist.Born: August 9 [O.S. July 28] 1894, St.Petersburg, …Occupation: AuthorDied: July 22, 1958 (aged 63), Leningrad, USSRNervnye lyudi by Mikhail Zoshchenko | eBayhttps://www.ebay.com/itm/Nervnye-lyudi-by-Mikhail...Nervnye lyudi by Mikhail Zoshchenko Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less Lyudi by Mikhail Zoshchenko, Hector Blair (Editor), Militsa Greene (Editor). Cambridge University Press, 2012-01-26. 1. Paperback. Used:Good.... Lyudi by Zoshchenko, Mikhail available in Trade Paperback on Powells.com, also read synopsis and reviews. Lyudi is a Russian text that explores the gross illusions, despair and decay, struggle for... Jan 26, 2012 · Mikhail Zoshchenko, 1895-1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924.Pages: 76Format: PaperbackLyudi: Amazon.co.uk: Zoshchenko, Mikhail: 9780521158510: Bookshttps://www.amazon.co.uk/Lyudi-Mikhail-Zoshchenko/dp/0521158516Jan 26, 2012 · Mikhail Zoshchenko, 1895–1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924.4/5(1)Format: PaperbackAuthor: Mikhail ZoshchenkoMikhail Zoshchenko: The satirist who fell foul of Soviet ...https://www.rbth.com/arts/332697-mikhail-zoshchenko-satiristMikhail Zoshchenko, 1923. Boris Ignatovich/Sputnik. After the war, in 1946, the party tightened censorship and closed down a number of journals. Zoshchenko was accused of behaving inappropriately ... Find many great new & used options and get the best deals for Lyudi by Mikhail Zoshchenko (Paperback, 2010) at the best online prices at eBay! Lyudi [by] Mikhail Zoshchenko, with an introduction by Hector Blair and notes by Hector Blair and Militsa Greene. imprint London Cambridge University Press 1967 Jan 26, 2012 · Lyudi by Mikhail Zoshchenko, 9780521158510, available at Book Depository with free delivery worldwide. Free 2-day shipping on qualified orders over $35. Buy Lyudi (Paperback) at Walmart.comMissing: Mikhail ZoshchenkoMust include: Mikhail ZoshchenkoLyudi: Zoshchenko, Mikhail, Blair, Hector, Greene, Militsa ...https://www.amazon.sg/Lyudi-Mikhail- Zoshchenko/dp/0521068959Hello, Sign in. Account & Lists Account Returns & Orders. CartAuthor: Mikhail ZoshchenkoThe Short Stories of Mikhail Zoshchenko Study Guide ...https://www.gradesaver.com/the-short-stories-of...Written by Timothy Sexton. Like Australia’s Henry Lawson, Mikhail Zoshchenko is a master of a particular type of short story: the short short story or, as it is sometimes called, the vignette. (Or, less commonly, the anecdote.) This is style of writing that strips … (Zoshchenko M native people Zoshchenko M RODNYE LYuDI [M. ...) Zoshchenko: Stories of the 1920s (Russian Texts) (Mikhail Zoshchenko (1895-1958) was born in St. Petersburg...) Twelve Stories (Selected and Annotated for English Speaking Students) (Book by Lesli Slava Larocco, M. Zoschenko, Slava Paperno,...) Youth Restored (Book by Zoshchenko, Mikhail) 1933 Mikhail Zoshchenko, 1895–1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924. Mikhail Zoshchenko, 1895 1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924.Location: GoodreadsLyudi by Mikhail Zoshchenko (9780521158510) | Boomerang Bookshttps://www.boomerangbooks.com.au/lyudi/mikhail...Buy Lyudi by Mikhail Zoshchenko (9780521158510) from Boomerang Books, Australia's Online Independent Bookstore Zoshchenko, Mikhail is the author of 'Lyudi', published 2010 under ISBN 9780521158510 and ISBN 0521158516. Jan 26, 2012 · Hello Select your address Best Sellers Today's Deals New Releases Gift Ideas Books Electronics Customer Service Home Computers Gift Cards SellReviews: 1Format: PaperbackAuthor: Mikhail Zoshchenkozoshchenko | eBayhttps://www.ebay.ca/sch/i.html? _nkw=zoshchenkoFind great deals on eBay for zoshchenko. Shop with confidence. Jul 31, 2018 · Discover Book Depository's huge selection of Mikhail Zoshchenko books online. Free delivery worldwide on over 20 million titles. We use cookies to give you the best possible experience. ... Lyudi. Mikhail Zoshchenko. 26 Jan 2012. Paperback. US$21.66 US$24.99. Save US$3.33. Add to basket. Sentimental Tales. Mikhail Zoshchenko. 31 Jul 2018. Hardback. Feb 24, 1995 · Lyudi Mikhail Zoshchenko, 1895–1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. ...Pages: 208Format: PaperbackLyudi, Book by Mikhail Zoshchenko (Paperback) | www ...https://www.chapters.indigo.ca/en- ca/books/lyudi/9780521158510-item.htmlMikhail Zoshchenko, 1895-1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924. It is a long short story about the loss of gross illusions, about despair and decay, the struggle for ... Hardcover, Ardis, 1984. Zoshchenko: Stories of the 1920s (Russian Texts) by Mikhail Zoshchenko. ISBN 9781853996559 (978-1-85399- 655-9) Softcover, Bristol Classical Press, 2002. Find This Book › Find signed collectible books: 'Zoshchenko: Stories of the 1920s (Russian Texts)'. Zoshchenko M. "native people" / Zoshchenko M. RODNYE LYuDI Leather Bound Great travelers and other stories / Velikie puteshestvenniki i dr. rasskazy ... by Mikhail Zoshchenko Paperback. Currently unavailable. Parusinovyi portfel 01-Jan-1994. by Mikhail Zoshchenko Hardcover. Currently unavailable. ... Amazon.in - Buy Lyudi book online at best prices in India on Amazon.in. Read Lyudi book reviews & author details and more at Amazon.in. Free delivery on qualified orders.Reviews: 1Format: HardcoverAuthor: Mikhail ZoshchenkoMikhail Zoshchenko – Russiapedia Literature Prominent Russianshttps://russiapedia.rt.com/prominent-russians/literature/mikhail-zoshchenkoMikhail Zoshchenko was born in Poltava, in present-day Ukraine. His father was an artist specializing in historical pieces, whose paintings are still on display in Russia’s Tretyakov Gallery and the Suvorov Museum. The family was of Ukrainian origin, descended from the hereditary nobility. Zoshchenko’s mother was Russian, and worked as an ... Jan 26, 2012 · Mikhail Zoshchenko, 1895–1958, was a great Soviet humorist. His works give a unique picture of Russian
Load more

Recommended publications
  • THE RUSSIAN CIVIL WAR Also by A
    THE RUSSIAN CIVIL WAR Also by A. B. Murphy ASPECTIVAL USAGE IN RUSSIAN INlRODUCTION AND COMMENTARY TO SHOLOKHOV'S TlKHlY DON MIKHAIL ZOSHCHENKO: A Literary Project Also by G. R. Swain EASTERN EUROPE SINCE 1945 (co-author) THE ORIGINS OF THE RUSSIAN CIVIL WAR RUSSIAN SOCIAL DEMOCRACY AND THE LEGAL LABOUR MOVEMENT,1906-14 The Russian Civil War Documents from the Soviet Archives Edited by v. P. Butt Senior Scientific Collaborator Institute of Russian History Russian Academy of Sciences A. B. Murphy Professor Emeritus of Russian University of Ulster N. A. Myshov Senior Scientific Collaborator and ChiefArchivist Russian State Military Archive and G. R. Swain Professor ofHistory University of the West of England First published in Great Britain 1996 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-59319-6 ISBN 978-1-349-25026-4 (eBook) DOI 10.1007/978-1-349-25026-4 First published in the United States of America 1996 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-16337-2 Library of Congress Cataloging-in-Publication Data The Russian civil war: documents from the Soviet archives / edited by V. P. Butt ... ret al.l p. cm. Includes bibliographical references and index. ISBN 978-0-312-16337-2 (cloth) I. Soviet Union-History-Revolution, 1917-1921-Sources. I. Butt, V. P. DK265.A5372 1996 947.084'I-dc20 96-19904 CIP Selection, editorial matter and translation © V.
    [Show full text]
  • A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich
    A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich Submitted by Anna Megan Davis to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Theology in December 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 2 3 Abstract Theological reflection on music commonly adopts a metaphysical approach, according to which the proportions of musical harmony are interpreted as ontologies of divine order, mirrored in the created world. Attempts to engage theologically with music’s expressivity have been largely rejected on the grounds of a distrust of sensuality, accusations that they endorse a ‘religion of aestheticism’ and concern that they prioritise human emotion at the expense of the divine. This thesis, however, argues that understanding music as expressive is both essential to a proper appreciation of the art form and of value to the theological task, and aims to defend and substantiate this claim in relation to the music of twentieth-century Russian composer Dmitri Shostakovich. Analysing a selection of his works with reference to culture, iconography, interiority and comedy, it seeks both to address the theological criticisms of musical expressivism and to carve out a positive theological engagement with the subject, arguing that the distinctive contribution of Shostakovich’s music to theological endeavour lies in relation to a theology of hope, articulated through the possibilities of the creative act.
    [Show full text]
  • Intellectual Culture: the End of Russian Intelligentsia
    Russian Culture Center for Democratic Culture 2012 Intellectual Culture: The End of Russian Intelligentsia Dmitri N. Shalin University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/russian_culture Part of the Asian History Commons, Cultural History Commons, European History Commons, Intellectual History Commons, Other Languages, Societies, and Cultures Commons, Political History Commons, Slavic Languages and Societies Commons, and the Social History Commons Repository Citation Shalin, D. N. (2012). Intellectual Culture: The End of Russian Intelligentsia. In Dmitri N. Shalin, 1-68. Available at: https://digitalscholarship.unlv.edu/russian_culture/6 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Russian Culture by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Intellectual Culture: The End of Russian Intelligentsia Dmitri Shalin No group cheered louder for Soviet reform, had a bigger stake in perestroika, and suffered more in its aftermath than did the Russian intelligentsia. Today, nearly a decade after Mikhail Gorbachev unveiled his plan to reform Soviet society, the mood among Russian intellectuals is decidedly gloomy.
    [Show full text]
  • Nature and Nihilism in Soviet Environmental Literature and Law Douglas Lind
    Notre Dame Journal of Law, Ethics & Public Policy Volume 23 Article 2 Issue 2 Symposium on the Environment 1-1-2012 The rC ane, the Swamp, and the Melancholy: Nature and Nihilism in Soviet Environmental Literature and Law Douglas Lind Follow this and additional works at: http://scholarship.law.nd.edu/ndjlepp Recommended Citation Douglas Lind, The Crane, the Swamp, and the Melancholy: Nature and Nihilism in Soviet Environmental Literature and Law, 23 Notre Dame J.L. Ethics & Pub. Pol'y 381 (2009). Available at: http://scholarship.law.nd.edu/ndjlepp/vol23/iss2/2 This Speech is brought to you for free and open access by the Notre Dame Journal of Law, Ethics & Public Policy at NDLScholarship. It has been accepted for inclusion in Notre Dame Journal of Law, Ethics & Public Policy by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. PANEL THE CRANE, THE SWAMP, AND THE MELANCHOLY: NATURE AND NIHILISM IN SOVIET ENVIRONMENTAL LITERATURE AND LAWt DOUGLAS LIND I. INTRODUCTION Here in the West, the entire seventy-year history of the Soviet Union carries an assortment of negative images. As to the environment, the Soviet image is one of ecological degradation-of large-scale natural resource depletion and rampant environmental despoliation. Justifica- tion for this view abounds, for the environmental record of the U.S.S.R. is indeed a sorry one.1 t On March 25, 2009, the Notre Dame Journal of Law, Ethics & Public Policy hosted a panel discussion entitled "God and Godlessness in the Environment." A version of this paper was presented at that event.
    [Show full text]
  • A Cultural Analysis of the Russo-Soviet Anekdot
    A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT by Seth Benedict Graham BA, University of Texas, 1990 MA, University of Texas, 1994 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2003 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Seth Benedict Graham It was defended on September 8, 2003 and approved by Helena Goscilo Mark Lipovetsky Colin MacCabe Vladimir Padunov Nancy Condee Dissertation Director ii Copyright by Seth Graham 2003 iii A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT Seth Benedict Graham, PhD University of Pittsburgh, 2003 This is a study of the cultural significance and generic specificity of the Russo-Soviet joke (in Russian, anekdot [pl. anekdoty]). My work departs from previous analyses by locating the genre’s quintessence not in its formal properties, thematic taxonomy, or structural evolution, but in the essential links and productive contradictions between the anekdot and other texts and genres of Russo-Soviet culture. The anekdot’s defining intertextuality is prominent across a broad range of cycles, including those based on popular film and television narratives, political anekdoty, and other cycles that draw on more abstract discursive material. Central to my analysis is the genre’s capacity for reflexivity in various senses, including generic self-reference (anekdoty about anekdoty), ethnic self-reference (anekdoty about Russians and Russian-ness), and critical reference to the nature and practice of verbal signification in more or less implicit ways. The analytical and theoretical emphasis of the dissertation is on the years 1961—86, incorporating the Stagnation period plus additional years that are significant in the genre’s history.
    [Show full text]
  • Download Table of Contents
    Table of ConTenTs Acknowledgments 12 Editor’s Preface 13 Section One Russian Culture before the October Revolution Introduction 16 Historical-Cultural Contexts Walter Sablinsky, 26 “Father Gapon and the St. Petersburg Massacre of 1905,” from The Road to Bloody Sunday Boris Savinkov, 31 "The Assassination of Grand Duke Sergei," from Memoirs of a Terrorist Modernist Views on Art in Essays and Manifestos, Criticism Valerii Briusov, 40 “Keys to the Mysteries” from The Russian Symbolists Viktor Zhirmunskii, 56 “Two Tendencies of Contemporary Lyric Poetry,” from The Silver Age of Russian Culture Viktor Shklovskii, 64 “Art as Technique” from Russian Formalist Criticism: Four Essays David Burliuk, Aleksandr Kruchenykh, Vladimir Maiakovskii, Viktor Khlebnikov, 82 “Slap in the Face of Public Taste,” from Words in Revolution: Russian Futurist Manifestoes 1912-1928 Aleksandr Kruchenykh, 85 “Declaration of Transrational Language,” from Words in Revolution, Russian Futurist Manifestoes 1912-1928 Richard Peace, 88 “The Cherry Orchard,” from Chekhov: A Study of the Four Major Plays Joan Delaney Grossman, 121 “’The Marble Bust’ and Briusov’s Vision of Art,” from Depictions: Slavic Studies in the Narrative and Visual Arts Vignettes Valerii Briusov, 132 “The Marble Bust: A Tramp’s Story,” from The Republic of the Southern Cross and other Stories Aleksandr Blok, 137 “The Stranger,” from Modern Russian Poetry Anna Akhmatova, 139 “When in a Suicidal Anguish,” from Modern Russian Poetry Nikolai Gumilev, 140 “The Lost Streetcar,” from Modern Russian Poetry Section Two From Civil War to Stalinism via NEP Introduction 143 Everyday Life: Reality and Dreams Marina Tsvetaeva, 155 “Attic Life,” from Earthly Signs: Moscow Diaries, 1917-1922 Aleksandra Kollontai, 160 “Make Way for Winged Eros: A Letter to Working Youth.
    [Show full text]
  • The Dog-Fabulist: Glimpses of the Posthuman in a Dog's Heart (1925
    Author: Gussago, Luigi Title: The Dog-Fabulist: Glimpses of the Posthuman in A Dog’s Heart (1925) by Mikhail Bulgakov The Dog-Fabulist: Glimpses of the Posthuman in A Dog’s Heart (1925) by Mikhail Bulgakov Luigi Gussago La Trobe University, Melbourne, Australia [email protected] Abstract Mikhail Bulgakov’s science-fiction novella A Dog’s Heart (Собачье сердце, 1925) is a brilliantly wry account of an experiment to graft human organs onto the body of a stray mutt, with unexpected consequences. The dog turns into a despicable, unruly hominid that wreaks havoc in Professor Preobrazhensky’s already endangered bourgeois existence. Critics have seen the story mostly as a prophecy predicting the downfall of the homo sovieticus: the uncontaminated, witty voice of the dog-narrator does not spare either the aristocratic opportunists of the new regime, or the violent, unruly proletarians. However, from an animal studies perspective, Bulgakov’s story, along with examples from Mikhail Zoschchenko’s and William Golding’s anti-utopian fiction, may also be investigated as an exhortation to discover new narratives of “intra-action” (Barad) among all sorts of living agencies, and as an enactment of what Joseph Meeker calls the “play ethic,” where more-than-human and human beings participate on equal terms in the game of survival and co-evolution. Through a comparative analysis of the three main characters, Sharik, Sharikov and Preobrazhensky, this article shows how Bulgakov’s story is not only a fable about human fallibility and political conflicts, but also opens a window onto a posthuman alternative. Keywords: Russian, literature, animal studies, Bulgakov, posthuman.
    [Show full text]
  • Proquest Dissertations
    M u Ottawa L'Unh-wsiie eanadienne Canada's university FACULTE DES ETUDES SUPERIEURES IfisSJ FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universite canadienne Canada's university Jada Watson AUTEUR DE LA THESE /AUTHOR OF THESIS M.A. (Musicology) GRADE/DEGREE Department of Music lATJULfEJ^LTbliP^ Aspects of the "Jewish" Folk Idiom in Dmitri Shostakovich's String Quartet No. 4, OP.83 (1949) TITREDE LA THESE/TITLE OF THESIS Phillip Murray Dineen _________________^ Douglas Clayton _______________ __^ EXAMINATEURS (EXAMINATRICES) DE LA THESE / THESIS EXAMINERS Lori Burns Roxane Prevost Gary W, Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies ASPECTS OF THE "JEWISH" FOLK IDIOM IN DMITRI SHOSTAKOVICH'S STRING QUARTET NO. 4, OP. 83 (1949) BY JADA WATSON Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Master's of Arts degree in Musicology Department of Music Faculty of Arts University of Ottawa © Jada Watson, Ottawa, Canada, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-48520-0 Our file Notre reference ISBN: 978-0-494-48520-0 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant
    [Show full text]
  • Nonconformist Soviet Classics in Post-Soviet Perspective
    Russian Culture Center for Democratic Culture 2012 Rethinking the Canon: Nonconformist Soviet Classics in Post- Soviet Perspective Alexander Zholkovsky Follow this and additional works at: https://digitalscholarship.unlv.edu/russian_culture Part of the Other Languages, Societies, and Cultures Commons, and the Slavic Languages and Societies Commons Repository Citation Zholkovsky, A. (2012). Rethinking the Canon: Nonconformist Soviet Classics in Post-Soviet Perspective. In Dmitri N. Shalin, 1-28. Available at: https://digitalscholarship.unlv.edu/russian_culture/18 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Russian Culture by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Rethinking the Canon: Nonconformist Soviet Classics in Post-Soviet Perspective Alexander Zholkovsky I. The Problem of Reinterpretation In the four-plus decades since Stalin's death, the Soviet literary canon has undergone a series of changes. Thus, Fedor Dostoyevsky, Konstantin Leontiev, and Apollon Grigoriev, seen in all their complexity, gradually resumed their pride of place in nineteenth-century literary history, while Gogol was allowed to be more of a conservative thinker and modernist stylist than during the period of High Stalinism.
    [Show full text]
  • PTD Template
    INHERITED DISCOURSE: STALINIST TROPES IN THAW CULTURE by Alexander Prokhorov BA, Moscow State University, 1987 MA, University of Pittsburgh , 1994 Submitted to the Graduate Faculty of The Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2002 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Alexander Prokhorov It was defended on April 26, 2002 and approved by Lucy Fischer Mark Altshuller Nancy Condee Vladimir Padunov Helena Goscilo Dissertation Director © Copyright by Alexander Prokhorov 2002 All Rights Reserved iii INHERITED DISCOURSE: STALINIST TROPES IN THAW CULTURE Alexander Prokhorov, PhD University of Pittsburgh, 2002 My dissertation argues that while Thaw cultural producers believed that they had abandoned Stalinist cultural practices, their works continued to generate, in revised form, the major tropes of Stalinist culture: the positive hero, and family and war tropes. Although the cultural Thaw of the 1950s and 60s embraced new values, it merely reworked Stalinist artistic practices. On the basis of literary and cinematic texts, I examine how these two media reinstantiated the fundamental tropes of Russo-Soviet culture. In the first two chapters, I discuss approaches to Thaw literature and film in Western and Soviet scholarship, and my methodology, which is best defined as cultural semiotics. Chapter Three discusses the instantiations of the positive hero in Thaw literature and film. As case studies I adduce Boris Pasternak's Doctor Zhivago (1957) and Grigorii Kozintsev's film adaptation of Hamlet (1964). Though both texts are considered “beyond” classical socialist realist aesthetics, I contend that they feed on major Stalinist tropes and dialogize and elaborate the Stalinist canon.
    [Show full text]
  • The Myth of Stalingrad in Soviet Literature, 1942-1963
    The Myth of Stalingrad in Soviet Literature, 1942-1963 by Ian Roland Garner A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Slavic Languages and Literatures University of Toronto © Copyright by Ian Roland Garner 2018 The Myth of Stalingrad in Soviet Literature, 1942-1963 Ian Roland Garner Doctor of Philosophy Department of Slavic Languages & Literatures University of Toronto 2018 Abstract This study explores representations of the Battle of Stalingrad in Soviet literature between 1942 and 1963, asking how Stalingrad became central to Russian identity in this period. The work reads Stalingrad’s cultural significance within a body of scholarship on Soviet subjectivity and memory of the Second World War. My analysis begins with a survey of frontline newspaper stories, including material by Konstantin Simonov and previously unstudied stories by Vasily Grossman, which characterized the battle in eschatological terms. I then explore efforts to encode Stalingrad in epic form immediately following the battle and further chart how the story became a vehicle for Stalin’s deification in the late 1940s by comparing Il’ia Ehrenburg’s novel The Storm and minor works. I then show how Grossman’s For a Just Cause links wartime and Stalinist motifs. Finally, I uncover how Simonov and Grossman rewrote Stalingrad during the Khrushchev period. Simonov’s Not Born Soldiers suggested Stalingrad was a resurrection that could be repeated in the present; Grossman’s Life and Fate disrupted the epic wholeness of the Stalingrad myth with polyphony. Drawing on Frank Kermode’s work on myth, I read representations of Stalingrad as being imbued with kairotic significance for a Russian nation attached to an historicist view of the world.
    [Show full text]
  • Understanding Revolutionary Russia and the Soviet Union Through History and Literature, 50 Lesson Plans
    DOCUMENT RESUME ED 406 275 SO 027 047 AUTHOR Schwartz, Donald, Ed.; And Others TITLE Understanding Revolutionary Russia and the Soviet Union through History and Literature, 50 Lesson Plans. INSTITUTION California State Univ., Long Beach. SPONS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 89 NOTE 144p.; This publication resulted from a 1989 summer institute at California State University, Long Beach. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS *Communism; Foreign Countries; Literary History; *Marxism; *Russian Literature; Secondary Education; *Socialism; Social Studies; Teaching Guides; *World History IDENTIFIERS Russia; USSR ABSTRACT This resource book provides 50 learning activities with background materials for teaching about tsarist Russia and the emergence of the Soviet Union. Use of literature, history, geography, primary sources, various learning strategies are all included. The lessons provide study of 19th and 20th century events to Mikhail Gorbachev and perestroika. Many lesson plans reflect special requirements of the California History/Social Science Framework, which recommends the integration of literature, primary sources, and cooperative learning strategies. (EH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** 50 Lesson Plans on UNDERSTANDING REVOLUTIONARY RUSSIA AND THE SOVIET UNION THROUGH. HISTORY AND LITERATURE PERMISSION TO REPRODUCE AND DISSEMINATE THIS MATERIAL HAS BEEN GRANTED BY taLLEN_Q5--_ TO THE EDUCATIONALRESOURCES INFORMATION CENTER (ERIC) U S DEPARTMENT OF EDUCATION Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) c73 Xrhisdocument has been reproduced as received from the person or organization originating it. 1:1 Minor changes have been made to 0 improve reproduction quality.
    [Show full text]