IV`1H:JJ10V` 1 71G`:`7 QCC71QQRVCQR`:I:1GC1Q$`:].7 (compiled December 2009)

The following books are located in the Bender Library stacks. For current circulation status, check the library’s online catalog at http://catalog.wrlc.org.  A Family Affair: Cinema Calls Home. London: Wallflower, 2008. PN1995.9.F35 F36 2008.

Allen, Michael. Family Secrets: The Feature Films of D.W. Griffith. London: BFI Pub, 1999. PN1998.3.G76 .A55 1999.

American Film Institute. Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute. 1st ed. New York: Knopf, 2006. PN1998.2 .A45 2006.

Bacher, Lutz. Max Ophuls in the Hollywood Studios. New Brunswick, N.J: Rutgers University Press, 1996. PN1998.3.O64 B3 1996.

Barry, Iris. D.W. Griffith, American Film Master. New York: Garland, 1985. PN1998.A3 G72.

Baxter, John. King Vidor. New York: Monarch Press, 1976. PN1998.A3 V4823.

Bernardoni, James. George Cukor: A Critical Study and Filmography. Jefferson, N.C: McFarland, 1985. PN1998.A3 C798.

Black American Cinema. AFI film readers. New York: Routledge, 1993. PN1995.9.N4 B45.

Boys Don't Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S. New York: Columbia University Press, 2002. PS173.M36 B69 2002.

British Film Institute. Home Is Where the Heart Is: Studies in Melodrama and the Woman's Film. London: British Film Institute, 1987. PN1995.9.M4.

———. Mediating Two Worlds: Cinematic Encounters in the Americas. London: BFI, 1993. PN1993.5.L3 M42 1993.

British Universities Film Council. Melodrama: Stage, Picture, Screen. London: British Film Institute, 1994. PN1912.

Byars, Jackie. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. Gender & American culture. Chapel Hill: University of North Carolina Press, 1991. PN1995.9.S47 B9 1991.

Carey, Gary. Cukor & Co.; the Films of George Cukor and His Collaborators. New York: Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn, 1971. PN1998.A3 C797.

Cavell, Stanley. Contesting Tears: The Hollywood Melodrama of the Unknown Woman. Chicago: University of Chicago Press, 1996. PN1995.9.W6 C38 1996.

Child, Abigail. This Is Called Moving: A Critical Poetics of Film. Modern and contemporary poetics. Tuscaloosa: University of Alabama Press, 2005. PN1995.9.E96 C42 2005.

Classical Hollywood Narrative: The Paradigm Wars. Durham: Duke University Press, 1992. PN1995 .C537 1992.

Cook, Pam. Screening the Past: Memory and Nostalgia in Cinema. London: Routledge, 2005. PN1995.9.N67 C66 2005.

Denton, Clive. King Vidor. London: Tantivy Press, 1976. PN1998.A2.

Desilet, Gregory E. Our Faith in Evil: Melodrama and the Effects of Entertainment Violence. Jefferson, N.C: McFarland & Company, 2006. PN1995.9.V5 D47 2006.

Doane, Mary Ann. The Desire to Desire: The Woman's Film of the 1940s. Bloomington: Indiana University Press, 1987. PN1995.9.W6 D6.

 . Frank Borzage: The Life and Films of a Hollywood Romantic. Jefferson, N.C: McFarland, 2006. PN1998.3.B68 D8613 2006.

Durgnat, Raymond. King Vidor, American. Berkeley: University of California Press, 1988. PN1998.A3 V4826.

Endless Night: Cinema and Psychoanalysis, Parallel Histories. Berkeley: University of California Press, 1999. PN1995.9.P783 E53 1999.

Film Genre Reader II. 1st ed. Austin: University of Texas Press, 1995. PN1995 .F45792 1995.

Fischer, Lucy. Designing Women: Cinema, Art Deco, and the Female Form. Film and culture. New York: Columbia University Press, 2003. PN1995.25 .F57 2003.

Garrett, Roberta. Postmodern Chick Flicks: The Return of the Woman's Film. 1st ed. Basingstoke, [England]: Palgrave Macmillan, 2007. PN1995.9.W6 G37 2007.

George Cukor: Interviews. Conversations with filmmakers series. Jackson, MS: University Press of Mississippi, 2001. PN1998.3.C8 A5 2001.

Gorton, Kristyn. Theorising Desire: From Freud to Feminism to Film. Basingstoke [England]: Palgrave Macmillan, 2008. PN1995.9.D39 G67 2008.

Grodal, Torben Kragh. Embodied Visions: Evolution, Emotion, Culture, and Film. Oxford: Oxford University Press, 2009. PN1995 .G6886 2009.

Gunning, Tom. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana: University of Illinois Press, 1991. PN1998.3.G76 G8 1991.

Imitation of Life. New Brunswick: Rutgers University Press, 1991. PN1997.I4553 I45 1991.

Imitations of Life: A Reader on Film & Television Melodrama. Contemporary film and television series. Detroit: Wayne State University Press, 1991. PN1995.9.M45 I45.

Jacobs, Lea. The Decline of Sentiment: American Film in the 1920s. Berkeley: University of California Press, 2008. PN1993.5.U6 J198 2008.

Jayamanne, Laleen. Toward Cinema and Its Double: Cross-Cultural Mimesis. Arts and politics of the everyday. Bloomington, IN: Indiana University Press, 2001. PN1993.5.A1 J37 2001.

Jesionowski, Joyce E. Thinking in Pictures: Dramatic Structure in D.W. Griffith's Biograph Films. Berkeley: University of California Press, 1987. PN1998.3.G76 J4.

Kaplan, E. Ann. Motherhood and Representation: The Mother in Popular Culture and Melodrama. New York: Routledge, 1992. PS228.M66 K36 1992.

Klinger, Barbara. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington: Indiana University Press, 1994. PN1998.3.S57 K55.

Kozloff, Sarah. Overhearing Film Dialogue. Berkeley, Calif: University of California Press, 2000. PN1995.9.D49 K69 2000.

Kreidl, John. Nicholas Ray. Boston: Twayne, 1977. PN1998.A3 R347.

Kuhn, Annette. Women's Pictures: Feminism and Cinema. London: Routledge & K. Paul, 1982. PN1995.9.W6 K8 1982.

Lamster, Frederick. Souls Made Great Through Love and Adversity: The Film Work of Frank Borzage. Metuchen, N.J: Scarecrow Press, 1981. PN1998.A3 B6135.

Lang, Robert. American Film Melodrama: Griffith, Vidor, Minnelli. Princeton, N.J: Princeton University Press, 1989. PN1995.9.M45 L36 1989.

Leibman, Nina C. Living Room Lectures: The Fifties Family in Film and Television. 1st ed. Texas film studies series. Austin: University of Texas Press, 1995. PN1992.8.F33 L45 1995.

Letter from an Unknown Woman. New Brunswick, N.J: Rutgers University Press, 1986. PN1997.L4563 L49 1986.

Levy, Emanuel. George Cukor: Master of Elegance: Hollywood's Legendary Director and His Stars. 1st ed. New York: Morrow, 1994. PN1998.3.C8 L48 1994.

Lyden, John. Film as Religion: Myths, Morals, Rituals. New York: New York University Press, 2003. PN1995.5 .L89 2003.

MacKinnon, Kenneth. Love, Tears and the Male Spectator. Madison [N.J.]: Fairleigh Dickinson University Press, 2002. PN1995.9.M46 M23 2002.

McHugh, Kathleen Anne. American Domesticity: From How-to Manual to Hollywood Melodrama. New York: Oxford University Press, 1999. PN1995.9.W6 M38 1999.

Me Jane: Masculinity, Movies and Women. 1st ed. New York: St. Martin's Press, 1995. PN1995.9.M46 M35 1995.

Mercer, John. Melodrama: Genre, Style, Sensibility. London: Wallflower, 2004. PN1995.9.M45 M47 2004.

Mulvey, Laura. Douglas Sirk. Edinburgh]: Edinburgh Film Festival '72 in association with The National Film Theatre and John Player and Sons, 1972. PN1998.A3.

Naremore, James. The Films of Vincente Minnelli. Cambridge film classics. Cambridge: Cambridge University Press, 1993. PN1998.3.M56 N37 1993.

National Society of Film Critics. The B List: The National Society of Film Critics on the Low- Budget Beauties, Genre-Bending Mavericks, and Cult Classics We Love. Cambridge, MA: Da Capo Press, 2008. PN1995 .N354 2008.

Palmer, R. Barton. Hollywood's Tennessee: The Williams Films and Postwar America. 1st ed. Austin: University of Texas Press, 2009. PS3545.I5365 Z7995 2009.

Pearson, Roberta E. Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films. Berkeley: University of California Press, 1992. PN1995.75 .P43 1992.

Peucker, Brigitte. The Material Image: Art and the Real in Film. Cultural memory in the present. Stanford, Calif: Stanford University Press, 2007. PN1995.25 .P46 2007.

Post-Theory: Reconstructing Film Studies. Wisconsin studies in film. Madison: University of Wisconsin Press, 1996. PN1994 .P6565 1996.

Ray, Nicholas. I Was Interrupted: Nicholas Ray on Making Movies. Berkeley: University of California Press, 1993. PN1995.9.P7 R37 1993.

Schatz, Thomas. Hollywood Genres: Formulas, Film Making, and the Studio System. New York, N.Y: Random House, 1981. PN1993.5.U6 S32.

Screening Genders. Rutgers depth of field series. New Brunswick, N.J: Rutgers University Press, 2008. PN1995.9.S47 S37 2008.

Screening the Past: Film and the Representation of History. Westport, Conn: Praeger, 1998. PN1995.2 .S38 1998.

Singer, Ben. Melodrama and Modernity: Early Sensational Cinema and Its Contexts. Film and culture. New York: Columbia University Press, 2001. PN1995.9.M45 S56 2001.

Sirk, Douglas. Sirk on Sirk; Interviews with Jon Halliday. New York: Viking Press, 1972. PN1998.A3 S545.

Stern, Michael. Douglas Sirk. Boston: Twayne Publishers, 1979. PN1998.A3 S54536.

Tasker, Yvonne. Working Girls: Gender and Sexuality in Popular Cinema. London: Routledge, 2005. PN1995.9.W6 T36 1998.

The Literature/Film Reader: Issues of Adaptation. Lanham, Md: Scarecrow Press, 2007. PN1997.85 .L516 2007.

Thomas Dixon, Jr. and the Birth of Modern America. Making the modern South. Baton Rouge: Louisiana State University Press, 2006. PS3507.I93.

Umland, Rebecca A. The Use of Arthurian Legend in Hollywood Film: From Connecticut Yankees to Fisher Kings. Contributions to the study of popular culture no. 57. Westport, Conn: Greenwood Press, 1996. PN1995.9.A75 U44 1996.

Vidor, King. King Vidor on Film Making. New York: McKay, 1972. PN1998.A3 V48.

Wagenknecht, Edward. The Films of D. W. Griffith. New York: Crown Publishers, 1975. PN1998.A3 G785.

Walsh, Andrea S. Women's Film and Female Experience, 1940-1950. New York: Praeger, 1984. PN1995.9.W6 W3.

White, Patricia. UnInvited: Classical Hollywood Cinema and Lesbian Representability. Theories of representation and difference. Bloomington: Indiana University Press, 1999. PN1995.9.L48 W54 1999.

White, Susan M. The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman. New York: Columbia University Press, 1995. PN1998.3.O64 W5 1995.

You Tarzan: Masculinity, Movies, and Men. New York: St. Martin's Press, 1993. PN1995.9.M46 Y68.