Ee . Lord Chamberlain's Plays, 1852
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The Re- June, 1929
by Iilnrgnret .Alice Gustnfson. AeB. University of Kansas. 19270 of Homunce T,nngunges and the l1'ncul"cy of the Graduate School of the Unive1,sity of Kansas in partial fulfillment of the re- quirements for the degree of f:iASTHH OF AHTS. Approved by: EG~ Hcnd of Depo.1,tnent June, 1929. ADflIE'NHE J~EGOUV HEUit IN DHfi.1.IJ\. ADHinnm r.;r::coUVRI:UH IN DHJ'if,TA INDEX page Lifo of t~dr')icnno Lecouvreu~."••o••·--··•·····•oo•• l Drnmnti~ntions of Her Lifeo o ... o ..... .,, ••••• ~ ... o • ..,. •. 21 0 n iHlrienne Lecouv1~cur by Be1.,aud o.nd Valo:r~y ••• D •• 26 "Adrionne T..1eoouvPetrrn 1Jy Scribe nncl Legouvefo•oeo 36 n Adrienne Locouv1.,eurn by Snrnh Be1'"7!luu~t •• •..... 56 conclusion• • • 9 0 0 0 0 0 9 0 0 0 0 -> e 0 II lit I> 0 0 0 0 • • 1lr llt o· 0 ., • G •• 0, • .. 78 Notes•••••••••••••••••••••~O•••••••••••••••••••• 93 Bibliogrnph:g'oo•••••••o••••••••••eo•••o•••••••••• 104 T,IFB OF ADRim:nm LEGOU\THEUH INTRODUCTION In this discussion of Adrienne Lecouvreur on the stnge the follm~.ring plays wil 1 be studied.~ "Ad-rienne T,ecouvreur" , lf130, by M. r.i. J\ ntony-Be'reucl and Va.lo ry,, "Adrienne Leoouvreur" , l849, · by M.u. Seribe nnd IJe- gouve, nn d "AdI'ienne Lecouvreurn, 1907, Mme Snra.h Bernhardt. Tho purpose of this study is not to con•· sider them from fl litHra:ry strmdpoint but to compnre the portrnynl of' Adrienne T,ecouvreur in ea.ch of the respoct:tve plays with the histo1~1cnl facts of he~ life. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/7681/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] THE INTERACTION OF FINANCIAL PRACTICES, CRITICAL JUDGEMENT AND PROFESSIONAL ETHICS IN LONDON WEST END THEATRE MANAGEMENT 1843 - 1899. John Morley Pick, M. A. Thesis submitted for the Degree of Doctor of Philosophy in the City University, London. Research undertaken in the Centre for Arts and Related Studies (Arts Administration Studies). October 1980, 1 TABLE OF CONTENTS Acknowledgements 4 Abstract 5 One. Introduction: the Nature of Theatre Management 1843-1899 6 1: a The characteristics of managers 9 1: b Professional Ethics 11 1: c Managerial Objectives 15 1: d Sources and methodology 17 Two. -
Classical Mythology in the Victorian Popular Theatre Edith Hall
Pre-print of Hall, E. in International Journal of the Classical Tradition, (1998). Classical Mythology in the Victorian Popular Theatre Edith Hall Introduction: Classics and Class Several important books published over the last few decades have illuminated the diversity of ways in which educated nineteenth-century Britons used ancient Greece and Rome in their art, architecture, philosophy, political theory, poetry, and fiction. The picture has been augmented by Christopher Stray’s study of the history of classical education in Britain, in which he systematically demonstrates that however diverse the elite’s responses to the Greeks and Romans during this period, knowledge of the classical languages served to create and maintain class divisions and effectively to exclude women and working-class men from access to the professions and the upper levels of the civil service. This opens up the question of the extent to which people with little or no education in the classical languages knew about the cultures of ancient Greece and Rome. One of the most important aspects of the burlesques of Greek drama to which the argument turned towards the end of the previous chapter is their evidential value in terms of the access to classical culture available in the mid-nineteenth century to working- and lower- middle-class people, of both sexes, who had little or no formal training in Latin or Greek. For the burlesque theatre offered an exciting medium through which Londoners—and the large proportion of the audiences at London theatres who travelled in from the provinces—could appreciate classical material. Burlesque was a distinctive theatrical genre which provided entertaining semi-musical travesties of well-known texts and stories, from Greek tragedy and Ovid to Shakespeare and the Arabian Nights, between approximately the 1830s and the 1870s. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Repertory and rivalry : opera and the Second Covent Garden Theatre, 1830-56. Dideriksen, Gabriella The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Repertory and Rivalry: Opera at the Second Covent Garden Theatre, 1830 to 1856 Gabriella Dlderlksen PhD, Historical Musicology King's College London, University of London June 1997 Abstract Victorian London has hitherto frequently been regarded as an operatic backwater without original musical or theatrical talent, and has accordingly been considered only marginally important to the history of 19th-century opera in general. -
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Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrescapes Global Media and Translocal Publics (1850-1950) Editors Christopher Balme and Nic Leonhardt Volume 1, Number 2, 2016 Editorial Office Gwendolin Lehnerer Gero Toegl Editorial Board Helen Gilbert (Royal Holloway London) Gordon Winder (Munich), Derek Miller (Harvard), Kati Röttger (Amsterdam), Stanca Scholz-Cionca (Trier/Munich), Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 2, 2016 Table of Contents Nic Leonhardt Editorial .............................................................................................................................................III Monize Oliveira Moura Sarah Bernhardt in Brazil (1886 and 1893) ................................................................................................................................................1 Catherine Vance Yeh Experimenting with Dance Drama: Peking Opera Modernity, Kabuki Theater Reform and the Denishawn’s Tour of the Far East .............................................................................................................................................28 Johanna Dupré "Die erste Jockey-Reiterin der Welt, aus Süd-Amerika": Rosita de la Plata, Global Imaginaries and the Media .............................................................................................................................................38 -
NOT SHAKESPEARE Bardolatry and Burlesque in the Nineteenth Century
NOT SHAKESPEARE Bardolatry and Burlesque in the Nineteenth Century RICHARD W. SCHOCH School of English and Drama Queen Mary, University of London PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CBRU,UK West th Street, New York, NY -,USA Williamstown Road, Port Melbourne, VIC , Australia Ruiz de Alarco´n , Madrid, Spain Dock House, The Waterfront, Cape Town , South Africa http://www.cambridge.org C Richard W. Schoch This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeface Baskerville no. /. pt. System LATEX ε [TB] A catalogue record for this book is available from the British Library. Library of Congress Cataloguing in Publication data Schoch, Richard W. Not Shakespeare: bardolatry and burlesque in the nineteenth century / Richard W. Schoch. p. cm. Includes bibliographical references and index. ISBN . Shakespeare, William, – – Parodies, imitations, etc. – History and criticism . Shakespeare, William, – – Adaptations – History and criticism . Shakespeare, William, – – Appreciation – Great Britain. Popular culture – Great Britain – History – th century. English drama – th century – History and criticism. Theatre – Great Britain – History – th century. English drama (Comedy) – History and criticism. Burlesques. I. Title. PR.A S 0. –dc ISBN hardback Contents List of illustrations page viii Acknowledgments x Note on texts xiii Introduction ‘New Readings for Unconventional Tragedians’ ‘Vile beyond endurance’: the language of burlesque Shakespeare’s surrogates Shakespeare in Bohemia Politics ‘burlesquified’ Bibliography Index vii List of illustrations Thomas Blanchard as Guildenstern in a provincial production of Hamlet, c. -
Theatrical Promotion Collection
http://oac.cdlib.org/findaid/ark:/13030/c8wm1jzb No online items Guide to the Theatrical Promotion Collection Special Collections & Archives University Library California State University, Northridge 18111 Nordhoff Street Northridge, CA 91330-8326 URL: https://library.csun.edu/SCA Contact: https://library.csun.edu/SCA/Contact © Copyright 2020 Special Collections & Archives. All rights reserved. Guide to the Theatrical Promotion SC.TPC 1 Collection Contributing Institution: Special Collections & Archives Title: Theatrical Promotion Collection Identifier/Call Number: SC.TPC Extent: 4.42 linear feet Date (inclusive): 1801-1936 Date (bulk): 1820-1836 Abstract: The Theatrical Promotion Collection primarily consists of broadsides advertising theatrical events at major and minor English theaters, but also includes a small number of American, Scottish, and French broadsides, theater programs, directories, newspapers, and other literature relevant to the theater industry. Language of Material: English,French Scope and Contents The Theatrical Promotion Collection primarily consists of broadsides advertising theatrical events at major and minor English theaters, but also includes a small number of American, Scottish, and French broadsides, theater programs, directories, newspapers, and other literature relevant to the theater industry. The bulk of the material, produced between 1820 and 1836, represents the last years of the patent theater period (1660-1843), during which particular London theaters held a monopoly on "legitimate" dramatic productions. With the growing popularity of theatrical entertainment among the working classes in the early to mid-nineteenth century, patent laws became infrequently enforced and the Theatre Regulation Act of 1843 finally abolished the exclusive rights of the patent theatres to present legitimate drama. In addition to dramatic plays, many theaters offered opera, ballet, musicals, burlesque, pantomime, and other public entertainments. -
Adriana Lecouvreur Francesco Cilea
ATIO N RÉ C MADE IN OPÉRA DE SAINT-ÉTIENNE ADRIANA LECOUVREUR FRANCESCO CILEA SAISON 2017-2018 PROCHAINEMENT À L'OPÉRA SEMIRAMIDE GIOACCHINO ROSSINI Mélodrame tragique en deux actes « Jour d'horreur et de bonheur ! Qu'il est doux pour le malheureux oppressé, de partager sa douleur, de pleurer avec quelqu'un, de trouver en un cœur sensible, la pitié. » Semiramide, Acte II Mythique et redoutable reine de Babylone, Semiramide a fait assassiner son mari, le roi, pour mieux régner seule. Mais alors qu'elle choisit Arsace pour nouvel époux, la reine ne se doute pas qu'elle s'apprête à épouser son fils disparu, scellant à jamais son destin maudit. Dix ans après la création de Tancrède, son premier opera seria et premier succès, Rossini renoue avec le genre noble en composant Semiramide, son dernier opera seria et dernier opus italien. Chacune inspirée de Voltaire et confiée au même librettiste, DATES Gaetano Rossi, les deux œuvres VEN 02 MARS 20H partagent de nombreuses similitudes. DIM 04 MARS 15H Plus encore, elles sont toutes deux MAR 06 MARS 20H créées au Théâtre de La Fenice LIEU de Venise, où Rossini reçoit pour la GRAND THÉÂTRE première fois – avec Tancrède – et la MASSENET dernière fois – avec Semiramide – les faveurs du public italien avant de DURÉE s'établir définitivement à Paris. 3H30 ENTRACTES Cette récente production réunira COMPRIS. EN ITALIEN, SURTITRÉ EN FRANÇAIS. deux grandes voix du répertoire rossinien déjà applaudies sur la scène SÉRIE / TARIF A du Grand Théâtre Massenet : Karine 1 / 56 € 2 / 43 € Deshayes et Aude Extrémo. -
Et Encore ! Garantir Une Offre Retrouvez-Nous 8
N°182 LE MENSUEL DE LA VILLE DE CHÂLONS-EN-CHAMPAGNE | MARS 2017 Scolarité De la qualité toujours et encore ! Garantir une offre Retrouvez-nous 8. sur internet ! Commerces de rue de soins complète, chalonsenchampagne.fr de proximité et de qualité ” citoyen.chalonsenchampagne.fr 13. 10. Dossier scolaire PaybyPhone e groupe Courlancy Santé, qui gère, à Châlons-en-Champagne, la cli- nique Priollet, est en pleine mutation. L’ouverture, l’an prochain, de sa polyclinique à Bezannes, l’amène à repenser ses implantations dans le département. Cela ne remet pas en question son implantation dans 4. RETOUR SUR Benoist APPARU Député de la Marne Lnotre ville mais il veut moderniser sa clinique. INFOS PRATIQUES 7. CENTRE-VILLE Maire de Châlons-en-Champagne - Des aides à l’habitat En parallèle, le centre hospitalier de Châlons-en-Champagne est confronté au Permanence - La belle santé du commerce de rue vieillissement de son patrimoine bâti et aux problématiques liées à la disper- Avec Benoist APPARU, - Nouveaux commerces sion de ses services dans différents bâtiments. Il réfléchit donc aux possibilités Député de la Marne, de reconstruction. Maire de Châlons-en-Champagne, 10. ÉCONOMIE le vendredi 24 mars à 11 h 30 à 12 h 30 - PaybyPhone : stationnez facile ! La concomitance de ces deux projets peut légitimement susciter des inquié- sur rendez-vous au 03 26 69 98 26. - Châlons, capitale de la luzerne tudes de la part des personnels de santé comme de la population. Mais c’est aussi une opportunité de créer une coopération entre les deux établissements Les adjoints sont à votre disposition 12. -
GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were. -
GILBERT and SULLIVAN PAMPHLETS† Number Two
1 GILBERT AND SULLIVAN PAMPHLETS † Number Two CURTAIN RAISERS A Compilation by Michael Walters and George Low First published October 1990 Slightly revised edition May 1996 Reprinted May 1998. Reformatted and repaginated, but not otherwise altered. INTRODUCTION Very little information is available on the non Gilbert and Sullivan curtain raisers and other companion pieces used at the Savoy and by the D’Oyly Carte Opera Company on tour in their early years. Rollins and Witts give a brief list at the back of their compilation, and there are passing references to some of the pieces by Adair-Fitz- gerald and others. This pamphlet is intended to give some more data which may be of use and interest to the G&S fraternity. It is not intended to be the last word on the subject, but rather the first, and it is hoped that it will provoke further investigation. Perhaps it may inspire others to make exhaustive searches in libraries for the missing scores and libretti. Sources: Cyril Rollins & R. John Witts: 1962. The D’Oyly Carte Opera Company in Gilbert and Sullivan Operas. Cyril Rollins & R. John Witts: 1971. The D’Oyly Carte Opera Company in Gilbert and Sullivan Operas. Second Supplement. Privately printed. p. 19. J.P. Wearing: 1976. The London Stage, 1890-1899. 2 vols. J.P. Wearing: 1981. The London Stage, 1900-1909. 2 vols. Allardyce Nicoll: A History of English Drama 1660-1900, vol. 5. (1959) Late Nineteenth Century Drama 1850-1900. Kurt Ganzl: 1986. The British Musical Theatre. 2 vols. S.J. Adair-Fitzgerald: 1924. -
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Simon Beattie Largely recent acquisitions To be exhibited at the Boston International Antiquarian Book Fair Hynes Convention Center 15–17 November 2019 Booth 425 APPARENTLY UNRECORDED 01. [AHRENS, Franz]. Unsere Reise nach, in und von Amerika. Ein Tagebuch in vier Abtheilungen. Erster [– Zweiter] Band … Berlin, Pfingsten 1914. 2 parts in one vol., 8vo (250 × 183 mm), pp. 114, plus final blank; 61, [1], plus final blank; black-and-white photographs and other illustrations in the text; original cloth, upper cover lettered gilt; with a long inscription by the author to his sister, Maria (dated 19 July 1919) to the front free endpaper. $1300 First (and only) edition, privately printed, presumably in very limited numbers. Franz Ahrens (1858–1937) was a Berlin architect, known in particular for various large-scale buildings (offices, department stores, notably the Friedrichstraßenpassage, transportation depots, etc.) in the city. Here we find him travelling with his wife, in late 1913, all round America. In a trip which lasted almost three months, they took in New York, Albany, Buffalo, Niagara Falls, Chicago, Denver, Colorado Springs, Salt Lake City, San Francisco, Los Angeles, Pasadena, the Grand Canyon, San Antonio, New Orleans, then through Alabama and the Carolinas to Washington, DC, before finally returning to New York. Offered with a second copy, bound in calf (now rubbed), inscribed by Ahrens to his children (or perhaps a child and their spouse), extra- illustrated with 170 original photographs, with printed captions, 25 colour postcards, and other cuttings. Not found in Library Hub, KVK, or WorldCat. 02–07: ANGLOMANIE The vogue for England in 18th-century French Fiction The fashion in France in the decades before the Revolution for all things English—a ‘maladie épidémique’ as one contemporary termed it— whether in dress, demeanour, or design (one thinks of the jardin à l’anglaise), also found its way into French fiction.