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African Presses, Christian Rhetoric, and White Minority Rule in South Africa, 1899-1924
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 For the Good That We Can Do: African Presses, Christian Rhetoric, and White Minority Rule in South Africa, 1899-1924 Ian Marsh University of Central Florida Part of the African History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Marsh, Ian, "For the Good That We Can Do: African Presses, Christian Rhetoric, and White Minority Rule in South Africa, 1899-1924" (2017). Electronic Theses and Dissertations, 2004-2019. 5539. https://stars.library.ucf.edu/etd/5539 FOR THE GOOD THAT WE CAN DO: AFRICAN PRESSES, CHRISTIAN RHETORIC, AND WHITE MINORITY RULE IN SOUTH AFRICA, 1899-1924 by IAN MARSH B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 Major Professor: Ezekiel Walker © 2017 Ian Marsh ii ABSTRACT This research examines Christian rhetoric as a source of resistance to white minority rule in South Africa within African newspapers in the first two decades of the twentieth-century. Many of the African editors and writers for these papers were educated by evangelical protestant missionaries that arrived in South Africa during the nineteenth century. -
Explore the Eastern Cape Province
Cultural Guiding - Explore The Eastern Cape Province Former President Nelson Mandela, who was born and raised in the Transkei, once said: "After having travelled to many distant places, I still find the Eastern Cape to be a region full of rich, unused potential." 2 – WildlifeCampus Cultural Guiding Course – Eastern Cape Module # 1 - Province Overview Component # 1 - Eastern Cape Province Overview Module # 2 - Cultural Overview Component # 1 - Eastern Cape Cultural Overview Module # 3 - Historical Overview Component # 1 - Eastern Cape Historical Overview Module # 4 - Wildlife and Nature Conservation Overview Component # 1 - Eastern Cape Wildlife and Nature Conservation Overview Module # 5 - Nelson Mandela Bay Metropole Component # 1 - Explore the Nelson Mandela Bay Metropole Module # 6 - Sarah Baartman District Municipality Component # 1 - Explore the Sarah Baartman District (Part 1) Component # 2 - Explore the Sarah Baartman District (Part 2) Component # 3 - Explore the Sarah Baartman District (Part 3) Component # 4 - Explore the Sarah Baartman District (Part 4) Module # 7 - Chris Hani District Municipality Component # 1 - Explore the Chris Hani District Module # 8 - Joe Gqabi District Municipality Component # 1 - Explore the Joe Gqabi District Module # 9 - Alfred Nzo District Municipality Component # 1 - Explore the Alfred Nzo District Module # 10 - OR Tambo District Municipality Component # 1 - Explore the OR Tambo District Eastern Cape Province Overview This course material is the copyrighted intellectual property of WildlifeCampus. -
M K Gandhi and the Founders of the African National Congress Anil Nauriya
M K Gandhi and the Founders of the African National Congress Anil Nauriya A critic had once remarked of an artist that a painting is not Indian or European simply on count of whether it is painted in India or in Europe. Similarly, one may say that scholarship is not scholarly simply because it is done by academics. Although academic writing ought to advance our knowledge rather than limit our understanding, some academic writing in the last few years appears clearly to be marked by a pursuit of sectarian politics by other means. A recent trend in writing on M K Gandhi (1869-1948) and his struggles is a case in point as reading some of these works on Gandhi in South Africa or even on Indian nationalism in India one would hardly imagine that the Indian leader could have had any empathetic interaction with Africans in South Africa or that he might have undergone any intellectual evolution while in that country, let alone later played a momentous political role in the conceptualizing and emergence of a socially composite Indian nationhood. It is instructive in this context to explore Gandhi‟s intellectual and political interface with the African leadership of his time in South Africa, a theme to which the present article is confined. The year 2012 marked the centenary of the African National Congress which was founded in Bloemfontein, South Africa on 8 January 1912. Gandhi was still in South Africa then. Gandhi‟s paper, Indian Opinion, welcomed the establishment of the African National Congress (then named the South African Native National Congress) as an “awakening”. -
1946 Victoria J. Collis Submitted In
Anxious Records: Race, Imperial Belonging, and the Black Literary Imagination, 1900 – 1946 Victoria J. Collis Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Victoria J. Collis All rights reserved ABSTRACT Anxious Records: Race, Imperial Belonging, and the Black Literary Imagination, 1900 – 1946 Victoria J. Collis This dissertation excavates the print and archive culture of diasporic and continental Africans who forged a community in Cape Town between 1900 and 1946. Although the writers I consider write after the Victorian era, I use the term “black Victorian” to preserve their own political investments in a late nineteenth-century understanding of liberal empire. With the abolition of slavery in 1834 across the British Empire and the Cape Colony’s qualified nonracial franchise of 1853, Cape Town, and District Six in particular, took on new significance in black radicalism. By writing periodicals, pamphlets and autobiographies, black Victorians hoped to write themselves into the culture of empire. These recovered texts read uncannily, unsettling the construction of official archives as well as contemporary canons of South African, African and diasporic African literatures. By turning to the traffic of ideas between Africa and its diaspora in Cape Town, this dissertation recovers a vision of (black) modernity that had not yet succumbed to the formulations of anti-imperial nationalisms. Table of Contents Prologue. Black Modernity and Empire 1 P A R T 1, “Loss” Chapter 1. Cape Town and African Diasporic Dreams of Utopia 37 Chapter 2. ‘Extend Hands across the Sea’: The Race Paper and the (Im)Possibility of Building the Race in South Africa 90 P A R T 2, “Despair” Chapter 3. -
Royal Tourists, Colonial Subjects and the Making of a British World, 1860–1911
THE MAKING OF A STUDIES IN IMPERIALISM TOU ROYAL GENERAL EDITOR: Andrew S. Thompson FOUNDING EDITOR: John M. MacKenzie ROYAL TOURISTS, COLONIAL ROYAL TOURISTS, SUBJECTS AND THE MAKING OF A BRITISH WORLD, 1860–1911 COLONIAL SUBJECTS This book examines the ritual space of nineteenth-century royal tours of empire and the diverse array of historical actors who R AND THE MAKING participated in them. It is a tale of royals who were ambivalent and ISTS, COLONIAL SUBJECTS AND ISTS, COLONIAL bored partners in the project of empire; colonial administrators who used royal ceremonies to pursue a multiplicity of projects and interests or to imagine themselves as African chiefs or heirs to the Mughal OF A BRITISH WORLD, BR emperors; local princes and chiefs who were bullied and bruised by the politics of the royal tour, even as some of them used the tour to ITISH WO symbolically appropriate or resist British cultural power; and settlers 1860–1911 of European descent and people of colour in the empire who made claims on the rights and responsibilities of imperial citizenship and as co-owners of Britain’s global empire. Royal tourists, colonial subjects and the making of a British world suggests that the diverse responses to the royal tours of the nineteenth century demonstrate how a multi- centred British imperial culture was forged in the empire and was R LD, 1860–1911 constantly made and remade, appropriated and contested. In this context, subjects of empire provincialised the British Isles, centring the colonies in their political and cultural constructions of empire, Britishness, citizenship, and loyalty. -
The Rise of Black Nationalism
The rise of Black nationalism We emphasise that although time and care hass been spent preparing this paper^ it has been compiled by a committee and is not a work of scholarship* CAPE WESTERN REGION A FRICAN protest has a long history in South lawyer from Natal, was treasurer; and vice-presi- Africa. Starting with the conflict between dents included the Rev. Walter Rubusana, MPC Black and White in the 19th century, Africans for Tembuland in the Cape Colony. were gradually forced to come to terms with Although initiated and led by a mission-edu White power and western technology. cated, westernised elite, the intention was to The first attempts at political organisation on incorporate the chiefs as representatives of their a national scale came in the first decade of the tribal communities in an organisation embracing 20th century. In the meantime, divergent policies Africans of alt stations. affecting Black/White relations had evolved in Organised largely as a reaction to the ex the Boer republics and the British colonies. clusion of Africans from the government of South At the turn of the century there were over Africa, the positive intention of the organisation 12 000 Africans on the common voters' roll in was to act as a pressure group, defending African the Cape Colony. African voters exerted consider interests. Racial discrimination should be removed able influence in five Eastern Cape constituencies. and it was hoped that through improved educa Political leaders were drawn from the growing tion, economic progress and evolutionary partici pation in the country's political institutions, com class of westernised Africans —• the so-called mon citizenship would result. -
The African Patriots, the Story of the African National Congress of South Africa
The African patriots, the story of the African National Congress of South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.crp3b10002 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The African patriots, the story of the African National Congress of South Africa Author/Creator Benson, Mary Publisher Faber and Faber (London) Date 1963 Resource type Books Language English Subject Coverage (spatial) South Africa Source Northwestern University Libraries, Melville J. Herskovits Library of African Studies, 968 B474a Description This book is a history of the African National Congress and many of the battles it experienced. -
The New African Movement: the Early Years
The New African Movement: The Early Years. by Ntongela Masilela The New African Movement was constituted by the historical intervention of New African intelligentsia through political, cultural and intellectual praxis in the construction of African modernity in South Africa. Utilizing the historical constructs of civilization, education and Christianity the New African intellectuals strove to bring about the entrance of the New African masses into modern age of the twentieth century. Practically all the New African intellectuals had been educated in the European missionary system. The establishment missionary education in South Africa, as well as in the rest of Africa, was an expression of the triumph of European colonialism and imperialism over the African peoples and their histories. Although profoundly appreciative of the education imparted by the missionaries, the New African intellectuals who had been educated under its auspices, came to resent and eventually resisted their process of acculturization into Europeanism and Eurocenticism. This resistance entailed a complex process of rejecting Europeanism, which was in effect white domination and hegemony, while embracing European modernity with the intent of transforming it into African modernity. This African modernity would transcendent African tradition while in a state of continual dialogue with it. The New African intellectuals came to be preoccupied with a profound historical conundrum whether it was possible to embrace European modernity while struggling against its hegemonic forms which expressed themselves through colonialism and imperialism. The actuality of the New African Movement was constituted or brought into being by New African intellectuals through the process of appropriating the historical lessons of African American modernity within United States with the intent of displacing and decentering the hegemony of European modernity in South Africa. -
THE VERNACULAR PRESS and AFRICAN LITERATURE by Ntongela Masilela to Consider the Importance of the Vernacular Press in the Makin
Untitled Document THE VERNACULAR PRESS AND AFRICAN LITERATURE by Ntongela Masilela To consider the importance of the vernacular press in the making of African literature is simultaneously to encounter the paradoxical role of Christian missionaries in both enabling and equally disabling the emergence of modern African literary sensibilities. It is vitally important at this post-colonial moment to formulate a proper and correct reconstruction of the African intellectual and cultural history in the making of modern Africa . The importance of intellectual integrity in reconstructing African cultural history cannot be possibly be over- emphasized in the context of the present profound crisis of Africa in relation to modernity. The role of missionaries with the support of European imperialism and colonialism in initiating Africa (from Mozambique to Senegal ) into modernity cannot be denied. In a recent remarkable book Toyin Falola has broached this issue with the required seriousness. It is too easy to criticize the imperial adventures and misadventures of missionaries in Africa than to specify their extraordinary contribution to the making of a ‘New' Africa . The excellent recent critical study of the complex metamorphoses of Ngugi wa Thiong'o's writing consciousness across four decades by Simon Gikandi is very salutary in this instance. As Frantz Fanon has amply taught us, African cultural history is too complicated and too painful for quick and unreflective Manichean separations and judgements. For example the missionary turned academic Clement Martyn Doke (1893-1980) is arguably the foremost South African intellectual in the twentieth-century partly because of his active participation in the construction of New African modernity (Jordan Kush Ngubane characterises it as a ‘New Africanism') through the New African Movement. -
I WILL GO SINGING Walter Sisulu Speaks of His Life and Struggle for Freedom by Walter Sisulu with George M. Houser and Herbert S
I WILL GO SINGING Walter Sisulu Speaks of His Life And Struggle For Freedom by Walter Sisulu with George M. Houser and Herbert Shore Dedication To the Sisulu family, by birth, adoption and marriage, all of whom have made themselves an integral part of the Movement for freedom and justice in South Africa, And To the "ordinary people" of South Africa who were truly extraordinary in the struggle to bring an end to the tyranny of apartheid and in giving birth to a new democracy in South Africa. 2 Preface "At 83," the letter said ,"I have been persuaded that I should not depart this life without recording for history and the archives my reminiscences and experiences, not only of my personal life, but also of those events in the long struggle for this 'New South Africa' that we are now beginning to build." Written on 17 August 1995 by Walter Sisulu, the letter invited us to assist him in putting his thoughts and memories on tape. "These past few years it has become apparent that more and more people worldwide have become interested in the politics and history of this country. I have finally been convinced that I should leave a record behind after I have gone. I am delighted you have agreed to help guide my thoughts onto tape for archival purposes. I assure you of my full cooperation." To speak of Walter Sisulu as one of the giants of South African history is not to indulge in a cliche, but is rather a simple and direct statement of fact. -
Empire Unbound - Imperial Citizenship, Race and Diaspora in the Making of South Africa
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Empire Unbound - Imperial Citizenship, Race and Diaspora in the Making of South Africa Khwezi Mkhize University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the African American Studies Commons, African Languages and Societies Commons, and the African Studies Commons Recommended Citation Mkhize, Khwezi, "Empire Unbound - Imperial Citizenship, Race and Diaspora in the Making of South Africa" (2015). Publicly Accessible Penn Dissertations. 1096. https://repository.upenn.edu/edissertations/1096 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1096 For more information, please contact [email protected]. Empire Unbound - Imperial Citizenship, Race and Diaspora in the Making of South Africa Abstract "Empire Unbound" is an exploration of the history and politics of empire and imperial citizenship that went into the making of South Africa before the Second World War. The making of racial difference in South Africa is often located in the temporal and political terrain that is Apartheid (1948-1994). In this dissertation I look to the history of South Africa in the long nineteenth century and recuperate the frameworks of empire and imperial citizenship in making sense of struggles for belonging. Empire, both as a form of government and imaginary, invokes a degree of scale that exceeds the nation-state. It also historically precedes the nation-state, which has come to exemplify the model form for organizing sovereign polities. In "Empire Unbound" I argue that as South Africa became a self governing territory in the early twentieth century it folded the remnants of empire into its instrumentalities of racial governance. -
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RETHINKING AFRICA SERIES Whose History Counts Decolonising African Pre-colonial Historiography Whose History Counts? Decolonising African Pre-colonial Historiography Published by AFRICAN SUN MeDIA under the Conference-RAP imprint All rights reserved Copyright © 2018 AFRICAN SUN MeDIA and the editors Conference papers published in this volume were approved by the editorial board of the conference and peer reviewed after the conference took place. Thereafter these proceedings were subjected to an independent double-blind peer evaluation by the publisher. The editors and publisher have made every effort to obtain permission for and acknowledge the use of copyrighted material. Refer all enquiries to the publisher. This publication is Volume III in the CAS Papers from the Pre-Colonial Catalytic Project, published under the auspices of the Rethinking Africa series. The Pre-Colonial Catalytic Project is funded by the National Institute for Humanities and Social Science. No part of this book may be reproduced or transmitted in any form or by any electronic, photographic or mechanical means, including photocopying and recording on record, tape or laser disk, on microfilm, via the Internet, by e-mail, or by any other information storage and retrieval system, without prior written permission by the publisher. First edition 2018 ISBN 978-1-928314-11-0 ISBN 978-1-928314-12-7 (e-book) https://doi.org/10.18820/9781928314127 Set in Cambria 10/15 Cover design, typesetting and production by AFRICAN SUN MeDIA Conference-RAP is a licensed imprint of AFRICAN SUN MeDIA. Conference proceedings are published under this imprint in print and electronic format. This publication can be ordered directly from: www.sun-e-shop.co.za africansunmedia.snapplify.com (e-book) www.store.it.si (e-book) www.africansunmedia.co.za contents Abbreviations & Acronyms iii Contributors v Chapter 1 1 Introduction Lungisile Ntsebeza Section I │ Decolonising Historiography Chapter 2 15 “I am the earth itself.