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FRIDAY the 13TH: the MICROS PLAY MONK (Cuneiform Rune 310)
Bio information: THE MICROSCOPIC SEPTET Title: FRIDAY THE 13TH: THE MICROS PLAY MONK (Cuneiform Rune 310) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: JAZZ / THELONIOUS MONK / THE MICROSCOPIC SEPTET “If the Micros have a spiritual beacon, it’s Thelonious Monk. Like the maverick bebop pianist, they persevere... Their expanding core audience thrives on the group’s impeccable arrangements, terse, angular solos, and devil-may-care attitude. But Monk and the Micros have something else in common as well. Johnston tells a story: “Someone once walked up to Monk and said, “You know, Monk, people are laughing at your music.’ Monk replied, ‘Let ‘em laugh. People need to laugh a little more.” – Richard Gehr, Newsday, New York 1989 “There is immense power and careful logic in the music of Thelonious Sphere Monk. But you might have such a good time listening to it that you might not even notice. …His tunes… warmed the heart with their odd angles and bright colors. …he knew exactly how to make you feel good… The groove was paramount: When you’re swinging, swing some more,” he’d say...” – Vijay Iyer, “Ode to a Sphere,” JazzTimes, 2010 “When I replace Letterman… The band I'm considering…is the Microscopic Septet, a New York saxophone-quartet-plus-rhythm whose riffs do what riffs are supposed to do: set your pulse racing and lodge in your skull for days on end. … their humor is difficult to resist. -
PAROLE E MUSICA DELLA MEMORIA EBRAICA a Cura Di CARLO BIANCHI
brescia MUSICA INTERVISTA A ROLANDO ANNI E ALESSANDRO ADAMI DEL GRUPPO “KLEZMORIM” PAROLE E MUSICA DELLA MEMORIA EBRAICA a cura di CARLO BIANCHI n bambino di fronte a dialogo fra ebrei e cristiani, per un albero su un prato un incontro che è stato, credo, circondato da una il nostro primo ‘concerto’. Nel U sconnessa stacciona- corso del tempo i rapporti fra la ta scarna che conduce, voltan- musica e le letture o le mie spie- do, fino a un caseggiato romito. gazioni si è invertito: prima la La copertina del disco che rac- musica accompagnava quello chiude i quindici canti della tra- che avevo da dire, adesso inve- dizione popolare ebraica can- ce sono io a dire delle cose che tati e suonati dal complesso accompagnano la musica. Di- Klezmorim è l’immagine ricreata ciamo che io mi sono preoccu- di Oyfn veg shteyt a boym (“sta, pato di costruire questo proget- lungo la strada, un albero pie- to da un punto vista letterario e gato”), una di queste quindici storico. La nostra particolarità è storie in musica, la ninna-nanna che i nostri non sono dei veri e di un bambino che chiede alla propri concerti, sono ‘incontri’ mamma di potersi arrampicare dove la musica viene inserita in sull’albero per volare verso il un contesto molto preciso per- cielo, anche se fa freddo e la ché siamo convinti ancora oggi mamma gli raccomanda di co- che questa musica pur essendo prirsi, non vuol lasciarlo andare, semplice, popolare, non possa per paura che si smarrisca. essere del tutto compresa senza Sono canti di un popolo – di alcune fondamentali spiegazio- una cultura, di una religione – ni”. -
Table of Contents
Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us. -
The New Hampshire Gazette First Class U.S
Vol. CCLII, Live Free! or Die No. 22 The New Hampshire Gazette First Class U.S. Postage Paid July 25, The Nation’s Oldest Newspaper™ • Editor: Steven Fowle • Founded 1756 by Daniel Fowle Portsmouth, N.H., Permit No. 75 2008 PO Box 756, Portsmouth, NH 03802 • [email protected] • www.nhgazette.com Address Service Requested The Fortnightly Rant Thinking the Unthinkable, Part Two* John McCain’s 2008 presiden- over a fence, will help us sleep. tial campaign got an auspicious Old And In The White House? kick off last year in Portsmouth’s First and most obviously, photogenic Prescott Park, a mere there’s the math. half-mile from this newspaper’s If elected, John McCain would squalid headquarters. The Naval be 72 when he takes the oath of Shipyard across the river gave the office. Ronald Reagan was a rel- candidate, a former Naval aviator, atively youthful 69, but by the a suitably militaristic backdrop. A time he was hauled before the sizeable mob of New Hampshire Tower Commission in 1986 to residents provided a respectable- explain his minions’ shenanigans, looking audience. Protestors and he could hardly remember any- other scruffy undesireables were thing. Considering the responsi- safely penned up out of camera bilities of the office, Reagan’s Al- range. Whole phalanxes of prop- zheimer’s is hardly an excuse that erly-credentialed media worker would work in McCain’s favor. It bees, representing all the most is simply inconceivable that any profitable national news orga- opposing party could let the Re- nizations, were on hand. Half publicans win the next election a dozen satellite trucks were with a candidate as ancient as parked near the pier to pass their McCain. -
Selected Press Quotes
WAYNE HORVITZ SELCTED REVIEW EXCERPTS Joe Hill, 16 Actions for Orchestra, Voice and Soloist “Joe Hill” is, in fact, a ravishingly beautiful work… Paul de Barros Seattle Times Solos Somehow, always, they resist the postmodern temptation to be too smart and too cute: they're not trying to impress you with how much they can reference. These 14 pieces - including a few free improvisations, a traditional, a standard, and a Wayne Shorter tune - are mostly contemplative originals; one is particular, Ms. Holcomb's long form piece, " Before the Comet Comes," is staggeringly beautiful. Ben Ratliff , New York Times One of my favorite discs of 2004, Solos (Songlines), teems with solo piano pieces by Horvitz and Robin Holcomb that breathtakingly fuse the hermetic, astringent squiggles of Schoenberg's piano music with the lonesome sound of Shaker hymns. Chris DeLaurenti , The Stranger (Seattle) …they play like composers, giving every stroke a clear intent, informed by the tension and release of subtle harmonic and dynamic shifts. Jazziz ..tunes like "Tired," with its' bittersweet and subtly melancholic feeling, are particularly compelling because one can feel Holcomb's more skewed approach subtly infect Horvitz's playing, while its clearer roots in the blues distinguish it as a Horvitz piece. John Kelman , All About Jazz.com Wayne Horvitz and Robin Holcomb - the legendary husband-and-wife team that has had such an impact on extemporaneous music since the early '80s - take turns improvising on this hour-long solo piano recording.... The music is generally sparse and contemplative, but not *too* sparse and contemplative. It's a relaxed listen that touches on free jazz, polytonal hymnsong, traditional jazz (there's a nice version of "Stars Fell On Alabama",) and postmodern classicism, without really being any of those. -
EXTENSIONS of REMARKS, Vol
1478 EXTENSIONS OF REMARKS, Vol. 158, Pt. 1 February 13, 2012 EXTENSIONS OF REMARKS HONORING THE MEMPHIS HORNS Bringing awareness to type I diabetes not COMMENDING HAYATO ‘‘JACK’’ only combats a devastating illness, but it also YOSHINO FOR HIS MANY CON- HON. MARSHA BLACKBURN saves the country money. Accounting for hun- TRIBUTIONS TO THE PEOPLE OF OF TENNESSEE dreds of billions of dollars in healthcare ex- GUAM IN THE HOUSE OF REPRESENTATIVES penses, diabetes is also responsible for al- most a third of all Medicare costs. Monday, February 13, 2012 HON. MADELEINE Z. BORDALLO Mr. Speaker, type I diabetes is a problem OF GUAM Mrs. BLACKBURN. Mr. Speaker, whether this country cannot ignore. Today, I ask my IN THE HOUSE OF REPRESENTATIVES you find yourself sitting on the Dock of the colleagues and all Americans to join me in in- Monday, February 13, 2012 Bay, with Sweet Caroline, Takin’ It to the creasing diabetes awareness in our commu- Streets, or talking to the Son of a Preacher nities and throughout the Nation. Ms. BORDALLO. Mr. Speaker, I rise today to honor Mr. Hayato ‘‘Jack’’ Yoshino for his Man, chances are you’ve heard the soulful f and intense blasts of the Memphis Horns. years of leadership and contributions to the Music is the very rhythm of our culture, and in RECOGNIZING THE LIFE OF people of Guam as the President of P.H.R. the Tennessee 7th, we champion the sounds WHITNEY HOUSTON Ken Asset Management Inc. (Ken Corpora- and cultural treasures of our community. I rise tion) on Guam. -
APBA 1960 Football Season Card Set the Following Players Comprise the 1960 Season APBA Football Player Card Set
APBA 1960 Football Season Card Set The following players comprise the 1960 season APBA Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. BALTIMORE 6-6 CHICAGO 5-6-1 CLEVELAND 8-3-1 DALLAS (N) 0-11-1 Offense Offense Offense Offense Wide Receiver: Raymond Berry Wide Receiver: Willard Dewveall Wide Receiver: Ray Renfro Wide Receiver: Billy Howton Jim Mutscheller Jim Dooley Rich Kreitling Fred Dugan (ET) Tackle: Jim Parker (G) Angelo Coia TC Fred Murphy Frank Clarke George Preas (G) Bo Farrington Leon Clarke (ET) Dick Bielski OC Sherman Plunkett Harlon Hill A.D. Williams Dave Sherer PA Guard: Art Spinney Tackle: Herman Lee (G-ET) Tackle: Dick Schafrath (G) Woodley Lewis Alex Sandusky Stan Fanning Mike McCormack (DT) Tackle: Bob Fry (G) Palmer Pyle Bob Wetoska (G-C) Gene Selawski (G) Paul Dickson Center: Buzz Nutter (LB) Guard: Stan Jones (T) Guard: Jim Ray Smith(T) Byron Bradfute Quarterback: Johnny Unitas Ted Karras (T) Gene Hickerson Dick Klein (DT) -
Identities Under Construction: Iraq War, Life Writing and American National
Hacettepe University Graduate School of Social Sciences Department of American Culture and Literature IDENTITIES UNDER CONSTRUCTION: IRAQ WAR, LIFE WRITING AND AMERICAN NATIONAL IDENTITY Merve Özman Kaya Ph. D. Dissertation Ankara, 2015 IDENTITIES UNDER CONSTRUCTION: IRAQ WAR, LIFE WRITING AND AMERICAN NATIONAL IDENTITY Merve Özman Kaya Hacettepe University Graduate School of Social Sciences Department of American Culture and Literature Ph. D. Dissertation Ankara, 2015 iii ACKNOWLEDGEMENTS This dissertation would not have been possible except for the contributions of many hearts and minds over the years. First and foremost I would like to thank my supervisor Assoc. Prof. Dr. Bilge Mutluay Çetintaş for her invaluable guidance and understanding at all times. I am also largely indebted to Prof. Dr. Belgin Elbir, Prof. Dr. Meldan Tanrısal, Assoc. Prof. Dr. Özlem Uzundemir, and Assist. Prof. Dr. Barış Gümüşbaş for their critical insights in completing this project. Next, I would like to acknowledge the support of each and every member of the Department of American Culture and Literature for providing me with the necessary working conditions for writing this dissertation which I greatly appreciate. Last but not the least, I’d like to thank my beautiful little family, my loving husband, and my precious friends from the bottom of my heart for always being there for me whenever I needed their support. iv ÖZET Özman Kaya, Merve. Yapım Aşamasında Kimlik: Irak Savaşı, Yaşam Yazını ve Amerikan Milli Kimliği, Doktora Tezi, Ankara, 2015. Yaşam anlatıları, özellikle savaş yazını örnekleri, ulusların kültürel tarihinin birer parçasıdır. Bu anlatılar milli söylemi ve bu söylemin öngördüğü milli kimlik anlayışını canlandırma veya gözden düşürme potansiyeline sahiptir. -
Phis' Fir:3F One Hundred !:Fe~!R-S and Vvorlhy Ofour Fulure in Iqresl End Supporl
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