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Primoz Bioeng
Guitar player Primož Graši č was born in 1968 in Kranj, Slovenia. After high school in Kranj he went abroad and studied guitar at the Klagenfurt Conservatirium. Very soon jazz bands and orchestras became aware of the young but very talented musician and so after his studies he imediately became a member of the “Greentown Jazz Band”.' He was then cooperating with the “Dixieland” band from Kranj. His music career flurished after this and we can only share his biggest achievements with you. In the years 1991 – 93 he was a member of the “Ugrin-Divjak Quintet” and has regularly been cooperating with the “Big Band of RTVS (Radio Television Slovenia)” since 1992 he is also a member of “Boško Petrovi č's All Stars Band”, of “Ratko Divjak's Ensemble ”, the “Dominik Kranj čan Quartet”, “SLO Jazz Project” and has been cooperating as a studio musician at many recordings of such bands as the “Big Band RTVS”, the “Big Orchestra” and the “Symphonic Orchestra of RTVS”, the “New Swing Quartet”, “Vocal Art”, “Alenka Godec”, “Darja Švajger”, “Janez Bon čina”, “Marta Zore”… Since April 1998 he has been a full-time member of “Big Band RTV Slovenija” and the “Big Orchestra of RTV Slovenija”. In cooperation with Janez Bon čina-Ben č he has received two awards for his arrangements from International Professional Juries. In 1995 he was nominated for the musical award “Zlati petelin” (Golden Rooster) for the best arrangement of a foreign song. He was then cooperating with the “Jože Privšek Orchestra” at concerts in Portorož and in Ljubljana’s “Cankarjev Dom ” and also as a studio musician at their recordings of more than sixty albums.In July 1993 he was performing at one of the biggest jazz festivals in Europe, in Perrugia,Italy. -
033101 Roa Insert.Indd
2010) and an Arty Award for Intimate Apparel (Solano and performed in NY, LA, and at festivals in India and ABOUT CENTER REPERTORY COMPANY College Theatre, 2008) In addition to her design Morocco. In his career as a performer he has also danced Center REP is the resident, professional theatre company work, Rebecca teaches costume and theatre classes with the Erick Hawkins Dance Company, portrayed the of the Lesher Center for the Arts. Our season consists of CENTER REPERTORY COMPANY at Solano Community College and has worked at The villainous Pierre LeChance on “The Guiding Light”, and six productions a year – a variety of musicals, dramas and Utah Shakespeare Festival, Cincinnati Playhouse in the played guitar and harmonica in many rock, blues, and comedies, both classic and contemporary, that continually Michael Butler, Artistic Director Scott Denison, Managing Director Park and The University of Michigan. Rebecca was the country western bands at all the notable dives in NYC. strive to reach new levels of artistic excellence and costume shop manager for The Solano College Theatre professional standards. presents Association from 2005 to 2014. She holds a BA in SCOTT DENISON (Managing Director) has been a Theatre with an emphasis in technical theatre from The leader in the arts for 40 years for Walnut Creek and Our mission is to celebrate the power of the human University of California, Santa Cruz (1991) and a MFA in the surrounding communities. For the last 24 years he imagination by producing emotionally engaging, costume design from the University of Michigan (1995). has been the General Manager of the Lesher Center intellectually involving, and visually astonishing live and oversees over 850 public events each year. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
SLINGERLAND a DRUMS Sommur!
has a Coleman Hawkins LP coming Jaki Byard quintet and big band... Strictly Ad Lib called Soul, with Hawk joined by Warren Covington’s Tommy Dorsey Kenny Burrell, Ray Bryant, Osie band may figure in a British band (Continued from page 8) Johnson, and Wendell Marshall. swap with a Cha-Cha-Cha band Bryant taught Hawk Greensleeves headed by Rico coming here . Wess . Willie (The Lion) Smith, for the date . Bob Corwin took Sidney Becht recovered from a re Sonny Terry, Zoot Sims, Sol Yaged, over the piano chair from Bill Trig cent illness. He had a bronchitis Candido, and Big Miller had guest lia with Anita O’Day . United attack in mid-fall . George Lewis Shots on the United Artists record Artists cut Martin Williams’ History is figuring in a possible swap for ing of the Living History of Jazz at of the Jazz Trumpet LP late in England, in conjunction with Lewis' the Apollo, with Herb Pomeroy’s December . Roy Haynes’ group, European tour this spring ... In band and narrator John McLellan. with Hank Mobley, Curtis Fuller, siders in the east point out that Symphony Sid reports he plans to Richard Wyandes, and Doug Wat Jack Lewis first cut Shorty Rogen take a septet to Europe in the spring kins, did a concert for the Orange and the early west coast sides, not for a Birdland tour, and hopes to County community college jazz club Bob York as carried in Los Angeles include Johnny Griffin, Lee Morgan, in mid-December. Ad Lib recently. Curtis Fuller, Pepper Adams, Tom Lou Donaldson signed with Blue Ed Thigpen is reported leaving my Flanagan, and Bud Powell . -
Underwater Speleology Journal of the Cave Diving Section of the National Speleological Society
Underwater Speleology Journal of the Cave Diving Section of the National Speleological Society INSIDE THIS ISSUE: How Two Movie Guys Do A Cave Shoot Not Able To Breath During A Cave Dive A Message From The Training Director 2018 Winter Workshop Volume 45 Number 1 January/February/March 2018 NSS-CDS BOARD OF DIRECTORS Underwater Speleology Volume 45 Number 1 January/February/March 2018 CHAIRMAN Cheryl Doran (732) 674-6550 [email protected] contents VICE CHAIRMAN TJ Muller [email protected] TREASURER Ken Sallot Featured Articles [email protected] SECRETARY Forrest Wilson [email protected] How Two Movie Guys Do A Cave Shoot DIRECTORS By Gene Page..................................................................................................6 Committees AND VOLUNTEERS Not Able To Breath During A Cave Dive Bob Shulte [email protected] By Forrest Wilson........................................................................................10 PROPERTIES A Message From The Training Director Al Clements [email protected] By Jon Bernot..................................................................................................12 TRAINING CHAIRMAN 2018 Hart Springs Winter Workshop Jon Bernot [email protected] ..........................................................................................................13 Columns From The Chairman ADMINISTRATIVE MANAGER By Cheryl Doran...............................................................................................6 Adam Hughes Instructor -
Schlitten, Don African & African American Studies Department
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 7-13-2006 Schlitten, Don African & African American Studies Department. Don Schlitten Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Schlitten, Don. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewer: Maxine Gordon Interviewee: Don Schlitten July 13, 2006 Page 1 Maxine Gordon (MG): This is interview 179 for the Bronx African History Project, Maxine Gordon interviewing Don Schlitten in his home in Kingsbridge, which is in the Bronx. So thank you very much, I had to put that on the interview. Are you born in the Bronx? Don Schlitten (DS): Born in the Bronx, Bronx Maternity Hospital. I’ve been in the Bronx my entire life and various places. But for 33 years I’ve always lived in the Bronx. MG: And where did you go to school? DS: In the Bronx. [laughs] P.S. 26. MG: Oh good, where’s that. DS: Junior high school eighty - - P.S. 26 was on West Bernside and West of University Avenue. It’s probably a prison now or something [laughs]. Then I went to Junior High School 82 which was on McClellan Road and Tremont Avenue. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
List of IAGA National Correspondents
IAGA National Correspondents ALBANIA: DUKA University of Tirana T: 355 4 224 5267 Prof. Dr. Bejo Faculty of Natural Sciences [email protected] Tirana ALBANIA ALGERIA: ABTOUT Centre de Recherche en T: 213 23 18 90 98/99 Prof. Abdesslam Astronomie, Astrophysique et [email protected] Géophysique (CRAAG) [email protected] Route de l’Observatoire B.P. 63 Bouzareah, Algiers ALGERIA ARGENTINA: ORGEIRA Universidad de Buenos Aires T: 54 11 4788 3439 Dra. Maria Julia Facultad de Ciencias Exactas y [email protected] Naturales Departamento de Geología Ciudad Universitaria Pabellon 2 1428 Ciudad Autónoma de Buenos Aires ARGENTINA AUSTRIA: LEICHTER Central Institute for Meteorology & T: 43 1 360 262 515 Ms. Barbara Geodynamics (ZAMG) [email protected] Hohe Warte 38 1190 Vienna AUSTRIA AZERBAIJAN: GULIYEV Former Director, Shemakha T: 994 12 497 5268 Prof. Dr. Eyyub Astrophysics Observatory, ANAS T: 994 176 61000 Y. Mammadaliyev Settlement 5618 Shemakha AZERBAIJAN BELGIUM: DE KEYSER Koninklijk Belgisch Instituut voor T: 32 2 373 0368 Dr. Johan Ruimte-Aёronomie (BIRA) F: 32 2 374 8423 Ringlaan 3 [email protected] 1180 Brussels BELGIUM BOLIVIA: TELLERIA-GEIGER Comision Nacional de Estudios T: 591 2 279 3694 Dr. José Luis Geofisicos T: 591 767 78731 (mobile) Calle 21, No. 8461, Calacoto [email protected] P.O. Box 11253 La Paz BOLIVIA BOSNIA & HERZEGOVINA: DONLAGIC Assistant Director for Geodesy & T: 387 33 586 059 Spec. sc. Eldin Cartography T: 387 61 102 459 Federal Office for Geodetics & [email protected] Real Property Affairs Hamdije Kreševljakovića 97 71000 Sarajevo BOSNIA & HERZEGOVINA BRAZIL: FONTES Observatório Nacional T: 55 21 2580 0332 Dr. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom. -
Spectacle, Masculinity, and Music in Blaxploitation Cinema
Spectacle, Masculinity, and Music in Blaxploitation Cinema Author Howell, Amanda Published 2005 Journal Title Screening the Past Copyright Statement © The Author(s) 2005. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/4130 Link to published version http://www.latrobe.edu.au/screeningthepast/ Griffith Research Online https://research-repository.griffith.edu.au Spectacle, masculinity, and music in blaxploitation cinema Spectacle, masculinity, and music in blaxploitation cinema Amanda Howell "Blaxploitation" was a brief cycle of action films made specifically for black audiences in both the mainstream and independent sectors of the U.S. film industry during the early 1970s. Offering overblown fantasies of black power and heroism filmed on the sites of race rebellions of the late 1960s, blaxploitation films were objects of fierce debate among social leaders and commentators for the image of blackness they projected, in both its aesthetic character and its social and political utility. After some time spent as the "bad object" of African-American cinema history,[1] critical and theoretical interest in blaxploitation resurfaced in the 1990s, in part due to the way that its images-- and sounds--recirculated in contemporary film and music cultures. Since the early 1990s, a new generation of African-American filmmakers has focused -
Young Stars on the Rise By-Law Meeting: Aurelia String Quartet Wins Tuesday, April 14Th, 2009 @ 1:00 Pm Rembrandt Chamber Players Music Competition
April 2009 Vol. 69 No. 4 Young Stars on the Rise By-Law Meeting: Aurelia String Quartet wins Tuesday, April 14th, 2009 @ 1:00 pm Rembrandt Chamber Players music competition. Membership Meeting: Tuesday, May 12th, 2009 @ 1:00 pm see page 14 Aurelia String Quartet: Arianna Smith, Allan Steele, Laura Park, Susie Koh. Page 2 Local 10-208 of AFM AFL-CIO CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2008-2011 Gary Matts President Terryl Jares Vice-President Spencer Aloisio Secretary-Treasurer BOARD OF DIRECTORS Robert Bauchens Bob Lizik Terryl Jares Rich Daniels Janice MacDonald Vice President Frank Donaldson Leo Murphy B.J. Levy CONTRACT DEPARTMENT Terryl Jares – Vice-President Nancy Van Aacken How fast these months go by. It seems like we just kicked off 2009 and we are already into April! It ASSISTANTS TO THE PRESIDENT - JURISDICTIONS occurred to me that I have never written about our Terryl Jares - Vice-President Supervisor - Entire jurisdiction Local’s magazine, Intermezzo. including theaters (Cell Phone: 312-310-4100) My involvement with the Intermezzo began thirteen Dean Rolando Recordings, Transcriptions, years ago when the Editor, Tom Beranek, asked me to Documentaries, Etc. write short biographies of each of our new members. (Cell Phone: 708-380-6219) After being elected Vice-President, I took over as DELEGATES TO CONVENTIONS OF THE the Editor of our newspaper which is now a full-color ILLINOIS STATE FEDERATION OF LABOR magazine. AND CONGRESS OF INDUSTRIAL ORGANIZATIONS Spencer Aloisio Gary Matts I have worked with the columnists Ruth Tobias, Chuck Terryl Jares Sengstock and Jack Zimmerman to bring articles of DELEGATES TO CHICAGO FEDERATION OF LABOR AND interest to our membership.