EXTENSIONS of REMARKS, Vol

Total Page:16

File Type:pdf, Size:1020Kb

EXTENSIONS of REMARKS, Vol 1478 EXTENSIONS OF REMARKS, Vol. 158, Pt. 1 February 13, 2012 EXTENSIONS OF REMARKS HONORING THE MEMPHIS HORNS Bringing awareness to type I diabetes not COMMENDING HAYATO ‘‘JACK’’ only combats a devastating illness, but it also YOSHINO FOR HIS MANY CON- HON. MARSHA BLACKBURN saves the country money. Accounting for hun- TRIBUTIONS TO THE PEOPLE OF OF TENNESSEE dreds of billions of dollars in healthcare ex- GUAM IN THE HOUSE OF REPRESENTATIVES penses, diabetes is also responsible for al- most a third of all Medicare costs. Monday, February 13, 2012 HON. MADELEINE Z. BORDALLO Mr. Speaker, type I diabetes is a problem OF GUAM Mrs. BLACKBURN. Mr. Speaker, whether this country cannot ignore. Today, I ask my IN THE HOUSE OF REPRESENTATIVES you find yourself sitting on the Dock of the colleagues and all Americans to join me in in- Monday, February 13, 2012 Bay, with Sweet Caroline, Takin’ It to the creasing diabetes awareness in our commu- Streets, or talking to the Son of a Preacher nities and throughout the Nation. Ms. BORDALLO. Mr. Speaker, I rise today to honor Mr. Hayato ‘‘Jack’’ Yoshino for his Man, chances are you’ve heard the soulful f and intense blasts of the Memphis Horns. years of leadership and contributions to the Music is the very rhythm of our culture, and in RECOGNIZING THE LIFE OF people of Guam as the President of P.H.R. the Tennessee 7th, we champion the sounds WHITNEY HOUSTON Ken Asset Management Inc. (Ken Corpora- and cultural treasures of our community. I rise tion) on Guam. Mr. Yoshino graduated from Hitotsubashi today to honor one great treasure: The Mem- HON. LAURA RICHARDSON University of Japan, and, in 1980, began his phis Horns. OF CALIFORNIA career at one of Japan’s largest trading com- Each from simple but musically enriched be- IN THE HOUSE OF REPRESENTATIVES panies. He later ventured into the real estate ginnings, Wayne Jackson and Andrew Love Monday, February 13, 2012 profession where he made substantial invest- were more than the trumpet and the saxo- ments in hotels, offices, and housing in the phone behind the Memphis Horns. Playing at Ms. RICHARDSON. Mr. Speaker, it is with a deep sadness and heavy heart that I rise United States mainland. He joined Ken Cor- the beginning for the greats: Elvis, Otis Red- poration in 2002 and moved to Guam where ding, Aretha Franklin, the Horns made a name today to pay tribute to Whitney Houston, a woman whose extraordinary voice touched the he worked to familiarize himself with the is- for themselves as the blended tones of Mem- land’s unique real estate and tourism markets. phis. From the 1960s on, the Horns played for heart of America. Ms. Houston died on Saturday, February 11, Four years later, Mr. Yoshino was appointed anyone who needed that unique shot of Mem- President of Ken Corporation and was en- 2012 in Beverly Hills. She was 48 years old. phis soul. Including The Doobie Brothers, trusted with overseeing several premier hotel Ms. Houston’s musical career began in Peter Gabriel, U2, Jimmy Buffett, B.B. King, brands on Guam and Saipan, including the 1985, when her debut album, Whitney Hous- and Willie Nelson, The Memphis Horns are Hilton Guam Resort & Spa, Hyatt Regency ton, was released and she became an instant the very notes of the south. Guam, Hotel Nikko Guam, Pacific Islands Club musical sensation. She produced some of the When they first came together to form their Guam, Sheraton Laguna Guam Resort, Coun- sound, Love and Jackson wondered what they most memorable music of her generation, in- try Club of the Pacific in Guam, and Aqua Re- would do each year when the tour stopped. As cluding her signature hit, ‘‘I Will Always Love sort Club in Saipan. During his tenure as they released their final project, the Memphis You.’’ president, Mr. Yoshino implemented major Horns need never to worry what they will do Whitney Houston was one of the biggest branding initiatives which introduced hotel next. As members of the Musicians’ Hall of names in the music industry and her accom- guests and tourists to the island’s culture, cui- Fame winner, their place is noted in America’s plishments as a singer are many. In 2009, the sine, and people. And in the midst of eco- history. As one of the great sounds of Mem- Guinness World Records cited her as the nomic uncertainty following the March 2011 phis, their place is secure in America’s hearts. most-awarded female act of all time. Her earthquakes and tsunamis in Japan, Mr. Their legacy is a permanent part of our musi- awards include two Emmy Awards, six Yoshino worked to sustain the operations at cal soul and their unique sound and uplifting Grammy Awards, 30 Billboard Music Awards, each of the corporation’s properties. notes will be trumpeted for a great long while. and 22 American Music Awards, among a Mr. Yoshino devoted his time and expertise I ask my colleagues to join with me and cele- total of 415 career awards in her lifetime. to developing Guam’s visitor industry and local brate the quintessential Memphis Horns as Houston was also one of the world’s best- community. In 2009, Mr. Yoshino became a they receive the Lifetime Achievement Award. selling music artists, having sold over 200 mil- member of the Guam Visitors Bureau Board of f lion albums and singles worldwide. Directors and was elected chairman of the Ex- She will always be remembered as one of isting Markets Committee. In this capacity, he RECOGNIZING THE IMPORTANCE the greatest voices who ever graced the worked closely with industry leaders to pro- OF DIABETES AWARENESS AND Earth. To have heard the voice of Whitney mote Guam as a world-class destination for PREVENTION Houston was to have witnessed singing per- visitors traveling from the Philippines, North fection. My heart goes out to her daughter, America, Micronesia, and Taiwan. He is an HON. ANN MARIE BUERKLE Bobbi Kristina, and all of her family and active member of the Guam Chamber of Com- OF NEW YORK friends who are mourning the loss of this re- merce, the Chinese Chamber of Commerce, IN THE HOUSE OF REPRESENTATIVES markable woman. and the SKAL Club of Guam, an international Mr. Speaker, where do broken hearts go? association of tourism professionals. Among Monday, February 13, 2012 Millions of hearts broke at the news that with other contributions to our community, Mr. Ms. BUERKLE. Mr. Speaker, today I would her passing, we lost one of the greatest gifts Yoshino took an interest in public safety and like to call attention to type I diabetes, a dis- of all; the pure joy we felt whenever Whitney donated equipment to the Guam Police De- ease that is plaguing the citizens of our great sang one of those songs that made us get up partment. Nation. This disease strikes not only our and want to dance with somebody. I join our community in recognizing Mr. youths, but the ailment is affecting much more Yes, we almost had it all. Whitney Houston Yoshino for his leadership, his service to our of our population. In the last 30 years, the left us too soon, but her remarkable voice will community, and for his work in promoting our number of people known to have diabetes in live in our hearts as one moment in time we island’s unique history and culture. On behalf the United States has quadrupled to more will never forget. of the people of Guam, I extend my heartfelt than 26 million. Another 7 million Americans I request a moment of silence in her honor appreciation for Mr. Yoshino’s generosity, and are estimated to have undiagnosed diabetes. and memory. I wish him the best in his future endeavors. ● This ‘‘bullet’’ symbol identifies statements or insertions which are not spoken by a Member of the Senate on the floor. Matter set in this typeface indicates words inserted or appended, rather than spoken, by a Member of the House on the floor. VerDate Sep 11 2014 11:43 Feb 24, 2017 Jkt 019102 PO 00000 Frm 00001 Fmt 0689 Sfmt 9920 E:\BR12\E13FE2.000 E13FE2 rmajette on DSK2TPTVN1PROD with BOUND RECORD February 13, 2012 EXTENSIONS OF REMARKS, Vol. 158, Pt. 1 1479 RECOGNIZING THE INNOVATION who work with the aged in order to improve to RECOGNIZING THE IMPORTANCE AND HISTORICAL SIGNIFICANCE ensure contemporary education, quality and OF MARRIAGE OF THE BOEING 787 DREAMLINER implementation of services and support pro- vided to senior citizens. The organization HON. ANN MARIE BUERKLE HON. JERRY F. COSTELLO holds monthly workshops and programs which OF NEW YORK OF ILLINOIS have had a positive impact for two decades on IN THE HOUSE OF REPRESENTATIVES those who work with the elderly. Issues such IN THE HOUSE OF REPRESENTATIVES Monday, February 13, 2012 as health care coordination, housing and resi- Monday, February 13, 2012 dential issues, home health care, financial Ms. BUERKLE. Mr. Speaker, I would like to Mr. COSTELLO. Mr. Speaker, I rise today to concerns, transportation, social life, emer- take this opportunity to recognize National ask my colleagues to join me in recognizing gency services, food and nutrition, senior vol- Marriage Week 2012. As our country faces the production and delivery of the first Boeing unteer options, and many others are regularly challenging times, the value of a strong family 787 Dreamliner airplanes and to congratulate discussed and areas for cooperation and im- is undeniable. Marriage is the foundation of everyone at The Boeing Company on this provement are identified.
Recommended publications
  • Download Showbook
    SWEET SOUL MUSIC REVUE A Change Is Gonna Come It is August 1955 in Mississippi and a 14-year-old African American, Emmet Louis Till, is being dragged out of his bed by white men. They brutally torture and then drown the boy, because Emmet had whistled at the white village beauty queen and called Bye, bye babe after her. The court acquits the murderers. On December 1, 1955, Rosa Parks, an elderly African American lady, refuses to give up her seat on a bus to a white man. She is arrested and taken to court for violating segregation laws. These events in 1955 mark the beginning of the African American Civil Rights Movement, which will grow into a proud political force under the leadership of Dr. Martin Luther King. By 1968 it will have put an end to arbitrary injustice caused by racial segregation in the U.S. There have been times that I thought I couldn‘t last for long / But now I think I‘m able to carry on / It‘s been a long time coming, but I know a change is gonna come – This soul anthem, composed by Sam Cooke in 1963, speaks of the hope for change during these times. Sam himself had been arrested for offences against the laws relating to civil disorders and rioting, because he and his band had tried to check in to a “whites only” motel. Closely linked to the Civil Rights Movement, soul music delivers the soundtrack for this period of political change and upheaval in the United States.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool.
    [Show full text]
  • Rebellion in LA
    Kroger Update-5 #71 JULY/AUGUST 1992 FREE Midwifery-6 U.SPOST/ Rio Report-7 PAI AMN ARE, PERMIT NO Blues & Jazz-10 Community Events-11 ANN ARBOR'S ALTERNATIVE NEWSMONTHLY FORUM: RACISM IN AMERICA By Rachel Lanzerotti s legal abortions become harder and harder to obtain, there is a movement emerging to ensure that women will never have to return to the dark ages of the pre-Roe v. Wade era. AIn the wake of the S upreme Court's June 29 ruling, and a host of previous judicial setbacks, assistance networks like the Overground Railroad are being activated to guarantee a woman's access to an abortion. For a woman with an unwanted pregnancy, "access" means knowing PHOTO: TED SYLVESTER that abortion is an option; locating a practitioner who can provide a safe Ann Arbor responds to King verdict with downtown rally and march abortion; figuring out how to get to the practitioner; and finding the money for transportation and the procedure and maybe even food and lodging; and receiving information on how to care for herself following the abortion. As many abortion rights activists predicted, the Court's most recent ruling did not overturn Roe but continued to increase the number of Rebellion in LA. restrictions placed on a woman's access to abortion. Although the Court struck down Pennsylvania's requirement that a married woman notify her husband of apending abortion, it let stand the 24-hour "waiting period" for Michael Zinzun, a former mem- By Michael Zinzun out here. all women seeking abortions, and it let stand a parental notification ber of the Black Panther Party, has I called home yesterday and one requirement.
    [Show full text]
  • William Bell – the Soul of a Bell – Speakers Corner Records – Audiophile Audition 07.05.21, 0937
    William Bell – The Soul Of A Bell – Speakers Corner RecorDs – Audiophile Audition 07.05.21, 09*37 Classical Reviews Hi-Res Reviews Jazz Reviews Component Reviews Support Audiophile Audition Contact Us More Stereotype s Audio William Bell – The Soul Of A Bell – Speakers Corner Records Cembal d’amour Home » SACD & Other Hi-Res Reviews » William Bell – The Soul Of A Bell – Speakers Corner Records by Audiophile Audition | May 5, 2021 | Pop/Rock/World CD Reviews, SACD & Other Hi-Res Reviews | 0 comments Pure William Bell – The Soul Of A Pleasure / Speakers Bell – Stax Records S 719 Corner (1967)/Speakers Corner Records (2020) 180-gram stereo vinyl, 32:12 **** 1/2: (William Bell – vocals; Booker T. Jones – organ; Steve Cropper – guitar; Donald “Duck” Dunn – bass; Isaac Hayes – keyboards; Al Jackson Jr. – Cedille https://www.audaud.com/william-bell-the-soul-of-a-bell-speakers-corner-recorDs/ Seite 1 von 5 William Bell – The Soul Of A Bell – Speakers Corner RecorDs – Audiophile Audition 07.05.21, 09*37 drums; Wayne Jackson – trumpet; Andrew Love – tenor saxophone) The History of American soul music is deeply rooted in blues. Labels like Chess and Atlantic were the leading producers of this rapidly evolving musical style. In the 1960’s, the primary Site Search soul labels were Motown and Stax. Based in Search here... Memphis, Stax had built a reputation as an influential blues outfit, that catered to Southern-influenced music. Their famous studio on McLemore Avenue had a unique raw sound that was represented in the recordings. This set them apart from their competitors at Motown.
    [Show full text]
  • THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
    THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.
    [Show full text]
  • Lyrics Satisfaction Otis Redding
    Lyrics Satisfaction Otis Redding Unpolitic Raj misconjectured incognita, he clapping his sclaff very featly. Huntlee remains hierarchal after Lance crankle dirtily or cates any egises. Semantic Rudolfo fares, his chlorinator distrusts shove tetragonally. Film and gone back out to connect with otis redding was original at monterey He rewound the. Keith richards lyrics powered by otis redding in the legends of satisfaction into a slow forum loading now! Marketed by their music business media pvt ltd. If either are paying close attention, you will note that our lyrics sung by Mr. Go directly to enjoy extra privileges that otis redding. Exhibit a shape to redding lyrics to turn the feeling that otis redding waited in how amazing this lyric by rhino entertainment company. Otis Redding I Can't commit No Satisfaction Lyrics MetroLyrics. Classic rock and booker t and the public figure, bobby womack said he encountered at stax, responded with a red light of a placeholder part. It right rail static on home town of otis redding was simultaneously a big old brogan shoes, jimi hendrix were disturbing to me. Which the lyrics provided by otis. The song order is hilarious. Richards lyrics provided the redding! Go go directly to redding recorded their styles of satisfaction lyrics otis redding sells satisfaction song lyrics that was it was stationed at some of this is an error confirming your queue. What a terrific live video! Six months later years i say as the rest of the parameters of. By year end spend the decade ago were in upper middle of thermal hot headline that included many than the best albums ever made.
    [Show full text]
  • RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @Erickablount January 8, 2015
    • FEATURES • INTERVIEWS • PRINCE • AUDIO • VIDEO • EVENTS • ABOUT • SHOP • FEATURES o • INTERVIEWS • PRINCE o • AUDIO o • VIDEO o • EVENTS o o • ABOUT o o o • SHOP 0 Everybody is Talking About the Good Ole Days: RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @ErickaBlount January 8, 2015 . Everybody is Talking About the Good Ole Days: RZA on the Soul of Music by Ericka Blount Danois If hip-hop tours, white appropriation, anniversary celebrations, books and hip-hop documentaries aren’t an indication that hip-hop has reached the status of Beatles-style nostalgia and reverence, then releasing a Wu-Tang Clan 20th anniversary reunion album, A BetterTomorrow, is solid proof that the genre has officially arrived. RZA, always the heart of the operation, worked tirelessly to round up the troops and dissolve beefs for the reunion album that dropped Dec. 2, 2014. “I wanted to make a record that pays homage to soul music and hip-hop,” he said about the making of this album. “I went to the past to make something for the future.” RZA came out of his own pockets to fund the album to the tune of half a million dollars. Some of the best in the industry are featured on the album—Rick Rubin, Adrian Younge, David Porter, Kenny Gamble and Rob Cavallo, all had their hands in the pot. Wu-Tang has always done things big and with vision. RZA led the 9-member group to an unprecedented label deal where each member was able to launch solo records. The deal allowed them to become the most revolutionary rap group of the mid-’90s releasing five group and 19 compilation albums totaling over 6 platinum records and over 40 million sold.
    [Show full text]
  • In the Midnight Hour (1965) Wilson Pickett
    MUSC-21600: The Art of Rock Music Prof. Freeze In the Midnight Hour (1965) Wilson Pickett LISTEN FOR • Uncluttered, classic Stax arrangement • Spontaneous vocal styling • Blues feeling • Textural development in horns • Delayed backbeat groove CREATION Songwriters Wilson Pickett, Steve Cropper Label, Record Atlantic 2289 Musicians Wilson Pickett (voice), Donald “Duck” Dunn (bass), Steve Cropper (guitar), Al Jackson, Jr. (drums), Wayne Jackson (trumpet), Andrew Love and Charles “Packy” Axton (tenor saxophone), Floyd Newman (baritone saxophone) Producer Jerry Wexler Engineer Jim Stewart Recording Stax studio (Memphis); May 1965; mono Charts Pop 21, R&B 1 MUSIC Genre Southern soul Form Simple verse Key E major Meter 4/4, with Stax’s signature delayed backbeat MUSC-21600 Listening Guide Freeze “In the Midnight Hour” (Wilson Pickett, 1965) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (4+2) • Measured drum roll; bluesy horn fanfare. 0:09 • 2-bar vamp • Snare/guitar backbeat accents are slightly delayed • Bass plays arpeggios reinforced with a pickup riff on the baritone saxophone. 0:13 Verse 1 (8+7) “I’m gonna wait” • Vocal accompanied by vamp. 0:31 “I’m gonna take you” • Sustained horn chords. 0:39 • Vamp with horn riff. 0:46 Turnaround (2) • Flat VII chord (D). 0:50 Verse 2 (8+7) “I’m gonna wait” • Vocal accompanied by vamp with added horn riffs. 1:07 “You’re the only” • Sustained horn chords. 1:16 • Vamp with horn riff. 1:23 Turnaround (2) • As before. 1:27 Instr. Break (8) • Horns in unison • Groove feel shifts slightly as snare plays on every quarter note.
    [Show full text]
  • October 1987
    Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers.
    [Show full text]
  • Site 1: Ellis Auditorium Corner of Poplar and Front Streets
    Site 1: Ellis Auditorium Corner of Poplar and Front Streets Ellis Auditorium was located in downtown Memphis on the corner of Poplar and Front Streets. When the 12,000-seat auditorium opened in 1924, Memphis had a venue for movies, music, and graduations. Elvis Presley, who attended high school in Memphis and recorded his first songs at Sun Studio on Union Avenue in 1954, played his first big homecoming concert at Ellis on February 6, 1955. Black and white Memphians alike attended Elvis’s sold-out show to see the local star perform his unique mix of Country, Blues and R&B music, but they could not comingle. African Americans used a separate side entrance and sat in a separate balcony. WWW.TEACHROCK.ORG Site 2: Currie’s Club Tropicana 1331 Thomas Street Photos: Ticket for Bobby Blue Bland at Currie’s; Images from inside Currie’s, Memphis Tri-State Defender, 1955 The downtown scene on Beale Street is the historical hotspot of Memphis’ music, but tucked away in the northern part of the city is Thomas Street: a respectable hub in its own right of blues, jazz, rock and roll, and soul (and the former stomping grounds of artist and producer Isaac Hayes when he was a student at Manassas High School). Currie’s Club Tropicana was located at 1331 Thomas Street. It was a noted venue of the national “chitlin’ circuit”: clubs that featured African-American performers and catered to a black audience. The most prominent black artists of the day played Currie’s: Fats Domino, Louis Armstrong, and Ray Charles among them.
    [Show full text]
  • An Educator's Guide to Visiting the Stax Museum of American Soul Music
    A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason.
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]