Georgia Adopts Anti-Corruption Strategy & Action Plan
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Explore Unknown Music with the Toccata Discovery Club
Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics is exploring it. To link label and listener directly we run the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you, free on joining, two CDs, a Toccata Press book or a number of album downloads (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases as CDs or downloads, as you prefer. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details. -
Interviu Saqartvelos Mecnierebata Erovnuli Akademiis Prezidenttan
zamTari WINTER interviu saqarTvelos mecnierebaTa erovnuli akademiis prezidentTan INTERVIEW WITH THE PRESIDENT OF GEORGIAN # NATIONAL ACADEMY OF SCIENCES 6 2 0 1 4 saqarTvelos inteleqtualuri sakuTrebis erovnuli centris saqpatentis perioduli gamocema saqarTvelo gamodis sam TveSiIerTxel © saqpatenti, 2014 PERIODICAL PUBLICATION OF NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA “SAKPATENTI” GEORGIA PUBLISHED QUARTERLY PRINTED AT SAKPATENTI PUBLISHING HOUSE ADDRESS: 0179 TBILISI, NINO RAMISHVILI STR. 31 © SAKPATENTI, 2014 TEL.: (+995 32) 291-71-82 [email protected] Tavmjdomaris sveti CHAIRMAN’S COLUMN Zvirfaso mkiTxvelo, ukve meore welia, wlis bolos, warmogidgenT Cveni Jurna lis saaxalwlo nomers. rogorc yovelTvis, am gamocemaSic Tavmoyrilia rubrikebi cnobili sasaqonlo niSnis, mniS vnelovani gamogonebis, dizainis, saavtoro uflebebisa da mkiTxvelisaTvis saintereso bevri sxva Temis Sesaxeb. es no meric gansakuTrebulia Tavisi sadResaswaulo ganwyobiTa da specialurad misTvis Seqmnili statiebiT Cveni qveynis inteleqtualur simdidreze. wlis bolos yovelTvis Tan axlavs gasuli wlis saqpa tentis saqmianobis Sefaseba. vfiqrob, rom inteleqtualuri sakuTrebis sferoSi 2013 wels erTerTi mniSvnelovani mov lena iyo JenevaSi inteleqtualuri sakuTrebis msoflio Dear reader, organizaciis (WIPO) rigiT 51e generalur asambleaze It is for the second time as we present the New Year’s edition of our magazine. As usual, this edition under different saqarTvelos kulturuli RonisZiebis gamarTva. RonisZie headings includes articles on well-known trademarks, signifi- -
2015 Tbilisi
NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA SAKPATENTI 3(415) 2015 TBILISI INID CODES FOR IDENTIFICATION OF BIBLIOGRAPHIC DATA LIST OF CODES, IN ALPHABETIC SEQUENCE, AND THE CORRESPONDING (SHORT) NAMES OF STATES, OTHER ENTITIES AND INTERGOVERNMENTAL ORGANIZATIONS (WIPO STANDARD ST.3) INVENTIONS, UTILITY MODELS (10) Number of publication for application, which has been examined (54) Title of the invention AD Andorra for the Arab States of the Gulf (GCC) NE Niger (11) Number of patent and kind of document (57) Abstract AE United Arab Emirates GD Grenada NG Nigeria (21) Serial number of application (60) Number of examined patent document granted by foreign patent office, date from which patent AF Afghanistan GG Guernsey NI Nicaragua (22) Date of filing of the application has effect and country code (62) Number of the earlier application and in case of divided application, date of filing an AG Antigua and Barbuda GH Ghana NL Netherlands (23) Date of exhibition or the date of the earlier filing and the number of application, if any application AI Anguilla GI Gibraltar NO Norway (24) Date from which patent may have effect (71) Name, surname and address of applicant (country code) AL Albania GT Guatemala NP Nepal (31) Number of priority application (72) Name, surname of inventor (country code) AM Armenia GW Guinea- Bissau NR Nauru (32) Date of filing of priority application (73) Name, surname and address of patent owner (country code) AN Netherlands Antilles GY Guyana NZ New Zealand (33) Code of the country or regional organization allotting -
Toccata Classics Cds Are Also Available in the Shops and Can Be Ordered from Our Distributors Around the World, a List of Whom Can Be Found At
Recorded in the Great Hall of the Moscow Conservatoire on 25–27 June 2013 Recording engineers: Maria Soboleva (Piano Concerto) and Pavel Lavrenenkov (Cello Concerto) Booklet essays by Anastasia Belina and Malcolm MacDonald Design and layout: Paul Brooks, [email protected] Executive producer: Martin Anderson TOCC 0219 © 2014, Toccata Classics, London P 2014, Toccata Classics, London Come and explore unknown music with us by joining the Toccata Discovery Club. Membership brings you two free CDs, big discounts on all Toccata Classics recordings and Toccata Press books, early ordering on all Toccata releases and a host of other benefits, for a modest annual fee of £20. You start saving as soon as you join. You can sign up online at the Toccata Classics website at www.toccataclassics.com. Toccata Classics CDs are also available in the shops and can be ordered from our distributors around the world, a list of whom can be found at www.toccataclassics.com. If we have no representation in your country, please contact: Toccata Classics, 16 Dalkeith Court, Vincent Street, London SW1P 4HH, UK Tel: +44/0 207 821 5020 E-mail: [email protected] A student of Ferdinand Leitner in Salzburg and Leonard Bernstein and Seiji Ozawa at Tanglewood, Hobart Earle studied conducting at the Academy of Music in Vienna; received a performer’s diploma in IGOR RAYKHELSON: clarinet from Trinity College of Music, London; and is a magna cum laude graduate of Princeton University, where he studied composition with Milton Babbitt, Edward Cone, Paul Lansky and Claudio Spies. In 2007 ORCHESTRAL MUSIC, VOLUME THREE he was awarded the title of Honorary Professor of the Academy of Music in Odessa. -
Voyager's Gold Record
Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7. -
Konrad and Alexandra the Chronicle of a Great Love 1898 - 1998
1 Konrad and Alexandra The Chronicle of a Great Love 1898 - 1998 Rolf Gross . Second revised and illustrated Edition Pacific Palisades 2011 2 Table of Contents Click on the underlined links 1. Konrad's Watch 1969 36.The Summer of 1905 in Ca' Savio 2. Konrad Arrives in Georgia 1898 37.Snowbound in Eydtkuhnen, 1905 3. Tiflis 1898 38.Return to St. Petersburg, 1905 3. Alexandra Dadiani, Tiflis 1898 39.Exploring St. Petersburg 1905 4. Chekhov's "Chaika" Henri the Goldsmith 40.Sophia's Birth 5. Alexandra's Necklace 41.Uncle Mouravi's Benz 6. Georgia on Horseback 42.A Family Reunion, Tiflis 1907 7. The Engagement 43.Niko and Claudia's Wedding, Tiflis 1907 8. A Sufi Sema 44.The Dadiani Castle, Zugdidi 1907 9. Ilia Chavchavadze 45.Strange Happenings, Svaneti 1907 9. New Year 1899 46.Calling the Dead, Svaneti 1907 10. Alexandra's Abduction 47.Adishi, Gocha Teaching Dream Work 11.Easter at Zedazeni 48. Ilia Chavchavadse's Assassination 1907 12.The Last Feudal Wedding 49.Tamara and Vladimir, Alexandra and Helena 13.Venice 1899 50.Konrad Learns Chinese, 1910 14.Fiesole and Florence 1899 51.A Stunning Discovery, Paris 1981 15. St. Petersburg, The Summer Ball 1899 52.Alexandra in Paris, 1911 16 . Alexandra Studies Medicine 53.Konrad in China, 1911-1912 17.Becky's Museum 54.Konrad's Return from China, 1912 18.Otto's Birth 1900 55.Alexandra's Journey to Munich, 1913 19.Vladimir 1904 56.Dahl's Examination of Alexandra, 1913 20. A Theosophists' Reception 1904 57.A visit to Kandinsky in Murnau 1913 21.Berlin 1904 58.Alexandra in Tiflis, Tamara's Quarrel 1913 22.Rheinsberg 1904 59.Revolutionary St. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Temporada De Conciertos 2014/2015
TEMPORADA DE CONCIERTOS 2014 / 2015 2014 DE CONCIERTOS TEMPORADA TEMPORADA DE CONCIERTOS 2014/2015 FUNDACIÓN JUAN MARCH Fundación Juan March www.march.es F Fundación Juan March TEMPORADA DE CONCIERTOS 2014/2015 Madrid, 2014 FUNDACIÓN JUAN MARCH www.march.es Presentación Retar al oyente Puede parecer una obviedad recordar que una programación de conciertos debe tener como misión principal suscitar placer estético. Según la visión heredada del Romanticismo, imaginamos que esta experiencia alcanza al oyente en actitud receptiva y meditativa, a veces extasiada. Pero resulta mucho menos común convenir que una programación también es el resultado del diálogo, explícito o implícito, entre la institución organizadora, los intérpretes participantes y el público potencial. Este proceso, en el caso de la programación de la Fundación Juan March, está guiado por cuatro principios. En primer lugar, la selección de los compositores y de las obras de cada programa deriva del concepto o de la perspectiva preestablecida que explora cada proyecto. De modo que, como es habitual en esta institución, la temporada no se conforma por conciertos sino por ciclos de conciertos. En segundo lugar, el contenido explora la variedad y el contraste llegando a alcanzar los extremos: de la música medieval a la contemporánea, de los repertorios clásicos a los folclóricos, de las obras escritas a las improvisadas, de los instrumentos convencionales a las rarezas. En tercer lugar, se acompaña de un cierto espíritu didáctico a través de los programas de mano y de las presentaciones antes y durante algunos conciertos, un rasgo que se potencia esta temporada. Y, por último, el formato de concierto habitual se diluye en determinados casos para escrutar otros modos de percibir la música que combinen la interpretación en vivo con la literatura, la pintura o la luz. -
A Study of Select World-Federated International Piano Competitions: Influential Actf Ors in Performer Repertoire Choices
The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 2020 A Study of Select World-Federated International Piano Competitions: Influential actF ors in Performer Repertoire Choices Yuan-Hung Lin Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Performance Commons Recommended Citation Lin, Yuan-Hung, "A Study of Select World-Federated International Piano Competitions: Influential actF ors in Performer Repertoire Choices" (2020). Dissertations. 1799. https://aquila.usm.edu/dissertations/1799 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. A STUDY OF SELECT WORLD-FEDERATED INTERNATIONAL PIANO COMPETITIONS: INFLUENTIAL FACTORS IN PERFORMER REPERTOIRE CHOICES by Yuan-Hung Lin A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Elizabeth Moak, Committee Chair Dr. Ellen Elder Dr. Michael Bunchman Dr. Edward Hafer Dr. Joseph Brumbeloe August 2020 COPYRIGHT BY Yuan-Hung Lin 2020 Published by the Graduate School ABSTRACT In the last ninety years, international music competitions have increased steadily. According to the 2011 Yearbook of the World Federation of International Music Competitions (WFIMC)—founded in 1957—there were only thirteen world-federated international competitions at its founding, with at least nine competitions featuring or including piano. One of the founding competitions, the Chopin competition held in Warsaw, dates back to 1927. -
Armenia Condemns Turkey's Invasion of Syria
OCTOBER 19, 2019 Mirror-SpeTHE ARMENIAN ctator Volume LXXXX, NO. 14, Issue 4607 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Britain Reverses Armenia Appointment of New Envoy to Armenia Condemns LONDON (RFE/RL) — The British government has unexpectedly rescinded its recent decision to appoint an ethnic Armenian diplomat as the United Kingdom’s new ambassador to Armenia. Turkey’s The government announced two months ago that Alan Gogbashian will replace Judith Farnworth, a fellow diplomat who has served as Invasion British ambassador in Yerevan for the last four years. The announcement was welcomed by many in Armenia and its worldwide Diaspora. “This is the first time that a Diaspora Of Syria A scene from the documentary of “The Stateless Diplomat” Armenian will be ambassador to Armenia,” the office of Zareh Sinanyan, Armenia’s Armenian- American commissioner general of Diaspora YEREVAN (Combined Sources) — Armenia Diana Apcar Documentary Sheds affairs, said on August 12. condemned the Turkish invasion of Syria, “Mr. Alan Gogbashian will no longer be taking according to a message from the Ministry up the role of Her Majesty’s Ambassador to of Foreign Affairs of Armenia, released on Light on Tireless Heroine Yerevan for operational reasons,” read a state- October 10. Prime Minister Nikol WATERTOWN — Diana Agabeg Apcar, a ment released by the British Embassy in Yerevan Pashinyan also called on the international on Monday, October 14. “Mr. Gogbashian will be community to take every measure to stop By Alin K. Gregorian woman born far away from her homeland not only ended up representing her country transferring to another Diplomatic Service the Turkish invasion. -
Tbilisi As a Center of Crosscultural Interactions (The 19Th– Early 20Thcenturies)
Khazar Journal Of Humanities and Social Sciences Special Issue, 2018 ©Khazar University Press, 2018 DOI: 10.5782/kjhss.2018.233.252 Tbilisi as a Center of Crosscultural Interactions (The 19th– early 20thCenturies) Nino Chikovani Ivane Javakhishvili Tbilisi State University, Tbilisi, Georgia The city of Tbilisi – the capital of Georgia, during its long period of existence, has been an interesting place of meeting and interaction of different cultures. In this context, the present paper deals with one of the most interesting periods in the history of the city. From the beginning of the 19th century, when the establishment of the Russian imperial rule started in the Caucasus, Tbilisi became an official political center of the region; political and economic changes, occurring during the second half of the 19th century, significantly influenced ethnic and religious composition of Tbilisi, its cultural lifetime and mode of life in general. For centuries-long period, Tbilisi, like other big cities (how much big does not matter in this case), was not only the Georgian city in ethnic terms; but also, it represented a blend of different religious and ethnic groups. Not only in a distant past, but just a couple of decades ago, when the phenomenon of the so called ‘city yards’ (which are often called as ‘Italian yards’ and which have almost disappeared from the city landscape) still existed in Tbilisi, their residents spoke several languages fluently. Ethnically and religiously mixed families were not rare. Such type of cities, termed as Cosmo-policies by some researchers, has an ability to transform a visitor, at least temporarily, into a member of “in-group”, in our case – into Tbilisian. -
On the Coe Presidency
Issue no: 1207 • NOV 29 - DEC 2, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Risks of Draft Amendments to FOCUS Law on Information Security ON THE COE NEWS PAGE 3 PRESIDENCY Economic Policy Research The Presidency of the Council Center Celebrates 17 Years of Europe Committee of Ministers this week passed POLITICS PAGE 4 from France to Georgia PAGE 2 The US & the Black Sea: A Troublesome Year Ahead POLITICS PAGE 4 The Streetwise Political Dictate POLITICS PAGE 6 38% of FDIs Attracted by Georgia in 2010-2018 Come from Offshore Countries BUSINESS PAGE 7 Opposition Vows the Protests Will Stop If Gov't Two Decades in Georgia Agrees to German Model of Elections SOCIETY PAGE 8 Venue of the Week: Skola BY ANA DUMDADZE Coffee & Wine Bar SOCIETY PAGE 9 espite the fact that representatives of opposition and civil activists continue demonstrations in front of the parliament building in Geor- ‘Batumi in Cinema’: a gia’s capital Tbilisi, the government Dhas said it does not intend to change its position Retraining Program for the on replacing a mixed electoral system with a proportional one for the 2020 elections. City Guides Begins "The topic is closed. A mixed electoral system will be kept in 2020," Kakha Kaladze, the ruling CULTURE PAGE 11 Image source: France24 party's Secretary-General, said in a statement made at the Georgian Dream headquarters. opposition. Secondly, it is clear to all that, given parliamentary elections or the 2021 local self- He emphasized that members of the ruling the moods of the parliamentary majority, there government elections.