DOCSLIB.ORG

E 8043Pro-20010612.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
E 8043Pro-20010612.Pdf IMPORTANT If you are in any doubt about this prospectus, you should consult your stockbroker, bank manager, solicitor, professional accountant or other professional adviser. App1A1 ERA INFORMATION & ENTERTAINMENT LIMITED Co 3rd Sch 29 Ala 29(1) (incorporated in the Cayman Islands with limited liability) LISTING ON THE GROWTH ENTERPRISE MARKET OF THE STOCK EXCHANGE OF HONG KONG LIMITED BY WAY OF PLACING Co 3rd Sch 2 Ala15(1) Number of Placing Shares : 80,000,000 Shares, comprising (3)(c) 58,000,000 New Shares, and 22,000,000 Sale Shares (subject to Over-allotment Option) Offer Price : not more than HK$1.10 per Share Nominal value : HK$0.01 each Stock code : 8043 Sponsor and Manager REXCAPITAL (Hong Kong) Limited Lead Underwriter TingKong-RexCapital Securities International Limited Underwriters CEF Capital Limited Chow Sang Sang Securities Limited Get Nice Capital Limited GC Capital (Asia) Limited HT Securities Limited KGI Asia Limited Kingsway SW Securities Limited Pacific Challenge Capital Limited SBI E2-Capital Securities Limited Sun Hung Kai International Limited Vickers Ballas Capital Limited The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the Rule 14.04 contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus. A copy of this prospectus, having attached thereto the documents specified in the paragraph headed “Documents delivered to Co S342C the Registrar of Companies” in Appendix V to this prospectus, has been registered by the Registrar of Companies in Hong Kong as required under Section 342C of the Companies Ordinance (Chapter 32 of the Laws of Hong Kong). The Securities and Futures Commission and the Registrar of Companies in Hong Kong take no responsibility as to the contents of this prospectus or any other documents referred to above. The Offer Price is expected to be fixed by agreement between Rexcapital, on behalf of the Underwriters, the Company and the Vendor at or before 5:00 p.m. on 18th June, 2001 or such later time as may be agreed between the parties, but in any event, no later than 5:00 p.m. on 19th June, 2001. The Offer Price will be not more than HK$1.10 per Share and is expected to be not less than HK$0.80 per Share although Rexcapital, on behalf of the Underwriters, the Company and the Vendor may agree a lower price. If Rexcapital, on behalf of the Underwriters, the Company and the Vendor are unable to reach agreement on the Offer Price, the Placing will not proceed. 12th June, 2001 CHARACTERISTICS OF THE GROWTH ENTERPRISE MARKET OF THE STOCK EXCHANGE OF HONG KONG LIMITED CHARACTERISTICS OF THE GROWTH ENTERPRISE MARKET (“GEM”) OF THE Rule 14.05 STOCK EXCHANGE OF HONG KONG LIMITED GEM has been established as a market designed to accommodate companies to which a high investment risk may be attached. In particular, companies may list on GEM with neither a track record of profitability nor any obligation to forecast future profitability. Furthermore, there may be risks arising out of the emerging nature of companies listed on GEM and the business sectors or countries in which the companies operate. Prospective investors should be aware of the potential risks of investing in such companies and should make the decision to invest only after due and careful consideration. The greater risk profile and other characteristics of GEM mean that it is a market more suited to professional and other sophisticated investors. Given the emerging nature of companies listed on GEM, there is a risk that securities traded on GEM may be more susceptible to high market volatility than securities traded on the Main Board of the Stock Exchange and no assurance is given that there will be a liquid market in the securities traded on GEM. The principal means of information dissemination on GEM is publication on the Internet website operated by the Stock Exchange. Listed companies are not generally required to issue paid announcements in gazetted newspapers. Accordingly, prospective investors should note that they need to have access to the GEM website at www.hkgem.com in order to obtain up-to-date information on GEM-listed issuers. —i— EXPECTED TIMETABLE 2001 DeterminationoftheOfferPriceonorbefore ...............5:00p.m.onMonday, 18th June Announcement of the Offer Price and the indication of the level of interests in the Placing to be published on the GEM website at www.hkgem.com and in the Hongkong iMail (in English) and the Hong Kong Economic Times (in Chinese) on or before ...........Friday,22nd June Allotment of New Shares and transfer of Sale Shares to placees on or before .........................................Tuesday,26thJune Despatch of Share certificates on or before (Note 2) .....................Tuesday 26th June Dealings in the Shares on GEM to commence on ........................Thursday, 28th June Notes: 1. All times refer to Hong Kong local time. Details of the structure of the Placing, including its conditions, are set out in the section headed “Structure of the Placing” in this prospectus. 2. The share certificates for the Placing Shares to be distributed via CCASS are expected to be deposited into CCASS on or about Tuesday, 26th June, 2001 for credit to the relevant CCASS participants’ stock accounts of the Underwriters, the placees or their agents (as the case may be). No temporary document of title will be issued. 3. Shares will be traded in board lot of 4,000 Shares. 4. If there is any change in the above timetable, a separate announcement will be made by the Company. — ii — CONTENTS You should rely only on the information contained in this prospectus to make your investment decision. Era Information & Entertainment Limited has not authorised anyone to provide you with information that is different from what is contained in this prospectus. Any information or representation not made nor contained in this prospectus must not be relied on by you as having been authorised by Era Information & Entertainment Limited, Rexcapital (as sponsor and manager), the Underwriters, any of their respective directors, or any other person involved in the Placing. Page Summary ................................................................ 1 Definitions ............................................................... 15 Glossary of technical terms .................................................. 20 Risk factors .............................................................. 24 Waivers in respect of the GEM Listing Rules and Companies Ordinance ............. 29 Information about this prospectus and the Placing ............................... 34 Directors ................................................................ 37 Parties involved in the Placing ............................................... 38 Corporate information ..................................................... 41 Industry overview ......................................................... 42 General overview of the Group History and development ................................................ 50 Group and shareholding structure .......................................... 51 Description of business .................................................. 52 The Group’s strength ................................................... 61 Technology and facilities infrastructure ..................................... 65 Licences and intellectual property rights ..................................... 66 Statement of active business pursuits .......................................... 68 Relationship with ERA Taiwan ............................................... 72 Statement of business objectives Marketpotential....................................................... 75 Business objective ..................................................... 76 Implementation plan .................................................... 79 Basis and assumptions .................................................. 82 Use of proceeds ....................................................... 83 — iii — CONTENTS Page Directors, senior management and employees Directors ............................................................ 85 Consultants ........................................................... 86 Senior management ..................................................... 86 Audit committee ....................................................... 87 Employees ........................................................... 87 Benefit schemes ....................................................... 88 Share Option Schemes .................................................. 88 Substantial, management and significant shareholders Substantial shareholders ................................................. 89 Initial Management Shareholders .......................................... 90 Significant Shareholder .................................................. 91 Undertakings ......................................................... 92 Share capital ............................................................. 94 Financial information Indebtedness .......................................................... 96 Liquidity, financial resources and capital structure ............................. 97 Trading record ........................................................ 99 Propertyinterests ...................................................... 101 Dividends ...........................................................
Load more

Recommended publications
  • Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
    Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below.
    [Show full text]
  • Commencement Program
    Sunday, the Sixteenth of May, Two Thousand and Ten ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2010 One Hundred Fifty-Eighth Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and Again at commencement, ceremonial use is copes or capes with hoods attached were made of two important insignia given to Duke needed for warmth. As the control of universities University in memory of Benjamin N. Duke. gradually passed from the church, academic Both the mace and chain of office are the gifts costume began to take on brighter hues and to of anonymous donors and of the Mary Duke employ varied patterns in cut and color of gown Biddle Foundation. They were designed and and type of headdress. executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended The Mace, the symbol of authority of the a uniform code. In this country, the design of a University, is made of sterling silver throughout. gown varies with the degree held. The bachelor’s Significance of Colors It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Colors indicating fields of eight pounds.
    [Show full text]
  • SCANDAL! Literature and Provocation: Breaking Rules, Making Texts
    A SAMLA 92 SCANDAL! Literature and Provocation: Breaking Rules, Making Texts November 13–15, 2020 A Virtual Conference through Accelevents SAMLA WELCOMES OUR 2020 EXHIBITORS Welcome from the President and Executive Director 1 Award Winners 4 Schedule of Conference Events 8 Plenary Speaker Profile 10 Plenary and Presidential Events 12 Past Presidents’ Sessions 13 Conference Schedule 15 Subject Index 70 Participant Index 80 Committee Lists 87 Business Meeting Agenda 93 Executive Committee Nominees 94 SAMLA 93 Guidelines, Deadlines, and Considerations 98 SAMLA WOULD LIKE TO THANK FOR 26 YEARS OF SUPPORT AND COllaBORATION SOUTH ATLANTIC MODERN LANGUAGE ASSOCIATION STAFF LeeAnne M. Richardson—Executive Director Dan Abitz—Associate Director Esther Stuart—Conference Manager Shari Arnold—Assistant Conference Manager I-Hsien “Shannon” Lee—Membership Manager Mike Saye—Assistant Membership Manager Donna Pennington—Production and Design Manager SOUTH ATLANTIC REVIEW STAFF R. Barton Palmer—Editor Marta Hess—Associate Editor M. Allison Wise—Managing Editor PROGRAM COVER ATTRIBUTIONS “Henry David Thoreau - Stencil” by Iso Brown FR (CC BY-NC 2.0) “Le feulliton de l’été - Madame Bovary” (Permission Granted by Babelio) Lord Byron by Thomas Phillips (CC BY-NC-ND 3.0) “Oscar Wilde” by bixentro (CC BY 2.0) © South Atlantic Modern Language Association 2020 This program was designed, compiled, and edited by SAMLA Staff at Georgia State University. 1 WELCOME FROM THE PRESIDENT Dear SAMLA Members and Conference Guests, Welcome to SAMLA 92, the first-ever virtual meeting of the South Atlantic Modern Language Association. Despite the numerous challenges that we have faced throughout this uncertain year, it is thanks to your commitment and the foresight and planning of our Executive Committee that this year’s conference is possible.
    [Show full text]
  • 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4
    Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34.
    [Show full text]
  • NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores.
    [Show full text]
  • China Perspectives, 2017/4 | 2017, « Grassroots Makers of Chinese Digital Economy » [Online], Online Since 01 December 2018, Connection on 26 November 2020
    China Perspectives 2017/4 | 2017 Grassroots Makers of Chinese Digital Economy Electronic version URL: http://journals.openedition.org/chinaperspectives/7448 DOI: 10.4000/chinaperspectives.7448 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 December 2017 ISSN: 2070-3449 Electronic reference China Perspectives, 2017/4 | 2017, « Grassroots Makers of Chinese Digital Economy » [Online], Online since 01 December 2018, connection on 26 November 2020. URL : http://journals.openedition.org/ chinaperspectives/7448 ; DOI : https://doi.org/10.4000/chinaperspectives.7448 This text was automatically generated on 26 November 2020. © All rights reserved 1 TABLE OF CONTENTS Special Feature Editorial - Beyond E-Commerce The Social Case of China’s Digital Economy Haiqing Yu China’s Internet Finance Boom and Tyrannies of Inclusion Nicholas Loubere Programming Practices of Chinese Code Farmers Articulations, Technology, and Alternatives Ping Sun Therapy Made Easy E-Commerce and Infrastructure in China’s Psycho-Boom Hsuan-Ying Articles Between Resistance and Adaptation The Place of the Uyghur Language in the Sinicised Zone of Ürümchi Giulia Cabras The Migration of Experts and Savoir-faire The Case of French Cuisine Professionals in Shanghai Hélène Le Bail and Aël Théry Current affairs The Imprisonment of Occupy Student Leaders Public Reactions and Debates over Hong Kong’s Judicial Independence Ting-Fai Yu Book reviews Yiu-Wai Chu, Hong Kong Cantopop: A Concise History, Hong Kong, Hong Kong University Press, 2017, 256 pp. Nathanel Amar Luigi Tomba, The Government Next Door: Neighborhood Politics in Urban China, Ithaca and London, Cornell University Press, 2015, 225 pp. Judith Audin China Perspectives, 2017/4 | 2017 2 Ji Zhe, Religion, modernité et temporalité.
    [Show full text]
  • "3Home Karaoke"
    3Home Broadband launches “3Home Karaoke” – Hong Kong’s first genuine home broadband karaoke service Opening up a new era in home entertainment! z 3Home Broadband covers nearly 80% of all households in Hong Kong z Approximately 70% of users subscribe to high-speed broadband service of 100M or more z Exclusive launch of Android K Box enables users to record their performances with an add-on webcam and share via social networks z 3Home Karaoke offers nearly 1,000 songs for a special offer price of just $20 a month Hong Kong, 4 December 2012 – Hutchison Global Communications Limited (HGC), the fixed-line division of Hutchison Telecommunications Hong Kong Holdings Limited (stock code 215), today announced exclusive launch of 3Home Karaoke, Hong Kong’s first genuine and hassle-free home broadband karaoke service. Just under 1,000 karaoke songs from the Emperor Entertainment Group (EEG) can be delivered to customers via HGC’s extensive fibre network and the Olevia Android K Box – starting a whole new trend in home entertainment from the 3Home Broadband residential fixed-line service. High-speed broadband popularity opens up a new era in home entertainment A recent overseas survey1 revealed that the average local peak broadband connectivity speed more than doubles that of the rest of the world, underscoring Hong Kong’s track record in broadband excellence. HGC Managing Director Jennifer Tan said: “3Home Broadband covers nearly 80% of all households in Hong Kong and about 70% of our customers subscribe to high-speed broadband service of 100M or more. This demonstrates that high-speed home broadband service is gaining popularity and becoming a strong local market trend.” She added: “HGC had the foresight to evolve from a conventional network service-based operator and took the initiative to provide an increasing number of one-stop solutions and value-added services, which open up new income streams and increase revenue.
    [Show full text]
  • New Logos of Local Radio Channels of RTHK) Attachment (II) : Biography of Designer Jason KWAN
    新 聞 稿 PRESS RELEASE 3 April 2019 RTHK Strengthens Services of Local Radio Channels Young Design Talent Created a New Series of “90+ Logo” Radio Television Hong Kong (RTHK) has commenced its broadcast services for 90 years. Being the sole public service broadcaster in Hong Kong, RTHK has kept evolving by introducing new services via radio, television and new media platforms for catering to the needs and interests of different sectors in the society. To further strengthen the image and identity of 6 local radio channels and their recently fine-tuned directions, as well as to unify the styles of the logo of each channel, RTHK joined hands with Hong Kong Design Centre (HKDC) to organize a “90+ Logo Design Initiative”, and invited Hong Kong young design talents to create a new series of “90+ Logo”. The designs of up and coming designer Jason KWAN were selected. A press conference announcing the new logos was held today (3 April). Acting Deputy Director of Broadcasting (Programmes) Kirindi CHAN, Chairman of Hong Kong Design Centre Prof. Eric YIM, renowned designer Alan CHAN and singer Joey YUNG were invited to the press conference. After sharing some personal thoughts related to design in her daily life and at work, Joey YUNG announced the result of “90+ Logo Design Initiative”. Local designer Jason KWAN received the award from RTHK’s representative Kirindi CHAN and HKDC’s representative Prof. Eric YIM. The new series of logos were then displayed on the stage and Jason KWAN was invited to share his creative concepts for each logo.
    [Show full text]
  • One2free Next G X EEG Musicholic Virtual Singing Contest
    For Immediate Release one2free Musicholic x EEG Virtual Singing Contest 2010 Buzzes the City with Search for Hong Kong’s Next Pop Singer Realising Dreams! A contract with EEG up for grabs Hong Kong, 5 July 2010 – one2free, the lifestyle mobile brand under CSL Limited (CSL), today announced it will host a virtual singing contest with Hong Kong’s most esteemed entertainment company, Emperor Entertainment Group (EEG). The best performer will realise his or her dream by winning an EEG artist contract and a fast track to fame. The contest will be run through one2free Musicholic, everyone in the city can enter the contest by uploading their MVs to the exclusive submission channel, www.musicholic.com.hk, including non-one2free Musicholic subscribers who can register for trial use of the platform with just HK$1 for uploading, viewing and voting videos. one2free customers can also view and vote on the videos via their mobiles. “Partnering with leaders in music industries is in line with CSL’s strategy to ensure the delivery of exclusive and quality music and songs that are demanded by music lovers,” said Joseph O’Konek, Chief Executive Officer of CSL. “Music is a part of almost everyone’s life. With one2free Musicholic service, anyone can easily access the world of music via their mobile phones or PCs. This singing contest will broaden the horizons of one2free Musicholic from viewing and sharing music content to playing a direct role in the music world.” “EEG is committed to fostering growth of local talents that brings the best-in-town entertainment to audiences from all walks of life in Hong Kong,” said Ng Yu, Chief Executive Officer of EEG.
    [Show full text]
  • Dr. Mary Marazita's Curriculum Vitae
    MARY L. MARAZITA BIOGRAPHICAL Name: Birth Place: Mary Louise Marazita Cheboygan, Michigan Home Address: Citizenship: 612 Victoria Lane, Wexford, PA 15090 USA Office Address: Email Address: Bridgeside Point, Suite 500, 100 Technology Dr. [email protected] Pittsburgh, PA 15219 Office Phone: Office Fax: 412-648-8380 412-648-8779 Web Site: http://www.dental.pitt.edu/center-craniofacial-and-dental-genetics EDUCATION AND TRAINING UNDERGRADUATE: Dates Name and Location Degree Received Major Attended of Institution and Year Subject 1972-1976 Michigan State University B.S., 1976 Animal Husbandry East Lansing, MI GRADUATE: Dates Name and Location Degree Received Discipline and Attended of Institution and Year Major Advisor 1977-1980 University of North Carolina Ph.D., 1980 Genetics Chapel Hill, NC Dr. Robert C. Elston POSTGRADUATE: Dates Name and Location Discipline and Attended of Institution Program Director 1980-1982 University of Southern Craniofacial Biology California Los Angeles, CA Program Director: Dr. Harold Slavkin Mentor: Dr. Michael Melnick Curriculum Vitae Mary L. Marazita Revised 05/14/2019 Page 1 APPOINTMENTS AND POSITIONS ACADEMIC: Name and Location of Institution Rank/Title Years Inclusive Neuropsychiatric Instititute Senior Statistician 1982–1986 University of California, Los Angeles, CA Departments of Biostatistics and Biomathematics Lecturer 1984–1986 University of Californ, Los Angeles, CA Mental Retardation Research Center, Member 1985–1986 Neuropsychiatric Institute, University of California Los Angeles, CA Department of
    [Show full text]
  • Hong Kong Cantopop
    Hong Kong Cantopop A Concise History Yiu-Wai Chu Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-57-1 (Hardback) ISBN 978-988-8390-58-8 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Hang Tai Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii A Note on Romanization x Chapter One Introduction 1 Chapter Two Days of Being Marginalized: The 1950s to the Early 1970s 21 Chapter Three The Rise of Cantopop: The Mid- to Late 1970s 40 Chapter Four An Age of Glory: The 1980s 69 Chapter Five The Best of Times, the Worst of Times: The 1990s 105 Chapter Six After the Fall: The New Millennium 145 Chapter Seven Epilogue: Cantopop in the Age of China 184 Appendix Chronology of Major Events 197 Selected Bibliography 218 Index 226 1 Introduction “Every generation has its own voice,” claimed James Wong 黃霑, the late god- father of Cantopop, in his doctoral thesis on the development of Cantopop.1 The English term “Cantopop”—Cantonese popular songs—did not come into existence until the 1970s, when Billboard correspondent Hans Ebert used it “to describe the locally produced popular music in Hong Kong” in 1978.2 Per James Wong’s remark—which was adapted from the well-known saying of the Qing dynasty master of Chinese culture, Wang Guowei 王國維: “Every dynasty has its own representative form of literature”3 —Cantopop is a musical form from and the voice of contemporary Hong Kong.
    [Show full text]
  • Idol Consumption and Identity Construction: a Study of the Young Fans of Popular Singers in Hong Kong
    Idol Consumption and Identity Construction: A Study of the Young Fans of Popular Singers in Hong Kong Cheung Ka-ki A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Communication © mi: CUINKSF： IIMM:KSH V OF IIONC； K()N(； MARCH 2002 The Chinese I 'ni\ crsil\ of 1 loni： Koiil： holds the ctip\ riiihi ol this thesis. Am • W W ‘ - - pcrson(s) intending to use a pan or \\hole of the niaicrivil> in the thesis in a proposed publicalion nuisl sock cop> riuht release Iroin he I )can of' ihc (u'ciJuciic School. fL/ \A 舰2( 1 1 13 j|| ^ UNIVERSITY N^XLIBRARY SYSTEM/^# I ABSTRACT Idol Consumption and Identity Construction: A Study of the Young Fans of Popular Singers in Hong Kong Submitted by Cheung Ka-ki for the degree of Master of Philosophy in Communication at The Chinese University of Hong Kong It is common for young people to have idols but idol worship does not deserve much merit and academic attention in Hong Kong. As a deconstmction of stereotypes of fans, this paper uses an ethnographic method to investigate the ways in which young people depict and worship their idols. Data were collected by 30 intensive interviews with fans of popular singers and during participation in various fan activities. The ethnographic investigation shows that the young people who are emotionally attached to stars can manipulate media images to serve both self and group identity construction. The emotional attachment to idols can be divided into three modes, namely the adoration, appreciation and admiration, which all enhance the fans' self-reflection, role-playing, and disposition of their existing values and beliefs constituting self-conceptions.
    [Show full text]