Keiko-Gi and Hakama Buying Guide for Beginners at Uofm (Ver. 1.00)
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La V Ia Dell' Arco
KyKyûûdô la via dell'arco Storia, filosofie e pratica dell'arcieria giapponese di Muzio Bobbio [ebook realizzato utilizzando quanto riportato sul sito web http://gorin.it/kyudo.htm per gentile concessione dell’autore] Indice Prologo Ringraziamenti Prefazione Introduzione PARTE I: Storia del Kyûdô: i grandi arcieri del passato e le loro scuole Periodo antico Periodo di evoluzione Periodo feudale Periodo di transizione Periodo moderno Il tiro moderno Il Kyûdô in Italia PARTE II: L'attrezzatura L'arco Le frecce Il guanto Gli altri accessori L'abbigliamento PARTE III: La pratica La pratica storica Il tiro standard moderno Alcuni particolari tecnici Tavole riassuntive APPENDICI Metodo di traslitterazione Glossario Bibliografia Kyudo di Muzio Bobbio Pag. 2 Prologo Questo testo sul kyûdô, l'esoterica arcieria giapponese, era nato alcuni anni fa, su precisa richiesta, per essere pubblicato come libro; varie vicissitudini hanno impedito per ben due volte che il progetto andasse a buon fine ed allora ho pensato di renderlo liberamente disponibile a tutto il pubblico attraverso la "grande ragnatela"; data la sua storia, il lettore non si meravigli se esso rispecchierà molto da vicino l'impostazione "cartacea" più che quella "elettronica". Ringraziamenti Per questo lavoro, più di qualche persona merita il mio ringraziamento, ma lo debbo in particolare al dott. Procesi di Roma per la revisione delle bozze e le precisazioni storiche che mi ha fornito nonché al Maestro Ichikura di Milano per la revisione della terminologia giapponese. Prefazione Kyûdô significa letteralmente "via dell'arco"; in Oriente la parola "via" non significa solamente strada nel senso di traccia da percorrere per gli spostamenti, ma anche (ed in questo caso esclusivamente) percorso dell'essere umano verso il suo miglioramento anche tecnico ma soprattutto verso la sua crescita interiore come Uomo: lo stesso ideogramma si legge Tao in cinese. -
L'habillement Des Aïkidokas
L’habillement 3. les zooris : Ce sont des sortes de sandales en paille que Le Gi est l’habillement d’un aïkidoka. Il comprend plusieurs l’on porte dans le vestiaire pour ne pas être à éléments. pieds nus, pour des questions d’hygiène. On les porte également pour passer du vestiaire 1. le keikogi ou l’aïkidogi : au dojo. Ces chaussures ne sont pas utilisables en dehors du dojo. le hakama : Cela désigne le vêtement d’exercice ou vêtement d’aïkido. On entend couramment le nom de kimono, mais celui-ci désigne Le hakama est un pantalon bouffant, souvent comparé à une plutôt l’habit de ville des Japonais. jupe culotte. Il peut être de différentes couleurs : noir, bleu marine ou gris foncé. Ces différentes couleurs ne correspondent pas à des grades, mais chacun choisit la couleur qu’il veut. Ce pantalon comprend cinq plis. Ceux-ci représentent les cinq éléments du TAO (principe suprême d’ordre naturel pour la religion taoïste) : l’eau, le vent, la terre, le feu et le bois. L’aïkidogi se croise devant en mettant le côté gauche sur le côté droit. Lorsque l’on croise un Japonais qui porte son kimono avec le côté droit sur le côté gauche, cela veut dire qu’il est en deuil. C’est pour cette raison qu’il faut bien faire attention à la façon dont on est habillé avant d’entrer sur le tatami. Pour l’aïkido, il est de couleur blanche ou crème. 2. la ceinture ou obi : Elle sert à maintenir le keikogi grâce à un nœud plat. -
Sports Quiz When Were the First Tokyo Olympic Games Held?
Sports Quiz When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari Which of these is not included in the waza techniques of -
First Encounter with Iai in Japan, the Days of Sword-Wielding Battles Are A
PROMENADE In Japan, the days of sword-wielding battles are a thing of the past. However, one of the techniques of wielding swords is being passed on from generation to generation. It is iaido (iai for short), the art of drawing a sword in one stroke to cut down the opponent or ward off an attack. “Why use a sword in this peaceful era?” you may ask. However, iai does not train people to kill one another. Iai is being handed down because one of its purposes is to train the soul – a world of great depth. First Encounter with Iai States also participated. I was filled with anticipation because it was hard to imagine how these people, so different in statures and looks, Recently, I had a chance to see a demonstration of iai for the first would perform with a Japanese sword, dressed in traditional formal time. Even in Japan, not so many people watch iai demonstrations Japanese attire – a kimono with a family crest and a full-length, unless they are particularly interested. Even though I took some pleated and divided skirt worn over it. lessons in kendo (Japanese swordsmanship) when I was a child, I I learned that these people practice in five southwestern cities in had nothing to do with iai except that my grandfather, Osamu the United States – Phoenix (Arizona), Lancaster and Austin (both Toyoda, was a master of iai. Kendo and iai are on the same line of California), Las Vegas (Nevada), and El Paso (Texas). And there are Japanese martial arts featuring the use of swords, but a real sword is also many women practitioners. -
Asian Traditions of Wellness
BACKGROUND PAPER Asian Traditions of Wellness Gerard Bodeker DISCLAIMER This background paper was prepared for the report Asian Development Outlook 2020 Update: Wellness in Worrying Times. It is made available here to communicate the results of the underlying research work with the least possible delay. The manuscript of this paper therefore has not been prepared in accordance with the procedures appropriate to formally-edited texts. The findings, interpretations, and conclusions expressed in this paper do not necessarily reflect the views of the Asian Development Bank (ADB), its Board of Governors, or the governments they represent. The ADB does not guarantee the accuracy of the data included in this document and accepts no responsibility for any consequence of their use. The mention of specific companies or products of manufacturers does not imply that they are endorsed or recommended by ADB in preference to others of a similar nature that are not mentioned. Any designation of or reference to a particular territory or geographic area, or use of the term “country” in this document, is not intended to make any judgments as to the legal or other status of any territory or area. Boundaries, colors, denominations, and other information shown on any map in this document do not imply any judgment on the part of the ADB concerning the legal status of any territory or the endorsement or acceptance of such boundaries. ASIAN TRADITIONS OF WELLNESS Gerard Bodeker, PhD Contents I. INTRODUCTION .............................................................................................................................. -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
Curso De Formação À Faixa Preta 2013
Curso de Formação à Faixa Preta 2013 COORDENADOR DO CURSO: Sensei: Elpson de Aquino Carvalho JUNHO-2012 FORTALEZA - CE Considerado de Utilidade Pública Lei n.º 5461-14 de 14 de Outubro de 198-C.G.C. 07.993.041/0001- 75 – Rua Dr. Atualpa, 552 Fortaleza – Ceará - Telefones: 85-32232949 (85) 88872542 Site: www.fecju.com.br E-mail: [email protected] PRA FRENTE JUDÔ APRESENTAÇÃO Preocupada com a formação dos judocas de nosso estado, a Federação Cearense de Judô (FECJU), vem por meio desse instrumento de estudo, compartilhar conhecimentos históricos, técnicos e filosóficos que irá contribuir para desenvolvimento e conhecimento dos praticantes desse esporte que é um dos mais premiados de nosso país. Esperamos que todos os praticantes venham a desfrutar da leitura constante para aprofundar seus conhecimentos sobre o JUDÔ e conhecer um pouco dos segredos do Caminho Suave . Juu Dou - "caminho suave" ou "caminho da suavidade", em língua japonesa é um desporto praticado como arte marcial, fundado por Jigoro Kano em 1882. Os seus principais objetivos são fortalecer o físico, a mente e o espírito de forma integrada, para além de desenvolver técnicas de defesa pessoal. O Judô teve uma grande aceitação em todo o mundo, pois Kano Sensei conseguiu reunir a essência do jujutsu, arte marcial praticada pelos "bushi", ou cavaleiros durante o período Kamakura (1185-1333), a outras artes de luta praticadas no Oriente e fundi-las numa única e básica. O Judô foi considerado desporto oficial no Japão no final do século XIX e a polícia nipônica introduziu em seus treinos de defesa pessoal. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Train Driver and Master Iaido Swordsman
People Train Driver and Master Iaido Swordsman aido is a martial art based on use of Takeshi Kawaguchi, chief driver in the The founder of iaido is believed to be I the Japanese sword (nihonto), said by Narashino Train Crew Depot of the JR East Jinsukeshigenobu Hayashizaki, a retainer many to comprise the origin of all martial Chiba Branch Office is one of many avid of the Mogami feudal clan in Oshu (cur- arts in Japan. During the samurai era, followers of iaido in Japan today. rent-day Yamagata Prefecture in northern members of the warrior class trained in Kawaguchi was raised in a rural district Honshu) during the Eiroku Era (1558–69) this discipline as a means of developing of Ibaraki Prefecture. Growing up in a whose school of fencing came to be their fencing skills. But today, it is referred rich natural environment, he was active known as the Hayashizakimuso School, to as, ‘The path for spiritual strength in sports, and trained hard in baseball, his or the Shigenobu School. Nearly two cen- through training in sword lore’. In other first love. At graduation from senior high turies later during the Kyoho Era (1716– words, iaido has come to be pursued as a school, he joined the Chiba Railway Op- 36), Shuze Hasegawa, a swordsman of means of self-refinement and self-devel- erating Division of the former JNR. One unprecedented prowess, fused his unique opment. of the key reasons for choosing this job technique into the art, and changed the Kendo (Japanese fencing), one of the tra- was the chance to continue to pursue his name of the school to the Musojikiden ditional arts passed on from generation- love of baseball. -
About Zen Bu Kan
About Zen Bu Kan Zen Bu Kan is an iaido dojo of the Muso Jikiden Eishin Ryu lineage located in Salt Lake City, Utah. Zen Bu Kan was started by Jules Harris Sensei. Having studied in New York, Harris Sensei moved to Utah to study Zen at the renowned Kanzeon Zen Center in Salt Lake City. A scholar, warrior, and spiritual leader; Harris Sensei taught without thought of personal gain, only to pass on the lineage. He moved back East, to Pennsylvania, to further his spiritual studies. Zen Bu Kan is now led by his students Jason Hankins Sensei and Dick Beckstead Sensei. More recently, Zen Bu Kan has begun to teach kendo under the direction of Robert Stroud Sensei, 7th dan renshi. Stroud Sensei leads a dojo in Boise, Idaho, and serves as a kendo mentor and instructor to Zen Bu Kan’s sensei. Iaido students at Zen Bu Kan begin by learning the basic fundamentals of iaido. Having learned the fundamentals, students then begin to learn the twelve Seitei kata. The Seitei kata are the standard by which iaido practitioners (iaidoka) world-wide begin their training and upon which they are tested. Eventually, students move on to learn the Omori-Ryu and Muso Jikiden Eishin Ryu kata. Zen Bu Kan does not operate for profit and is solely supported by its students at cost. This allows the school to keep the price of tuition to a minimum, but it also means that the school is heavily dependant upon its students to remain in operation. The students form both the body and the support staff of the school. -
EVOLUTION of JAPANESE WOMEN's KIMONO from A.D. 200 to 1960
THE EVOUTCION OF JAPANESE WOMEN'S KIMONO FEOK A.D. 200 TO 1960 *"> MASAKO TOYOSHMA B. S., Fukuoka Women's University, 1963 A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE General Home Economics College of Home Eoonomios KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved byi Major Professor TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. HU-STYLE PERIOD (A.D. 200-552) 7 Political Situation 7 Dress of tha Period 9 III. T'ANG-STYLE PERIOD (552-894) 13 Politioal Situation 13 Dress of T'ang-stylo Period 18 IV. OS0DE-FASHI0N PERIOD (894-1477) 26 Political Situation 26 Dress of the OBode-Fashion Period 33 V. KOSODE-FASHION PERIOD (1477-1868) 44 Politioal Situation 44 Dress of Kosode-fashion Period •• 52 VI. JAPANESE-WESTERN PERIOD (1868-1960) 68 Politioal Situation 68 Dress of Japanese -'Western Period • 75 VII. SUMMARY AND RECOMMENDATIONS 83 Summary ............. 83 Recommendations •• •• 87 88 BIBLIOGRAPHY • • • ii LIST OF PLATES PLATE PAGE I Dress of Hu-style Period ..... ... 11 II Dress of T'ang-style Period 21 III Dress of Osode-fashion Period 37 17 Dress of Kosode-fashion Period 54 V Dress of Japanese -We stern Period. ............ 82 iii CHAPTER I INTRODUCTION Costume expresses a relationship to the ideals and the spirit - of the country during a particular time. Hurlock states in The Psych ology of Pre s s : In every age, some ideal is developed which predominates over all others. This ideal may be religious or political; it may re- late to the crown or to the people; it may be purely social or artistic, conservative or radical. -
分稽古着 Fun No Keikogi Parts of a Uniform
1 分稽古着 Fun no Keikogi Parts of a Uniform 稽古着 Keikogi Practice Uniform 上着 Uwagi Jacket 衿 Eri Collar 襟 Eri Lapel, collar 袖 Sode Sleeve ? Shita Jacket bottom Trim 帯 Obi Belt 黒帯 Kuroi Obi Black Belt 白帯 Shiro Obi White Belt 結び帯 Musubi Obi Belt Knot 袖口 Sode Guchi Sleeve opening ズボン Zubon Pants 紋 Mon Family crest 紐 Himo Cord, lace, Strings 草履 Zori Sandals for outside the dojo 袖無半纏 Sodenashi Hanten padded vest Updated MJC 27 Oct 2013 2 の着方 Keikogi no kikata Part I Etiquette for Wearing a Uniform Please ensure in the back that both parts of the belt, one is over top of the other! Updated MJC 27 Oct 2013 3 の着方 Keikogi no kikata Part II Etiquette for Wearing a Uniform 1. Keikogi must be washed regularly. Cold water wash and hung to dry is best way. Do not WASH the belt (Obi). 2. It must always be kept in good repair a. Holes and tears repaired b. Stains removed c. 紐 Himo, strings, sown back on, when torn off 3. Jackets must be worn right side out. 4. Over sized uniforms (on children) please ensure Sleeves and pant legs are folded/rolled up properly. Temporary stitches can be used to prevent the sleeves/pant legs from unfolding during class time! 5. Over sized uniforms (adults), Sleeves and pant legs should be tailored, please ask Sensei for measurements. 6. 紋 Mon, Family crest, sown on correctly. It must be current. Fewer are better! 7. When travelling to the Dojo, Keikogi should be carried in a Gym bag or Gi Bag.